He would entice that other Man to hear
His music, and to view his imagery: 65
And, sooth, these two were each to the other dear:
No livelier love in such a place could be: [4]
There did they dwell-from earthly labour free,
As happy spirits as were ever seen;
If but a bird, to keep them company, 70
Or butterfly sate down, they were, I ween,
As pleased as if the same had been a Maiden-queen.
His music, and to view his imagery: 65
And, sooth, these two were each to the other dear:
No livelier love in such a place could be: [4]
There did they dwell-from earthly labour free,
As happy spirits as were ever seen;
If but a bird, to keep them company, 70
Or butterfly sate down, they were, I ween,
As pleased as if the same had been a Maiden-queen.
William Wordsworth
short .
.
.
1836.
The text of 1845 reverts to the reading of 1807. ]
[Variant 2:
1815.
Stop here whenever you are weary,
And rest as in a sanctuary! 1807.
And feed . . . MS. ]
Wordsworth's date, as given to Miss Fenwick, is incorrect. In her
Journal, April 20, 1802, Dorothy Wordsworth writes:
"William wrote a conclusion to the poem of 'The Butterfly', 'I've
watch'd you now a full half-hour. '"
This, and the structure of the two poems, makes it probable that the
latter was originally meant to be a sort of conclusion to the former (p.
283); but they were always printed as separate poems.
Many of the "flowers" in the orchard at Dove Cottage were planted by
Dorothy Wordsworth, and some of the "trees" by William. The "summer
days" of childhood are referred to in the previous poem, 'To a
Butterfly', written on the 14th of March 1802. --Ed.
* * * * *
FORESIGHT
Composed April 28, 1802. --Published 1807
[Also composed in the Orchard, Town-end, Grasmere. --I. F. ]
Included among the "Poems referring to the Period of Childhood. "--Ed.
That is work of waste and ruin--[1]
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small, 5
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.
Pull the primrose, sister Anne!
Pull as many as you can. 10
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or [2] make your bower;
Fill your lap, and fill your bosom; 15
Only spare the strawberry-blossom!
Primroses, the Spring may love them--
Summer knows but little of them:
Violets, a barren kind,
Withered on the ground must lie; 20
Daisies leave no fruit behind
When the pretty flowerets die;
Pluck them, and another year
As many will be blowing here. [3]
God has given a kindlier power [4] 25
To the favoured strawberry-flower.
Hither soon as spring is fled
You and Charles and I will walk; [5]
Lurking berries, ripe and red,
Then will hang on every stalk, 30
Each within its leafy bower;
And for that promise spare the flower!
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1815.
That is work which I am rueing--1807. ]
[Variant 2:
1836.
. . . and . . . 1807. ]
[Variant 3:
1815.
Violets, do what they will,
Wither'd on the ground must lie;
Daisies will be daisies still;
Daisies they must live and die:
Fill your lap, and fill your bosom,
Only spare the Strawberry-blossom! 1807. ]
[Variant 4: This last stanza was added in the edition of 1815. ]
[Variant 5:
1836.
When the months of spring are fled
Hither let us bend our walk; 1815. ]
The full title of this poem, in the editions of 1807 to 1832, was
'Foresight, or the Charge of a Child to his younger Companion', but it
was originally known in the household as "Children gathering Flowers. "
The shortened title was adopted in 1836. The following is from Dorothy
Wordsworth's Journal:
"Wednesday, 28th April (1802). --Copied the 'Prioress's Tale'. William
was in the orchard. I went to him; he worked away at his poem, though
he was ill, and tired. I happened to say that when I was a child I
would not have pulled a strawberry blossom; I left him, and wrote out
the 'Manciple's Tale'. At dinner time he came in with the poem of
'Children gathering Flowers,' but it was not quite finished, and it
kept him long from his dinner. It is now done. He is working at 'The
Tinker. '"
At an earlier date in the same year,--Jan. 31st, 1802,--the following
occurs:
"I found a strawberry blossom in a rock. The little slender flower had
more courage than the green leaves, for _they_ were but half expanded
and half grown, but the blossom was spread full out. I uprooted it
rashly, and I felt as if I had been committing an outrage; so I
planted it again. It will have but a stormy life of it, but let it
live if it can. "
With this poem compare a parallel passage in Marvel's 'The Picture of T.
C. in a Prospect of Flowers':
'But oh, young beauty of the woods,
Whom nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Should quickly make the example yours;
And, ere we see,
Nip in the blossom all our hopes in thee. '
Ed.
* * * * *
TO THE SMALL CELANDINE [A]
Composed April 30, 1802. --Published 1807
[Written at Town-end, Grasmere. It is remarkable that this flower,
coming out so early in the spring as it does, and so bright and
beautiful, and in such profusion, should not have been noticed earlier
in English verse. What adds much to the interest that attends it is its
habit of shutting itself up and opening out according to the degree of
light and temperature of the air. --I. F. ]
One of the "Poems of the Fancy. " In the original MS. this poem is called
'To the lesser Celandine', but in the proof "small" was substituted for
"lesser. "
In Dorothy Wordsworth's Journal the following occurs, under date April
30, 1802:
"We came into the orchard directly after breakfast, and sat there. The
lake was calm, the sky cloudy. William began to write the poem of 'The
Celandine'. . . . I walked backwards and forwards with William. He
repeated his poem to me, then he got to work again, and would not give
over. "
Ed.
Pansies, lilies, kingcups, daisies,
Let them live upon their praises;
Long as there's a sun that sets,
Primroses will have their glory;
Long as there are violets, 5
They will have a place in story:
There's a flower that shall be mine,
'Tis the little Celandine.
Eyes of some men travel far
For the finding of a star; 10
Up and down the heavens they go,
Men that keep a mighty rout!
I'm as great as they, I trow,
Since the day I found thee out,
Little Flower! --I'll make a stir, 15
Like a sage [1] astronomer.
Modest, yet withal an Elf
Bold, and lavish of thyself;
Since we needs must first have met
I have seen thee, high and low, 20
Thirty years or more, and yet
'Twas a face I did not know;
Thou hast now, go where I may,
Fifty greetings in a day.
Ere a leaf is on a bush, 25
In the time before the thrush
Has a thought about her [2] nest,
Thou wilt come with half a call,
Spreading out thy glossy breast
Like a careless Prodigal; 30
Telling tales about the sun,
When we've little warmth, or none.
Poets, vain men in their mood!
Travel with the multitude:
Never heed them; I aver 35
That they all are wanton wooers;
But the thrifty cottager,
Who stirs little out of doors,
Joys to spy thee near her home;
Spring is coming, Thou art come! 40
[B]
Comfort have thou of thy merit,
Kindly, unassuming Spirit!
Careless of thy neighbourhood,
Thou dost show thy pleasant face
On the moor, and in the wood, 45
In the lane;--there's not a place,
Howsoever mean it be,
But 'tis good enough for thee.
Ill befal the yellow flowers,
Children of the flaring hours! 50
Buttercups, that will be seen,
Whether we will see or no;
Others, too, of lofty mien;
They have done as worldlings do,
Taken praise that should be thine, 55
Little, humble Celandine!
