No More Learning

IV

But soon, returning duly,
Dawn whitens the wet hilltops bluely.
To her vision pure and cold
The night's wild tale is told
On the glistening leaf, in the mid-road pool,
The garden mold turned dark and cool,
And the meadows' trampled acres.
But hark, how fresh the song of the winged music-makers!
For now the moanings bitter,
Left by the rain, make harmony
With the swallow's matin-twitter,
And the robin's note, like the wind's in a tree.
The infant morning breathes sweet breath,
And with it is blent
The wistful, wild, moist scent
Of the grass in the marsh which the sea nourisheth:
And behold!
The last reluctant drop of the storm,
Wrung from the roof, is smitten warm
And turned to gold;
For in its veins doth run
The very blood of the bold, unsullied sun!






BREAKERS


Far out at sea there has been a storm,
And still, as they roll their liquid acres,
High-heaped the billows lower and glisten.
The air is laden, moist, and warm
With the dying tempest's breath;
And, as I walk the lonely strand
With sea-weed strewn, my forehead fanned
By wet salt-winds, I watch the breakers,
Furious sporting, tossed and tumbling,
Shatter here with a dreadful rumbling--
Watch, and muse, and vainly listen
To the inarticulate mumbling
Of the hoary-headed deep;
For who may tell me what it saith,
Muttering, moaning as in sleep?

Slowly and heavily
Comes in the sea,
With memories of storm o'erfreighted,
With heaving heart and breath abated,
Pregnant with some mysterious, endless sorrow,
And seamed with many a gaping, sighing furrow.

Slowly and heavily
Grows the green water-mound;
But drawing ever nigher,
Towering ever higher,
Swollen with an inward rage
Naught but ruin can assuage,
Swift, now, without sound,
Creeps stealthily
Up to the shore--
Creeps, creeps and undulates;
As one dissimulates
Till, swayed by hateful frenzy,
Through passion grown immense, he
Bursts forth hostilely;
And rising, a smooth billow--
Its swelling, sunlit dome
Thinned to a tumid ledge
With keen, curved edge
Like the scornful curl
Of lips that snarl--
O'ertops itself and breaks
Into a raving foam;
So springs upon the shore
With a hungry roar;
Its first fierce anger slakes
On the stony shallow;
And runs up on the land,
Licking the smooth, hard sand,
Relentless, cold, yet wroth;
And dies in savage froth.

Then with its backward swirl
The sands and the stones, how they whirl!
O, fiercely doth it draw
Them to its chasm'd maw,
And against it in vain
They linger and strain;
And as they slip away
Into the seething gray
Fill all the thunderous air
With the horror of their despair,
And their wild terror wreak
In one hoarse, wailing shriek.

But scarce is this done,
When another one
Falls like the bolt from a bellowing gun,
And sucks away the shore
As that did before:
And another shall smother it o'er.

Then there's a lull--a half-hush;
And forward the little waves rush,
Toppling and hurrying,
Each other worrying,
And in their haste
Run to waste.

Yet again is heard the trample
Of the surges high and ample:
Their dreadful meeting--
The wild and sudden breaking--
The dinting, and battering, and beating,
And swift forsaking.

And ever they burst and boom,
A numberless host;
Like heralds of doom
To the trembling coast;
And ever the tangled spray
Is tossed from the fierce affray,
And, as with spectral arms
That taunt and beckon and mock,
And scatter vague alarms,
Clasps and unclasps the rock;
Listlessly over it wanders;
Moodily, madly maunders,
And hissingly falls
From the glistening walls.

So all day along the shore
Shout the breakers, green and hoar,
Weaving out their weird tune;
Till at night the full moon
Weds the dark with that ring
Of gold that you see her fling
On the misty air.
Then homeward slow returning
To slumbers deep I fare,
Filled with an infinite yearning,
With thoughts that rise and fall
To the sound of the sea's hollow call,
Breathed now from white-lit waves that reach
Cold fingers o'er the damp, dark beach,
To scatter a spray on my dreams;
Till the slow and measured rote
Brings a drowsy ease
To my spirit, and seems
To set it soothingly afloat
On broad and buoyant seas
Of endless rest, lulled by the dirge
Of the melancholy surge.






