It is indeed loosely constructed; but its
separate parts, each contributing to the development of its main
theme, with their diversity of imagination, reflection, wit, and senti-
ment, combine in an impressive unity of effect.
separate parts, each contributing to the development of its main
theme, with their diversity of imagination, reflection, wit, and senti-
ment, combine in an impressive unity of effect.
Warner - World's Best Literature - v07 - Cic to Cuv
"
The Lord Protector was perplexed in the last degree. He
said to the lord St. John:-
――――
-
«< Searched you well? - but it boots not to ask that. It doth
seem passing strange. Little things, trifles, slip out of one's
ken, and one does not think it matter for surprise; but how so
bulky a thing as the Seal of England can vanish away and no
man be able to get track of it again a massy golden disk — »
Tom Canty, with beaming eyes, sprang forward and shouted:
«< Hold, that is enough! Was it round? - and thick ? — and
had it letters and devices graved upon it? Yes? Oh, now I
know what this Great Seal is, that there's been such worry and
pother about! An ye had described it to me, ye could have had
it three weeks ago. Right well I know where it lies; but it was
not I that put it there- first. ”
"Who then, my liege? " asked the Lord Protector.
"He that stands there the rightful king of England. And
he shall tell you himself where it lies- then you will believe he
knew it of his own knowledge. Bethink thee, my king-spur
thy memory-it was the last, the very last thing thou didst that
day before thou didst rush forth from the palace, clothed in my
rags, to punish the soldier that insulted me. "
A silence ensued, undisturbed by a movement or a whisper,
and all eyes were fixed upon the new-comer, who stood with
bent head and corrugated brow, groping in his memory among a
thronging multitude of valueless recollections for one single little
elusive fact, which, found, would seat him upon a throne — un-
found, would leave him as he was for good and all-a pauper
and an outcast. Moment after moment passed-the moments
built themselves into minutes-still the boy struggled silently
on, and gave no sign. But at last he heaved a sigh, shook his
head slowly, and said, with a trembling lip and in a despondent
voice:
—
―――――
"I call the scene back-all of it- but the Seal hath no place
in it. He paused, then looked up, and said with gentle dig-
nity, "My lords and gentlemen, if ye will rob your rightful sov-
ereign of his own for lack of this evidence which he is not able
to furnish, I may not stay ye, being powerless. But-»
"Oh folly, oh madness, my king! ” cried Tom Canty in a
panic; "wait! - think! Do not give up! - the cause is not lost!
nor shall be, neither! List to what I say-follow every word
## p. 3818 (#180) ###########################################
3818
SAMUEL LANGHORNE CLEMENS
I am going to bring that morning back again, every hap just as
it happened. We talked-I told you of my sisters, Nan and
Bet - ah yes, you remember that; and about my old grandam
and the rough games of the lads of Offal Court - yes, you re-
member these things also; very well, follow me still, you shall
recall everything. You gave me food and drink, and did with
princely courtesy send away the servants, so that my low breed-
ing might not shame me before them-ah yes, this also you
remember. "
-
As Tom checked off his details, and the other boy nodded his
head in recognition of them, the great audience and the officials
stared in puzzled wonderment; the tale sounded like true history,
yet how could this impossible conjunction between a prince and
a beggar boy have come about? Never was a company of peo-
ple so perplexed, so interested, and so stupefied before.
"For a jest, my prince, we did exchange garments. Then
we stood before a mirror; and so alike were we that both said it
seemed as if there had been no change made - yes, you remem-
ber that. Then you noticed that the soldier had hurt my hand
look! here it is, I cannot yet even write with it, the fingers
are so stiff. At this your Highness sprang up, vowing ven-
geance upon that soldier, and ran toward the door-you passed
a table-
that thing you call the Seal lay on that table-you
snatched it up and looked eagerly about, as if for a place to
hide it—your eye caught sight of —”
"There, 'tis sufficient! — and the dear God be thanked! " ex-
claimed the ragged claimant, in a mighty excitement. "Go, my
good St. John, — in an arm-piece of the Milanese armor that
hangs on the wall, thou'lt find the Seal! "
-
"Right, my king! right! " cried Tom Canty; "now the sceptre
of England is thine own; and it were better for him that would
dispute it that he had been born dumb! Go, my lord St. John,
give thy feet wings! "
The whole assemblage was on its feet now, and well-nigh
out of its mind with uneasiness, apprehension, and consuming
excitement. On the floor and on the platform a deafening buzz
of frantic conversation burst forth, and for some time nobody
knew anything or heard anything or was interested in any-
thing but what his neighbor was shouting into his ear, or he was
shouting into his neighbor's ear. Time- nobody knew how
much of it swept by unheeded and unnoted. - At last a sudden
-
―――――
-
## p. 3819 (#181) ###########################################
SAMUEL LANGHORNE CLEMENS
3819
hush fell upon the house, and in the same moment St. John ap-
peared upon the platform and held the Great Seal aloft in his
hand. Then such a shout went up!
"Long live the true king! "
For five minutes the air quaked with shouts and the crash of
musical instruments, and was white with a storm of waving
handkerchiefs; and through it all a ragged lad, the most con-
spicuous figure in England, stood, flushed and happy and proud,
in the centre of the spacious platform, with the great vassals of
the kingdom kneeling around him.
Then all rose, and Tom Canty cried out:-
"Now, O my king, take these regal garments back, and give
poor Tom thy servant his shreds and remnants again. ”
The Lord Protector spoke up:·
"Let the small varlet be stripped and flung into the Tower. "
But the new king, the true king, said:
"I will not have it so. But for him I had not got my crown
again-none shall lay a hand upon him to harm him. And as
for thee, my good uncle, my Lord Protector, this conduct of
thine is not grateful toward this poor lad, for I hear he hath
made thee a duke". - the Protector blushed- "yet he was not a
king; wherefore, what is thy fine title worth now? To-morrow
you shall sue to me, through him, for its confirmation, else no
duke, but a simple earl, shalt thou remain. ”
Under this rebuke his Grace the Duke of Somerset retired a
little from the front for the moment. The king turned to Tom,
and said kindly:-
"My poor boy, how was it that you could remember where I
hid the Seal, when I could not remember it myself? "
"Ah, my king, that was easy, since I used it divers days. "
“Used it,— yet could not explain where it was? "
-
c
-
―――
"I did not know it was that they wanted. They did not
describe it, your Majesty. "
"Then how used you it? "
The red blood began to steal up into Tom's cheeks, and he
dropped his eyes and was silent.
"Speak up, good lad, and fear nothing," said the king.
"How used you the Great Seal of England? "
Tom stammered a moment in a pathetic confusion, then got
it out:
«To crack nuts with! "
## p. 3820 (#182) ###########################################
3820
SAMUEL LANGHORNE CLEMENS
Poor child, the avalanche of laughter that greeted this nearly
swept him off his feet. But if a doubt remained in any mind
that Tom Canty was not the king of England and familiar with
the august appurtenances of royalty, this reply disposed of it
utterly.
Meantime the sumptuous robe of state had been removed
from Tom's shoulders to the king's, whose rags were effectually
hidden from sight under it. Then the coronation ceremonies
were resumed; the true king was anointed and the crown set
upon his head, whilst cannon thundered the news to the city,
and all London seemed to rock with applause.
By permission of S. L. Clemens and his publishers.
## p. 3821 (#183) ###########################################
3821
ARTHUR HUGH CLOUGH
(1819-1861)
BY CHARLES ELIOT NORTON
HE intellectual mood of many of the finest spirits in England
and New England during the second quarter of the nine-
teenth century had something of the nature of a surprise to
themselves, no less than to those who came within their influence.
It was indeed a natural though unforeseen result of forces, various 'in
kind, that had long been silently at work. The conflicting currents
of thought and moral sentiment, which in all ages perplex and divide
the hearts of men, took a new direction and seemed to have gath-
ered volume and swiftness. Hardly since the Reformation had there
been so deep and general a stirring of the questions, the answers to
which, whether they be final or merely provisional, involve conclu-
sions relating to the deepest interests of men. Old convictions were
confronted by new doubts; ancient authority was met by a modern
spirit of independence. This new intellectual mood was perhaps first
distinctly manifest in England in Carlyle's essays, and correspond-
ingly in New England in the essays and poems of Emerson; it was
expressed in 'In Memoriam' and 'Maud'; it gave the undertone
of Arnold's most characteristic verse, and it found clear and strik-
ing utterance in the poems of Clough. Clough's nature was of rare
superiority alike of character and intellect. His moral integrity and
sincerity imparted clearness to his imagination and strength to his
intelligence, so that while the most marked distinction of his poems
is that which they possess as a mirror of spiritual conditions shared
by many of his contemporaries, they have hardly less interest as the
expression and image of his own individuality.
Arthur Hugh Clough was born at Liverpool on New Year's Day,
1819. * His father, who came of an old Welsh family (his mother,
Anne Perfect, was from Yorkshire), had established himself in Liver-
pool as a cotton merchant. Toward the end of 1822 he emigrated
with his wife and four children to Charleston, South Carolina, and
here for four years was their home. For Arthur they were important
years. He was a shy, sensitive boy, "already considered as the
genius of the family. " He was his mother's darling. She was a
woman "rigidly simple in her tastes and habits, of stern integrity";
of cultivated intelligence, fond of poetry, a lover of nature, and
*Ruskin and Lowell were his close contemporaries; they were born in
February of the same year.
## p. 3822 (#184) ###########################################
3822
ARTHUR HUGH CLOUGH
quickly sympathetic with high character, whether in real life or in
the pages of romance. While his father taught him his Latin gram-
mar and his arithmetic, his mother read with him from Pope's Iliad
and Odyssey, from Scott's novels and other books fitted to quicken
the imagination. Her influence was strong in the shaping of 'his
taste and disposition.
