No More Learning

BRIDGET

She's given milk away.
I knew she would bring evil on the house.

MAURTEEN

Who was it?

MARY

Both the tongue and face were strange.

MAURTEEN

Some strangers came last week to Clover Hill;
She must be one of them.

BRIDGET

I am afraid.

FATHER HART

The Cross will keep all evil from the house
While it hangs there.

MAURTEEN

Come, sit beside me, colleen,
And put away your dreams of discontent,
For I would have you light up my last days,
Like the good glow of the turf; and when I die
You'll be the wealthiest hereabout, for, colleen,
I have a stocking full of yellow guineas
Hidden away where nobody can find it.

BRIDGET

You are the fool of every pretty face,
And I must spare and pinch that my son's wife
May have all kinds of ribbons for her head.

MAURTEEN

Do not be cross; she is a right good girl!
The butter is by your elbow, Father Hart.
My colleen, have not Fate and Time and Change
Done well for me and for old Bridget there?
We have a hundred acres of good land,
And sit beside each other at the fire.
I have this reverend Father for my friend,
I look upon your face and my son's face--
We've put his plate by yours--and here he comes,
And brings with him the only thing we have lacked,
Abundance of good wine. (SHAWN _comes in_. ) Stir up the fire,
And put new turf upon it till it blaze;
To watch the turf-smoke coiling from the fire,
And feel content and wisdom in your heart,
This is the best of life; when we are young
We long to tread a way none trod before,
But find the excellent old way through love,
And through the care of children, to the hour
For bidding Fate and Time and Change goodbye.

(MARY _takes a sod of turf from the fire and goes out through the door_.
SHAWN _follows her and meets her coming in_. )

SHAWN

What is it draws you to the chill o' the wood?
There is a light among the stems of the trees
That makes one shiver.

MARY

A little queer old man
Made me a sign to show he wanted fire
To light his pipe.

BRIDGET

You've given milk and fire
Upon the unluckiest night of the year and brought,
For all you know, evil upon the house.
Before you married you were idle and fine
And went about with ribbons on your head;
And now--no, Father, I will speak my mind--
She is not a fitting wife for any man----

SHAWN

Be quiet, Mother!

MAURTEEN

You are much too cross.

MARY

What do I care if I have given this house,
Where I must hear all day a bitter tongue,
Into the power of faeries!

BRIDGET

You know well
How calling the good people by that name,
Or talking of them over much at all,
May bring all kinds of evil on the house.

MARY

Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind.
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.

FATHER HART

You cannot know the meaning of your words.

MARY

Father, I am right weary of four tongues:
A tongue that is too crafty and too wise,
A tongue that is too godly and too grave,
A tongue that is more bitter than the tide,
And a kind tongue too full of drowsy love,
Of drowsy love and my captivity.

(SHAWN BRUIN _leads her to a seat at the left of the door_. )

SHAWN

Do not blame me; I often lie awake
Thinking that all things trouble your bright head.
How beautiful it is--your broad pale forehead
Under a cloudy blossoming of hair!
Sit down beside me here--these are too old,
And have forgotten they were ever young.

MARY

O, you are the great door-post of this house,
And I the branch of blessed quicken wood,
And if I could I'd hang upon the post,
Till I had brought good luck into the house.

(_She would put her arms about him, but looks shyly at the priest and
lets her arms fall. _)

FATHER HART

My daughter, take his hand--by love alone
God binds us to Himself and to the hearth,
That shuts us from the waste beyond His peace,
From maddening freedom and bewildering light.

SHAWN

Would that the world were mine to give it you,
And not its quiet hearths alone, but even
All that bewilderment of light and freedom,
If you would have it.

MARY

I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.

SHAWN

Then I would mould a world of fire and dew,
With no one bitter, grave or over wise,
And nothing marred or old to do you wrong,
And crowd the enraptured quiet of the sky
With candles burning to your lonely face.

MARY

Your looks are all the candles that I need.

SHAWN

Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll;
But your white spirit still walk by my spirit.

(_A Voice singing in the wood. _)

MAURTEEN

There's some one singing. Why, it's but a child.
It sang, "The lonely of heart is withered away. "
A strange song for a child, but she sings sweetly.
Listen, listen!