BLACKMOUTH, OF COLORADO

"Who is Blackmouth? " Well, that's hard to say.
Mebbe he might ha' told you, 't other day,
If you'd been here. Now,--he's gone away.
Come to think on, 't wouldn't ha' been no use
If you'd called here earlier. His excuse
Always was, whenever folks would ask him
Where he hailed from, an' _would_ tease an' task him;--
What d' you s'pose? He just said, "I don' know. "

That was truth. He came here long ago;
But, before that, he'd been born somewhere:
The conundrum started first, right there.
Little shaver--afore he knew his name
Or the place from whereabouts he came--
On a wagon-train the Apaches caught him.
Killed the old folks! But this cus'--they brought him
Safe away from fire an' knife an' arrows.
So'thin' 'bout him must have touched their marrows:
They was merciful;--treated him real good;
Brought him up to man's age well's they could.
Now, d' you b'lieve me, that there likely lad,
For all they used him so, went to the bad:
Leastways left the red men, that he knew,
'N' come to look for folks like me an' you;--
Goldarned white folks that he never saw.
Queerest thing was--though he loved a squaw,
'T was on her account he planned escape;
Shook the Apaches, an' took up red tape
With the U. S. gov'ment arter a while;
Tho' they do say gov'ment may be vile,
Mean an' treacherous an' deceivin'. Well,
_I_ ain't sayin' our gov'ment is a sell.

Bocanegra--Spanish term--I've heard
Stands for "Blackmouth. " Now this curious bird,
Known as Bocanegra, gave his life
Most for others. First, he saved his wife;
Her I spoke of;--nothin' but a squaw.
You might wonder by what sort of law
He, a white man born, should come to love her.
But 't was somehow so: he _did_ discover
Beauty in her, of the holding kind.
Some men love the light, an' some the shade.
Round that little Indian girl there played
Soft an' shadowy tremblings, like the dark
Under trees; yet now an' then a spark,
Quick 's a firefly, flashing from her eyes,
Made you think of summer-midnight skies.
She was faithful, too, like midnight stars.
As for Blackmouth, if you'd seen the scars
Made by wounds he suffered for her sake,
You'd have called _him_ true, and no mistake.

Growin' up a man, he scarcely met
Other white folks; an' his heart was set
On this red girl. Yet he said: "We'll wait.
You must never be my wedded mate
Till we reach the white man's country. There,
Everything that's done is fair and square. "
Patiently they stayed, thro' trust or doubt,
Till tow'rds Colorado he could scout
Some safe track. He told her: "You go first.
All my joy goes with you:--that's the worst!
But _I_ wait, to guard or hide the trail. "

Indians caught him; an' they gave him--hail;
Cut an' tortured him, till he was bleeding;
Yet they found that still they weren't succeeding.
"Where's that squaw? " they asked. "We'll have her blood!
Either that, or grind you into mud;
Pick your eyes out, too, if you can't see
Where she's gone to. Which, now, shall it be?
Tell us where she's hid. "

"I'll show the way,"
Blackmouth says; an' leads toward dawn of day,
Till they come straight out beside the brink
Of a precipice that seems to sink
Into everlasting gulfs below.
"Loose me! " Blackmouth tells 'em. "But go slow. "
Then they loosed him; and, with one swift leap,
Blackmouth swooped right down into the deep;--
Jumped out into space beyond the edge,
While the Apaches cowered along the ledge.
Seven hundred feet, they say. That's guff!
Seventy foot, I tell you, 's 'bout enough.
Indians called him a dead antelope;
But they couldn't touch the bramble-slope
Where he, bruised and stabbed, crawled under brush.
_Their_ hand was beat hollow: _he_ held a flush.

Day and night he limped or crawled along:
Winds blew hot, yet sang to him a song
(So he told me, once) that gave him hope.
Every time he saw a shadow grope
Down the hillsides, from a flying cloud,
Something touched his heart that made him proud:
Seemed to him he saw her dusky face
Watching over him, from place to place.
Every time the dry leaves rustled near,
Seemed to him she whispered, "Have no fear! "

So at last he found her:--they were married.
But, from those days on, he always carried
Marks of madness; actually--yes! --
Trusted the good faith of these U. S.

Indian hate an' deviltry he braved;
'N' scores an' scores of white men's lives he saved.
Just for that, his name should be engraved.
But it won't be! U. S. gov'ment dreads
Men who're taller 'n politicians' heads.

All the while, his wife--tho' half despised
By the frontier folks that civilized
An' converted her--served by his side,
Helping faithfully, until she died.
Left alone, he lay awake o' nights,
Thinkin' what they'd both done for the whites.
Then he thought of her, and Indian people;
Tryin' to measure, by the church's steeple,
Just how Christian our great nation's been
Toward those native tribes so full of sin.
When he counted all the wrongs we've done
To the wild men of the setting sun,
Seem'd to him the gov'ment wa'n't quite fair.
When its notes came due, it wa'n't right there.
U. S. gov'ment promised Indians lots,
But at last it closed accounts with shots.
Mouth was black, perhaps;--but _he_ was white.
Calling gov'ment black don't seem polite:
Yet I'll swear, its actions wouldn't show
'Longside Blackmouth's better 'n soot with snow.

Yes, sir! Blackmouth took the other side:
Honestly for years an' years he tried
Getting justice for the Indians. He,
Risking life an' limb for you an' me;--
He, the man who proved his good intent
By his deeds, an' plainly showed he meant
He would die for us,--turned round an' said:
"White men have been saved. Now, save the red! "
But it didn't pan out. No one would hark.
"Let the prairie-dogs an' Blackmouth bark,"
Said our folks. And--no, he wa'n't resigned,
But concluded he had missed his find.

