There is a river but it has no
current to speak of, and, lying snugly tucked up in its coverlet of
floating weeds, seems to think--"Since it is possible to get on without
getting along, why should I bestir myself to stir?
current to speak of, and, lying snugly tucked up in its coverlet of
floating weeds, seems to think--"Since it is possible to get on without
getting along, why should I bestir myself to stir?
Tagore - Creative Unity
E.
1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf. org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U. S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www. gutenberg. net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
? The Project Gutenberg EBook of Glimpses of Bengal, by Sir Rabindranath Tagore
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: Glimpses of Bengal
Author: Sir Rabindranath Tagore
Release Date: April, 2005 [EBook #7951]
This file was first posted on June 4, 2003
Last Updated: May 7, 2013
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK GLIMPSES OF BENGAL ***
Produced by S. R. Ellison, Eric Eldred, and the Distributed
Proofreading Team
GLIMPSES OF BENGAL
SELECTED FROM THE LETTERS OF SIR RABINDRANATH TAGORE
1885 TO 1895
By Sir Rabindranath Tagore
INTRODUCTION
The letters translated in this book span the most productive period of my
literary life, when, owing to great good fortune, I was young and less
known.
Youth being exuberant and leisure ample, I felt the writing of letters
other than business ones to be a delightful necessity. This is a form of
literary extravagance only possible when a surplus of thought and emotion
accumulates. Other forms of literature remain the author's and are made
public for his good; letters that have been given to private individuals
once for all, are therefore characterised by the more generous
abandonment.
It so happened that selected extracts from a large number of such letters
found their way back to me years after they had been written. It had been
rightly conjectured that they would delight me by bringing to mind the
memory of days when, under the shelter of obscurity, I enjoyed the
greatest freedom my life has ever known.
Since these letters synchronise with a considerable part of my published
writings, I thought their parallel course would broaden my readers'
understanding of my poems as a track is widened by retreading the same
ground. Such was my justification for publishing them in a book for my
countrymen. Hoping that the descriptions of village scenes in Bengal
contained in these letters would also be of interest to English readers,
the translation of a selection of that selection has been entrusted to one
who, among all those whom I know, was best fitted to carry it out.
RABINDRANATH TAGORE.
_20th June 1920. _
BANDORA, BY THE SEA,
_October_ 1885.
The unsheltered sea heaves and heaves and blanches into foam. It sets me
thinking of some tied-up monster straining at its bonds, in front of whose
gaping jaws we build our homes on the shore and watch it lashing its tail.
What immense strength, with waves swelling like the muscles of a giant!
From the beginning of creation there has been this feud between land and
water: the dry earth slowly and silently adding to its domain and
spreading a broader and broader lap for its children; the ocean receding
step by step, heaving and sobbing and beating its breast in despair.
Remember the sea was once sole monarch, utterly free.
Land rose from its womb, usurped its throne, and ever since the maddened
old creature, with hoary crest of foam, wails and laments continually,
like King Lear exposed to the fury of the elements.
_July 1887. _
I am in my twenty-seventh year. This event keeps thrusting itself before
my mind--nothing else seems to have happened of late.
But to reach twenty-seven--is that a trifling thing? --to pass the meridian
of the twenties on one's progress towards thirty? --thirty--that is to say
maturity--the age at which people expect fruit rather than fresh foliage.
But, alas, where is the promise of fruit? As I shake my head, it still
feels brimful of luscious frivolity, with not a trace of philosophy.
Folk are beginning to complain: "Where is that which we expected of
you--that in hope of which we admired the soft green of the shoot? Are we
to put up with immaturity for ever? It is high time for us to know what we
shall gain from you. We want an estimate of the proportion of oil which
the blindfold, mill-turning, unbiased critic can squeeze out of you. "
It has ceased to be possible to delude these people into waiting
expectantly any longer. While I was under age they trustfully gave me
credit; it is sad to disappoint them now that I am on the verge of thirty.
But what am I to do? Words of wisdom will not come! I am utterly
incompetent to provide things that may profit the multitude. Beyond a
snatch of song, some tittle-tattle, a little merry fooling, I have been
unable to advance. And as the result, those who held high hopes will turn
their wrath on me; but did any one ever beg them to nurse these
expectations?
Such are the thoughts which assail me since one fine _Bysakh_ morning
I awoke amidst fresh breeze and light, new leaf and flower, to find that I
had stepped into my twenty-seventh year.
SHELIDAH, 1888.
Our house-boat is moored to a sandbank on the farther side of the river. A
vast expanse of sand stretches away out of sight on every side, with here
and there a streak, as of water, running across, though sometimes what
gleams like water is only sand.
Not a village, not a human being, not a tree, not a blade of grass--the
only breaks in the monotonous whiteness are gaping cracks which in places
show the layer of moist, black clay underneath.
Looking towards the East, there is endless blue above, endless white
beneath. Sky empty, earth empty too--the emptiness below hard and barren,
that overhead arched and ethereal--one could hardly find elsewhere such a
picture of stark desolation.
But on turning to the West, there is water, the currentless bend of the
river, fringed with its high bank, up to which spread the village groves
with cottages peeping through--all like an enchanting dream in the evening
light. I say "the evening light," because in the evening we wander out,
and so that aspect is impressed on my mind.
SHAZADPUR, 1890.
The magistrate was sitting in the verandah of his tent dispensing justice
to the crowd awaiting their turns under the shade of a tree. They set my
palanquin down right under his nose, and the young Englishman received me
courteously. He had very light hair, with darker patches here and there,
and a moustache just beginning to show. One might have taken him for a
white-haired old man but for his extremely youthful face. I asked him over
to dinner, but he said he was due elsewhere to arrange for a pig-sticking
party.
As I returned home, great black clouds came up and there was a terrific
storm with torrents of rain. I could not touch a book, it was impossible
to write, so in the I-know-not-what mood I wandered about from room to
room. It had become quite dark, the thunder was continually pealing, the
lightning gleaming flash after flash, and every now and then sudden gusts
of wind would get hold of the big _lichi_ tree by the neck and give
its shaggy top a thorough shaking. The hollow in front of the house soon
filled with water, and as I paced about, it suddenly struck me that I
ought to offer the shelter of the house to the magistrate.
