No More Learning

77
Zarathustra, Part III. : “I myself am happy. ”-
When he had taken leave of mankind he returned
unto himself. Like a cloud it vanishes from him.
The manner in which Superman must live: like an
Epicurean God.
Divine suffering is the substance of the third part
of Zarathustra. The human state of the legislator
is only brought forward as an example.
His intense love for his friends seems to him a
disease, once more he becomes peaceful.
When the invitations come he gently evades them.
78
In the fourth part it is necessary to say precisely
why it is that the time of the great noon has come:
It is really a description of the age given by means
of visits, but interpreted by Zarathustra.
In the fourth part it is necessary to say precisely
why “a chosen people” has first to be created :-
they are the lucky cases of nature as opposed to the
unlucky (exemplified by the visitors): only to them
—the lucky cases—is Zarathustra able to express
himself concerning ultimate problems, them alone


## p. 281 (#301) ############################################

NOTES ON "THUS SPAKE ZARATHUSTRA” 281
is he able to inspire with activity on behalf of this
theory. They are strong, healthy, hard and above
all noble enough for him to give them the hammer
with which to remould the whole world.
79
The unity in power of the creator, the lover and
the knight of knowledge.
80
Love alone shall judge—(the creative love which
forgets itself in its work).
81
Zarathustra can only dispense happiness once the
order of rank is established. Therefore this doctrine
must be taught first.
The order of rank develops into a system of
earthly dominion : the lords of the earth come last,
a new ruling caste. Here and there there arises
from them a perfectly Epicurean God, a Superman,
a transfigurer of existence.
The Superhuman's notion of the world. Dionysus.
Returning from these most strange of all pursuits
Zarathustra comes back with love to the narrowest
and smallest things,—he blesses all his experiences
and dies with a blessing on his lips.
82
From people who merely pray we must become
people who bless.
Printed at The DARIEN PRESS, Edinburgh.
19


## p. (#302) ################################################



## p. (#303) ################################################

WORKS OF
FRIEDRICH NIETZSCHE
First complete and authorised English Translation
in 18 volumes, edited by Dr OSCAR LEVY
1.
THE BIRTH OF TRAGEDY.
Translated by William A. Haussmann, B. A. , Ph. D. , with Bio-
graphical Introduction by the Author's Sister, Portrait and
Facsimile. Cr 8vo, 230 pp. , 25. 6d. net. Second Edition.
One of the most discussed of Nietzsche's works, full of sparkling
thoughts and new ideas concerning the Greek drama, Goethe,
modern music, etc.
II.
EARLY GREEK PHILOSOPHY, AND
OTHER ESSAYS.
Translated by M. A. Mügge, Ph. D. Cr 8vo, 35. 6d. net.
Essays on Greek Philosophy, the Greek Slate, the Greek Woman,
Music and Word, Truthfulness and Untruthfulness, etc.
III. THE FUTURE OF OUR EDUCATIONAL
INSTITUTIONS.
Translated by J. M. Kennedy. Cr 8vo, 25. 6d. net. Second Ed.
A series of lectures on modern European educational establish-
ments, with a comparison with those of ancient civilisation, and
suggestions for their improvement.
IV. THOUGHTS OUT OF SEASON, VOL. I.
Translated by A. M. Ludovici, with Editorial Note and General
Introduction to the Series. Cr 8vo, 25. 6d. net. Third Edition.
The essay on David Strauss is a protest against the pseudo-
culture of Germany, and the second essay is a complete analysis
of Wagner's character and abilities as man, musician, philosopher,
and writer.
V. THOUGHTS OUT OF SEASON, VOL. II.
Vol
Translated by Adrian Collins, M. A. Cr 8vo, 25. 6d. net. Second Ed.
The essay on history is a severe indictment of the over-valuation
of history. The essay on Schopenhauer was written to protect
the great pessimist fron the attacks of narrow-minded critics
and to set him up as an antidote to Hegel.
VI. HUMAN, ALL-TOO-HUMAN, VOL. I.
Translated by Helen Zimmern, with Introduction by J. M.
Kennedy. Cr 8vo, 5s. net.
Second Edition.
This book brought its author into the forefront of modern
thought. It is specially noteworthy as his first attack against
the morality of modern Europe.