(_Goes to door. _)

MARY

O, cling close to me,
Because I have said wicked things to-night.

THE VOICE

The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away.
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say,
"When the wind has laughed and murmured and sung
The lonely of heart is withered away! "

MAURTEEN

Being happy, I would have all others happy,
So I will bring her in out of the cold.

(_He brings in the faery child. _)

THE CHILD

I tire of winds and waters and pale lights.

MAURTEEN

And that's no wonder, for when night has fallen
The wood's a cold and a bewildering place,
But you are welcome here.

THE CHILD

I am welcome here.
For when I tire of this warm little house
There is one here that must away, away.

MAURTEEN

O, listen to her dreamy and strange talk.
Are you not cold?

THE CHILD

I will crouch down beside you,
For I have run a long, long way this night.

BRIDGET

You have a comely shape.

MAURTEEN

Your hair is wet.

BRIDGET

I'll warm your chilly feet.

MAURTEEN

You have come indeed
A long, long way--for I have never seen
Your pretty face--and must be tired and hungry,
Here is some bread and wine.

THE CHILD

The wine is bitter.
Old mother, have you no sweet food for me?

BRIDGET

I have some honey.

(_She goes into the next room. _)

MAURTEEN

You have coaxing ways,
The mother was quite cross before you came.

(BRIDGET _returns with the honey and fills a porringer with milk_. )

BRIDGET

She is the child of gentle people; look
At her white hands and at her pretty dress.
I've brought you some new milk, but wait a while
And I will put it to the fire to warm,
For things well fitted for poor folk like us
Would never please a high-born child like you.

THE CHILD

From dawn, when you must blow the fire ablaze,
You work your fingers to the bone, old mother.
The young may lie in bed and dream and hope,
But you must work your fingers to the bone
Because your heart is old.

BRIDGET

The young are idle.

THE CHILD

Your memories have made you wise, old father;
The young must sigh through many a dream and hope,
But you are wise because your heart is old.

(BRIDGET _gives her more bread and honey_. )

MAURTEEN

O, who would think to find so young a girl
Loving old age and wisdom?

THE CHILD

No more, mother.

MAURTEEN

What a small bite! The milk is ready now.
(_Hands it to her. _) What a small sip!

THE CHILD

Put on my shoes, old mother.
Now I would like to dance now I have eaten,
The reeds are dancing by Coolaney lake,
And I would like to dance until the reeds
And the white waves have danced themselves asleep.

(BRIDGET _puts on the shoes, and the_ CHILD _is about to dance, but
suddenly sees the crucifix and shrieks and covers her eyes_. )

What is that ugly thing on the black cross?

FATHER HART

You cannot know how naughty your words are!
That is our Blessed Lord.

THE CHILD

Hide it away!

BRIDGET

I have begun to be afraid again.

THE CHILD

Hide it away!

MAURTEEN

That would be wickedness!

BRIDGET

That would be sacrilege!

THE CHILD

The tortured thing!
Hide it away!

MAURTEEN

Her parents are to blame.

FATHER HART

That is the image of the Son of God.

THE CHILD (_caressing him_)

Hide it away, hide it away!

MAURTEEN

No, no.

FATHER HART

Because you are so young and like a bird,
That must take fright at every stir of the leaves,
I will go take it down.

THE CHILD

Hide it away!
And cover it out of sight and out of mind!

(FATHER HART _takes crucifix from wall and carries it towards inner
room_. )

FATHER HART

Since you have come into this barony,
I will instruct you in our blessed faith;
And being so keen witted you'll soon learn.

(_To the others. _)

We must be tender to all budding things,
Our Maker let no thought of Calvary
Trouble the morning stars in their first song.

(_Puts crucifix in inner room. _)

THE CHILD

Here is level ground for dancing; I will dance.

(_Sings. _)

"The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away. "

(_She dances. _)

MARY (_to_ SHAWN)

Just now when she came near I thought I heard
Other small steps beating upon the floor,
And a faint music blowing in the wind,
Invisible pipes giving her feet the tune.

SHAWN

I heard no steps but hers.

