Thou hast
loitered
.
William Wordsworth
He starts-and, at the admonition,
Takes a survey of his condition. 1819. ]
[Variant 25:
1836.
A huge and melancholy room, 1819. ]
[Variant 26:
1836.
. . . on high . . . 1819. ]
[Variant 27: 1836. The previous four lines were added in the edition of
1820, where they read as follows:
And suddenly a ruffling breeze
(That would have sounded through the trees
Had aught of sylvan growth been there)
Was felt throughout the region bare: 1820. ]
[Variant 28:
1836.
By peals of thunder, clap on clap!
And many a terror-striking flash;--
And somewhere, as it seems, a crash, 1819. ]
[Variant 29:
1820.
And rattling . . . 1819,]
[Variant 30:
1836. (Compressing six lines into four. )
The voice, to move commiseration,
Prolong'd its earnest supplication--
"This storm that beats so furiously--
This dreadful place! oh pity me! "
While this was said, with sobs between,
And many tears, by one unseen; 1819. ]
[Variant 31:
1845.
And Benjamin, without further question,
Taking her for some way-worn rover, 1819.
And, kind to every way-worn rover,
Benjamin, without a question, 1836. ]
[Variant 32:
1820.
. . . trouble . . . 1819. ]
[Variant 33:
1845.
And to a little tent hard by
Turns the Sailor instantly; 1819.
And to his tent-like domicile,
Built in a nook with cautious skill,
The Sailor turns, well pleased to spy
His shaggy friend who stood hard by
Drenched--and, more fast than with a tether,
Bound to the nook by that fierce weather,
Which caught the vagrants unaware:
For, when, ere closing-in . . . 1836. ]
[Variant 34:
1836.
Had tempted . . . 1819. ]
[Variant 35:
1836.
Proceeding with an easy mind;
While he, who had been left behind, 1819. ]
[Variant 36:
1820.
Who neither heard nor saw--no more
Than if he had been deaf and blind,
Till, startled by the Sailor's roar, 1819. ]
[Variant 37:
1819.
That blew us hither! dance, boys, dance!
Rare luck for us! my honest soul,
I'll treat thee to a friendly bowl! " 1836.
The text of 1845 returns to that of 1819. ]
[Variant 38:
1836.
To _seek_ for thoughts of painful cast,
If such be the amends at last. 1819. ]
[Variant 39:
1836.
. . . think . . . 1819. ]
[Variant 40:
1819.
For soon among . . . 1836.
The text of 1845 returns to that of 1819. ]
[Variant 41:
1819.
And happiest far is he, the One
No longer with himself at strife,
A Caesar past the Rubicon!
The Sailor, Man by nature gay,
Found not a scruple in _his_ way; 1836.
The text of 1845 returns to that of 1819. ]
[Variant 42:
1836.
Deems that she is happier, laid
Within that warm and peaceful bed; 1819. ]
[Variant 43:
1845.
With bowl in hand,
(It may not stand)
Gladdest of the gladsome band,
Amid their own delight and fun, 1819.
With bowl that sped from hand to hand,
Refreshed, brimful of hearty fun,
The gladdest of the gladsome band, 1836. ]
[Variant 44:
1836.
They hear--when every fit is o'er--1819. ]
[Variant 45:
1836.
. . . wondrous . . . 1819. ]
[Variant 46:
1836.
. . . these . . . 1819. ]
[Variant 47:
1836.
. . . the Mastiff's side,
(The Mastiff not well pleased to be
So very near such company. ) 1819. ]
[Variant 48:
1832.
. . . all together, . . . 1819. ]
[Variant 49:
1836
. . . sails . . . 1819. ]
[Variant 50:
1836.
On . . . 1819. ]
[Variant 51:
1836.
He's in the height . . . 1819. ]
[Variant 52:
1836.
He wheel'd--. . . 1819. ]
[Variant 53:
1827.
