No More Learning

Let any one \
wishes to see the full force of this contrast comp
our most noted novelists with the less noted o
of France or Italy: he will recognise in both
same doubtful tendencies and aims, as also
same still more doubtful means, but in France
will find them coupled with artistic earnestness,
least with grammatical purity, and often w
beauty, while in their every feature he will recc
nise the echo of a           social cultu
In Germany, on the other hand, they will strike hi
as unoriginal, flabby, filled with dressing-gov
thoughts and expressions, unpleasantly spread 01
and therewithal possessing no background


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