MARY

I hear them now,
The unholy powers are dancing in the house.

MAURTEEN

Come over here, and if you promise me
Not to talk wickedly of holy things
I will give you something.

THE CHILD

Bring it me, old father.

MAURTEEN

Here are some ribbons that I bought in the town
For my son's wife--but she will let me give them
To tie up that wild hair the winds have tumbled.

THE CHILD

Come, tell me, do you love me?

MAURTEEN

Yes, I love you.

THE CHILD

Ah, but you love this fireside. Do you love me?

FATHER HART

When the Almighty puts so great a share
Of His own ageless youth into a creature,
To look is but to love.

THE CHILD

But you love Him?

BRIDGET

She is blaspheming.

THE CHILD

And do you love me too?

MARY

I do not know.

THE CHILD

You love that young man there,
Yet I could make you ride upon the winds,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.

MARY

Queen of Angels and kind saints defend us!
Some dreadful thing will happen. A while ago
She took away the blessed quicken wood.

FATHER HART

You fear because of her unmeasured prattle;
She knows no better. Child, how old are you?

THE CHILD

When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time? I think
I am much older than the eagle cock
That blinks and blinks on Ballygawley Hill,
And he is the oldest thing under the moon.

FATHER HART

O she is of the faery people.

THE CHILD

One called,
I sent my messengers for milk and fire,
She called again and after that I came.

(_All except_ SHAWN _and_ MARY BRUIN _gather behind the priest for
protection_. )

SHAWN (_rising_)

Though you have made all these obedient,
You have not charmed my sight and won from me
A wish or gift to make you powerful;
I'll turn you from the house.

FATHER HART

No, I will face her.

THE CHILD

Because you took away the crucifix
I am so mighty that there's none can pass,
Unless I will it, where my feet have danced
Or where I've whirled my finger-tops.

(SHAWN _tries to approach her and cannot_. )

MAURTEEN

Look, look!
There something stops him--look how he moves his hands
As though he rubbed them on a wall of glass!

FATHER HART

I will confront this mighty spirit alone;
Be not afraid, the Father is with us,
The Holy Martyrs and the Innocents,
The adoring Magi in their coats of mail,
And He who died and rose on the third day,
And all the nine angelic hierarchies.

(_The_ CHILD _kneels upon the settle beside_ MARY _and puts her arms
about her_. )

Cry, daughter, to the Angels and the Saints.

THE CHILD

You shall go with me, newly-married bride,
And gaze upon a merrier multitude.
White-armed Nuala, Aengus of the Birds,
Feacra of the hurtling foam, and him
Who is the ruler of the Western Host,
Finvarra, and their Land of Heart's Desire,
Where beauty has no ebb, decay no flood,
But joy is wisdom, Time an endless song.
I kiss you and the world begins to fade.

SHAWN

Awake out of that trance--and cover up
Your eyes and ears.

FATHER HART

She must both look and listen,
For only the soul's choice can save her now.
Come over to me, daughter; stand beside me;
Think of this house and of your duties in it.

THE CHILD

Stay and come with me, newly-married bride,
For if you hear him you grow like the rest;
Bear children, cook, and bend above the churn,
And wrangle over butter, fowl, and eggs,
Until at last, grown old and bitter of tongue,
You're crouching there and shivering at the grave.

FATHER HART

Daughter, I point you out the way to Heaven.

THE CHILD

But I can lead you, newly-married bride,
Where nobody gets old and crafty and wise,
Where nobody gets old and godly and grave,
Where nobody gets old and bitter of tongue,
And where kind tongues bring no captivity;
For we are but obedient to the thoughts
That drift into the mind at a wink of the eye.

FATHER HART

By the dear Name of the One crucified,
I bid you, Mary Bruin, come to me.

THE CHILD

I keep you in the name of your own heart.

FATHER HART

It is because I put away the crucifix
That I am nothing, and my power is nothing.
I'll bring it here again.

MAURTEEN (_clinging to him_)

No.

BRIDGET

Do not leave us.

FATHER HART

O, let me go before it is too late;
It is my sin alone that brought it all.