And, rambling on . . . 1819. ]
[Variant 54:
1819.
Now hidden by the glittering steam: 1836.
The text of 1845 returns to that of 1819. ]
[Variant 55:
1845. The previous eight lines were added in 1836, when they read thus:
Say more: for by that power a vein
Seems opened of brow-saddening pain:
As if their hearts by notes were stung
From out the lowly hedge-rows flung;
As if the warbler lost in light
Reproved their soarings of the night;
In strains of rapture pure and holy
Upbraided their distempered folly. 1836. ]
[Variant 56:
1845.
They are drooping, weak, and dull; 1819.
Drooping are they, and weak and dull;--1836. ]
[Variant 57:
1836.
Knowing that there's cause . . . 1819.
Knowing there is cause . . . 1827. ]
[Variant 58:
1845.
They are labouring to avert
At least a portion of the blame 1819.
They now are labouring to avert
(Kind creatures! ) something of the blame, 1836. ]
[Variant 59:
1836.
Which full surely will alight
Upon his head, whom, in despite
Of all his faults, they love the best; 1819.
Upon _his_ head, . . . 1820. ]
[Variant 60:
1836.
Blends . . . 1819. ]
[Variant 61:
1845.
Never, surely, old Apollo,
He, or other God as old,
Of whom in story we are told,
Who had a favourite to follow
Through a battle or elsewhere,
Round the object of his care,
In a time of peril, threw
Veil of such celestial hue; 1819.
Never Venus or Apollo,
Pleased a favourite chief to follow
Through accidents of peace or war,
In a time of peril threw,
Round the object of his care,
Veil of such celestial hue; 1832.
Never golden-haired Apollo,
Nor blue-eyed Pallas, nor the Idalian Queen,
When each was pleased some favourite chief to follow
Through accidents of peace or war,
In a perilous moment threw
Around the object of celestial care
A veil so rich to mortal view. 1836.
Never Venus or Apollo,
Intent some favourite chief to follow
Through accidents of peace or war,
Round the object of their care
In a perilous moment threw
A veil of such celestial hue. C.
Round each object of their care C. ]
[Variant 62:
1819.
Fails to shield . . . 1836.
The text of 1845 returns to that of 1819. ]
[Variant 63:
1836.
Or . . . 1819. ]
[Variant 64:
1819.
If, as he cannot but forebode, 1836.
The text of 1845 returns to that of 1819. ]
[Variant 65:
1836.
Thou hast loitered . . . 1819. ]
[Variant 66:
1836.
His doubts--his fears . . . 1819. ]
[Variant 67:
1827. (Compressing two lines into one. )
Sometimes, as in the present case,
Will show a more familiar face; 1819.
Or, proud all rivalship to chase,
Will haunt me with familiar face; 1820. ]
[Variant 68:
1819.
Or, with milder grace . . . 1832.
The edition of 1845 reverts to the text of 1819. ]
[Variant 69:
1836.
. . . window . . . 1819. ]
[Variant 70: "Once" 'italicised' in 1820 only. ]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: The title page of the edition of 1819 runs as follows: The
Waggoner, A Poem. To which are added, Sonnets. By William Wordsworth.
"What's in a NAME? "
. . .
"Brutus will start a Spirit as soon as Caesar! "
London, etc. etc. , 1819,--Ed. ]
[Footnote B: See 'The Seasons' (Summer), ll. 977-79. --Ed. ]
[Footnote C: Such is the progress of refinement, this rude piece of
self-taught art has been supplanted by a professional production. --W. W.
1819.
Mr. William Davies writes to me,
"I spent a week there (the Swan Inn) early in the fifties, and well
remember the sign over the door distinguishable from afar: the inn,
little more than a cottage (the only one), with clean well-sanded
floor, and rush-bottomed chairs: the landlady, good old soul, one day
afraid of burdening me with some old coppers, insisted on retaining
them till I should return from an uphill walk, when they were duly
tendered to me. Here I learnt many particulars of Hartley Coleridge,
dead shortly before, who had been a great favourite with the host and
hostess. The grave of Wordsworth was at that time barely grassed
over. "--Ed. ]
[Footnote D: See Wordsworth's note [Note I to this poem, below], p.
