No More Learning

I seem'd the only part of Time stood still,
And saw the motion of all other things;
While her words, syllable by syllable,
Like water, drop by drop, upon my ear
Fell, and I wish'd, yet wish'd her not to speak,
But she spoke on, for I did name no wish.
What marvel my Camilla told me all
Her maiden dignities of Hope and Love,
'Perchance' she said 'return'd. ' Even then the stars
Did tremble in their stations as I gazed;
But she spake on, for I did name no wish,
No wish--no hope. Hope was not wholly dead,
But breathing hard at the approach of Death,
Updrawn in expectation of her change--
Camilla, my Camilla, who was mine
No longer in the dearest use of mine--
The written secrets of her inmost soul
Lay like an open scroll before my view,
And my eyes read, they read aright, her heart
Was Lionel's: it seem'd as tho' a link
Of some light chain within my inmost frame
Was riven in twain: that life I heeded not
Flow'd from me, and the darkness of the grave,
The darkness of the grave and utter night,
Did swallow up my vision: at her feet,
Even the feet of her I loved, I fell,
Smit with exceeding sorrow unto death.

Then had the earth beneath me yawning given
Sign of convulsion; and tho' horrid rifts
Sent up the moaning of unhappy spirits
Imprison'd in her centre, with the heat
Of their infolding element; had the angels,
The watchers at heaven's gate, push'd them apart,
And from the golden threshold had down-roll'd
Their heaviest thunder, I had lain as still,
And blind and motionless as then I lay!
White as quench'd ashes, cold as were the hopes
Of my lorn love! What happy air shall woo
The wither'd leaf fall'n in the woods, or blasted
Upon this bough? a lightning stroke had come
Even from that Heaven in whose light I bloom'd
And taken away the greenness of my life,
The blossom and the fragrance. Who was cursed
But I? who miserable but I? even Misery
Forgot herself in that extreme distress,
And with the overdoing of her part
Did fall away into oblivion.
The night in pity took away my day
Because my grief as yet was newly born,
Of too weak eyes to look upon the light,
And with the hasty notice of the ear,
Frail life was startled from the tender love
Of him she brooded over. Would I had lain
Until the pleached ivy tress had wound
Round my worn limbs, and the wild briar had driven
Its knotted thorns thro' my unpaining brows
Leaning its roses on my faded eyes.
The wind had blown above me, and the rain
Had fall'n upon me, and the gilded snake
Had nestled in this bosomthrone of love,
But I had been at rest for evermore.
Long time entrancement held me: all too soon,
Life (like a wanton too-officious friend
Who will not hear denial, vain and rude
With proffer of unwished for services)
Entering all the avenues of sense,
Pass'd thro' into his citadel, the brain
With hated warmth of apprehensiveness:
And first the chillness of the mountain stream
Smote on my brow, and then I seem'd to hear
Its murmur, as the drowning seaman hears,
Who with his head below the surface dropt,
Listens the dreadful murmur indistinct
Of the confused seas, and knoweth not
Beyond the sound he lists: and then came in
O'erhead the white light of the weary moon,
Diffused and molten into flaky cloud.
Was my sight drunk, that it did shape to me
Him who should own that name? or had my fancy
So lethargised discernment in the sense,
That she did act the step-dame to mine eyes,
Warping their nature, till they minister'd
Unto her swift conceits? 'Twere better thus
If so be that the memory of that sound
With mighty evocation, had updrawn
The fashion and the phantasm of the form
It should attach to. There was no such thing. --
It was the man she loved, even Lionel,
The lover Lionel, the happy Lionel,
All joy; who drew the happy atmosphere
Of my unhappy sighs, fed with my tears,
To him the honey dews of orient hope.
Oh! rather had some loathly ghastful brow,
Half-bursten from the shroud, in cere cloth bound,
The dead skin withering on the fretted bone,
The very spirit of Paleness made still paler
By the shuddering moonlight, fix'd his eyes on mine
Horrible with the anger and the heat
Of the remorseful soul alive within,
And damn'd unto his loathed tenement.
Methinks I could have sooner met that gaze!
Oh, how her choice did leap forth from his eyes!
Oh, how her love did clothe itself in smiles
About his lips! This was the very arch-mock
And insolence of uncontrolled Fate,
When the effect weigh'd seas upon my head
To twit me with the cause.
Why how was this?
Could he not walk what paths he chose, nor breathe
What airs he pleased! Was not the wide world free,
With all her interchange of hill and plain
To him as well as me? I know not, faith:
But Misery, like a fretful, wayward child,
Refused to look his author in the face,
Must he come my way too? Was not the South,
The East, the West, all open, if he had fall'n
In love in twilight? Why should he come my way,