He
In 1828 the family returned for a visit to England, and Arthur
was put to school at Chester, whence in the next year he was trans-
ferred to Rugby. Dr. Arnold had then very lately become the head-
master at Rugby, and was already giving to the school a tone and
quality unknown previously to the public schools of England.
strove to impress upon the boys the sense of personal responsibility.
and to rouse their conscience to the doing of duty, not so much as a
matter essential to the discipline of the school as to the formation of
manly and religious character. The influence of his high, vigorous, and
ardent nature was of immense force. But its virtue was impaired
by the artificiality of the ecclesiastical system of the Church of Eng-
land, and the irrationality of the dogmatic creed which, even to a
nature as liberal as Dr. Arnold's, seemed to contain the essentials of
religion, and to be indissoluble from the foundation of morality.
Clough became Arnold's devoted disciple, but he had intellectual
independence and sincerity enough to save him from yielding his
own individuality to any stream of external influence, however pow-
erful. What he called "the busy argufying spirit of the prize school-
boy" stood him in good stead. But the moral stress was great, and
it left him early with a sense of strain and of perplexity, as his mind
opened to the wider and deeper problems of life, for the solution of
which the traditional creed seemed insufficient. His career at school
was of the highest distinction; and when he was leaving Rugby for
Oxford in 1836, Dr. Arnold broke the rule of silence to which he
almost invariably adhered in the delivery of prizes, and congratulated
Clough on having gained every honor which Rugby could bestow,
and on having done the highest credit to the school at the Univer-
sity, for he had won the Balliol Scholarship, "then and now the
highest honor which a schoolboy could obtain. "
Clough went into residence at Oxford in October, 1837. It was a
time of stirring of heart and trouble of mind at the University. The
great theological controversy which was to produce such far-reaching
effects upon the lives of individuals, and upon the Church of Eng-
land as a whole, was then rising to its height. Newman was at the
acme of his popularity and influence. His followers were zealous and
active. Ward, his most earnest disciple, was one of Clough's nearest
friends. Clough, not yet nineteen years old, but morally and intel-
lectually developed beyond his years and accustomed already to inde-
pendent speculation in regard to creed and conduct, was inevitably
## p. 3823 (#185) ###########################################
ARTHUR HUGH CLOUGH
3823
drawn into the deep waters of theological discussion. He heard,
too, those other voices which Matthew Arnold, in his admirable lecture
on Emerson, has spoken of as deeply affecting the more sensitive
youthful spirits of the Oxford of this time,- the voices of Goethe, of
Carlyle, and of Emerson. He studied hard, but his studies seemed,
for the moment at least, to be of secondary importance. Although
unusually reserved in demeanor and silent in general company, his
reputation grew, not merely as a scholar, but as a man distinguished
above his fellows for loftiness of spirit, for sweetness of disposition,
and for superiority of moral no less than of intellectual qualities.
With much interior storm and stress, his convictions were gradually
maturing. He resisted the prevailing tendencies of Oxford thought,
but did not easily find a secure basis for his own beliefs. In 1841 he
tried for and missed his first class in the examinations. It was more
a surprise and disappointment to others than to himself. He knew
that he had not shown himself in the examinations for what he
really was, and his failure did not affect his confidence in his own
powers, nor did others lose faith in him, as was shown by his elec-
tion in the next year to a fellowship at Oriel, and the year later to
his appointment as tutor.
His livelihood being thus assured, he led from 1843 to 1848 a
"quiet, hard-working, uneventful tutor's life, diversified with reading
parties" in the vacations. He was writing poems from time to time,
but his vocation as poet was not fully recognized by himself or by
those who knew him. He had been obliged, in assuming the duties
of tutor, to sign the Thirty-nine Articles, though, as he wrote to a
friend, reluctantly enough, and I am not quite sure whether or not
in a justifiable sense. However, I have for the present laid by that
perplexity, though it may perhaps recur at some time or other; and
in general, I do not feel perfectly satisfied about staying in my tutor
capacity at Oxford. "
The perplexity would not down, but as the years went on, the
troubled waters of his soul gradually cleared themselves. He suc-
ceeded in attaining independence of mind such as few men attain,
and in finding, if not a solution of the moral perplexities of life, at
least a position from which they might be frankly confronted with-
out blinking and without self-deception. It became impossible for
him to accept, however they might be interpreted, the doctrines of
any church. He would not play tricks with words nor palter with
the integrity of his soul. This perfect mental honesty of Clough, and
his entire sincerity of expression, were a stumbling-block to many
of his more conventional contemporaries, and have remained as a
rock of offense to many of the readers of his poetry, who find it dis-
turbing to be obliged to recognize in his work a test of their own
## p. 3824 (#186) ###########################################
3824
ARTHUR HUGH CLOUGH
sincerity in dealing with themselves. With how few are conviction
and profession perfectly at one! The difficulty of the struggle in
Clough's case, the difficulty of freeing himself from the chains of
association, of tradition, of affection, of interest, which bound him to
conformity with and acceptance of the popular creed in one or the
other of its forms, has led superficial critics of his life and poetry to
find in them evidence that the struggle was too hard for him and
the result unsatisfactory. There could not be a greater error.
Clough's honest acceptance of the insolubility of the vain questions
which men are perpetually asking, and his recognition of the insuffi-
ciency of the answers which they are ready to accept or to pretend
to accept, left him as regards his most inward soul one of the seren-
est of men. The questions of practical life, of action, of duty,
indeed presented themselves to his sensitive and contemplative
nature with their full perplexity; but his spiritual life was based on
a foundation that could not be shaken. He had learned the lesson of
skepticism, and accepted without trouble the fact of the limitation
of human faculties and the insolubility of the mystery of life. He
was indeed tired with the hard work of years, and worried by the
uncertainty of his future; when at length, in order to deliver him-
self from a constrained if not a false position, and to obtain perfect
freedom of expression as well as of thought, he resigned in 1848 both
his fellowship and tutorship.
It was a momentous decision, for it left him without any definite
means of support, it alienated the authorities of the University, it
isolated him from many old friends. Immediately after resigning his
tutorship Clough went to Paris with Emerson, then on a visit to
Europe, as his companion. They were drawn thither by interest in
the strange Revolution which was then in progress, and by desire to
watch its aspects. The social conditions of England had long been
matter of concern to Clough. He had been deeply touched by the
misery of the Irish famine in 1847, and had printed a very striking
pamphlet in the autumn of that year, urging upon the students at
Oxford retrenchment of needless expenditure and restrictions of
waste and luxury. His sympathies were with the poor, and he was
convinced of the need of radical social reform. He therefore
observed the course of revolution on the Continent not merely with
curiosity, but with sympathetic hope.
In the autumn of this year, after his return home, and while at
Liverpool with his mother and sister, he wrote his first long poem,
'The Bothie of Tober-na-Vuolich; a Long-Vacation Pastoral. ' It had
no great immediate success, but it made him known to a somewhat
wider public than that of Oxford. It was in its form the fruit of the
reading parties in the Highlands in previous summers. It was in
## p. 3825 (#187) ###########################################
ARTHUR HUGH CLOUGH
3825
hexameters, and he asked Emerson to "convey to Mr. Longfellow
the fact that it was a reading of his 'Evangeline' aloud to my
mother
and sister, which, coming after a re-perusal of the Iliad,
occasioned this outbreak of hexameters. " It is a delightful poem,
full of vitality and variety, original in design, simple in incident. It
has the freshness and wholesomeness of the open air, the charm of
nature
and of life, with constant interplay of serious thought and
light humor, of gravity and gayety of sentiment.
Its publication was followed speedily by a little volume entitled
'Ambarvalia,' made up of two parts; one, of poems by Clough, and
of those by an old chool and college riend, Mr. Burbidge.
Clough's part consisted, as he wrote to Emerson, of "old things, the
casualties of at least ten years. " But many of these "casualties » are
characteristic expressions of personal experience, to which Clough's
absolute sincerity gives deep human interest. They are the records
of "his search amid the maze of life for a clue whereby to move. "
They deal with the problems of his own life, and these problems
perplex other men as well. "I have seen higher, holier things than
these, he writes in 1841:-
»
one,
"I have seen higher, holier things than these,
And therefore must to these refuse my heart,
Yet I am panting for a little ease;
I'll take, and so depart. "
But he checks himself:-
«Ah, hold! the heart is prone to fall away,
Her high and cherished visions to forget;
And if thou takest, how wilt thou repay
So vast, so dread a debt ? »
The little volume appealed to but a small band of readers. The
poems it contained did not allure by fluency of fancy or richness of
diction; they were not of a kind to win sudden popularity: but they
gave evidence of a poet who, though not complete master of his art,
arrived at a complete understanding of himself, had yet a
rare power of reflection and expression and a still rarer sincerity of
imaginative vision. They were poems that gave large promise, and
that promise was already in part fulfilled by the 'Bothie. '
and not
Early
in 1849 the headship of University Hall in London was
offered to Clough and accepted by him. This was an institution pro-
fessedly
non-sectarian, established for the purpose of receiving
students in attendance upon the lectures at University College. He
was not to enter upon the duties of the place until October, and he
spent the greater part of the intervening period in a fruitful visit to
VII-240
## p. 3826 (#188) ###########################################
3826
ARTHUR HUGH CLOUGH
Italy. He reached Rome in April. All Italy was in revolution. The
Pope had fled from Rome. The Republic had been declared, and
Mazzini was in control of the government. The French army was
approaching to besiege the city, and Clough resolved to await the
event. No more vivid and picturesque account of aspects of the
siege exists than is to be found in his poem of 'Amours de Voyage,'
written in great part at Rome, under the pressure and excitement of
the moment; then laid aside in the poet's desk, and not published
till long afterward. It consists of a series of letters supposed to be
written by various persons, in which a narrative of passing events is
interwoven with a love story. The hero of the story is a creation
of extraordinary subtlety and interest. He has much of the tempera-
ment of Hamlet: not wanting in personal courage, nor in resolution
when forced to action, but hesitating through sensitiveness of con-
science, through dread of mistaking momentary impulse for fixed con-
viction, through the clearness with which diverging paths of conduct
present themselves to his imagination, with the inevitable doubt as
to which be the right one to follow. The character, though by no
means an exact or complete image of the poet's own, is yet drawn in
part from himself, and affords glimpses of his inner nature, of the
delicacy of his sensitive poetic spirit, of his tendency to discriminat-
ing introspective reflection, of his honesty in dealing with facts and
with himself. To see things as they are, to keep his eyes clear, to
be true to
"The living central inmost I
Within the scales of mere exterior me»
was the principle of his life. The charm of 'Amours de Voyage,'
however, consists not merely in animated description, in delicate
sentiment, and in the poetic representation of sensitive, impression-
able, and high-minded youth, but in its delicate humor in the delin-
eation of character, and in its powerful, imaginative, picturesque
reproduction of the atmosphere and influence of Rome, and of the
spirit of the moment to which the poem relates. It is as unique and
as original in its kind as the 'Bothie. ' It is a poem that appeals
strongly to the lovers of the poetry of high culture, and is not likely
to lack such readers in future generations.