109. --Ed. ]
[Footnote E: A mountain of Grasmere, the broken summit of which presents
two figures, full as distinctly shaped as that of the famous cobler,
near Arracher, in Scotland. --W. W. 1819. ]
[Footnote F: A term well known in the North of England, as applied to
rural Festivals, where young persons meet in the evening for the purpose
of dancing. --W. W. 1819. ]
[Footnote G: At the close of each strathspey, or jig, a particular note
from the fiddle summons the Rustic to the agreeable duty of saluting his
Partner. --W. W. 1819. ]
[Footnote H: Compare in 'Tristram Shandy':
"And this, said he, is the town of Namur, and this is the citadel: and
there lay the French, and here lay his honour and myself. "--Ed. ]
[Footnote J: See Wordsworth's note [Note III to this poem, below], p.
109. --Ed. ]
[Footnote K: The crag of the ewe lamb. --W. W. 1820. ]
[Footnote L: Compare Tennyson's "Farewell, we lose ourselves in
light. "--Ed. ]
[Footnote M: Compare Wordsworth's lines, beginning, "She was a Phantom
of delight," p. i, and Hamlet, act II. sc. ii. l. 124. --Ed. ]
* * * * *
SUB-FOOTNOTE ON THE TEXT
[Sub-Footnote a: See Wordsworth's note [Note II to the poem, below], p.
109. --Ed. ]
* * * * *
NOTES ON THE TEXT
(Added in the edition of 1836)
I
Several years after the event that forms the subject of the foregoing
poem, in company with my friend, the late Mr. Coleridge, I happened to
fall in with the person to whom the name of Benjamin is given. Upon our
expressing regret that we had not, for a long time, seen upon the road
either him or his waggon, he said:--"They could not do without me; and
as to the man who was put in my place, no good could come out of him; he
was a man of no _ideas_. "
The fact of my discarded hero's getting the horses out of a great
difficulty with a word, as related in the poem, was told me by an
eye-witness.
II
'The Dor-hawk, solitary bird. '
When the Poem was first written the note of the bird was thus described:
'The Night-hawk is singing his frog-like tune,
Twirling his watchman's rattle about--'
but from unwillingness to startle the reader at the outset by so bold a
mode of expression, the passage was altered as it now stands.
III
After the line, 'Can any mortal clog come to her', followed in the MS.
an incident which has been kept back. Part of the suppressed verses
shall here be given as a gratification of private feeling, which the
well-disposed reader will find no difficulty in excusing. They are now
printed for the first time.
Can any mortal clog come to her?
It can: . . .
. . .
But Benjamin, in his vexation,
Possesses inward consolation;
He knows his ground, and hopes to find
A spot with all things to his mind,
An upright mural block of stone,
Moist with pure water trickling down.
A slender spring; but kind to man
It is, a true Samaritan;
Close to the highway, pouring out
Its offering from a chink or spout;
Whence all, howe'er athirst, or drooping
With toil, may drink, and without stooping.
Cries Benjamin, "Where is it, where?
Voice it hath none, but must be near. "
--A star, declining towards the west,
Upon the watery surface threw
Its image tremulously imprest,
That just marked out the object and withdrew:
Right welcome service! . . .
. . .
ROCK OF NAMES!
Light is the strain, but not unjust
To Thee and thy memorial-trust,
That once seemed only to express
Love that was love in idleness;
Tokens, as year hath followed year,
How changed, alas, in character!