I sent off an invitation; then after investigation I found the only spare
room encumbered with a platform of planks hanging from the beams, piled
with dirty old quilts and bolsters. Servants' belongings, an excessively
grimy mat, hubble-bubble pipes, tobacco, tinder, and two wooden chests
littered the floor, besides sundry packing-cases full of useless odds and
ends, such as a rusty kettle lid, a bottomless iron stove, a discoloured
old nickel teapot, a soup-plate full of treacle blackened with dust. In a
corner was a tub for washing dishes, and from nails in the wall hung moist
dish-clouts and the cook's livery and skull-cap. The only piece of
furniture was a rickety dressing-table with water stains, oil stains, milk
stains, black, brown, and white stains, and all kinds of mixed stains. The
mirror, detached from it, rested against another wall, and the drawers
were receptacles for a miscellaneous assortment of articles from soiled
napkins down to bottle wires and dust.
For a moment I was overwhelmed with dismay; then it was a case of--send
for the manager, send for the storekeeper, call up all the servants, get
hold of extra men, fetch water, put up ladders, unfasten ropes, pull down
planks, take away bedding, pick up broken glass bit by bit, wrench nails
from the wall one by one. --The chandelier falls and its pieces strew the
floor; pick them up again piece by piece. --I myself whisk the dirty mat
off the floor and out of the window, dislodging a horde of cockroaches,
messmates, who dine off my bread, my treacle, and the polish on my shoes.
The magistrate's reply is brought back; his tent is in an awful state and
he is coming at once. Hurry up! Hurry up! Presently comes the shout: "The
sahib has arrived. " All in a flurry I brush the dust off hair, beard, and
the rest of myself, and as I go to receive him in the drawing-room, I try
to look as respectable as if I had been reposing there comfortably all the
afternoon.
I went through the shaking of hands and conversed with the magistrate
outwardly serene; still, misgivings about his accommodation would now and
then well up within. When at length I had to show my guest to his room, I
found it passable, and if the homeless cockroaches do not tickle the soles
of his feet, he may manage to get a night's rest.
KALIGRAM, 1891.
I am feeling listlessly comfortable and delightfully irresponsible.
This is the prevailing mood all round here.
There is a river but it has no
current to speak of, and, lying snugly tucked up in its coverlet of
floating weeds, seems to think--"Since it is possible to get on without
getting along, why should I bestir myself to stir? " So the sedge which
lines the banks knows hardly any disturbance until the fishermen come with
their nets.
Four or five large-sized boats are moored near by, alongside each other.
On the upper deck of one the boatman is fast asleep, rolled up in a sheet
from head to foot. On another, the boatman--also basking in the
sun--leisurely twists some yarn into rope. On the lower deck in a third,
an oldish-looking, bare-bodied fellow is leaning over an oar, staring
vacantly at our boat.
Along the bank there are various other people, but why they come or go,
with the slowest of idle steps, or remain seated on their haunches
embracing their knees, or keep on gazing at nothing in particular, no one
can guess.
The only signs of activity are to be seen amongst the ducks, who, quacking
clamorously, thrust their heads under and bob up again to shake off the
water with equal energy, as if they repeatedly tried to explore the
mysteries below the surface, and every time, shaking their heads, had to
report, "Nothing there! Nothing there! "
The days here drowse all their twelve hours in the sun, and silently sleep
away the other twelve, wrapped in the mantle of darkness. The only thing
you want to do in a place like this is to gaze and gaze on the landscape,
swinging your fancies to and fro, alternately humming a tune and nodding
dreamily, as the mother on a winter's noonday, her back to the sun, rocks
and croons her baby to sleep.
KALIGRAM, 1891.
Yesterday, while I was giving audience to my tenants, five or six boys
made their appearance and stood in a primly proper row before me. Before I
could put any question their spokesman, in the choicest of high-flown
language, started: "Sire! the grace of the Almighty and the good fortune
of your benighted children have once more brought about your lordship's
auspicious arrival into this locality. " He went on in this strain for
nearly half an hour. Here and there he would get his lesson wrong, pause,
look up at the sky, correct himself, and then go on again. I gathered that
their school was short of benches and stools. "For want of these
wood-built seats," as he put it, "we know not where to sit ourselves,
where to seat our revered teachers, or what to offer our most respected
inspector when he comes on a visit. "
I could hardly repress a smile at this torrent of eloquence gushing from
such a bit of a fellow, which sounded specially out of place here, where
the ryots are given to stating their profoundly vital wants in plain and
direct vernacular, of which even the more unusual words get sadly twisted
out of shape. The clerks and ryots, however, seemed duly impressed, and
likewise envious, as though deploring their parents' omission to endow
them with so splendid a means of appealing to the _Zamindar_.
I interrupted the young orator before he had done, promising to arrange
for the necessary number of benches and stools. Nothing daunted, he
allowed me to have my say, then took up his discourse where he had left
it, finished it to the last word, saluted me profoundly, and marched off
his contingent. He probably would not have minded had I refused to supply
the seats, but after all his trouble in getting it by heart he would have
resented bitterly being robbed of any part of his speech. So, though it
kept more important business waiting, I had to hear him out.
NEARING SHAZADPUR,
_January_ 1891.
We left the little river of Kaligram, sluggish as the circulation in a
dying man, and dropped down the current of a briskly flowing stream which
led to a region where land and water seemed to merge in each other, river
and bank without distinction of garb, like brother and sister in infancy.
The river lost its coating of sliminess, scattered its current in many
directions, and spread out, finally, into a _beel_ (marsh), with here
a patch of grassy land and there a stretch of transparent water, reminding
me of the youth of this globe when through the limitless waters land had
just begun to raise its head, the separate provinces of solid and fluid as
yet undefined.
Round about where we have moored, the bamboo poles of fishermen are
planted. Kites hover ready to snatch up fish from the nets. On the ooze at
the water's edge stand the saintly-looking paddy birds in meditation. All
kinds of waterfowl abound. Patches of weeds float on the water. Here and
there rice-fields, untilled, untended,[1] rise from the moist, clay soil.
Mosquitoes swarm over the still waters. . . .
[Footnote 1: On the rich river-side silt, rice seed is simply scattered
and the harvest reaped when ripe; nothing else has to be done. ]
We start again at dawn this morning and pass through Kachikata, where the
waters of the _beel_ find an outlet in a winding channel only six or
seven yards wide, through which they rush swiftly. To get our unwieldy
house-boat through is indeed an adventure. The current hurries it along at
lightning speed, keeping the crew busy using their oars as poles to
prevent the boat being dashed against the banks. We thus come out again
into the open river.
The sky had been heavily clouded, a damp wind blowing, with occasional
showers of rain. The crew were all shivering with cold. Such wet and
gloomy days in the cold weather are eminently disagreeable, and I have
spent a wretched lifeless morning. At two in the afternoon the sun came
out, and since then it has been delightful. The banks are now high and
covered with peaceful groves and the dwellings of men, secluded and full
of beauty.