From Rome in July Clough went to Naples, and there wrote
another of his most striking poems, 'Easter Day. ' In the autumn
of 1850 he again went, during a short vacation, to Italy, but now
to Venice; and while there began his third long poem, 'Dipsychus,'
of which the scene is in that city. In this poem, which repre-
sents the conflict of the soul in its struggles to maintain itself
against the temptations of the world and the Devil, Clough again
## p. 3827 (#189) ###########################################
ARTHUR HUGH CLOUGH
3827
wrote out much of his inner life. It is not so much a piece of strict
autobiography of the spirit of an individual, as an imaginative drama
of the spiritual experience common in all times to men of fine na-
ture, seeking a solution of the puzzle of their own hearts.
In none
of his other poems is there such variety of tone, or such an exhibi-
tion of mature poetic power.
It is indeed loosely constructed; but its
separate parts, each contributing to the development of its main
theme, with their diversity of imagination, reflection, wit, and senti-
ment, combine in an impressive unity of effect.
The position at University Hall proved not altogether satisfactory;
and no other opening for him offering itself in England, Clough
determined after much hesitation and deliberation to try his fortune
as a teacher and writer in America. He sailed in October, 1852, on
a steamer on which he had Lowell and Thackeray for fellow passen-
gers.
He spent the next eight months at Cambridge, employed in
tutoring and in literary work, winning the warm regard of the
remarkable group of men of letters who then gave distinction to the
society of Cambridge and of Boston, and especially keeping up his
friendship with Emerson by frequent visits. to Concord. There
seemed a fair prospect of success for him in his new career. But his
friends at home, deeply attached to him, and ill content that he
should leave them, obtained for him an appointment as examiner in
the Education Department of the Council Office. The salary would
give to him a secure though moderate income. He was the more
drawn to accept the place, because shortly before leaving England he
had become engaged to be married; and accordingly in July, 1853, he
returned home and at once entered on the duties of his office.
In
June 1854 he married. For the next seven years his life was tran-
quil, laborious, and happy. The account of these years contained in
the beautiful sketch of his life by his wife, which is prefixed to the
collection of his 'Letters, Poems and Prose Remains,' * gives a
picture of Clough's domestic felicity, and of the various interests
which engaged him outside of the regular drudgery of official work.
His own letters bear witness to the content of his days. He had
little leisure for poetry. He was overworked, and in 1860 his health
gave way. Leave of absence from the office was given to him. He
went to the seashore; he visited the Continent: but though at times
he seemed to gain strength, there was no steady recovery. In the
autumn of 1861 he went to Italy, accompanied by his wife; he
enjoyed the journey, but they had only reached the Lakes when he
experienced a touch of fever. They went on to Florence; he became
more seriously ill. He began however apparently to recover, but a
* It is on this sketch of his life that the present account of him is
mainly based.
## p. 3828 (#190) ###########################################
3828
ARTHUR HUGH CLOUGH
sudden blow of paralysis struck him down, and on the 13th day of
November he died.
Among the most original and beautiful of Matthew Arnold's poems
is his Thyrsis, a Monody,' to commemorate his friend Arthur Hugh
Clough. Thyrsis his mate has gone:-
"No purer or more subtle soul»
than he ever sought the light that
"leaves its seeker still untired,-
Still onward faring by his own heart inspired. »
The lament is as true as it is tender. The singer continues:
"What though the music of thy rustic flute
Kept not for long its happy country tone;
Lost it too soon, and learnt a stormy note
Of men contention-tost, of men who groan,
Which tasked thy pipe too sore, and tired thy throat,-
It failed, and thou wast mute!
Yet hadst thou always visions of our light. "
Yes, always visions of the light! But Arnold's usual felicity of
discrimination is lacking in this last stanza. The stormy note is not
the characteristic note of Clough's mature song, nor does his art
betray the overtasked pipe. His pipe indeed is not attuned, as was
Arnold's own, to the soft melancholy of regret at leaving behind the
happy fields of the past in the quest for the light that shines beyond
and across the untraveled and dim waste which lies before them; its
tone was less pathetic, but not less clear. The music of each is the
song of travelers whose road is difficult, whose goal is uncertain.
Their only guide is the fugitive light, now faint, now distinct, which
allures them with irresistible attraction. Their pathways at times
diverge; but when most divergent, the notes of their accordant pipes
are heard in the same direction.
The memory of Clough remains, with those who had the happi-
ness of knowing him in life, distinct and precious. It is that of one
of the highest and purest souls. Sensitive, simple, tender, manly,
his figure stands as one of the ideal figures of the past, the image of
the true poet, the true friend, the true man. He died too young for
his full fame, but not too young for the love which is better than
fame.
C. E. Morton.
## p. 3829 (#191) ###########################################
ARTHUR HUGH CLOUGH
3829
THERE IS NO GOD
HERE is no God," the wicked saith,
"And truly it's a blessing,
For what he might have done with us
It's better only guessing. "
"T
"There is no God," a youngster thinks,
"Or really, if there may be,
He surely didn't mean a man
Always to be a baby. "
"There is no God, or if there is,"
The tradesman thinks, "'twere funny
If he should take it ill in me
To make a little money. "
"Whether there be," the rich man says,
"It matters very little,
For I and mine, thank somebody,
Are not in want of victual. "
Some others, also, to themselves,
Who scarce so much as doubt it,
Think there is none, when they are well,
And do not think about it.
But country folks who live beneath
The shadow of the steeple;
The parson and the parson's wife,
And mostly married people;
Youths green and happy in first love,
So thankful for illusion;
And men caught out in what the world
Calls guilt, in first confusion;
And almost every one when age,
Disease, or sorrows strike him,-
Inclines to think there is a God,
Or something very like him.
## p. 3830 (#192) ###########################################
3830
ARTHUR HUGH CLOUGH
THE LATEST DECALOGUE
HOU shalt have one God only: who
Would be at the expense of two?
No graven images may be
Worshiped, save in the currency.
Swear not at all; since for thy curse
Thine enemy is none the worse.
At church on Sunday to attend
Will serve to keep the world thy friend:
Honor thy parents; that is, all
From whom advancement may befall.
Thou shalt not kill; but need'st not strive
Officiously to keep alive.
Adultery it is not fit
Or safe (for woman) to commit.
Thou shalt not steal: an empty feat,
When 'tis as lucrative to cheat.
Bear not false witness: let the lie
Have time on its own wings to fly.
Thou shalt not covet; but tradition
Approves all forms of competition.
THO
TO THE UNKNOWN GOD
O
THOU whose image in the shrine
Of human spirits dwells divine;
Which from that precinct once conveyed,
To be to outer day displayed,
Doth vanish, part, and leave behind
Mere blank and void of empty mind,
Which willful fancy seeks in vain
With casual shapes to fill again!
O Thou that in our bosom's shrine
Dost dwell, unknown because divine!
I thought to speak, I thought to say,
"The light is here,”- "Behold the way,".
"The voice was thus," and "Thus the word,".
And "Thus I saw," and "That I heard,”.
But from the lips that half assayed
The imperfect utterance fell unmade.
-
-
-
## p. 3831 (#193) ###########################################
ARTHUR HUGH CLOUGH
3831
O Thou, in that mysterious shrine
Enthroned, as I must say, divine!
I will not frame one thought of what
Thou mayest either be or not.
I will not prate of "thus" and "so,"
And be profane with "yes" and "no";
Enough that in our soul and heart
Thou, whatsoe'er Thou may'st be, art.
Unseen, secure in that high shrine
Acknowledged present and divine,
I will not ask some upper air,
Some future day to place Thee there;
Nor say, nor yet deny, such men
And women say Thee thus and then:
Thy name was such, and there or here
To him or her Thou didst appear.
Do only Thou in that dim shrine,
Unknown or known, remain, divine;
There, or if not, at least in eyes
That scan the fact that round them lies,
The hand to sway, the judgment guide,
In sight and sense Thyself divide:
Be Thou but there, in soul and heart,-
I will not ask to feel Thou art.
EASTER DAY
NAPLES, 1849
THE
HROUGH the great sinful streets of Naples as I past,
With fiercer heat than flamed above my head,
My heart was hot within me; till at last
My brain was lightened when my tongue had said.
Christ is not risen!
Christ is not risen, no-
He lies and molders low;
Christ is not risen!
What though the stone were rolled away, and though
The grave found empty there? —
If not there, then elsewhere;
If not where Joseph laid him first, why then
Where other men
## p. 3832 (#194) ###########################################
3832
ARTHUR HUGH CLOUGH
Translaid him after, in some humbler clay.
Long ere to-day
Corruption that sad perfect work hath done,
Which here she scarcely, lightly, had begun:
The foul engendered worm
Feeds on the flesh of the life-giving form
Of our most Holy and Anointed One.
He is not risen, no-
He lies and molders low;
Christ is not risen!
What if the women, ere the dawn was gray,
Saw one or more great angels, as they say
(Angels, or Him himself)? Yet neither there, nor then,
Nor afterwards, nor elsewhere, nor at all,
Hath he appeared to Peter or the Ten;
Nor, save in thunderous terror, to blind Saul;
Save in an after-Gospel and late Creed,
He is not risen, indeed,-
Christ is not risen!
