The
Adventures
of Five Hours by Sir Samuel Tuke.
Cambridge History of English Literature - 1908 - v08
The Reformation.
A comedy.
Acted at the Duke's Theatre.
1673.
## p. 422 (#444) ############################################
422
Bibliography
1
Bulteel, J. Amorous Orontus, or Love in Fashion. À comedy in heroic
verse. 1665.
Duffet, Thomas. The Spanish Rogue. A comedy. As it was acted by his
Majesty's Servants. 1674.
Mock Tempest, or the Enchanted Castle. A farce. Acted at the
Theatre-Royal. 1675.
Fane, Sir Francis. Love in the Dark, or the Man of Business. Á comedy.
Ácted at the Theatre Royal by his Majesty's Servants. 1675.
Sacrifice. A tragedy. 1686, 1687.
Flecknoe, Richard. Demoiselles à la Mode. A comedy. 1667.
Howard, Edward. Six Days' Adventures, or the New Utopia. A comedy.
Acted at his Royal Highness the Duke of York's Theatre. 1671.
The Man of Newmarket. A comedy. Acted at the Theatre Royal. 1678.
Howard, James. All Mistaken, or the Mad Couple. A comedy. Acted by
his Majesties Servants at the Theatre-Royal, 1672. Rptd in Dodsley's
Old Plays, ed. 1744.
The English Monsieur. A comedy. Acted at the Theatre Royal by his
Majesties Servants. 1674.
Jordan, Thomas. Money is an Ass. A comedy. 1668.
Maidwell, Laurence. The Loving Enemies. A comedy. As it was acted at
the Duke of York's Theatre. 1680.
[Southland, T. ) Love à la Mode. A comedy acted at Middlesex House. '
By a person of honour. 1663.
St Serfe, Sir Thomas. Tarugo's Wiles, or the Coffee-House. A comedy.
As it was acted at his Highness the Duke of York's theatre. 1668.
The Mistaken Husband. A comedy by a person of quality. Acted at the
Theatre Royal. 1675.
C. BIOGRAPHICAL AND CRITICAL WORKS
Arber, E. The Term Catalogue, 1668–1709 A. D. A contemporary Biblio-
graphy of English Literature in the Reigns of Charles II, James II,
William and Mary, and Anne. Ed. Arber, E. 3 vols. 1903-6.
Aronstein, P. Samuel Pepys und seine Zeit. Die neueren Sprachen, Zeit-
schrift für den nensprachlichen Unterricht, vol. VII. Marburg, 1899–1900.
Behn, A. The History of the Life and Memoirs of. Written by one of the
fair sex. First prefixed to the Collected Edition of Mrs Behn's Works,
ed. 1702. Rptd in the ed. of 1871.
Beljame, A. Le Public et Les Hommes de Lettres en Angleterre au dix-
huitième Siècle. Paris, 1883.
? Betterton, T. The History of the English Stage from the Restoration to
the Present Times. 1741. [Probably not by Betterton. ]
Biographia Britannica, or the Lives of the Most Eminent Persons who have
flourished in Great Britain and Ireland. 6 vols. 1747.
Campbell, K. Notes on D'Avenant's Life. Modern Language Notes,
vol. XVIII. Baltimore, U. S. A. , 1903.
The Source of The Siege of Rhodes. In the same, vol. XIII,
1898.
Canfield, D. F. Corneille and Racine in England. 1904.
Charlanne, L. L'Influence Française en Angleterre an dix-septième Siècle.
Paris, 1906.
Churchill, G. B. The Relation of Dryden's State of Innocence to Milton's
Paradise Lost and Wycherley's Plain Dealer. An inquiry into Dates.
Modern Philology, vol. iv. 1906-7.
Cibber, Theophilus. An Account of the Lives of the Poets of Great Britain
and Ireland. 5 vols. 1753.
Clément, F. and Larousse, P. Dictionnaire des Opéras. Paris, (n. d. ].
.
## p. 423 (#445) ############################################
Chapter V
423
Courthope, W. J. History of English Poetry. 6 vols 1895–1910. [Especially
vol. iv, chap. XIII. ]
Davey, H. History of English Music. 1895.
Dibdin, C. A Complete History of the English Stage. 5 vols. 1800.
Doran, J. Their Majesties Servants. Annals of the English Stage from
Thomas Betterton to Edmund Keene. 2nd ed. 1865.
Downes, J. Roscius Anglicanus, or an Historical Review of the Stage. 1709.