The river winds in and out, an unknown little stream in the inmost
_zenana_ of Bengal, neither lazy nor fussy; lavishing the wealth of
her affection on both sides, she prattles about common joys and sorrows
and the household news of the village girls, who come for water, and sit
by her side, assiduously rubbing their bodies to a glowing freshness with
their moistened towels.
This evening we have moored our boat in a lonely bend. The sky is clear.
The moon is at its full. Not another boat is to be seen. The moonlight
glimmers on the ripples. Solitude reigns on the banks. The distant village
sleeps, nestling within a thick fringe of trees. The shrill, sustained
chirp of the cicadas is the only sound.
SHAZADPUR,
_February_ 1891.
Just in front of my window, on the other side of the stream, a band of
gypsies have ensconced themselves, putting up bamboo frameworks covered
over with split-bamboo mats and pieces of cloth. There are only three of
these little structures, so low that you cannot stand upright inside.
Their life is lived in the open, and they only creep under these shelters
at night, to sleep huddled together.
That is always the gypsies' way: no home anywhere, no landlord to pay rent
to, wandering about as it pleases them with their children, their pigs,
and a dog or two; and on them the police keep a vigilant eye.
I frequently watch the doings of the family nearest me. They are dark but
good-looking, with fine, strongly-built bodies, like north-west country
folk. Their women are handsome, and have tall, slim, well-knit figures;
and with their free and easy movements, and natural independent airs, they
look to me like swarthy Englishwomen.
The man has just put the cooking-pot on the fire, and is now splitting
bamboos and weaving baskets. The woman first holds up a little mirror to
her face, then puts a deal of pains into wiping and rubbing it, over and
over again, with a moist piece of cloth; and then, the folds of her upper
garment adjusted and tidied, she goes, all spick and span, up to her man
and sits beside him, helping him now and then in his work.
These are truly children of the soil, born on it somewhere, bred by the
wayside, here, there, and everywhere, dying anywhere. Night and day under
the open sky, in the open air, on the bare ground, they lead a unique kind
of life; and yet work, love, children, and household duties--everything is
there.
They are not idle for a moment, but always doing something. Her own
particular task over, one woman plumps herself down behind another, unties
the knot of her hair and cleans and arranges it for her; and whether at
the same time they fall to talking over the domestic affairs of the three
little mat-covered households I cannot say for certain from this distance,
but shrewdly suspect it.
This morning a great disturbance invaded the peaceful gypsy settlement. It
was about half-past eight or nine. They were spreading out over the mat
roofs tattered quilts and sundry other rags, which serve them for beds, in
order to sun and air them. The pigs with their litters, lying in a hollow
all of a heap and looking like a dab of mud, had been routed out by the
two canine members of the family, who fell upon them and sent them roaming
in search of their breakfasts, squealing their annoyance at being
interrupted in enjoyment of the sun after the cold night. I was writing my
letter and absently looking out now and then when the hubbub suddenly
commenced.
I rose and went to the window, and found a crowd gathered round the gypsy
hermitage. A superior-looking personage was flourishing a stick and
indulging in the strongest language. The headman of the gypsies, cowed and
nervous, was apparently trying to offer explanations. I gathered that some
suspicious happenings in the locality had led to this visitation by a
police officer.
The woman, so far, had remained sitting, busily scraping lengths of split
bamboo as serenely as if she had been alone and no sort of row going on.
Suddenly, however, she sprang to her feet, advanced on the police officer,
gesticulated violently with her arms right in his face, and gave him, in
strident tones, a piece of her mind. In the twinkling of an eye
three-quarters of the officer's excitement had subsided; he tried to put
in a word or two of mild protest but did not get a chance, and so departed
crestfallen, a different man.
After he had retreated to a safe distance, he turned and shouted back:
"All I say is, you'll have to clear out from here! "
I thought my neighbours opposite would forthwith pack up their mats and
bamboos and move away with their bundles, pigs, and children. But there is
no sign of it yet. They are still nonchalantly engaged in splitting
bamboos, cooking food, or completing a toilet.
SHAZADPUR,
_February_ 1891.
The post office is in a part of our estate office building,--this is very
convenient, for we get our letters as soon as they arrive. Some evenings
the postmaster comes up to have a chat with me. I enjoy listening to his
yarns.
He talks of the most impossible things in the gravest possible manner.
Yesterday he was telling me in what great reverence people of this
locality hold the sacred river Ganges. If one of their relatives dies, he
said, and they have not the means of taking the ashes to the Ganges, they
powder a piece of bone from his funeral pyre and keep it till they come
across some one who, some time or other, has drunk of the Ganges. To him
they administer some of this powder, hidden in the usual offering of
_pan_[1], and thus are content to imagine that a portion of the
remains of their deceased relative has gained purifying contact with the
sacred water.
[Footnote 1: Spices wrapped in betel leaf. ]
I smiled as I remarked: "This surely must be an invention. "
He pondered deeply before he admitted after a pause: "Yes, it may be. "
ON THE WAY.
_February_ 1891.
We have got past the big rivers and just turned into a little one.
The village women are standing in the water, bathing or washing clothes;
and some, in their dripping _saris_, with veils pulled well over
their faces, move homeward with their water vessels filled and clasped
against the left flank, the right arm swinging free. Children, covered all
over with clay, are sporting boisterously, splashing water on each other,
while one of them shouts a song, regardless of the tune.
Over the high banks, the cottage roofs and the tops of the bamboo clumps
are visible. The sky has cleared and the sun is shining. Remnants of
clouds cling to the horizon like fluffs of cotton wool. The breeze is
warmer.
There are not many boats in this little river; only a few dinghies, laden
with dry branches and twigs, are moving leisurely along to the tired
plash! plash! of their oars. At the river's edge the fishermen's nets are
hung out to dry between bamboo poles. And work everywhere seems to be over
for the day.
CHUHALI.
_June_ 1891.
I had been sitting out on the deck for more than a quarter of an hour when
heavy clouds rose in the west. They came up, black, tumbled, and tattered,
with streaks of lurid light showing through here and there. The little
boats scurried off into the smaller arm of the river and clung with their
anchors safely to its banks. The reapers took up the cut sheaves on their
heads and hied homewards; the cows followed, and behind them frisked the
calves waving their tails.
Then came an angry roar. Torn-off scraps of cloud hurried up from the
west, like panting messengers of evil tidings. Finally, lightning and
thunder, rain and storm, came on altogether and executed a mad dervish
dance. The bamboo clumps seemed to howl as the raging wind swept the
ground with them, now to the east, now to the west. Over all, the storm
droned like a giant snake-charmer's pipe, and to its rhythm swayed
hundreds and thousands of crested waves, like so many hooded snakes. The
thunder was incessant, as though a whole world was being pounded to pieces
away there behind the clouds.