Prophet of delight and mirth,
Ill-requited [3] upon earth;
Herald of a mighty band,
Of a joyous train ensuing, 60
Serving at my heart's command,
Tasks that are no tasks renewing, [4]
I will sing, as doth behove,
Hymns in praise of what I love!
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . great . . . 1807. ]
[Variant 2:
1832.
. . . it's . . . 1807. ]
[Variant 3:
1836.
Scorn'd and slighted . . . 1807. ]
[Variant 4:
1836.
Singing at my heart's command,
In the lanes my thoughts pursuing, 1807. ]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: Common Pilewort. --W. W. 1807. ]
[Footnote B: The following stanza was inserted in the editions of
1836-1843:
'Drawn by what peculiar spell,
By what charm for sight or smell,
Do those winged dim-eyed creatures,
Labourers sent from waxen cells,
Settle on thy brilliant features,
In neglect of buds and bells
Opening daily at thy side,
By the season multiplied? '
In 1845 it was transferred to the following poem, where it will be
found, with a change of text. --Ed. ]
* * * * *
TO THE SAME FLOWER
Composed May 1, 1802. --Published 1807
One of the "Poems of the Fancy. "--Ed.
Pleasures newly found are sweet
When they lie about our feet:
February last, my heart
First at sight of thee was glad;
All unheard of as thou art, 5
Thou must needs, I think, have had,
Celandine! and long ago,
Praise of which I nothing know.
I have not a doubt but he,
Whosoe'er the man might be, 10
Who the first with pointed rays
(Workman worthy to be sainted)
Set the sign-board in a blaze,
When the rising [1] sun he painted,
Took the fancy from a glance 15
At thy glittering countenance.
Soon as gentle breezes bring
News of winter's vanishing,
And the children build their bowers,
Sticking 'kerchief-plots of mould 20
All about with full-blown flowers,
Thick as sheep in shepherd's fold!
With the proudest thou art there,
Mantling in the tiny square.
Often have I sighed to measure 25
By myself a lonely pleasure,
Sighed to think, I read a book
Only read, perhaps, by me;
Yet I long could overlook
Thy bright coronet and Thee, 30
And thy arch and wily ways,
And thy store of other praise.
Blithe of heart, from week to week
Thou dost play at hide-and-seek;
While the patient primrose sits 35
Like a beggar in the cold,
Thou, a flower of wiser wits,
Slip'st into thy sheltering [2] hold;
Liveliest of the vernal train [3]
When ye all are out again. 40
Drawn by what peculiar spell,
By what charm of sight or smell,
Does the dim-eyed curious Bee,
Labouring for her waxen cells,
Fondly settle upon Thee 45
Prized above all buds and bells
Opening daily at thy side,
By the season multiplied? [4]
Thou art not beyond the moon,
But a thing "beneath our shoon:" [A] 50
Let the bold Discoverer thrid
In his bark the polar sea;
Rear who will a pyramid; [5]
Praise it is enough for me,
If there be but three or four 55
Who will love my little Flower.
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . risen . . . 1807. ]
[Variant 2:
1832.
. . . shelter'd . . . 1807. ]
[Variant 3:
1845.
Bright as any of the train 1807. ]
[Variant 4: This stanza was added in 1845. (See note [Footnote B, To the
Small Celandine], p. 302. )]
[Variant 5:
1845.
Let, as old Magellen did,
Others roam about the sea;
Build who will a pyramid; [a] 1807.
Let, with bold advent'rous skill,
Others thrid the polar sea;
Rear a pyramid who will; 1820.
Let the bold Adventurer thrid
In his bark the polar sea;
Rear who will a pyramid; 1827. ]
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: This may be an imperfect reminiscence of 'Comus', ll.
634-5. --Ed. ]
* * * * *
SUB-FOOTNOTE ON THE TEXT
[Sub-Footnote a: Barron Field asked Wordsworth to restore these lines of
1807, and Wordsworth promised to do so, but never did it. --Ed. ]
The following is an extract from Dorothy Wordsworth's Grasmere Journal.
Saturday, May 1.
"A heavenly morning. We went into the garden, and sowed the scarlet
beans about the house. It was a clear sky. I sowed the flowers,
William helped me. We then went and sat in the orchard till dinner
time. It was very hot. William wrote 'The Celandine' (second part). We
planned a shed, for the sun was too much for us. "
Ed.
* * * * *
STANZAS WRITTEN IN MY POCKET COPY OF THOMSON'S "CASTLE OF INDOLENCE"
Begun 9th May, finished 11th May, 1802. --Published 1815
[Composed in the orchard, Town-end, Grasmere, Coleridge living with us
much at this time: his son Hartley has said, that his father's character
and habits are here preserved in a livelier way than in anything that
has been written about him. I. F. ]
One of the "Poems founded on the Affections. "--Ed.
Within our happy Castle there dwelt One
Whom without blame I may not overlook;
For never sun on living creature shone
Who more devout enjoyment with us took:
Here on his hours he hung as on a book, 5
On his own time here would he float away,
As doth a fly upon a summer brook;
But go to-morrow, or belike to-day,
Seek for him,--he is fled; and whither none can say.
Thus often would he leave our peaceful home, 10
And find elsewhere his business or delight;
Out of our Valley's limits did he roam:
Full many a time, upon a stormy night, [A]
His voice came to us from the neighbouring height:
Oft could [1] we see him driving full in view 15
At midday when the sun was shining bright;
What ill was on him, what he had to do,
A mighty wonder bred among our quiet crew.
Ah! piteous sight it was to see this Man
When he came back to us, a withered flower,--20
Or like a sinful creature, pale and wan.
Down would he sit; and without strength or power
Look at the common grass from hour to hour:
And oftentimes, how long I fear to say,
Where apple-trees in blossom made a bower, 25
Retired in that sunshiny shade he lay; [B]
And, like a naked Indian, slept himself away.
Great wonder to our gentle tribe it was
Whenever from our Valley he withdrew;
For happier soul no living creature has 30
Than he had, being here the long day through.
Some thought he was a lover, and did woo:
Some thought far worse of him, and judged him wrong;
But verse was what he had been wedded to;
And his own mind did like a tempest strong 35
Come to him thus, and drove the weary Wight along. [C]
With him there often walked in friendly guise,
Or lay upon the moss by brook or tree,
A noticeable Man with large grey eyes,
And a pale face that seemed undoubtedly 40
As if a blooming face it ought to be;
Heavy his low-hung lip did oft appear,
Deprest by weight of musing Phantasy;
Profound his forehead was, though not severe;
Yet some did think that he had little business here: 45
Sweet heaven forefend! his was a lawful right;
Noisy he was, and gamesome as a boy;
His limbs would toss about him with delight
Like branches when strong winds the trees annoy.
Nor lacked his calmer hours device or toy 50
To banish listlessness and irksome care;
He would have taught you how you might employ
Yourself; and many did to him repair,--
And certes not in vain; he had inventions rare.
