No More Learning

--Dread roar'd the blast--the wave
Boils to the sky, the meeting whirlwinds rave
O'er the torn heav'ns; loud on their awe-struck ear
Great Nature seem'd to call, 'Approach not here! '
At Lisbon's court they told their dread escape,
And from her raging tempests, nam'd the Cape. [546]
'Thou southmost point,' the joyful king exclaim'd,
'Cape of Good Hope, be thou for ever nam'd!
Onward my fleets shall dare the dreadful way,
And find the regions of the infant day. '
In vain the dark and ever-howling blast
Proclaim'd, 'This ocean never shall be past;'
Through that dread ocean, and the tempests' roar,
My king commanded, and my course I bore.
The pillar thus of deathless fame, begun
By other chiefs,[547] beneath the rising sun
In thy great realm, now to the skies I raise,
The deathless pillar of my nation's praise.
Through these wild seas no costly gift I brought;
Thy shore alone and friendly peace I sought.
And yet to thee the noblest gift I bring
The world can boast--the friendship of my king.
And mark the word, his greatness shall appear
When next my course to India's strand I steer,
Such proofs I'll bring as never man before
In deeds of strife, or peaceful friendship bore.
Weigh now my words, my truth demands the light,
For truth shall ever boast, at last, resistless might. "

Boldly the hero spake with brow severe,
Of fraud alike unconscious, as of fear:
His noble confidence with truth impressed
Sunk deep, unwelcome, in the monarch's breast,
Nor wanting charms his avarice to gain
Appear'd the commerce of illustrious Spain.
Yet, as the sick man loathes the bitter draught,
Though rich with health he knows the cup comes fraught;
His health without it, self-deceiv'd, he weighs,
Now hastes to quaff the drug, and now delays;
Reluctant thus, as wav'ring passion veer'd,
The Indian lord the dauntless GAMA heard:
The Moorish threats yet sounding in his ear,
He acts with caution, and is led by fear.
With solemn pomp he bids his lords prepare
The friendly banquet; to the regent's care
Commends brave GAMA, and with pomp retires:
The regent's hearths awake the social fires;
Wide o'er the board the royal feast is spread,
And, fair embroidered, shines DE GAMA'S bed.
The regent's palace high o'erlook'd the bay
Where GAMA'S black-ribb'd fleet at anchor lay. [548]

Ah, why the voice of ire and bitter woe
O'er Tago's banks, ye nymphs of Tagus, show?
The flow'ry garlands from your ringlets torn,
Why wand'ring wild with trembling steps forlorn?
The demon's rage you saw, and mark'd his flight
To the dark mansions of eternal night:
You saw how, howling through the shades beneath,
He wak'd new horrors in the realms of death.
What trembling tempests shook the thrones of hell,
And groan'd along her caves, ye muses, tell.
The rage of baffled fraud, and all the fire
Of powerless hate, with tenfold flames conspire;
From ev'ry eye the tawny lightnings glare,
And hell, illumin'd by the ghastly flare,
(A drear blue gleam), in tenfold horror shows
Her darkling caverns; from his dungeon rose
Hagar's stern son: pale was his earthy hue,
And from his eye-balls flash'd the lightnings blue;
Convuls'd with rage the dreadful shade demands
The last assistance of th' infernal bands.
As when the whirlwinds, sudden bursting, bear
Th' autumnal leaves high floating through the air;
So, rose the legions of th' infernal state,
Dark Fraud, base Art, fierce Rage, and burning Hate:
Wing'd by the Furies to the Indian strand
They bend; the demon leads the dreadful band,
And, in the bosoms of the raging Moors
All their collected, living strength he pours.
One breast alone against his rage was steel'd,
Secure in spotless Truth's celestial shield.

One evening past, another evening clos'd,
The regent still brave GAMA'S suit oppos'd;
The Lusian chief his guarded guest detain'd,
With arts on arts, and vows of friendship feign'd.
His fraudful art, though veil'd in deep disguise,
Shone bright to GAMA'S manner-piercing eyes.
As in the sun's bright[549] beam the gamesome boy
Plays with the shining steel or crystal toy,
Swift and irregular, by sudden starts,
The living ray with viewless motion darts,
Swift o'er the wall, the floor, the roof, by turns
The sun-beam dances, and the radiance burns:
In quick succession, thus, a thousand views
The sapient Lusian's lively thought pursues;
Quick as the lightning ev'ry view revolves,
And, weighing all, fix'd are his dread resolves.
O'er India's shore the sable night descends,
And GAMA, now, secluded from his friends,
Detain'd a captive in the room of state,
Anticipates in thought to-morrow's fate;
For just Mozaide no gen'rous care delays,
And VASCO'S trust with friendly toils repays.


END OF THE EIGHTH BOOK.




BOOK IX.

THE ARGUMENT.

The liberation of Gama's factors is effected by a great victory over the
Moorish fleet, and by the bombardment of Calicut. Gama returns in
consequence to his ships, and weighs anchor to return to Europe with the
news of his great discoveries. Camoens then introduces a very singular,
but agreeable episode, recounting the love adventures of his heroes in
one of the islands of the ocean. Venus, in search of her son, journeys
through all his realms to implore his aid, and at length arrives at the
spot where Love's artillery and arms are forged. Venus intercedes with
her son in favour of the Portuguese. The island of Love, like that of
Delos, floats on the ocean. It is then explained by the poet that these
seeming realities are only allegorical.


Red[550] rose the dawn; roll'd o'er the low'ring sky,
The scattering clouds of tawny purple fly.
While yet the day-spring struggled with the gloom,
The Indian monarch sought the regent's dome.
In all the luxury of Asian state,
High on a star-gemm'd couch the monarch sat:
Then on th' illustrious captive, bending down
His eyes, stern darken'd with a threat'ning frown,
"Thy truthless tale," he cries, "thy art appears,
Confess'd inglorious by thy cautious fears.
Yet, still if friendship, honest, thou implore,
Yet now command thy vessels to the shore:
Gen'rous, as to thy friends, thy sails resign,
My will commands it, and the power is mine:
In vain thy art, in vain thy might withstands,
Thy sails, and rudders too, my will demands:[551]
Such be the test, thy boasted truth to try,
Each other test despis'd, I fix'd deny.
And has my regent sued two days in vain!
In vain my mandate, and the captive chain!
Yet not in vain, proud chief, ourself shall sue
From thee the honour to my friendship due:
Ere force compel thee, let the grace be thine,
Our grace permits it, freely to resign,
Freely to trust our friendship, ere too late
Our injur'd honour fix thy dreadful fate. "

While thus he spake, his changeful look declar'd
In his proud breast what starting passions warr'd.
No feature mov'd on GAMA'S face was seen;
Stern he replies, with bold yet anxious mien,
"In me my sov'reign represented see,
His state is wounded, and he speaks in me;
Unaw'd by threats, by dangers uncontroll'd,
The laws of nations bid my tongue be bold.
No more thy justice holds the righteous scale,
The arts of falsehood and the Moors prevail;
I see the doom my favour'd foes decree,
Yet, though in chains I stand, my fleet is free.
The bitter taunts of scorn the brave disdain;
Few be my words, your arts, your threats are vain.
My sov'reign's fleet I yield not to your sway;[552]
Safe shall my fleet to Lisboa's strand convey
The glorious tale of all the toils I bore,
Afric surrounded, and the Indian shore
Discover'd. These I pledg'd my life to gain,
These to my country shall my life maintain.
One wish alone my earnest heart desires,
The sole impassion'd hope my breast respires;
My finish'd labours may my sov'reign hear!
Besides that wish, nor hope I know, nor fear.
And lo, the victim of your rage I stand,
And bare my bosom to the murd'rer's hand. "