Or what if e'en, as runs a tale, the Ten
Saw, heard, and touched, again and yet again?
What if at Emmaüs's inn, and by Capernaum's Lake,
Came One, the bread that brake-
Came One that spake as never mortal spake,
And with them ate, and drank, and stood, and walked about?
Ah! "some" did well to "doubt"!
Ah! the true Christ, while these things came to pass,
Nor heard, nor spake, nor walked, nor lived, alas!
He was not risen, no-
He lay and moldered low;
Christ was not risen!
As circulates in some great city crowd
A rumor changeful, vague, importunate, and loud,
From no determined centre, or of fact
Or authorship exact,
Which no man can deny
Nor verify;
So spread the wondrous fame;
He all the same
Lay senseless, moldering low;
He was not risen, no-
Christ was not risen!
## p. 3833 (#195) ###########################################
ARTHUR HUGH CLOUGH
3833
Ashes to ashes, dust to dust;
As of the unjust, also of the just-
Yea, of that Just One, too!
This is the one sad Gospel that is true-
Christ is not risen!
Is he not risen, and shall we not rise?
Oh, we unwise!
What did we dream, what wake we to discover?
Ye hills, fall on us, and ye mountains, cover!
In darkness and great gloom
Come ere we thought it is our day of doom;
From the cursed world, which is one tomb,
Christ is not risen!
Eat, drink, and play, and think that this is bliss:
There is no heaven but this;
There is no hell,
Save earth, which serves the purpose doubly well,
Seeing it visits still
With equalest apportionment of ill
Both good and bad alike, and brings to one same dust
The unjust and the just
With Christ, who is not risen.
Eat, drink, and die, for we are souls bereaved:
Of all the creatures under heaven's wide cope
We are most hopeless, who had once most hope,
And most beliefless, that had most believed.
Ashes to ashes, dust to dust;
As of the unjust, also of the just-
Yea, of that Just One, too!
It is the one sad Gospel that is true---
Christ is not risen!
Weep not beside the tomb,
Ye women, unto whom
He was great solace while ye tended him;
Ye who with napkin o'er the head
And folds of linen round each wounded limb
Laid out the Sacred Dead;
And thou that bar'st him in thy wondering womb;
Yea, Daughters of Jerusalem, depart,
Bind up as best you may your own sad bleeding heart:
## p. 3834 (#196) ###########################################
3834
ARTHUR HUGH CLOUGH
Go to your homes, your living children tend,
Your earthly spouses love;
Set your affections not on things above,
Which moth and rust corrupt, which quickliest come to end:
Or pray, if pray ye must, and pray, if pray ye can,
For death; since dead is he whom ye deemed more than man,
Who is not risen: no-
But lies and molders low-
Who is not risen!
――
Ye men of Galilee!
Why stand ye looking up to heaven, where him ye ne'er may see,
Neither ascending hence, nor returning hither again?
Ye ignorant and idle fishermen!
Hence to your huts, and boats, and inland native shore,
And catch not men, but fish;
Whate'er things ye might wish,
Him neither here nor there ye e'er shall meet with more.
Ye poor deluded youths, go home,
Mend the old nets ye left to roam,
Tie the split oar, patch the torn sail:
It was indeed an "idle tale».
He was not risen!
And oh, good men of ages yet to be,
Who shall believe because ye did not see
Oh, be ye warned, be wise!
No more with pleading eyes,
And sobs of strong desire,
――――――
Unto the empty vacant void aspire,
Seeking another and impossible birth
That is not of your own, and only mother earth.
But if there is no other life for you,
Sit down and be content, since this must even do;
He is not risen!
One look and then depart,
Ye humble and ye holy men of heart;
And ye ye ministers and stewards of a Word
Which ye would preach, because another heard
Ye worshipers of that ye do not know,
Take these things hence and go:-
He is not risen!
## p. 3835 (#197) ###########################################
ARTHUR HUGH CLOUGH
3835
Here, on our Easter Day
We rise, we come, and lo! we find Him not,
Gardener nor other, on the sacred spot:
Where they have laid Him there is none to say;
No sound, nor in, nor out-no word
Of where to seek the dead or meet the living Lord.
There is no glistering of an angel's wings,
There is no voice of heavenly clear behest:
Let us go hence, and think upon these things
In silence, which is best.
Is He not risen? No-
But lies and molders low?
Christ is not risen?
IT FORTIFIES MY SOUL TO KNOW
T FORTIFIES my soul to know
IT
That though I perish, Truth is so;
That howsoe'er I stray and range,
Whate'er I do, Thou dost not change;
I steadier step when I recall
That if I slip, Thou dost not fall!
SAY NOT, THE STRUGGLE NAUGHT AVAILETH
SAY
AY not, the struggle naught availeth,
The labor and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been, they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light;
In front, the sun climbs slow, how slowly!
But westward, look, the land is bright.
## p. 3836 (#198) ###########################################
3836
ARTHUR HUGH CLOUGH
COME BACK
C
OME back, come back! behold with straining mast
And swelling sail, behold her steaming fast:
With one new sun to see her voyage o'er,
With morning light to touch her native shore.
Come back, come back!
Come back, come back! while westward laboring by,
With sailless yards, a bare black hulk we fly.
See how the gale we fight with sweeps her back
To our lost home, on our forsaken track.
Come back, come back!
Come back, come back! across the flying foam
We hear faint far-off voices call us home:
Come back! ye seem to say; ye seek in vain;
We went, we sought, and homeward turned again.
Come back, come back!
Come back, come back! and whither back, or why?
To fan quenched hopes, forsaken schemes to try;
Walk the old fields; pace the familiar street;
Dream with the idlers, with the bards compete.
Come back, come back!
Come back, come back! and whither and for what?
To finger idly some old Gordian knot,
Unskilled to sunder, and too weak to cleave,
And with much toil attain to half-believe.
Come back, come back!
Come back, come back! yea, back indeed do go
Sighs panting thick, and tears that want to flow;
Fond fluttering hopes upraise their useless wings,
And wishes idly struggle in the strings.
Come back, come back!
Come back, come back! more eager than the breeze
The flying fancies sweep across the seas,
And lighter far than ocean's flying foam
The heart's fond message hurries to its home.
Come back, come back!
## p. 3837 (#199) ###########################################
ARTHUR HUGH CLOUGH
3837
Come back, come back!
Back flies the foam; the hoisted flag streams back;
The long smoke wavers on the homeward track;
Back fly with winds things which the wind obey:
The strong ship follows its appointed way.
AS SHIPS BECALMED
S SHIPS becalmed at eve, that lay
With canvas drooping, side by side,
Two towers of sail, at dawn of day,
Are scarce long leagues apart descried.
A$
When fell the night, up sprang the breeze,
And all the darkling hours they plied;
Nor dreamt but each the self-same seas
By each was clearing, side by side:
E'en so- but why the tale reveal
Of those whom, year by year unchanged,
Brief absence joined anew, to feel,
Astounded, soul from soul estranged?
At dead of night their sails were filled,
And onward each rejoicing steered;
Ah! neither blame, for neither willed
Or wist what first with dawn appeared.
To veer, how vain! On, onward strain,
Brave barks! -in light, in darkness too!
Through winds and tides one compass guides
To that and your own selves be true.
But O blithe breeze! and O great seas!
Though ne'er that earliest parting past,
On your wide plain they join again,
Together lead them home at last.
One port, methought, alike they sought,-
One purpose hold, where'er they fare;
O bounding breeze, O rushing seas,
At last, at last, unite them there.
## p. 3838 (#200) ###########################################
3838
ARTHUR HUGH CLOUGH
THE UNKNOWN COURSE
W
HERE lies the land to which the ship would go?
Far, far ahead, is all her seamen know;
And where the land she travels from? Away,
Far, far behind, is all that they can say.
On sunny noons upon the deck's smooth face,
Linked arm in arm, how pleasant here to pace!
Or, o'er the stern reclining, watch below
The foaming wake far widening as we go.
On stormy nights, when wild Northwesters rave,
How proud a thing to fight with wind and wave!
The dripping sailor on the reeling mast
Exults to bear, and scorns to wish it past.
Where lies the land to which the ship would go?
Far, far ahead, is all her seamen know.
And where the land she travels from? Away,
Far, far behind, is all that they can say.
THE GONDOLA
A
FLOAT; we move-delicious! Ah,
What else is like the gondola ?
This level flow of liquid glass
Begins beneath us swift to pass.
It goes as though it went alone
By some impulsion of its own.
(How light it moves, how softly! Ah,
Were all things like the gondola! )
How light it moves, how softly! Ah,
Could life, as does our gondola,
Unvexed with quarrels, aims, and cares,
And moral duties and affairs,
Unswaying, noiseless, swift, and strong,
For ever thus- thus glide along!
(How light we move, how softly! Ah,
Were life but as the gondola! )
With no more motion than should bear
A freshness to the languid air;
## p. 3839 (#201) ###########################################
ARTHUR HUGH CLOUGH
3839
With no more effort than expressed
The need and naturalness of rest,
Which we beneath a grateful shade
Should take on peaceful pillows laid!
(How light we move, how softly! Ah,
Were life but as the gondola ! )
In one unbroken passage borne
To closing night from opening morn,
Uplift at whiles slow eyes to mark
Some palace-front, some passing bark;
Through windows catch the varying shore,
And hear the soft turns of the oar!
(How light we move, how softly! Ah,
Were life but as the gondola! )
THE POET'S PLACE IN LIFE
OME, Poet, come!
COME,
A thousand laborers ply their task
And what it tends to, scarcely ask,
And trembling thinkers on the brink
Shiver, and know not what to think.
To tell the purport of their pain,
And what our silly joys contain;
In lasting lineaments portray
The substance of the shadowy day;
Our real and inner deeds rehearse,
And make our meaning clear in verse
Come, Poet, come! for but in vain
We do the work or feel the pain,
And gather up the evening gain,
Unless before the end thou come
To take, ere they are lost, their sum.
Come, Poet, come!