New ed. by Davies, T. 1789.
Ebsworth, J. W. Westminster Drolleries. 1671, 1672. Rptd, with an
introduction, 1875.
Edwards, H. S. History of the Opera. 2 vols. 1862.
Elze, K. Sir William Davenant. Jahrbuch der deutschen Shakespeare-
Gesellschaft, vol. iv. 1869.
Evelyn, J. Diary. Ed. Dobson, A. 3 vols. 1906.
Fleay, F. G. A Biographical Chronicle of the English Drama. 2 vols.
1891. [Sections D'Avenant, the Killigrews, etc. )
Gardiner, 8. B. History of the Commonwealth and Protectorate. 2 vols. ,
ed. 1897.
Gaw, A.
The Adventures of Five Hours by Sir Samuel Tuke. A study in
the History of the Early Restoration Drama. Unpublished Thesis in the
Library of the University of Pennsylvania. 1908.
Genest, J. Some Account of the English Stage from the Restoration in 1660
to 1830. 10 vols. Bath, 1832.
Gosse, E. Seventeenth Century Studies. A contribution to the History of
English Poetry. 3rd ed. 1897. [Sir George Etherege, pp. 259-98. ]
Grisy, R. A. de. Histoire de la Comédie Anglaise au dix-septième Siècle.
Paris, 1878.
Halliwell-Phillipps, J. O. A Collection of Ancient Documents respecting
the Office of the Master of the Revels and other papers relating to early
English theatres. 1870.
Hazlitt, W. Lectures on the English Comic Writers. First published 1819.
Collected works of William Hazlitt. Edd. Waller, A. R. and Glover, A.
12 vols. 1902-4.
Hazlitt, W. C. Collections and Notes, 1867–76. 1876.
The English Drama and Stage under the Tudor and Stuart Princes,
1543-1664. Illustrated by a series of Documents, Treatises and Poems.
(Roxburghe Library. ) 1869.
Manual for the collector and amateur of old English plays. 1892.
Klette, J. William Wycherley's Leben und dramatische Werke mit beson-
derer Berücksichtigung von Wycherley als Plagiator Molière's. Münster,
1883.
Krause, E. Abriss der Entwickelungsgeschichte der Oper. Hamburg, 1891.
Langbaine, G. An Account of the English Dramatic Poets. 1691. Revised and
extended by Gildon, C. , as The Lives of the Poets, 1699; by Baker, D. E. ,
as The Companion to the Playhouse, 1764; as Biographia Dramatica,
by Reed, I. , 1782; and by Jones, S. , 4 vols. , 1812.
Lavoix, H. La Musique Française. Paris, 1891.
Lissner, M. Sir Charles Sedley's Leben und Werke. Anglia, vol. XXVIII,
pp. 145-254.
1905.
Longueville, T. Rochester and Other Literary Rakes of the Court of
Charles II with some account of their Surroundings. 1903.
Lowe, R. W. Bibliographical account of English dramatic literature. 1888.
Macaulay, T. B. Art. Leigh Hunt. The Dramatic Works of Wycherley,
Congreve, Vanbrugh and Farquhar. Edinburgh Review, January 1841.
Republished in his Essays.
## p. 424 (#446) ############################################
424
Bibliography
Malone, E. Historical Account of the Rise and Progress of the English
Stage and the Economy and Usages of our Ancient Theatres. Printed
in vol. III of Malone's edition of Works of Shakespeare, 1821.
Meindl, V. Sir George Etheredge, sein Leben, seine Zeit und seine Dramen.
Wiener Beiträge zur englischen Philologie, vol. xiv. 1901.
Meyers, C. L. Opera in England from 1656 to 1728. Western Reserve
Bulletin, vol. ix, no. 5. Cleveland, Ohio, 1906.
Morgan, A. William Shakespeare's Literary Execntor (D'Avenant). Maga-
zine of American History, XVI. New York, 1886.
Mulert, A. Pierre Corneille auf der englischen Bühne und in der englischen
Übersetzungs-Literatur des siebenzehnten Jahrhunderts. Münchener
Beiträge, vol. XVIII. 1900.
Newcastle, Margaret Cavendish, Duchess of. A true Relation of the Birth,
Breeding and Life of Margaret Cavendish, written by herself. With a
Critical Preface by Sir Egerton Brydges, Lee Priory, Kent. 1814. Be-
printed from Nature's Pictures Drawn by Fancie's Pencil. 1656.
