In short, asfor as
meditation
is concerned?
Khenchen-Thrangu-Rinpoche-The-Spiritual-Song-of-Lodro-Thaye
Meditation finding naturally its own place is Shamatha, 175.
Seeing the unseeable nature is Vipashyana
176. In all phases ofstillness, movement and awareness
177. These two are not separate, but coincide.
When we reach this state ofseeing everything as the dharmakaya, we begin to meditate on the union of Shamatha and Vipashyana. This meditation is an undisturbed state (Shamatha) and, understanding the actual meaning ofseeing the unseen (Vipashyana); realizing the natural abiding state of Shamatha and Vipashyana
? ? OBSTACLES IN THE PRACTICE OF MAHAMUDRA
97
manifest in seeing the unseen true nature of mind. These two must arise together.
In general, there are three phases of mind: stillness, mental activity, and awareness. The first, stillness, arises during Shamatha meditation, and one has the experience of"now my mind is still, it is abiding. " Secondly, there is movement or mental activity, when the mind is not still, but thoughts are active. Without any investigation the mind appears to be in one of these two states: either still or moving. However, when we really investigate what the difference between the still and moving mind is, we find that their essence is actually the same! Ifthere is stillness, one can't say "this is the stillness," if there is movement, one can't point to the movement. Because the essence ofstillness and movement is the same, this is awareness. Seeing that the nature of these two is no different represents awareness, the third phase. But this implies that:
178. The confusion o fdiscursive thought is not to be abandoned 179. The virtuous action ofthe antidotes cannot be achieved. 180. The time will come when you arrive naturally at this state.
Stillness, movement, and awareness are not separate states ofmind but a unity. We should realize the essential sameness of all three of them. Movement is no different than stillness, and when stillness occurs, it is no different than movement; they are the same. Thoughts arise, but if we are aware of this identity of the essence of stillness and movement, then the emanations ofdiscursive thought need not be rejected. Even though thoughts are arising they do not really change the nature of mind. So there is no need to reject them, there are no antidotes to be applied to them. Eventually we will naturally rest in this state.
? ? 98
THE SPIRITUAL SONG OF LODRO THAYE
181. When you are well established in this realization, 182. You1l never be outside o fmeditation
183. At the borderline between freedom and attainment 184. Even meditation itselfhas no existence.
When the realization of Mahamudra becomes stable and goes well and no other obstacles or faults can occur, when we can really meditate on whether thoughts are still or moving, when we can meditate in good conditions or terrible conditions, then there is the meditative state only and we will never be outside meditation, because everything is meditation without a single thing not being meditation. At that time we will be "at the borderline between freedom and attainment" meaning we cannot say we are free of meditation or without meditation nor can we define the meditation itself in any way.
185. But beginners, whose discursive mind has not subsided 186. Should highly cherish meditation.
Beginners who have many discursive thoughts must really meditate.
? ? 6
Progress Through the Various Stages
II. PATH MAHAMUDRA
T HIS CHAPTER DESCRIBES HOW WE gradually progress through the stages of realization. It is the third section of the path
Mahamudra.
187. By means ofmeditation, experiences come up. 188. Experiences arise as adornments o fawareness.
For the beginner, meditation is very important and it gives rise to experience. O f course, the experience doesn't always seem like a good experience. Sometimes the experience arising from meditation can be the feeling of meditation getting more difficult. Sometimes we feel we have progressed, sometimes we feel we are getting worse. However, these experiences are just effects of the meditation and we should not worry about them. Rather, we should just be aware of them and see them as useful, irrespective ofwhether they seem good or bad: They are just due to meditation.
In the practice of meditation, both the awareness of the nature of mind and the experiences that arise through meditation are
? ? 100 THE SPIRITUAL SONG OF LODRO THAYE
mutually conducive. They help each other. The experiences of meditation, whether good or bad experiences, enhance the awareness of the nature of mind. If we look at it from this point of view they function as adornments of our awareness.
189. Ifone wants to divide the path, there are four yogas:
Stage by stage the experiences and realizations gradually increase. In Buddhism these are usually classified into five paths and the ten bodhisattva levels (Skt. bhumt) that the practitioner passes through on the way to realization. Similarly, based on the experience of Mahamudra that the great meditators and great lamas had, the stages of Mahamudra were divided into four stages called the four yogas.
Yoga is a Sanskrit word for "unity" and this was translated into Tibetan as naljor. The way that yoga is used in Hinduism is different from the way it is used in Buddhism. Generally, yoga is thought of in terms ofphysical exercises or the method ofusing various exercises to attain mastery over the body. This is not what "yoga" means in Buddhism at all. In Tibetan nal means the true state, the essence, the nature of mind. The second syllable jor means "to engage" or "to apply. " So naljor means "to reach a certain level of realization based on the experience of the nature of the mind. " In the case of the four yogas it means the progressive refining ofthe experience ofthe natural state (Tib. nalma), where it is actualized progressively in four parts.
190. Knowing mind's own face is "one-pointedness" 191. Andhaslesser, intermediateandgreaterstages.
The Mahamudra path is special, meaning it is not shared by other Buddhist meditations. The first yoga or stage is called one- pointedness. This occurs after having been introduced to the nature
? ? PROGRESS THROUGH THE VARIOUS STAGES
101
of mind or given the transmission of the ordinary mind. There is some actual recognition of ordinary mind, the nature of mind. This is further divided into the lesser, the medium, and the greater stage o f one-pointedness.
The lesser one-pointedness is the experience of the alternating experiences ofbliss and luminosity. Sometimes one experiences bliss, sometimes one experiences luminosity, sometimes neither. The medium one-pointedness occurs when one gains some control over meditation, by settling the mind in equipoise. In the beginning of trying to meditate one wants to stay one-pointedly in meditation but one cannot. One wants to achieve good samadhi, yet one hasn't the ability. Even when trying to rest the mind in calm abiding, it doesn't dwell in one place. In the stage ofthe medium one-pointedness one has some control and power over one's samadhi and one's ability to meditate, so that one can meditate whenever one wishes.
192. Seeing bliss and luminosity in alternation,
193. Obtaining mastery over the concentration o fmeditative equipoise. 194. And uninterrupted experience ofluminous appearances.
The experience of the greater one-pointedness occurs with the arising of luminosity, of great clear light. Of the two experiences of emptiness and luminosity, luminosity is getting very strong and arises very powerfully at this point. There is no longer a difference of whether there is samadhi or no samadhi: one abides in this experience of luminosity continuously.