Expedients, too, of simplest sort he tried: 55
Long blades of grass, plucked round him as he lay,
Made, to his ear attentively applied,
A pipe on which the wind would deftly play;
Glasses he had, that little things display,
The beetle panoplied in gems and gold, [2] 60
A mailed angel on a battle-day;
The mysteries that cups of flowers enfold, [3]
And all the gorgeous sights which fairies do behold.
He would entice that other Man to hear
His music, and to view his imagery: 65
And, sooth, these two were each to the other dear:
No livelier love in such a place could be: [4]
There did they dwell-from earthly labour free,
As happy spirits as were ever seen;
If but a bird, to keep them company, 70
Or butterfly sate down, they were, I ween,
As pleased as if the same had been a Maiden-queen.
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . did . . . 1815. ]
[Variant 2:
1827.
The beetle with his radiance manifold, 1815. ]
[Variant 3:
1827.
And cups of flowers, and herbage green and gold; 1815. ]
[Variant 4:
1836.
And, sooth, these two did love each other dear,
As far as love in such a place could be; 1815. ]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: Compare
'And oft he traced the uplands to survey,
When o'er the sky advanced the kindling dawn,
The crimson cloud. '
Beattie's 'Minstrel', book I, st. 20.
'And oft the craggy cliff he loved to climb
When all in mist the world below was lost. '
Book I. st. 21.
'And of each gentle, and each dreadful scene
In darkness, and in storm, he found delight. '
Book I. st. 22. Ed. ]
[Footnote B: Compare the stanza in 'A Poet's Epitaph' (p. 77), beginning
'He is retired as noontide dew. '
Ed. ]
[Footnote C: Many years ago Canon Ainger pointed out to me a parallel
between Beattie's description of 'The Minstrel' and Wordsworth's account
of himself in this poem. It is somewhat curious that Dorothy Wordsworth,
writing to Miss Pollard from Forncett in 1793, quotes the line from 'The
Minstrel', book I. stanza 22,
"In truth he was a strange and wayward wight,"
and adds
"That verse of Beattie's 'Minstrel' always reminds me of him, and
indeed the whole character of Edwin resembles much what William was
when I first knew him after leaving Halifax. "
Mr. T. Hutchinson called the attention of Professor Dowden to the same
resemblance between the two pictures. With lines 35, 36, compare in
Shelley's 'Adonais', stanza xxxi. :
'And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey. '
Ed. ]
There can now be no doubt that, in the first four of these 'Stanzas',
Wordsworth refers to himself; and that, in the last four, he refers to
Coleridge. For a time it was uncertain whether in the earlier stanzas he
had Coleridge, or himself, in view; and whether, in the later ones, some
one else was, or was not, described. De Quincey, quoting (as he often
did) in random fashion, mixes up extracts from each set of the stanzas,
and applies them both to Coleridge; and Dorothy Wordsworth, in her
Journal, gives apparent (though only apparent) sanction to a reverse
order of allusion, by writing of "the stanzas about C. and himself" (her
brother). The following are her references to the poem in that Journal:
"9th May (1802). -After tea he (W. ) wrote two stanzas in the manner of
Thomson's 'Castle of Indolence', and was tired out.
"10th May. --William still at work, though it is past ten o'clock . . .
William did not sleep till three o'clock. "
"11th May. --William finished the stanzas about C. and himself. He did
not go out to-day. . . . He completely finished his poem. He went to bed
at twelve o'clock. "
From these extracts two things are evident,
(1) who the persons are described in the stanzas, and
(2) the immense labour bestowed upon the poem.
In the 'Memoirs of Wordsworth', by the late Bishop of Lincoln, there is
a passage (vol. ii. chap. li. p. 309) amongst the "Personal
Reminiscences, 1836," in which the Hon. Mr. Justice Coleridge virtually
decides the question of the identity of the two persons referred to, in
his record of a conversation with the poet. It is as follows:
"October 10th. --I have passed a great many hours to-day with
Wordsworth in his home. I stumbled on him with proof sheets before
him. He read me nearly all the sweet stanzas written in his copy of
the 'Castle of Indolence', describing himself and my uncle; and he and
Mrs. W. both assured me the description of the latter at that time was
perfectly accurate; and he was almost as a great boy in feelings, and
had all the tricks and fancies there described. Mrs. W. seemed to look
back on him, and those times, with the fondest affection. "
I think "the neighbouring height" referred to is the height of White
Moss Common, behind the Fir-Grove, where Wordsworth was often heard
murmuring out his verses," booing" as the country folks said: and the
'driving full in view
At midday when the sun was shining bright,'
aptly describes his habits as recorded in his sister's Journal, and
elsewhere. The "withered flower," the "creature pale and wan," are
significant of those terrible reactions of spirit, which followed his
joyous hours of insight and inspiration. Stanzas IV. to VII. of
'Resolution and Independence' (p. 314), in which Wordsworth undoubtedly
described himself, may be compared with stanza III. of this poem. The
lines
'Down would he sit; and without strength or power
Look at the common grass from hour to hour,'
are aptly illustrated by such passages in his sister's Journal, as the
following, of 29th April 1802:
"We went to John's Grove, sate a while at first; afterwards William
lay, and I lay in the trench, under the fence--he with his eyes
closed, and listening to the waterfalls and the birds. There was no
one waterfall above another--it was a kind of water in the air--the
voice of the air. We were unseen by one another. "
Again, April 23rd,
"Coleridge and I pushed on before. We left William sitting on the
stones, feasting with silence. "
And this recalls the first verse of 'Expostulation and Reply', written
at Alfoxden in 1798;
'Why, William, on that old grey stone,
Thus for the length of half a day,
Why, William, sit you thus alone,
And dream your time away? '
The retreat where "apple-trees in blossom made a bower," and where he so
often "slept himself away," was evidently the same as that described in
the poem 'The Green Linnet':
'Beneath these fruit-tree boughs that shed
Their snow white blossoms on my head. '
On the other hand, the "low-hung lip" and "profound" forehead of the
other, the "noticeable Man with large grey eyes," mark him out as S. T.
C. ; "the rapt One, of the god-like forehead," described in the
'Extempore Effusion upon the Death of James Hogg'. The description
"Noisy he was, and gamesome as a boy," is verified by what the poet and
his wife said to Mr. Justice Coleridge in 1836. In addition, Mr.
Hutchinson of Kimbolton tells me he "often heard his father say that
Coleridge was uproarious in his mirth. "
Matthew Arnold wrote me an interesting letter some years ago about these
stanzas, from which I make the following extract:
"When one looks uneasily at a poem it is easy to fidget oneself
further, and neither the Wordsworth nor the Coleridge of our common
notions seem to be exactly hit off in the 'Stanzas'; still, I believe
that the first described is Wordsworth and that the second described
is Coleridge. I have myself heard Wordsworth speak of his prolonged
exhausting wanderings among the hills. Then Miss Fenwick's notes show
that Coleridge is certainly one of the two personages of the poem, and
there are points in the description of the second man which suit him
very well. The 'profound forehead' is a touch akin to the 'god-like
forehead' in the mention of Coleridge in a later poem.