(_Singing outside. _)

THE CHILD

I hear them sing, "Come, newly-married bride,
Come, to the woods and waters and pale lights. "

MARY

I will go with you.

FATHER HART

She is lost, alas!

THE CHILD (_standing by the door_)

But clinging mortal hope must fall from you,
For we who ride the winds, run on the waves,
And dance upon the mountains are more light
Than dewdrops on the banner of the dawn.

MARY

O, take me with you.

SHAWN

Beloved, I will keep you.
I've more than words, I have these arms to hold you,
Nor all the faery host, do what they please,
Shall ever make me loosen you from these arms.

MARY

Dear face! Dear voice!

THE CHILD

Come, newly-married bride.

MARY

I always loved her world--and yet--and yet----

THE CHILD

White bird, white bird, come with me, little bird.

MARY

She calls me!

THE CHILD

Come with me, little bird.

(_Distant dancing figures appear in the wood. _)

MARY

I can hear songs and dancing.

SHAWN

Stay with me.

MARY

I think that I would stay--and yet--and yet----

THE CHILD

Come, little bird, with crest of gold.

MARY (_very softly_)

And yet----

THE CHILD

Come, little bird with silver feet!

(MARY BRUIN _dies, and the_ CHILD _goes_. )

SHAWN

She is dead!

BRIDGET

Come from that image; body and soul are gone.
You have thrown your arms about a drift of leaves,
Or bole of an ash-tree changed into her image.

FATHER HART

Thus do the spirits of evil snatch their prey,
Almost out of the very hand of God;
And day by day their power is more and more,
And men and women leave old paths, for pride
Comes knocking with thin knuckles on the heart.

(_Outside there are dancing figures, and it may be a white bird, and
many voices singing_:)

"The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
'When the wind has laughed and murmured and sung,
The lonely of heart is withered away. '"




CROSSWAYS


_"The stars are threshed, and the souls are threshed from their husks. "_

WILLIAM BLAKE.

To A. E.


THE SONG OF THE HAPPY SHEPHERD


The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Gray Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? --By the Rood
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are fled
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek; for this is also sooth;
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass--
Seek, then, for this is also sooth,
No word of theirs--the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming-sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewarding in melodious guile,
Thy fretful words a little while,
Till they shall singing fade in ruth,
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth's dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.


THE SAD SHEPHERD


There was a man whom Sorrow named his friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, _Dim sea, hear my most piteous story! _
The sea swept on and cried her old cry still,
Rolling along in dreams from hill to hill;
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening,
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend,
Sought once again the shore, and found a shell,
And thought, _I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own tale again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart_.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.


THE CLOAK, THE BOAT, AND THE SHOES


"What do you make so fair and bright? "

"I make the cloak of Sorrow:
"O, lovely to see in all men's sight
"Shall be the cloak of Sorrow,
"In all men's sight. "

"What do you build with sails for flight? "

"I build a boat for Sorrow,
"O, swift on the seas all day and night
"Saileth the rover Sorrow,
"All day and night. "

"What do you weave with wool so white?

"I weave the shoes of Sorrow,
"Soundless shall be the footfall light
"In all men's ears of Sorrow,
"Sudden and light. "


ANASHUYA AND VIJAYA


_A little Indian temple in the Golden Age. Around it a garden;
around that the forest. _ ANASHUYA, _the young priestess, kneeling
within the temple_.

ANASHUYA

Send peace on all the lands and flickering corn. --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other. --Hear, and may the indolent flocks
Be plentiful. --And if he love another,
May panthers end him. --Hear, and load our king
With wisdom hour by hour. --May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.

VIJAYA [_entering and throwing a lily at her_]

Hail! hail, my Anashuya.

ANASHUYA

No: be still.
I, priestess of this temple, offer up
Prayers for the land.

VIJAYA

I will wait here, Amrita.

ANASHUYA

By mighty Brahma's ever rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.

VIJAYA

My mother's name.

ANASHUYA [_sings, coming out of the temple_]

_A sad, sad thought went by me slowly:
Sigh, O you little stars! O, sigh and shake your blue apparel!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars! O, sing and raise your rapturous carol
To mighty Brahma, he who made you many as the sands,
And laid you on the gates of evening with his quiet hands. _

[_Sits down on the steps of the temple. _]

Vijaya, I have brought my evening rice;
The sun has laid his chin on the gray wood,
Weary, with all his poppies gathered round him.