"_Where_ is Blackmouth? " That I can't decide.
Red an' white men, both, he tried to serve;
But I guess, at last, he lost his nerve.
Kind o' tired out. See? He had his pride:
Gave his life for others, far 's he could,
Hoping it would do 'em some small good.
Didn't seem to be much use. An' so--
Well; you see that man, dropped in the snow,
Where the crowd is? Suicide, they say.
Looks as though he had quit work, to stay.
Bullet in the breast. --His _body_ 's there;
But poor Blackmouth's gone--I don't know where!






THE CHILD YEAR

I

"Dying of hunger and sorrow:
I die for my youth I fear! "
Murmured the midnight-haunting
Voice of the stricken Year.

There like a child it perished
In the stormy thoroughfare:
The snow with cruel whiteness
Had aged its flowing hair.

Ah, little Year so fruitful,
Ah, child that brought us bliss,
Must we so early lose you--
Our dear hopes end in this?

II

"Too young am I, too tender,
To bear earth's avalanche
Of wrong, that grinds down life-hope,
And makes my heart's-blood blanch.

"Tell him who soon shall follow
Where my tired feet have bled,
He must be older, shrewder,
Hard, cold, and selfish-bred--

"Or else like me be trampled
Under the harsh world's heel.
'Tis weakness to be youthful;
'Tis death to love and feel. "

III

Then saw I how the New Year
Came like a scheming man,
With icy eyes, his forehead
Wrinkled by care and plan

For trade and rule and profit.
To him the fading child
Looked up and cried, "Oh, brother! "
But died even while it smiled.

Down bent the harsh new-comer
To lift with loving arm
The wanderer mute and fallen;
And lo! his eyes were warm;

All changed he grew; the wrinkles
Vanished: he, too, looked young--
As if that lost child's spirit
Into his breast had sprung.

So are those lives not wasted,
Too frail to bear the fray.
So Years may die, yet leave us
Young hearts in a world grown gray.






CHRISTENING


To-day I saw a little, calm-eyed child,--
Where soft lights rippled and the shadows tarried
Within a church's shelter arched and aisled,--
Peacefully wondering, to the altar carried;

White-robed and sweet, in semblance of a flower;
White as the daisies that adorned the chancel;
Borne like a gift, the young wife's natural dower,
Offered to God as her most precious hansel.

Then ceased the music, and the little one
Was silent, with the multitude assembled
Hearkening; and when of Father and of Son
He spoke, the pastor's deep voice broke and trembled.

But she, the child, knew not the solemn words,
And suddenly yielded to a troublous wailing,
As helpless as the cry of frightened birds
Whose untried wings for flight are unavailing.

How much the same, I thought, with older folk!
The blessing falls: we call it tribulation,
And fancy that we wear a sorrow's yoke,
Even at the moment of our consecration.

Pure daisy-child! Whatever be the form
Of dream or doctrine,--or of unbelieving,--
A hand may touch our heads, amid the storm
Of grief and doubt, to bless beyond bereaving;

A voice may sound, in measured, holy rite
Of speech we know not, tho' its earnest meaning
Be clear as dew, and sure as starry light
Gathered from some far-off celestial gleaning.

Wise is the ancient sacrament that blends
This weakling cry of children in our churches
With strength of prayer or anthem that ascends
To Him who hearts of men and children searches;

Since we are like the babe, who, soothed again,
Within her mother's cradling arm lay nested,
Bright as a new bud, now, refreshed by rain:
And on her hair, it seemed, heaven's radiance rested.






THANKSGIVING TURKEY


Valleys lay in sunny vapor,
And a radiance mild was shed
From each tree that like a taper
At a feast stood. Then we said,
"Our feast, too, shall soon be spread,
Of good Thanksgiving turkey. "

And already still November
Drapes her snowy table here.
Fetch a log, then; coax the ember;
Fill your hearts with old-time cheer;
Heaven be thanked for one more year,
And our Thanksgiving turkey!

Welcome, brothers--all our party
Gathered in the homestead old!
Shake the snow off and with hearty
Hand-shakes drive away the cold;
Else your plate you'll hardly hold
Of good Thanksgiving turkey.

When the skies are sad and murky,
'Tis a cheerful thing to meet
Round this homely roast of turkey--
Pilgrims, pausing just to greet,
Then, with earnest grace, to eat
A new Thanksgiving turkey.

And the merry feast is freighted
With its meanings true and deep.
Those we've loved and those we've hated,
All, to-day, the rite will keep,
All, to-day, their dishes heap
With plump Thanksgiving turkey.

But how many hearts must tingle
Now with mournful memories!
In the festal wine shall mingle
Unseen tears, perhaps from eyes
That look beyond the board where lies
Our plain Thanksgiving turkey.