With my chin resting on the ledge of an open window facing away from the
wind, I allowed my thoughts to take part in this terrible revelry; they
leapt into the open like a pack of schoolboys suddenly set free. When,
however, I got a thorough drenching from the spray of the rain, I had to
shut up the window and my poetising, and retire quietly into the darkness
inside, like a caged bird.
SHAZADPUR.
_June_ 1891.
From the bank to which the boat is tied a kind of scent rises out of the
grass, and the heat of the ground, given off in gasps, actually touches my
body. I feel that the warm, living Earth is breathing upon me, and that
she, also, must feel my breath.
The young shoots of rice are waving in the breeze, and the ducks are in
turn thrusting their heads beneath the water and preening their feathers.
There is no sound save the faint, mournful creaking of the gangway against
the boat, as she imperceptibly swings to and fro in the current.
Not far off there is a ferry. A motley crowd has assembled under the
banyan tree awaiting the boat's return; and as soon as it arrives, they
eagerly scramble in. I enjoy watching this for hours together. It is
market-day in the village on the other bank; that is why the ferry is so
busy. Some carry bundles of hay, some baskets, some sacks; some are going
to the market, others coming from it. Thus, in this silent noonday, the
stream of human activity slowly flows across the river between two
villages.
I sat wondering: Why is there always this deep shade of melancholy over
the fields arid river banks, the sky and the sunshine of our country? And
I came to the conclusion that it is because with us Nature is obviously
the more important thing. The sky is free, the fields limitless; and the
sun merges them into one blazing whole. In the midst of this, man seems so
trivial. He comes and goes, like the ferry-boat, from this shore to the
other; the babbling hum of his talk, the fitful echo of his song, is
heard; the slight movement of his pursuit of his own petty desires is seen
in the world's market-places: but how feeble, how temporary, how
tragically meaningless it all seems amidst the immense aloofness of the
Universe!
The contrast between the beautiful, broad, unalloyed peace of
Nature--calm, passive, silent, unfathomable,--and our own everyday
worries--paltry, sorrow-laden, strife-tormented, puts me beside myself as
I keep staring at the hazy, distant, blue line of trees which fringe the
fields across the river.
Where Nature is ever hidden, and cowers under mist and cloud, snow and
darkness, there man feels himself master; he regards his desires, his
works, as permanent; he wants to perpetuate them, he looks towards
posterity, he raises monuments, he writes biographies; he even goes the
length of erecting tombstones over the dead. So busy is he that he has not
time to consider how many monuments crumble, how often names are
forgotten!
SHAZADPUR.
_June_ 1891.
There was a great, big mast lying on the river bank, and some little
village urchins, with never a scrap of clothing, decided, after a long
consultation, that if it could be rolled along to the accompaniment of a
sufficient amount of vociferous clamour, it would be a new and altogether
satisfactory kind of game. The decision was no sooner come to than acted
upon, with a "_Shabash_, brothers! All together! Heave ho! " And at
every turn it rolled, there was uproarious laughter.
The demeanour of one girl in the party was very different. She was playing
with the boys for want of other companions, but she clearly viewed with
disfavour these loud and strenuous games. At last she stepped up to the
mast and, without a word, deliberately sat on it.
So rare a game to come to so abrupt a stop! Some of the players seemed to
resign themselves to giving it up as a bad job; and retiring a little way
off, they sulkily glared at the girl in her impassive gravity. One made as
if he would push her off, but even this did not disturb the careless ease
of her pose. The eldest lad came up to her and pointed to other equally
suitable places for taking a rest; at which she energetically shook her
head, and putting her hands in her lap, steadied herself down still more
firmly on her seat. Then at last they had recourse to physical argument
and were completely successful.
Once again joyful shouts rent the skies, and the mast rolled along so
gloriously that even the girl had to cast aside her pride and her
dignified exclusiveness and make a pretence of joining in the unmeaning
excitement. But one could see all the time that she was sure boys never
know how to play properly, and are always so childish! If only she had the
regulation yellow earthen doll handy, with its big, black top-knot, would
she ever have deigned to join in this silly game with these foolish boys?
All of a sudden the idea of another splendid pastime occurred to the boys.
Two of them got hold of a third by the arms and legs and began to swing
him. This must have been great fun, for they all waxed enthusiastic over
it. But it was more than the girl could stand, so she disdainfully left
the playground and marched off home.
Then there was an accident. The boy who was being swung was let fall. He
left his companions in a pet, and went and lay down on the grass with his
arms crossed under his head, desiring to convey thereby that never again
would he have anything to do with this bad, hard world, but would forever
lie, alone by himself, with his arms under his head, and count the stars
and watch the play of the clouds.
The eldest boy, unable to bear the idea of such untimely
world-renunciation, ran up to the disconsolate one and taking his head on
his own knees repentantly coaxed him. "Come, my little brother! Do get up,
little brother! Have we hurt you, little brother? " And before long I found
them playing, like two pups, at catching and snatching away each other's
hands! Two minutes had hardly passed before the little fellow was swinging
again.
SHAZADPUR,
_June_ 1891.
I had a most extraordinary dream last night. The whole of Calcutta seemed
enveloped in some awful mystery, the houses being only dimly visible
through a dense, dark mist, within the veil of which there were strange
doings.
I was going along Park Street in a hackney carriage, and as I passed St.
Xavier's College I found it had started growing rapidly and was fast
getting impossibly high within its enveloping haze. Then it was borne in
on me that a band of magicians had come to Calcutta who, if they were paid
for it, could bring about many such wonders.
When I arrived at our Jorasanko house, I found these magicians had turned
up there too. They were ugly-looking, of a Mongolian type, with scanty
moustaches and a few long hairs sticking out of their chins. They could
make men grow. Some of the girls wanted to be made taller, and the
magician sprinkled some powder over their heads and they promptly shot up.
To every one I met I kept repeating: "This is most extraordinary,--just
like a dream! "
Then some one proposed that our house should be made to grow. The
magicians agreed, and as a preliminary began to take down some portions.
The dismantling over, they demanded money, or else they would not go on.
The cashier strongly objected. How could payment be made before the work
was completed? At this the magicians got wild and twisted up the building
most fearsomely, so that men and brickwork got mixed together, bodies
inside walls and only head and shoulders showing.
It had altogether the look of a thoroughly devilish business, as I told my
eldest brother. "You see," said I, "the kind of thing it is. We had better
call upon God to help us! " But try as I might to anathematise them in the
name of God, my heart felt like breaking and no words would come. Then I
awoke.
