Her
final volume, "Strange Victory", is considered by many to be predictive
of her suicide in 1933.
final volume, "Strange Victory", is considered by many to be predictive
of her suicide in 1933.
Sara Teasdale - Love Songs
.
.
I went back to the clanging city,
I went back where my old loves stayed,
My heart was full of my new love's glory,--
But my eyes were suddenly afraid.
Summer Night, Riverside
In the wild, soft summer darkness
How many and many a night we two together
Sat in the park and watched the Hudson
Wearing her lights like golden spangles
Glinting on black satin.
The rail along the curving pathway
Was low in a happy place to let us cross,
And down the hill a tree that dripped with bloom
Sheltered us,
While your kisses and the flowers,
Falling, falling,
Tangled my hair. . . .
The frail white stars moved slowly over the sky.
And now, far off
In the fragrant darkness
The tree is tremulous again with bloom,
For June comes back.
To-night what girl
Dreamily before her mirror shakes from her hair
This year's blossoms, clinging in its coils?
Jewels
If I should see your eyes again,
I know how far their look would go--
Back to a morning in the park
With sapphire shadows on the snow.
Or back to oak trees in the spring
When you unloosed my hair and kissed
The head that lay against your knees
In the leaf shadow's amethyst.
And still another shining place
We would remember--how the dun
Wild mountain held us on its crest
One diamond morning white with sun.
But I will turn my eyes from you
As women turn to put away
The jewels they have worn at night
And cannot wear in sober day.
II
Interlude: Songs out of Sorrow
I. Spirit's House
From naked stones of agony
I will build a house for me;
As a mason all alone
I will raise it, stone by stone,
And every stone where I have bled
Will show a sign of dusky red.
I have not gone the way in vain,
For I have good of all my pain;
My spirit's quiet house will be
Built of naked stones I trod
On roads where I lost sight of God.
II. Mastery
I would not have a god come in
To shield me suddenly from sin,
And set my house of life to rights;
Nor angels with bright burning wings
Ordering my earthly thoughts and things;
Rather my own frail guttering lights
Wind blown and nearly beaten out;
Rather the terror of the nights
And long, sick groping after doubt;
Rather be lost than let my soul
Slip vaguely from my own control--
Of my own spirit let me be
In sole though feeble mastery.
III. Lessons
Unless I learn to ask no help
From any other soul but mine,
To seek no strength in waving reeds
Nor shade beneath a straggling pine;
Unless I learn to look at Grief
Unshrinking from her tear-blind eyes,
And take from Pleasure fearlessly
Whatever gifts will make me wise--
Unless I learn these things on earth,
Why was I ever given birth?
IV. Wisdom
When I have ceased to break my wings
Against the faultiness of things,
And learned that compromises wait
Behind each hardly opened gate,
When I can look Life in the eyes,
Grown calm and very coldly wise,
Life will have given me the Truth,
And taken in exchange--my youth.
V. In a Burying Ground
This is the spot where I will lie
When life has had enough of me,
These are the grasses that will blow
Above me like a living sea.
These gay old lilies will not shrink
To draw their life from death of mine,
And I will give my body's fire
To make blue flowers on this vine.
"O Soul," I said, "have you no tears?
Was not the body dear to you? "
I heard my soul say carelessly,
"The myrtle flowers will grow more blue. "
VI. Wood Song
I heard a wood thrush in the dusk
Twirl three notes and make a star--
My heart that walked with bitterness
Came back from very far.
Three shining notes were all he had,
And yet they made a starry call--
I caught life back against my breast
And kissed it, scars and all.
VII. Refuge
From my spirit's gray defeat,
From my pulse's flagging beat,
From my hopes that turned to sand
Sifting through my close-clenched hand,
From my own fault's slavery,
If I can sing, I still am free.
For with my singing I can make
A refuge for my spirit's sake,
A house of shining words, to be
My fragile immortality.