With lofty mien he spake. In stern disdain,
"My threats," the monarch cries, "were never vain:
Swift give the sign. "--Swift as he spake, appear'd
The dancing streamer o'er the palace rear'd;
Instant another ensign distant rose,
Where, jutting through the flood, the mountain throws
A ridge enormous, and on either side
Defends the harbours from the furious tide.
Proud on his couch th' indignant monarch sat,
And awful silence fill'd the room of state.
With secret joy the Moors, exulting, glow'd,
And bent their eyes where GAMA'S navy rode,
Then, proudly heav'd with panting hope, explore
The wood-crown'd upland of the bending shore.
Soon o'er the palms a mast's tall pendant flows,
Bright to the sun the purple radiance glows;
In martial pomp, far streaming to the skies,
Vanes after vanes in swift succession rise,
And, through the opening forest-boughs of green,
The sails' white lustre moving on is seen;
When sudden, rushing by the point of land
The bowsprits nod, and wide the sails expand;
Full pouring on the sight, in warlike pride,
Extending still the rising squadrons ride:
O'er every deck, beneath the morning rays,
Like melted gold, the brazen spear-points blaze;
Each prore surrounded with a hundred oars,
Old Ocean boils around the crowded prores:
And, five times now in number GAMA'S might,
Proudly their boastful shouts provoke the fight;
Far round the shore the echoing peal rebounds,
Behind the hill an answ'ring shout resounds:
Still by the point new-spreading sails appear,
Till seven times GAMA'S fleet concludes the rear.
Again the shout triumphant shakes the bay;
Form'd as a crescent, wedg'd in firm array,
Their fleet's wide horns the Lusian ships enclasp,
Prepar'd to crush them in their iron grasp.
Shouts echo shouts. --With stern, disdainful eyes
The Indian king to manly GAMA cries,
"Not one of thine on Lisboa's shore shall tell
The glorious tale, how bold thy heroes fell. "
With alter'd visage, for his eyes flash'd fire,
"God sent me here, and God's avengeful ire
Shall blast thy perfidy," great VASCO cried,
"And humble in the dust thy wither'd pride. "
A prophet's glow inspir'd his panting breast,
Indignant smiles the monarch's scorn confess'd.
Again deep silence fills the room of state,
And the proud Moors, secure, exulting wait:
And now inclasping GAMA'S in a ring,
Their fleet sweeps on. --Loud whizzing from the string
The black-wing'd arrows float along the sky,
And rising clouds the falling clouds supply.
The lofty crowding spears that bristling stood
Wide o'er the galleys as an upright wood,
Bend sudden, levell'd for the closing fight,
The points, wide-waving, shed a gleamy light.
Elate with joy the king his aspect rears,
And valiant GAMA, thrill'd with transport, hears
His drums' bold rattling raise the battle sound;
Echo, deep-ton'd, hoarse, vibrates far around;
The shiv'ring trumpets tear the shrill-voic'd air,
Quiv'ring the gale, the flashing lightnings flare,
The smoke rolls wide, and sudden bursts the roar,
The lifted waves fall trembling, deep the shore
Groans; quick and quicker blaze embraces blaze
In flashing arms; louder the thunders raise
Their roaring, rolling o'er the bended skies
The burst incessant; awe-struck Echo dies
Falt'ring and deafen'd; from the brazen throats,
Cloud after cloud, enroll'd in darkness, floats,
Curling their sulph'rous folds of fiery blue,
Till their huge volumes take the fleecy hue,
And roll wide o'er the sky; wide as the sight
Can measure heav'n, slow rolls the cloudy white:
Beneath, the smoky blackness spreads afar
Its hov'ring wings, and veils the dreadful war
Deep in its horrid breast; the fierce red glare,
Cheq'ring the rifted darkness, fires the air,
Each moment lost and kindled, while around,
The mingling thunders swell the lengthen'd sound.
When piercing sudden through the dreadful roar
The yelling shrieks of thousands strike the shore:
Presaging horror through the monarch's breast
Crept cold; and gloomy o'er the distant east,
Through Gata's hills[553] the whirling tempest sigh'd,
And westward sweeping to the blacken'd tide,
Howl'd o'er the trembling palace as it past,
And o'er the gilded walls a gloomy twilight cast;
Then, furious, rushing to the darken'd bay,[554]
Resistless swept the black-wing'd night away,
With all the clouds that hover'd o'er the fight,
And o'er the weary combat pour'd the light.

As by an Alpine mountain's pathless side
Some traveller strays, unfriended of a guide;
If o'er the hills the sable night descend,
And gath'ring tempest with the darkness blend,
Deep from the cavern'd rocks beneath, aghast
He hears the howling of the whirlwind's blast;
Above, resounds the crash, and down the steep
Some rolling weight groans on with found'ring sweep;
Aghast he stands, amid the shades of night,
And all his soul implores the friendly light:
It comes; the dreadful lightning's quiv'ring blaze
The yawning depth beneath his lifted step betrays;
Instant unmann'd, aghast in horrid pain,
his knees no more their sickly weight sustain;
Powerless he sinks, no more his heart-blood flows;
So sunk the monarch, and his heart-blood froze;
So sunk he down, when o'er the clouded bay
The rushing whirlwind pour'd the sudden day:
Disaster's giant arm in one wide sweep
Appear'd, and ruin blacken'd o'er the deep;
The sheeted masts drove floating o'er the tide,
And the torn hulks roll'd tumbling on the side;
Some shatter'd plank each heaving billow toss'd,
And, by the hand of Heav'n, dash'd on the coast
Groan'd prores ingulf'd; the lashing surges rave
O'er the black keels upturn'd, the swelling wave
Kisses the lofty mast's reclining head;
And, far at sea, some few torn galleys fled.
Amid the dreadful scene triumphant rode
The Lusian war-ships, and their aid bestow'd:
Their speedy boats far round assisting ply'd,
Where plunging, struggling, in the rolling tide,
Grasping the shatter'd wrecks, the vanquish'd foes
Rear'd o'er the dashing waves their haggard brows.
No word of scorn the lofty GAMA spoke,
Nor India's king the dreadful silence broke.
Slow pass'd the hour, when to the trembling shore,
In awful pomp, the victor-navy bore:
Terrific, nodding on, the bowsprits bend,
And the red streamers other war portend:
Soon bursts the roar; the bombs tremendous rise,
And trail their black'ning rainbows o'er the skies;
O'er Calicut's proud domes their rage they pour,
And wrap her temples in a sulph'rous shower.
'Tis o'er----In threat'ning silence rides the fleet:
Wild rage, and horror yell in ev'ry street;
Ten thousands pouring round the palace gate,
In clam'rous uproar wail their wretch'd fate:
While round the dome, with lifted hands, they kneel'd,
"Give justice, justice to the strangers yield--
Our friends, our husbands, sons, and fathers slain!
Happier, alas, than these that yet remain--
Curs'd be the counsels, and the arts unjust--
Our friends in chains--our city in the dust--
Yet, yet prevent----"
The silent VASCO saw
The weight of horror, and o'erpowering awe
That shook the Moors, that shook the regent's knees,
And sunk the monarch down. By swift degrees
The popular clamour rises. Lost, unmann'd,
Around the king the trembling council stand;
While, wildly glaring on each other's eyes,
Each lip in vain the trembling accent tries;
With anguish sicken'd, and of strength bereft,
Earnest each look inquires, What hope is left!
In all the rage of shame and grief aghast,
The monarch, falt'ring, takes the word at last:
"By whom, great chief, are these proud war-ships sway'd,
Are there thy mandates honour'd and obey'd?
Forgive, great chief, let gifts of price restrain
Thy just revenge. Shall India's gifts be vain! --
Oh spare my people and their doom'd abodes--
Prayers, vows, and gifts appease the injur'd gods:
Shall man deny? Swift are the brave to spare:
The weak, the innocent confess their care--
Helpless, as innocent of guile, to thee
Behold these thousands bend the suppliant knee--
Thy navy's thund'ring sides black to the land
Display their terrors--yet mayst thou command----"

O'erpower'd he paus'd. Majestic and serene
Great VASCO rose, then, pointing to the scene
Where bled the war, "Thy fleet, proud king, behold
O'er ocean and the strand in carnage roll'd!
So, shall this palace, smoking in the dust,
And yon proud city, weep thy arts unjust.
The Moors I knew, and, for their fraud prepar'd,
I left my fix'd command my navy's guard:[555]
Whate'er from shore my name or seal convey'd
Of other weight, that fix'd command forbade;
Thus, ere its birth destroy'd, prevented fell
What fraud might dictate, or what force compel.
This morn the sacrifice of Fraud I stood,
But hark, there lives the brother of my blood,
And lives the friend, whose cares conjoin'd control
These floating towers, both brothers of my soul.
'If thrice,' I said, 'arise the golden morn,
Ere to my fleet you mark my glad return,
Dark Fraud with all her Moorish arts withstands,
And force, or death withholds me from my bands:
Thus judge, and swift unfurl the homeward sail,
Catch the first breathing of the eastern gale,
Unmindful of my fate on India's shore:[556]
Let but my monarch know, I wish no more. '
Each, panting while I spoke, impatient cries,
The tear-drop bursting in their manly eyes,
'In all but one thy mandates we obey,
In one we yield not to thy gen'rous sway:
Without thee, never shall our sails return;
India shall bleed, and Calicut shall burn--
Thrice shall the morn arise; a flight of bombs
Shall then speak vengeance to their guilty domes:
Till noon we pause; then, shall our thunders roar,
And desolation sweep the treach'rous shore. '
Behold, proud king, their signal in the sky,
Near his meridian tower the sun rides high.
O'er Calicut no more the ev'ning shade
Shall spread her peaceful wings, my wrath unstaid;
Dire through the night her smoking dust shall gleam,
Dire thro' the night shall shriek the female scream. "

"Thy worth, great chief," the pale-lipp'd regent cries,
"Thy worth we own: oh, may these woes suffice!
To thee each proof of India's wealth we send;
Ambassadors, of noblest race, attend----"
Slow as he falter'd, GAMA caught the word,
"On terms I talk not, and no truce afford:
Captives enough shall reach the Lusian shore:
Once you deceiv'd me, and I treat no more.
E'en now my faithful sailors, pale with rage,
Gnaw their blue lips, impatient to engage;
Rang'd by their brazen tubes, the thund'ring band
Watch the first movement of my brother's hand;
E'en now, impatient, o'er the dreadful tire
They wave their eager canes betipp'd with fire;
Methinks my brother's anguish'd look I see,
The panting nostril and the trembling knee,
While keen he eyes the sun. On hasty strides,
Hurried along the deck, Coello chides
His cold, slow ling'ring, and impatient cries,
'Oh, give the sign, illume the sacrifice,
A brother's vengeance for a brother's blood----"

He spake; and stern the dreadful warrior stood;
So seem'd the terrors of his awful nod,
The monarch trembled as before a god;
The treach'rous Moors sank down in faint dismay,
And speechless at his feet the council lay:
Abrupt, with outstretched arms, the monarch cries,
"What yet----" but dar'd not meet the hero's eyes,
"What yet may save! "[557]--Great VASCO stern rejoins,
"Swift, undisputing, give th' appointed signs:
High o'er thy loftiest tower my flag display,
Me and my train swift to my fleet convey:
Instant command--behold the sun rides high----"
He spake, and rapture glow'd in ev'ry eye;
The Lusian standard o'er the palace flow'd,
Swift o'er the bay the royal barges row'd.
A dreary gloom a sudden whirlwind threw;
Amid the howling blast, enrag'd, withdrew
The vanquish'd demon. Soon, in lustre mild
As April smiles, the sun auspicious smil'd:
Elate with joy, the shouting thousands trod,
And GAMA to his fleet triumphant rode.

