No More Learning

O! most true! she is a
strumpet. What news ?
Ros. None, my lord, but that the world's grown honest.
Ham. Then is doomsday near! But your news is not true. Let me
question more in particular. What have you, my good friends,
deserved at the hands of Fortune that she sends you to prison
hither?
Guil. Prison, my lord?
Ham. Denmark's a prison.
Ros. Then is the world one.
Ham. A goodly one; in which there are many confines, wards, and
dungeons, Denmark being one o' th' worst.
Ros. We think not so, my lord.
Ham. Why, then 'tis none to you; for there is nothing either good
or bad but thinking makes it so. To me it is a prison.
Ros. Why, then your ambition makes it one. 'Tis too narrow for your
mind.
Ham. O God, I could be bounded in a nutshell and count myself a
king of infinite space, were it not that I have bad dreams.
Guil. Which dreams indeed are ambition; for the very substance of
the ambitious is merely the shadow of a dream.
Ham. A dream itself is but a shadow.
Ros. Truly, and I hold ambition of so airy and light a quality that
it is but a shadow's shadow.
Ham. Then are our beggars bodies, and our monarchs and outstretch'd
heroes the beggars' shadows. Shall we to th' court? for, by my
fay, I cannot reason.
Both. We'll wait upon you.
Ham. No such matter! I will not sort you with the rest of my
servants; for, to speak to you like an honest man, I am most
dreadfully attended. But in the beaten way of friendship, what
make you at Elsinore?
Ros. To visit you, my lord; no other occasion.
Ham. Beggar that I am, I am even poor in thanks; but I thank you;
and sure, dear friends, my thanks are too dear a halfpenny. Were
you not sent for? Is it your own inclining? Is it a free
visitation? Come, deal justly with me. Come, come! Nay, speak.
Guil. What should we say, my lord?
Ham. Why, anything- but to th' purpose. You were sent for; and
there is a kind of confession in your looks, which your modesties
have not craft enough to colour. I know the good King and Queen
have sent for you.
Ros. To what end, my lord?
Ham. That you must teach me. But let me conjure you by the rights
of our fellowship, by the consonancy of our youth, by the
obligation of our ever-preserved love, and by what more dear a
better proposer could charge you withal, be even and direct with
me, whether you were sent for or no.
Ros. [aside to Guildenstern] What say you?
Ham. [aside] Nay then, I have an eye of you. - If you love me, hold
not off.
Guil. My lord, we were sent for.
Ham. I will tell you why. So shall my anticipation prevent your
discovery, and your secrecy to the King and Queen moult no
feather. I have of late- but wherefore I know not- lost all my
mirth, forgone all custom of exercises; and indeed, it goes so
heavily with my disposition that this goodly frame, the earth,
seems to me a sterile promontory; this most excellent canopy, the
air, look you, this brave o'erhanging firmament, this majestical
roof fretted with golden fire- why, it appeareth no other thing
to me than a foul and pestilent congregation of vapours. What a
piece of work is a man! how noble in reason! how infinite in
faculties! in form and moving how express and admirable! in
action how like an angel! in apprehension how like a god! the
beauty of the world, the paragon of animals! And yet to me what
is this quintessence of dust? Man delights not me- no, nor woman
neither, though by your smiling you seem to say so.
Ros. My lord, there was no such stuff in my thoughts.
Ham. Why did you laugh then, when I said 'Man delights not me'?
Ros. To think, my lord, if you delight not in man, what lenten
entertainment the players shall receive from you. We coted them
on the way, and hither are they coming to offer you service.
Ham. He that plays the king shall be welcome- his Majesty shall
have tribute of me; the adventurous knight shall use his foil and
target; the lover shall not sigh gratis; the humorous man shall
end his part in peace; the clown shall make those laugh whose
lungs are tickle o' th' sere; and the lady shall say her mind
freely, or the blank verse shall halt fort. What players are
they?
Ros. Even those you were wont to take such delight in, the
tragedians of the city.
Ham. How chances it they travel? Their residence, both in
reputation and profit, was better both ways.
Ros. I think their inhibition comes by the means of the late
innovation.
Ham. Do they hold the same estimation they did when I was in the
city? Are they so follow'd?
Ros. No indeed are they not.
Ham. How comes it? Do they grow rusty?
Ros. Nay, their endeavour keeps in the wonted pace; but there is,
sir, an eyrie of children, little eyases, that cry out on the top
of question and are most tyrannically clapp'd fort. These are now
the fashion, and so berattle the common stages (so they call
them) that many wearing rapiers are afraid of goosequills and
dare scarce come thither.
Ham. What, are they children? Who maintains 'em? How are they
escoted? Will they pursue the quality no longer than they can
sing? Will they not say afterwards, if they should grow
themselves to common players (as it is most like, if their means
are no better), their writers do them wrong to make them exclaim
against their own succession.
Ros. Faith, there has been much to do on both sides; and the nation
holds it no sin to tarre them to controversy. There was, for a
while, no money bid for argument unless the poet and the player
went to cuffs in the question.
Ham. Is't possible?
Guil. O, there has been much throwing about of brains.
Ham. Do the boys carry it away?
Ros. Ay, that they do, my lord- Hercules and his load too.
Ham. It is not very strange; for my uncle is King of Denmark, and
those that would make mows at him while my father lived give
twenty, forty, fifty, a hundred ducats apiece for his picture in
little. 'Sblood, there is something in this more than natural, if
philosophy could find it out.