See around us, drawing nearer,
Those faint yearning shapes of air--
Friends than whom earth holds none dearer!
No--alas! they are not there:
Have they, then, forgot to share
Our good Thanksgiving turkey?

Some have gone away and tarried
Strangely long by some strange wave;
Some have turned to foes; we carried
Some unto the pine-girt grave:
They 'll come no more so joyous-brave
To take Thanksgiving turkey.

Nay, repine not. Let our laughter
Leap like firelight up again.
Soon we touch the wide Hereafter,
Snow-field yet untrod of men:
Shall we meet once more--and when? --
To eat Thanksgiving turkey.






BEFORE THE SNOW


Autumn is gone: through the blue woodlands bare
Shatters the rainy wind. A myriad leaves,
Like birds that fly the mournful Northern air.
Flutter away from the old forest's eaves.

Autumn is gone: as yonder silent rill,
Slow eddying o'er thick leaf-heaps lately shed,
My spirit, as I walk, moves awed and still,
By thronging fancies wild and wistful led.

Autumn is gone: alas, how long ago
The grapes were plucked, and garnered was the grain!
How soon death settles on us, and the snow
Wraps with its white alike our graves, our gain!

Yea, autumn's gone! Yet it robs not my mood
Of that which makes moods dear,--some shoot of spring
Still sweet within me; or thoughts of yonder wood
We walked in,--memory's rare environing.

And, though they die, the seasons only take
A ruined substance. All that's best remains
In the essential vision that can make
One light for life, love, death, their joys, their pains.








III








YOUTH TO THE POET

(TO OLIVER WENDELL HOLMES)


Strange spell of youth for age, and age for youth,
Affinity between two forms of truth! --
As if the dawn and sunset watched each other,
Like and unlike as children of one mother
And wondering at the likeness. Ardent eyes
Of young men see the prophecy arise
Of what their lives shall be when all is told;
And, in the far-off glow of years called old,
Those other eyes look back to catch a trace
Of what was once their own unshadowed grace.
But here in our dear poet both are blended--
Ripe age begun, yet golden youth not ended;--
Even as his song the willowy scent of spring
Doth blend with autumn's tender mellowing,
And mixes praise with satire, tears with fun,
In strains that ever delicately run;
So musical and wise, page after page,
The sage a minstrel grows, the bard a sage.
The dew of youth fills yet his late-sprung flowers,
And day-break glory haunts his evening hours.
Ah, such a life prefigures its own moral:
That first "Last Leaf" is now a leaf of laurel,
Which--smiling not, but trembling at the touch--
Youth gives back to the hand that gave so much.

EVENING OF DECEMBER 3, 1879.






THE SWORD DHAM


"How shall we honor the man who creates? "
Asked the Bedouin chief, the poet Antar;--
"Who unto the truth flings open our gates,
Or fashions new thoughts from the light of a star;
Or forges with craft of his finger and brain
Some marvelous weapon we copy in vain;
Or chants to the winds a wild song that shall
wander forever undying?

"See! His reward is in envies and hates;
In lips that deny, or in stabs that may kill. "
"Nay," said the smith; "for there's one here who waits
Humbly to serve you with unmeasured skill,
Sure that no utmost devotion can fail,
Offered to _you_, nor unfriended assail
The heart of the hero and poet Antar, whose
fame is undying! "

"Speak," said the chief. Then the smith: "O Antar,
It is I who would serve you! I know, by the soul
Of the poet within you, no envy can bar
The stream of your gratitude,--once let it roll.
Listen. The lightning, your camel that slew,
_I_ caught, and wrought in this sword-blade for you;--
Sword that no foe shall encounter unhurt, or
depart from undying. "

Burst from the eyes of Antar a swift rain,--Gratitude's
glittering drops,--as he threw
One shining arm round the smith, like a chain.
Closer the man to his bosom he drew;
Thankful, caressing, with "Great is my debt. "
"Yea," said the smith, and his eyelids were wet:
"I knew the sword Dham would unite me with
you in an honor undying. "

"So? " asked the chief, as his thumb-point at will
Silently over the sword's edge played.
--"Ay! " said the smith, "but there's one thing, still:
Who is the smiter, shall smite with this blade? "
Jealous, their eyes met; and fury awoke.
"_I_ am the smiter! " Antar cried. One stroke
Rolled the smith's head from his neck, and gave
him remembrance undying.

"Seek now who may, no search will avail:
No man the mate of this weapon shall own! "
Yet, in his triumph, the chieftain made wail:
"Slain is the craftsman, the one friend alone
Able to honor the man who creates.
I slew him--_I_, who am poet! O fates,
Grant that the envious blade slaying artists shall
make them undying! "






"AT THE GOLDEN GATE"

Before the golden gate she stands,
With drooping head, with idle hands
Loose-clasped, and bent beneath the weight
Of unseen woe. Too late, too late!
Those carved and fretted,
Starred, resetted
Panels shall not open ever
To her who seeks the perfect mate.