## p. (#304) ################################################

OTHER NIETZSCHEAN LITERATURE
WORKS OF FRIEDRICH NIETZSCHE
continued
VII.
HUMAN, ALL-TOO-HUMAN, VOL. II.
Translated, with Introduction, by Paul V. Cohn, B. A. 55. net.
Nietzsche has cast off the fetters of Wagner and Schopenhauer,
and is beginning to find himself. The book consists of hundreds
of finely-chiselled aphorisms, many of which, like those on
Milton, Laurence Sterne, and Shakespeare, are interesting to all
English readers.
VIII.
THE CASE OF WAGNER.
Translated by A. M. Ludovici. Cr8vo, 35. 6d. net. Third Edition.
These two pamphlets consist of Nietzsche's criticism of all that
Wagnerism meant. They are not an attack on Wagner the
man, but on Wagnerism and the Wagnerite, as symptoms of
the ill-health and degeneracy of modern Art and modern Life.
This volume likewise contains a collection of aphorisms entitled
“We Philologists,” in which Nietzsche attacks modern classical
education.
IX.
THE DAWN OF DAY.
Translated, with Introduction, by J. M. Kennedy. 408 pp. , 55. net.
Music, art, sociology, Christianity, and Indian philosophy are a
few of the subjects treated in this book, which is most important
as containing a lucid explanation of Nietzsche's theories on race
questions. There is also to be found in it one of the most
masterly pieces of criticism that Nietzsche ever penned, viz. , the
long analysis of the character of the Apostle Paul.
*X.
THE JOYFUL WISDOM.
Translated, with Introduction, by Thomas Common. Cr 8vo,
350 pp. , 5s. net.
This book shows traces of mental exuberance and depth of pene-
tration unusual even for Nietzsche. The fourth book, entitled
“Sanctus Januarius," and the fifth, entitled “We Fearless Ones,
contain some of the maturest wisdom of Nietzsche, expressed in
a most tender and delicate form.
3
*XI.
THUS SPAKE ZARATHUSTRA.
Revised Translation by T. Common, with Introduction by Mrs
Foerster-Nietzsche, and Commentary by A. M. Ludovici. Cr
8vo, 490 pp. , 6s. net.
Third Edition.
An entirely new translation of this celebrated book, in which the
constructive element of Nietzsche's philosophy begins to appear,
containing the fourth section of the work, which is little known
to English readers.


## p. (#305) ################################################

OTHER NIETZSCHEAN LITERATURE
WORKS OF FRIEDRICH
FRIEDRICH NIETZSCHE
continued
*XII. BEYOND GOOD AND EVIL.
Translated by Helen Zimmern, with Introduction by T. Common.
Cr 8vo, 276 pp. , 35. 6d. net.
Third Edition.
One of the most characteristic and most brilliant of the works of
Nietzsche, containing aphorisms, principally on the morality of
different races and nations, explaining the great distinction be-
tween master and slave morality, and developing some of the
ideas of the Zarathustra.
XIII. THE GENEALOGY OF MORALS.
Translated by Horace B. Samuel, M. A. Cr 8vo, 35. 6d. net,
232 pp.
Second Edition.
Contains Nietzsche's celebrated exposition of the origin of sin
and punishment and the gradual development of the theory of
original sin, leading up to a severe denunciation of Christian
morality.
XIV. THE WILL TO POWER, VOL. I.
Translated by A. M. Ludovici. Cr 8vo, 55. net. Third Edition.
The two volumes of “The Will to Power" were destined to be
Nietzsche's greatest theoretical and philosophical prose work,
which, unfortunately, was never completed by its author. The
criticism of Religion and Morality found in this volume gives a
proof of Nietzsche's tolerant attitude towards Christianity, which
he wished not to eradicate, but to keep within its proper limits
as a religion for the people.
*XV. THE WILL TO POWER, VOL. II.
Translated by A. M. Ludovici. Cr 8vo, 5s. net. Second Edition,
This contains Nietzsche's view of Science. The first part of this
volume contains Nietzsche's research into the “Will to Power
in Nature," and has from the date of its appearance aroused the
interest of many men of science. The second half of this volume
is one of the most valuable productions of Nietzsche, containing,
as it does, his views on breeding and discipline, eugenics and
race-regeneration. Chapters are devoted to Dionysus and the
Eternal Recurrence.
*XVI. THE TWILIGHT OF IDOLS, THE ANTI-
CHRIST, ETERNAL RECURRENCE.
Translated by A. M. Ludovici. Cr 8vo, 300 pp. , 55. net.
In “The Twilight of the Idols" Nietzsche's dexterity in com-
bating European Degeneracy reaches its zenith. “All those,
he says, “who desire to obtain a rapid sketch of how everything,
before my time, was standing on its head, should begin reading
me in this book.
” In the “Antichrist " Nietzsche tenders his,
that is to say, the Higher Man's, ultimatum to Christianity.