VIJAYA

The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.

ANASHUYA

See how the sacred old flamingoes come,
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; swiftly chase him
Far, far away. I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice. I told you so.
Now cuff him off. He's off! A kiss for you,
Because you saved my rice. Have you no thanks?

VIJAYA [_sings_]

_Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you hold_
_The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your car heads peer,
With all your whirling hair, and drop many an azure tear. _

ANASHUYA

What know the pilots of the stars of tears?

VIJAYA

Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the north,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while----

ANASHUYA [_going away from him_]

Ah me, you love another,

[_Bursting into tears. _]

And may some dreadful ill befall her quick!

VIJAYA

I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.

ANASHUYA

Vijaya, swear to love her never more,

VIJAYA

Ay, ay.

ANASHUYA

Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden Peak; enormous shapes,
Who still were old when the great sea was young
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!

VIJAYA

By the parents of the gods, I swear.

ANASHUYA [_sings_]

_I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows truly,
Shoot on him shafts of quietness, that he may ever keep
An inner laughter, and may kiss his hands to me in sleep. _

Farewell, Vijaya. Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.

[VIJAYA _goes_. ]

O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingo; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping: give him dreams of me.


THE INDIAN UPON GOD


I passed along the water's edge below the humid trees,
My spirit rocked in evening light, the rushes round my knees,
My spirit rocked in sleep and sighs; and saw the moorfowl pace
All dripping on a grassy slope, and saw them cease to chase
Each other round in circles, and heard the eldest speak:
_Who holds the world between His bill and made us strong or weak
Is an undying moorfowl, and He lives beyond the sky.
The rains are from His dripping wing, the moonbeams from His eye. _
I passed a little further on and heard a lotus talk:
_Who made the world and ruleth it, He hangeth on a stalk,_
_For I am in His image made, and all this tinkling tide
Is but a sliding drop of rain between His petals wide. _
A little way within the gloom a roebuck raised his eyes
Brimful of starlight, and he said: _The Stamper of the Skies,
He is a gentle roebuck; for how else, I pray, could He
Conceive a thing so sad and soft, a gentle thing like me? _
I passed a little further on and heard a peacock say:
_Who made the grass and made the worms and made my feathers gay,
He is a monstrous peacock, and He waveth all the night
His languid tail above us, lit with myriad spots of light. _


THE INDIAN TO HIS LOVE


The island dreams under the dawn
And great boughs drop tranquillity;
The peahens dance on a smooth lawn,
A parrot sways upon a tree,
Raging at his own image in the enamelled sea.

Here we will moor our lonely ship
And wander ever with woven hands,
Murmuring softly lip to lip,
Along the grass, along the sands,
Murmuring how far away are the unquiet lands:

How we alone of mortals are
Hid under quiet bows apart,
While our love grows an Indian star,
A meteor of the burning heart,
One with the tide that gleams, the wings that gleam and dart,
The heavy boughs, the burnished dove
That moans and sighs a hundred days:
How when we die our shades will rove,
When eve has hushed the feathered ways,
With vapoury footsole among the water's drowsy blaze.


THE FALLING OF THE LEAVES


Autumn is over the long leaves that love us,
And over the mice in the barley sheaves;
Yellow the leaves of the rowan above us,
And yellow the wet wild-strawberry leaves.

The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us part, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow.


EPHEMERA


"Your eyes that once were never weary of mine
"Are bowed in sorrow under pendulous lids,
"Because our love is waning. "

And then she:
"Although our love is waning, let us stand
"By the lone border of the lake once more,
"Together in that hour of gentleness
"When the poor tired child, Passion, falls asleep:
"How far away the stars seem, and how far
"Is our first kiss, and ah, how old my heart! "

Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
"Passion has often worn our wandering hearts. "

The woods were round them, and the yellow leaves
Fell like faint meteors in the gloom, and once
A rabbit old and lame limped down the path;
Autumn was over him: and now they stood
On the lone border of the lake once more:
Turning, he saw that she had thrust dead leaves
Gathered in silence, dewy as her eyes,
In bosom and hair.