To give an utterance to the dumb,
And make vain babblers silent, come;
A thousand dupes point here and there,
Bewildered by the show and glare;
And wise men half have learnt to doubt
Whether we are not best without.
The Lord Protector was perplexed in the last degree. He
said to the lord St. John:-
――――
-
«< Searched you well? - but it boots not to ask that. It doth
seem passing strange. Little things, trifles, slip out of one's
ken, and one does not think it matter for surprise; but how so
bulky a thing as the Seal of England can vanish away and no
man be able to get track of it again a massy golden disk — »
Tom Canty, with beaming eyes, sprang forward and shouted:
«< Hold, that is enough! Was it round? - and thick ? — and
had it letters and devices graved upon it? Yes? Oh, now I
know what this Great Seal is, that there's been such worry and
pother about! An ye had described it to me, ye could have had
it three weeks ago. Right well I know where it lies; but it was
not I that put it there- first. ”
"Who then, my liege? " asked the Lord Protector.
"He that stands there the rightful king of England. And
he shall tell you himself where it lies- then you will believe he
knew it of his own knowledge. Bethink thee, my king-spur
thy memory-it was the last, the very last thing thou didst that
day before thou didst rush forth from the palace, clothed in my
rags, to punish the soldier that insulted me. "
A silence ensued, undisturbed by a movement or a whisper,
and all eyes were fixed upon the new-comer, who stood with
bent head and corrugated brow, groping in his memory among a
thronging multitude of valueless recollections for one single little
elusive fact, which, found, would seat him upon a throne — un-
found, would leave him as he was for good and all-a pauper
and an outcast. Moment after moment passed-the moments
built themselves into minutes-still the boy struggled silently
on, and gave no sign. But at last he heaved a sigh, shook his
head slowly, and said, with a trembling lip and in a despondent
voice:
—
―――――
"I call the scene back-all of it- but the Seal hath no place
in it. He paused, then looked up, and said with gentle dig-
nity, "My lords and gentlemen, if ye will rob your rightful sov-
ereign of his own for lack of this evidence which he is not able
to furnish, I may not stay ye, being powerless. But-»
"Oh folly, oh madness, my king! ” cried Tom Canty in a
panic; "wait! - think! Do not give up! - the cause is not lost!
nor shall be, neither! List to what I say-follow every word
## p. 3818 (#180) ###########################################
3818
SAMUEL LANGHORNE CLEMENS
I am going to bring that morning back again, every hap just as
it happened. We talked-I told you of my sisters, Nan and
Bet - ah yes, you remember that; and about my old grandam
and the rough games of the lads of Offal Court - yes, you re-
member these things also; very well, follow me still, you shall
recall everything. You gave me food and drink, and did with
princely courtesy send away the servants, so that my low breed-
ing might not shame me before them-ah yes, this also you
remember. "
-
As Tom checked off his details, and the other boy nodded his
head in recognition of them, the great audience and the officials
stared in puzzled wonderment; the tale sounded like true history,
yet how could this impossible conjunction between a prince and
a beggar boy have come about? Never was a company of peo-
ple so perplexed, so interested, and so stupefied before.
"For a jest, my prince, we did exchange garments. Then
we stood before a mirror; and so alike were we that both said it
seemed as if there had been no change made - yes, you remem-
ber that. Then you noticed that the soldier had hurt my hand
look! here it is, I cannot yet even write with it, the fingers
are so stiff. At this your Highness sprang up, vowing ven-
geance upon that soldier, and ran toward the door-you passed
a table-
that thing you call the Seal lay on that table-you
snatched it up and looked eagerly about, as if for a place to
hide it—your eye caught sight of —”
"There, 'tis sufficient! — and the dear God be thanked! " ex-
claimed the ragged claimant, in a mighty excitement. "Go, my
good St. John, — in an arm-piece of the Milanese armor that
hangs on the wall, thou'lt find the Seal! "
-
"Right, my king! right! " cried Tom Canty; "now the sceptre
of England is thine own; and it were better for him that would
dispute it that he had been born dumb! Go, my lord St. John,
give thy feet wings! "
The whole assemblage was on its feet now, and well-nigh
out of its mind with uneasiness, apprehension, and consuming
excitement. On the floor and on the platform a deafening buzz
of frantic conversation burst forth, and for some time nobody
knew anything or heard anything or was interested in any-
thing but what his neighbor was shouting into his ear, or he was
shouting into his neighbor's ear. Time- nobody knew how
much of it swept by unheeded and unnoted. - At last a sudden
-
―――――
-
## p. 3819 (#181) ###########################################
SAMUEL LANGHORNE CLEMENS
3819
hush fell upon the house, and in the same moment St. John ap-
peared upon the platform and held the Great Seal aloft in his
hand. Then such a shout went up!
"Long live the true king! "
For five minutes the air quaked with shouts and the crash of
musical instruments, and was white with a storm of waving
handkerchiefs; and through it all a ragged lad, the most con-
spicuous figure in England, stood, flushed and happy and proud,
in the centre of the spacious platform, with the great vassals of
the kingdom kneeling around him.
Then all rose, and Tom Canty cried out:-
"Now, O my king, take these regal garments back, and give
poor Tom thy servant his shreds and remnants again. ”
The Lord Protector spoke up:·
"Let the small varlet be stripped and flung into the Tower. "
But the new king, the true king, said:
"I will not have it so. But for him I had not got my crown
again-none shall lay a hand upon him to harm him. And as
for thee, my good uncle, my Lord Protector, this conduct of
thine is not grateful toward this poor lad, for I hear he hath
made thee a duke". - the Protector blushed- "yet he was not a
king; wherefore, what is thy fine title worth now? To-morrow
you shall sue to me, through him, for its confirmation, else no
duke, but a simple earl, shalt thou remain. ”
Under this rebuke his Grace the Duke of Somerset retired a
little from the front for the moment. The king turned to Tom,
and said kindly:-
"My poor boy, how was it that you could remember where I
hid the Seal, when I could not remember it myself? "
"Ah, my king, that was easy, since I used it divers days. "
“Used it,— yet could not explain where it was? "
-
c
-
―――
"I did not know it was that they wanted. They did not
describe it, your Majesty. "
"Then how used you it? "
The red blood began to steal up into Tom's cheeks, and he
dropped his eyes and was silent.
"Speak up, good lad, and fear nothing," said the king.
"How used you the Great Seal of England? "
Tom stammered a moment in a pathetic confusion, then got
it out:
«To crack nuts with! "
## p. 3820 (#182) ###########################################
3820
SAMUEL LANGHORNE CLEMENS
Poor child, the avalanche of laughter that greeted this nearly
swept him off his feet. But if a doubt remained in any mind
that Tom Canty was not the king of England and familiar with
the august appurtenances of royalty, this reply disposed of it
utterly.
Meantime the sumptuous robe of state had been removed
from Tom's shoulders to the king's, whose rags were effectually
hidden from sight under it. Then the coronation ceremonies
were resumed; the true king was anointed and the crown set
upon his head, whilst cannon thundered the news to the city,
and all London seemed to rock with applause.
By permission of S. L. Clemens and his publishers.
## p. 3821 (#183) ###########################################
3821
ARTHUR HUGH CLOUGH
(1819-1861)
BY CHARLES ELIOT NORTON
HE intellectual mood of many of the finest spirits in England
and New England during the second quarter of the nine-
teenth century had something of the nature of a surprise to
themselves, no less than to those who came within their influence.
It was indeed a natural though unforeseen result of forces, various 'in
kind, that had long been silently at work. The conflicting currents
of thought and moral sentiment, which in all ages perplex and divide
the hearts of men, took a new direction and seemed to have gath-
ered volume and swiftness. Hardly since the Reformation had there
been so deep and general a stirring of the questions, the answers to
which, whether they be final or merely provisional, involve conclu-
sions relating to the deepest interests of men. Old convictions were
confronted by new doubts; ancient authority was met by a modern
spirit of independence. This new intellectual mood was perhaps first
distinctly manifest in England in Carlyle's essays, and correspond-
ingly in New England in the essays and poems of Emerson; it was
expressed in 'In Memoriam' and 'Maud'; it gave the undertone
of Arnold's most characteristic verse, and it found clear and strik-
ing utterance in the poems of Clough. Clough's nature was of rare
superiority alike of character and intellect. His moral integrity and
sincerity imparted clearness to his imagination and strength to his
intelligence, so that while the most marked distinction of his poems
is that which they possess as a mirror of spiritual conditions shared
by many of his contemporaries, they have hardly less interest as the
expression and image of his own individuality.
Arthur Hugh Clough was born at Liverpool on New Year's Day,
1819. * His father, who came of an old Welsh family (his mother,
Anne Perfect, was from Yorkshire), had established himself in Liver-
pool as a cotton merchant. Toward the end of 1822 he emigrated
with his wife and four children to Charleston, South Carolina, and
here for four years was their home. For Arthur they were important
years. He was a shy, sensitive boy, "already considered as the
genius of the family. " He was his mother's darling. She was a
woman "rigidly simple in her tastes and habits, of stern integrity";
of cultivated intelligence, fond of poetry, a lover of nature, and
*Ruskin and Lowell were his close contemporaries; they were born in
February of the same year.
## p. 3822 (#184) ###########################################
3822
ARTHUR HUGH CLOUGH
quickly sympathetic with high character, whether in real life or in
the pages of romance. While his father taught him his Latin gram-
mar and his arithmetic, his mother read with him from Pope's Iliad
and Odyssey, from Scott's novels and other books fitted to quicken
the imagination. Her influence was strong in the shaping of 'his
taste and disposition.
He
In 1828 the family returned for a visit to England, and Arthur
was put to school at Chester, whence in the next year he was trans-
ferred to Rugby. Dr. Arnold had then very lately become the head-
master at Rugby, and was already giving to the school a tone and
quality unknown previously to the public schools of England.
strove to impress upon the boys the sense of personal responsibility.
and to rouse their conscience to the doing of duty, not so much as a
matter essential to the discipline of the school as to the formation of
manly and religious character. The influence of his high, vigorous, and
ardent nature was of immense force. But its virtue was impaired
by the artificiality of the ecclesiastical system of the Church of Eng-
land, and the irrationality of the dogmatic creed which, even to a
nature as liberal as Dr. Arnold's, seemed to contain the essentials of
religion, and to be indissoluble from the foundation of morality.