## p. (#306) ################################################

OTHER NIETZSCHEAN LITERATURE
WORKS OF FRIEDRICH NIETZSCHE
continued
*.
*XVII. ECCE HOMO AND POETRY.
Translated by A. M. Ludovici. Poetry rendered by Dr G. T.
Wrench, Francis Bickley, Herman Scheffauer. Cr 8vo, 6s. net.
This is the famous autobiography. Told with a clearness and a
lucidity which is classic, it is the story of single-handed fight
against the romantic idealism which the author encountered in
such overwhelming force in the world about him. It was with-
held from publication for twenty years in Germany, owing to its
strong anti-German attitude.
XVIII. SUPPLEMENTARY ESSAYS
AND INDEX.
By Robert Guppy. Cr 8vo, 450 pp. , 6s. net.
This is a very exhaustive index, such as is even at present want-
ing in the French and German editions of Nietzsche. It contains
nearly 400 pages of matter. Added to this index is a translation
of every foreign word or phrase occurring in the seventeen
volumes of the edition by Mr Paul V. Cohn, B. A. The whole
is preceded by an introductory essay by the Editor : “The
Nietzsche Movement in England-a Retrospect, a Confession,
a Prospect. "
“ Nietzsche was a great poet, a great musician, a great scholar, and
a great philosopher. He took from every part of culture, and everything
he touched was shaped and animated by his tremendous personality.
He lived as he wrote-heroically. His life, after his boyhood, was a
long battle with pain, but he never wavered. He worked on until his
brain gave way, worn out at last by his indomitable spirit; and his
work has opened out the possibilities of man's life as widely and as
surely as the work of anyone who has ever lived. It is a benefit to the
community that his work has at length been translated into the English
language. "-The Observer,
* These Volumes-X. , XI. , XII. , XV. , XVI. , and XVII. -may be
strongly recommended as containing the quintessence o Nietzsche.
Readers are advised not to approach * Thus Spake Zarathustra" until
after a perusal of the other volumes.


## p. (#307) ################################################

OTHER NIETZSCHEAN LITERATURE
THE RENAISSANCE
BY COUNT ARTHUR DE GOBINEAU
With 20 Illustrations
Translated by Paul V. Cohn, with an Introductory
Essay on Count GOBINEAU's Life and Work,
by Dr OSCAR LEVY
IOS.
(HEINEMANN)
THESE five historical dramas cover the flowering-time of
the Italian Renaissance from the rise to prominence of
Savonarola (1492) to the last days of Michael Angelo (about
1560). While grouped round the leading figures who provide
the titles-Savonarola, Cesare Borgia, Julius II. , Leo X. , and
Michael Angelo—the plays introduce almost every interesting
character of the period. Nor are we only concerned with
the great names : the author aims at catching the spirit of
the people, and the thoughts and feelings of soldier, artisan,
trader, and their womenfolk find ample voice in his pages.
The Italian Renaissance is an epoch of peculiar interest
to English readers, not least because of its profound in-
fluence on our own Elizabethan age. It is perhaps the
most many-sided period in history : even fifth-century Greece
scarcely contributed so much-or at any rate so much that
has survived to the world of politics, art, and thought.
Now while this interest is amply reflected in contemporary
literature, from the monumental work of Symonds down to
the flotsam and jetsam of everyday fiction, there is one kind
of man who more than an historian would show insight into
this age, and that is a poet.
It is as a poet's work that Gobineau's “ Historical Scenes”
recommend themselves to the public. But there are many
kinds of poets : there is the religious and moral kind, there
is the irreligious and sub-moral kind, and there is the super-
religious and super-moral kind. Only the last-named can
understand, can feel, can sympathise with such mighty
figures as Cesare Borgia and Julius II. - the religious
poet being inclined to paint them as monsters, the sub-
religious as freaks and neurotics. Similia similibus : equals
can only be recognised by their equals, and Gobineau was