195. Realizing the rootlessness ofmind is "no elaboration" 196. And has lesser. intermediate, andgreater stages:
197. Realizing that arising, ceasing and abiding are empty.
? ? 102 THE SPIRITUAL SONG OF LODRO THAYE
As one's experience is enhanced continuously, the second yoga is called the stage of simplicity, the stage without conception or elaboration. This is when the real realization of emptiness, the realization that the mind is without root, without a basis, becomes a strong experience. This stage is also divided into three levels of experience: the lesser, the medium, and the greater experience. The lesser stage of"no elaboration" is the realization of the emptiness of any event in the mind such as the arising, abiding, and cessation of thoughts. Realizing the mind without foundation means that at the beginning there was nothing arising; in the end there is nothing that could cease and in the middle there is nothing abiding.
198. Beingfreefrom thefundamentalrootofclingingtoappearances or clinging to emptiness,
199. And cutting through all exaggerations caused by elaborating on phenomena.
The medium level of no elaboration comes about after the realization of no origination, no cessation, and no abiding. The clinging to external appearances or objects disappears because one recognizes the emptiness of all external phenomena. Clinging to thinking all phenomena are empty is also transcended. So one's experience is completely free of clinging to appearances or clinging to emptiness.
The final level of this stage is cutting completely through all designations or all embellishment ofall dharmas, ofall phenomena. "All phenomena" means not only external objects, but also the mind. So any extreme view is cut through, such as thinking that (a) it exists or (b) that it doesn't exist or (c) that it neither exists nor doesn't exist or (d) that it both exists and doesn't exist. All four extremes are cut off, and no designation ofany kind is made by the mind. In the surra
? ? PROGRESS THROUGH THE VARIOUS STAGES
103
tradition this is called going beyond the four extremes, the four elaborations, or the thirty-two exaggerations. These all are basically the same thing. In actual meditative experience it is said that any kind of designation, embellishment or elaboration of any extreme is removed.
200. Mixing appearances and mind is "one-taste"
201. And has lesser, intermediate, andgreater stages:
202. Mixing the dharmas ofthe two kinds into one equal taste. 203. Appearances and mind become like water poured into water. 204. And many types ofprimordial wisdom arisingfrom one taste.
The third yoga or stage is called single flavor or the experience ofsinglevalueofonetaste. 27 Theprimaryexperienceofthislevelis t h e e x p e r i e n c e o f t h e i n s e p a r a b i l i t y o f a p p e a r a n c e a n d m i n d . T h a t is to say that the outer appearances of phenomena and the inner mind which apprehends phenomena are both felt to be of the same value. There is no difference. This third level also is divided into the lesser, medium, and greater stages.
The lesser stage is "mixing the dharmas of the two kinds into one equal taste. " This stage is when experiences of duality are combined into a single flavor. Normally, we experience external phenomena as one thing and the mind as a separate thing. We have an external fixation on phenomena and an internal fixation on our subjective person. We also think in terms ofselfand other, so anything to do with the mind is self and anything appearing externally is believed to be other. This leads to a lot of incorrect perceptions. The force and the power of the previous two levels of one-pointedness and no-elaboration bring ahout the experience of this duality becoming completely mixed into a single flavor. It is the fruition of the previous two yogas.
? ? 104
THE SPIRITUAL SONG OF LODRO THAYE
In the middle level "appearances and mind become like water poured into water. " In this level our experience of one taste is enhanced and is likened to the experience of water being poured into water. The external appearances of things are recognized as no different from the mind, and the mind is recognized to have the ability of arising in any way. There is absolutely no differentiation between external phenomena and internal phenomena of the mind. So it is like water being poured into water.
In the greater level we have many types of primordial wisdom arising from one taste. This occurs when external phenomena and mental phenomena, appearances and emptiness blend into one another and one reaches the stage of there being one flavor of everything. However, this isn't a state of stupidity where nothing is taking place in a big blend ofeverything. Rather, our mind with its eight consciousnesses transforms or manifests into the five wisdoms. From abiding in the state ofeverything blended, the five wisdoms- the all-accomplishing wisdom, the discriminating wisdom, the wisdom of equanimity, the mirror-like wisdom, and dharmadhatu wisdom-are not mixed together. Instead, they are very specific, very vivid, so that there is more enhancement of wisdom and insight, rather than a state of stupidity.
205. The complete purification o frigid mind is "non-meditation" 206. And has lesser, intermediate andgreater stages:
207. Beingfree from all ideas o fmeditation and meditator.
After this experience of the single flavor, one reaches the fourth yoga or level called the stage of non-meditation. Through the power o f becoming habituated to meditation we reach a stage in which we no longer distinguish between meditating and not meditating. This
? ? PROGRESS THROUGH THE VARIOUS STAGES
105
is when we are liberated in dharmadhatu, when "rigid mind" or discursive thoughts have naturally subsided.
The stage of non-meditation is also divided into three. At the lowest level ofnon-meditation one experiences no difference between the meditation itselfand the meditator; there is no person meditating and no meditation. We realize that in the essence ofthe dharmadhatu there naturally are no such distinctions.
208. Gradually purifying the imprint o fthe veils o fknowledge
The medium stage of non-meditation is said to be when the imprint of conceptual obscurations are completely purified. Generally, we talk about the two kinds ofveils or obscurations: the emotional obscurations and the intellectual obscurations, which is seeing things dualistically in terms of perceived appearances and perceiving mind. 28 Not only are the obscurations cleared away at this stage but even the imprints of seeing things this way are gradually purified.
209. And the mixing ofthe mother and child clear light.
210. The primordial wisdom ofthe dharmadhatu pervades space.
The final level ofthe stage ofnon-meditation is called the "mixing of the mother and child clear light," or the meeting of the mother and child luminosity. This luminosity has many names. Sometimes it is called the primordial wisdom which sees things as they are; Mahamudra, dharmadhatu, or tathagatagarbha, All of these refer to the same basic luminosity which has two aspects called "mother luminosity" and "child luminosity. " The mother luminosity is the actual true nature of mind. It is the unchangeable part of mind, the dharmata, which is always present as a foundation of Buddhahood
? ? 106 THE SPIRITUAL SONG OF LODRO THAYE
until it has been reached. The child luminosity is the path of meditation we progress along slowly and gradually with the experience of clear light gradually increasing bit by bit until we finally realize this stage of non-meditation. We then realize that this growing realization is the same as the original nature ofall things and that it was always there. So this is like mixing the original mother luminosity and the developed child luminosity and recognizing them as the same thing all along.
The realization of this final level of non-meditation is all- pervasive. The wisdom of dharmadhatu expands throughout space pervading all phenomena. It is then present all the time whether we are meditating or not, without ever ceasing to be. In all there are twelve specific levels specified on the path ofMahamudra (three levels ofeach ofthe four stages). Even ifthese levels might be too advanced for us right now, this knowledge will help us to progress and improve our meditation in the correct direction in the future.
211.
In short, asfor as meditation is concerned?