"Ah, do not mourn," he said,
"That we are tired, for other loves await us;
"Hate on and love through unrepining hours.
"Before us lies eternity; our souls
"Are love, and a continual farewell. "


THE MADNESS OF KING GOLL


I sat on cushioned otter skin:
My word was law from Ith to Emen,
And shook at Invar Amargin
The hearts of the world-troubling seamen.
And drove tumult and war away
From girl and boy and man and beast;
The fields grew fatter day by day,
The wild fowl of the air increased;
And every ancient Ollave said,
While he bent down his fading head,
"He drives away the Northern cold. "
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _

I sat and mused and drank sweet wine;
A herdsman came from inland valleys,
Crying, the pirates drove his swine
To fill their dark-beaked hollow galleys.
I called my battle-breaking men,
And my loud brazen battle-cars
From rolling vale and rivery glen,
And under the blinking of the stars
Fell on the pirates by the deep,
And hurled them in the gulph of sleep:
These hands won many a torque of gold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _

But slowly, as I shouting slew
And trampled in the bubbling mire,
In my most secret spirit grew
A whirling and a wandering fire:
I stood: keen stars above me shone,
Around me shone keen eyes of men:
I laughed aloud and hurried on
By rocky shore and rushy fen;
I laughed because birds fluttered by,
And starlight gleamed, and clouds flew high,
And rushes waved and waters rolled.
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _

And now I wander in the woods
When summer gluts the golden bees,
Or in autumnal solitudes
Arise the leopard-coloured trees;
Or when along the wintry strands
The cormorants shiver on their rocks;
I wander on, and wave my hands,
And sing, and shake my heavy locks.
The gray wolf knows me; by one ear
I lead along the woodland deer;
The hares run by me growing bold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _

I came upon a little town,
That slumbered in the harvest moon,
And passed a-tiptoe up and down,
Murmuring, to a fitful tune,
How I have followed, night and day,
A tramping of tremendous feet,
And saw where this old tympan lay,
Deserted on a doorway seat,
And bore it to the woods with me;
Of some unhuman misery
Our married voiced wildly trolled.
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _

I sang how, when day's toil is done,
Orchil shakes out her long dark hair
That hides away the dying sun
And sheds faint odours through the air:
When my hand passed from wire to wire
It quenched, with sound like falling dew,
The whirling and the wandering fire;
But lift a mournful ulalu,
For the kind wires are torn and still,
And I must wander wood and hill
Through summer's heat and winter's cold.
_They will not hush, the leaves a-flutter round me,
the beech leaves old. _


THE STOLEN CHILD


Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berries,
And of reddest stolen cherries.
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand. _

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep.
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand. _

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams,
_Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand. _

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal-chest.
_For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping than he can understand. _


TO AN ISLE IN THE WATER


Shy one, shy one,
Shy one of my heart,
She moves in the firelight
Pensively apart.

She carries in the dishes,
And lays them in a row.
To an isle in the water
With her would I go.

She carries in the candles,
And lights the curtained room,
Shy in the doorway
And shy in the gloom;

And shy as a rabbit,
Helpful and shy.
To an isle in the water
With her would I fly.


DOWN BY THE SALLEY GARDENS


Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her would not agree.

In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.


THE MEDITATION OF THE OLD FISHERMAN


You waves, though you dance by my feet like children at play,
Though you glow and you glance, though you purr and you dart;
In the Junes that were warmer than these are, the waves were more gay,
_When I was a boy with never a crack in my heart_.

The herring are not in the tides as they were of old;
My sorrow! for many a creak gave the creel in the cart
That carried the take to Sligo town to be sold,
_When I was a boy with never a crack in my heart_.

And ah, you proud maiden, you are not so fair when his oar
Is heard on the water, as they were, the proud and apart,
Who paced in the eve by the nets on the pebbly shore,
_When I was a boy with never a crack in my heart_.


THE BALLAD OF FATHER O'HART


Good Father John O'Hart
In penal days rode out
To a shoneen who had free lands
And his own snipe and trout.