For they were graven on thy smooth breast
By hands of those my soul loved best;
Meek women, men as true and brave
As ever went to a hopeful grave:
Their hands and mine, when side by side
With kindred zeal and mutual pride,
We worked until the Initials took
Shapes that defied a scornful look. --
Long as for us a genial feeling
Survives, or one in need of healing,
The power, dear Rock, around thee cast,
Thy monumental power, shall last
For me and mine! O thought of pain,
That would impair it or profane!
Take all in kindness then, as said
With a staid heart but playful head;
And fail not Thou, loved Rock! to keep
Thy charge when we are laid asleep.
W. W.
There is no poem more closely identified with the Grasmere district of
the English Lakes--and with the road from Grasmere to Keswick--than 'The
Waggoner' is, and in none are the topographical allusions more minute
and faithful.
Wordsworth seemed at a loss to know in what "class" of his poems to
place 'The Waggoner;' and his frequent changes--removing it from one
group to another--shew the artificial character of these classes. Thus,
in the edition of 1820, it stood first among the "Poems of the Fancy. "
In 1827 it was the last of the "Poems founded on the Affections. " In
1832 it was reinstated among the "Poems of the Fancy. " In 1836 it had a
place of its own, and was inserted between the "Poems of the Fancy" and
those "Founded on the Affections;" while in 1845 it was sent back to its
original place among the "Poems of the Fancy;" although in the table of
contents it was printed as an independent poem, closing the series.
The original text of 'The Waggoner' underwent little change, till the
year 1836, when it was carefully revised, and altered throughout. The
final edition of 1845, however, reverted, in many instances--especially
in the first canto--to the original text of 1819.
As this poem was dedicated to Charles Lamb, it may be of interest to
note that, some six months afterwards, Lamb presented Wordsworth with a
copy of the first edition of 'Paradise Regained' (the edition of 1671),
writing on it the following sentence,
"Charles Lamb, to the best knower of Milton, and therefore the
worthiest occupant of this pleasant edition. --Jan. 2nd, 1820. "
The opening stanzas are unrivalled in their description of a sultry June
evening, with a thunder-storm imminent.
' 'Tis spent--this burning day of June!
Soft darkness o'er its latest gleams is stealing;
The buzzing dor-hawk, round and round, is wheeling,--
That solitary bird
Is all that can be heard
In silence deeper far than that of deepest noon!
. . .
. . .
The mountains against heaven's grave weight
Rise up, and grow to wondrous height.
The air, as in a lion's den,
Is close and hot;--and now and then
Comes a tired and sultry breeze
With a haunting and a panting,
Like the stifling of disease;
But the dews allay the heat,
And the silence makes it sweet. '
The Waggoner takes what is now the middle road, of the three leading
from Rydal to Grasmere (see the note to 'The Primrose of the Rock'). The
"craggy hill" referred to in the lines
'Now he leaves the lower ground,
And up the craggy hill ascending
. . .
Steep the way and wearisome,'
is the road from Rydal Quarry up to White Moss Common, with the Glowworm
rock on the right, and the "two heath-clad rocks," referred to in the
last of the "Poems on the Naming of Places," on the left. He next passes
"The Wishing Gate" on the left, John's Grove on the right, and descends
by Dove Cottage--where Wordsworth lived--to Grasmere.
'. . . at the bottom of the brow,
Where once the DOVE and OLIVE-BOUGH
Offered a greeting of good ale
To all who entered Grasmere Vale;
And called on him who must depart
To leave it with a jovial heart;
There, where the DOVE and OLIVE-BOUGH
Once hung, a Poet harbours now,
A simple water-drinking Bard. '
He goes through Grasmere, passes the Swan Inn,
'He knows it to his cost, good Man!
Who does not know the famous SWAN?
Object uncouth! and yet our boast,
For it was painted by the Host;
His own conceit the figure planned,
'Twas coloured all by his own hand. '
As early as 1819, when the poem was first published, "this rude piece of
self-taught art had been supplanted" by a more pretentious figure. The
Waggoner passes the Swan,
'And now the conqueror essays
The long ascent of Dunmail-raise. '
As he proceeds, the storm gathers, and "struggles to get free. " Road,
hill, and sky are dark; and he barely sees the well-known rocks at the
summit of Helm-crag, where two figures seem to sit, like those on the
Cobbler, near Arrochar, in Argyle.