212. Ifthe mindcan dwellaccordingto our wishes, this is one-pointedness. 213. One then sees theface ofordinary mind.
We have a briefsummary ofthe four yogas. The text says, "Ifthe mind can dwell according to our wishes, this is one-pointedness. " In terms of resting in equipoise, when the mind can dwell as long as it wants and there is some control this is one-pointedness-the first yoga. The quality ofone-pointedness is that one really sees the nature of ordinary mind, meaning one experiences ordinary mind directly, not intellectually.
214. Realizing that there is no foundation is "no elaboration. "
? ? PROGRESS THROUGH THE VARIOUS STAGES
107
Then in the second yoga of"no elaboration," we basically realize there is no root, and we are completely free ofa foundation. When looking at the essence of the movement of mind or looking at the essence ofthe still mind we see them to be ofthe same nature. Neither of them has a foundation nor a root and so they are essentially the same. Then there is no longer an essential distinction between the mind either abiding or moving.
215. Liberatingalldualisticperception 216. In awareness is ''one-taste. "
Then whatever clinging or fixation there is to duality ofexternal appearance and internal mind, self and other, is liberated through the experience of meditation. In the very recognition of awareness this duality is liberated. And this, in short, is the state of one-taste, the third yoga.
217. Transcendingallconventionaltermsofmeditatingornotmeditating, 218. The imprints are ended. This is "non-meditation. "
Finally, in the next stage we no longer are able to designate a certain state as meditation and another state as non-meditation. The distinction between these two is completely transcended and has become completely irrelevant. Any habitual pattern or imprints of the obscurations of emotions or the obscurations to knowledge are transcended. This is the fourth yoga of non-meditation.
This then is the description of the twelve stages within the four yogas. This is also described in detail in Tashi Namgyal's Moonbeams ofMahamudra in which the method ofcategorizing experiences into these twelve stages is compared with the normal Buddhist approach of the five paths and ten bodhisattva stages. 29 Tashi Namgyal in a
? ? 108 THE SPIRITUAL SONG OF LODRO THAYE
scholarly approach explains which of the twelve stages is related to which bodhisattva stage in great detail. Whereas this song of Mahamudra by Jamgon Kongtrul is a spiritual song of inspiration which comes from direct personal experience, the whole purpose for Tashi Namgyal (1512-1587 C. E. ) in writing Moonbeams of Mahamudra was to refute the Sakya Pandita who said the whole idea of Mahamudra was not really a valid or authentic path. The Sakya Pandita said that to do this kind of stupid Mahamudra meditation would result only in being born as an animal or ending up in the form or formless realms, so it wasn't really a true method. So Tashi Namgyal thought he definitely had to refute this. Actually, he asked Drukpa Padma Karpo, another great lama, to write a book in refutation of all the accusations of Sakya Pandita. But Padma Karpo wouldn't do it. So Tashi Namgyal had to do it himself. Tashi Namgyal says in Moonbeams ofMahamudra that most people who have had experience of Mahamudra don't know how to write about it because they are not learned enough to say anything about it. And those who are learned enough to say anything about it have had no meditation experience of it. And still others who have both the experience and the scholarship do not have the altruistic mind to do it. He was referring to Padma Karpo, because he wouldn't compose this as if he didn't have an altruistic motivation. Then Takpo Tashi Namgyal says, "I am not learned in this experience, but at least I have the thought of benefiting others by writing this book. " In this book he refutes the accusations ofSakya Pandita by saying that maybe it is true that ifyou meditate like an idiot or you meditate on stupid Mahamudra, you would be born as an animal. But this is not the fault of the dharma, that is the fault of being an idiot.
219. Those on the level o fthe great yogins, 220. Starting with Naropa and Maitripa,
? ? PROGRESS THROUGH THE V ARIOUS STAGES
109
221. Down to my venerable lama Pema Wangpo,
222. Those belonging to the golden garland o fthe Kagyu
223. Have gone to the dharmakaya kingdom ofnon-meditation,
224. They have purified the darkness o fthe two veils in the dhatu 225. Extended the great skill o fthe two kinds o fknowledge
226. Andopenedthe treasury thatpervades spacefor the benefitofothers.
The meditator who goes through all twelve levels and increases the experience as described in this text is called a great yogi. This kind of yogi has existed from the beginning of the Kagyu lineage with Naropa and Maitripa right down to Jamgon Kongtrul's own lama Perna Nyingche Wangpo. All of these have been masters who have reached this final stage of non-meditation in which all faults have been completely eradicated and who have the good qualities described. They have reached the kingdom ofthe dharmakaya. The main things which they abandoned were the two veils or obscurations: the obscurations of emotions and the obscurations of knowledge. With these two veils being completely purified, the knowledge ofall ultimate phenomena and the knowledge of all conventional phenomena develops. These two wisdoms increase and then help all sentient beings. It is like opening the treasure of the sky which completely pervades throughout space.
227. They remain as a refuge beyond doubt.
228. The ora/lineage has been passed. from one to another
229. This means that it is notjust words, but the meaning that counts.
Because these faults have been abandoned, the qualities which have been obtained, and the activity for the benefit of beings has been made, these lineage lamas have become a source of refuge. One doesn't have to wonder whether they have the ability to provide refuge
? ? 110 THE SPIRITUAL SONG OF LODRO THAYE
because in the Kagyu lineage, Mahamudra teachings have been passed on from one lama to another. Each lama received the complete instructions. The student then relied on these instructions and attained realization and then, in turn, became worthy of passing on those instructions. In this way, not just the words of the realization have been passed on, but every one in the lineage was also a holder of this meaning, so the true meaning of the instructions were passed along also.
230. Even though I am an undisciplined, vile ordinary person
231. As I am holding the sign o fyour noble lineage,
232. Please lead me quickly to the kingdom ofnon-meditation.
233. Kind ones, please completely purify my rigid mind in the dhatu.
Jamgon Kongtrul adds a supplication to the ending of this discussion on path Mahamudra. In his supplication he says he is an "undisciplined, vile ordinary person," meaning a person under the influence ofdisturbing emotions, undisciplined, and lazy. He says, even though I am like that, at least I have entered into the Kagyu lineage. He says, all I have is this sign that I am Kagyu and asks to please bring him quickly to the kingdom of non-meditation, where "rigid mind," all discursive thought and concepts are completely purified in the dharmadhatu.
Questions
Question: It seems to me that in our particular sangha the idea of one-taste is interpreted as meaning that we don't have any more preferences, that anything goes, that if it is too hot, that is one-taste, that is okay then. If the steaks comes well done when you asked for it
? ? PROGRESS THROUGH THE VARIOUS STAGES
Ill
medium rare, that is fine, you feel just fine about that. I like to know really ifone-taste means that.