"I have a sort of recollection of having heard something about the
'inventions rare,' and Coleridge is certain to have dabbled, at one
time or other, in natural philosophy. "
In 1796 Coleridge wrote to his friend Cottle from Nether Stowey:
" . . . I should not think of devoting less than 20 years to an Epic
Poem: ten to collect materials and warm my mind with universal
science. I would be a tolerable Mathematician, I would thoroughly know
Mechanics, Hydrostatics, Optics, and Astronomy, Botany, Metallurgy,
Fossilism, Chemistry, Geology, Anatomy, Medicine--then the 'mind of
man'--then the 'minds of men'--in all Travels, Voyages, and Histories.
So I would spend ten years--the next five to the composition of the
poem--and the last five to the correction of it. So would I write,
haply not unhearing of the divine and rightly whispering Voice," etc.
Mr. T. Hutchinson (Dublin) writes in 'The Athenaeum', Dec. 15, 1894:
"I take it for granted these lines were written, not only on the
fly-leaf of Wordsworth's copy of the 'Castle of Indolence', but also
by way of Supplement to that poem; i. e. as an 'addendum' to the
descriptive list of the denizens of the Castle given in stanzas
LVII-LXIX of Canto I. ; that, in short, they are meant to be read as
though they were an after-thought of James Thomson's. Their author,
therefore, has rightly imparted to them the curiously blended flavour
of 'romantic melancholy and slippered mirth,' of dreamlike vagueness
and smiling hyperbole, which forms the distinctive mark of Thomson's
poem; and thus the Poet and the Philosopher-Friend of Wordsworth's
stanzas, like Thomson's companion sketches of the splenetic Solitary,
the 'bard more fat than bard beseems,' and the 'little, round, fat,
oily Man of God,' are neither more nor less than gentle caricatures. "
It has been suggested by Coleridge's grandson that Wordsworth was
describing S. T. C. in all the stanzas of this poem; that he drew two
separate pictures of him; in the first four stanzas a realistic
"character portrait," and in the last four a "companion picture,
figuring the outward semblance of Coleridge, but embodying
characteristics drawn from a third person"; so that we have a "fancy
sketch" mixed up with a real one. I cannot agree with this. The
evidence against it is
(1) Dorothy Wordsworth's Journal;
(2) the poet's and his wife's remarks to Mr. Justice Coleridge;
(3) the fact that Wordsworth was not in the habit of "passing from
realism into artistic composition," except where he distinctly
indicated it, as in the case of the Hawkshead Schoolmaster, in the
"Matthew" poems. Such composite or conglomerate work was quite
foreign to Wordsworth's genius.
Ed.
* * * * *
RESOLUTION AND INDEPENDENCE
Begun May 3, finished July 4, 1802. --Published 1807
[Written at Town-end, Grasmere. This old man I met a few hundred yards
from my cottage; and the account of him is taken from his own mouth. I
was in the state of feeling described in the beginning of the poem,
while crossing over Barton Fell from Mr. Clarkson's, at the foot of
Ullswater, towards Askham. The image of the hare I then observed on the
ridge of the Fell. --I. F. ]
This poem was known in the Wordsworth household as "The Leech-Gatherer,"
although it never received that name in print. An entry in Dorothy
Wordsworth's Journal of Friday, 3rd October 1800, may preface what she
wrote in 1802 about the composition of the poem.
"When William and I returned from accompanying Jones, we met an old
man almost double. He had on a coat thrown over his shoulders above
his waistcoat and coat. Under this he carried a bundle, and had an
apron on, and a night-cap. His face was interesting. He had dark eyes,
and a long nose. John, who afterwards met him at Wytheburn, took him
for a Jew. He was of Scotch parents, but had been born in the army. He
had had a wife, 'and a good woman, and it pleased God to bless him
with ten children. ' All these were dead but one, of whom he had not
heard for many years, a sailor. His trade was to gather leeches; but
now leeches were scarce, and he had not strength for it. He lived by
begging, and was making his way to Carlisle where he would buy a few
books to sell. He said leeches were very scarce, partly owing to this
dry season; but many years they had been scarce. He supposed it was
owing to their being much sought after; that they did not breed fast;
and were of slow growth. Leeches were formerly 2s. 6d. the 100; now
they were 30s. He had been hurt in driving a cart, his leg broken, his
body driven over, his skull fractured. He felt no pain till he
recovered from his first insensibility. It was late in the evening,
when the light was just going away. "
It is most likely that this walk of William and Dorothy Wordsworth
"accompanying Jones," was on the day of Jones's departure from Dove
Cottage, viz. 26th September.
The Journal continues:
"Tuesday, 4th May, 1802. --Though William went to bed nervous and jaded
in the extreme, he rose refreshed. I wrote out 'The Leech-Gatherer'
for him, which he had begun the night before, and of which he wrote
several stanzas in bed this morning. . . . "
(They started to walk up the Raise to Wytheburn. )
"It was very hot; we rested several times by the way, read, and
repeated 'The Leech-Gatherer. '"
"Friday, 7th May. --William had slept uncommonly well, so, feeling
himself strong, he fell to work at 'The Leech-Gatherer'; he wrote hard
at it till dinner time, then he gave over, tired to death--he had
finished the poem. "
"Sunday morning, 9th May. --William worked at 'The Leech-Gatherer'
almost incessantly from morning till tea-time. I copied 'The
Leech-Gatherer' and other poems for Coleridge. I was oppressed and
sick at heart, for he wearied himself to death. "
"Sunday, 4th July. --. . . William finished 'The Leech-Gatherer' to-day. "
"Monday, 5th July. --I copied out 'The Leech-Gatherer' for Coleridge,
and for us. "
From these extracts it is clear that Dorothy Wordsworth considered the
poem as "finished" on the 7th of May, and on the 9th she sent a copy to
Coleridge; but that it was not till the 4th of July that it was really
finished, and then a second copy was forwarded to Coleridge. It is
impossible to say from which of the two MSS. sent to him Coleridge
transcribed the copy which he forwarded to Sir George Beaumont. From
that copy of a copy (which is now amongst the Beaumont MSS. at
Coleorton) the various readings given, on Coleridge's authority, in the
notes to the poem, were obtained some years ago.
The Fenwick note to the poem illustrates Wordsworth's habit of blending
in one description details which were originally separate, both as to
time and place. The scenery and the incidents of the poem are alike
composite. As he tells us that he met the leech-gatherer a few hundred
yards from Dove Cottage, the "lonely place" with its "pool, bare to the
eye of heaven," at once suggests White Moss Common and its small tarn;
but he adds that, in the opening stanzas of the poem, he is describing a
state of feeling he was in, when crossing the fells at the foot of
Ullswater to Askam, and that the image of the hare "running races in her
mirth," with the glittering mist accompanying her, was observed by him,
not on White Moss Common, but in one of the ridges of Moor Divock. To H.