The Life of the thrice noble . . . William Cavendish, Duke, Marques
and Earl of Newcastle. 1667, 1675.
The Life of William Cavendish, Duke of Newcastle, to which is added
the Life of Margaret Duchess of Newcastle. Ed. Firth, C. H. 1886.
Nuitter, C. and Thoinan, E. Les Origines de l'Opéra Français. Paris, 1886.
On the Poets and Actors in King Charles II's Reign. The Gentleman's
Magazine, vol. xv. 1745.
Parry, C. H. H. The Music of the Seventeenth Century. The Oxford
History of Music, vol. III. Oxford, 1902.
Pepys, Samuel, The Diary of. Ed. with additions, Wheatley, H. B. 9 vols.
1897-9.
Saint-Évremond, C. de M. de St. Denis. Euvres Meslées de M. de Saint-Évre-
mond. Publiées sur les Manuscrits de l'Auteur. Londres. 2 vols. 1705.
The Works of Monsieur de St Évremond. Made English from the
French Original, with the Author's Life by Des Maizeaux, P. , 3 vols.
1714.
Saintsbury, G. Saint-Évremond. Miscellaneous Essays. 2nd ed. 1895.
Siegel, P. Aphra Behn's Gedichte und Prosawerke. Anglia, vol. xxv,
pp. 86-128, 329-85. 1902.
Siegert, E. Roger Boyle, Earl of Orrery und seine Dramen. Zur Geschichte
des heroischen Dramas in England. Wiener Beiträge, XXIII. 1906.
Sieper, E. Die Geschichte von Soliman und Perseda in der neueren Litte-
ratur. Weimar, 1895.
Ward, A. W. History of English Dramatio Literature. 2nd ed. 1899.
[Especially vol. 111, chap. IX. ]
Wright, J. Historia Histrionica, a Dialogue on the Old Drama. 1699.
.
Rptd in Hazlitt's Dodsley, vol. xv.
D. SPANISH INFLUENCES ON ENGLISH DRAMA
Bahlsen, L. Eine Comödie Fletchers, ihre spanische Quelle. Wissenschaft
liche Beilage zum Jahresbericht der sechsten städtischen Realschule zu
Berlin 1894.
Spanische Quellen der dramatischen Litteratur besonders Englands zu
Shakespeare's Zeit. Zeitschrift für vergleichende Litteraturgeschichte.
N. F.
1673.
## p. 422 (#444) ############################################
422
Bibliography
1
Bulteel, J. Amorous Orontus, or Love in Fashion. À comedy in heroic
verse. 1665.
Duffet, Thomas. The Spanish Rogue. A comedy. As it was acted by his
Majesty's Servants. 1674.
Mock Tempest, or the Enchanted Castle. A farce. Acted at the
Theatre-Royal. 1675.
Fane, Sir Francis. Love in the Dark, or the Man of Business. Á comedy.
Ácted at the Theatre Royal by his Majesty's Servants. 1675.
Sacrifice. A tragedy. 1686, 1687.
Flecknoe, Richard. Demoiselles à la Mode. A comedy. 1667.
Howard, Edward. Six Days' Adventures, or the New Utopia. A comedy.
Acted at his Royal Highness the Duke of York's Theatre. 1671.
The Man of Newmarket. A comedy. Acted at the Theatre Royal. 1678.
Howard, James. All Mistaken, or the Mad Couple. A comedy. Acted by
his Majesties Servants at the Theatre-Royal, 1672. Rptd in Dodsley's
Old Plays, ed. 1744.
The English Monsieur. A comedy. Acted at the Theatre Royal by his
Majesties Servants. 1674.
Jordan, Thomas. Money is an Ass. A comedy. 1668.
Maidwell, Laurence. The Loving Enemies. A comedy. As it was acted at
the Duke of York's Theatre. 1680.
[Southland, T. ) Love à la Mode. A comedy acted at Middlesex House. '
By a person of honour. 1663.
St Serfe, Sir Thomas. Tarugo's Wiles, or the Coffee-House. A comedy.
As it was acted at his Highness the Duke of York's theatre. 1668.
The Mistaken Husband. A comedy by a person of quality. Acted at the
Theatre Royal. 1675.
C. BIOGRAPHICAL AND CRITICAL WORKS
Arber, E. The Term Catalogue, 1668–1709 A. D. A contemporary Biblio-
graphy of English Literature in the Reigns of Charles II, James II,
William and Mary, and Anne. Ed. Arber, E. 3 vols. 1903-6.