III
The Flight
Look back with longing eyes and know that I will follow,
Lift me up in your love as a light wind lifts a swallow,
Let our flight be far in sun or blowing rain--
_But what if I heard my first love calling me again? _
Hold me on your heart as the brave sea holds the foam,
Take me far away to the hills that hide your home;
Peace shall thatch the roof and love shall latch the door--
_But what if I heard my first love calling me once more? _
Dew
As dew leaves the cobweb lightly
Threaded with stars,
Scattering jewels on the fence
And the pasture bars;
As dawn leaves the dry grass bright
And the tangled weeds
Bearing a rainbow gem
On each of their seeds;
So has your love, my lover,
Fresh as the dawn,
Made me a shining road
To travel on,
Set every common sight
Of tree or stone
Delicately alight
For me alone.
To-night
The moon is a curving flower of gold,
The sky is still and blue;
The moon was made for the sky to hold,
And I for you.
The moon is a flower without a stem,
The sky is luminous;
Eternity was made for them,
To-night for us.
Ebb Tide
When the long day goes by
And I do not see your face,
The old wild, restless sorrow
Steals from its hiding place.
My day is barren and broken,
Bereft of light and song,
A sea beach bleak and windy
That moans the whole day long.
To the empty beach at ebb tide,
Bare with its rocks and scars,
Come back like the sea with singing,
And light of a million stars.
I Would Live in Your Love
I would live in your love as the sea-grasses live in the sea,
Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.
Because
Oh, because you never tried
To bow my will or break my pride,
And nothing of the cave-man made
You want to keep me half afraid,
Nor ever with a conquering air
You thought to draw me unaware--
Take me, for I love you more
Than I ever loved before.
And since the body's maidenhood
Alone were neither rare nor good
Unless with it I gave to you
A spirit still untrammeled, too,
Take my dreams and take my mind
That were masterless as wind;
And "Master! " I shall say to you
Since you never asked me to.
The Tree of Song
I sang my songs for the rest,
For you I am still;
The tree of my song is bare
On its shining hill.
For you came like a lordly wind,
And the leaves were whirled
Far as forgotten things
Past the rim of the world.
The tree of my song stands bare
Against the blue--
I gave my songs to the rest,
Myself to you.
The Giver
You bound strong sandals on my feet,
You gave me bread and wine,
And sent me under sun and stars,
For all the world was mine.
Oh, take the sandals off my feet,
You know not what you do;
For all my world is in your arms,
My sun and stars are you.
April Song
Willow, in your April gown
Delicate and gleaming,
Do you mind in years gone by
All my dreaming?
Spring was like a call to me
That I could not answer,
I was chained to loneliness,
I, the dancer.
Willow, twinkling in the sun,
Still your leaves and hear me,
I can answer spring at last,
Love is near me!
The Wanderer
I saw the sunset-colored sands,
The Nile like flowing fire between,
Where Rameses stares forth serene,
And Ammon's heavy temple stands.
I saw the rocks where long ago,
Above the sea that cries and breaks,
Swift Perseus with Medusa's snakes
Set free the maiden white like snow.
And many skies have covered me,
And many winds have blown me forth,
And I have loved the green, bright north,
And I have loved the cold, sweet sea.
But what to me are north and south,
And what the lure of many lands,
Since you have leaned to catch my hands
And lay a kiss upon my mouth.
The Years
To-night I close my eyes and see
A strange procession passing me--
The years before I saw your face
Go by me with a wistful grace;
They pass, the sensitive, shy years,
As one who strives to dance, half blind with tears.
The years went by and never knew
That each one brought me nearer you;
Their path was narrow and apart
And yet it led me to your heart--
Oh, sensitive, shy years, oh, lonely years,
That strove to sing with voices drowned in tears.
Enough
It is enough for me by day
To walk the same bright earth with him;
Enough that over us by night
The same great roof of stars is dim.
I do not hope to bind the wind
Or set a fetter on the sea--
It is enough to feel his love
Blow by like music over me.
Come
Come, when the pale moon like a petal
Floats in the pearly dusk of spring,
Come with arms outstretched to take me,
Come with lips pursed up to cling.
Come, for life is a frail moth flying,
Caught in the web of the years that pass,
And soon we two, so warm and eager,
Will be as the gray stones in the grass.
Joy
I am wild, I will sing to the trees,
I will sing to the stars in the sky,
I love, I am loved, he is mine,
Now at last I can die!
I am sandaled with wind and with flame,
I have heart-fire and singing to give,
I can tread on the grass or the stars,
Now at last I can live!