Flourish for the Players.

Guil. There are the players.
Ham. Gentlemen, you are welcome to Elsinore. Your hands, come! Th'
appurtenance of welcome is fashion and ceremony. Let me comply
with you in this garb, lest my extent to the players (which I
tell you must show fairly outwards) should more appear like
entertainment than yours. You are welcome. But my uncle-father
and aunt-mother are deceiv'd.
Guil. In what, my dear lord?
Ham. I am but mad north-north-west. When the wind is southerly I
know a hawk from a handsaw.

Enter Polonius.

Pol. Well be with you, gentlemen!
Ham. Hark you, Guildenstern- and you too- at each ear a hearer!
That great baby you see there is not yet out of his swaddling
clouts.
Ros. Happily he's the second time come to them; for they say an old
man is twice a child.
Ham. I will prophesy he comes to tell me of the players. Mark it. -
You say right, sir; a Monday morning; twas so indeed.
Pol. My lord, I have news to tell you.
Ham. My lord, I have news to tell you. When Roscius was an actor in
Rome-
Pol. The actors are come hither, my lord.
Ham. Buzz, buzz!
Pol. Upon my honour-
Ham. Then came each actor on his ass-
Pol. The best actors in the world, either for tragedy, comedy,
history, pastoral, pastoral-comical, historical-pastoral,
tragical-historical, tragical-comical-historical-pastoral; scene
individable, or poem unlimited. Seneca cannot be too heavy, nor
Plautus too light. For the law of writ and the liberty, these are
the only men.
Ham. O Jephthah, judge of Israel, what a treasure hadst thou!
Pol. What treasure had he, my lord?
Ham. Why,

'One fair daughter, and no more,
The which he loved passing well. '

Pol. [aside] Still on my daughter.
Ham. Am I not i' th' right, old Jephthah?
Pol. If you call me Jephthah, my lord, I have a daughter that I
love passing well.
Ham. Nay, that follows not.
Pol. What follows then, my lord?
Ham. Why,

'As by lot, God wot,'

and then, you know,

'It came to pass, as most like it was. '

The first row of the pious chanson will show you more; for look
where my abridgment comes.

Enter four or five Players.

You are welcome, masters; welcome, all. - I am glad to see thee
well. - Welcome, good friends. - O, my old friend? Why, thy face is
valanc'd since I saw thee last.
Com'st' thou to' beard me in
Denmark? - What, my young lady and mistress? By'r Lady, your
ladyship is nearer to heaven than when I saw you last by the
altitude of a chopine. Pray God your voice, like a piece of
uncurrent gold, be not crack'd within the ring. - Masters, you are
all welcome. We'll e'en to't like French falconers, fly at
anything we see. We'll have a speech straight. Come, give us a
taste of your quality. Come, a passionate speech.
1. Play. What speech, my good lord?
Ham. I heard thee speak me a speech once, but it was never acted;
or if it was, not above once; for the play, I remember, pleas'd
not the million, 'twas caviary to the general; but it was (as I
receiv'd it, and others, whose judgments in such matters cried in
the top of mine) an excellent play, well digested in the scenes,
set down with as much modesty as cunning. I remember one said
there were no sallets in the lines to make the matter savoury,
nor no matter in the phrase that might indict the author of
affectation; but call'd it an honest method, as wholesome as
sweet, and by very much more handsome than fine. One speech in't
I chiefly lov'd. 'Twas AEneas' tale to Dido, and thereabout of it
especially where he speaks of Priam's slaughter. If it live in
your memory, begin at this line- let me see, let me see:

'The rugged Pyrrhus, like th' Hyrcanian beast-'

'Tis not so; it begins with Pyrrhus:

'The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal. Head to foot
Now is be total gules, horridly trick'd
With blood of fathers, mothers, daughters, sons,
Bak'd and impasted with the parching streets,
That lend a tyrannous and a damned light
To their lord's murther. Roasted in wrath and fire,
And thus o'ersized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks. '

So, proceed you.
Pol. Fore God, my lord, well spoken, with good accent and good
discretion.

1. Play. 'Anon he finds him,
Striking too short at Greeks. His antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command. Unequal match'd,
Pyrrhus at Priam drives, in rage strikes wide;
But with the whiff and wind of his fell sword
Th' unnerved father falls. Then senseless Ilium,
Seeming to feel this blow, with flaming top
Stoops to his base, and with a hideous crash
Takes prisoner Pyrrhus' ear. For lo! his sword,
Which was declining on the milky head
Of reverend Priam, seem'd i' th' air to stick.
So, as a painted tyrant, Pyrrhus stood,
And, like a neutral to his will and matter,
Did nothing.
But, as we often see, against some storm,
A silence in the heavens, the rack stand still,
The bold winds speechless, and the orb below
As hush as death- anon the dreadful thunder
Doth rend the region; so, after Pyrrhus' pause,
Aroused vengeance sets him new awork;
And never did the Cyclops' hammers fall
On Mars's armour, forg'd for proof eterne,
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.
Out, out, thou strumpet Fortune! All you gods,
In general synod take away her power;
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends!