Rinpoche: Yes, this is one flavor, but it also includes the aspect of knowing or awareness. It is not like you are not aware that the steak is overdone, you have an awareness of it. But the state of not having attachment to anything nice and, not having aversion to anything unpleasant, is an experience of one flavor.
? ? 7 Fruition Mahamttdra
III. FRUITION MAHAMUDRA
234. Fruition Mahamudra is concerned with:
Fruition Mahamudra is the actualization of the Mahamudra experience. As an ordinary person we are not aware ofour own true nature and that is the ground Mahamudra. Then through the teachings of the Buddha and the teachings of our root lama we are introduced to that nature and we learn that our true nature exists and we have Buddha-nature within ourselves. But it is not enough to simply know that it exists, we need to have realization brought about by meditation, which is the path Mahamudra. When the path is actualized, then we have fruition Mahamudra.
235. The ground is introduced as one's own face, the innate three kayas; 236. The path consists in concentrating on the view and meditation; 237. Andthefruition is the manifestation ofthe immaculate three kayas.
We begin with a brief explanation in these verses. Foundation Mahamudra is completely unfabricated, innate, just as it is. If one recognizes it, it doesn't become better. If one doesn't recognize it, it doesn't become worse. The ground has the nature of the three kayas;
? ? 114
THE SPIRITUAL SONG OF LODRO THAYE
the unborn basis of the dharmakaya, the unceasing radiance of the sambhogakaya, and the energy of manifesting of the nirmanakaya. These three are present as the natural state Mahamudra. Through meeting exceptional teachers and relying on their special methods and exceptional instructions, ordinary mind can be realized. This is only possible because there is this foundation.
It is not enough to have an introduction to this true nature because through endless lifetimes up to now we have become habituated to certain conditioned patterns including many negative patterns. So when we sit to meditate after being introduced to this ground Mahamudra, sometimes flashes of realization of this true nature occur, but then again these are swept away by the power of confusion. When this happens, the recognition of the basic foundation becomes impure or imperfect. So as well as the view, one needs to bring home the crucial point of meditation, really concentrate in meditation.
Developing the perfect view with meditation will result in the confusion or illusory beliefs diminishing and disappearing. Then primordial wisdom will be able to flourish more and more. This meditation on view will result in the actualization of the three kayas without any stain or blemish. The primary stains are the two olm:urations: the obscurations of the emotions (the kleshas) and the obscurations to knowledge.
238. The dharmakaya is the basis, emptiness without any elaboration.
The actualization of the three kayas at the time of the fruition Mahamudra has three qualities. The first is described by the Tibetan word shi, which means the "nature," the basis," or "character. " The word shi here means the true nature. In the more colloquial Tibetan the word shi is used to mean a person's character, such as if the person
? ? FRUITION MAHAMUDRA
115
has a good character or a bad character. The basic underlying character ofall phenomena and ofthe mind itselfis emptiness. This essence is, furthermore, completely free from any kind ofconceptualization or elaboration ofwhether it actually exists or doesn't exist. The emptiness of the character or nature itself is the dharmakaya.
The Sanskrit word dharmakaya is made of the word "dharma" and "kaya. " The word "dharma" was translated into Tibetan as cho. The Sanskrit word "dharma'' is "holding," in the sense of holding one from falling into suffering of the three lower realms. When this word was translated by the great translators into Tibetan, they chose the word "cho" which means to improve or remedy a situation. For instance, one would use cho if a person were sick and needed to be made well, one would remedy their sickness. Although there is a slight difference in these words (cho spelled chos being "dharma" and cho spelled bcos meaning "curing"), the meaning is the same because both of them imply a certain capability. For instance, to prevent something from falling so that it doesn't fall (dharma) is similar to the ability to save it (cho). Similarly, to improve one's faults or improve one's sickness also implies this ability or capability. So in both cases the actual meaning is the same. The second part of dharmakaya is "kaya," which literally means "body," but in this context has nothing to do with body or form. It is a word to indicate the basis or foundation or the root ofthe dharma. The foundation ofthat ability is that capability implied in the word dharma.
239. The sambhogakaya is its brilliance, the naturally luminous.
When we say the basic character or nature is empty, it is not the same as when we say a house is empty or the sky is empty. This kind ofemptiness means completely devoid ofanything, nothing there to change and nothing there to rake place. However, when we use
? ? 116 THE SPIRITUAL SONG OF LODRO THAYE
"empty" in terms of the nature of mind, it means this essence is essentially empty ofanything substantial, yet it has a certain capacity, a certain brilliance or radiance. Radiance is this aspect of appearing, rather than the aspect of being empty. Even though the essence is empty, it has this unceasing radiance or energy, the nature ofclarity or luminosity. This brilliance (Tib. dang), this clarity or luminosity (Tib. salwa), is the nature of the sambhogakaya.
Sambhogakaya in Tibetan is long cho dzok pay ku with longcho meaning, having possessions or pleasures, having everything that you could possibly need. It allows for all pleasures and all possessions to arise for oneself and others. The second part dzok pay means "complete" or "perfected. " So all possessions, enjoyments, all happiness is perfected in the sambhogakaya.
240. The nirmanakaya is the unceasingplay ofvarious manifestations
This luminosity has a certain power or energy to it. It is like a wild animal. It is very powerful and there is nothing that it can't do with its power, its force. This force can manifest as all the varied phenomena of the world and there is no way of blocking or impeding it. This energy manifests without anything being able to impede it. This quality, this energy, or force is termed the "nirmanakaya. "
Nirmanakaya or tulku in Tibetan literally means "emanated" or "emanation body. " The dharmakaya has all the qualities of enlightenment already present as a foundation, all qualities are completely perfect already, but no one can perceive them because there is no form. The further perfection ofall happiness or bliss, the sambhogakaya, manifests out ofthe dharmakaya, but ordinary people don't perceive it either. So there is a further manifestation, an actual emanated body that anybody can perceive. In the word nirmanakaya the term "kaya" is to be understood as "body or form. " So coming
? ? FRUITION MAHAMUDRA
117
from the dharmakaya, the nirmanakaya is perceived at the impure level, manifesting as the foundation for bewilderment. The energy or force of the nirmanakaya manifests on an impure level, actually as confused (i. e. not true) appearances. All the appearances that ordinary beings perceive are perceived in a confused or ignorant way. The pure aspect of the nirmanakaya is the Buddha activity that is constantly taking place for all sentient beings.
241. Encompassing all things,
242. The nature ofMahamudra is coincidence. 30
So this nature ofMahamudra pervades all objects. It is completely all-pervasive, all-encompassing, and all-embracing.
243. The realm o fdharmas free from accepting or rejecting. 244. Possessing the beauty ofunconditioned bliss,
The dharmadhatu is completely free of anything to give up or anything to reject, so there is nothing added or gained in the dharmadhatu, this nature of Mahamudra. Also its nature is bliss.