C. Robinson he said of the "Leech-Gatherer" (Sept. 10, 1816), that "he
gave to his poetic character powers of mind which his original did not
possess. " (Robinson's 'Diary', etc. , vol. ii. p. 24. )
One of the "Poems of the Imagination. "--Ed.
I There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods; 5
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.
The text of 1845 reverts to the reading of 1807. ]
[Variant 2:
1815.
Stop here whenever you are weary,
And rest as in a sanctuary! 1807.
And feed . . . MS. ]
Wordsworth's date, as given to Miss Fenwick, is incorrect. In her
Journal, April 20, 1802, Dorothy Wordsworth writes:
"William wrote a conclusion to the poem of 'The Butterfly', 'I've
watch'd you now a full half-hour. '"
This, and the structure of the two poems, makes it probable that the
latter was originally meant to be a sort of conclusion to the former (p.
283); but they were always printed as separate poems.
Many of the "flowers" in the orchard at Dove Cottage were planted by
Dorothy Wordsworth, and some of the "trees" by William. The "summer
days" of childhood are referred to in the previous poem, 'To a
Butterfly', written on the 14th of March 1802. --Ed.
* * * * *
FORESIGHT
Composed April 28, 1802. --Published 1807
[Also composed in the Orchard, Town-end, Grasmere. --I. F. ]
Included among the "Poems referring to the Period of Childhood. "--Ed.
That is work of waste and ruin--[1]
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small, 5
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.
Pull the primrose, sister Anne!
Pull as many as you can. 10
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or [2] make your bower;
Fill your lap, and fill your bosom; 15
Only spare the strawberry-blossom!
Primroses, the Spring may love them--
Summer knows but little of them:
Violets, a barren kind,
Withered on the ground must lie; 20
Daisies leave no fruit behind
When the pretty flowerets die;
Pluck them, and another year
As many will be blowing here. [3]
God has given a kindlier power [4] 25
To the favoured strawberry-flower.
Hither soon as spring is fled
You and Charles and I will walk; [5]
Lurking berries, ripe and red,
Then will hang on every stalk, 30
Each within its leafy bower;
And for that promise spare the flower!
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1815.
That is work which I am rueing--1807. ]
[Variant 2:
1836.
. . . and . . . 1807. ]
[Variant 3:
1815.
Violets, do what they will,
Wither'd on the ground must lie;
Daisies will be daisies still;
Daisies they must live and die:
Fill your lap, and fill your bosom,
Only spare the Strawberry-blossom! 1807. ]
[Variant 4: This last stanza was added in the edition of 1815. ]
[Variant 5:
1836.
When the months of spring are fled
Hither let us bend our walk; 1815. ]
The full title of this poem, in the editions of 1807 to 1832, was
'Foresight, or the Charge of a Child to his younger Companion', but it
was originally known in the household as "Children gathering Flowers. "
The shortened title was adopted in 1836. The following is from Dorothy
Wordsworth's Journal:
"Wednesday, 28th April (1802). --Copied the 'Prioress's Tale'. William
was in the orchard. I went to him; he worked away at his poem, though
he was ill, and tired. I happened to say that when I was a child I
would not have pulled a strawberry blossom; I left him, and wrote out
the 'Manciple's Tale'. At dinner time he came in with the poem of
'Children gathering Flowers,' but it was not quite finished, and it
kept him long from his dinner. It is now done. He is working at 'The
Tinker. '"
At an earlier date in the same year,--Jan. 31st, 1802,--the following
occurs:
"I found a strawberry blossom in a rock. The little slender flower had
more courage than the green leaves, for _they_ were but half expanded
and half grown, but the blossom was spread full out. I uprooted it
rashly, and I felt as if I had been committing an outrage; so I
planted it again. It will have but a stormy life of it, but let it
live if it can. "
With this poem compare a parallel passage in Marvel's 'The Picture of T.
C. in a Prospect of Flowers':
'But oh, young beauty of the woods,
Whom nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Should quickly make the example yours;
And, ere we see,
Nip in the blossom all our hopes in thee. '
Ed.
* * * * *
TO THE SMALL CELANDINE [A]
Composed April 30, 1802. --Published 1807
[Written at Town-end, Grasmere. It is remarkable that this flower,
coming out so early in the spring as it does, and so bright and
beautiful, and in such profusion, should not have been noticed earlier
in English verse. What adds much to the interest that attends it is its
habit of shutting itself up and opening out according to the degree of
light and temperature of the air. --I. F. ]
One of the "Poems of the Fancy. " In the original MS. this poem is called
'To the lesser Celandine', but in the proof "small" was substituted for
"lesser. "
In Dorothy Wordsworth's Journal the following occurs, under date April
30, 1802:
"We came into the orchard directly after breakfast, and sat there. The
lake was calm, the sky cloudy. William began to write the poem of 'The
Celandine'. . . . I walked backwards and forwards with William. He
repeated his poem to me, then he got to work again, and would not give
over. "
Ed.
Pansies, lilies, kingcups, daisies,
Let them live upon their praises;
Long as there's a sun that sets,
Primroses will have their glory;
Long as there are violets, 5
They will have a place in story:
There's a flower that shall be mine,
'Tis the little Celandine.
Eyes of some men travel far
For the finding of a star; 10
Up and down the heavens they go,
Men that keep a mighty rout!
I'm as great as they, I trow,
Since the day I found thee out,
Little Flower! --I'll make a stir, 15
Like a sage [1] astronomer.
Modest, yet withal an Elf
Bold, and lavish of thyself;
Since we needs must first have met
I have seen thee, high and low, 20
Thirty years or more, and yet
'Twas a face I did not know;
Thou hast now, go where I may,
Fifty greetings in a day.
Ere a leaf is on a bush, 25
In the time before the thrush
Has a thought about her [2] nest,
Thou wilt come with half a call,
Spreading out thy glossy breast
Like a careless Prodigal; 30
Telling tales about the sun,
When we've little warmth, or none.
Poets, vain men in their mood!
Travel with the multitude:
Never heed them; I aver 35
That they all are wanton wooers;
But the thrifty cottager,
Who stirs little out of doors,
Joys to spy thee near her home;
Spring is coming, Thou art come! 40
[B]
Comfort have thou of thy merit,
Kindly, unassuming Spirit!
Careless of thy neighbourhood,
Thou dost show thy pleasant face
On the moor, and in the wood, 45
In the lane;--there's not a place,
Howsoever mean it be,
But 'tis good enough for thee.
Ill befal the yellow flowers,
Children of the flaring hours! 50
Buttercups, that will be seen,
Whether we will see or no;
Others, too, of lofty mien;
They have done as worldlings do,
Taken praise that should be thine, 55
Little, humble Celandine!
Prophet of delight and mirth,
Ill-requited [3] upon earth;
Herald of a mighty band,
Of a joyous train ensuing, 60
Serving at my heart's command,
Tasks that are no tasks renewing, [4]
I will sing, as doth behove,
Hymns in praise of what I love!
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . great . . . 1807. ]
[Variant 2:
1832.