Soft came the eastern gale on balmy wings:
Each joyful sailor to his labour springs;
Some o'er the bars their breasts robust recline,
And, with firm tugs, the rollers[558] from the brine,
Reluctant dragg'd, the slime-brown'd anchors raise;
Each gliding rope some nimble hand obeys;
Some bending o'er the yard-arm's length, on high,
With nimble hands, the canvas wings untie;
The flapping sails their wid'ning folds distend,
And measur'd, echoing shouts their sweaty toils attend.
Nor had the captives lost the leader's care,
Some to the shore the Indian barges bear;
The noblest few the chief detains, to own
His glorious deeds before the Lusian throne;
To own the conquest of the Indian shore:
Nor wanted ev'ry proof of India's store.
What fruits in Ceylon's fragrant woods abound,
With woods of cinnamon her hills are crown'd:
Dry'd in its flower, the nut of Banda's grove,
The burning pepper, and the sable clove;
The clove, whose odour on the breathing gale,
Far to the sea, Molucca's plains exhale;
All these, provided by the faithful Moor,
All these, and India's gems, the navy bore:
The Moor attends, Mozaide, whose zealous care
To GAMA'S eyes unveil'd each treach'rous snare:[559]
So burn'd his breast with Heav'n-illumin'd flame,
And holy rev'rence of Messiah's name.
O, favour'd African, by Heaven's own light
Call'd from the dreary shades of error's night!
What man may dare his seeming ills arraign,
Or what the grace of Heaven's designs explain!
Far didst thou from thy friends a stranger roam,
There wast thou call'd to thy celestial home. [560]

With rustling sound now swell'd the steady sail;
The lofty masts reclining to the gale,
On full-spread wings the navy springs away,
And, far behind them, foams the ocean grey:
Afar the less'ning hills of Gata fly,
And mix their dim blue summits with the sky:
Beneath the wave low sinks the spicy shore,
And, roaring through the tide, each nodding prore
Points to the Cape, great Nature's southmost bound,
The Cape of Tempests, now of Hope renown'd.
Their glorious tale on Lisboa's shore to tell
Inspires each bosom with a rapt'rous swell;
Now through their breasts the chilly tremors glide,
To dare once more the dangers dearly tried. --
Soon to the winds are these cold fears resign'd,
And all their country rushes on the mind;
How sweet to view their native land, how sweet
The father, brother, and the bride to greet!
While list'ning round the hoary parent's board
The wond'ring kindred glow at ev'ry word;
How sweet to tell what woes, what toils they bore,
The tribes, and wonders of each various shore!
These thoughts, the traveller's lov'd reward, employ,
And swell each bosom with unutter'd joy. [561]

The queen of love, by Heaven's eternal grace,
The guardian goddess of the Lusian race;
The queen of love, elate with joy, surveys
Her heroes, happy, plough the wat'ry maze:
Their dreary toils revolving in her thought,
And all the woes by vengeful Bacchus wrought;
These toils, these woes, her yearning cares employ,
To bathe, and balsam in the streams of joy.
Amid the bosom of the wat'ry waste,
Near where the bowers of Paradise were plac'd,[562]
An isle, array'd in all the pride of flowers,
Of fruits, of fountains, and of fragrant bowers,
She means to offer to their homeward prows,
The place of glad repast and sweet repose;
And there, before their raptur'd view, to raise
The heav'n-topp'd column of their deathless praise.

The goddess now ascends her silver car,
(Bright was its hue as love's translucent star);
Beneath the reins the stately birds,[563] that sing
Their sweet-ton'd death-song spread the snowy wing;
The gentle winds beneath her chariot sigh,
And virgin blushes purple o'er the sky:
On milk-white pinions borne, her cooing doves
Form playful circles round her as she moves;
And now their beaks in fondling kisses join,
In am'rous nods their fondling necks entwine.
O'er fair Idalia's bowers the goddess rode,
And by her altars sought Idalia's god:
The youthful bowyer of the heart was there;
His falling kingdom claim'd his earnest care. [564]
His bands he musters, through the myrtle groves
On buxom wings he trains the little loves.
Against the world, rebellious and astray,
He means to lead them, and resume his sway:
For base-born passions, at his shrine, 'twas told,
Each nobler transport of the breast controll'd.
A young Actaeon,[565] scornful of his lore,
Morn after morn pursues the foamy boar,
In desert wilds, devoted to the chase;
Each dear enchantment of the female face
Spurn'd, and neglected. Him, enrag'd, he sees,
And sweet, and dread his punishment decrees.
Before his ravish'd sight, in sweet surprise,
Naked in all her charms, shall Dian rise;
With love's fierce flames his frozen heart shall burn,[566]
Coldly his suit, the nymph, unmov'd, shall spurn.
Of these lov'd dogs that now his passions sway,
Ah, may he never fall the hapless prey!

Enrag'd, he sees a venal herd, the shame
Of human race, assume the titled name;[567]
And each, for some base interest of his own,
With Flatt'ry's manna'd lips assail the throne.
He sees the men, whom holiest sanctions bind
To poverty, and love of human kind;
While, soft as drop the dews of balmy May,
Their words preach virtue, and her charms display,
He sees with lust of gold their eyes on fire,
And ev'ry wish to lordly state aspire;
He sees them trim the lamp at night's mid hour,
To plan new laws to arm the regal power;
Sleepless, at night's mid hour, to raze the laws,
The sacred bulwarks of the people's cause,
Fram'd ere the blood of hard-earn'd victory
On their brave fathers' helm-hack'd swords was dry.

Nor these alone; each rank, debas'd and rude,
Mean objects, worthless of their love, pursued:
Their passions thus rebellious to his lore,
The god decrees to punish and restore.
The little loves, light hov'ring in the air,
Twang their silk bow-strings, and their aims prepare:
Some on th' immortal anvils point the dart,
With power resistless to inflame the heart;
Their arrow heads they tip with soft desires,
And all the warmth of love's celestial fires;
Some sprinkle o'er the shafts the tears of woe,
Some store the quiver, some steel-spring the bow;
Each chanting as he works the tuneful strain
Of love's dear joys, of love's luxurious pain;
Charm'd was the lay to conquer and refine,
Divine the melody, the song divine.

Already, now, began the vengeful war,
The witness of the god's benignant care;
On the hard bosoms of the stubborn crowd[568]
An arrowy shower the bowyer train bestow'd;
Pierced by the whizzing shafts, deep sighs the air,
And answering sighs the wounds of love declare.
Though various featur'd, and of various hue,
Each nymph seems loveliest in her lover's view;
Fir'd by the darts, by novice archers sped,
Ten thousand wild, fantastic loves are bred:
In wildest dreams the rustic hind aspires,
And haughtiest lords confess the humblest fires.

The snowy swans of love's celestial queen
Now land her chariot on the shore of green;
One knee display'd, she treads the flow'ry strand,
The gather'd robe falls loosely from her hand;
Half-seen her bosom heaves the living snow,
And on her smiles the living roses glow.
The bowyer god,[569] whose subtle shafts ne'er fly
Misaim'd, in vain, in vain on earth or sky,
With rosy smiles the mother power receives;
Around her climbing, thick as ivy leaves,
The vassal loves in fond contention join
Who, first and most, shall kiss her hand divine.
Swift in her arms she caught her wanton boy,
And, "Oh, my son," she cries, "my pride, my joy!
Against thy might the dreadful Typhon fail'd,
Against thy shaft nor heav'n, nor Jove prevail'd;
Unless thine arrow wake the young desires,
My strength, my power, in vain each charm expires:
My son, my hope, I claim thy powerful aid,
Nor be the boon thy mother sues delay'd:
Where'er--so will th' eternal fates--where'er
The Lusian race the victor standards rear,
There shall my hymns resound, my altars flame,
And heav'nly Love her joyful lore proclaim.
My Lusian heroes, as my Romans, brave,
Long toss'd, long hopeless on the storm-torn wave,
Wearied and weak, at last on India's shore
Arriv'd, new toils, repose denied, they bore;
For Bacchus there with tenfold rage pursued
My dauntless sons, but now his might subdued,
Amid these raging seas, the scene of woes,
Theirs shall be now the balm of sweet repose;
Theirs ev'ry joy the noblest heroes claim,
The raptur'd foretaste of immortal fame.
Then, bend thy bow and wound the Nereid train,
The lovely daughters of the azure main;
And lead them, while they pant with am'rous fire,
Right to the isle which all my smiles inspire:
Soon shall my care that beauteous isle supply,
Where Zephyr, breathing love, on Flora's lap shall sigh.
There let the nymphs the gallant heroes meet,
And strew the pink and rose beneath their feet:
In crystal halls the feast divine prolong,
With wine nectareous and immortal song:
Let every nymph the snow-white bed prepare,
And, fairer far, resign her bosom there;
There, to the greedy riotous embrace
Resign each hidden charm with dearest grace.
Thus, from my native waves a hero line
Shall rise, and o'er the East illustrious shine;[570]
Thus, shall the rebel world thy prowess know,
And what the boundless joys our friendly powers bestow. "