Robed in those robes of light I must not wear,
With that great crown of beams about his brows?
Come like an angel to a damned soul?
To tell him of the bliss he had with God;
Come like a careless and a greedy heir,
That scarce can wait the reading of the will
Before he takes possession? Was mine a mood
To be invaded rudely, and not rather
A sacred, secret, unapproached woe
Unspeakable? I was shut up with grief;
She took the body of my past delight,
Narded, and swathed and balm'd it for herself,
And laid it in a new-hewn sepulchre,
Where man had never lain. I was led mute
Into her temple like a sacrifice;
I was the high-priest in her holiest place,
Not to be loudly broken in upon.
Oh! friend, thoughts deep and heavy as these well-nigh
O'erbore the limits of my brain; but he
Bent o'er me, and my neck his arm upstay'd
From earth. I thought it was an adder's fold,
And once I strove to disengage myself,
But fail'd, I was so feeble. She was there too:
She bent above me too: her cheek was pale,
Oh! very fair and pale: rare pity had stolen
The living bloom away, as tho' a red rose
Should change into a white one suddenly.
Her eyes, I saw, were full of tears in the morn,
And some few drops of that distressful rain
Being wafted on the wind, drove in my sight,
And being there they did break forth afresh
In a new birth, immingled with my own,
And still bewept my grief. Keeping unchanged
The purport of their coinage. Her long ringlets,
Drooping and beaten with the plaining wind,
Did brush my forehead in their to-and-fro:
For in the sudden anguish of her heart
Loosed from their simple thrall they had flowed abroad,
And onward floating in a full, dark wave,
Parted on either side her argent neck,
Mantling her form half way. She, when I woke,
After my refluent health made tender quest
Unanswer'd, for I spoke not: for the sound
Of that dear voice so musically low,
And now first heard with any sense of pain,
As it had taken life away before,
Choked all the syllables that in my throat
Strove to uprise, laden with mournful thanks,
From my full heart: and ever since that hour,
My voice hath somewhat falter'd--and what wonder
That when hope died, part of her eloquence
Died with her? He, the blissful lover, too,
From his great hoard of happiness distill'd
Some drops of solace; like a vain rich man,
That, having always prosper'd in the world,
Folding his hands deals comfortable words
To hearts wounded for ever; yet, in truth,
Fair speech was his and delicate of phrase,
Falling in whispers on the sense, address'd
More to the inward than the outward ear,
As rain of the midsummer midnight soft
Scarce-heard, recalling fragrance and the green
Of the dead spring--such as in other minds
Had film'd the margents of the recent wound.
And why was I to darken their pure love,
If, as I knew, they two did love each other,
Because my own was darken'd? Why was I
To stand within the level of their hopes,
Because my hope was widow'd, like the cur
In the child's adage? Did I love Camilla?
Ye know that I did love her: to this present
My full-orb'd love hath waned not. Did I love her,
And could I look upon her tearful eyes?
Tears wept for me; for me--weep at my grief?
What had _she_ done to weep--let my heart
Break rather--whom the gentlest airs of heaven
Should kiss with an unwonted gentleness.
Her love did murder mine; what then? she deem'd
I wore a brother's mind: she call'd me brother:
She told me all her love: she shall not weep.

The brightness of a burning thought awhile
Battailing with the glooms of my dark will,
Moonlike emerged, lit up unto itself,
Upon the depths of an unfathom'd woe,
Reflex of action, starting up at once,
As men do from a vague and horrid dream,
And throwing by all consciousness of self,
In eager haste I shook him by the hand;
Then flinging myself down upon my knees
Even where the grass was warm where I had lain,
I pray'd aloud to God that he would hold
The hand of blessing over Lionel,
And her whom he would make his wedded wife,
Camilla! May their days be golden days,
And their long life a dream of linked love,
From which may rude Death never startle them,
But grow upon them like a glorious vision
Of unconceived and awful happiness,
Solemn but splendid, full of shapes and sounds,
Swallowing its precedent in victory.
Let them so love that men and boys may say,
Lo! how they love each other! till their love
Shall ripen to a proverb unto all,
Known when their faces are forgot in the land.
And as for me, Camilla, as for me,
Think not thy tears will make my name grow green,--
The dew of tears is an unwholesome dew.
The course of Hope is dried,--the life o' the plant--
They will but sicken the sick plant more.
Deem then I love thee but as brothers do,
So shalt thou love me still as sisters do;
Or if thou dream'st aught farther, dream but how
I could have loved thee, had there been none else
To love as lovers, loved again by thee.