Clough became Arnold's devoted disciple, but he had intellectual
independence and sincerity enough to save him from yielding his
own individuality to any stream of external influence, however pow-
erful. What he called "the busy argufying spirit of the prize school-
boy" stood him in good stead. But the moral stress was great, and
it left him early with a sense of strain and of perplexity, as his mind
opened to the wider and deeper problems of life, for the solution of
which the traditional creed seemed insufficient. His career at school
was of the highest distinction; and when he was leaving Rugby for
Oxford in 1836, Dr. Arnold broke the rule of silence to which he
almost invariably adhered in the delivery of prizes, and congratulated
Clough on having gained every honor which Rugby could bestow,
and on having done the highest credit to the school at the Univer-
sity, for he had won the Balliol Scholarship, "then and now the
highest honor which a schoolboy could obtain. "
Clough went into residence at Oxford in October, 1837. It was a
time of stirring of heart and trouble of mind at the University. The
great theological controversy which was to produce such far-reaching
effects upon the lives of individuals, and upon the Church of Eng-
land as a whole, was then rising to its height. Newman was at the
acme of his popularity and influence. His followers were zealous and
active. Ward, his most earnest disciple, was one of Clough's nearest
friends. Clough, not yet nineteen years old, but morally and intel-
lectually developed beyond his years and accustomed already to inde-
pendent speculation in regard to creed and conduct, was inevitably
## p. 3823 (#185) ###########################################
ARTHUR HUGH CLOUGH
3823
drawn into the deep waters of theological discussion. He heard,
too, those other voices which Matthew Arnold, in his admirable lecture
on Emerson, has spoken of as deeply affecting the more sensitive
youthful spirits of the Oxford of this time,- the voices of Goethe, of
Carlyle, and of Emerson. He studied hard, but his studies seemed,
for the moment at least, to be of secondary importance. Although
unusually reserved in demeanor and silent in general company, his
reputation grew, not merely as a scholar, but as a man distinguished
above his fellows for loftiness of spirit, for sweetness of disposition,
and for superiority of moral no less than of intellectual qualities.
With much interior storm and stress, his convictions were gradually
maturing. He resisted the prevailing tendencies of Oxford thought,
but did not easily find a secure basis for his own beliefs. In 1841 he
tried for and missed his first class in the examinations. It was more
a surprise and disappointment to others than to himself. He knew
that he had not shown himself in the examinations for what he
really was, and his failure did not affect his confidence in his own
powers, nor did others lose faith in him, as was shown by his elec-
tion in the next year to a fellowship at Oriel, and the year later to
his appointment as tutor.
His livelihood being thus assured, he led from 1843 to 1848 a
"quiet, hard-working, uneventful tutor's life, diversified with reading
parties" in the vacations. He was writing poems from time to time,
but his vocation as poet was not fully recognized by himself or by
those who knew him. He had been obliged, in assuming the duties
of tutor, to sign the Thirty-nine Articles, though, as he wrote to a
friend, reluctantly enough, and I am not quite sure whether or not
in a justifiable sense. However, I have for the present laid by that
perplexity, though it may perhaps recur at some time or other; and
in general, I do not feel perfectly satisfied about staying in my tutor
capacity at Oxford. "
The perplexity would not down, but as the years went on, the
troubled waters of his soul gradually cleared themselves. He suc-
ceeded in attaining independence of mind such as few men attain,
and in finding, if not a solution of the moral perplexities of life, at
least a position from which they might be frankly confronted with-
out blinking and without self-deception. It became impossible for
him to accept, however they might be interpreted, the doctrines of
any church. He would not play tricks with words nor palter with
the integrity of his soul. This perfect mental honesty of Clough, and
his entire sincerity of expression, were a stumbling-block to many
of his more conventional contemporaries, and have remained as a
rock of offense to many of the readers of his poetry, who find it dis-
turbing to be obliged to recognize in his work a test of their own
## p. 3824 (#186) ###########################################
3824
ARTHUR HUGH CLOUGH
sincerity in dealing with themselves. With how few are conviction
and profession perfectly at one! The difficulty of the struggle in
Clough's case, the difficulty of freeing himself from the chains of
association, of tradition, of affection, of interest, which bound him to
conformity with and acceptance of the popular creed in one or the
other of its forms, has led superficial critics of his life and poetry to
find in them evidence that the struggle was too hard for him and
the result unsatisfactory. There could not be a greater error.
Clough's honest acceptance of the insolubility of the vain questions
which men are perpetually asking, and his recognition of the insuffi-
ciency of the answers which they are ready to accept or to pretend
to accept, left him as regards his most inward soul one of the seren-
est of men. The questions of practical life, of action, of duty,
indeed presented themselves to his sensitive and contemplative
nature with their full perplexity; but his spiritual life was based on
a foundation that could not be shaken. He had learned the lesson of
skepticism, and accepted without trouble the fact of the limitation
of human faculties and the insolubility of the mystery of life. He
was indeed tired with the hard work of years, and worried by the
uncertainty of his future; when at length, in order to deliver him-
self from a constrained if not a false position, and to obtain perfect
freedom of expression as well as of thought, he resigned in 1848 both
his fellowship and tutorship.
It was a momentous decision, for it left him without any definite
means of support, it alienated the authorities of the University, it
isolated him from many old friends. Immediately after resigning his
tutorship Clough went to Paris with Emerson, then on a visit to
Europe, as his companion. They were drawn thither by interest in
the strange Revolution which was then in progress, and by desire to
watch its aspects. The social conditions of England had long been
matter of concern to Clough. He had been deeply touched by the
misery of the Irish famine in 1847, and had printed a very striking
pamphlet in the autumn of that year, urging upon the students at
Oxford retrenchment of needless expenditure and restrictions of
waste and luxury. His sympathies were with the poor, and he was
convinced of the need of radical social reform. He therefore
observed the course of revolution on the Continent not merely with
curiosity, but with sympathetic hope.
In the autumn of this year, after his return home, and while at
Liverpool with his mother and sister, he wrote his first long poem,
'The Bothie of Tober-na-Vuolich; a Long-Vacation Pastoral. ' It had
no great immediate success, but it made him known to a somewhat
wider public than that of Oxford. It was in its form the fruit of the
reading parties in the Highlands in previous summers. It was in
## p. 3825 (#187) ###########################################
ARTHUR HUGH CLOUGH
3825
hexameters, and he asked Emerson to "convey to Mr. Longfellow
the fact that it was a reading of his 'Evangeline' aloud to my
mother
and sister, which, coming after a re-perusal of the Iliad,
occasioned this outbreak of hexameters. " It is a delightful poem,
full of vitality and variety, original in design, simple in incident. It
has the freshness and wholesomeness of the open air, the charm of
nature
and of life, with constant interplay of serious thought and
light humor, of gravity and gayety of sentiment.
Its publication was followed speedily by a little volume entitled
'Ambarvalia,' made up of two parts; one, of poems by Clough, and
of those by an old chool and college riend, Mr. Burbidge.
Clough's part consisted, as he wrote to Emerson, of "old things, the
casualties of at least ten years. " But many of these "casualties » are
characteristic expressions of personal experience, to which Clough's
absolute sincerity gives deep human interest. They are the records
of "his search amid the maze of life for a clue whereby to move. "
They deal with the problems of his own life, and these problems
perplex other men as well. "I have seen higher, holier things than
these, he writes in 1841:-
»
one,
"I have seen higher, holier things than these,
And therefore must to these refuse my heart,
Yet I am panting for a little ease;
I'll take, and so depart. "
But he checks himself:-
«Ah, hold! the heart is prone to fall away,
Her high and cherished visions to forget;
And if thou takest, how wilt thou repay
So vast, so dread a debt ? »
The little volume appealed to but a small band of readers. The
poems it contained did not allure by fluency of fancy or richness of
diction; they were not of a kind to win sudden popularity: but they
gave evidence of a poet who, though not complete master of his art,
arrived at a complete understanding of himself, had yet a
rare power of reflection and expression and a still rarer sincerity of
imaginative vision. They were poems that gave large promise, and
that promise was already in part fulfilled by the 'Bothie. '
and not
Early
in 1849 the headship of University Hall in London was
offered to Clough and accepted by him. This was an institution pro-
fessedly
non-sectarian, established for the purpose of receiving
students in attendance upon the lectures at University College. He
was not to enter upon the duties of the place until October, and he
spent the greater part of the intervening period in a fruitful visit to
VII-240
## p. 3826 (#188) ###########################################
3826
ARTHUR HUGH CLOUGH
Italy. He reached Rome in April. All Italy was in revolution. The
Pope had fled from Rome. The Republic had been declared, and
Mazzini was in control of the government. The French army was
approaching to besiege the city, and Clough resolved to await the
event. No more vivid and picturesque account of aspects of the
siege exists than is to be found in his poem of 'Amours de Voyage,'
written in great part at Rome, under the pressure and excitement of
the moment; then laid aside in the poet's desk, and not published
till long afterward. It consists of a series of letters supposed to be
written by various persons, in which a narrative of passing events is
interwoven with a love story. The hero of the story is a creation
of extraordinary subtlety and interest. He has much of the tempera-
ment of Hamlet: not wanting in personal courage, nor in resolution
when forced to action, but hesitating through sensitiveness of con-
science, through dread of mistaking momentary impulse for fixed con-
viction, through the clearness with which diverging paths of conduct
present themselves to his imagination, with the inevitable doubt as
to which be the right one to follow. The character, though by no
means an exact or complete image of the poet's own, is yet drawn in
part from himself, and affords glimpses of his inner nature, of the
delicacy of his sensitive poetic spirit, of his tendency to discriminat-
ing introspective reflection, of his honesty in dealing with facts and
with himself. To see things as they are, to keep his eyes clear, to
be true to
"The living central inmost I
Within the scales of mere exterior me»
was the principle of his life. The charm of 'Amours de Voyage,'
however, consists not merely in animated description, in delicate
sentiment, and in the poetic representation of sensitive, impression-
able, and high-minded youth, but in its delicate humor in the delin-
eation of character, and in its powerful, imaginative, picturesque
reproduction of the atmosphere and influence of Rome, and of the
spirit of the moment to which the poem relates. It is as unique and
as original in its kind as the 'Bothie. ' It is a poem that appeals
strongly to the lovers of the poetry of high culture, and is not likely
to lack such readers in future generations.