## p. (#308) ################################################

OTHER NIETZSCHEAN LITERATURE
a
THE RENAISSANCE-continued
himself a type of the Renaissance flung by destiny into an age
of low bourgeois and socialist ideals. In a century swayed
by romanticism and democracy, Gobineau was a classic and
an aristocrat. He is a forerunner of Nietzsche ("the only
European spirit I should care to converse with," said
Nietzsche of him in a letter), and as such is peculiarly fitted
to deal with one of the few periods that was not dominated
by the moral law. For this reason Gobineau cannot fail to
attract the large and ever-growing circle of students of
Nietzsche in this country and America.
“I can only add that this is a volume of serious import, worth reading from
cover to cover, a book which even a jaded reviewer closes with a sigh of regret
that he has not got to read it all over again. "-G. S. LAYARD in the Bookman.
“No book that we can recall tells so vividly and in such brilliant style the
story of the finest period of Italy as this 'Renaissance' of Gobineau's. The
glory and the shame of the revival of art and letters, the covetousness, the
cruelties, the licence, mixed up inextricably with the triumphs of painters,
architects, and poets; the passionate desire for self-expression and for mastery
in natures that shrank from no crime, and cast morality and decency, honour
and fidelity to the dogs—these things, the visible demonstrations of the spirit of
that age, are brought out conspicuously by the author's genius, and the men
and women, in whom were the characteristic qualities of the time, live and move
before us on Gobineau's stage. "-Yorkshire Post.
“We scarcely know whether to be more struck with the truth or liveliness of
these portraits. Savonarola, for example, is something more than the Savonarola
of history and tradition. Not only is the character of the man subtly brought
out; not only are we made aware, for the first time, adequately, of that devour.
ing egotism which could see nothing but self as God's instrument, self as the
scourge of Florence, self as the inspired prophet; but beneath all this and
vouching for it is the consciousness of the reality of the man, the consciousness
that his cries of distress are real cries, and his moments of fierce aspiration and
black despair genuine experiences. More touching and even more lifelike is the
figure of Michael Angelo, a figure in the main familiar to us, but endowed with
advancing years with a peace of mind, a lucidity of intelligence, and a breadth
of sympathy such as were foreign to its young and stormy epoch. The last
scene between Michael Angelo and Vittoria Colonna is a noble one, and can be
read more than once with pleasure. ”—The Morning Post.
“A debt is due to Dr Oscar Levy for bringing before English readers this
translation of that great work of Count Gobineau, in which, through the medium
of the drama, he reveals his reverence for the spirit that inspired the Italian
Renaissance. The plays constituting the book are five in number, 'Savonarola,'
*Cesare Borgia,' Julius II. , 'Leo X. ,' and 'Michael Angelo'-and nothing
more brilliant has appeared in recent times. In scope we can only compare
with it Mr Hardy's Dynasts,' but no more striking contrast could be con-
ceived than the creations of these two geniuses. Through the pages of these
plays moves the whole glittering pageant of the fifteenth and sixteenth cen.
turies, a mob of soldiers, priests, artists, men and women, slaying, plundering,
preaching, poisoning, painting, rioting, and loving, while out of the surgent
mass rise the figures of the splendid three, Borgia, Julius, and Michael Angelo,
dominating all by the sheer greatness of their ideas and their contempt for other
men's opinions. They are the great aristocrats of their time, and the five plays-
really one in conception-are an assertion of the saving grace of aristocracy, of
the glory of race, at a time when the democratic food, whose source is
Christianity, was beginning to pour over Europe, to the overwhelming of all
greatness of thought and art. The translation, which is excellent, is by Paul
V. Cobn. - Glasgow Herald.