Riches
I have no riches but my thoughts,
Yet these are wealth enough for me;
My thoughts of you are golden coins
Stamped in the mint of memory;
And I must spend them all in song,
For thoughts, as well as gold, must be
Left on the hither side of death
To gain their immortality.
Dusk in War Time
A half-hour more and you will lean
To gather me close in the old sweet way--
But oh, to the woman over the sea
Who will come at the close of day?
A half-hour more and I will hear
The key in the latch and the strong, quick tread--
But oh, the woman over the sea
Waiting at dusk for one who is dead!
Peace
Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It will not ebb like the sea.
I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.
I am the pool of gold
When sunset burns and dies--
You are my deepening skies;
Give me your stars to hold.
Moods
I am the still rain falling,
Too tired for singing mirth--
Oh, be the green fields calling,
Oh, be for me the earth!
I am the brown bird pining
To leave the nest and fly--
Oh, be the fresh cloud shining,
Oh, be for me the sky!
Houses of Dreams
You took my empty dreams
And filled them every one
With tenderness and nobleness,
April and the sun.
The old empty dreams
Where my thoughts would throng
Are far too full of happiness
To even hold a song.
Oh, the empty dreams were dim
And the empty dreams were wide,
They were sweet and shadowy houses
Where my thoughts could hide.
But you took my dreams away
And you made them all come true--
My thoughts have no place now to play,
And nothing now to do.
Lights
When we come home at night and close the door,
Standing together in the shadowy room,
Safe in our own love and the gentle gloom,
Glad of familiar wall and chair and floor,
Glad to leave far below the clanging city;
Looking far downward to the glaring street
Gaudy with light, yet tired with many feet,
In both of us wells up a wordless pity;
Men have tried hard to put away the dark;
A million lighted windows brilliantly
Inlay with squares of gold the winter night,
But to us standing here there comes the stark
Sense of the lives behind each yellow light,
And not one wholly joyous, proud, or free.
"I Am Not Yours"
I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.
You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.
Oh plunge me deep in love--put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.
Doubt
My soul lives in my body's house,
And you have both the house and her--
But sometimes she is less your own
Than a wild, gay adventurer;
A restless and an eager wraith,
How can I tell what she will do--
Oh, I am sure of my body's faith,
But what if my soul broke faith with you?
The Wind
A wind is blowing over my soul,
I hear it cry the whole night through--
Is there no peace for me on earth
Except with you?
Alas, the wind has made me wise,
Over my naked soul it blew,--
There is no peace for me on earth
Even with you.
Morning
I went out on an April morning
All alone, for my heart was high,
I was a child of the shining meadow,
I was a sister of the sky.
There in the windy flood of morning
Longing lifted its weight from me,
Lost as a sob in the midst of cheering,
Swept as a sea-bird out to sea.
Other Men
When I talk with other men
I always think of you--
Your words are keener than their words,
And they are gentler, too.
When I look at other men,
I wish your face were there,
With its gray eyes and dark skin
And tossed black hair.
When I think of other men,
Dreaming alone by day,
The thought of you like a strong wind
Blows the dreams away.
Embers
I said, "My youth is gone
Like a fire beaten out by the rain,
That will never sway and sing
Or play with the wind again. "
I said, "It is no great sorrow
That quenched my youth in me,
But only little sorrows
Beating ceaselessly. "
I thought my youth was gone,
But you returned--
Like a flame at the call of the wind
It leaped and burned;
Threw off its ashen cloak,
And gowned anew
Gave itself like a bride
Once more to you.
Message
I heard a cry in the night,
A thousand miles it came,
Sharp as a flash of light,
My name, my name!
It was your voice I heard,
You waked and loved me so--
I send you back this word,
I know, I know!
The Lamp
If I can bear your love like a lamp before me,
When I go down the long steep Road of Darkness,
I shall not fear the everlasting shadows,
Nor cry in terror.
If I can find out God, then I shall find Him,
If none can find Him, then I shall sleep soundly,
Knowing how well on earth your love sufficed me,
A lamp in darkness.