Or this, or somewhat like to this, I spoke,
When I did see her weep so ruefully;
For sure my love should ne'er induce the front
And mask of Hate, whom woful ailments
Of unavailing tears and heart deep moans
Feed and envenom, as the milky blood
Of hateful herbs a subtle-fanged snake.
Shall Love pledge Hatred in her bitter draughts,
And batten on his poisons? Love forbid!
Love passeth not the threshold of cold Hate,
And Hate is strange beneath the roof of Love.
O Love, if thou be'st Love, dry up these tears
Shed for the love of Love; for tho' mine image,
The subject of thy power, be cold in her,
Yet, like cold snow, it melteth in the source
Of these sad tears, and feeds their downward flow.
So Love, arraign'd to judgment and to death,
Received unto himself a part of blame.
Being guiltless, as an innocent prisoner,
Who when the woful sentence hath been past,
And all the clearness of his fame hath gone
Beneath the shadow of the curse of men,
First falls asleep in swoon. Wherefrom awaked
And looking round upon his tearful friends,
Forthwith and in his agony conceives
A shameful sense as of a cleaving crime--
For whence without some guilt should such grief be?
So died that hour, and fell into the abysm
Of forms outworn, but not to be outworn,
Who never hail'd another worth the Life
That made it sensible. So died that hour,
Like odour wrapt into the winged wind
Borne into alien lands and far away.
There be some hearts so airy-fashioned,
That in the death of love, if e'er they loved,
On that sharp ridge of utmost doom ride highly
Above the perilous seas of change and chance;
Nay, more, holds out the lights of cheerfulness;
As the tall ship, that many a dreary year
Knit to some dismal sandbank far at sea,
All through the lifelong hours of utter dark,
Showers slanting light upon the dolorous wave.
For me all other Hopes did sway from that
Which hung the frailest: falling, they fell too,
Crush'd link on link into the beaten earth,
And Love did walk with banish'd Hope no more,
It was ill-done to part ye, Sisters fair;
Love's arms were wreathed about the neck of Hope,
And Hope kiss'd Love, and Love drew in her breath
In that close kiss, and drank her whisper'd tales.
They said that Love would die when Hope was gone,
And Love mourned long, and sorrowed after Hope;
At last she sought out memory, and they trod
The same old paths where Love had walked with Hope,
And Memory fed the soul of Love with tears.

II

From that time forth I would not see her more,
But many weary moons I lived alone--
Alone, and in the heart of the great forest.
Sometimes upon the hills beside the sea
All day I watched the floating isles of shade,
And sometimes on the shore, upon the sands
Insensibly I drew her name, until
The meaning of the letters shot into
My brain: anon the wanton billow wash'd
Them over, till they faded like my love.
The hollow caverns heard me--the black brooks
Of the mid-forest heard me--the soft winds,
Laden with thistledown and seeds of flowers,
Paused in their course to hear me, for my voice
Was all of thee: the merry linnet knew me,
The squirrel knew me, and the dragon-fly
Shot by me like a flash of purple fire.
The rough briar tore my bleeding palms; the hemlock,
Brow high, did strike my forehead as I pas'd;
Yet trod I not the wild-flower in my path,
Nor bruised the wild-bird's egg.
Was this the end?
Why grew we then together i' the same plot?
Why fed we the same fountain? drew the same sun?
Why were our mothers branches of one stem?
Why were we one in all things, save in that
Where to have been one had been the roof and crown
Of all I hoped and fear'd? if that same nearness
Were father to this distance, and that _one_
Vauntcourier this _double_? If affection
Living slew Love, and Sympathy hew'd out
The bosom-sepulchre of Sympathy.