A curious dream, was it not? Calcutta in the hands of Satan and growing
diabolically, within the darkness of an unholy mist!
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf. org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U. S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www. gutenberg. net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
? The Project Gutenberg EBook of Glimpses of Bengal, by Sir Rabindranath Tagore
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
Title: Glimpses of Bengal
Author: Sir Rabindranath Tagore
Release Date: April, 2005 [EBook #7951]
This file was first posted on June 4, 2003
Last Updated: May 7, 2013
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK GLIMPSES OF BENGAL ***
Produced by S. R. Ellison, Eric Eldred, and the Distributed
Proofreading Team
GLIMPSES OF BENGAL
SELECTED FROM THE LETTERS OF SIR RABINDRANATH TAGORE
1885 TO 1895
By Sir Rabindranath Tagore
INTRODUCTION
The letters translated in this book span the most productive period of my
literary life, when, owing to great good fortune, I was young and less
known.
Youth being exuberant and leisure ample, I felt the writing of letters
other than business ones to be a delightful necessity. This is a form of
literary extravagance only possible when a surplus of thought and emotion
accumulates. Other forms of literature remain the author's and are made
public for his good; letters that have been given to private individuals
once for all, are therefore characterised by the more generous
abandonment.
It so happened that selected extracts from a large number of such letters
found their way back to me years after they had been written. It had been
rightly conjectured that they would delight me by bringing to mind the
memory of days when, under the shelter of obscurity, I enjoyed the
greatest freedom my life has ever known.
Since these letters synchronise with a considerable part of my published
writings, I thought their parallel course would broaden my readers'
understanding of my poems as a track is widened by retreading the same
ground. Such was my justification for publishing them in a book for my
countrymen. Hoping that the descriptions of village scenes in Bengal
contained in these letters would also be of interest to English readers,
the translation of a selection of that selection has been entrusted to one
who, among all those whom I know, was best fitted to carry it out.
RABINDRANATH TAGORE.
_20th June 1920. _
BANDORA, BY THE SEA,
_October_ 1885.
The unsheltered sea heaves and heaves and blanches into foam. It sets me
thinking of some tied-up monster straining at its bonds, in front of whose
gaping jaws we build our homes on the shore and watch it lashing its tail.
What immense strength, with waves swelling like the muscles of a giant!
From the beginning of creation there has been this feud between land and
water: the dry earth slowly and silently adding to its domain and
spreading a broader and broader lap for its children; the ocean receding
step by step, heaving and sobbing and beating its breast in despair.
Remember the sea was once sole monarch, utterly free.
Land rose from its womb, usurped its throne, and ever since the maddened
old creature, with hoary crest of foam, wails and laments continually,
like King Lear exposed to the fury of the elements.
_July 1887. _
I am in my twenty-seventh year. This event keeps thrusting itself before
my mind--nothing else seems to have happened of late.
But to reach twenty-seven--is that a trifling thing? --to pass the meridian
of the twenties on one's progress towards thirty? --thirty--that is to say
maturity--the age at which people expect fruit rather than fresh foliage.
But, alas, where is the promise of fruit? As I shake my head, it still
feels brimful of luscious frivolity, with not a trace of philosophy.
Folk are beginning to complain: "Where is that which we expected of
you--that in hope of which we admired the soft green of the shoot? Are we
to put up with immaturity for ever? It is high time for us to know what we
shall gain from you. We want an estimate of the proportion of oil which
the blindfold, mill-turning, unbiased critic can squeeze out of you. "
It has ceased to be possible to delude these people into waiting
expectantly any longer. While I was under age they trustfully gave me
credit; it is sad to disappoint them now that I am on the verge of thirty.
But what am I to do? Words of wisdom will not come! I am utterly
incompetent to provide things that may profit the multitude. Beyond a
snatch of song, some tittle-tattle, a little merry fooling, I have been
unable to advance. And as the result, those who held high hopes will turn
their wrath on me; but did any one ever beg them to nurse these
expectations?
Such are the thoughts which assail me since one fine _Bysakh_ morning
I awoke amidst fresh breeze and light, new leaf and flower, to find that I
had stepped into my twenty-seventh year.
SHELIDAH, 1888.
Our house-boat is moored to a sandbank on the farther side of the river. A
vast expanse of sand stretches away out of sight on every side, with here
and there a streak, as of water, running across, though sometimes what
gleams like water is only sand.
Not a village, not a human being, not a tree, not a blade of grass--the
only breaks in the monotonous whiteness are gaping cracks which in places
show the layer of moist, black clay underneath.
Looking towards the East, there is endless blue above, endless white
beneath. Sky empty, earth empty too--the emptiness below hard and barren,
that overhead arched and ethereal--one could hardly find elsewhere such a
picture of stark desolation.
But on turning to the West, there is water, the currentless bend of the
river, fringed with its high bank, up to which spread the village groves
with cottages peeping through--all like an enchanting dream in the evening
light. I say "the evening light," because in the evening we wander out,
and so that aspect is impressed on my mind.
SHAZADPUR, 1890.
The magistrate was sitting in the verandah of his tent dispensing justice
to the crowd awaiting their turns under the shade of a tree. They set my
palanquin down right under his nose, and the young Englishman received me
courteously. He had very light hair, with darker patches here and there,
and a moustache just beginning to show. One might have taken him for a
white-haired old man but for his extremely youthful face. I asked him over
to dinner, but he said he was due elsewhere to arrange for a pig-sticking
party.
As I returned home, great black clouds came up and there was a terrific
storm with torrents of rain. I could not touch a book, it was impossible
to write, so in the I-know-not-what mood I wandered about from room to
room. It had become quite dark, the thunder was continually pealing, the
lightning gleaming flash after flash, and every now and then sudden gusts
of wind would get hold of the big _lichi_ tree by the neck and give
its shaggy top a thorough shaking. The hollow in front of the house soon
filled with water, and as I paced about, it suddenly struck me that I
ought to offer the shelter of the house to the magistrate.
I sent off an invitation; then after investigation I found the only spare
room encumbered with a platform of planks hanging from the beams, piled
with dirty old quilts and bolsters. Servants' belongings, an excessively
grimy mat, hubble-bubble pipes, tobacco, tinder, and two wooden chests
littered the floor, besides sundry packing-cases full of useless odds and
ends, such as a rusty kettle lid, a bottomless iron stove, a discoloured
old nickel teapot, a soup-plate full of treacle blackened with dust. In a
corner was a tub for washing dishes, and from nails in the wall hung moist
dish-clouts and the cook's livery and skull-cap. The only piece of
furniture was a rickety dressing-table with water stains, oil stains, milk
stains, black, brown, and white stains, and all kinds of mixed stains. The
mirror, detached from it, rested against another wall, and the drawers
were receptacles for a miscellaneous assortment of articles from soiled
napkins down to bottle wires and dust.