Only the tearless enter there:
Only the soul that, like a prayer,
No bolt can stay, no wall may bar,
Shall dream the dreams grief cannot mar.
No door of cedar,
Alas, shall lead her
Unto the stream that shows forever
Love's face like some reflected star!

They say that golden barrier hides
A realm where deathless spring abides;
Where flowers shall fade not, and there floats
Thro' moon-rays mild or sunlit motes--
'Mid dewy alleys
That gird the palace,
And fountain'd spray's unceasing quiver--
A dulcet rain of song-birds' notes.

The sultan lord knew not her name;
But to the door that fair shape came:
The hour had struck, the way was right,
Traced by her lamp's pale, flickering light.
But ah, whose error
Has brought this terror?
Whose fault has foiled her fond endeavor?
The gate swings to: her hope takes flight.

The harp, the song, the nightingales
She hears, beyond. The night-wind wails
Without, to sound of feast within,
While here she stands, shut out by sin.
And be that revel
Of angel or devil,
She longs to sit beside the giver,
That she at last her prize may win.

Her lamp has fallen; her eyes are wet;
Frozen she stands, she lingers yet;
But through the garden's gladness steals
A whisper that each heart congeals--
A moan of grieving
Beyond relieving,
Which makes the proudest of them shiver.
And suddenly the sultan kneels!

The lamp was quenched; he found her dead,
When dawn had turned the threshold red.
Her face was calm and sad as fate:
His sin, not hers, made her too late.
Some think, unbidden
She brought him, hidden,
A truer bliss that came back never
To him, unblest, who closed the gate.






CHARITY


I

Unarmed she goeth; yet her hands
Strike deeper awe than steel-caparison'd bands.
No fatal hurt of foe she fears,--
Veiled, as with mail, in mist of gentle tears.


II

'Gainst her thou canst not bar the door:
Like air she enters, where none dared before.
Even to the rich she can forgive
Their regal selfishness,--and let them live!






HELEN AT THE LOOM


Helen, in her silent room,
Weaves upon the upright loom;
Weaves a mantle rich and dark,
Purpled over, deep. But mark
How she scatters o'er the wool
Woven shapes, till it is full
Of men that struggle close, complex;
Short-clipp'd steeds with wrinkled necks
Arching high; spear, shield, and all
The panoply that doth recall
Mighty war; such war as e'en
For Helen's sake is waged, I ween.
Purple is the groundwork: good!
All the field is stained with blood--
Blood poured out for Helen's sake;
(Thread, run on; and shuttle, shake! )
But the shapes of men that pass
Are as ghosts within a glass,
Woven with whiteness of the swan,
Pale, sad memories, gleaming wan
From the garment's purple fold
Where Troy's tale is twined and told.
Well may Helen, as with tender
Touch of rosy fingers slender
She doth knit the story in
Of Troy's sorrow and her sin,
Feel sharp filaments of pain
Reeled off with the well-spun skein,
And faint blood-stains on her hands
From the shifting, sanguine strands.

Gently, sweetly she doth sorrow:
What has been must be to-morrow;
Meekly to her fate she bows.
Heavenly beauties still will rouse
Strife and savagery in men:
Shall the lucid heavens, then,
Lose their high serenity,
Sorrowing over what must be?
If she taketh to her shame,
Lo, they give her not the blame,--
Priam's wisest counselors,
Aged men, not loving wars.
When she goes forth, clad in white,
Day-cloud touched by first moonlight,
With her fair hair, amber-hued
As vapor by the moon imbued
With burning brown, that round her clings,
See, she sudden silence brings
On the gloomy whisperers
Who would make the wrong all hers.
So, Helen, in thy silent room,
Labor at the storied loom;
(Thread, run on; and shuttle, shake! )
Let thy aching sorrow make
Something strangely beautiful
Of this fabric; since the wool
Comes so tinted from the Fates,
Dyed with loves, hopes, fears, and hates.
Thou shalt work with subtle force
All thy deep shade of remorse
In the texture of the weft,
That no stain on thee be left;--
Ay, false queen, shalt fashion grief,
Grief and wrong, to soft relief.
Speed the garment! It may chance,
Long hereafter, meet the glance,
Of Oenone; when her lord,
Now thy Paris, shall go tow'rd
Ida, at his last sad end,
Seeking her, his early friend,
Who alone can cure his ill,
Of all who love him, if she will.
It were fitting she should see
In that hour thine artistry,
And her husband's speechless corse
In the garment of remorse!

But take heed that in thy work
Naught unbeautiful may lurk.
Ah, how little signifies
Unto thee what fortunes rise,
What others fall! Thou still shall rule,
Still shalt twirl the colored spool.
Though thy yearning woman's eyes
Burn with glorious agonies,
Pitying the waste and woe,
And the heroes falling low
In the war around thee, here,
Yet the least, quick-trembling tear
'Twixt thy lids shall dearer be
Than life, to friend or enemy.