## p. (#309) ################################################

OTHER NIETZSCHEAN LITERATURE
NIETZSCHE AND ART
BY ANTHONY M. LUDOVICI
45. 6d.
(CONSTABLE & Co. )
In this work the reader will find all the matter included in Mr Ludo-
vici's stimulating course of lectures recently delivered at University
College, Gower Street, and a good deal more besides. “I have done
two things,” says the author in his preface; “I have given a detailed
account of Nietzsche's general art doctrine, and I have also applied
this doctrine to the graphic arts of to-day and of antiquity. ”
"The finest art, or the ruler art, as he calls it, is that in which the aristocratic
principles of culture, selection, precision, and simplicity are upheld, and this
art can be the flower
and product only of a society in which an aristocratic order
is observed. "-The Daily Telegraph.
ATTA TROLL
BY HEINRICH HEINE
Translated by HERMAN SCHEFFAUER
With an Introduction by Dr OSCAR LEVY
and
Pen-and-Ink Sketches by WILLY POGANY
35. 6d.
(SIDGWICK & JACKSON)
“ATTA TROLL,” Heine's favourite work, though written in 1842, is
full of modern significance. The hero is a revolutionary, demo-
cratic dancing, bear, whose ideas of equality and liberty form the
object of Heine's satire. The poein is a fascinating medley of Heine's
inimitable wit, lurking ironic mockery and exquisite poetry, with
touches of romance and tenderness.
The flowing, faithful, yet elastic translation preserves all the
vital charm and racy flavour of the original. Apart from its brilliant
narrative, the anti-demagogic spirit of the poem will strongly com-
mend itself to all admirers of Nietzsche and Gobineau.
This charming volume in a literary and artistic sense has met
with universal praise and admiration.
“. . . The translator is himself a gifted poet, and the tribute in Dr Oscar
Levy's Introduction to the remarkable degree in which he has rendered the
elusive wit, brilliance, and tenderness of the original is thoroughly deserved. "-
Nottingham Guardian.
“The translation is really more like genius than cleverness. "- Expository
Times.


## p. (#310) ################################################

OTHER NIETZSCHEAN LITERATURE
THE MASTERY OF LIFE
By G. T. WRENCH
155. net
(DUCKWORTH)
This book is a review of the history of civilisation with the object
of discovering in the phrase of Nietzsche, “under what conditions
and where the plant man flourished best. ' The review shows that
the patriarchal family has always been the foundation of peoples,
who have been distinguished for their joy in and power over life,
and have expressed their joy and power in art works, which have
been their peculiar glory and the object of admiration and wonder
of other peoples. On the other hand, peoples who have not based
themselves on the larger humanity of patriarchalism, and who
have not cultivated a masterful aristocracy, have been distinguished
by a weaker and often miserable attitude towards life, and by an
expression, not of power, joy, and quality, but of exhaustion,
pessimism, and doubts about the objects of existence.
The author contrasts the two types of peoples, the orderly and
artistic, and the dehumanised or mechanical, and shows how the
latter may hope to attain to the mastery of life, both social and
individual. But to carry out the change of social basis and values,
a new kind of men is needed, and this need leads the author in the
last pages to advocate as an essential preliminary the self-culture of
power and will, which Nietzsche taught so brilliantly through the
mouth of Zarathustra.
NIETZSCHE: HIS LIFE AND
WORKS
BY ANTHONY M. LUDOVICI
Preface by Dr OSCAR LEVY
103 pages, Is. net
(CONSTABLE & Co. )
In this short monograph on Nietzsche, Mr Ludovici not only gives
the reader a succinct account of the philosophy of the “Will to
Power" in all its main features; but he also sketches in bold
strokes the groundwork of an attack on Darwin, Spencer, English
Materialism, and English Utilitarianism, which is perhaps the first
çriticism of the kind ever attempted from a Nietzschean standpoint,


## p. (#311) ################################################

OTHER NIETZSCHEAN LITERATURE
!
RELIGIONS AND
PHILOSOPHIES OF THE EAST
By J. M. KENNEDY
Author of “The Quintessence of Nietzsche”
Crown 8vo. 6s. net
(T. WERNER LAURIE, CLIFFORD'S INN, LONDON)
“ALL Wisdom came from the East," and all the wisdom of the East
is bound up in its religions and philosophies, the earliest forms of
which can be traced back 3000 years B. C. Mr J. M. Kennedy has
now aimed at giving in a single volume a concise history of the reli-
gions and philosophies which have influenced the thought of the great
eastern nations, special emphasis, of course, being laid upon the differ-
ent religions which have swayed the vast empire of India.
ENGLISH LITERATURE (1880-1905)
(Second Edition)
BY J. M. KENNEDY
75. 6d. net
(SAMPSON Low, MARSTON & Co. )
This book deals, from a psychological as well as a literary stand-
point, with such well-known writers as Wilde, Davidson, Shaw,
Wells, and Fiona Macleod, together with several authors who,
although influential in their particular circle, are less known to the
general public, such as Gissing and Ernest Dowson. As a guide to
many puzzling tendencies in recent English literature, the book
forms an invaluable document.
The name of the brilliant young writer has become widely known in
a comparatively short time by his vivid and racy criticism of English
politics, the English Church, and English literature. Mr Kennedy
was one of the first of English critics to recognise the necessity of
breaking with last century's liberal and romantic traditions. He
has in all his books tried to provide the Tory party, which allowed it-
self likewise to be infected by the spirit of the age, with a sound basis
of new ideas and principles,