She said; and smiling view'd her mighty boy;
Swift to the chariot springs the god of joy;
His ivory bow, and arrows tipp'd with gold,
Blaz'd to the sun-beam as the chariot roll'd:
Their silver harness shining to the day,
The swans, on milk-white pinions, spring away,
Smooth gliding o'er the clouds of lovely blue;
And Fame[571] (so will'd the god) before them flew:
A giant goddess, whose ungovern'd tongue
With equal zeal proclaims or right or wrong;
Oft had her lips the god of love blasphem'd,
And oft with tenfold praise his conquests nam'd:
A hundred eyes she rolls with ceaseless care,
A thousand tongues what these behold declare:
Fleet is her flight, the lightning's wing she rides, }
And, though she shifts her colours swift as glides }
The April rainbow, still the crowd she guides. }
And now, aloft her wond'ring voice she rais'd,
And, with a thousand glowing tongues, she prais'd
The bold discoverers of the eastern world--
In gentle swells the list'ning surges curl'd,
And murmur'd to the sounds of plaintive love
Along the grottoes where the Nereids rove.
The drowsy power on whose smooth easy mien
The smiles of wonder and delight are seen,
Whose glossy, simp'ring eye bespeaks her name,
Credulity, attends the goddess Fame.
Fir'd by the heroes' praise, the wat'ry gods,[572]
With ardent speed forsake their deep abodes;
Their rage by vengeful Bacchus rais'd of late,
Now stung remorse, and love succeeds to hate.
Ah, where remorse in female bosom bleeds,
The tend'rest love in all its glow succeeds.
When fancy glows, how strong, O Love, thy power!
Nor slipp'd the eager god the happy hour;
Swift fly his arrows o'er the billowy main,
Wing'd with his fires, nor flies a shaft in vain:
Thus, ere the face the lover's breast inspires,
The voice of fame awakes the soft desires.
While from the bow-string start the shafts divine,
His ivory moon's wide horns incessant join,
Swift twinkling to the view: and wide he pours,
Omnipotent in love, his arrowy showers.
E'en Thetis' self confess'd the tender smart,
And pour'd the murmurs of the wounded heart:
Soft o'er the billows pants the am'rous sigh;
With wishful languor melting on each eye
The love-sick nymphs explore the tardy sails
That waft the heroes on the ling'ring gales.

Give way, ye lofty billows, low subside,
Smooth as the level plain, your swelling pride,
Lo, Venus comes! Oh, soft, ye surges, sleep,
Smooth be the bosom of the azure deep,
Lo, Venus comes! and in her vig'rous train
She brings the healing balm of love-sick pain.
White as her swans,[573] and stately as they rear
Their snowy crests when o'er the lake they steer,
Slow moving on, behold, the fleet appears,
And o'er the distant billow onward steers.
The beauteous Nereids, flush'd in all their charms,
Surround the goddess of the soft alarms:
Right to the isle she leads the smiling train,
And all her arts her balmy lips explain;
The fearful languor of the asking eye,
The lovely blush of yielding modesty,
The grieving look, the sigh, the fav'ring smile,
And all th' endearments of the open wile,
She taught the nymphs--in willing breasts that heav'd
To hear her lore, her lore the nymphs receiv'd.

As now triumphant to their native shore
Through the wide deep the joyful navy bore,
Earnest the pilot's eyes sought cape or bay,
For long was yet the various wat'ry way;
Sought cape or isle, from whence their boats might bring
The healthful bounty of the crystal spring:
When sudden, all in nature's pride array'd,
The Isle of Love its glowing breast display'd.
O'er the green bosom of the dewy lawn
Soft blazing flow'd the silver of the dawn,
The gentle waves the glowing lustre share,
Arabia's balm was sprinkled o'er the air.
Before the fleet, to catch the heroes' view,
The floating isle fair Acidalia drew:
Soon as the floating verdure caught their sight,[574]
She fix'd, unmov'd, the island of delight.
So when in child-birth of her Jove-sprung load,
The sylvan goddess and the bowyer god,
In friendly pity of Latona's woes,[575]
Amid the waves the Delian isle arose.
And now, led smoothly o'er the furrow'd tide,
Right to the isle of joy the vessels glide:
The bay they enter, where on ev'ry hand,
Around them clasps the flower-enamell'd land;
A safe retreat, where not a blast may shake
Its flutt'ring pinions o'er the stilly lake.
With purple shells, transfus'd as marble veins,
The yellow sands celestial Venus stains.
With graceful pride three hills of softest green
Rear their fair bosoms o'er the sylvan scene;
Their sides embroider'd boast the rich array
Of flow'ry shrubs in all the pride of May;
The purple lotus and the snowy thorn,
And yellow pod-flowers ev'ry slope adorn.
From the green summits of the leafy hills
Descend, with murm'ring lapse, three limpid rills:
Beneath the rose-trees loit'ring, slow they glide,
Now, tumbles o'er some rock their crystal pride;
Sonorous now, they roll adown the glade,
Now, plaintive tinkle in the secret shade,
Now, from the darkling grove, beneath the beam
Of ruddy morn, like melted silver stream,
Edging the painted margins of the bowers,
And breathing liquid freshness on the flowers.
Here, bright reflected in the pool below,
The vermeil apples tremble on the bough;
Where o'er the yellow sands the waters sleep
The primros'd banks, inverted, dew-drops weep;
Where murm'ring o'er the pebbles purls the stream
The silver trouts in playful curvings gleam.
Long thus, and various, ev'ry riv'let strays,
Till closing, now, their long meand'ring maze,
Where in a smiling vale the mountains end,
Form'd in a crystal lake the waters blend:[576]
Fring'd was the border with a woodland shade,
In ev'ry leaf of various green array'd,
Each yellow-ting'd, each mingling tint between
The dark ash-verdure and the silv'ry green.
The trees, now bending forward, slowly shake
Their lofty honours o'er the crystal lake;
Now, from the flood the graceful boughs retire
With coy reserve, and now again admire
Their various liv'ries, by the summer dress'd,
Smooth-gloss'd and soften'd in the mirror's breast.
So, by her glass the wishful virgin stays,
And, oft retiring, steals the ling'ring gaze.
A thousand boughs aloft to heav'n display
Their fragrant apples, shining to the day;
The orange here perfumes the buxom air,
And boasts the golden hue of Daphne's hair. [577]
Near to the ground each spreading bough descends,
Beneath her yellow load the citron bends;
The fragrant lemon scents the cooly grove;
Fair as (when rip'ning for the days of love)
The virgin's breasts the gentle swell avow,
So, the twin fruitage swell on every bough.
Wild forest-trees the mountain sides array'd
With curling foliage and romantic shade:
Here spreads the poplar, to Alcides dear;
And dear to Phoebus, ever verdant here,
The laurel joins the bowers for ever green,
The myrtle bowers belov'd of beauty's queen.
To Jove the oak his wide-spread branches rears;
And high to heav'n the fragrant cedar bears;
Where through the glades appear the cavern'd rocks,
The lofty pine-tree waves her sable locks;
Sacred to Cyb? l? the whisp'ring pine
Loves the wild grottoes where the white cliffs shine;
Here towers the cypress, preacher to the wise,
Less'ning from earth her spiral honours rise,
Till, as a spear-point rear'd, the topmost spray
Points to the Eden of eternal day.
Here round her fost'ring elm the smiling vine,
In fond embraces, gives her arms to twine,
The num'rous clusters pendant from the boughs,
The green here glistens, here the purple glows;
For, here the genial seasons of the year
Danc'd hand in hand, no place for winter here;
His grisly visage from the shore expell'd,
United sway the smiling seasons held.
Around the swelling fruits of deep'ning red,
Their snowy hues the fragrant blossoms spread;
Between the bursting buds of lucid green
The apple's ripe vermilion blush is seen;
For here each gift Pomona's hand bestows
In cultur'd garden, free, uncultur'd flows,
The flavour sweeter, and the hue more fair,
Than e'er was foster'd by the hand of care.
The cherry here in shining crimson glows;
And, stain'd with lover's blood,[578] in pendent rows,
The bending boughs the mulberries o'erload;
The bending boughs caress'd by Zephyr nod.
The gen'rous peach, that strengthens in exile
Far from his native earth, the Persian soil,
The velvet peach, of softest glossy blue,
Hangs by the pomegranate of orange hue,
Whose open heart a brighter red displays
Than that which sparkles in the ruby's blaze.
Here, trembling with their weight, the branches bear,
Delicious as profuse, the tap'ring pear.
For thee, fair fruit, the songsters of the grove
With hungry bills from bower to arbour rove.
Ah, if ambitious thou wilt own the care
To grace the feast of heroes and the fair,
Soft let the leaves, with grateful umbrage, hide
The green-tinged orange of thy mellow side.
A thousand flowers of gold, of white and red,
Far o'er the shadowy vale[579] their carpets spread,
Of fairer tap'stry, and of richer bloom,
Than ever glow'd in Persia's boasted loom:
As glitt'ring rainbows o'er the verdure thrown,
O'er every woodland walk th' embroid'ry shone.
Here o'er the wat'ry mirror's lucid bed
Narcissus, self-enamour'd, hangs the head;
And here, bedew'd with love's celestial tears,
The woe-mark'd flower of slain Adonis rears[580]
Its purple head, prophetic of the reign
When lost Adonis shall revive again.
At strife appear the lawns and purpled skies,
Which from each other stole the beauteous dyes:[581]
The lawn in all Aurora's lustre glows,
Aurora steals the blushes of the rose,
The rose displays the blushes that adorn
The spotless virgin on the nuptial morn.
Zephyr and Flora emulous conspire
To breathe their graces o'er the field's attire;
The one gives healthful freshness, one the hue
Fairer than e'er creative pencil drew.
Pale as the love-sick hopeless maid they dye
The modest violet; from the curious eye
The modest violet turns her gentle head,
And, by the thorn, weeps o'er her lowly bed.
Bending beneath the tears of pearly dawn
The snow-white lily glitters o'er the lawn;
Low from the bough reclines the damask rose,
And o'er the lily's milk-white bosom glows.
Fresh in the dew, far o'er the painted dales,
Each fragrant herb her sweetest scent exhales.
The hyacinth bewrays the doleful _Ai_,[582]
And calls the tribute of Apollo's sigh;
Still on its bloom the mournful flower retains
The lovely blue that dy'd the stripling's veins.
Pomona, fir'd with rival envy, views
The glaring pride of Flora's darling hues;
Where Flora bids the purple iris spread,
She hangs the wilding's blossom white and red;
Where wild-thyme purples, where the daisy snows
The curving slopes, the melon's pride she throws;
Where by the stream the lily of the vale,
Primrose, and cowslip meek, perfume the gale,
Beneath the lily, and the cowslip's bell,
The scarlet strawberries luxurious swell.
Nor these alone the teeming Eden yields,
Each harmless bestial crops the flow'ry fields;
And birds of ev'ry note, and ev'ry wing,
Their loves responsive thro' the branches sing:
In sweet vibrations thrilling o'er the skies,
High pois'd in air, the lark his warbling tries;
The swan, slow sailing o'er the crystal lake,
Tunes his melodious note; from ev'ry brake
The glowing strain the nightingale returns,
And, in the bowers of love, the turtle mourns.
Pleas'd to behold his branching horns appear,
O'er the bright fountain bends the fearless deer;
The hare starts trembling from the bushy shade,
And, swiftly circling, crosses oft the glade.
Where from the rocks the bubbling founts distil,
The milk-white lambs come bleating down the hill;
The dappled heifer seeks the vales below,
And from the thicket springs the bounding doe.
To his lov'd nest, on fondly flutt'ring wings,
In chirping bill the little songster brings
The food untasted; transport thrills his breast;
'Tis nature's touch, 'tis instinct's heav'n-like feast.
Thus bower and lawn were deck'd with Eden's flowers,
And song and joy imparadis'd the bowers.