In trust took he John's lands;
Sleiveens were all his race;
And he gave them as dowers to his daughters,
And they married beyond their place.

But Father John went up,
And Father John went down;
And he wore small holes in his shoes,
And he wore large holes in his gown.

All loved him, only the shoneen,
Whom the devils have by the hair,
From the wives, and the cats, and the children,
To the birds in the white of the air.

The birds, for he opened their cages
As he went up and down;
And he said with a smile, "Have peace now";
And he went his way with a frown.

But if when any one died
Came keeners hoarser than rooks,
He bade them give over their keening;
For he was a man of books.

And these were the works of John,
When weeping score by score,
People came into Coloony;
For he'd died at ninety-four.

There was no human keening;
The birds from Knocknarea
And the world round Knocknashee
Came keening in that day.

The young birds and old birds
Came flying, heavy and sad;
Keening in from Tiraragh,
Keening from Ballinafad;

Keening from Inishmurray,
Nor stayed for bite or sup;
This way were all reproved
Who dig old customs up.


THE BALLAD OF MOLL MAGEE


Come round me, little childer;
There, don't fling stones at me
Because I mutter as I go;
But pity Moll Magee.

My man was a poor fisher
With shore lines in the say;
My work was saltin' herrings
The whole of the long day.

And sometimes from the saltin' shed,
I scarce could drag my feet
Under the blessed moonlight,
Along the pebbly street.

I'd always been but weakly,
And my baby was just born;
A neighbour minded her by day
I minded her till morn.

I lay upon my baby;
Ye little childer dear,
I looked on my cold baby
When the morn grew frosty and clear.

A weary woman sleeps so hard!
My man grew red and pale,
And gave me money, and bade me go
To my own place, Kinsale.

He drove me out and shut the door,
And gave his curse to me;
I went away in silence,
No neighbour could I see.

The windows and the doors were shut,
One star shone faint and green
The little straws were turnin' round
Across the bare boreen.

I went away in silence:
Beyond old Martin's byre
I saw a kindly neighbour
Blowin' her mornin' fire.

She drew from me my story--
My money's all used up,
And still, with pityin', scornin' eye,
She gives me bite and sup.

She says my man will surely come,
And fetch me home agin;
But always, as I'm movin' round,
Without doors or within,

Pilin' the wood or pilin' the turf,
Or goin' to the well,
I'm thinkin' of my baby
And keenin' to mysel'.

And sometimes I am sure she knows
When, openin' wide His door,
God lights the stars, His candles,
And looks upon the poor.

So now, ye little childer,
Ye won't fling stones at me;
But gather with your shinin' looks
And pity Moll Magee.


THE BALLAD OF THE FOXHUNTER


"Now lay me in a cushioned chair
"And carry me, you four,
"With cushions here and cushions there,
"To see the world once more.

"And some one from the stables bring
"My Dermot dear and brown,
"And lead him gently in a ring,
"And gently up and down.

"Now leave the chair upon the grass:
"Bring hound and huntsman here,
"And I on this strange road will pass,
"Filled full of ancient cheer. "

His eyelids droop, his head falls low,
His old eyes cloud with dreams;
The sun upon all things that grow
Pours round in sleepy streams.

Brown Dermot treads upon the lawn,
And to the armchair goes,
And now the old man's dreams are gone,
He smooths the long brown nose.

And now moves many a pleasant tongue
Upon his wasted hands,
For leading aged hounds and young
The huntsman near him stands.

"My huntsman, Rody, blow the horn,
"And make the hills reply. "
The huntsman loosens on the morn
A gay and wandering cry.

A fire is in the old man's eyes,
His fingers move and sway,
And when the wandering music dies
They hear him feebly say,

"My huntsman, Rody, blow the horn,
"And make the hills reply. "
"I cannot blow upon my horn,
"I can but weep and sigh. "

The servants round his cushioned place
Are with new sorrow wrung;
And hounds are gazing on his face,
Both aged hounds and young.

One blind hound only lies apart
On the sun-smitten grass;
He holds deep commune with his heart:
The moments pass and pass;

The blind hound with a mournful din
Lifts slow his wintry head;
The servants bear the body in;
The hounds wail for the dead.