IV
A November Night
There! See the line of lights,
A chain of stars down either side the street--
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you--four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows
That hurry, gesturing along a wall,
Haunting or gay--and yet they all grow real
And take their proper size here in my heart
When you have seen them. . . . There's the Plaza now,
A lake of light! To-night it almost seems
That all the lights are gathered in your eyes,
Drawn somehow toward you. See the open park
Lying below us with a million lamps
Scattered in wise disorder like the stars.
We look down on them as God must look down
On constellations floating under Him
Tangled in clouds. . . . Come, then, and let us walk
Since we have reached the park. It is our garden,
All black and blossomless this winter night,
But we bring April with us, you and I;
We set the whole world on the trail of spring.
I think that every path we ever took
Has marked our footprints in mysterious fire,
Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks
And come out on the drowsy park, they look
Along the empty paths and say, "Oh, here
They went, and here, and here, and here! Come, see,
Here is their bench, take hands and let us dance
About it in a windy ring and make
A circle round it only they can cross
When they come back again! " . . . Look at the lake--
Do you remember how we watched the swans
That night in late October while they slept?
Swans must have stately dreams, I think. But now
The lake bears only thin reflected lights
That shake a little. How I long to take
One from the cold black water--new-made gold
To give you in your hand! And see, and see,
There is a star, deep in the lake, a star!
Oh, dimmer than a pearl--if you stoop down
Your hand could almost reach it up to me. . . .
There was a new frail yellow moon to-night--
I wish you could have had it for a cup
With stars like dew to fill it to the brim. . . .
How cold it is! Even the lights are cold;
They have put shawls of fog around them, see!
What if the air should grow so dimly white
That we would lose our way along the paths
Made new by walls of moving mist receding
The more we follow. . . . What a silver night!
That was our bench the time you said to me
The long new poem--but how different now,
How eerie with the curtain of the fog
Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone--
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
Even the stars have gone. We two alone!
[End of Love Songs. ]
{As an item of interest to the reader, the following, which was at the
end of this edition, is included. Only the advertisement for the same
author is included}.
By the same author
Rivers to the Sea
"There is hardly another American woman-poet whose poetry is generally
known and loved like that of Sara Teasdale. 'Rivers to the Sea', her
latest volume of lyrics, possesses the delicacy of imagery, the inward
illumination, the high vision that characterize the poetry that will
endure the test of time. "--'Review of Reviews'.
"'Rivers to the Sea' is a book of sheer delight. . . . Her touch turns
everything to song. "--Edward J. Wheeler, in 'Current Opinion'.
"Sara Teasdale's lyrics have the clarity, the precision, the grace and
fragrance of flowers. "--Harriet Monroe, in 'Poetry'.
"Sara Teasdale has a genius for the song, for the perfect lyric, in
which the words seem to have fallen into place without art or
effort. "--Louis Untermeyer, in 'The Chicago Evening Post'.
"'Rivers to the Sea' is the best book of pure lyrics that has appeared
in English since A. E. Housman's 'A Shropshire Lad'. "--William Marion
Reedy, in 'The Mirror'.
"'Rivers to the Sea' is the most beautiful book of pure lyrics that has
come to my hand in years. "--'Los Angeles Graphic'.
"Sara Teasdale sings about love better than any other contemporary
American poet. "--'The Boston Transcript'.
"'Rivers to the Sea' is the most charming volume of poetry that has
appeared on either side of the Atlantic in a score of years. "--'St.
Louis Republic'.
Sara Teasdale (1884-1933):
Teasdale was born in St. Louis, Missouri, where she attended a school
that was founded by the grandfather of another great poet from St.
Louis--T. S. Eliot. She later associated herself more with New York
City.
Her first book of poems was "Sonnets to Duse" (1907), [at least one poem
in the current volume, "Faults", is from this book,] but "Helen of Troy"
(1911) was the true launch of her career, followed by "Rivers to the Sea"
(1915), "Love Songs" (1917), "Flame and Shadow" (1920) and more.
Her
final volume, "Strange Victory", is considered by many to be predictive
of her suicide in 1933.
End of the Project Gutenberg EBook of Love Songs, by Sara Teasdale
*** END OF THIS PROJECT GUTENBERG EBOOK LOVE SONGS ***
***** This file should be named 442. txt or 442. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/4/4/442/
Produced by A. Light and L. Bowser. For Gwenette.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.