And soon the fleet their ready anchors threw:
Lifted on eager tip-toe at the view,
On nimble feet that bounded to the strand
The second Argonauts[583] elance to land.
Wide o'er the beauteous isle[584] the lovely fair
Stray through the distant glades, devoid of care.
From lowly valley and from mountain grove
The lovely nymphs renew the strains of love.
Here from the bowers that crown the plaintive rill
The solemn harp's melodious warblings thrill;
Here from the shadows of the upland grot
The mellow lute renews the swelling note.
As fair Diana, and her virgin train,
Some gaily ramble o'er the flow'ry plain,
In feign'd pursuit of hare or bounding roe,
Their graceful mien and beauteous limbs to show;
Now seeming careless, fearful now and coy,
(So, taught the goddess of unutter'd joy),
And, gliding through the distant glades, display
Each limb, each movement, naked as the day.
Some, light with glee, in careless freedom take
Their playful revels in the crystal lake;
One trembling stands no deeper than the knee
To plunge reluctant, while in sportful glee
Another o'er her sudden laves the tide;
In pearly drops the wishful waters glide,
Reluctant dropping from her breasts of snow;
Beneath the wave another seems to glow;
The am'rous waves her bosom fondly kiss'd,
And rose and fell, as panting, on her breast.
Another swims along with graceful pride,
Her silver arms the glist'ning waves divide,
Her shining sides the fondling waters lave,
Her glowing cheeks are brighten'd by the wave,
Her hair, of mildest yellow, flows from side
To side, as o'er it plays the wanton tide,
And, careless as she turns, her thighs of snow
Their tap'ring rounds in deeper lustre show.

Some gallant Lusians sought the woodland prey,
And, thro' the thickets, forc'd the pathless way;
Where some, in shades impervious to the beam,
Supinely listen'd to the murm'ring stream:
When sudden, through the boughs, the various dyes
Of pink, of scarlet, and of azure rise,
Swift from the verdant banks the loit'rers spring,
Down drops the arrow from the half-drawn string:
Soon they behold 'twas not the rose's hue,
The jonquil's yellow, nor the pansy's blue:
Dazzling the shades the nymphs appear--the zone
And flowing scarf in gold and azure shone.
Naked as Venus stood in Ida's bower,
Some trust the dazzling charms of native power;
Through the green boughs and darkling shades they show
The shining lustre of their native snow,
And every tap'ring, every rounded swell
Of thigh, of bosom, as they glide, reveal.
As visions, cloth'd in dazzling white, they rise,
Then steal unnoted from the flurried eyes:
Again apparent, and again, withdrawn,
They shine and wanton o'er the smiling lawn.
Amaz'd and lost in rapture of surprise,
"All joy, my friends! " the brave VELOSO cries,
"Whate'er of goddesses old fable told,
Or poet sung of sacred groves, behold.
Sacred to goddesses divinely bright
These beauteous forests own their guardian might.
From eyes profane, from ev'ry age conceal'd,
To us, behold, all Paradise reveal'd!
Swift let us try if phantoms of the air,
Or living charms, appear divinely fair! "
Swift at the word the gallant Lusians bound,
Their rapid footsteps scarcely touch the ground;
Through copse, through brake, impatient of their prey,
Swift as the wounded deer, they spring away:
Fleet through the winding shades, in rapid flight,
The nymphs, as wing'd with terror, fly their sight;
Fleet though they fled, the mild reverted eye
And dimpling smile their seeming fear deny.
Fleet through the shades in parted rout they glide:
If winding path the chosen pairs divide,
Another path by sweet mistake betrays,
And throws the lover on the lover's gaze:
If dark-brow'd bower conceal the lovely fair,
The laugh, the shriek, confess the charmer there.
Luxurious here the wanton zephyrs toy,
And ev'ry fondling fav'ring art employ.
Fleet as the fair ones speed, the busy gale
In wanton frolic lifts the trembling veil;
White though the veil, in fairer brighter glow,
The lifted robe displays the living snow:
Quick flutt'ring on the gale the robe conceals,
Then instant to the glance each charm reveals;
Reveals, and covers from the eyes on fire,
Reveals, and with the shade inflames desire.
One, as her breathless lover hastens on,
With wily stumble sudden lies o'erthrown;
Confus'd, she rises with a blushing smile;
The lover falls the captive of her guile:
Tripp'd by the fair, he tumbles on the mead,
The joyful victim of his eager speed.

Afar, where sport the wantons in the lake,
Another band of gallant youths betake;
The laugh, the shriek, the revel and the toy,
Bespeak the innocence of youthful joy.
The laugh, the shriek, the gallant Lusians hear
As through the forest glades they chase the deer;
For, arm'd, to chase the bounding roe they came,
Unhop'd the transport of a nobler game.
The naked wantons, as the youths appear,
Shrill through the woods resound the shriek of fear.
Some feign such terror of the forc'd embrace,
Their virgin modesty to this gives place,
Naked they spring to land, and speed away
To deepest shades unpierc'd by glaring day;
Thus, yielding freely to the am'rous eyes
What to the am'rous hands their fear denies.
Some well assume Diana's virgin shame,
When on her naked sports the hunter[585] came
Unwelcome--plunging in the crystal tide,
In vain they strive their beauteous limbs to hide;
The lucid waves ('twas all they could) bestow
A milder lustre and a softer glow.
As, lost in earnest care of future need,
Some to the banks, to snatch their mantles, speed,
Of present view regardless; ev'ry wile
Was yet, and ev'ry net of am'rous guile.
Whate'er the terror of the feign'd alarm,
Display'd, in various force, was ev'ry charm.
Nor idle stood the gallant youth; the wing
Of rapture lifts them, to the fair they spring;
Some to the copse pursue their lovely prey;
Some, cloth'd and shod, impatient of delay,
Impatient of the stings of fierce desire,
Plunge headlong in the tide to quench the fire.
So, when the fowler to his cheek uprears
The hollow steel, and on the mallard bears,
His eager dog, ere bursts the flashing roar,
Fierce for the prey, springs headlong from the shore,
And barking, cuts the wave with furious joy:
So, mid the billow springs each eager boy,
Springs to the nymph whose eyes from all the rest
By singling him her secret wish confess'd.