Chiefly I sought the cavern and the hill
Where last we roam'd together, for the sound
Of the loud stream was pleasant, and the wind
Came wooingly with violet smells. Sometimes
All day I sat within the cavern-mouth,
Fixing my eyes on those three cypress-cones
Which spired above the wood; and with mad hand
Tearing the bright leaves of the ivy-screen,
I cast them in the noisy brook beneath,
And watch'd them till they vanished from my sight
Beneath the bower of wreathed eglantines:
And all the fragments of the living rock,
(Huge splinters, which the sap of earliest showers,
Or moisture of the vapour, left in clinging,
When the shrill storm-blast feeds it from behind,
And scatters it before, had shatter'd from
The mountain, till they fell, and with the shock
Half dug their own graves), in mine agony,
Did I make bear of all the deep rich moss
Wherewith the dashing runnel in the spring
Had liveried them all over. In my brain
The spirit seem'd to flag from thought to thought,
Like moonlight wandering through a mist: my blood
Crept like the drains of a marsh thro' all my body;
The motions of my heart seem'd far within me,
Unfrequent, low, as tho' it told its pulses;
And yet it shook me, that my frame did shudder,
As it were drawn asunder by the rack.
But over the deep graves of Hope and Fear,
The wreck of ruin'd life and shatter'd thought,
Brooded one master-passion evermore,
Like to a low hung and a fiery sky
Above some great metropolis, earth shock'd
Hung round with ragged-rimmed burning folds,
Embathing all with wild and woful hues--
Great hills of ruins, and collapsed masses
Of thunder-shaken columns, indistinct
And fused together in the tyrannous light.

So gazed I on the ruins of that thought
Which was the playmate of my youth--for which
I lived and breathed: the dew, the sun, the rain,
Unto the growth of body and of mind;
The blood, the breath, the feeling and the motion,
The slope into the current of my years,
Which drove them onward--made them sensible;
The precious jewel of my honour'd life,
Erewhile close couch'd in golden happiness,
Now proved counterfeit, was shaken out,
And, trampled on, left to its own decay.




The Lover's Tale

Sometimes I thought Camilla was no more,
Some one had told me she was dead, and ask'd me
If I would see her burial: then I seem'd
To rise, and thro' the forest-shadow borne
With more than mortal swiftness, I ran down
The sleepy sea-bank, till I came upon
The rear of a procession, curving round
The silver-sheeted bay: in front of which
Six stately virgins, all in white, upbare
A broad earth-sweeping pall of whitest lawn,
Wreathed round the bier with garlands: in the distance,
From out the yellow woods, upon the hill,
Look'd forth the summit and the pinnacles
Of a grey steeple. All the pageantry,
Save those six virgins which upheld the bier,
Were stoled from head to foot in flowing black;
One walk'd abreast with me, and veiled his brow,
And he was loud in weeping and in praise
Of the departed: a strong sympathy
Shook all my soul: I flung myself upon him
In tears and cries: I told him all my love,
How I had loved her from the first; whereat
He shrunk and howl'd, and from his brow drew back
His hand to push me from him; and the face
The very face and form of Lionel,
Flash'd through my eyes into my innermost brain,
And at his feet I seemed to faint and fall,
To fall and die away. I could not rise,
Albeit I strove to follow. They pass'd on,
The lordly Phantasms; in their floating folds
They pass'd and were no more: but I had fall'n
Prone by the dashing runnel on the grass.