There are people on the earth
Doomed with doom of too great worth.
Look on Helen not with hate,
Therefore, but compassionate.
If she suffer not too much,
Seldom does she feel the touch
Of that fresh, auroral joy
Lighter spirits may decoy
To their pure and sunny lives.
Heavy honey 'tis she hives.
To her sweet but burdened soul
All that here she may control--
What of bitter memories,
What of coming fate's surmise,
Paris' passion, distant din
Of the war now drifting in
To her quiet--idle seems;
Idle as the lazy gleams
Of some stilly water's reach,
Seen from where broad vine-leaves pleach
A heavy arch; and, looking through,
Far away the doubtful blue
Glimmers, on a drowsy day,
Crowded with the sun's rich gray;--
As she stands within her room,
Weaving, weaving at the loom.






THE CASKET OF OPALS


I

Deep, smoldering colors of the land and sea
Burn in these stones, that, by some mystery,
Wrap fire in sleep and never are consumed.
Scarlet of daybreak, sunset gleams half spent
In thick white cloud; pale moons that may have lent
Light to love's grieving; rose-illumined snows,
And veins of gold no mine depth ever gloomed;
All these, and green of thin-edged waves, are there.
I think a tide of feeling through them flows
With blush and pallor, as if some being of air,--
Some soul once human,--wandering, in the snare
Of passion had been caught, and henceforth doomed
In misty crystal here to lie entombed.

And so it is, indeed. Here prisoned sleep
The ardors and the moods and all the pain
That once within a man's heart throbbed. He gave
These opals to the woman whom he loved;
And now, like glinting sunbeams through the rain,
The rays of thought that through his spirit moved
Leap out from these mysterious forms again.

The colors of the jewels laugh and weep
As with his very voice. In them the wave
Of sorrow and joy that, with a changing sweep,
Bore him to misery or else made him blest
Still surges in melodious, wild unrest.
So when each gem in place I touch and take,
It murmurs what he thought or what he spake.


FIRST OPAL

My heart is like an opal
Made to lie upon your breast
In dreams of ardor, clouded o'er
By endless joy's unrest.

And forever it shall haunt you
With its mystic, changing ray:
Its light shall live when we lie dead,
With hearts at the heart of day!


SECOND OPAL

If, from a careless hold,
One gem of these should fall,
No power of art or gold
Its wholeness could recall:
The lustrous wonder dies
In gleams of irised rain,
As light fades out from the eyes
When a soul is crushed by pain.
Take heed that from your hold
My love you do not cast:
Dim, shattered, vapor-cold--
That day would be its last.


II


THIRD OPAL

_He won her love; and so this opal sings
With all its tints in maze, that seem to quake
And leap in light, as if its heart would break:_

Gleam of the sea,
Translucent air,
Where every leaf alive with glee
Glows in the sun without shadow of grief--
You speak of spring,
When earth takes wing
And sunlight, sunlight is everywhere!
Radiant life,
Face so fair--
Crowned with the gracious glory of wife--
Your glance lights all this happy day,
Your tender glow
And murmurs low
Make miracle, miracle, everywhere.

Earth takes wing
With birds--do I care
Whether of sorrow or joy they sing?
No; for they make not my life nor destroy!
My soul awakes
At a smile that breaks
In sun; and sunlight is everywhere!


III

_Then dawned a mood of musing thoughtfulness;
As if he doubted whether he could bless
Her wayward spirit, through each fickle hour,
With love's serenity of flawless power,
Or she remain a vision, as when first
She came to soothe his fancy all athirst. _


FOURTH OPAL

We were alone: the perfumed night,
Moonlighted, like a flower
Grew round us and exhaled delight
To bless that one sweet hour.

You stood where, 'mid the white and gold,
The rose-fire through the gloom
Touched hair and cheek and garment's fold
With soft, ethereal bloom.

And when the vision seemed to swerve,
'T was but the flickering shine
That gave new grace, a lovelier curve,
To every dream-like line.

O perfect vision! Form and face
Of womanhood complete!
O rare ideal to embrace
And hold, from head to feet!

Could I so hold you ever--could
Your eye still catch the glow
Of mine--it were an endless good:
Together we should grow

One perfect picture of our love! . . .
Alas, the embers old
Fell, and the moonlight fell, above--
Dim, shattered, vapor-cold.