. . . it's . . . 1807. ]
[Variant 3:
1836.
Scorn'd and slighted . . . 1807. ]
[Variant 4:
1836.
Singing at my heart's command,
In the lanes my thoughts pursuing, 1807. ]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: Common Pilewort. --W. W. 1807. ]
[Footnote B: The following stanza was inserted in the editions of
1836-1843:
'Drawn by what peculiar spell,
By what charm for sight or smell,
Do those winged dim-eyed creatures,
Labourers sent from waxen cells,
Settle on thy brilliant features,
In neglect of buds and bells
Opening daily at thy side,
By the season multiplied? '
In 1845 it was transferred to the following poem, where it will be
found, with a change of text. --Ed. ]
* * * * *
TO THE SAME FLOWER
Composed May 1, 1802. --Published 1807
One of the "Poems of the Fancy. "--Ed.
Pleasures newly found are sweet
When they lie about our feet:
February last, my heart
First at sight of thee was glad;
All unheard of as thou art, 5
Thou must needs, I think, have had,
Celandine! and long ago,
Praise of which I nothing know.
I have not a doubt but he,
Whosoe'er the man might be, 10
Who the first with pointed rays
(Workman worthy to be sainted)
Set the sign-board in a blaze,
When the rising [1] sun he painted,
Took the fancy from a glance 15
At thy glittering countenance.
Soon as gentle breezes bring
News of winter's vanishing,
And the children build their bowers,
Sticking 'kerchief-plots of mould 20
All about with full-blown flowers,
Thick as sheep in shepherd's fold!
With the proudest thou art there,
Mantling in the tiny square.
Often have I sighed to measure 25
By myself a lonely pleasure,
Sighed to think, I read a book
Only read, perhaps, by me;
Yet I long could overlook
Thy bright coronet and Thee, 30
And thy arch and wily ways,
And thy store of other praise.
Blithe of heart, from week to week
Thou dost play at hide-and-seek;
While the patient primrose sits 35
Like a beggar in the cold,
Thou, a flower of wiser wits,
Slip'st into thy sheltering [2] hold;
Liveliest of the vernal train [3]
When ye all are out again. 40
Drawn by what peculiar spell,
By what charm of sight or smell,
Does the dim-eyed curious Bee,
Labouring for her waxen cells,
Fondly settle upon Thee 45
Prized above all buds and bells
Opening daily at thy side,
By the season multiplied? [4]
Thou art not beyond the moon,
But a thing "beneath our shoon:" [A] 50
Let the bold Discoverer thrid
In his bark the polar sea;
Rear who will a pyramid; [5]
Praise it is enough for me,
If there be but three or four 55
Who will love my little Flower.
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . risen . . . 1807. ]
[Variant 2:
1832.
. . . shelter'd . . . 1807. ]
[Variant 3:
1845.
Bright as any of the train 1807. ]
[Variant 4: This stanza was added in 1845. (See note [Footnote B, To the
Small Celandine], p. 302. )]
[Variant 5:
1845.
Let, as old Magellen did,
Others roam about the sea;
Build who will a pyramid; [a] 1807.
Let, with bold advent'rous skill,
Others thrid the polar sea;
Rear a pyramid who will; 1820.
Let the bold Adventurer thrid
In his bark the polar sea;
Rear who will a pyramid; 1827. ]
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: This may be an imperfect reminiscence of 'Comus', ll.
634-5. --Ed. ]
* * * * *
SUB-FOOTNOTE ON THE TEXT
[Sub-Footnote a: Barron Field asked Wordsworth to restore these lines of
1807, and Wordsworth promised to do so, but never did it. --Ed. ]
The following is an extract from Dorothy Wordsworth's Grasmere Journal.
Saturday, May 1.
"A heavenly morning. We went into the garden, and sowed the scarlet
beans about the house. It was a clear sky. I sowed the flowers,
William helped me. We then went and sat in the orchard till dinner
time. It was very hot. William wrote 'The Celandine' (second part). We
planned a shed, for the sun was too much for us. "
Ed.
* * * * *
STANZAS WRITTEN IN MY POCKET COPY OF THOMSON'S "CASTLE OF INDOLENCE"
Begun 9th May, finished 11th May, 1802. --Published 1815
[Composed in the orchard, Town-end, Grasmere, Coleridge living with us
much at this time: his son Hartley has said, that his father's character
and habits are here preserved in a livelier way than in anything that
has been written about him. I. F. ]
One of the "Poems founded on the Affections. "--Ed.
Within our happy Castle there dwelt One
Whom without blame I may not overlook;
For never sun on living creature shone
Who more devout enjoyment with us took:
Here on his hours he hung as on a book, 5
On his own time here would he float away,
As doth a fly upon a summer brook;
But go to-morrow, or belike to-day,
Seek for him,--he is fled; and whither none can say.
Thus often would he leave our peaceful home, 10
And find elsewhere his business or delight;
Out of our Valley's limits did he roam:
Full many a time, upon a stormy night, [A]
His voice came to us from the neighbouring height:
Oft could [1] we see him driving full in view 15
At midday when the sun was shining bright;
What ill was on him, what he had to do,
A mighty wonder bred among our quiet crew.
Ah! piteous sight it was to see this Man
When he came back to us, a withered flower,--20
Or like a sinful creature, pale and wan.
Down would he sit; and without strength or power
Look at the common grass from hour to hour:
And oftentimes, how long I fear to say,
Where apple-trees in blossom made a bower, 25
Retired in that sunshiny shade he lay; [B]
And, like a naked Indian, slept himself away.
Great wonder to our gentle tribe it was
Whenever from our Valley he withdrew;
For happier soul no living creature has 30
Than he had, being here the long day through.
Some thought he was a lover, and did woo:
Some thought far worse of him, and judged him wrong;
But verse was what he had been wedded to;
And his own mind did like a tempest strong 35
Come to him thus, and drove the weary Wight along. [C]
With him there often walked in friendly guise,
Or lay upon the moss by brook or tree,
A noticeable Man with large grey eyes,
And a pale face that seemed undoubtedly 40
As if a blooming face it ought to be;
Heavy his low-hung lip did oft appear,
Deprest by weight of musing Phantasy;
Profound his forehead was, though not severe;
Yet some did think that he had little business here: 45
Sweet heaven forefend! his was a lawful right;
Noisy he was, and gamesome as a boy;
His limbs would toss about him with delight
Like branches when strong winds the trees annoy.
Nor lacked his calmer hours device or toy 50
To banish listlessness and irksome care;
He would have taught you how you might employ
Yourself; and many did to him repair,--
And certes not in vain; he had inventions rare.
Expedients, too, of simplest sort he tried: 55
Long blades of grass, plucked round him as he lay,
Made, to his ear attentively applied,
A pipe on which the wind would deftly play;
Glasses he had, that little things display,
The beetle panoplied in gems and gold, [2] 60
A mailed angel on a battle-day;
The mysteries that cups of flowers enfold, [3]
And all the gorgeous sights which fairies do behold.
