One does not know which to admire the
most, his imagination or his prose, to
which, disdaining the use of pathos, he gives the im-
pressiveness and voluminousness of flowing music.
most, his imagination or his prose, to
which, disdaining the use of pathos, he gives the im-
pressiveness and voluminousness of flowing music.
Poland - 1911 - An Outline of the History of Polish Literature