For a moment I was overwhelmed with dismay; then it was a case of--send
for the manager, send for the storekeeper, call up all the servants, get
hold of extra men, fetch water, put up ladders, unfasten ropes, pull down
planks, take away bedding, pick up broken glass bit by bit, wrench nails
from the wall one by one. --The chandelier falls and its pieces strew the
floor; pick them up again piece by piece. --I myself whisk the dirty mat
off the floor and out of the window, dislodging a horde of cockroaches,
messmates, who dine off my bread, my treacle, and the polish on my shoes.
The magistrate's reply is brought back; his tent is in an awful state and
he is coming at once. Hurry up! Hurry up! Presently comes the shout: "The
sahib has arrived. " All in a flurry I brush the dust off hair, beard, and
the rest of myself, and as I go to receive him in the drawing-room, I try
to look as respectable as if I had been reposing there comfortably all the
afternoon.
I went through the shaking of hands and conversed with the magistrate
outwardly serene; still, misgivings about his accommodation would now and
then well up within. When at length I had to show my guest to his room, I
found it passable, and if the homeless cockroaches do not tickle the soles
of his feet, he may manage to get a night's rest.
KALIGRAM, 1891.
I am feeling listlessly comfortable and delightfully irresponsible.
This is the prevailing mood all round here.
There is a river but it has no
current to speak of, and, lying snugly tucked up in its coverlet of
floating weeds, seems to think--"Since it is possible to get on without
getting along, why should I bestir myself to stir? " So the sedge which
lines the banks knows hardly any disturbance until the fishermen come with
their nets.
Four or five large-sized boats are moored near by, alongside each other.
On the upper deck of one the boatman is fast asleep, rolled up in a sheet
from head to foot. On another, the boatman--also basking in the
sun--leisurely twists some yarn into rope. On the lower deck in a third,
an oldish-looking, bare-bodied fellow is leaning over an oar, staring
vacantly at our boat.
Along the bank there are various other people, but why they come or go,
with the slowest of idle steps, or remain seated on their haunches
embracing their knees, or keep on gazing at nothing in particular, no one
can guess.
The only signs of activity are to be seen amongst the ducks, who, quacking
clamorously, thrust their heads under and bob up again to shake off the
water with equal energy, as if they repeatedly tried to explore the
mysteries below the surface, and every time, shaking their heads, had to
report, "Nothing there! Nothing there! "
The days here drowse all their twelve hours in the sun, and silently sleep
away the other twelve, wrapped in the mantle of darkness. The only thing
you want to do in a place like this is to gaze and gaze on the landscape,
swinging your fancies to and fro, alternately humming a tune and nodding
dreamily, as the mother on a winter's noonday, her back to the sun, rocks
and croons her baby to sleep.
KALIGRAM, 1891.
Yesterday, while I was giving audience to my tenants, five or six boys
made their appearance and stood in a primly proper row before me. Before I
could put any question their spokesman, in the choicest of high-flown
language, started: "Sire! the grace of the Almighty and the good fortune
of your benighted children have once more brought about your lordship's
auspicious arrival into this locality. " He went on in this strain for
nearly half an hour. Here and there he would get his lesson wrong, pause,
look up at the sky, correct himself, and then go on again. I gathered that
their school was short of benches and stools. "For want of these
wood-built seats," as he put it, "we know not where to sit ourselves,
where to seat our revered teachers, or what to offer our most respected
inspector when he comes on a visit. "
I could hardly repress a smile at this torrent of eloquence gushing from
such a bit of a fellow, which sounded specially out of place here, where
the ryots are given to stating their profoundly vital wants in plain and
direct vernacular, of which even the more unusual words get sadly twisted
out of shape. The clerks and ryots, however, seemed duly impressed, and
likewise envious, as though deploring their parents' omission to endow
them with so splendid a means of appealing to the _Zamindar_.
I interrupted the young orator before he had done, promising to arrange
for the necessary number of benches and stools. Nothing daunted, he
allowed me to have my say, then took up his discourse where he had left
it, finished it to the last word, saluted me profoundly, and marched off
his contingent. He probably would not have minded had I refused to supply
the seats, but after all his trouble in getting it by heart he would have
resented bitterly being robbed of any part of his speech. So, though it
kept more important business waiting, I had to hear him out.
NEARING SHAZADPUR,
_January_ 1891.
We left the little river of Kaligram, sluggish as the circulation in a
dying man, and dropped down the current of a briskly flowing stream which
led to a region where land and water seemed to merge in each other, river
and bank without distinction of garb, like brother and sister in infancy.
The river lost its coating of sliminess, scattered its current in many
directions, and spread out, finally, into a _beel_ (marsh), with here
a patch of grassy land and there a stretch of transparent water, reminding
me of the youth of this globe when through the limitless waters land had
just begun to raise its head, the separate provinces of solid and fluid as
yet undefined.
Round about where we have moored, the bamboo poles of fishermen are
planted. Kites hover ready to snatch up fish from the nets. On the ooze at
the water's edge stand the saintly-looking paddy birds in meditation. All
kinds of waterfowl abound. Patches of weeds float on the water. Here and
there rice-fields, untilled, untended,[1] rise from the moist, clay soil.
Mosquitoes swarm over the still waters. . . .
[Footnote 1: On the rich river-side silt, rice seed is simply scattered
and the harvest reaped when ripe; nothing else has to be done. ]
We start again at dawn this morning and pass through Kachikata, where the
waters of the _beel_ find an outlet in a winding channel only six or
seven yards wide, through which they rush swiftly. To get our unwieldy
house-boat through is indeed an adventure. The current hurries it along at
lightning speed, keeping the crew busy using their oars as poles to
prevent the boat being dashed against the banks. We thus come out again
into the open river.
The sky had been heavily clouded, a damp wind blowing, with occasional
showers of rain. The crew were all shivering with cold. Such wet and
gloomy days in the cold weather are eminently disagreeable, and I have
spent a wretched lifeless morning. At two in the afternoon the sun came
out, and since then it has been delightful. The banks are now high and
covered with peaceful groves and the dwellings of men, secluded and full
of beauty.
The river winds in and out, an unknown little stream in the inmost
_zenana_ of Bengal, neither lazy nor fussy; lavishing the wealth of
her affection on both sides, she prattles about common joys and sorrows
and the household news of the village girls, who come for water, and sit
by her side, assiduously rubbing their bodies to a glowing freshness with
their moistened towels.