Always th' inaudible, invisible thought
Artificer and subject, lord and slave
Shaped by the audible and visible,
Moulded the audible and visible;
All crisped sounds of wave, and leaf and wind,
Flatter'd the fancy of my fading brain;
The storm-pavilion'd element, the wood,
The mountain, the three cypresses, the cave,
Were wrought into the tissue of my dream.
The moanings in the forest, the loud stream,
Awoke me not, but were a part of sleep;
And voices in the distance, calling to me,
And in my vision bidding me dream on,
Like sounds within the twilight realms of dreams,
Which wander round the bases of the hills,
And murmur in the low-dropt eaves of sleep,
But faint within the portals. Oftentimes
The vision had fair prelude, in the end
Opening on darkness, stately vestibules
To cares and shows of Death; whether the mind,
With a revenge even to itself unknown,
Made strange division of its suffering
With her, whom to have suffering view'd had been
Extremest pain; or that the clear-eyed Spirit,
Being blasted in the Present, grew at length
Prophetical and prescient of whate'er
The Future had in store; or that which most
Enchains belief, the sorrow of my spirit
Was of so wide a compass it took in
All I had loved, and my dull agony.
Ideally to her transferred, became
Anguish intolerable.
The day waned;
Alone I sat with her: about my brow
Her warm breath floated in the utterance
Of silver-chorded tones: her lips were sunder'd
With smiles of tranquil bliss, which broke in light
Like morning from her eyes--her eloquent eyes
(As I have seen them many hundred times),
Fill'd all with clear pure fire, thro' mine down rain'd
Their spirit-searching splendours. As a vision
Unto a haggard prisoner, iron-stay'd
In damp and dismal dungeons underground
Confined on points of faith, when strength is shock'd
With torment, and expectancy of worse
Upon the morrow, thro' the ragged walls,
All unawares before his half-shut eyes,
Comes in upon him in the dead of night,
And with th' excess of sweetness and of awe,
Makes the heart tremble, and the eyes run over
Upon his steely gyves; so those fair eyes
Shone on my darkness forms which ever stood
Within the magic cirque of memory,
Invisible but deathless, waiting still
The edict of the will to reassume
The semblance of those rare realities
Of which they were the mirrors. Now the light,
Which was their life, burst through the cloud of thought
Keen, irrepressible.
It was a room
Within the summer-house of which I spoke,
Hung round with paintings of the sea, and one
A vessel in mid-ocean, her heaved prow
Clambering, the mast bent, and the revin wind
In her sail roaring. From the outer day,
Betwixt the closest ivies came a broad
And solid beam of isolated light,
Crowded with driving atomies, and fell
Slanting upon that picture, from prime youth
Well-known, well-loved. She drew it long ago
Forth gazing on the waste and open sea,
One morning when the upblown billow ran
Shoreward beneath red clouds, and I had pour'd
Into the shadowing pencil's naked forms
Colour and life: it was a bond and seal
Of friendship, spoken of with tearful smiles;
A monument of childhood and of love,
The poesy of childhood; my lost love
Symbol'd in storm. We gazed on it together
In mute and glad remembrance, and each heart
Grew closer to the other, and the eye
Was riveted and charm-bound, gazing like
The Indian on a still-eyed snake, low crouch'd
A beauty which is death, when all at once
That painted vessel, as with inner life,
'Gan rock and heave upon that painted sea;
An earthquake, my loud heartbeats, made the ground
Roll under us, and all at once soul, life,
And breath, and motion, pass'd and flow'd away
To those unreal billows: round and round
A whirlwind caught and bore us; mighty gyves,
Rapid and vast, of hissing spray wind-driven
Far through the dizzy dark. Aloud she shriek'd--
My heart was cloven with pain. I wound my arms
About her: we whirl'd giddily: the wind
Sung: but I clasp'd her without fear: her weight
Shrank in my grasp, and over my dim eyes
And parted lips which drank her breath, down hung
The jaws of Death: I, screaming, from me flung
The empty phantom: all the sway and whirl
Of the storm dropt to windless calm, and I
Down welter'd thro' the dark ever and ever.




Index to First Lines


A gate and a field half ploughed
All thoughts, all creeds, all dreams, are true
Angels have talked with him and showed him thrones
As when a man, that sails in a balloon
Blow ye the trumpets, gather from afar
But she tarries in her place
Check every outflash, every ruder sally
Could I outwear my present state of woe
Ere yet my heart was sweet Love's tomb
Every day hath its night
First drink a health, this solemn night
God bless our Prince and Bride
Heaven weeps above the earth all night
Here far away, seen from the topmost cliff
His eyes in eclipse
Home they brought him slain with spears
How much I love this writer's manly style
How often, when a child I lay reclined
I am any man's suitor
I stood on a tower in the wet
I stood upon the Mountain which o'erlooks
I' the glooming light
Me my own fate to lasting sorrow doometh
My Rosalind, my Rosalind
O darling room, my heart's delight
Oh, Beauty, passing beauty! sweetest sweet!
Oh, go not yet, my love
O maiden fresher than the first green leaf
O sad _No more_! O sweet _No more_
O thou whose fringed lids I gaze upon
Rise, Britons, rise, if manhood be not dead
Sainted Juliet! dearest name
Shall the hag Evil die with the child of Good
Sure never yet was Antelope
The lintwhite and the throstlecock
The Northwind fall'n in the new starred night
The pallid thunderstricken sigh for gain
There are three things that fill my heart with sighs
Therefore your halls, your ancient colleges
There is no land like England
The varied earth, the moving heaven
Thou, from the first, unborn, undying love
Though Night hath climbed her peak
Two bees within a chrystal flowerbell rocked
Voice of the summerwind
We have had enough of motion
We know him, out of Shakespeare's art
What time I wasted youthful hours
Where is the Giant of the Sun, which stood
Who can say
Who fears to die? Who fears to die
With roses musky breathed
You cast to ground the hope which once was mine
You did late review my lays
Your ringlets, your ringlets







