No More Learning

"

Candide, on his way home, made profound reflections on the old man's
conversation.

"This honest Turk," said he to Pangloss and Martin, "seems to be in a
situation far preferable to that of the six kings with whom we had the
honour of supping. "

"Grandeur," said Pangloss, "is extremely dangerous according to the
testimony of philosophers. For, in short, Eglon, King of Moab, was
assassinated by Ehud; Absalom was hung by his hair, and pierced with
three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King
Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings
Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how
perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus,
Perseus, Hannibal, Jugurtha, Ariovistus, Caesar, Pompey, Nero, Otho,
Vitellius, Domitian, Richard II. of England, Edward II. , Henry VI. ,
Richard III. , Mary Stuart, Charles I. , the three Henrys of France, the
Emperor Henry IV. ! You know----"

"I know also," said Candide, "that we must cultivate our garden. "

"You are right," said Pangloss, "for when man was first placed in the
Garden of Eden, he was put there _ut operaretur eum_, that he might
cultivate it; which shows that man was not born to be idle. "

"Let us work," said Martin, "without disputing; it is the only way to
render life tolerable. "

The whole little society entered into this laudable design, according to
their different abilities. Their little plot of land produced plentiful
crops. Cunegonde was, indeed, very ugly, but she became an excellent
pastry cook; Paquette worked at embroidery; the old woman looked after
the linen. They were all, not excepting Friar Giroflee, of some service
or other; for he made a good joiner, and became a very honest man.

Pangloss sometimes said to Candide:

"There is a concatenation of events in this best of all possible worlds:
for if you had not been kicked out of a magnificent castle for love of
Miss Cunegonde: if you had not been put into the Inquisition: if you had
not walked over America: if you had not stabbed the Baron: if you had
not lost all your sheep from the fine country of El Dorado: you would
not be here eating preserved citrons and pistachio-nuts. "

"All that is very well," answered Candide, "but let us cultivate our
garden. "




FOOTNOTES:

[1] P. 2. The name Pangloss is derived from two Greek words signifying
"all" and "language. "

[2] P. 8. The Abares were a tribe of Tartars settled on the shores of
the Danube, who later dwelt in part of Circassia.

[3] P. 15. Venereal disease was said to have been first brought from
Hispaniola, in the West Indies, by some followers of Columbus who were
later employed in the siege of Naples. From this latter circumstance it
was at one time known as the Neapolitan disease.

[4] P. 19. The great earthquake of Lisbon happened on the first of
November, 1755.

[5] P. 20. Such was the aversion of the Japanese to the Christian faith
that they compelled Europeans trading with their islands to trample on
the cross, renounce all marks of Christianity, and swear that it was not
their religion. See chap. xi. of the voyage to Laputa in Swift's
_Gulliver's Travels_.

[6] P. 23. This _auto-da-fe_ actually took place, some months after the
earthquake, on June 20, 1756.

[7] P. 23. The rejection of bacon convicting them, of course, of being
Jews, and therefore fitting victims for an _auto-da-fe_.

[8] P. 24. The _San-benito_ was a kind of loose over-garment painted
with flames, figures of devils, the victim's own portrait, etc. , worn by
persons condemned to death by the Inquisition when going to the stake on
the occasion of an _auto-da-fe_. Those who expressed repentance for
their errors wore a garment of the same kind covered with flames
directed downwards, while that worn by Jews, sorcerers, and renegades
bore a St. Andrew's cross before and behind.

[9] P. 26. "This Notre-Dame is of wood; every year she weeps on the day
of her _fete_, and the people weep also. One day the preacher, seeing a
carpenter with dry eyes, asked him how it was that he did not dissolve
in tears when the Holy Virgin wept. 'Ah, my reverend father,' replied
he, 'it is I who refastened her in her niche yesterday. I drove three
great nails through her behind; it is then she would have wept if she
had been able. '"--Voltaire, _Melanges_.