IV

_What ill befell these lovers? Shall I say?
What tragedy of petty care and sorrow?
Ye all know, who have lived and loved: if nay,
Then those will know who live and love tomorrow.
But here at least is what this opal said,
The fifth in number: and the next two bore
My fancy toward that dim world of the dead,
Where waiting spirits muse the past life o'er_:


FIFTH OPAL

I dreamed my kisses on your hair
Turned into roses. Circling bloom
Crowned the loose-lifted tresses there.
"O Love," I cried, "forever
Dwell wreathed, and perfume-haunted
By my heart's deep honey-breath! "
But even as I bending looked, I saw
The roses were not; and, instead, there lay
Pale, feathered flakes and scentless
Ashes upon your hair!


SIXTH OPAL

The love I gave, the love I gave,
Wherewith I sought to win you--
Ah, long and close to you it clave
With life and soul and sinew!
My gentleness with scorn you cursed:
You knew not what I gave.
The strongest man may die of thirst:
My love is in its grave!


SEVENTH OPAL

You say these jewels were accurst--
With evil omen fraught.
You should have known it from the first!
This was the truth they taught:

No treasured thing in heaven or earth
Holds potency more weird
Than our hearts hold, that throb from birth
With wavering flames insphered.

And when from me the gems you took,
On that strange April day,
My nature, too, I gave, that shook
With passion's fateful play.

The mingled fate my love should give
In these mute emblems shone,
That more intensely burn and live--
While I am turned to stone.


V

_Listen now to what is said
By the eighth opal, flashing red
And pale, by turns, with every breath--
The voice of the lover after death. _


EIGHTH OPAL

I did not know before
That we dead could rise and walk;
That our voices, as of yore,
Would blend in gentle talk.

I did not know her eyes
Would so haunt mine after death,
Or that she could hear my sighs,
Low as the harp-string's breath.

But, ah, last night we met!
From our stilly trance we rose,
Thrilled with all the old regret--
The grieving that God knows.

She asked: "Am I forgiven? "--
"And dost thou forgive? " I said,
Ah! how long for joy we'd striven!
But now our hearts were dead.

Alas, for the lips I kissed
And the sweet hope, long ago!
On her grave chill hangs the mist;
On mine, white lies the snow.


VI

_Hearkening still, I hear this strain
From the ninth opal's varied vein:_


NINTH OPAL

In the mountains of Mexico,
Where the barren volcanoes throw
Their fierce peaks high to the sky,
With the strength of a tawny brute
That sees heaven but to defy,
And the soft, white hand of the snow
Touches and makes them mute,--

Firm in the clasp of the ground
The opal is found.
By the struggle of frost and fire
Created, yet caught in a spell
From which only human desire
Can free it, what passion profound
In its dim, sweet bosom may dwell!

So was it with us, I think,
Whose souls were formed on the brink
Of a crater, where rain and flame
Had mingled and crystallized.
One venturous day Love came;
Found us; and bound with a link
Of gold the jewels he prized.

The agonies old of the earth,
Its plenitude and its dearth,
The torrents of flame and of tears,
All these in our souls were inborn.
And we must endure through the years
The glory and burden of birth
That filled us with fire of the morn.

Let the diamond lie in its mine;
Let ruby and topaz shine;
The beryl sleep, and the emerald keep
Its sunned-leaf green! We know
The joy of sufferings deep
That blend with a love divine,
And the hidden warmth of the snow!


TENTH OPAL

Colors that tremble and perish,
Atoms that follow the law,
You mirror the truth which we cherish,
You mirror the spirit we saw.
Glow of the daybreak tender,
Flushed with an opaline gleam,
And passionate sunset-splendor--
Ye both but embody a dream.
Visions of cloud-hidden glory
Breaking from sources of light
Mimic the mist of life's story.
Mingled of scarlet and white.
Sunset-clouds iridescent,
Opals, and mists of the day,
Are thrilled alike with the crescent
Delight of a deathless ray
Shot through the hesitant trouble
Of particles floating in space,
And touching each wandering bubble
With tints of a rainbowed grace.
So through the veil of emotion
Trembles the light of the truth;
And so may the light of devotion
Glorify life--age and youth.
Sufferings,--pangs that seem cruel,--
These are but atoms adrift:
The light streams through, and a jewel
Is formed for us, Heaven's own gift!






LOVE THAT LIVES


Dear face--bright, glinting hair;
Dear life, whose heart is mine--
The thought of you is prayer,
The love of you divine.

In starlight, or in rain;
In the sunset's shrouded glow;
Ever, with joy or pain,
To you my quick thoughts go

Like winds or clouds, that fleet
Across the hungry space
Between, and find you, sweet,
Where life again wins grace.

Now, as in that once young
Year that so softly drew
My heart to where it clung,
I long for, gladden in you.

And when in the silent hours
I whisper your sacred name,
Like an altar-fire it showers
My blood with fragrant flame!

Perished is all that grieves;
And lo, our old-new joys
Are gathered as in sheaves,
Held in love's equipoise.

Ours is the love that lives;
Its springtime blossoms blow
'Mid the fruit that autumn gives,
And its life outlasts the snow.