176. In all phases ofstillness, movement and awareness
177. These two are not separate, but coincide.
When we reach this state ofseeing everything as the dharmakaya, we begin to meditate on the union of Shamatha and Vipashyana. This meditation is an undisturbed state (Shamatha) and, understanding the actual meaning ofseeing the unseen (Vipashyana); realizing the natural abiding state of Shamatha and Vipashyana
? ? OBSTACLES IN THE PRACTICE OF MAHAMUDRA
97
manifest in seeing the unseen true nature of mind. These two must arise together.
In general, there are three phases of mind: stillness, mental activity, and awareness. The first, stillness, arises during Shamatha meditation, and one has the experience of"now my mind is still, it is abiding. " Secondly, there is movement or mental activity, when the mind is not still, but thoughts are active. Without any investigation the mind appears to be in one of these two states: either still or moving. However, when we really investigate what the difference between the still and moving mind is, we find that their essence is actually the same! Ifthere is stillness, one can't say "this is the stillness," if there is movement, one can't point to the movement. Because the essence ofstillness and movement is the same, this is awareness. Seeing that the nature of these two is no different represents awareness, the third phase. But this implies that:
178. The confusion o fdiscursive thought is not to be abandoned 179. The virtuous action ofthe antidotes cannot be achieved. 180. The time will come when you arrive naturally at this state.
Stillness, movement, and awareness are not separate states ofmind but a unity. We should realize the essential sameness of all three of them. Movement is no different than stillness, and when stillness occurs, it is no different than movement; they are the same. Thoughts arise, but if we are aware of this identity of the essence of stillness and movement, then the emanations ofdiscursive thought need not be rejected. Even though thoughts are arising they do not really change the nature of mind. So there is no need to reject them, there are no antidotes to be applied to them. Eventually we will naturally rest in this state.
? ? 98
THE SPIRITUAL SONG OF LODRO THAYE
181. When you are well established in this realization, 182. You1l never be outside o fmeditation
183. At the borderline between freedom and attainment 184. Even meditation itselfhas no existence.
When the realization of Mahamudra becomes stable and goes well and no other obstacles or faults can occur, when we can really meditate on whether thoughts are still or moving, when we can meditate in good conditions or terrible conditions, then there is the meditative state only and we will never be outside meditation, because everything is meditation without a single thing not being meditation. At that time we will be "at the borderline between freedom and attainment" meaning we cannot say we are free of meditation or without meditation nor can we define the meditation itself in any way.
185. But beginners, whose discursive mind has not subsided 186. Should highly cherish meditation.
Beginners who have many discursive thoughts must really meditate.
? ? 6
Progress Through the Various Stages
II. PATH MAHAMUDRA
T HIS CHAPTER DESCRIBES HOW WE gradually progress through the stages of realization. It is the third section of the path
Mahamudra.
187. By means ofmeditation, experiences come up. 188. Experiences arise as adornments o fawareness.
For the beginner, meditation is very important and it gives rise to experience. O f course, the experience doesn't always seem like a good experience. Sometimes the experience arising from meditation can be the feeling of meditation getting more difficult. Sometimes we feel we have progressed, sometimes we feel we are getting worse. However, these experiences are just effects of the meditation and we should not worry about them. Rather, we should just be aware of them and see them as useful, irrespective ofwhether they seem good or bad: They are just due to meditation.
In the practice of meditation, both the awareness of the nature of mind and the experiences that arise through meditation are
? ? 100 THE SPIRITUAL SONG OF LODRO THAYE
mutually conducive. They help each other. The experiences of meditation, whether good or bad experiences, enhance the awareness of the nature of mind. If we look at it from this point of view they function as adornments of our awareness.
189. Ifone wants to divide the path, there are four yogas:
Stage by stage the experiences and realizations gradually increase. In Buddhism these are usually classified into five paths and the ten bodhisattva levels (Skt. bhumt) that the practitioner passes through on the way to realization. Similarly, based on the experience of Mahamudra that the great meditators and great lamas had, the stages of Mahamudra were divided into four stages called the four yogas.
Yoga is a Sanskrit word for "unity" and this was translated into Tibetan as naljor. The way that yoga is used in Hinduism is different from the way it is used in Buddhism. Generally, yoga is thought of in terms ofphysical exercises or the method ofusing various exercises to attain mastery over the body. This is not what "yoga" means in Buddhism at all. In Tibetan nal means the true state, the essence, the nature of mind. The second syllable jor means "to engage" or "to apply. " So naljor means "to reach a certain level of realization based on the experience of the nature of the mind. " In the case of the four yogas it means the progressive refining ofthe experience ofthe natural state (Tib. nalma), where it is actualized progressively in four parts.
190. Knowing mind's own face is "one-pointedness" 191. Andhaslesser, intermediateandgreaterstages.
The Mahamudra path is special, meaning it is not shared by other Buddhist meditations. The first yoga or stage is called one- pointedness. This occurs after having been introduced to the nature
? ? PROGRESS THROUGH THE VARIOUS STAGES
101
of mind or given the transmission of the ordinary mind. There is some actual recognition of ordinary mind, the nature of mind. This is further divided into the lesser, the medium, and the greater stage o f one-pointedness.
The lesser one-pointedness is the experience of the alternating experiences ofbliss and luminosity. Sometimes one experiences bliss, sometimes one experiences luminosity, sometimes neither. The medium one-pointedness occurs when one gains some control over meditation, by settling the mind in equipoise. In the beginning of trying to meditate one wants to stay one-pointedly in meditation but one cannot. One wants to achieve good samadhi, yet one hasn't the ability. Even when trying to rest the mind in calm abiding, it doesn't dwell in one place. In the stage ofthe medium one-pointedness one has some control and power over one's samadhi and one's ability to meditate, so that one can meditate whenever one wishes.
192. Seeing bliss and luminosity in alternation,
193. Obtaining mastery over the concentration o fmeditative equipoise. 194. And uninterrupted experience ofluminous appearances.
The experience of the greater one-pointedness occurs with the arising of luminosity, of great clear light. Of the two experiences of emptiness and luminosity, luminosity is getting very strong and arises very powerfully at this point. There is no longer a difference of whether there is samadhi or no samadhi: one abides in this experience of luminosity continuously.