[10] P. 42. The following posthumous note of Voltaire's was first added
to M. Beuchot's edition of his works issued in 1829; "See the extreme
discretion of the author; there has not been up to the present any Pope
named Urban X. ; he feared to give a bastard to a known Pope. What
circumspection! What delicacy of conscience! " The last Pope Urban was
the eighth, and he died in 1644.

[11] P. 45. Muley-Ismael was Emperor of Morocco from 1672 to 1727, and
was a notoriously cruel tyrant.

[12] P. 47. "Oh, what a misfortune to be an eunuch! "

[13] P. 48. Carlo Broschi, called Farinelli, an Italian singer, born at
Naples in 1705, without being exactly Minister, governed Spain under
Ferdinand VI. ; he died in 1782. He has been made one of the chief
persons in one of the comic operas of MM. Auber and Scribe.

[14] P. 53. Jean Robeck, a Swede, who was born in 1672, will be found
mentioned in Rousseau's _Nouvelle Heloise_. He drowned himself in the
Weser at Bremen in 1729, and was the author of a Latin treatise on
voluntary death, first printed in 1735.

[15] P. 60. A spontoon was a kind of half-pike, a military weapon
carried by officers of infantry and used as a medium for signalling
orders to the regiment.

[16] P. 64. Later Voltaire substituted the name of the Father Croust for
that of Didrie. Of Croust he said in the _Dictionnaire Philosophique_
that he was "the most brutal of the Society. "

[17] P. 68. By the _Journal of Trevoux_ Voltaire meant a critical
periodical printed by the Jesuits at Trevoux under the title of
_Memoires pour servir a l'Historie des Sciences et des Beaux-Arts_. It
existed from 1701 until 1767, during which period its title underwent
many changes.

[18] P. 76. It has been suggested that Voltaire, in speaking of red
sheep, referred to the llama, a South American ruminant allied to the
camel. These animals are sometimes of a reddish colour, and were notable
as pack-carriers and for their fleetness.

[19] P. 78. The first English translator curiously gives "a tourene of
bouilli that weighed two hundred pounds," as the equivalent of "_un
contour bouilli qui pesait deux cent livres_. " The French editor of the
1869 reprint points out that the South American vulture, or condor, is
meant; the name of this bird, it may be added, is taken from "_cuntur_,"
that given it by the aborigines.

[20] P. 90. Spanish half-crowns.

[21] P. 99. _Socinians_; followers of the teaching of Lalius and Faustus
Socinus (16th century), which denied the doctrine of the Trinity, the
deity of Christ, the personality of the devil, the native and total
depravity of man, the vicarious atonement and eternal punishment. The
Socinians are now represented by the Unitarians. _Manicheans_; followers
of Manes or Manichaeus (3rd century), a Persian who maintained that there
are two principles, the one good and the other evil, each equally
powerful in the government of the world.

[22] P. 107. In the 1759 editions, in place of the long passage in
brackets from here to page 215, there was only the following: "'Sir,'
said the Perigordian Abbe to him, 'have you noticed that young person
who has so roguish a face and so fine a figure? You may have her for ten
thousand francs a month, and fifty thousand crowns in diamonds. ' 'I have
only a day or two to give her,' answered Candide, 'because I have a
rendezvous at Venice. ' In the evening after supper the insinuating
Perigordian redoubled his politeness and attentions. "

[23] P. 108. The play referred to is supposed to be "Le Comte d'Essex,"
by Thomas Corneille.

[24] P. 108. In France actors were at one time looked upon as
excommunicated persons, not worthy of burial in holy ground or with
Christian rites. In 1730 the "honours of sepulture" were refused to
Mademoiselle Lecouvreur (doubtless the Miss Monime of this passage).
Voltaire's miscellaneous works contain a paper on the matter.

[25] P. 109. Elie-Catherine Freron was a French critic (1719-1776) who
incurred the enmity of Voltaire. In 1752 Freron, in _Lettres sur
quelques ecrits du temps_, wrote pointedly of Voltaire as one who chose
to be all things to all men, and Voltaire retaliated by references such
as these in _Candide_.

[26] P. 111. Gabriel Gauchat (1709-1779), French ecclesiastical writer,
was author of a number of works on religious subjects.