Pol. This is too long.
Ham. It shall to the barber's, with your beard. - Prithee say on.
He's for a jig or a tale of bawdry, or he sleeps. Say on; come to
Hecuba.

1. Play. 'But who, O who, had seen the mobled queen-'

Ham. 'The mobled queen'?
Pol. That's good! 'Mobled queen' is good.

1. Play. 'Run barefoot up and down, threat'ning the flames
With bisson rheum; a clout upon that head
Where late the diadem stood, and for a robe,
About her lank and all o'erteemed loins,
A blanket, in the alarm of fear caught up-
Who this had seen, with tongue in venom steep'd
'Gainst Fortune's state would treason have pronounc'd.
But if the gods themselves did see her then,
When she saw Pyrrhus make malicious sport
In Mincing with his sword her husband's limbs,
The instant burst of clamour that she made
(Unless things mortal move them not at all)
Would have made milch the burning eyes of heaven
And passion in the gods. '

Pol. Look, whe'r he has not turn'd his colour, and has tears in's
eyes. Prithee no more!
Ham. 'Tis well. I'll have thee speak out the rest of this soon. -
Good my lord, will you see the players well bestow'd? Do you
hear? Let them be well us'd; for they are the abstract and brief
chronicles of the time. After your death you were better have a
bad epitaph than their ill report while you live.
Pol. My lord, I will use them according to their desert.
Ham. God's bodykins, man, much better! Use every man after his
desert, and who should scape whipping? Use them after your own
honour and dignity. The less they deserve, the more merit is in
your bounty. Take them in.
Pol. Come, sirs.
Ham. Follow him, friends. We'll hear a play to-morrow.
Exeunt Polonius and Players [except the First].
Dost thou hear me, old friend? Can you play 'The Murther of
Gonzago'?
1. Play. Ay, my lord.
Ham. We'll ha't to-morrow night. You could, for a need, study a
speech of some dozen or sixteen lines which I would set down and
insert in't, could you not?
1. Play. Ay, my lord.
Ham. Very well. Follow that lord- and look you mock him not.
[Exit First Player. ]
My good friends, I'll leave you till night. You are welcome to
Elsinore.
Ros. Good my lord!
Ham. Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.




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ACT III. Scene I.
Elsinore. A room in the Castle.

Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern, and Lords.

King. And can you by no drift of circumstance
Get from him why he puts on this confusion,
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy?
Ros. He does confess he feels himself distracted,
But from what cause he will by no means speak.
Guil. Nor do we find him forward to be sounded,
But with a crafty madness keeps aloof
When we would bring him on to some confession
Of his true state.
Queen. Did he receive you well?
Ros. Most like a gentleman.
Guil. But with much forcing of his disposition.
Ros. Niggard of question, but of our demands
Most free in his reply.
Queen. Did you assay him
To any pastime?
Ros. Madam, it so fell out that certain players
We o'erraught on the way. Of these we told him,
And there did seem in him a kind of joy
To hear of it. They are here about the court,
And, as I think, they have already order
This night to play before him.
Pol. 'Tis most true;
And he beseech'd me to entreat your Majesties
To hear and see the matter.
King. With all my heart, and it doth much content me
To hear him so inclin'd.
Good gentlemen, give him a further edge
And drive his purpose on to these delights.
Ros. We shall, my lord.
Exeunt Rosencrantz and Guildenstern.
King. Sweet Gertrude, leave us too;
For we have closely sent for Hamlet hither,
That he, as 'twere by accident, may here
Affront Ophelia.
Her father and myself (lawful espials)
Will so bestow ourselves that, seeing unseen,
We may of their encounter frankly judge
And gather by him, as he is behav'd,
If't be th' affliction of his love, or no,
That thus he suffers for.
Queen. I shall obey you;
And for your part, Ophelia, I do wish
That your good beauties be the happy cause
Of Hamlet's wildness. So shall I hope your virtues
Will bring him to his wonted way again,
To both your honours.
Oph. Madam, I wish it may.
[Exit Queen. ]
Pol. Ophelia, walk you here. - Gracious, so please you,
We will bestow ourselves. - [To Ophelia] Read on this book,
That show of such an exercise may colour
Your loneliness. - We are oft to blame in this,
'Tis too much prov'd, that with devotion's visage
And pious action we do sugar o'er
The Devil himself.
King. [aside] O, 'tis too true!
How smart a lash that speech doth give my conscience!
The harlot's cheek, beautied with plast'ring art,
Is not more ugly to the thing that helps it
Than is my deed to my most painted word.
O heavy burthen!
Pol. I hear him coming. Let's withdraw, my lord.
Exeunt King and Polonius].

Enter Hamlet.

Ham. To be, or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die- to sleep-
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die- to sleep.
To sleep- perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.