He would entice that other Man to hear
His music, and to view his imagery: 65
And, sooth, these two were each to the other dear:
No livelier love in such a place could be: [4]
There did they dwell-from earthly labour free,
As happy spirits as were ever seen;
If but a bird, to keep them company, 70
Or butterfly sate down, they were, I ween,
As pleased as if the same had been a Maiden-queen.
* * * * *
VARIANTS ON THE TEXT
[Variant 1:
1836.
. . . did . . . 1815. ]
[Variant 2:
1827.
The beetle with his radiance manifold, 1815. ]
[Variant 3:
1827.
And cups of flowers, and herbage green and gold; 1815. ]
[Variant 4:
1836.
And, sooth, these two did love each other dear,
As far as love in such a place could be; 1815. ]
* * * * *
FOOTNOTES ON THE TEXT
[Footnote A: Compare
'And oft he traced the uplands to survey,
When o'er the sky advanced the kindling dawn,
The crimson cloud. '
Beattie's 'Minstrel', book I, st. 20.
'And oft the craggy cliff he loved to climb
When all in mist the world below was lost. '
Book I. st. 21.
'And of each gentle, and each dreadful scene
In darkness, and in storm, he found delight. '
Book I. st. 22. Ed. ]
[Footnote B: Compare the stanza in 'A Poet's Epitaph' (p. 77), beginning
'He is retired as noontide dew. '
Ed. ]
[Footnote C: Many years ago Canon Ainger pointed out to me a parallel
between Beattie's description of 'The Minstrel' and Wordsworth's account
of himself in this poem. It is somewhat curious that Dorothy Wordsworth,
writing to Miss Pollard from Forncett in 1793, quotes the line from 'The
Minstrel', book I. stanza 22,
"In truth he was a strange and wayward wight,"
and adds
"That verse of Beattie's 'Minstrel' always reminds me of him, and
indeed the whole character of Edwin resembles much what William was
when I first knew him after leaving Halifax. "
Mr. T. Hutchinson called the attention of Professor Dowden to the same
resemblance between the two pictures. With lines 35, 36, compare in
Shelley's 'Adonais', stanza xxxi. :
'And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey. '
Ed. ]
There can now be no doubt that, in the first four of these 'Stanzas',
Wordsworth refers to himself; and that, in the last four, he refers to
Coleridge. For a time it was uncertain whether in the earlier stanzas he
had Coleridge, or himself, in view; and whether, in the later ones, some
one else was, or was not, described. De Quincey, quoting (as he often
did) in random fashion, mixes up extracts from each set of the stanzas,
and applies them both to Coleridge; and Dorothy Wordsworth, in her
Journal, gives apparent (though only apparent) sanction to a reverse
order of allusion, by writing of "the stanzas about C. and himself" (her
brother). The following are her references to the poem in that Journal:
"9th May (1802). -After tea he (W. ) wrote two stanzas in the manner of
Thomson's 'Castle of Indolence', and was tired out.
"10th May. --William still at work, though it is past ten o'clock . . .
William did not sleep till three o'clock. "
"11th May. --William finished the stanzas about C. and himself. He did
not go out to-day. . . . He completely finished his poem. He went to bed
at twelve o'clock. "
From these extracts two things are evident,
(1) who the persons are described in the stanzas, and
(2) the immense labour bestowed upon the poem.
In the 'Memoirs of Wordsworth', by the late Bishop of Lincoln, there is
a passage (vol. ii. chap. li. p. 309) amongst the "Personal
Reminiscences, 1836," in which the Hon. Mr. Justice Coleridge virtually
decides the question of the identity of the two persons referred to, in
his record of a conversation with the poet. It is as follows:
"October 10th. --I have passed a great many hours to-day with
Wordsworth in his home. I stumbled on him with proof sheets before
him. He read me nearly all the sweet stanzas written in his copy of
the 'Castle of Indolence', describing himself and my uncle; and he and
Mrs. W. both assured me the description of the latter at that time was
perfectly accurate; and he was almost as a great boy in feelings, and
had all the tricks and fancies there described. Mrs. W. seemed to look
back on him, and those times, with the fondest affection. "
I think "the neighbouring height" referred to is the height of White
Moss Common, behind the Fir-Grove, where Wordsworth was often heard
murmuring out his verses," booing" as the country folks said: and the
'driving full in view
At midday when the sun was shining bright,'
aptly describes his habits as recorded in his sister's Journal, and
elsewhere. The "withered flower," the "creature pale and wan," are
significant of those terrible reactions of spirit, which followed his
joyous hours of insight and inspiration. Stanzas IV. to VII. of
'Resolution and Independence' (p. 314), in which Wordsworth undoubtedly
described himself, may be compared with stanza III. of this poem. The
lines
'Down would he sit; and without strength or power
Look at the common grass from hour to hour,'
are aptly illustrated by such passages in his sister's Journal, as the
following, of 29th April 1802:
"We went to John's Grove, sate a while at first; afterwards William
lay, and I lay in the trench, under the fence--he with his eyes
closed, and listening to the waterfalls and the birds. There was no
one waterfall above another--it was a kind of water in the air--the
voice of the air. We were unseen by one another. "
Again, April 23rd,
"Coleridge and I pushed on before. We left William sitting on the
stones, feasting with silence. "
And this recalls the first verse of 'Expostulation and Reply', written
at Alfoxden in 1798;
'Why, William, on that old grey stone,
Thus for the length of half a day,
Why, William, sit you thus alone,
And dream your time away? '
The retreat where "apple-trees in blossom made a bower," and where he so
often "slept himself away," was evidently the same as that described in
the poem 'The Green Linnet':
'Beneath these fruit-tree boughs that shed
Their snow white blossoms on my head. '
On the other hand, the "low-hung lip" and "profound" forehead of the
other, the "noticeable Man with large grey eyes," mark him out as S. T.
C. ; "the rapt One, of the god-like forehead," described in the
'Extempore Effusion upon the Death of James Hogg'. The description
"Noisy he was, and gamesome as a boy," is verified by what the poet and
his wife said to Mr. Justice Coleridge in 1836. In addition, Mr.
Hutchinson of Kimbolton tells me he "often heard his father say that
Coleridge was uproarious in his mirth. "
Matthew Arnold wrote me an interesting letter some years ago about these
stanzas, from which I make the following extract:
"When one looks uneasily at a poem it is easy to fidget oneself
further, and neither the Wordsworth nor the Coleridge of our common
notions seem to be exactly hit off in the 'Stanzas'; still, I believe
that the first described is Wordsworth and that the second described
is Coleridge. I have myself heard Wordsworth speak of his prolonged
exhausting wanderings among the hills. Then Miss Fenwick's notes show
that Coleridge is certainly one of the two personages of the poem, and
there are points in the description of the second man which suit him
very well. The 'profound forehead' is a touch akin to the 'god-like
forehead' in the mention of Coleridge in a later poem.