From Rome in July Clough went to Naples, and there wrote
another of his most striking poems, 'Easter Day. ' In the autumn
of 1850 he again went, during a short vacation, to Italy, but now
to Venice; and while there began his third long poem, 'Dipsychus,'
of which the scene is in that city. In this poem, which repre-
sents the conflict of the soul in its struggles to maintain itself
against the temptations of the world and the Devil, Clough again
## p. 3827 (#189) ###########################################
ARTHUR HUGH CLOUGH
3827
wrote out much of his inner life. It is not so much a piece of strict
autobiography of the spirit of an individual, as an imaginative drama
of the spiritual experience common in all times to men of fine na-
ture, seeking a solution of the puzzle of their own hearts.
In none
of his other poems is there such variety of tone, or such an exhibi-
tion of mature poetic power.
It is indeed loosely constructed; but its
separate parts, each contributing to the development of its main
theme, with their diversity of imagination, reflection, wit, and senti-
ment, combine in an impressive unity of effect.
The position at University Hall proved not altogether satisfactory;
and no other opening for him offering itself in England, Clough
determined after much hesitation and deliberation to try his fortune
as a teacher and writer in America. He sailed in October, 1852, on
a steamer on which he had Lowell and Thackeray for fellow passen-
gers.
He spent the next eight months at Cambridge, employed in
tutoring and in literary work, winning the warm regard of the
remarkable group of men of letters who then gave distinction to the
society of Cambridge and of Boston, and especially keeping up his
friendship with Emerson by frequent visits. to Concord. There
seemed a fair prospect of success for him in his new career. But his
friends at home, deeply attached to him, and ill content that he
should leave them, obtained for him an appointment as examiner in
the Education Department of the Council Office. The salary would
give to him a secure though moderate income. He was the more
drawn to accept the place, because shortly before leaving England he
had become engaged to be married; and accordingly in July, 1853, he
returned home and at once entered on the duties of his office.
In
June 1854 he married. For the next seven years his life was tran-
quil, laborious, and happy. The account of these years contained in
the beautiful sketch of his life by his wife, which is prefixed to the
collection of his 'Letters, Poems and Prose Remains,' * gives a
picture of Clough's domestic felicity, and of the various interests
which engaged him outside of the regular drudgery of official work.
His own letters bear witness to the content of his days. He had
little leisure for poetry. He was overworked, and in 1860 his health
gave way. Leave of absence from the office was given to him. He
went to the seashore; he visited the Continent: but though at times
he seemed to gain strength, there was no steady recovery. In the
autumn of 1861 he went to Italy, accompanied by his wife; he
enjoyed the journey, but they had only reached the Lakes when he
experienced a touch of fever. They went on to Florence; he became
more seriously ill. He began however apparently to recover, but a
* It is on this sketch of his life that the present account of him is
mainly based.
## p. 3828 (#190) ###########################################
3828
ARTHUR HUGH CLOUGH
sudden blow of paralysis struck him down, and on the 13th day of
November he died.
Among the most original and beautiful of Matthew Arnold's poems
is his Thyrsis, a Monody,' to commemorate his friend Arthur Hugh
Clough. Thyrsis his mate has gone:-
"No purer or more subtle soul»
than he ever sought the light that
"leaves its seeker still untired,-
Still onward faring by his own heart inspired. »
The lament is as true as it is tender. The singer continues:
"What though the music of thy rustic flute
Kept not for long its happy country tone;
Lost it too soon, and learnt a stormy note
Of men contention-tost, of men who groan,
Which tasked thy pipe too sore, and tired thy throat,-
It failed, and thou wast mute!
Yet hadst thou always visions of our light. "
Yes, always visions of the light! But Arnold's usual felicity of
discrimination is lacking in this last stanza. The stormy note is not
the characteristic note of Clough's mature song, nor does his art
betray the overtasked pipe. His pipe indeed is not attuned, as was
Arnold's own, to the soft melancholy of regret at leaving behind the
happy fields of the past in the quest for the light that shines beyond
and across the untraveled and dim waste which lies before them; its
tone was less pathetic, but not less clear. The music of each is the
song of travelers whose road is difficult, whose goal is uncertain.
Their only guide is the fugitive light, now faint, now distinct, which
allures them with irresistible attraction. Their pathways at times
diverge; but when most divergent, the notes of their accordant pipes
are heard in the same direction.
The memory of Clough remains, with those who had the happi-
ness of knowing him in life, distinct and precious. It is that of one
of the highest and purest souls. Sensitive, simple, tender, manly,
his figure stands as one of the ideal figures of the past, the image of
the true poet, the true friend, the true man. He died too young for
his full fame, but not too young for the love which is better than
fame.
C. E. Morton.
## p. 3829 (#191) ###########################################
ARTHUR HUGH CLOUGH
3829
THERE IS NO GOD
HERE is no God," the wicked saith,
"And truly it's a blessing,
For what he might have done with us
It's better only guessing. "
"T
"There is no God," a youngster thinks,
"Or really, if there may be,
He surely didn't mean a man
Always to be a baby. "
"There is no God, or if there is,"
The tradesman thinks, "'twere funny
If he should take it ill in me
To make a little money. "
"Whether there be," the rich man says,
"It matters very little,
For I and mine, thank somebody,
Are not in want of victual. "
Some others, also, to themselves,
Who scarce so much as doubt it,
Think there is none, when they are well,
And do not think about it.
But country folks who live beneath
The shadow of the steeple;
The parson and the parson's wife,
And mostly married people;
Youths green and happy in first love,
So thankful for illusion;
And men caught out in what the world
Calls guilt, in first confusion;
And almost every one when age,
Disease, or sorrows strike him,-
Inclines to think there is a God,
Or something very like him.
## p. 3830 (#192) ###########################################
3830
ARTHUR HUGH CLOUGH
THE LATEST DECALOGUE
HOU shalt have one God only: who
Would be at the expense of two?
No graven images may be
Worshiped, save in the currency.
Swear not at all; since for thy curse
Thine enemy is none the worse.
At church on Sunday to attend
Will serve to keep the world thy friend:
Honor thy parents; that is, all
From whom advancement may befall.
Thou shalt not kill; but need'st not strive
Officiously to keep alive.
Adultery it is not fit
Or safe (for woman) to commit.
Thou shalt not steal: an empty feat,
When 'tis as lucrative to cheat.
Bear not false witness: let the lie
Have time on its own wings to fly.
Thou shalt not covet; but tradition
Approves all forms of competition.
THO
TO THE UNKNOWN GOD
O
THOU whose image in the shrine
Of human spirits dwells divine;
Which from that precinct once conveyed,
To be to outer day displayed,
Doth vanish, part, and leave behind
Mere blank and void of empty mind,
Which willful fancy seeks in vain
With casual shapes to fill again!
O Thou that in our bosom's shrine
Dost dwell, unknown because divine!
I thought to speak, I thought to say,
"The light is here,”- "Behold the way,".
"The voice was thus," and "Thus the word,".
And "Thus I saw," and "That I heard,”.
But from the lips that half assayed
The imperfect utterance fell unmade.
-
-
-
## p. 3831 (#193) ###########################################
ARTHUR HUGH CLOUGH
3831
O Thou, in that mysterious shrine
Enthroned, as I must say, divine!
I will not frame one thought of what
Thou mayest either be or not.
I will not prate of "thus" and "so,"
And be profane with "yes" and "no";
Enough that in our soul and heart
Thou, whatsoe'er Thou may'st be, art.
Unseen, secure in that high shrine
Acknowledged present and divine,
I will not ask some upper air,
Some future day to place Thee there;
Nor say, nor yet deny, such men
And women say Thee thus and then:
Thy name was such, and there or here
To him or her Thou didst appear.
Do only Thou in that dim shrine,
Unknown or known, remain, divine;
There, or if not, at least in eyes
That scan the fact that round them lies,
The hand to sway, the judgment guide,
In sight and sense Thyself divide:
Be Thou but there, in soul and heart,-
I will not ask to feel Thou art.
EASTER DAY
NAPLES, 1849
THE
HROUGH the great sinful streets of Naples as I past,
With fiercer heat than flamed above my head,
My heart was hot within me; till at last
My brain was lightened when my tongue had said.
Christ is not risen!
Christ is not risen, no-
He lies and molders low;
Christ is not risen!
What though the stone were rolled away, and though
The grave found empty there? —
If not there, then elsewhere;
If not where Joseph laid him first, why then
Where other men
## p. 3832 (#194) ###########################################
3832
ARTHUR HUGH CLOUGH
Translaid him after, in some humbler clay.
Long ere to-day
Corruption that sad perfect work hath done,
Which here she scarcely, lightly, had begun:
The foul engendered worm
Feeds on the flesh of the life-giving form
Of our most Holy and Anointed One.
He is not risen, no-
He lies and molders low;
Christ is not risen!
What if the women, ere the dawn was gray,
Saw one or more great angels, as they say
(Angels, or Him himself)? Yet neither there, nor then,
Nor afterwards, nor elsewhere, nor at all,
Hath he appeared to Peter or the Ten;
Nor, save in thunderous terror, to blind Saul;
Save in an after-Gospel and late Creed,
He is not risen, indeed,-
Christ is not risen!
Or what if e'en, as runs a tale, the Ten
Saw, heard, and touched, again and yet again?