195. Realizing the rootlessness ofmind is "no elaboration" 196. And has lesser. intermediate, andgreater stages:
197. Realizing that arising, ceasing and abiding are empty.
? ? 102 THE SPIRITUAL SONG OF LODRO THAYE
As one's experience is enhanced continuously, the second yoga is called the stage of simplicity, the stage without conception or elaboration. This is when the real realization of emptiness, the realization that the mind is without root, without a basis, becomes a strong experience. This stage is also divided into three levels of experience: the lesser, the medium, and the greater experience. The lesser stage of"no elaboration" is the realization of the emptiness of any event in the mind such as the arising, abiding, and cessation of thoughts. Realizing the mind without foundation means that at the beginning there was nothing arising; in the end there is nothing that could cease and in the middle there is nothing abiding.
198. Beingfreefrom thefundamentalrootofclingingtoappearances or clinging to emptiness,
199. And cutting through all exaggerations caused by elaborating on phenomena.
The medium level of no elaboration comes about after the realization of no origination, no cessation, and no abiding. The clinging to external appearances or objects disappears because one recognizes the emptiness of all external phenomena. Clinging to thinking all phenomena are empty is also transcended. So one's experience is completely free of clinging to appearances or clinging to emptiness.
The final level of this stage is cutting completely through all designations or all embellishment ofall dharmas, ofall phenomena. "All phenomena" means not only external objects, but also the mind. So any extreme view is cut through, such as thinking that (a) it exists or (b) that it doesn't exist or (c) that it neither exists nor doesn't exist or (d) that it both exists and doesn't exist. All four extremes are cut off, and no designation ofany kind is made by the mind. In the surra
? ? PROGRESS THROUGH THE VARIOUS STAGES
103
tradition this is called going beyond the four extremes, the four elaborations, or the thirty-two exaggerations. These all are basically the same thing. In actual meditative experience it is said that any kind of designation, embellishment or elaboration of any extreme is removed.
200. Mixing appearances and mind is "one-taste"
201. And has lesser, intermediate, andgreater stages:
202. Mixing the dharmas ofthe two kinds into one equal taste. 203. Appearances and mind become like water poured into water. 204. And many types ofprimordial wisdom arisingfrom one taste.
The third yoga or stage is called single flavor or the experience ofsinglevalueofonetaste. 27 Theprimaryexperienceofthislevelis t h e e x p e r i e n c e o f t h e i n s e p a r a b i l i t y o f a p p e a r a n c e a n d m i n d . T h a t is to say that the outer appearances of phenomena and the inner mind which apprehends phenomena are both felt to be of the same value. There is no difference. This third level also is divided into the lesser, medium, and greater stages.
The lesser stage is "mixing the dharmas of the two kinds into one equal taste. " This stage is when experiences of duality are combined into a single flavor. Normally, we experience external phenomena as one thing and the mind as a separate thing. We have an external fixation on phenomena and an internal fixation on our subjective person. We also think in terms ofselfand other, so anything to do with the mind is self and anything appearing externally is believed to be other. This leads to a lot of incorrect perceptions. The force and the power of the previous two levels of one-pointedness and no-elaboration bring ahout the experience of this duality becoming completely mixed into a single flavor. It is the fruition of the previous two yogas.
? ? 104
THE SPIRITUAL SONG OF LODRO THAYE
In the middle level "appearances and mind become like water poured into water. " In this level our experience of one taste is enhanced and is likened to the experience of water being poured into water. The external appearances of things are recognized as no different from the mind, and the mind is recognized to have the ability of arising in any way. There is absolutely no differentiation between external phenomena and internal phenomena of the mind. So it is like water being poured into water.
In the greater level we have many types of primordial wisdom arising from one taste. This occurs when external phenomena and mental phenomena, appearances and emptiness blend into one another and one reaches the stage of there being one flavor of everything. However, this isn't a state of stupidity where nothing is taking place in a big blend ofeverything. Rather, our mind with its eight consciousnesses transforms or manifests into the five wisdoms. From abiding in the state ofeverything blended, the five wisdoms- the all-accomplishing wisdom, the discriminating wisdom, the wisdom of equanimity, the mirror-like wisdom, and dharmadhatu wisdom-are not mixed together. Instead, they are very specific, very vivid, so that there is more enhancement of wisdom and insight, rather than a state of stupidity.
205. The complete purification o frigid mind is "non-meditation" 206. And has lesser, intermediate andgreater stages:
207. Beingfree from all ideas o fmeditation and meditator.
After this experience of the single flavor, one reaches the fourth yoga or level called the stage of non-meditation. Through the power o f becoming habituated to meditation we reach a stage in which we no longer distinguish between meditating and not meditating. This
? ? PROGRESS THROUGH THE VARIOUS STAGES
105
is when we are liberated in dharmadhatu, when "rigid mind" or discursive thoughts have naturally subsided.
The stage of non-meditation is also divided into three. At the lowest level ofnon-meditation one experiences no difference between the meditation itselfand the meditator; there is no person meditating and no meditation. We realize that in the essence ofthe dharmadhatu there naturally are no such distinctions.
208. Gradually purifying the imprint o fthe veils o fknowledge
The medium stage of non-meditation is said to be when the imprint of conceptual obscurations are completely purified. Generally, we talk about the two kinds ofveils or obscurations: the emotional obscurations and the intellectual obscurations, which is seeing things dualistically in terms of perceived appearances and perceiving mind. 28 Not only are the obscurations cleared away at this stage but even the imprints of seeing things this way are gradually purified.
209. And the mixing ofthe mother and child clear light.
210. The primordial wisdom ofthe dharmadhatu pervades space.
The final level ofthe stage ofnon-meditation is called the "mixing of the mother and child clear light," or the meeting of the mother and child luminosity. This luminosity has many names. Sometimes it is called the primordial wisdom which sees things as they are; Mahamudra, dharmadhatu, or tathagatagarbha, All of these refer to the same basic luminosity which has two aspects called "mother luminosity" and "child luminosity. " The mother luminosity is the actual true nature of mind. It is the unchangeable part of mind, the dharmata, which is always present as a foundation of Buddhahood
? ? 106 THE SPIRITUAL SONG OF LODRO THAYE
until it has been reached. The child luminosity is the path of meditation we progress along slowly and gradually with the experience of clear light gradually increasing bit by bit until we finally realize this stage of non-meditation. We then realize that this growing realization is the same as the original nature ofall things and that it was always there. So this is like mixing the original mother luminosity and the developed child luminosity and recognizing them as the same thing all along.
The realization of this final level of non-meditation is all- pervasive. The wisdom of dharmadhatu expands throughout space pervading all phenomena. It is then present all the time whether we are meditating or not, without ever ceasing to be. In all there are twelve specific levels specified on the path ofMahamudra (three levels ofeach ofthe four stages). Even ifthese levels might be too advanced for us right now, this knowledge will help us to progress and improve our meditation in the correct direction in the future.
211.
In short, asfor as meditation is concerned?