THE WANDERINGS OF USHEEN


"_Give me the world if Thou wilt, but grant me an asylum for my
affections. _"

TULKA.

TO EDWIN J. ELLIS


BOOK I


S. PATRIC

You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

USHEEN

Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
And feet of maidens dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air,
Must live to be old like the wandering moon.

Caolte, and Conan, and Finn were there,
When we followed a deer with our baying hounds,
With Bran, Sgeolan, and Lomair,
And passing the Firbolgs' burial mounds,
Came to the cairn-heaped grassy hill
Where passionate Maive is stony still;
And found on the dove-gray edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. PATRIC

You are still wrecked among heathen dreams.

USHEEN

"Why do you wind no horn? " she said.
"And every hero droop his head?
"The hornless deer is not more sad
"That many a peaceful moment had,
"More sleek than any granary mouse,
"In his own leafy forest house
"Among the waving fields of fern:
"The hunting of heroes should be glad. "

"O pleasant woman," answered Finn,
"We think on Oscar's pencilled urn,
"And on the heroes lying slain,
On Gavra's raven-covered plain;
"But where are your noble kith and kin,
"And from what country do you ride? "

"My father and my mother are
"Aengus and Adene, my own name
"Niam, and my country far
"Beyond the tumbling of this tide. "

"What dream came with you that you came
"Through bitter tide on foam wet feet?
"Did your companion wander away
"From where the birds of Aengus wing? "

She said, with laughter tender and sweet:
"I have not yet, war-weary king,
"Been spoken of with any one;
"Yet now I choose, for these four feet
"Ran through the foam and ran to this
"That I might have your son to kiss. "

"Were there no better than my son
"That you through all that foam should run? "

"I loved no man, though kings besought
"Love, till the Danaan poets brought
"Rhyme, that rhymed to Usheen's name,
"And now I am dizzy with the thought
"Of all that wisdom and the fame
"Of battles broken by his hands,
"Of stories builded by his words
"That are like coloured Asian birds
"At evening in their rainless lands. "

O Patric, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
"You only will I wed," I cried,
"And I will make a thousand songs,
"And set your name all names above.
"And captives bound with leathern thongs
"Shall kneel and praise you, one by one,
"At evening in my western dun. "

"O Usheen, mount by me and ride
"To shores by the wash of the tremulous tide,
"Where men have heaped no burial mounds,
"And the days pass by like a wayward tune,
"Where broken faith has never been known,
"And the blushes of first love never have flown;
"And there I will give you a hundred hounds;
"No mightier creatures bay at the moon;
"And a hundred robes of murmuring silk,
"And a hundred calves and a hundred sheep
"Whose long wool whiter than sea froth flows,
"And a hundred spears and a hundred bows,
"And oil and wine and honey and milk,
"And always never-anxious sleep;
"While a hundred youths, mighty of limb,
"But knowing nor tumult nor hate nor strife,
"And a hundred maidens, merry as birds,
"Who when they dance to a fitful measure
"Have a speed like the speed of the salmon herds,
"Shall follow your horn and obey your whim,
"And you shall know the Danaan leisure:
"And Niam be with you for a wife. "
Then she sighed gently, "It grows late,
"Music and love and sleep await,
"Where I would be when the white moon climbs
"The red sun falls, and the world grows dim. "

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
But when the horse had felt my weight,
He shook himself and neighed three times:
Caolte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.

In what far kingdom do you go,
Ah, Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping valleys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sgeolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S. PATRIC

Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

USHEEN

We galloped over the glossy sea:
I know not if days passed or hours,
And Niam sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.

We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a maiden rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.

"Were these two born in the Danaan land,
"Or have they breathed the mortal air? "

"Vex them no longer," Niam said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun's rim sank,
And clouds arrayed their rank on rank
About his fading crimson ball:
The floor of Emen's hosting hall
Was not more level than the sea,
As full of loving phantasy,
And with low murmurs we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.

But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows.

And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niam blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and maidens, hand in hand,
And singing, singing altogether;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather:
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niam with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt them, every maid and man
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.