'Black is the sky--and every hill,
Up to the sky, is blacker still--
Sky, hill, and dale, one dismal room,
Hung round and overhung with gloom;
Save that above a single height
Is to be seen a lurid light,
Above Helm-crag--a streak half dead,
A burning of portentous red;
And near that lurid light, full well
The ASTROLOGER, sage Sidrophel,
Where at his desk and book he sits,
Puzzling aloft his curious wits;
He whose domain is held in common
With no one but the ANCIENT WOMAN,
Cowering beside her rifted cell,
As if intent on magic spell;--
Dread pair, that, spite of wind and weather,
Still sit upon Helm-crag together! '
At the top of the "raise"--the water-shed between the vales of Grasmere
and Wytheburn--he reaches the familiar pile of stones, at the boundary
between the shires of Westmoreland and Cumberland.
'. . . that pile of stones,
Heaped over brave King Dunmail's bones;
. . .
Green is the grass for beast to graze,
Around the stones of Dunmail-raise! '
The allusion to Seat-Sandal laid bare by the flash of lightning, and the
description, in the last canto, of the ascent of the Raise by the
Waggoner on a summer morning, are as true to the spirit of the place as
anything that Wordsworth has written. He tells his friend Lamb, fourteen
years after he wrote the poem of 'The Waggoner,'
'Yes, I, and all about me here,
Through all the changes of the year,
Had seen him through the mountains go,
In pomp of mist or pomp of snow,
Majestically huge and slow:
Or, with a milder grace adorning
The landscape of a summer's morning;
While Grasmere smoothed her liquid plain
The moving image to detain;
And mighty Fairfield, with a chime
Of echoes, to his march kept time;
When little other business stirred,
And little other sound was heard;
In that delicious hour of balm,
Stillness, solitude, and calm,
While yet the valley is arrayed,
On this side with a sober shade;
On that is prodigally bright--
Crag, lawn, and wood--with rosy light. '
From Dunmail-raise the Waggoner descends to Wytheburn. Externally,
'. . . Wytheburn's modest House of prayer,
As lowly as the lowliest dwelling,'
remains very much as it was in 1805; but the primitive simplicity and
"lowliness" of the chapel was changed by the addition a few years ago of
an apse, by the removal of some of the old rafters, and by the reseating
of the pews.
The Cherry Tree Tavern, where "the village Merry-night" was being
celebrated, still stands on the eastern or Helvellyn side of the road.
It is now a farm-house; but it will be regarded with interest from the
description of the rustic dance, which recalls ('longo intervallo') 'The
Jolly Beggars' of Burns. After two hours' delay at the Cherry Tree, the
Waggoner and Sailor "coast the silent lake" of Thirlmere, and pass the
Rock of Names.
This rock was, until lately, one of the most interesting memorials of
Wordsworth and his friends that survived in the Lake District; but the
vale of Thirlmere is now a Manchester water-tank, and the place which
knew the Rock of Names now knows it no more. It was a sort of trysting
place of the poets of Grasmere and Keswick--being nearly half-way
between the two places--and there, Wordsworth, Coleridge, and other
members of their households often met. When Coleridge left Grasmere for
Keswick, the Wordsworths usually accompanied him as far as this rock;
and they often met him there on his way over from Keswick to Grasmere.
Compare the Hon. Mr. Justice Coleridge's Reminiscences. ('Memoirs of
Wordsworth,' vol. ii. p. 310. )
The rock was on the right hand of the road, a little way past Waterhead,
at the southern end of Thirlmere; and on it were cut the letters,
W. W.
M. H.
D. W.
S. T.