I went back to the clanging city,
I went back where my old loves stayed,
My heart was full of my new love's glory,--
But my eyes were suddenly afraid.
Summer Night, Riverside
In the wild, soft summer darkness
How many and many a night we two together
Sat in the park and watched the Hudson
Wearing her lights like golden spangles
Glinting on black satin.
The rail along the curving pathway
Was low in a happy place to let us cross,
And down the hill a tree that dripped with bloom
Sheltered us,
While your kisses and the flowers,
Falling, falling,
Tangled my hair. . . .
The frail white stars moved slowly over the sky.
And now, far off
In the fragrant darkness
The tree is tremulous again with bloom,
For June comes back.
To-night what girl
Dreamily before her mirror shakes from her hair
This year's blossoms, clinging in its coils?
Jewels
If I should see your eyes again,
I know how far their look would go--
Back to a morning in the park
With sapphire shadows on the snow.
Or back to oak trees in the spring
When you unloosed my hair and kissed
The head that lay against your knees
In the leaf shadow's amethyst.
And still another shining place
We would remember--how the dun
Wild mountain held us on its crest
One diamond morning white with sun.
But I will turn my eyes from you
As women turn to put away
The jewels they have worn at night
And cannot wear in sober day.
II
Interlude: Songs out of Sorrow
I. Spirit's House
From naked stones of agony
I will build a house for me;
As a mason all alone
I will raise it, stone by stone,
And every stone where I have bled
Will show a sign of dusky red.
I have not gone the way in vain,
For I have good of all my pain;
My spirit's quiet house will be
Built of naked stones I trod
On roads where I lost sight of God.
II. Mastery
I would not have a god come in
To shield me suddenly from sin,
And set my house of life to rights;
Nor angels with bright burning wings
Ordering my earthly thoughts and things;
Rather my own frail guttering lights
Wind blown and nearly beaten out;
Rather the terror of the nights
And long, sick groping after doubt;
Rather be lost than let my soul
Slip vaguely from my own control--
Of my own spirit let me be
In sole though feeble mastery.
III. Lessons
Unless I learn to ask no help
From any other soul but mine,
To seek no strength in waving reeds
Nor shade beneath a straggling pine;
Unless I learn to look at Grief
Unshrinking from her tear-blind eyes,
And take from Pleasure fearlessly
Whatever gifts will make me wise--
Unless I learn these things on earth,
Why was I ever given birth?
IV. Wisdom
When I have ceased to break my wings
Against the faultiness of things,
And learned that compromises wait
Behind each hardly opened gate,
When I can look Life in the eyes,
Grown calm and very coldly wise,
Life will have given me the Truth,
And taken in exchange--my youth.
V. In a Burying Ground
This is the spot where I will lie
When life has had enough of me,
These are the grasses that will blow
Above me like a living sea.
These gay old lilies will not shrink
To draw their life from death of mine,
And I will give my body's fire
To make blue flowers on this vine.
"O Soul," I said, "have you no tears?
Was not the body dear to you? "
I heard my soul say carelessly,
"The myrtle flowers will grow more blue. "
VI. Wood Song
I heard a wood thrush in the dusk
Twirl three notes and make a star--
My heart that walked with bitterness
Came back from very far.
Three shining notes were all he had,
And yet they made a starry call--
I caught life back against my breast
And kissed it, scars and all.
VII. Refuge
From my spirit's gray defeat,
From my pulse's flagging beat,
From my hopes that turned to sand
Sifting through my close-clenched hand,
From my own fault's slavery,
If I can sing, I still am free.
For with my singing I can make
A refuge for my spirit's sake,
A house of shining words, to be
My fragile immortality.
III
The Flight
Look back with longing eyes and know that I will follow,
Lift me up in your love as a light wind lifts a swallow,
Let our flight be far in sun or blowing rain--
_But what if I heard my first love calling me again? _
Hold me on your heart as the brave sea holds the foam,
Take me far away to the hills that hide your home;
Peace shall thatch the roof and love shall latch the door--
_But what if I heard my first love calling me once more? _
Dew
As dew leaves the cobweb lightly
Threaded with stars,
Scattering jewels on the fence
And the pasture bars;
As dawn leaves the dry grass bright
And the tangled weeds
Bearing a rainbow gem
On each of their seeds;
So has your love, my lover,
Fresh as the dawn,
Made me a shining road
To travel on,
Set every common sight
Of tree or stone
Delicately alight
For me alone.
