No More Learning

The State Asylum. I was prejudiced;
I wouldn't have sent anyone of mine there;
You know the old idea--the only asylum
Was the poorhouse, and those who could afford,
Rather than send their folks to such a place,
Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with,
And you aren't darkening other people's lives--
Worse than no good to them, and they no good
To you in your condition; you can't know
Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog,
Because his violence took on the form
Of carrying his pillow in his teeth;
But it's more likely he was crossed in love,
Or so the story goes. It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief
If he wa'n't kept strict watch of, and it ended
In father's building him a sort of cage,
Or room within a room, of hickory poles,
Like stanchions in the barn, from floor to ceiling,--
A narrow passage all the way around.
Anything they put in for furniture
He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw,
Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded
With his clothes on his arm--all of his clothes.
Cruel--it sounds. I 'spose they did the best
They knew. And just when he was at the height,
Father and mother married, and mother came,
A bride, to help take care of such a creature,
And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful
By his shouts in the night. He'd shout and shout
Until the strength was shouted out of him,
And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string,
And let them go and make them twang until
His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play--
The only fun he had. I've heard them say, though,
They found a way to put a stop to it.
He was before my time--I never saw him;
But the pen stayed exactly as it was
There in the upper chamber in the ell,
A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling--
"It's time I took my turn upstairs in jail"--
Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out,
And I looked to be happy, and I was,
As I said, for a while--but I don't know!
Somehow the change wore out like a prescription.
And there's more to it than just window-views
And living by a lake. I'm past such help--
Unless Len took the notion, which he won't,
And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going:
Other folks have to, and why shouldn't I?
I almost think if I could do like you,
Drop everything and live out on the ground--
But it might be, come night, I shouldn't like it,
Or a long rain. I should soon get enough,
And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant,
More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away
From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work,
But the thing of it is, I need to be kept.
There's work enough to do--there's always that;
But behind's behind. The worst that you can do
Is set me back a little more behind.
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.




After Apple-picking

MY long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.




The Code

THERE were three in the meadow by the brook
Gathering up windrows, piling cocks of hay,
With an eye always lifted toward the west
Where an irregular sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its bosom. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.
"What is there wrong? "
"Something you just now said. "
"What did I say? "
"About our taking pains. "
"To cock the hay? --because it's going to shower?
I said that more than half an hour ago.
I said it to myself as much as you. "
"You didn't know. But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James would take time, of course, to chew it over
Before he acted: he's just got round to act. "
"He is a fool if that's the way he takes me. "
"Don't let it bother you. You've found out something.
The hand that knows his business won't be told
To do work better or faster--those two things.
I'm as particular as anyone:
Most likely I'd have served you just the same.
But I know you don't understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren't hinting.
Tell you a story of what happened once:
I was up here in Salem at a man's
Named Sanders with a gang of four or five
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a humped body nigh as big's a biscuit.
But work! that man could work, especially
If by so doing he could get more work
Out of his hired help. I'm not denying
He was hard on himself. I couldn't find
That he kept any hours--not for himself.
Daylight and lantern-light were one to him:
I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind
And drive, the way you can, you know, in mowing--
Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks
(We call that bulling). I'd been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders
Combed it down with a rake and says, 'O. K. '
Everything went well till we reached the barn
With a big catch to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where on a mow it would have been slow lifting.
You wouldn't think a fellow'd need much urging
Under these circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, 'Let her come! '
Thinks I, D'ye mean it? 'What was that you said? '
I asked out loud, so's there'd be no mistake,
'Did you say, Let her come? ' 'Yes, let her come. '
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I'd as soon
Murdered him as left out his middle name.
I'd built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. 'Damn ye,' I says,
'That gets ye! ' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, 'Where's the old man? '
'I left him in the barn under the hay.
If ye want him, ye can go and dig him out. '
They realized from the way I swobbed my neck
More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward. First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle.
I guess they thought I'd spiked him in the temple
Before I buried him, or I couldn't have managed.
They excavated more. 'Go keep his wife
Out of the barn. ' Someone looked in a window,
And curse me if he wasn't in the kitchen
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind
There was no one that dared to stir him up,
Or let him know that he was being looked at.
Apparently I hadn't buried him
(I may have knocked him down); but my just trying
To bury him had hurt his dignity.
He had gone to the house so's not to meet me.
He kept away from us all afternoon.
We tended to his hay. We saw him out
After a while picking peas in his garden:
He couldn't keep away from doing something. "
"Weren't you relieved to find he wasn't dead? "
"No! and yet I don't know--it's hard to say.
I went about to kill him fair enough. "
"You took an awkward way. Did he discharge you? "
"Discharge me? No! He knew I did just right. "