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with this eBook or online at www. gutenberg. org


Title: Tales from Tennyson

Author: Molly K. Bellew

Illustrator: H. S. Campbell

Release Date: March 18, 2011 [EBook #35598]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK TALES FROM TENNYSON ***




Produced by D Alexander, Peter Vickers, Juliet Sutherland
and the Online Distributed Proofreading Team at
http://www. pgdp. net






[Illustration: THREE TIMES THEY BROKE SPEARS]

TALES FROM TENNYSON

BY
MOLLY K. BELLEW

EDITOR OF
"TALES FROM LONGFELLOW"
"DICKENS' CHRISTMAS STORIES FOR CHILDREN"
ETC. , ETC.

ILLUSTRATED BY H. S. CAMPBELL

NEW YORK AND BOSTON
H. M. CALDWELL CO.
PUBLISHERS




COPYRIGHT, 1902
BY
JAMIESON-HIGGINS CO.




CONTENTS.


The Coming of King Arthur 9

Gareth and Lynette 29

The Marriage of Geraint 46

Geraint's Quest of Honor 64

Merlin and Vivien 85

Balin and Balan 95

Lancelot and Elaine 104

The Holy Grail 119

Pelleas and Ettarre 132

The Last Tournament 142

The Passing of Arthur 150




To my Young Readers.


Alfred Lord Tennyson was the typically English poet, and none, perhaps
not even Shakespeare, has appealed so keenly to the human heart. No
other man's poems have caused as many readers to shed tears of sympathy
nor have awakened higher sentiments in the human heart. The critics
agree in pronouncing him the ideal poet laureate. In his "Idylls from
the King" are found the loftiest and proudest deeds of English history
and even in the retelling of these in prose the high spirit that is an
inspiration to the noblest deeds cannot fail to be preserved.

MOLLY K. BELLEW.




THE COMING OF KING ARTHUR.


Over a thousand years ago everybody was talking about the wonderful King
Arthur and his brilliant Knights of the Round Table, who everywhere were
pursuing bold quests, putting to rout the band of outlaws and robbers
which in those days infested every highway and by-way of the country,
going to war with tyrannical nobles, establishing law and order among
the rich, redressing the wrongs of women, the poor and the oppressed,
and winning glorious renown for their valor and their successes.

That was in England which at that time was not England as it is today,
all one kingdom under a single ruler, but was divided into many bits of
kingdoms each with its own king and all warring against each other.
Arthur's kingdom was the most unpeaceful of all. This was because for
twenty years or more, ever since the death of old King Uther, the
country had been without a ruler. Old King Uther had died about a score
of years before without leaving an heir to the throne, and all the
nobles of the realm had immediately gone to war with one another each
trying to get the most land and each trying to get the throne for
himself.

[Illustration: OLD MERLIN APPEARS. ]

Suddenly, however, old Merlin, the wizard who had been King Uther's
magician, appeared one day in the royal council hall with a handsome
young man, Arthur, and declared him to be the king of the realm. Arthur
was crowned and for a time the nobles were quiet, for he ruled with a
strong hand of iron, put down all the evils in his kingdom and
everywhere gave it peace and order. People in every part of the island
sent for him and his knights, begging him to come to help them out of
their difficulties. But presently the nobles became troublesome again;
they said that Arthur was not the true king, that he was not the son of
Uther and that, therefore, he had no right to reign over them. So there
was fighting and unrest again, and in the midst of it Leodogran, the
king of the Land of Cameliard, asked Arthur to come with his knights and
drive away the enemies besetting him on every side. The country of
Cameliard had gone to waste and ruin, because of the continual warfare
that was waged with the kings that lived in the little neighboring
countries and a mass of wild-eyed foreign heathen peoples who invaded
the land. And so it happened that Cameliard was ravaged with battles,
its strong men were cut down with the sword and wild dogs, wolves, and
bears from the tangled weeds came rooting up the green fields and
wallowing into the palace gardens. Sometimes the wolves stole little
children from the villages and nursed them like their own cubs, until
finally these children grew up into a race of wolf-men who molested the
land worse than the wolves themselves. Then another king fought
Leodogran, and at last the heathen hordes came swarming from over the
seas and made all the earth red with his soldiers' blood, and they made
the sun red with the smoke of the burning homes of his people.