To-night
The moon is a curving flower of gold,
The sky is still and blue;
The moon was made for the sky to hold,
And I for you.
The moon is a flower without a stem,
The sky is luminous;
Eternity was made for them,
To-night for us.
Ebb Tide
When the long day goes by
And I do not see your face,
The old wild, restless sorrow
Steals from its hiding place.
My day is barren and broken,
Bereft of light and song,
A sea beach bleak and windy
That moans the whole day long.
To the empty beach at ebb tide,
Bare with its rocks and scars,
Come back like the sea with singing,
And light of a million stars.
I Would Live in Your Love
I would live in your love as the sea-grasses live in the sea,
Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.
Because
Oh, because you never tried
To bow my will or break my pride,
And nothing of the cave-man made
You want to keep me half afraid,
Nor ever with a conquering air
You thought to draw me unaware--
Take me, for I love you more
Than I ever loved before.
And since the body's maidenhood
Alone were neither rare nor good
Unless with it I gave to you
A spirit still untrammeled, too,
Take my dreams and take my mind
That were masterless as wind;
And "Master! " I shall say to you
Since you never asked me to.
The Tree of Song
I sang my songs for the rest,
For you I am still;
The tree of my song is bare
On its shining hill.
For you came like a lordly wind,
And the leaves were whirled
Far as forgotten things
Past the rim of the world.
The tree of my song stands bare
Against the blue--
I gave my songs to the rest,
Myself to you.
The Giver
You bound strong sandals on my feet,
You gave me bread and wine,
And sent me under sun and stars,
For all the world was mine.
Oh, take the sandals off my feet,
You know not what you do;
For all my world is in your arms,
My sun and stars are you.
April Song
Willow, in your April gown
Delicate and gleaming,
Do you mind in years gone by
All my dreaming?
Spring was like a call to me
That I could not answer,
I was chained to loneliness,
I, the dancer.
Willow, twinkling in the sun,
Still your leaves and hear me,
I can answer spring at last,
Love is near me!
The Wanderer
I saw the sunset-colored sands,
The Nile like flowing fire between,
Where Rameses stares forth serene,
And Ammon's heavy temple stands.
I saw the rocks where long ago,
Above the sea that cries and breaks,
Swift Perseus with Medusa's snakes
Set free the maiden white like snow.
And many skies have covered me,
And many winds have blown me forth,
And I have loved the green, bright north,
And I have loved the cold, sweet sea.
But what to me are north and south,
And what the lure of many lands,
Since you have leaned to catch my hands
And lay a kiss upon my mouth.
The Years
To-night I close my eyes and see
A strange procession passing me--
The years before I saw your face
Go by me with a wistful grace;
They pass, the sensitive, shy years,
As one who strives to dance, half blind with tears.
The years went by and never knew
That each one brought me nearer you;
Their path was narrow and apart
And yet it led me to your heart--
Oh, sensitive, shy years, oh, lonely years,
That strove to sing with voices drowned in tears.
Enough
It is enough for me by day
To walk the same bright earth with him;
Enough that over us by night
The same great roof of stars is dim.
I do not hope to bind the wind
Or set a fetter on the sea--
It is enough to feel his love
Blow by like music over me.
Come
Come, when the pale moon like a petal
Floats in the pearly dusk of spring,
Come with arms outstretched to take me,
Come with lips pursed up to cling.
Come, for life is a frail moth flying,
Caught in the web of the years that pass,
And soon we two, so warm and eager,
Will be as the gray stones in the grass.
Joy
I am wild, I will sing to the trees,
I will sing to the stars in the sky,
I love, I am loved, he is mine,
Now at last I can die!
I am sandaled with wind and with flame,
I have heart-fire and singing to give,
I can tread on the grass or the stars,
Now at last I can live!
Riches
I have no riches but my thoughts,
Yet these are wealth enough for me;
My thoughts of you are golden coins
Stamped in the mint of memory;
And I must spend them all in song,
For thoughts, as well as gold, must be
Left on the hither side of death
To gain their immortality.