The Generations of Men

A GOVERNOR it was proclaimed this time,
When all who would come seeking in New Hampshire
Ancestral memories might come together.
And those of the name Stark gathered in Bow,
A rock-strewn town where farming has fallen off,
And sprout-lands flourish where the axe has gone.
Someone had literally run to earth
In an old cellar hole in a by-road
The origin of all the family there.
Thence they were sprung, so numerous a tribe
That now not all the houses left in town
Made shift to shelter them without the help
Of here and there a tent in grove and orchard.
They were at Bow, but that was not enough:
Nothing would do but they must fix a day
To stand together on the crater's verge
That turned them on the world, and try to fathom
The past and get some strangeness out of it.
But rain spoiled all. The day began uncertain,
With clouds low trailing and moments of rain that misted.
The young folk held some hope out to each other
Till well toward noon when the storm settled down
With a swish in the grass. "What if the others
Are there," they said. "It isn't going to rain. "
Only one from a farm not far away
Strolled thither, not expecting he would find
Anyone else, but out of idleness.
One, and one other, yes, for there were two.
The second round the curving hillside road
Was a girl; and she halted some way off
To reconnoitre, and then made up her mind
At least to pass by and see who he was,
And perhaps hear some word about the weather.
This was some Stark she didn't know. He nodded.
"No fête to-day," he said.
"It looks that way. "
She swept the heavens, turning on her heel.
"I only idled down. "
"I idled down. "
Provision there had been for just such meeting
Of stranger cousins, in a family tree
Drawn on a sort of passport with the branch
Of the one bearing it done in detail--
Some zealous one's laborious device.
She made a sudden movement toward her bodice,
As one who clasps her heart. They laughed together.
"Stark? " he inquired. "No matter for the proof. "
"Yes, Stark. And you? "
"I'm Stark. " He drew his passport.
"You know we might not be and still be cousins:
The town is full of Chases, Lowes, and Baileys,
All claiming some priority in Starkness.
My mother was a Lane, yet might have married
Anyone upon earth and still her children
Would have been Starks, and doubtless here to-day. "
"You riddle with your genealogy
Like a Viola. I don't follow you. "
"I only mean my mother was a Stark
Several times over, and by marrying father
No more than brought us back into the name. "
"One ought not to be thrown into confusion
By a plain statement of relationship,
But I own what you say makes my head spin.
You take my card--you seem so good at such things--
And see if you can reckon our cousinship.
Why not take seats here on the cellar wall
And dangle feet among the raspberry vines? "
"Under the shelter of the family tree. "
"Just so--that ought to be enough protection. "
"Not from the rain. I think it's going to rain. "
"It's raining. "
"No, it's misting; let's be fair.
Does the rain seem to you to cool the eyes? "
The situation was like this: the road
Bowed outward on the mountain half-way up,
And disappeared and ended not far off.
No one went home that way. The only house
Beyond where they were was a shattered seedpod.
And below roared a brook hidden in trees,
The sound of which was silence for the place.
This he sat listening to till she gave judgment.
"On father's side, it seems, we're--let me see----"
"Don't be too technical. --You have three cards. "
"Four cards, one yours, three mine, one for each branch
Of the Stark family I'm a member of. "
"D'you know a person so related to herself
Is supposed to be mad. "
"I may be mad.
"
"You look so, sitting out here in the rain
Studying genealogy with me
You never saw before. What will we come to
With all this pride of ancestry, we Yankees?
I think we're all mad. Tell me why we're here
Drawn into town about this cellar hole
Like wild geese on a lake before a storm?
What do we see in such a hole, I wonder. "
"The Indians had a myth of Chicamoztoc,
Which means The Seven Caves that We Came out of.
This is the pit from which we Starks were digged. "
"You must be learned. That's what you see in it? "
"And what do you see? "
"Yes, what do I see?
First let me look. I see raspberry vines----"
"Oh, if you're going to use your eyes, just hear
What I see. It's a little, little boy,
As pale and dim as a match flame in the sun;
He's groping in the cellar after jam,
He thinks it's dark and it's flooded with daylight. "
"He's nothing. Listen. When I lean like this
I can make out old Grandsir Stark distinctly,--
With his pipe in his mouth and his brown jug--
Bless you, it isn't Grandsir Stark, it's Granny,