212. Ifthe mindcan dwellaccordingto our wishes, this is one-pointedness. 213. One then sees theface ofordinary mind.
We have a briefsummary ofthe four yogas. The text says, "Ifthe mind can dwell according to our wishes, this is one-pointedness. " In terms of resting in equipoise, when the mind can dwell as long as it wants and there is some control this is one-pointedness-the first yoga. The quality ofone-pointedness is that one really sees the nature of ordinary mind, meaning one experiences ordinary mind directly, not intellectually.
214. Realizing that there is no foundation is "no elaboration. "
? ? PROGRESS THROUGH THE VARIOUS STAGES
107
Then in the second yoga of"no elaboration," we basically realize there is no root, and we are completely free ofa foundation. When looking at the essence of the movement of mind or looking at the essence ofthe still mind we see them to be ofthe same nature. Neither of them has a foundation nor a root and so they are essentially the same. Then there is no longer an essential distinction between the mind either abiding or moving.
215. Liberatingalldualisticperception 216. In awareness is ''one-taste. "
Then whatever clinging or fixation there is to duality ofexternal appearance and internal mind, self and other, is liberated through the experience of meditation. In the very recognition of awareness this duality is liberated. And this, in short, is the state of one-taste, the third yoga.
217. Transcendingallconventionaltermsofmeditatingornotmeditating, 218. The imprints are ended. This is "non-meditation. "
Finally, in the next stage we no longer are able to designate a certain state as meditation and another state as non-meditation. The distinction between these two is completely transcended and has become completely irrelevant. Any habitual pattern or imprints of the obscurations of emotions or the obscurations to knowledge are transcended. This is the fourth yoga of non-meditation.
This then is the description of the twelve stages within the four yogas. This is also described in detail in Tashi Namgyal's Moonbeams ofMahamudra in which the method ofcategorizing experiences into these twelve stages is compared with the normal Buddhist approach of the five paths and ten bodhisattva stages. 29 Tashi Namgyal in a
? ? 108 THE SPIRITUAL SONG OF LODRO THAYE
scholarly approach explains which of the twelve stages is related to which bodhisattva stage in great detail. Whereas this song of Mahamudra by Jamgon Kongtrul is a spiritual song of inspiration which comes from direct personal experience, the whole purpose for Tashi Namgyal (1512-1587 C. E. ) in writing Moonbeams of Mahamudra was to refute the Sakya Pandita who said the whole idea of Mahamudra was not really a valid or authentic path. The Sakya Pandita said that to do this kind of stupid Mahamudra meditation would result only in being born as an animal or ending up in the form or formless realms, so it wasn't really a true method. So Tashi Namgyal thought he definitely had to refute this. Actually, he asked Drukpa Padma Karpo, another great lama, to write a book in refutation of all the accusations of Sakya Pandita. But Padma Karpo wouldn't do it. So Tashi Namgyal had to do it himself. Tashi Namgyal says in Moonbeams ofMahamudra that most people who have had experience of Mahamudra don't know how to write about it because they are not learned enough to say anything about it. And those who are learned enough to say anything about it have had no meditation experience of it. And still others who have both the experience and the scholarship do not have the altruistic mind to do it. He was referring to Padma Karpo, because he wouldn't compose this as if he didn't have an altruistic motivation. Then Takpo Tashi Namgyal says, "I am not learned in this experience, but at least I have the thought of benefiting others by writing this book. " In this book he refutes the accusations ofSakya Pandita by saying that maybe it is true that ifyou meditate like an idiot or you meditate on stupid Mahamudra, you would be born as an animal. But this is not the fault of the dharma, that is the fault of being an idiot.
219. Those on the level o fthe great yogins, 220. Starting with Naropa and Maitripa,
? ? PROGRESS THROUGH THE V ARIOUS STAGES
109
221. Down to my venerable lama Pema Wangpo,
222. Those belonging to the golden garland o fthe Kagyu
223. Have gone to the dharmakaya kingdom ofnon-meditation,
224. They have purified the darkness o fthe two veils in the dhatu 225. Extended the great skill o fthe two kinds o fknowledge
226. Andopenedthe treasury thatpervades spacefor the benefitofothers.
The meditator who goes through all twelve levels and increases the experience as described in this text is called a great yogi. This kind of yogi has existed from the beginning of the Kagyu lineage with Naropa and Maitripa right down to Jamgon Kongtrul's own lama Perna Nyingche Wangpo. All of these have been masters who have reached this final stage of non-meditation in which all faults have been completely eradicated and who have the good qualities described. They have reached the kingdom ofthe dharmakaya. The main things which they abandoned were the two veils or obscurations: the obscurations of emotions and the obscurations of knowledge. With these two veils being completely purified, the knowledge ofall ultimate phenomena and the knowledge of all conventional phenomena develops. These two wisdoms increase and then help all sentient beings. It is like opening the treasure of the sky which completely pervades throughout space.
227. They remain as a refuge beyond doubt.
228. The ora/lineage has been passed. from one to another
229. This means that it is notjust words, but the meaning that counts.
Because these faults have been abandoned, the qualities which have been obtained, and the activity for the benefit of beings has been made, these lineage lamas have become a source of refuge. One doesn't have to wonder whether they have the ability to provide refuge
? ? 110 THE SPIRITUAL SONG OF LODRO THAYE
because in the Kagyu lineage, Mahamudra teachings have been passed on from one lama to another. Each lama received the complete instructions. The student then relied on these instructions and attained realization and then, in turn, became worthy of passing on those instructions. In this way, not just the words of the realization have been passed on, but every one in the lineage was also a holder of this meaning, so the true meaning of the instructions were passed along also.
230. Even though I am an undisciplined, vile ordinary person
231. As I am holding the sign o fyour noble lineage,
232. Please lead me quickly to the kingdom ofnon-meditation.
233. Kind ones, please completely purify my rigid mind in the dhatu.
Jamgon Kongtrul adds a supplication to the ending of this discussion on path Mahamudra. In his supplication he says he is an "undisciplined, vile ordinary person," meaning a person under the influence ofdisturbing emotions, undisciplined, and lazy. He says, even though I am like that, at least I have entered into the Kagyu lineage. He says, all I have is this sign that I am Kagyu and asks to please bring him quickly to the kingdom of non-meditation, where "rigid mind," all discursive thought and concepts are completely purified in the dharmadhatu.
Questions
Question: It seems to me that in our particular sangha the idea of one-taste is interpreted as meaning that we don't have any more preferences, that anything goes, that if it is too hot, that is one-taste, that is okay then. If the steaks comes well done when you asked for it
? ? PROGRESS THROUGH THE VARIOUS STAGES
Ill
medium rare, that is fine, you feel just fine about that. I like to know really ifone-taste means that.
Rinpoche: Yes, this is one flavor, but it also includes the aspect of knowing or awareness. It is not like you are not aware that the steak is overdone, you have an awareness of it. But the state of not having attachment to anything nice and, not having aversion to anything unpleasant, is an experience of one flavor.