Dusk in War Time
A half-hour more and you will lean
To gather me close in the old sweet way--
But oh, to the woman over the sea
Who will come at the close of day?
A half-hour more and I will hear
The key in the latch and the strong, quick tread--
But oh, the woman over the sea
Waiting at dusk for one who is dead!
Peace
Peace flows into me
As the tide to the pool by the shore;
It is mine forevermore,
It will not ebb like the sea.
I am the pool of blue
That worships the vivid sky;
My hopes were heaven-high,
They are all fulfilled in you.
I am the pool of gold
When sunset burns and dies--
You are my deepening skies;
Give me your stars to hold.
Moods
I am the still rain falling,
Too tired for singing mirth--
Oh, be the green fields calling,
Oh, be for me the earth!
I am the brown bird pining
To leave the nest and fly--
Oh, be the fresh cloud shining,
Oh, be for me the sky!
Houses of Dreams
You took my empty dreams
And filled them every one
With tenderness and nobleness,
April and the sun.
The old empty dreams
Where my thoughts would throng
Are far too full of happiness
To even hold a song.
Oh, the empty dreams were dim
And the empty dreams were wide,
They were sweet and shadowy houses
Where my thoughts could hide.
But you took my dreams away
And you made them all come true--
My thoughts have no place now to play,
And nothing now to do.
Lights
When we come home at night and close the door,
Standing together in the shadowy room,
Safe in our own love and the gentle gloom,
Glad of familiar wall and chair and floor,
Glad to leave far below the clanging city;
Looking far downward to the glaring street
Gaudy with light, yet tired with many feet,
In both of us wells up a wordless pity;
Men have tried hard to put away the dark;
A million lighted windows brilliantly
Inlay with squares of gold the winter night,
But to us standing here there comes the stark
Sense of the lives behind each yellow light,
And not one wholly joyous, proud, or free.
"I Am Not Yours"
I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.
You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.
Oh plunge me deep in love--put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.
Doubt
My soul lives in my body's house,
And you have both the house and her--
But sometimes she is less your own
Than a wild, gay adventurer;
A restless and an eager wraith,
How can I tell what she will do--
Oh, I am sure of my body's faith,
But what if my soul broke faith with you?
The Wind
A wind is blowing over my soul,
I hear it cry the whole night through--
Is there no peace for me on earth
Except with you?
Alas, the wind has made me wise,
Over my naked soul it blew,--
There is no peace for me on earth
Even with you.
Morning
I went out on an April morning
All alone, for my heart was high,
I was a child of the shining meadow,
I was a sister of the sky.
There in the windy flood of morning
Longing lifted its weight from me,
Lost as a sob in the midst of cheering,
Swept as a sea-bird out to sea.
Other Men
When I talk with other men
I always think of you--
Your words are keener than their words,
And they are gentler, too.
When I look at other men,
I wish your face were there,
With its gray eyes and dark skin
And tossed black hair.
When I think of other men,
Dreaming alone by day,
The thought of you like a strong wind
Blows the dreams away.
Embers
I said, "My youth is gone
Like a fire beaten out by the rain,
That will never sway and sing
Or play with the wind again. "
I said, "It is no great sorrow
That quenched my youth in me,
But only little sorrows
Beating ceaselessly. "
I thought my youth was gone,
But you returned--
Like a flame at the call of the wind
It leaped and burned;
Threw off its ashen cloak,
And gowned anew
Gave itself like a bride
Once more to you.
Message
I heard a cry in the night,
A thousand miles it came,
Sharp as a flash of light,
My name, my name!
It was your voice I heard,
You waked and loved me so--
I send you back this word,
I know, I know!
The Lamp
If I can bear your love like a lamp before me,
When I go down the long steep Road of Darkness,
I shall not fear the everlasting shadows,
Nor cry in terror.
If I can find out God, then I shall find Him,
If none can find Him, then I shall sleep soundly,
Knowing how well on earth your love sufficed me,
A lamp in darkness.