Aronstein, P. Samuel Pepys und seine Zeit. Die neueren Sprachen, Zeit-
schrift für den nensprachlichen Unterricht, vol. VII. Marburg, 1899–1900.
Behn, A. The History of the Life and Memoirs of. Written by one of the
fair sex. First prefixed to the Collected Edition of Mrs Behn's Works,
ed. 1702. Rptd in the ed. of 1871.
Beljame, A. Le Public et Les Hommes de Lettres en Angleterre au dix-
huitième Siècle. Paris, 1883.
? Betterton, T. The History of the English Stage from the Restoration to
the Present Times. 1741. [Probably not by Betterton. ]
Biographia Britannica, or the Lives of the Most Eminent Persons who have
flourished in Great Britain and Ireland. 6 vols. 1747.
Campbell, K. Notes on D'Avenant's Life. Modern Language Notes,
vol. XVIII. Baltimore, U. S. A. , 1903.
The Source of The Siege of Rhodes. In the same, vol. XIII,
1898.
Canfield, D. F. Corneille and Racine in England. 1904.
Charlanne, L. L'Influence Française en Angleterre an dix-septième Siècle.
Paris, 1906.
Churchill, G. B. The Relation of Dryden's State of Innocence to Milton's
Paradise Lost and Wycherley's Plain Dealer. An inquiry into Dates.
Modern Philology, vol. iv. 1906-7.
Cibber, Theophilus. An Account of the Lives of the Poets of Great Britain
and Ireland. 5 vols. 1753.
Clément, F. and Larousse, P. Dictionnaire des Opéras. Paris, (n. d. ].
.
## p. 423 (#445) ############################################
Chapter V
423
Courthope, W. J. History of English Poetry. 6 vols 1895–1910. [Especially
vol. iv, chap. XIII. ]
Davey, H. History of English Music. 1895.
Dibdin, C. A Complete History of the English Stage. 5 vols. 1800.
Doran, J. Their Majesties Servants. Annals of the English Stage from
Thomas Betterton to Edmund Keene. 2nd ed. 1865.
Downes, J. Roscius Anglicanus, or an Historical Review of the Stage. 1709.
New ed. by Davies, T. 1789.
Ebsworth, J. W. Westminster Drolleries. 1671, 1672. Rptd, with an
introduction, 1875.
Edwards, H. S. History of the Opera. 2 vols. 1862.
Elze, K. Sir William Davenant. Jahrbuch der deutschen Shakespeare-
Gesellschaft, vol. iv. 1869.
Evelyn, J. Diary. Ed. Dobson, A. 3 vols. 1906.
Fleay, F. G. A Biographical Chronicle of the English Drama. 2 vols.
1891. [Sections D'Avenant, the Killigrews, etc. )
Gardiner, 8. B. History of the Commonwealth and Protectorate. 2 vols. ,
ed. 1897.
Gaw, A.
The Adventures of Five Hours by Sir Samuel Tuke. A study in
the History of the Early Restoration Drama. Unpublished Thesis in the
Library of the University of Pennsylvania. 1908.
Genest, J. Some Account of the English Stage from the Restoration in 1660
to 1830. 10 vols. Bath, 1832.
Gosse, E. Seventeenth Century Studies. A contribution to the History of
English Poetry. 3rd ed. 1897. [Sir George Etherege, pp. 259-98. ]
Grisy, R. A. de. Histoire de la Comédie Anglaise au dix-septième Siècle.
Paris, 1878.
Halliwell-Phillipps, J. O. A Collection of Ancient Documents respecting
the Office of the Master of the Revels and other papers relating to early
English theatres. 1870.
Hazlitt, W. Lectures on the English Comic Writers. First published 1819.
Collected works of William Hazlitt. Edd. Waller, A. R. and Glover, A.
12 vols. 1902-4.
Hazlitt, W. C. Collections and Notes, 1867–76. 1876.
The English Drama and Stage under the Tudor and Stuart Princes,
1543-1664. Illustrated by a series of Documents, Treatises and Poems.
(Roxburghe Library. ) 1869.
Manual for the collector and amateur of old English plays. 1892.
Klette, J. William Wycherley's Leben und dramatische Werke mit beson-
derer Berücksichtigung von Wycherley als Plagiator Molière's. Münster,
1883.
Krause, E. Abriss der Entwickelungsgeschichte der Oper. Hamburg, 1891.