This evening we have moored our boat in a lonely bend. The sky is clear.
The moon is at its full. Not another boat is to be seen. The moonlight
glimmers on the ripples. Solitude reigns on the banks. The distant village
sleeps, nestling within a thick fringe of trees. The shrill, sustained
chirp of the cicadas is the only sound.
SHAZADPUR,
_February_ 1891.
Just in front of my window, on the other side of the stream, a band of
gypsies have ensconced themselves, putting up bamboo frameworks covered
over with split-bamboo mats and pieces of cloth. There are only three of
these little structures, so low that you cannot stand upright inside.
Their life is lived in the open, and they only creep under these shelters
at night, to sleep huddled together.
That is always the gypsies' way: no home anywhere, no landlord to pay rent
to, wandering about as it pleases them with their children, their pigs,
and a dog or two; and on them the police keep a vigilant eye.
I frequently watch the doings of the family nearest me. They are dark but
good-looking, with fine, strongly-built bodies, like north-west country
folk. Their women are handsome, and have tall, slim, well-knit figures;
and with their free and easy movements, and natural independent airs, they
look to me like swarthy Englishwomen.
The man has just put the cooking-pot on the fire, and is now splitting
bamboos and weaving baskets. The woman first holds up a little mirror to
her face, then puts a deal of pains into wiping and rubbing it, over and
over again, with a moist piece of cloth; and then, the folds of her upper
garment adjusted and tidied, she goes, all spick and span, up to her man
and sits beside him, helping him now and then in his work.
These are truly children of the soil, born on it somewhere, bred by the
wayside, here, there, and everywhere, dying anywhere. Night and day under
the open sky, in the open air, on the bare ground, they lead a unique kind
of life; and yet work, love, children, and household duties--everything is
there.
They are not idle for a moment, but always doing something. Her own
particular task over, one woman plumps herself down behind another, unties
the knot of her hair and cleans and arranges it for her; and whether at
the same time they fall to talking over the domestic affairs of the three
little mat-covered households I cannot say for certain from this distance,
but shrewdly suspect it.
This morning a great disturbance invaded the peaceful gypsy settlement. It
was about half-past eight or nine. They were spreading out over the mat
roofs tattered quilts and sundry other rags, which serve them for beds, in
order to sun and air them. The pigs with their litters, lying in a hollow
all of a heap and looking like a dab of mud, had been routed out by the
two canine members of the family, who fell upon them and sent them roaming
in search of their breakfasts, squealing their annoyance at being
interrupted in enjoyment of the sun after the cold night. I was writing my
letter and absently looking out now and then when the hubbub suddenly
commenced.
I rose and went to the window, and found a crowd gathered round the gypsy
hermitage. A superior-looking personage was flourishing a stick and
indulging in the strongest language. The headman of the gypsies, cowed and
nervous, was apparently trying to offer explanations. I gathered that some
suspicious happenings in the locality had led to this visitation by a
police officer.
The woman, so far, had remained sitting, busily scraping lengths of split
bamboo as serenely as if she had been alone and no sort of row going on.
Suddenly, however, she sprang to her feet, advanced on the police officer,
gesticulated violently with her arms right in his face, and gave him, in
strident tones, a piece of her mind. In the twinkling of an eye
three-quarters of the officer's excitement had subsided; he tried to put
in a word or two of mild protest but did not get a chance, and so departed
crestfallen, a different man.
After he had retreated to a safe distance, he turned and shouted back:
"All I say is, you'll have to clear out from here! "
I thought my neighbours opposite would forthwith pack up their mats and
bamboos and move away with their bundles, pigs, and children. But there is
no sign of it yet. They are still nonchalantly engaged in splitting
bamboos, cooking food, or completing a toilet.
SHAZADPUR,
_February_ 1891.
The post office is in a part of our estate office building,--this is very
convenient, for we get our letters as soon as they arrive. Some evenings
the postmaster comes up to have a chat with me. I enjoy listening to his
yarns.
He talks of the most impossible things in the gravest possible manner.
Yesterday he was telling me in what great reverence people of this
locality hold the sacred river Ganges. If one of their relatives dies, he
said, and they have not the means of taking the ashes to the Ganges, they
powder a piece of bone from his funeral pyre and keep it till they come
across some one who, some time or other, has drunk of the Ganges. To him
they administer some of this powder, hidden in the usual offering of
_pan_[1], and thus are content to imagine that a portion of the
remains of their deceased relative has gained purifying contact with the
sacred water.
[Footnote 1: Spices wrapped in betel leaf. ]
I smiled as I remarked: "This surely must be an invention. "
He pondered deeply before he admitted after a pause: "Yes, it may be. "
ON THE WAY.
_February_ 1891.
We have got past the big rivers and just turned into a little one.
The village women are standing in the water, bathing or washing clothes;
and some, in their dripping _saris_, with veils pulled well over
their faces, move homeward with their water vessels filled and clasped
against the left flank, the right arm swinging free. Children, covered all
over with clay, are sporting boisterously, splashing water on each other,
while one of them shouts a song, regardless of the tune.
Over the high banks, the cottage roofs and the tops of the bamboo clumps
are visible. The sky has cleared and the sun is shining. Remnants of
clouds cling to the horizon like fluffs of cotton wool. The breeze is
warmer.
There are not many boats in this little river; only a few dinghies, laden
with dry branches and twigs, are moving leisurely along to the tired
plash! plash! of their oars. At the river's edge the fishermen's nets are
hung out to dry between bamboo poles. And work everywhere seems to be over
for the day.
CHUHALI.
_June_ 1891.
I had been sitting out on the deck for more than a quarter of an hour when
heavy clouds rose in the west. They came up, black, tumbled, and tattered,
with streaks of lurid light showing through here and there. The little
boats scurried off into the smaller arm of the river and clung with their
anchors safely to its banks. The reapers took up the cut sheaves on their
heads and hied homewards; the cows followed, and behind them frisked the
calves waving their tails.
Then came an angry roar. Torn-off scraps of cloud hurried up from the
west, like panting messengers of evil tidings. Finally, lightning and
thunder, rain and storm, came on altogether and executed a mad dervish
dance. The bamboo clumps seemed to howl as the raging wind swept the
ground with them, now to the east, now to the west. Over all, the storm
droned like a giant snake-charmer's pipe, and to its rhythm swayed
hundreds and thousands of crested waves, like so many hooded snakes. The
thunder was incessant, as though a whole world was being pounded to pieces
away there behind the clouds.