A son of Mars was there, of gen'rous race,
His ev'ry elegance of manly grace;
Am'rous and brave, the bloom of April youth
Glow'd on his cheek, his eye spoke simplest truth;
Yet love, capricious to th' accomplish'd boy,
Had ever turn'd to gall each promis'd joy,
Had ever spurn'd his vows; yet still his heart
Would hope, and nourish still the tender smart:
The purest delicacy fann'd his fires,
And proudest honour nurs'd his fond desires.
Not on the first that fair before him glow'd,
Not on the first the youth his love bestow'd.
In all her charms the fair Ephyre came,
And Leonardo's heart was all on flame.
Affection's melting transport o'er him stole,
And love's all gen'rous glow entranced his soul;
Of selfish joy unconscious, ev'ry thought
On sweet delirium's ocean stream'd afloat.
Pattern of beauty did Ephyre shine,
Nor less she wish'd these beauties to resign:
More than her sisters long'd her heart to yield,
Yet, swifter fled she o'er the smiling field.
The youth now panting with the hopeless chase,
"Oh turn," he cries, "oh turn thy angel face:
False to themselves, can charms like these conceal
The hateful rigour of relentless steel?
And, did the stream deceive me, when I stood
Amid my peers reflected in the flood?
The easiest port and fairest bloom I bore--
False was the stream--while I in vain deplore,
My peers are happy; lo, in ev'ry shade,
In ev'ry bower, their love with love repaid!
I, I alone through brakes, through thorns pursue
A cruel fair. Ah, still my fate proves true,
True to its rigour--who, fair nymph, to thee
Reveal'd 'twas I that sued! unhappy me!
Born to be spurn'd though honesty inspire.
Alas, I faint, my languid sinews tire;
Oh stay thee--powerless to sustain their weight
My knees sink down, I sink beneath my fate! "
He spoke; a rustling urges thro' the trees,
Instant new vigour strings his active knees,
Wildly he glares around, and raging cries,
"And must another snatch my lovely prize!
In savage grasp thy beauteous limbs constrain!
I feel, I madden while I feel the pain!
Oh lost, thou fli'st the safety of my arms,
My hand shall guard thee, softly seize thy charms,
No brutal rage inflames me, yet I burn!
Die shall thy ravisher. O goddess, turn,
And smiling view the error of my fear;
No brutal force, no ravisher is near;
A harmless roebuck gave the rustling sounds,
Lo, from the thicket swift as thee he bounds!
Ah, vain the hope to tire thee in the chase!
I faint, yet hear, yet turn thy lovely face.
Vain are thy fears; were ev'n thy will to yield
The harvest of my hope, that harvest field
My fate would guard, and walls of brass would rear
Between my sickle and the golden ear.
Yet fly me not; so may thy youthful prime
Ne'er fly thy cheek on the grey wing of time.
Yet hear, the last my panting breath can say,
Nor proudest kings, nor mightiest hosts can sway
Fate's dread decrees; yet thou, O nymph, divine,
Yet thou canst more, yet thou canst conquer mine.
Unmov'd each other yielding nymph I see;
Joy to their lovers, for they touch not thee!
But thee! --oh, every transport of desire,
That melts to mingle with its kindred fire,
For thee respires--alone I feel for thee
The dear wild rage of longing ecstasy:
By all the flames of sympathy divine
To thee united, thou by right art mine.
From thee, from thee the hallow'd transport flows
That sever'd rages, and for union glows:
Heav'n owns the claim. Hah, did the lightning glare:
Yes, I beheld my rival, though the air
Grew dim; ev'n now I heard him softly tread.
Oh rage, he waits thee on the flow'ry bed!
I see, I see thee rushing to his arms,
And sinking on his bosom, all thy charms
To him resigning in an eager kiss,
All I implor'd, the whelming tide of bliss!
And shall I see him riot on thy charms,
Dissolv'd in joy, exulting in thine arms?
Oh burst, ye lightnings, round my destin'd head,
Oh pour your flashes----" Madd'ning as he said,[586]
Amid the windings of the bow'ry wood
His trembling footsteps still the nymph pursued.
Woo'd to the flight she wing'd her speed to hear
His am'rous accents melting on her ear.
And now, she turns the wild walk's serpent maze;
A roseate bower its velvet couch displays;
The thickest moss its softest verdure spread,
Crocus and mingling pansy fring'd the bed,
The woodbine dropp'd its honey from above,
And various roses crown'd the sweet alcove.
Here, as she hastens, on the hopeless boy
She turns her face, all bath'd in smiles of joy;
Then, sinking down, her eyes suffused with love
Glowing on his, one moment lost reprove.
Here was no rival, all he wish'd his own;
Lock'd in her arms soft sinks the stripling down.
Ah, what soft murmurs panting thro' the bowers
Sigh'd to the raptures of the paramours!
The wishful sigh, and melting smile conspire,
Devouring kisses fan the fiercer fire;
Sweet violence, with dearest grace, assails,
Soft o'er the purpos'd frown the smile prevails,
The purpos'd frown betrays its own deceit,
In well-pleas'd laughter ends the rising threat;
The coy delay glides off in yielding love,
And transport murmurs thro' the sacred grove.
The joy of pleasing adds its sacred zest,
And all is love, embracing and embraced.

The golden morn beheld the scenes of joy;
Nor, sultry noon, mayst thou the bowers annoy;
The sultry noon-beam shines the lover's aid,
And sends him glowing to the secret shade.
O'er evr'y shade, and ev'ry nuptial bower
The love-sick strain the virgin turtles pour;
For nuptial faith and holy rites combin'd,
The Lusian heroes and the nymphs conjoin'd.
With flow'ry wreaths, and laurel chaplets, bound
With ductile gold, the nymphs the heroes crown'd:
By ev'ry spousal holy ritual tied,
No chance, they vow, shall e'er their hands divide,
In life, in death, attendant as their fame;
Such was the oath of ocean's sov'reign dame:
The dame (from heav'n and holy Vesta sprung,
For ever beauteous and for ever young),
Enraptur'd, views the chief whose deathless name
The wond'ring world and conquer'd seas proclaim.
With stately pomp she holds the hero's hand,
And gives her empire to his dread command,
By spousal ties confirm'd; nor pass'd untold
What Fate's unalter'd page had will'd of old:
The world's vast globe in radiant sphere she show'd,
The shores immense, and seas unknown, unplough'd;
The seas, the shores, due to the Lusian keel
And Lusian sword, she hastens to reveal.
The glorious leader by the hand she takes,
And, dim below, the flow'ry bower forsakes.
High on a mountain's starry top divine
Her palace walls of living crystal shine;
Of gold and crystal blaze the lofty towers;
Here, bath'd in joy, they pass the blissful hours:
Engulf'd in tides on tides of joy, the day
On downy pinions glides unknown away.
While thus the sov'reigns in the palace reign,
Like transport riots o'er the humbler plain,
Where each, in gen'rous triumph o'er his peers,
His lovely bride to ev'ry bride prefers.

"Hence, ye profane! "[587]--the song melodious rose,
By mildest zephyrs wafted through the boughs,
Unseen the warblers of the holy strain--
"Far from these sacred bowers, ye lewd profane!
Hence each unhallow'd eye, each vulgar ear;
Chaste and divine are all the raptures here.
The nymphs of ocean, and the ocean's queen,
The isle angelic, ev'ry raptur'd scene,
The charms of honour and its meed confess,
These are the raptures, these the wedded bliss:
The glorious triumph and the laurel crown,
The ever blossom'd palms of fair renown,
By time unwither'd, and untaught to cloy;
These are the transports of the Isle of Joy.
Such was Olympus and the bright abodes;
Renown was heav'n, and heroes were the gods.
Thus, ancient times, to virtue ever just,
To arts and valour rear'd the worshipp'd bust.
High, steep, and rugged, painful to be trod,
With toils on toils immense is virtue's road;
But smooth at last the walks umbrageous smile,
Smooth as our lawns, and cheerful as our isle.
Up the rough road Alcides, Hermes, strove,
All men like you, Apollo, Mars, and Jove:
Like you to bless mankind Minerva toil'd;
Diana bound the tyrants of the wild;
O'er the waste desert Bacchus spread the vine;
And Ceres taught the harvest-field to shine.
Fame rear'd her trumpet; to the blest abodes
She rais'd, and hail'd them gods, and sprung of gods.

"The love of fame, by heav'n's own hand impress'd,
The first, and noblest passion of the breast,
May yet mislead. --Oh guard, ye hero train,
No harlot robes of honours false and vain,
No tinsel yours, be yours all native gold,
Well-earn'd each honour, each respect you hold:
To your lov'd king return a guardian band,
Return the guardians of your native land;
To tyrant power be dreadful; from the jaws
Of fierce oppression guard the peasant's cause.
If youthful fury pant for shining arms,
Spread o'er the eastern world the dread alarms;[588]
There bends the Saracen the hostile bow,
The Saracen thy faith, thy nation's foe;
There from his cruel gripe tear empire's reins,
And break his tyrant-sceptre o'er his chains.
On adamantine pillars thus shall stand
The throne, the glory of your native land;
And Lusian heroes, an immortal line,
Shall ever with us share our isle divine. "




DISSERTATION

ON THE

FICTION OF THE ISLAND OF VENUS.


From the earliest ages, and in the most distant nations, palaces,
forests and gardens, have been the favourite themes of poets. And
though, as in Homer's island of Rhadamanthus, the description is
sometimes only cursory; at other times they have lavished all their
powers, and have vied with each other in adorning their edifices and
landscapes. The gardens of Alcinous in the Odyssey, and Elysium in the
AEneid, have excited the ambition of many imitators. Many instances of
these occur in the later writers. These subjects, however, it must be
owned, are so natural to the genius of poetry, that it is scarcely fair
to attribute to an imitation of the classics, the innumerable
descriptions of this kind which abound in the old romances. In these,
under different allegorical names, every passion, every virtue and vice,
had its palace, its enchanted bower, or its dreary cave. Among the
Italians, on the revival of letters, Pulci, Boiardo, and others,
borrowed these fictions from the Gothic romancers; Ariosto borrowed from
them, and Spenser has copied Ariosto and Tasso. In the sixth and seventh
books of the Orlando Furioso, there is a fine description of the island
and palace of Alcina, or Vice; and in the tenth book (but inferior to
the other in poetical colouring), we have a view of the country of
Logistilla, or Virtue. The passage, of this kind, however, where Ariosto
has displayed the richest poetical painting, is in the xxxiv. book, in
the description of Paradise, whither he sends Astolpho, the English
duke, to ask the help of St. John to recover the wits of Orlando. The
whole is most admirably fanciful. Astolpho mounts the clouds on the
winged horse, sees Paradise, and, accompanied by the Evangelist, visits
the moon; the adventures in which orb are almost literally translated in
Milton's Limbo. But the passage which may be said to bear the nearest
resemblance to the descriptive part of the island of Venus, is the
landscape of Paradise, of which the ingenious Mr. Hoole, to whose many
acts of friendship I am proud to acknowledge myself indebted, has
obliged me with this translation, though only ten books of his Ariosto
are yet published.