? ? 7 Fruition Mahamttdra
III. FRUITION MAHAMUDRA
234. Fruition Mahamudra is concerned with:
Fruition Mahamudra is the actualization of the Mahamudra experience. As an ordinary person we are not aware ofour own true nature and that is the ground Mahamudra. Then through the teachings of the Buddha and the teachings of our root lama we are introduced to that nature and we learn that our true nature exists and we have Buddha-nature within ourselves. But it is not enough to simply know that it exists, we need to have realization brought about by meditation, which is the path Mahamudra. When the path is actualized, then we have fruition Mahamudra.
235. The ground is introduced as one's own face, the innate three kayas; 236. The path consists in concentrating on the view and meditation; 237. Andthefruition is the manifestation ofthe immaculate three kayas.
We begin with a brief explanation in these verses. Foundation Mahamudra is completely unfabricated, innate, just as it is. If one recognizes it, it doesn't become better. If one doesn't recognize it, it doesn't become worse. The ground has the nature of the three kayas;
? ? 114
THE SPIRITUAL SONG OF LODRO THAYE
the unborn basis of the dharmakaya, the unceasing radiance of the sambhogakaya, and the energy of manifesting of the nirmanakaya. These three are present as the natural state Mahamudra. Through meeting exceptional teachers and relying on their special methods and exceptional instructions, ordinary mind can be realized. This is only possible because there is this foundation.
It is not enough to have an introduction to this true nature because through endless lifetimes up to now we have become habituated to certain conditioned patterns including many negative patterns. So when we sit to meditate after being introduced to this ground Mahamudra, sometimes flashes of realization of this true nature occur, but then again these are swept away by the power of confusion. When this happens, the recognition of the basic foundation becomes impure or imperfect. So as well as the view, one needs to bring home the crucial point of meditation, really concentrate in meditation.
Developing the perfect view with meditation will result in the confusion or illusory beliefs diminishing and disappearing. Then primordial wisdom will be able to flourish more and more. This meditation on view will result in the actualization of the three kayas without any stain or blemish. The primary stains are the two olm:urations: the obscurations of the emotions (the kleshas) and the obscurations to knowledge.
238. The dharmakaya is the basis, emptiness without any elaboration.
The actualization of the three kayas at the time of the fruition Mahamudra has three qualities. The first is described by the Tibetan word shi, which means the "nature," the basis," or "character. " The word shi here means the true nature. In the more colloquial Tibetan the word shi is used to mean a person's character, such as if the person
? ? FRUITION MAHAMUDRA
115
has a good character or a bad character. The basic underlying character ofall phenomena and ofthe mind itselfis emptiness. This essence is, furthermore, completely free from any kind ofconceptualization or elaboration ofwhether it actually exists or doesn't exist. The emptiness of the character or nature itself is the dharmakaya.
The Sanskrit word dharmakaya is made of the word "dharma" and "kaya. " The word "dharma" was translated into Tibetan as cho. The Sanskrit word "dharma'' is "holding," in the sense of holding one from falling into suffering of the three lower realms. When this word was translated by the great translators into Tibetan, they chose the word "cho" which means to improve or remedy a situation. For instance, one would use cho if a person were sick and needed to be made well, one would remedy their sickness. Although there is a slight difference in these words (cho spelled chos being "dharma" and cho spelled bcos meaning "curing"), the meaning is the same because both of them imply a certain capability. For instance, to prevent something from falling so that it doesn't fall (dharma) is similar to the ability to save it (cho). Similarly, to improve one's faults or improve one's sickness also implies this ability or capability. So in both cases the actual meaning is the same. The second part of dharmakaya is "kaya," which literally means "body," but in this context has nothing to do with body or form. It is a word to indicate the basis or foundation or the root ofthe dharma. The foundation ofthat ability is that capability implied in the word dharma.
239. The sambhogakaya is its brilliance, the naturally luminous.
When we say the basic character or nature is empty, it is not the same as when we say a house is empty or the sky is empty. This kind ofemptiness means completely devoid ofanything, nothing there to change and nothing there to rake place. However, when we use
? ? 116 THE SPIRITUAL SONG OF LODRO THAYE
"empty" in terms of the nature of mind, it means this essence is essentially empty ofanything substantial, yet it has a certain capacity, a certain brilliance or radiance. Radiance is this aspect of appearing, rather than the aspect of being empty. Even though the essence is empty, it has this unceasing radiance or energy, the nature ofclarity or luminosity. This brilliance (Tib. dang), this clarity or luminosity (Tib. salwa), is the nature of the sambhogakaya.
Sambhogakaya in Tibetan is long cho dzok pay ku with longcho meaning, having possessions or pleasures, having everything that you could possibly need. It allows for all pleasures and all possessions to arise for oneself and others. The second part dzok pay means "complete" or "perfected. " So all possessions, enjoyments, all happiness is perfected in the sambhogakaya.
240. The nirmanakaya is the unceasingplay ofvarious manifestations
This luminosity has a certain power or energy to it. It is like a wild animal. It is very powerful and there is nothing that it can't do with its power, its force. This force can manifest as all the varied phenomena of the world and there is no way of blocking or impeding it. This energy manifests without anything being able to impede it. This quality, this energy, or force is termed the "nirmanakaya. "
Nirmanakaya or tulku in Tibetan literally means "emanated" or "emanation body. " The dharmakaya has all the qualities of enlightenment already present as a foundation, all qualities are completely perfect already, but no one can perceive them because there is no form. The further perfection ofall happiness or bliss, the sambhogakaya, manifests out ofthe dharmakaya, but ordinary people don't perceive it either. So there is a further manifestation, an actual emanated body that anybody can perceive. In the word nirmanakaya the term "kaya" is to be understood as "body or form. " So coming
? ? FRUITION MAHAMUDRA
117
from the dharmakaya, the nirmanakaya is perceived at the impure level, manifesting as the foundation for bewilderment. The energy or force of the nirmanakaya manifests on an impure level, actually as confused (i. e. not true) appearances. All the appearances that ordinary beings perceive are perceived in a confused or ignorant way. The pure aspect of the nirmanakaya is the Buddha activity that is constantly taking place for all sentient beings.
241. Encompassing all things,
242. The nature ofMahamudra is coincidence. 30
So this nature ofMahamudra pervades all objects. It is completely all-pervasive, all-encompassing, and all-embracing.
243. The realm o fdharmas free from accepting or rejecting. 244. Possessing the beauty ofunconditioned bliss,
The dharmadhatu is completely free of anything to give up or anything to reject, so there is nothing added or gained in the dharmadhatu, this nature of Mahamudra. Also its nature is bliss.