## p. (#312) ################################################

OTHER NIETZSCHEAN LITERATURE
THE PHILOSOPHY OF
FRIEDRICH NIETZSCHE
(Third Edition)
By H. L. MENCKEN
Demy 8vo, 75. 6d. net
(FISHER UNWIN)
A POPULAR exposition of Nietzsche's ideas, showing their
application to current problems, together with an account
of his life, and chapters upon his origins and influence.
“An admirable manual. "-Dr W. L. COURTNEY, in the Daily
Telegraph.
“One of the most interesting and instructive books that has come
from the American press in many a long day. Mr Mencken can
write. In addition, he has something to write about. "-Educational
Review.
"A clear exposition, in vigorous, straightforward language, and a
really interesting and thoughtful biographical memoir. "-Outlook.
“A very readable and clear account of the philosophy and the
philosopher. "- New York Sun,
MEN v. THE MAN
BY ROBERT RIVES LAMONTE AND
H. L. MENCKEN
12mo, 251 pages, $1. 35 net
(HENRY HOLT & Co. , NEW YORK)
A SERIES of actual letters between a prominent American
Socialist and a Nietzschean Individualist. An earnest and
lively debate.
“No more brilliant and entertaining work has appeared in many
years. "- Wilshire's Magazine.
“An epistolary duel between two well-equipped champions. "-
International Socialist Review.
“Mencken's thinking and Mencken's writing delight me. I like
to see him hammer the dunces, the scholiasts, the hired bombasticos
of the pulpit and the lecture-room. ”—PERCIVAL POLLARD, in Town
Topics.


## p. (#313) ################################################

OTHER NIETZSCHEAN LITERATURE
ON THE TRACKS OF LIFE:
THE IMMORALITY OF MORALITY
Translated from the Italian of LEO G. SERA by J. M. KENNEDY
With an Introduction by Dr OSCAR LEVY
75. 6d. net
(JOHN LANE)
SERA holds that the diffusion of democratic principles is vulgarising
science and art, and that present social conditions are leading to the in-
tellectual and moral degeneration of the race. Stimulating chapters
on Stendhal, Nietzsche, Goethe, The Origin of Society, Work, and
the Aristocratic Ideal, show current opinions of Genius, Aristocracy,
Democracy, Sport, and Sexuality in a new light. The audacity of
Dr Sera's theories has evoked much discussion in England and on the
Continent; and his work is certain to appeal to all serious thinkers,
and to students of modern moral problems.
THE LIFE OF FRIEDRICH NIETZSCHE
VOLUME ONE
THE YOUNG NIETZSCHE
BY FRAU FOERSTER-NIETZSCHE
Translated by ANTHONY M. LUDOVICI
VOLUME TWO
THE LONELY NIETZSCHE
Translated by PAUL V. COHN, B. A.
Royal 8vo, with Portraits, Price 155. net each
(HEINEMANN)
In an age given to a general tendency of levelling up and down, it
is particularly interesting to show the psychological and spiritual
development of genius, because it has been the tendency to belittle
the divine element among us. A first-hand account of the life of a
man of undoubted genius-undoubted even by his enemies and
detractors-must be of interest.
Frau Foerster-Nietzsche is admirably supplied with first-hand
documents and evidence, having from childhood collected everything
concerning her brother, who was only two years her senior. Her
method is perhaps best shown in the following paragraph :-
“From the days of my earliest childhood I always regarded my brother as the
highest authority. . . . But this reverence which I showed for Fritz and which,
throughout my childhood and youth brought me a lot of teasing and chaff-for
at heart I am not a believer in authority-certainly had one excellent practical
result in the shape of the Nietzsche archives, the extraordinary rich contents of
which have been collected by myself alone. From a very early age I have
always kept a treasure-drawer, in which I preserved whatever I could get hold
of that happened to come from my brother's pen, and had been discarded by him.
And if from the first he had not been so fond of burning things, and had not
occasionally made such raids upon my precious hoard, not one of his compositions
from the time he was eight years old would now be missing; for when I was
only six, though I attached but slight importance to my own things, I had already
started this collection of my brother's productions. ”


## p. (#314) ################################################

OTHER NIETZSCHEAN LITERATURE
FRIEDRICH NIETZSCHE: :
HIS LIFE AND WORK
By M.