But the pipe's there and smoking and the jug.
She's after cider, the old girl, she's thirsty;
Here's hoping she gets her drink and gets out safely. "
"Tell me about her. Does she look like me? "
"She should, shouldn't she, you're so many times
Over descended from her. I believe
She does look like you. Stay the way you are.
The nose is just the same, and so's the chin--
Making allowance, making due allowance. "
"You poor, dear, great, great, great, great Granny! "
"See that you get her greatness right. Don't stint her. "
"Yes, it's important, though you think it isn't.
I won't be teased. But see how wet I am. "
"Yes, you must go; we can't stay here for ever.
But wait until I give you a hand up.
A bead of silver water more or less
Strung on your hair won't hurt your summer looks.
I wanted to try something with the noise
That the brook raises in the empty valley.
We have seen visions--now consult the voices.
Something I must have learned riding in trains
When I was young. I used the roar
To set the voices speaking out of it,
Speaking or singing, and the band-music playing.
Perhaps you have the art of what I mean.
I've never listened in among the sounds
That a brook makes in such a wild descent.
It ought to give a purer oracle. "
"It's as you throw a picture on a screen:
The meaning of it all is out of you;
The voices give you what you wish to hear. "
"Strangely, it's anything they wish to give. "
"Then I don't know. It must be strange enough.
I wonder if it's not your make-believe.
What do you think you're like to hear to-day? "
"From the sense of our having been together--
But why take time for what I'm like to hear?
I'll tell you what the voices really say.
You will do very well right where you are
A little longer. I mustn't feel too hurried,
Or I can't give myself to hear the voices. "
"Is this some trance you are withdrawing into? "
"You must be very still; you mustn't talk. "
"I'll hardly breathe. "
"The voices seem to say----"
"I'm waiting. "
"Don't! The voices seem to say:
Call her Nausicaa, the unafraid
Of an acquaintance made adventurously. "
"I let you say that--on consideration. "
"I don't see very well how you can help it.
You want the truth. I speak but by the voices.
You see they know I haven't had your name,
Though what a name should matter between us----"
"I shall suspect----"
"Be good. The voices say:
Call her Nausicaa, and take a timber
That you shall find lies in the cellar charred
Among the raspberries, and hew and shape it
For a door-sill or other corner piece
In a new cottage on the ancient spot.
The life is not yet all gone out of it.
And come and make your summer dwelling here,
And perhaps she will come, still unafraid,
And sit before you in the open door
With flowers in her lap until they fade,
But not come in across the sacred sill----"
"I wonder where your oracle is tending.
You can see that there's something wrong with it,
Or it would speak in dialect. Whose voice
Does it purport to speak in? Not old Grandsir's
Nor Granny's, surely. Call up one of them.
They have best right to be heard in this place. "
"You seem so partial to our great-grandmother
(Nine times removed. Correct me if I err. )
You will be likely to regard as sacred
Anything she may say. But let me warn you,
Folks in her day were given to plain speaking.
You think you'd best tempt her at such a time? "
"It rests with us always to cut her off. "
"Well then, it's Granny speaking: 'I dunnow!
Mebbe I'm wrong to take it as I do.
There ain't no names quite like the old ones though,
Nor never will be to my way of thinking.
One mustn't bear too hard on the new comers,
But there's a dite too many of them for comfort.
I should feel easier if I could see
More of the salt wherewith they're to be salted.
Son, you do as you're told! You take the timber--
It's as sound as the day when it was cut--
And begin over----' There, she'd better stop.
You can see what is troubling Granny, though.
But don't you think we sometimes make too much
Of the old stock? What counts is the ideals,
And those will bear some keeping still about. "
"I can see we are going to be good friends. "
"I like your 'going to be. ' You said just now
It's going to rain. "
"I know, and it was raining.
I let you say all that. But I must go now. "
"You let me say it? on consideration?
How shall we say good-bye in such a case? "
"How shall we? "
"Will you leave the way to me? "
"No, I don't trust your eyes. You've said enough.
Now give me your hand up. --Pick me that flower. "
"Where shall we meet again? "
"Nowhere but here
Once more before we meet elsewhere. "
"In rain? "
"It ought to be in rain. Sometime in rain.
In rain to-morrow, shall we, if it rains?
But if we must, in sunshine. " So she went.