[27] P. 112. Nicholas Charles Joseph Trublet (1697-1770) was a French
writer whose criticism of Voltaire was revenged in passages such as this
one in _Candide_, and one in the _Pauvre Diable_ beginning:

L'abbe Trublet avait alors le rage
D'etre a Paris un petit personage.

[28] P. 120. Damiens, who attempted the life of Louis XV. in 1757, was
born at Arras, capital of Artois (Atrebatie).

[29] P. 120. On May 14, 1610, Ravaillac assassinated Henry VI.

[30] P. 120. On December 27, 1594, Jean Chatel attempted to assassinate
Henry IV.

[31] P. 122. This same curiously inept criticism of the war which cost
France her American provinces occurs in Voltaire's _Memoirs_, wherein he
says, "In 1756 England made a piratical war upon France for some acres
of snow. " See also his _Precis du Siecle de Louis_ XV.

[32] P. 123. Admiral Byng was shot on March 14, 1757.

[33] P. 129. Commenting upon this passage, M. Sarcey says admirably:
"All is there! In those ten lines Voltaire has gathered all the griefs
and all the terrors of these creatures; the picture is admirable for its
truth and power! But do you not feel the pity and sympathy of the
painter? Here irony becomes sad, and in a way an avenger. Voltaire cries
out with horror against the society which throws some of its members
into such an abyss. He has his 'Bartholomew' fever; we tremble with him
through contagion. "

[34] P. 142. The following particulars of the six monarchs may prove not
uninteresting. Achmet III. (_b. _ 1673, _d. _ 1739) was dethroned in 1730.
Ivan VI. (_b. _ 1740, _d. _ 1762) was dethroned in 1741. Charles Edward
Stuart, the Pretender (_b. _ 1720, _d. _ 1788). Auguste III. (_b. _ 1696,
_d. _ 1763). Stanislaus (_b. _ 1682, _d. _ 1766). Theodore (_b. _ 1690, _d. _
1755). It will be observed that, although quite impossible for the six
kings ever to have met, five of them might have been made to do so
without any anachronism.

[35] P. 149. Francois Leopold Ragotsky (1676-1735).

* * * * *

+------------------------------------------------------------+
| Typographical errors corrected in text: |
| |
| Page xiv: Chapter XIII heading in Table of Contents |
| amended to match chapter heading on page 54. |
| Page 2: metaphysicotheo-logico-cosmolo-nigology |
| amended to metaphysico-theologico-cosmolo-nigology. |
| Page 158: Liebnitz amended to Leibnitz. |
| Page 168: perserved amended to preserved. |
| Page 172: rougish amended to roguish; crows amended to |
| crowns. |
| |
| Where there is an equal number of instances of a word |
| being hyphenated and unhyphenated, both versions |
| of the word have been retained: dung-hill/dunghill; |
| and new-comers/newcomers. |
| |
| A single footnote on page 90 has been moved |
| to the endnotes, and the notes numbers re-indexed. A |
| page reference was added to the moved footnote to |
| match the format of other endnotes. |
| |
| Modern Library blurb: "mail complete list of titles" left |
| as is. |
| |
| There are two instances of Massa Carara (pp. 43 and 45) |
| and one instance of Massa-Carrara (page ix). As this |
| latter is in the Introduction, i. e.
distinct from the book |
| proper, it has been retained. |
| |
| The different spellings of Cunegonde (which occurs only |
| in the Introduction) and Robeck (which occurs in the |
| Notes [p. 170]; spelt Robek in the text [p. 53]) have |
| been retained for the same reason. |
| |
+------------------------------------------------------------+

* * * * *





End of the Project Gutenberg EBook of Candide, by Voltaire

*** END OF THIS PROJECT GUTENBERG EBOOK CANDIDE ***

***** This file should be named 19942-8. txt or 19942-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/9/9/4/19942/

Produced by Chuck Greif, Fox in the Stars and the Online
Distributed Proofreading Team at http://www. pgdp. net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.


Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org


Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.