Leodogran simply did not know which way to turn for help until at last
he thought of young Arthur of the Round Table who recently had been
crowned king. So Leodogran sent for Arthur beseeching him to come and
help him, for between the men and the beasts his country was dying.

[Illustration: PRINCESS GUINEVERE. ]

King Arthur and his men welcomed the chance and went at once into the
Land of Cameliard to drive away the heathen marauders. As he marched
with his men past the castle walls, pretty Princess Guinevere stood
outside to watch the glittering soldiers go by. Among so many richly
dressed knights she did not particularly notice Arthur, for he wore
nothing to show that he was king, although his kingly bearing and brave
forehead might suggest leadership. But no royal arms were engraved upon
his helmet or his shield, and he carried simple weapons not nearly so
gorgeously emblazoned as those of some of the others.

[Illustration: HE LED HIS WARRIORS BOLDLY. ]

Although Guinevere did not see the fair young King, Arthur spied her
beside the castle wall; he felt the light of her beautiful eyes
glimmering out into his heart and setting it all aflame with a fire of
love for her.

He led his warriors boldly to the forests where they pitched their
tents, then fought all the heathen until they scampered away to their
own territories, he slew the frightful wild beasts that had plundered
the fields, cut down the forest trees so as to open out roads for the
people of Cameliard to pass over from one part of their land to the
other, then he traveled quietly away with his men, back to fight his own
battles in his own country. For there was fighting everywhere in those
days. But all the time in Arthur's heart, while he was doing those
wonderful things for Leodogran, he was thinking still, not of Leodogran,
but of the lovely Guinevere, and yearning for her.

If only she could be his queen he thought they two together could rule
on his throne as one strong, sweet, delicious life, and could exert a
mighty power over all his people to make them good and wise and happy.
Each day increased his love until he could not bear even to think for a
moment of living without her. So from the very field of battle, while
the swords were flashing and clashing about him, as he fought the barons
and great lords who had risen up against him, Arthur dispatched three
messengers to Leodogran, the King of Cameliard.

These three messengers were Ulfius, Brastias and Bedivere, the very
first knight Arthur had knighted upon his throne. They went to Leodogran
and said that if Arthur had been of any service to him in his recent
troubles with the heathen and the wild beasts, he should give the
Princess Guinevere to be Arthur's wife as a mark of his good will.

[Illustration: ARTHUR DISPATCHED THREE MESSENGERS TO LEODOGRAN. ]

Well, when they had said this, Leodogran did not know what to do any
better than when the heathen and the beasts had come upon him. For while
he thought Arthur a very bold soldier and a very fine man, and, although
he felt very grateful indeed to him for all the great things he had
done, still he was not certain that Guinevere ought to marry him. For,
as Guinevere was the daughter of a king she should become the wife of
none but the son of a king. And Leodogran did not know precisely who
this King Arthur was; but he did know that the barons of Arthur's court
had burst out into this uproar against him because they said he was not
their true king and not the son of King Uther who had reigned before
him. Some of them declared him to be the child of Gerlois, and others
avowed that Sir Anton was his father.

As poor, puzzled Leodogran knew nothing about the matter himself, he
sent for his gray-headed trusty old chamberlain, who always had good
counsel to give him in any dilemma; and he asked the chamberlain whether
he had heard anything certainly as to Arthur's birth. The chamberlain
told him that there were just two men in all the world who knew the
truth with respect to Arthur and where he had come from, and that both
these men were twice as old as himself. One of them was Merlin the
wizard, the other was Bleys, Merlin's teacher in magic, who had written
a book of his renowned pupil's wonders, which probably related
everything regarding the secret of Arthur's birth.

"If King Arthur had done no more for me in my wars than you have just
now in my present trouble," the king answered the chamberlain, "I would
have died long ago from the wild beasts and the heathen.