Langbaine, G. An Account of the English Dramatic Poets. 1691. Revised and
extended by Gildon, C. , as The Lives of the Poets, 1699; by Baker, D. E. ,
as The Companion to the Playhouse, 1764; as Biographia Dramatica,
by Reed, I. , 1782; and by Jones, S. , 4 vols. , 1812.
Lavoix, H. La Musique Française. Paris, 1891.
Lissner, M. Sir Charles Sedley's Leben und Werke. Anglia, vol. XXVIII,
pp. 145-254.
1905.
Longueville, T. Rochester and Other Literary Rakes of the Court of
Charles II with some account of their Surroundings. 1903.
Lowe, R. W. Bibliographical account of English dramatic literature. 1888.
Macaulay, T. B. Art. Leigh Hunt. The Dramatic Works of Wycherley,
Congreve, Vanbrugh and Farquhar. Edinburgh Review, January 1841.
Republished in his Essays.
## p. 424 (#446) ############################################
424
Bibliography
Malone, E. Historical Account of the Rise and Progress of the English
Stage and the Economy and Usages of our Ancient Theatres. Printed
in vol. III of Malone's edition of Works of Shakespeare, 1821.
Meindl, V. Sir George Etheredge, sein Leben, seine Zeit und seine Dramen.
Wiener Beiträge zur englischen Philologie, vol. xiv. 1901.
Meyers, C. L. Opera in England from 1656 to 1728. Western Reserve
Bulletin, vol. ix, no. 5. Cleveland, Ohio, 1906.
Morgan, A. William Shakespeare's Literary Execntor (D'Avenant). Maga-
zine of American History, XVI. New York, 1886.
Mulert, A. Pierre Corneille auf der englischen Bühne und in der englischen
Übersetzungs-Literatur des siebenzehnten Jahrhunderts. Münchener
Beiträge, vol. XVIII. 1900.
Newcastle, Margaret Cavendish, Duchess of. A true Relation of the Birth,
Breeding and Life of Margaret Cavendish, written by herself. With a
Critical Preface by Sir Egerton Brydges, Lee Priory, Kent. 1814. Be-
printed from Nature's Pictures Drawn by Fancie's Pencil. 1656.
The Life of the thrice noble . . . William Cavendish, Duke, Marques
and Earl of Newcastle. 1667, 1675.
The Life of William Cavendish, Duke of Newcastle, to which is added
the Life of Margaret Duchess of Newcastle. Ed. Firth, C. H. 1886.
Nuitter, C. and Thoinan, E. Les Origines de l'Opéra Français. Paris, 1886.
On the Poets and Actors in King Charles II's Reign. The Gentleman's
Magazine, vol. xv. 1745.
Parry, C. H. H. The Music of the Seventeenth Century. The Oxford
History of Music, vol. III. Oxford, 1902.
Pepys, Samuel, The Diary of. Ed. with additions, Wheatley, H. B. 9 vols.
1897-9.
Saint-Évremond, C. de M. de St. Denis. Euvres Meslées de M. de Saint-Évre-
mond. Publiées sur les Manuscrits de l'Auteur. Londres. 2 vols. 1705.
The Works of Monsieur de St Évremond. Made English from the
French Original, with the Author's Life by Des Maizeaux, P. , 3 vols.
1714.
Saintsbury, G. Saint-Évremond. Miscellaneous Essays. 2nd ed. 1895.
Siegel, P. Aphra Behn's Gedichte und Prosawerke. Anglia, vol. xxv,
pp. 86-128, 329-85. 1902.
Siegert, E. Roger Boyle, Earl of Orrery und seine Dramen. Zur Geschichte
des heroischen Dramas in England. Wiener Beiträge, XXIII. 1906.
Sieper, E. Die Geschichte von Soliman und Perseda in der neueren Litte-
ratur. Weimar, 1895.
Ward, A. W. History of English Dramatio Literature. 2nd ed. 1899.
[Especially vol. 111, chap. IX. ]
Wright, J. Historia Histrionica, a Dialogue on the Old Drama. 1699.
.
Rptd in Hazlitt's Dodsley, vol. xv.
D. SPANISH INFLUENCES ON ENGLISH DRAMA
Bahlsen, L. Eine Comödie Fletchers, ihre spanische Quelle. Wissenschaft
liche Beilage zum Jahresbericht der sechsten städtischen Realschule zu
Berlin 1894.
Spanische Quellen der dramatischen Litteratur besonders Englands zu
Shakespeare's Zeit. Zeitschrift für vergleichende Litteraturgeschichte.
N. F.