The Housekeeper

I LET myself in at the kitchen door.
"It's you," she said. "I can't get up. Forgive me
Not answering your knock. I can no more
Let people in than I can keep them out.
I'm getting too old for my size, I tell them.
My fingers are about all I've the use of
So's to take any comfort. I can sew:
I help out with this beadwork what I can. "
"That's a smart pair of pumps you're beading there.
Who are they for? "
"You mean? --oh, for some miss.
I can't keep track of other people's daughters.
Lord, if I were to dream of everyone
Whose shoes I primped to dance in! "
"And where's John? "
"Haven't you seen him? Strange what set you off
To come to his house when he's gone to yours.
You can't have passed each other. I know what:
He must have changed his mind and gone to Garlands.
He won't be long in that case. You can wait.
Though what good you can be, or anyone--
It's gone so far. You've heard? Estelle's run off. "
"Yes, what's it all about? When did she go? "
"Two weeks since. "
"She's in earnest, it appears. "
"I'm sure she won't come back. She's hiding somewhere.
I don't know where myself. John thinks I do.
He thinks I only have to say the word,
And she'll come back. But, bless you, I'm her mother--
I can't talk to her, and, Lord, if I could! "
"It will go hard with John. What will he do?
He can't find anyone to take her place. "
"Oh, if you ask me that, what will he do?
He gets some sort of bakeshop meals together,
With me to sit and tell him everything,
What's wanted and how much and where it is.
But when I'm gone--of course I can't stay here:
Estelle's to take me when she's settled down.
He and I only hinder one another.
I tell them they can't get me through the door, though:
I've been built in here like a big church organ.
We've been here fifteen years. "
"That's a long time
To live together and then pull apart.
How do you see him living when you're gone?
Two of you out will leave an empty house. "
"I don't just see him living many years,
Left here with nothing but the furniture.
I hate to think of the old place when we're gone,
With the brook going by below the yard,
And no one here but hens blowing about.
If he could sell the place, but then, he can't:
No one will ever live on it again.
It's too run down. This is the last of it.
What I think he will do, is let things smash.
He'll sort of swear the time away. He's awful!
I never saw a man let family troubles
Make so much difference in his man's affairs.
He's just dropped everything. He's like a child.
I blame his being brought up by his mother.
He's got hay down that's been rained on three times.
He hoed a little yesterday for me:
I thought the growing things would do him good.
Something went wrong. I saw him throw the hoe
Sky-high with both hands. I can see it now--
Come here--I'll show you--in that apple tree.
That's no way for a man to do at his age:
He's fifty-five, you know, if he's a day. "
"Aren't you afraid of him? What's that gun for? "
"Oh, that's been there for hawks since chicken-time.
John Hall touch me! Not if he knows his friends.
I'll say that for him, John's no threatener
Like some men folk. No one's afraid of him;
All is, he's made up his mind not to stand
What he has got to stand. "
"Where is Estelle?
Couldn't one talk to her? What does she say?
You say you don't know where she is. "
"Nor want to!
She thinks if it was bad to live with him,
It must be right to leave him. "
"Which is wrong! "
"Yes, but he should have married her. "
"I know. "
"The strain's been too much for her all these years:
I can't explain it any other way.
It's different with a man, at least with John:
He knows he's kinder than the run of men.
Better than married ought to be as good
As married--that's what he has always said.
I know the way he's felt--but all the same! "
"I wonder why he doesn't marry her
And end it. "
"Too late now: she wouldn't have him.
He's given her time to think of something else.
That's his mistake. The dear knows my interest
Has been to keep the thing from breaking up.
This is a good home: I don't ask for better.
But when I've said, 'Why shouldn't they be married,'
He'd say, 'Why should they? ' no more words than that. "
"And after all why should they?