IV
A November Night
There! See the line of lights,
A chain of stars down either side the street--
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you--four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows
That hurry, gesturing along a wall,
Haunting or gay--and yet they all grow real
And take their proper size here in my heart
When you have seen them. . . . There's the Plaza now,
A lake of light! To-night it almost seems
That all the lights are gathered in your eyes,
Drawn somehow toward you. See the open park
Lying below us with a million lamps
Scattered in wise disorder like the stars.
We look down on them as God must look down
On constellations floating under Him
Tangled in clouds. . . . Come, then, and let us walk
Since we have reached the park. It is our garden,
All black and blossomless this winter night,
But we bring April with us, you and I;
We set the whole world on the trail of spring.
I think that every path we ever took
Has marked our footprints in mysterious fire,
Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks
And come out on the drowsy park, they look
Along the empty paths and say, "Oh, here
They went, and here, and here, and here! Come, see,
Here is their bench, take hands and let us dance
About it in a windy ring and make
A circle round it only they can cross
When they come back again! " . . . Look at the lake--
Do you remember how we watched the swans
That night in late October while they slept?
Swans must have stately dreams, I think. But now
The lake bears only thin reflected lights
That shake a little. How I long to take
One from the cold black water--new-made gold
To give you in your hand! And see, and see,
There is a star, deep in the lake, a star!
Oh, dimmer than a pearl--if you stoop down
Your hand could almost reach it up to me. . . .
There was a new frail yellow moon to-night--
I wish you could have had it for a cup
With stars like dew to fill it to the brim. . . .
How cold it is! Even the lights are cold;
They have put shawls of fog around them, see!
What if the air should grow so dimly white
That we would lose our way along the paths
Made new by walls of moving mist receding
The more we follow. . . . What a silver night!
That was our bench the time you said to me
The long new poem--but how different now,
How eerie with the curtain of the fog
Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone--
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
Even the stars have gone. We two alone!
[End of Love Songs. ]
{As an item of interest to the reader, the following, which was at the
end of this edition, is included. Only the advertisement for the same
author is included}.
By the same author
Rivers to the Sea
"There is hardly another American woman-poet whose poetry is generally
known and loved like that of Sara Teasdale. 'Rivers to the Sea', her
latest volume of lyrics, possesses the delicacy of imagery, the inward
illumination, the high vision that characterize the poetry that will
endure the test of time. "--'Review of Reviews'.
"'Rivers to the Sea' is a book of sheer delight. . . . Her touch turns
everything to song. "--Edward J. Wheeler, in 'Current Opinion'.
"Sara Teasdale's lyrics have the clarity, the precision, the grace and
fragrance of flowers. "--Harriet Monroe, in 'Poetry'.
"Sara Teasdale has a genius for the song, for the perfect lyric, in
which the words seem to have fallen into place without art or
effort. "--Louis Untermeyer, in 'The Chicago Evening Post'.
"'Rivers to the Sea' is the best book of pure lyrics that has appeared
in English since A. E. Housman's 'A Shropshire Lad'. "--William Marion
Reedy, in 'The Mirror'.
"'Rivers to the Sea' is the most beautiful book of pure lyrics that has
come to my hand in years. "--'Los Angeles Graphic'.
"Sara Teasdale sings about love better than any other contemporary
American poet. "--'The Boston Transcript'.
"'Rivers to the Sea' is the most charming volume of poetry that has
appeared on either side of the Atlantic in a score of years. "--'St.
Louis Republic'.
Sara Teasdale (1884-1933):
Teasdale was born in St. Louis, Missouri, where she attended a school
that was founded by the grandfather of another great poet from St.
Louis--T. S. Eliot. She later associated herself more with New York
City.
Her first book of poems was "Sonnets to Duse" (1907), [at least one poem
in the current volume, "Faults", is from this book,] but "Helen of Troy"
(1911) was the true launch of her career, followed by "Rivers to the Sea"
(1915), "Love Songs" (1917), "Flame and Shadow" (1920) and more.
Her
final volume, "Strange Victory", is considered by many to be predictive
of her suicide in 1933.
End of the Project Gutenberg EBook of Love Songs, by Sara Teasdale
*** END OF THIS PROJECT GUTENBERG EBOOK LOVE SONGS ***
***** This file should be named 442. txt or 442. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/4/4/442/
Produced by A. Light and L. Bowser. For Gwenette.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.