What if at Emmaüs's inn, and by Capernaum's Lake,
Came One, the bread that brake-
Came One that spake as never mortal spake,
And with them ate, and drank, and stood, and walked about?
Ah! "some" did well to "doubt"!
Ah! the true Christ, while these things came to pass,
Nor heard, nor spake, nor walked, nor lived, alas!
He was not risen, no-
He lay and moldered low;
Christ was not risen!
As circulates in some great city crowd
A rumor changeful, vague, importunate, and loud,
From no determined centre, or of fact
Or authorship exact,
Which no man can deny
Nor verify;
So spread the wondrous fame;
He all the same
Lay senseless, moldering low;
He was not risen, no-
Christ was not risen!
## p. 3833 (#195) ###########################################
ARTHUR HUGH CLOUGH
3833
Ashes to ashes, dust to dust;
As of the unjust, also of the just-
Yea, of that Just One, too!
This is the one sad Gospel that is true-
Christ is not risen!
Is he not risen, and shall we not rise?
Oh, we unwise!
What did we dream, what wake we to discover?
Ye hills, fall on us, and ye mountains, cover!
In darkness and great gloom
Come ere we thought it is our day of doom;
From the cursed world, which is one tomb,
Christ is not risen!
Eat, drink, and play, and think that this is bliss:
There is no heaven but this;
There is no hell,
Save earth, which serves the purpose doubly well,
Seeing it visits still
With equalest apportionment of ill
Both good and bad alike, and brings to one same dust
The unjust and the just
With Christ, who is not risen.
Eat, drink, and die, for we are souls bereaved:
Of all the creatures under heaven's wide cope
We are most hopeless, who had once most hope,
And most beliefless, that had most believed.
Ashes to ashes, dust to dust;
As of the unjust, also of the just-
Yea, of that Just One, too!
It is the one sad Gospel that is true---
Christ is not risen!
Weep not beside the tomb,
Ye women, unto whom
He was great solace while ye tended him;
Ye who with napkin o'er the head
And folds of linen round each wounded limb
Laid out the Sacred Dead;
And thou that bar'st him in thy wondering womb;
Yea, Daughters of Jerusalem, depart,
Bind up as best you may your own sad bleeding heart:
## p. 3834 (#196) ###########################################
3834
ARTHUR HUGH CLOUGH
Go to your homes, your living children tend,
Your earthly spouses love;
Set your affections not on things above,
Which moth and rust corrupt, which quickliest come to end:
Or pray, if pray ye must, and pray, if pray ye can,
For death; since dead is he whom ye deemed more than man,
Who is not risen: no-
But lies and molders low-
Who is not risen!
――
Ye men of Galilee!
Why stand ye looking up to heaven, where him ye ne'er may see,
Neither ascending hence, nor returning hither again?
Ye ignorant and idle fishermen!
Hence to your huts, and boats, and inland native shore,
And catch not men, but fish;
Whate'er things ye might wish,
Him neither here nor there ye e'er shall meet with more.
Ye poor deluded youths, go home,
Mend the old nets ye left to roam,
Tie the split oar, patch the torn sail:
It was indeed an "idle tale».
He was not risen!
And oh, good men of ages yet to be,
Who shall believe because ye did not see
Oh, be ye warned, be wise!
No more with pleading eyes,
And sobs of strong desire,
――――――
Unto the empty vacant void aspire,
Seeking another and impossible birth
That is not of your own, and only mother earth.
But if there is no other life for you,
Sit down and be content, since this must even do;
He is not risen!
One look and then depart,
Ye humble and ye holy men of heart;
And ye ye ministers and stewards of a Word
Which ye would preach, because another heard
Ye worshipers of that ye do not know,
Take these things hence and go:-
He is not risen!
## p. 3835 (#197) ###########################################
ARTHUR HUGH CLOUGH
3835
Here, on our Easter Day
We rise, we come, and lo! we find Him not,
Gardener nor other, on the sacred spot:
Where they have laid Him there is none to say;
No sound, nor in, nor out-no word
Of where to seek the dead or meet the living Lord.
There is no glistering of an angel's wings,
There is no voice of heavenly clear behest:
Let us go hence, and think upon these things
In silence, which is best.
Is He not risen? No-
But lies and molders low?
Christ is not risen?
IT FORTIFIES MY SOUL TO KNOW
T FORTIFIES my soul to know
IT
That though I perish, Truth is so;
That howsoe'er I stray and range,
Whate'er I do, Thou dost not change;
I steadier step when I recall
That if I slip, Thou dost not fall!
SAY NOT, THE STRUGGLE NAUGHT AVAILETH
SAY
AY not, the struggle naught availeth,
The labor and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been, they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light;
In front, the sun climbs slow, how slowly!
But westward, look, the land is bright.
## p. 3836 (#198) ###########################################
3836
ARTHUR HUGH CLOUGH
COME BACK
C
OME back, come back! behold with straining mast
And swelling sail, behold her steaming fast:
With one new sun to see her voyage o'er,
With morning light to touch her native shore.
Come back, come back!
Come back, come back! while westward laboring by,
With sailless yards, a bare black hulk we fly.
See how the gale we fight with sweeps her back
To our lost home, on our forsaken track.
Come back, come back!
Come back, come back! across the flying foam
We hear faint far-off voices call us home:
Come back! ye seem to say; ye seek in vain;
We went, we sought, and homeward turned again.
Come back, come back!
Come back, come back! and whither back, or why?
To fan quenched hopes, forsaken schemes to try;
Walk the old fields; pace the familiar street;
Dream with the idlers, with the bards compete.
Come back, come back!
Come back, come back! and whither and for what?
To finger idly some old Gordian knot,
Unskilled to sunder, and too weak to cleave,
And with much toil attain to half-believe.
Come back, come back!
Come back, come back! yea, back indeed do go
Sighs panting thick, and tears that want to flow;
Fond fluttering hopes upraise their useless wings,
And wishes idly struggle in the strings.
Come back, come back!
Come back, come back! more eager than the breeze
The flying fancies sweep across the seas,
And lighter far than ocean's flying foam
The heart's fond message hurries to its home.
Come back, come back!
## p. 3837 (#199) ###########################################
ARTHUR HUGH CLOUGH
3837
Come back, come back!
Back flies the foam; the hoisted flag streams back;
The long smoke wavers on the homeward track;
Back fly with winds things which the wind obey:
The strong ship follows its appointed way.
AS SHIPS BECALMED
S SHIPS becalmed at eve, that lay
With canvas drooping, side by side,
Two towers of sail, at dawn of day,
Are scarce long leagues apart descried.
A$
When fell the night, up sprang the breeze,
And all the darkling hours they plied;
Nor dreamt but each the self-same seas
By each was clearing, side by side:
E'en so- but why the tale reveal
Of those whom, year by year unchanged,
Brief absence joined anew, to feel,
Astounded, soul from soul estranged?
At dead of night their sails were filled,
And onward each rejoicing steered;
Ah! neither blame, for neither willed
Or wist what first with dawn appeared.
To veer, how vain! On, onward strain,
Brave barks! -in light, in darkness too!
Through winds and tides one compass guides
To that and your own selves be true.
But O blithe breeze! and O great seas!
Though ne'er that earliest parting past,
On your wide plain they join again,
Together lead them home at last.
One port, methought, alike they sought,-
One purpose hold, where'er they fare;
O bounding breeze, O rushing seas,
At last, at last, unite them there.
## p. 3838 (#200) ###########################################
3838
ARTHUR HUGH CLOUGH
THE UNKNOWN COURSE
W
HERE lies the land to which the ship would go?
Far, far ahead, is all her seamen know;
And where the land she travels from? Away,
Far, far behind, is all that they can say.
On sunny noons upon the deck's smooth face,
Linked arm in arm, how pleasant here to pace!
Or, o'er the stern reclining, watch below
The foaming wake far widening as we go.
On stormy nights, when wild Northwesters rave,
How proud a thing to fight with wind and wave!
The dripping sailor on the reeling mast
Exults to bear, and scorns to wish it past.
Where lies the land to which the ship would go?
Far, far ahead, is all her seamen know.
And where the land she travels from? Away,
Far, far behind, is all that they can say.
THE GONDOLA
A
FLOAT; we move-delicious! Ah,
What else is like the gondola ?
This level flow of liquid glass
Begins beneath us swift to pass.
It goes as though it went alone
By some impulsion of its own.
(How light it moves, how softly! Ah,
Were all things like the gondola! )
How light it moves, how softly! Ah,
Could life, as does our gondola,
Unvexed with quarrels, aims, and cares,
And moral duties and affairs,
Unswaying, noiseless, swift, and strong,
For ever thus- thus glide along!
(How light we move, how softly! Ah,
Were life but as the gondola! )
With no more motion than should bear
A freshness to the languid air;
## p. 3839 (#201) ###########################################
ARTHUR HUGH CLOUGH
3839
With no more effort than expressed
The need and naturalness of rest,
Which we beneath a grateful shade
Should take on peaceful pillows laid!
(How light we move, how softly! Ah,
Were life but as the gondola ! )
In one unbroken passage borne
To closing night from opening morn,
Uplift at whiles slow eyes to mark
Some palace-front, some passing bark;
Through windows catch the varying shore,
And hear the soft turns of the oar!
(How light we move, how softly! Ah,
Were life but as the gondola! )
THE POET'S PLACE IN LIFE
OME, Poet, come!
COME,
A thousand laborers ply their task
And what it tends to, scarcely ask,
And trembling thinkers on the brink
Shiver, and know not what to think.
To tell the purport of their pain,
And what our silly joys contain;
In lasting lineaments portray
The substance of the shadowy day;
Our real and inner deeds rehearse,
And make our meaning clear in verse
Come, Poet, come! for but in vain
We do the work or feel the pain,
And gather up the evening gain,
Unless before the end thou come
To take, ere they are lost, their sum.
Come, Poet, come!
To give an utterance to the dumb,
And make vain babblers silent, come;
A thousand dupes point here and there,
Bewildered by the show and glare;
And wise men half have learnt to doubt
Whether we are not best without.