"O'er the glad earth the blissful season pours
The vernal beauties of a thousand flowers
In varied tints: there show'd the ruby's hue,
The yellow topaz, and the sapphire blue.
The mead appears one intermingled blaze
Where pearls and diamonds dart their trembling rays.
Not emerald here so bright a verdure yields
As the fair turf of those celestial fields.
On ev'ry tree the leaves unfading grow,
The fruitage ripens and the flow'rets blow!
The frolic birds, gay-plum'd, of various wing
Amid the boughs their notes melodious sing:
Still lakes, and murm'ring streams, with waters clear,
Charm the fix'd eye, and lull the list'ning ear.
A soft'ning genial air, that ever seems
In even tenor, cools the solar beams
With fanning breeze; while from the enamell'd field,
Whate'er the fruits, the plants, the blossoms yield
Of grateful scent, the stealing gales dispense
The blended sweets to feed th' immortal sense.

"Amid the plain a palace dazzling bright,
Like living flame, emits a streamy light,
And, wrapp'd in splendour of refulgent day,
Outshines the strength of ev'ry mortal ray.

"Astolpho gently now directs his speed
To where the spacious pile enfolds the mead
In circuit wide, and views with eager eyes
Each nameless charm that happy soil supplies.
With this compar'd, he deems the world below
A dreary desert and a seat of woe!
By Heaven and Nature, in their wrath bestow'd,
In evil hour, for man's unblest abode.

"Near and more near the stately walls he drew,
In steadfast gaze transported at the view:
They seem'd one gem entire, of purer red
Than deep'ning gleams transparent rubies shed.
Stupendous work! by art Daedalian rais'd,
Transcending all by feeble mortals prais'd!
No more henceforth let boasting tongues proclaim
Those wonders of the world, so chronicled by fame! "

Camoens read and admired Ariosto; but it by no means follows that he
borrowed the hint of his island of Venus from that poet. The luxury of
flowery description is as common in poetry as are the tales of love. The
heroes of Ariosto meet beautiful women in the palace of Alcina:--

"Before the threshold wanton damsels wait,
Or, sport between the pillars of the gate:
But, beauty more had brighten'd in their face
Had modesty attemper'd ev'ry grace;
In vestures green each damsel swept the ground,
Their temples fair, with leafy garlands crown'd.
These, with a courteous welcome, led the knight
To this sweet Paradise of soft delight. . . .
Enamour'd youths and tender damsels seem
To chant their loves beside a purling stream.
Some by a branching tree, or mountain's shade,
In sports and dances press the downy glade,
While one discloses to his friend, apart,
The secret transport of his am'rous heart. "--BOOK vi.

But these descriptions also, which bring the homes of knight-errantry
into the way of beautiful wantons, are as common in the old romance as
the use of the alphabet: and indeed the greatest part of these
love-adventures are evidently borrowed from the fable of Circe.
Astolpho, who was transformed into a myrtle by Alcina, thus informs
Rogero:--

"Her former lovers she esteem'd no more,
For many lovers she possess'd before;
I was her joy----
Too late, alas, I found her wav'ring mind
In love inconstant as the changing wind!
Scarce had I held two months the fairy's grace,
When a new youth was taken to my place:
Rejected, then, I join'd the banish'd herd
That lost her love, as others were preferr'd . . .
Some here, some there, her potent charms retain,
In diverse forms imprison'd to remain;
In beeches, olives, palms, or cedars clos'd,
Or, such as me, you here behold expos'd;
In fountains some, and some in beasts confin'd,
As suits the wayward fairy's cruel mind. "

HOOLE, Ar. bk. vi.

When incidents, character, and conduct confess the resemblance, we may,
with certainty, pronounce from whence the copy is taken. Where only a
similar stroke of passion or description occurs, it belongs alone to the
arrogance of dulness, to tell us on what passage the poet had his eye.
Every great poet has been persecuted in this manner: Milton in
particular. His commentators have not left him a flower of his own
growth. Yet, like the creed of the atheist, their system is involved in
the deepest absurdity. It is easy to suppose that men of poetical
feelings, in describing the same thing, should give us the same picture.
But, that the Paradise Lost, which forms one animated whole of the
noblest poetry, is a mere cento, compiled from innumerable authors,
ancient and modern, is a supposition which gives Milton a cast of
talents infinitely more extraordinary and inexplicable than the greatest
poetical genius. When Gaspar Poussin painted clouds and trees in his
landscapes, he did not borrow the green and the blue of the leaf and
the sky from Claude Lorraine. Neither did Camoens, when he painted his
island of Venus, spend the half of his life in collecting his colours
from all his predecessors who had described the beauties of the vernal
year, or the stages of passion. Camoens knew how others had painted the
flowery bowers of love; these formed his taste, and corrected his
judgment. He viewed the beauties of nature with poetical eyes, from
thence he drew his landscapes; he had felt all the allurements of love,
and from thence he describes the agitations of that passion.

Nor is the description of fairy bowers and palaces, though most
favourite topics, peculiar to the romances of chivalry. The poetry of
the orientals also abounds with them, yet, with some characteristic
differences. Like the constitutions and dress of the Asiatics, the
landscapes of the eastern muse are warm and feeble, brilliant and
slight, and, like the manners of the people, wear an eternal sameness.
The western muse, on the contrary, is nervous as her heroes, sometimes
flowery as her Italian or English fields, sometimes majestically great
as her Runic forests of oak and pine; and always various, as the
character of her inhabitants. Yet, with all those differences of
feature, several oriental fictions greatly resemble the island of Circe,
and the flowery dominions of Alcina. In particular, the adventures of
Prince Agib, or the third Calender, in the Arabian Tales, afford a
striking likeness of painting and catastrophe.

If Ariosto's, however, seem to resemble any eastern fiction, the island
of Venus in Camoens bears a more striking resemblance to a passage in
Chaucer. The following beautiful piece of poetical painting occurs in
the Assembly of the Fowles:--

"The bildir oak, and eke the hardie ashe,
The pillir elme, the coffir unto caraine,
The boxe pipetre, the holme to whippis lasshe,
The sailing firre, the cypres deth to plaine,
The shortir ewe, the aspe for shaftis plaine,
The olive of pece, and eke the dronkin vine,
The victor palme, the laurir to divine.
A gardein sawe I full of blossomed bowis,
Upon a river, in a grene mede
There as sweetness evirmore inough is,
With flouris white, and blewe, yelowe, and rede,
And colde and clere wellestremis, nothing dede,
That swommin full of smale fishis light,
With finnis rede, and scalis silver bright.

On every bough the birdis herd I syng
With voice of angell, in ther harmonie
That busied 'hem, ther birdis forthe to bryng,
And little pretie conies to ther plaie gan hie;
And furthir all about I gan espie
The dredful roe, the buck, the hart and hind,
Squirils, and bestis smal of gentle kind.
Of instrumentes of stringis, in accorde
Herd I so plaie a ravishyng swetnesse,
That God, that makir is of all and Lorde,
Ne herd nevir a better, as I gesse,
There with a winde, unneth it might be lesse,
Made in the levis grene a noise soft
Accordant to the foulis song en loft.

The aire of the place so attempre was,
That ner was there grevaunce of hot ne cold--

* * *

Under a tre beside a well I seye
Cupid our lorde his arrowes forge and file,
And at his fete his bowe all redie laye,
And well his doughtir temprid all the while
The heddis in the well, and with her wile
She couchid 'hem aftir as thei should serve,
Some for to flea, and some to wound and carve.

* * *

And upon pillirs grete of Jaspir long
I saw a temple of Brasse ifoundid strong.

And about the temple dauncid alwaie
Women inow, of which some there ywere
Faire of 'hemself, and some of 'hem were gaie,
In kirtils all disheveled went thei there,
That was ther office or from yere to yere,
And on the temple sawe I white and faire
Of dovis sittyng many a thousande paire. "

Here we have Cupid forging his arrows, the woodland, the streams, the
music of instruments and birds, the frolics of deer and other animals;
and _women enow_. In a word, the island of Venus is here sketched out,
yet Chaucer was never translated into Latin or any language of the
continent, nor did Camoens understand a line of English. The subject was
common, and the same poetical feelings in Chaucer and Camoens pointed
out to each what were the beauties of landscapes and of bowers devoted
to pleasure.