"I have a sort of recollection of having heard something about the
'inventions rare,' and Coleridge is certain to have dabbled, at one
time or other, in natural philosophy. "
In 1796 Coleridge wrote to his friend Cottle from Nether Stowey:
" . . . I should not think of devoting less than 20 years to an Epic
Poem: ten to collect materials and warm my mind with universal
science. I would be a tolerable Mathematician, I would thoroughly know
Mechanics, Hydrostatics, Optics, and Astronomy, Botany, Metallurgy,
Fossilism, Chemistry, Geology, Anatomy, Medicine--then the 'mind of
man'--then the 'minds of men'--in all Travels, Voyages, and Histories.
So I would spend ten years--the next five to the composition of the
poem--and the last five to the correction of it. So would I write,
haply not unhearing of the divine and rightly whispering Voice," etc.
Mr. T. Hutchinson (Dublin) writes in 'The Athenaeum', Dec. 15, 1894:
"I take it for granted these lines were written, not only on the
fly-leaf of Wordsworth's copy of the 'Castle of Indolence', but also
by way of Supplement to that poem; i. e. as an 'addendum' to the
descriptive list of the denizens of the Castle given in stanzas
LVII-LXIX of Canto I. ; that, in short, they are meant to be read as
though they were an after-thought of James Thomson's. Their author,
therefore, has rightly imparted to them the curiously blended flavour
of 'romantic melancholy and slippered mirth,' of dreamlike vagueness
and smiling hyperbole, which forms the distinctive mark of Thomson's
poem; and thus the Poet and the Philosopher-Friend of Wordsworth's
stanzas, like Thomson's companion sketches of the splenetic Solitary,
the 'bard more fat than bard beseems,' and the 'little, round, fat,
oily Man of God,' are neither more nor less than gentle caricatures. "
It has been suggested by Coleridge's grandson that Wordsworth was
describing S. T. C. in all the stanzas of this poem; that he drew two
separate pictures of him; in the first four stanzas a realistic
"character portrait," and in the last four a "companion picture,
figuring the outward semblance of Coleridge, but embodying
characteristics drawn from a third person"; so that we have a "fancy
sketch" mixed up with a real one. I cannot agree with this. The
evidence against it is
(1) Dorothy Wordsworth's Journal;
(2) the poet's and his wife's remarks to Mr. Justice Coleridge;
(3) the fact that Wordsworth was not in the habit of "passing from
realism into artistic composition," except where he distinctly
indicated it, as in the case of the Hawkshead Schoolmaster, in the
"Matthew" poems. Such composite or conglomerate work was quite
foreign to Wordsworth's genius.
Ed.
* * * * *
RESOLUTION AND INDEPENDENCE
Begun May 3, finished July 4, 1802. --Published 1807
[Written at Town-end, Grasmere. This old man I met a few hundred yards
from my cottage; and the account of him is taken from his own mouth. I
was in the state of feeling described in the beginning of the poem,
while crossing over Barton Fell from Mr. Clarkson's, at the foot of
Ullswater, towards Askham. The image of the hare I then observed on the
ridge of the Fell. --I. F. ]
This poem was known in the Wordsworth household as "The Leech-Gatherer,"
although it never received that name in print. An entry in Dorothy
Wordsworth's Journal of Friday, 3rd October 1800, may preface what she
wrote in 1802 about the composition of the poem.
"When William and I returned from accompanying Jones, we met an old
man almost double. He had on a coat thrown over his shoulders above
his waistcoat and coat. Under this he carried a bundle, and had an
apron on, and a night-cap. His face was interesting. He had dark eyes,
and a long nose. John, who afterwards met him at Wytheburn, took him
for a Jew. He was of Scotch parents, but had been born in the army. He
had had a wife, 'and a good woman, and it pleased God to bless him
with ten children. ' All these were dead but one, of whom he had not
heard for many years, a sailor. His trade was to gather leeches; but
now leeches were scarce, and he had not strength for it. He lived by
begging, and was making his way to Carlisle where he would buy a few
books to sell. He said leeches were very scarce, partly owing to this
dry season; but many years they had been scarce. He supposed it was
owing to their being much sought after; that they did not breed fast;
and were of slow growth. Leeches were formerly 2s. 6d. the 100; now
they were 30s. He had been hurt in driving a cart, his leg broken, his
body driven over, his skull fractured. He felt no pain till he
recovered from his first insensibility. It was late in the evening,
when the light was just going away. "
It is most likely that this walk of William and Dorothy Wordsworth
"accompanying Jones," was on the day of Jones's departure from Dove
Cottage, viz. 26th September.
The Journal continues:
"Tuesday, 4th May, 1802. --Though William went to bed nervous and jaded
in the extreme, he rose refreshed. I wrote out 'The Leech-Gatherer'
for him, which he had begun the night before, and of which he wrote
several stanzas in bed this morning. . . . "
(They started to walk up the Raise to Wytheburn. )
"It was very hot; we rested several times by the way, read, and
repeated 'The Leech-Gatherer. '"
"Friday, 7th May. --William had slept uncommonly well, so, feeling
himself strong, he fell to work at 'The Leech-Gatherer'; he wrote hard
at it till dinner time, then he gave over, tired to death--he had
finished the poem. "
"Sunday morning, 9th May. --William worked at 'The Leech-Gatherer'
almost incessantly from morning till tea-time. I copied 'The
Leech-Gatherer' and other poems for Coleridge. I was oppressed and
sick at heart, for he wearied himself to death. "
"Sunday, 4th July. --. . . William finished 'The Leech-Gatherer' to-day. "
"Monday, 5th July. --I copied out 'The Leech-Gatherer' for Coleridge,
and for us. "
From these extracts it is clear that Dorothy Wordsworth considered the
poem as "finished" on the 7th of May, and on the 9th she sent a copy to
Coleridge; but that it was not till the 4th of July that it was really
finished, and then a second copy was forwarded to Coleridge. It is
impossible to say from which of the two MSS. sent to him Coleridge
transcribed the copy which he forwarded to Sir George Beaumont. From
that copy of a copy (which is now amongst the Beaumont MSS. at
Coleorton) the various readings given, on Coleridge's authority, in the
notes to the poem, were obtained some years ago.
The Fenwick note to the poem illustrates Wordsworth's habit of blending
in one description details which were originally separate, both as to
time and place. The scenery and the incidents of the poem are alike
composite. As he tells us that he met the leech-gatherer a few hundred
yards from Dove Cottage, the "lonely place" with its "pool, bare to the
eye of heaven," at once suggests White Moss Common and its small tarn;
but he adds that, in the opening stanzas of the poem, he is describing a
state of feeling he was in, when crossing the fells at the foot of
Ullswater to Askam, and that the image of the hare "running races in her
mirth," with the glittering mist accompanying her, was observed by him,
not on White Moss Common, but in one of the ridges of Moor Divock. To H.
C. Robinson he said of the "Leech-Gatherer" (Sept. 10, 1816), that "he
gave to his poetic character powers of mind which his original did not
possess. " (Robinson's 'Diary', etc. , vol. ii. p. 24. )
One of the "Poems of the Imagination. "--Ed.
I There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods; 5
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.