With my chin resting on the ledge of an open window facing away from the
wind, I allowed my thoughts to take part in this terrible revelry; they
leapt into the open like a pack of schoolboys suddenly set free. When,
however, I got a thorough drenching from the spray of the rain, I had to
shut up the window and my poetising, and retire quietly into the darkness
inside, like a caged bird.
SHAZADPUR.
_June_ 1891.
From the bank to which the boat is tied a kind of scent rises out of the
grass, and the heat of the ground, given off in gasps, actually touches my
body. I feel that the warm, living Earth is breathing upon me, and that
she, also, must feel my breath.
The young shoots of rice are waving in the breeze, and the ducks are in
turn thrusting their heads beneath the water and preening their feathers.
There is no sound save the faint, mournful creaking of the gangway against
the boat, as she imperceptibly swings to and fro in the current.
Not far off there is a ferry. A motley crowd has assembled under the
banyan tree awaiting the boat's return; and as soon as it arrives, they
eagerly scramble in. I enjoy watching this for hours together. It is
market-day in the village on the other bank; that is why the ferry is so
busy. Some carry bundles of hay, some baskets, some sacks; some are going
to the market, others coming from it. Thus, in this silent noonday, the
stream of human activity slowly flows across the river between two
villages.
I sat wondering: Why is there always this deep shade of melancholy over
the fields arid river banks, the sky and the sunshine of our country? And
I came to the conclusion that it is because with us Nature is obviously
the more important thing. The sky is free, the fields limitless; and the
sun merges them into one blazing whole. In the midst of this, man seems so
trivial. He comes and goes, like the ferry-boat, from this shore to the
other; the babbling hum of his talk, the fitful echo of his song, is
heard; the slight movement of his pursuit of his own petty desires is seen
in the world's market-places: but how feeble, how temporary, how
tragically meaningless it all seems amidst the immense aloofness of the
Universe!
The contrast between the beautiful, broad, unalloyed peace of
Nature--calm, passive, silent, unfathomable,--and our own everyday
worries--paltry, sorrow-laden, strife-tormented, puts me beside myself as
I keep staring at the hazy, distant, blue line of trees which fringe the
fields across the river.
Where Nature is ever hidden, and cowers under mist and cloud, snow and
darkness, there man feels himself master; he regards his desires, his
works, as permanent; he wants to perpetuate them, he looks towards
posterity, he raises monuments, he writes biographies; he even goes the
length of erecting tombstones over the dead. So busy is he that he has not
time to consider how many monuments crumble, how often names are
forgotten!
SHAZADPUR.
_June_ 1891.
There was a great, big mast lying on the river bank, and some little
village urchins, with never a scrap of clothing, decided, after a long
consultation, that if it could be rolled along to the accompaniment of a
sufficient amount of vociferous clamour, it would be a new and altogether
satisfactory kind of game. The decision was no sooner come to than acted
upon, with a "_Shabash_, brothers! All together! Heave ho! " And at
every turn it rolled, there was uproarious laughter.
The demeanour of one girl in the party was very different. She was playing
with the boys for want of other companions, but she clearly viewed with
disfavour these loud and strenuous games. At last she stepped up to the
mast and, without a word, deliberately sat on it.
So rare a game to come to so abrupt a stop! Some of the players seemed to
resign themselves to giving it up as a bad job; and retiring a little way
off, they sulkily glared at the girl in her impassive gravity. One made as
if he would push her off, but even this did not disturb the careless ease
of her pose. The eldest lad came up to her and pointed to other equally
suitable places for taking a rest; at which she energetically shook her
head, and putting her hands in her lap, steadied herself down still more
firmly on her seat. Then at last they had recourse to physical argument
and were completely successful.
Once again joyful shouts rent the skies, and the mast rolled along so
gloriously that even the girl had to cast aside her pride and her
dignified exclusiveness and make a pretence of joining in the unmeaning
excitement. But one could see all the time that she was sure boys never
know how to play properly, and are always so childish! If only she had the
regulation yellow earthen doll handy, with its big, black top-knot, would
she ever have deigned to join in this silly game with these foolish boys?
All of a sudden the idea of another splendid pastime occurred to the boys.
Two of them got hold of a third by the arms and legs and began to swing
him. This must have been great fun, for they all waxed enthusiastic over
it. But it was more than the girl could stand, so she disdainfully left
the playground and marched off home.
Then there was an accident. The boy who was being swung was let fall. He
left his companions in a pet, and went and lay down on the grass with his
arms crossed under his head, desiring to convey thereby that never again
would he have anything to do with this bad, hard world, but would forever
lie, alone by himself, with his arms under his head, and count the stars
and watch the play of the clouds.
The eldest boy, unable to bear the idea of such untimely
world-renunciation, ran up to the disconsolate one and taking his head on
his own knees repentantly coaxed him. "Come, my little brother! Do get up,
little brother! Have we hurt you, little brother? " And before long I found
them playing, like two pups, at catching and snatching away each other's
hands! Two minutes had hardly passed before the little fellow was swinging
again.
SHAZADPUR,
_June_ 1891.
I had a most extraordinary dream last night. The whole of Calcutta seemed
enveloped in some awful mystery, the houses being only dimly visible
through a dense, dark mist, within the veil of which there were strange
doings.
I was going along Park Street in a hackney carriage, and as I passed St.
Xavier's College I found it had started growing rapidly and was fast
getting impossibly high within its enveloping haze. Then it was borne in
on me that a band of magicians had come to Calcutta who, if they were paid
for it, could bring about many such wonders.
When I arrived at our Jorasanko house, I found these magicians had turned
up there too. They were ugly-looking, of a Mongolian type, with scanty
moustaches and a few long hairs sticking out of their chins. They could
make men grow. Some of the girls wanted to be made taller, and the
magician sprinkled some powder over their heads and they promptly shot up.
To every one I met I kept repeating: "This is most extraordinary,--just
like a dream! "
Then some one proposed that our house should be made to grow. The
magicians agreed, and as a preliminary began to take down some portions.
The dismantling over, they demanded money, or else they would not go on.
The cashier strongly objected. How could payment be made before the work
was completed? At this the magicians got wild and twisted up the building
most fearsomely, so that men and brickwork got mixed together, bodies
inside walls and only head and shoulders showing.
It had altogether the look of a thoroughly devilish business, as I told my
eldest brother. "You see," said I, "the kind of thing it is. We had better
call upon God to help us! " But try as I might to anathematise them in the
name of God, my heart felt like breaking and no words would come. Then I
awoke.
A curious dream, was it not? Calcutta in the hands of Satan and growing
diabolically, within the darkness of an unholy mist!