Yet, though the fiction of bowers, of islands, and palaces, was no
novelty in poetry, much, however, remains to be attributed to the
poetical powers and invention of Camoens. The island of Venus contains,
of all others, by much the completest gradation, and fullest assemblage
of that species of luxuriant painting. Nothing in the older writers is
equal to it in fulness. Nor can the island of Armida, in Tasso, be
compared to it, in poetical embroidery or passionate expression; though
Tasso as undoubtedly built upon the model of Camoens, as Spenser
appropriated the imagery of Tasso when he described the bower of
Acrasia, part of which he has literally translated from the Italian
poet. The beautiful fictions of Armida and Acrasia, however, are much
too long to be here inserted, and they are well known to every reader of
taste.

But the chief praise of our poet is yet unmentioned. The introduction of
so beautiful a fiction as an essential part of the conduct and machinery
of an epic poem, does the greatest honour to the invention of Camoens.
The machinery of the former part of the poem not only acquires dignity,
but is completed by it. And the conduct of Homer and Virgil has, in
this, not only received a fine imitation, but a masterly contrast. In
the finest allegory the heroes of the Lusiad receive their reward: and,
by means of this allegory, our poet gives a noble imitation of the
noblest part of the AEneid. In the tenth Lusiad, GAMA and his heroes hear
the nymphs in the divine palace of Thetis sing the triumphs of their
countrymen in the conquest of India: after this the goddess shows GAMA a
view of the eastern world, from the Cape of Good Hope to the furthest
islands of Japan. She poetically describes every region, and the
principal islands, and concludes, "All these are given to the western
world by you. " It is impossible any poem can be summed up with greater
sublimity. The Fall of Troy is nothing to this. Nor is this all: the
most masterly fiction, finest compliment, and ultimate purpose of the
AEneid is not only nobly imitated, but the conduct of Homer, in
concluding the Iliad, as already observed, is paralleled, without one
circumstance being borrowed. Poetical conduct cannot possibly bear a
stronger resemblance, than the reward of the heroes of the Lusiad, the
prophetic song, and the vision shown to GAMA bear to the games at the
funeral of Patroclus and the redemption of the body of Hector,
considered as the completion of the anger of Achilles, the subject of
the Iliad. Nor is it a greater honour to resemble a Homer and a Virgil,
than it is to be resembled by a Milton. Milton certainly heard of
Fanshaw's translation of the Lusiad, though he might never have seen the
original, for it was published fourteen years before he gave his
Paradise Lost to the world. But, whatever he knew of it, had the last
book of the Lusiad been two thousand years known to the learned, every
one would have owned that the two last boots of the Paradise Lost were
evidently formed upon it. But whether Milton borrowed any hint from
Camoens is of little consequence. That the genius of the great Milton
suggested the conclusion of his immortal poem in the manner and with the
machinery of the Lusiad, is enough. It is enough that the part of
Michael and Adam in the two last books of the Paradise Lost are, in
point of conduct, exactly the same with the part of Thetis and GAMA in
the conclusion of the Lusiad. Yet, this difference must be observed; in
the narrative of his last book, Milton has flagged, as Addison calls it,
and fallen infinitely short of the untired spirit of the Portuguese
poet.


END OF THE NINTH BOOK.




BOOK X.

THE ARGUMENT.

In the opening of this, the last canto, the poet resumes the allegory of
the Isle of Joy, or of Venus: the fair nymphs conduct their lovers to
their radiant palaces, where delicious wines sparkle in every cup.
Before the poet describes the song of a prophetic siren, who celebrates
the praise of the heroes who are destined in ennoble the name of their
country, he addresses himself to his muse in a tone of sorrow, which
touches us the more deeply when we reflect upon the unhappy situation to
which this great poet was at last reduced. In the song of the siren,
which follows, is afforded a prophetic view from the period of Gama's
expedition down to Camoens' own times, in which Pacheco, and other
heroes of Portugal, pass in review before the eye of the reader. When
the siren has concluded her prophetic song, Thetis conducts Gama to the
top of a mountain and addresses him in a set speech. The poem concludes
with the poet's apostrophe to King Sebastian.


Far o'er the western ocean's distant bed
Apollo now his fiery coursers sped;
Far o'er the silver lake of Mexic[589] roll'd
His rapid chariot wheels of burning gold:
The eastern sky was left to dusky grey,
And o'er the last hot breath of parting day,
Cool o'er the sultry noon's remaining flame,
On gentle gales the grateful twilight came.
Dimpling the lucid pools, the fragrant breeze
Sighs o'er the lawns, and whispers thro' the trees;
Refresh'd, the lily rears the silver head,
And opening jasmines o'er the arbours spread.
Fair o'er the wave that gleam'd like distant snow,
Graceful arose the moon, serenely slow;
Not yet full orb'd, in clouded splendour dress'd,
Her married arms embrace her pregnant breast.
Sweet to his mate, recumbent o'er his young,
The nightingale his spousal anthem sung;
From ev'ry bower the holy chorus rose,
From ev'ry bower the rival anthem flows.
Translucent, twinkling through the upland grove,
In all her lustre shines the star of love;
Led by the sacred ray from ev'ry bower,
A joyful train, the wedded lovers pour:
Each with the youth above the rest approv'd,
Each with the nymph above the rest belov'd,
They seek the palace of the sov'reign dame;
High on a mountain glow'd the wondrous frame:
Of gold the towers, of gold the pillars shone,
The walls were crystal, starr'd with precious stone.
Amid the hall arose the festive board,
With nature's choicest gifts promiscuous stor'd:
So will'd the goddess to renew the smile
Of vital strength, long worn by days of toil.
On crystal chairs, that shin'd as lambent flame,
Each gallant youth attends his lovely dame;
Beneath a purple canopy of state
The beauteous goddess and the leader sat:
The banquet glows-- Not such the feast, when all
The pride of luxury in Egypt's hall
Before the love-sick Roman[590] spread the boast
Of ev'ry teeming sea and fertile coast.
Sacred to noblest worth and Virtue's ear,
Divine, as genial, was the banquet here;
The wine, the song, by sweet returns inspire,
Now wake the lover's, now the hero's fire.
On gold and silver from th' Atlantic main,
The sumptuous tribute of the sea's wide reign,
Of various savour, was the banquet pil'd;
Amid the fruitage mingling roses smil'd.
In cups of gold that shed a yellow light,
In silver, shining as the moon of night,
Amid the banquet flow'd the sparkling wine,
Nor gave Falernia's fields the parent vine:
Falernia's vintage, nor the fabled power
Of Jove's ambrosia in th' Olympian bower
To this compare not; wild, nor frantic fires,
Divinest transport this alone inspires.
The bev'rage, foaming o'er the goblet's breast,
The crystal fountain's cooling aid confess'd;[591]
The while, as circling flow'd the cheerful bowl,
Sapient discourse, the banquet of the soul,
Of richest argument and brightest glow,
Array'd in dimpling smiles, in easiest flow
Pour'd all its graces: nor in silence stood
The powers of music, such as erst subdued
The horrid frown of hell's profound domains,[592]
And sooth'd the tortur'd ghosts to slumber on their chains.
To music's sweetest chords, in loftiest vein,
An angel siren joins the vocal strain;
The silver roofs resound the living song,
The harp and organ's lofty mood prolong
The hallow'd warblings; list'ning Silence rides
The sky, and o'er the bridled winds presides;
In softest murmurs flows the glassy deep,
And each, lull'd in his shade, the bestials sleep.
The lofty song ascends the thrilling skies,
The song of godlike heroes yet to rise;
Jove gave the dream, whose glow the siren fir'd,
And present Jove the prophecy inspir'd.
Not he, the bard of love-sick Dido's board,
Nor he, the minstrel of Phaeacia's lord,
Though fam'd in song, could touch the warbling string,
Or, with a voice so sweet, melodious sing.
And thou, my muse, O fairest of the train,
Calliope, inspire my closing strain.
No more the summer of my life remains,[593]
My autumn's length'ning ev'nings chill my veins;
Down the black stream of years by woes on woes
Wing'd on, I hasten to the tomb's repose,
The port whose deep, dark bottom shall detain
My anchor, never to be weigh'd again,
Never on other sea of life to steer
The human course. --Yet thou, O goddess, hear,
Yet let me live, though round my silver'd head
Misfortune's bitt'rest rage unpitying shed
Her coldest storms; yet, let me live to crown
The song that boasts my nation's proud renown.

Of godlike heroes sung the nymph divine,
Heroes whose deeds on GAMA'S crest shall shine;
Who through the seas, by GAMA first explor'd,
Shall bear the Lusian standard and the sword,
Till ev'ry coast where roars the orient main,
Blest in its sway, shall own the Lusian reign;
Till ev'ry pagan king his neck shall yield,
Or vanquish'd, gnaw the dust on battle-field.

"High Priest of Malabar," the goddess sung,
"Thy faith repent not, nor lament thy wrong;[594]
Though, for thy faith to Lusus' gen'rous race,
The raging zamoreem thy fields deface:
From Tagus, lo, the great Pacheco sails
To India, wafted on auspicious gales.
Soon as his crooked prow the tide shall press,
A new Achilles shall the tide confess;
His ship's strong sides shall groan beneath his weight,
And deeper waves receive the sacred freight. [595]
Soon as on India's strand he shakes his spear,
The burning east shall tremble, chill'd with fear;
Reeking with noble blood, Cambalao's stream
Shall blaze impurpled on the ev'ning beam;
Urg'd on by raging shame, the monarch brings,
Banded with all their powers, his vassal kings:
Narsinga's rocks their cruel thousands pour,
Bipur's stern king attends, and thine, Tanore:
To guard proud Calicut's imperial pride
All the wide North sweeps down its peopled tide:
Join'd are the sects that never touch'd before,
By land the pagan, and by sea the Moor.