IV








BLUEBIRD'S GREETING


Over the mossy walls,
Above the slumbering fields
Where yet the ground no fruitage yields,
Save as the sunlight falls
In dreams of harvest-yellow,
What voice remembered calls,--
So bubbling fresh, so soft and mellow?

A darting, azure-feathered arrow
From some lithe sapling's bow-curve, fleet
The bluebird, springing light and narrow,
Sings in flight, with gurglings sweet:

"Out of the South I wing,
Blown on the breath of Spring:
The little faltering song
That in my beak I bring
Some maiden shall catch and sing,
Filling it with the longing
And the blithe, unfettered thronging
Of her spirit's blossoming.

"Warbling along
In the sunny weather,
Float, my notes,
Through the sunny motes,
Falling light as a feather!
Flit, flit, o'er the fertile land
'Mid hovering insects' hums;
Fall into the sower's hand:
Then, when his harvest comes,
The seed and the song shall have flowered together.

"From the Coosa and Altamaha,
With a thought of the dim blue Gulf;
From the Roanoke and Kanawha;
From the musical Southern rivers,
O'er the land where the fierce war-wolf
Lies slain and buried in flowers;
I come to your chill, sad hours
And the woods where the sunlight shivers.
I come like an echo: 'Awake! '
I answer the sky and the lake
And the clear, cool color that quivers
In all your azure rills.
I come to your wan, bleak hills
For a greeting that rises dearer,
To homely hearts draws me nearer
Than the warmth of the rice-fields or wealth of the ranches.

"I will charm away your sorrow,
For I sing of the dewy morrow:
My melody sways like the branches
My light feet set astir:
I bring to the old, as I hover,
The days and the joys that were,
And hope to the waiting lover!
Then, take my note and sing,
Filling it with the longing
And the blithe, unfettered thronging
Of your spirit's blossoming! "

Not long that music lingers:
Like the breath of forgotten singers
It flies,--or like the March-cloud's shadow
That sweeps with its wing the faded meadow
Not long! And yet thy fleeting,
Thy tender, flute-toned greeting,
O bluebird, wakes an answer that remains
The purest chord in all the year's refrains.






THE VOICE OF THE VOID


I warn, like the one drop of rain
On your face, ere the storm;
Or tremble in whispered refrain
With your blood, beating warm.
I am the presence that ever
Baffles your touch's endeavor,--
Gone like the glimmer of dust
Dispersed by a gust.
I am the absence that taunts you,
The fancy that haunts you;
The ever unsatisfied guess
That, questioning emptiness,
Wins a sigh for reply.
Nay; nothing am I,
But the flight of a breath--
For I am Death!






"O WHOLESOME DEATH"


O wholesome Death, thy sombre funeral-car
Looms ever dimly on the lengthening way
Of life; while, lengthening still, in sad array,
My deeds in long procession go, that are
As mourners of the man they helped to mar.
I see it all in dreams, such as waylay
The wandering fancy when the solid day
Has fallen in smoldering ruins, and night's star,
Aloft there, with its steady point of light
Mastering the eye, has wrapped the brain in sleep.
Ah, when I die, and planets hold their flight
Above my grave, still let my spirit keep
Sometimes its vigil of divine remorse,
'Midst pity, praise, or blame heaped o'er my corse!






INCANTATION


When the leaves, by thousands thinned,
A thousand times have whirled in the wind,
And the moon, with hollow cheek,
Staring from her hollow height,
Consolation seems to seek
From the dim, reechoing night;
And the fog-streaks dead and white
Lie like ghosts of lost delight
O'er highest earth and lowest sky;
Then, Autumn, work thy witchery!

Strew the ground with poppy-seeds,
And let my bed be hung with weeds,
Growing gaunt and rank and tall,
Drooping o'er me like a pall.
Send thy stealthy, white-eyed mist
Across my brow to turn and twist
Fold on fold, and leave me blind
To all save visions in the mind.
Then, in the depth of rain-fed streams
I shall slumber, and in dreams
Slide through some long glen that burns
With a crust of blood-red ferns
And brown-withered wings of brake
Like a burning lava-lake;--
So, urged to fearful, faster flow
By the awful gasp, "Hahk! hahk! " of the crow,
Shall pass by many a haunted rood
Of the nutty, odorous wood;
Or, where the hemlocks lean and loom,
Shall fill my heart with bitter gloom;
Till, lured by light, reflected cloud,
I burst aloft my watery shroud,
And upward through the ether sail
Far above the shrill wind's wail;--
But, falling thence, my soul involve
With the dust dead flowers dissolve;
And, gliding out at last to sea,
Lulled to a long tranquillity,
The perfect poise of seasons keep
With the tides that rest at neap.
So must be fulfilled the rite
That giveth me the dead year's might;
And at dawn I shall arise
A spirit, though with human eyes,
A human form and human face;
And where'er I go or stay,
There the summer's perished grace
Shall be with me, night and day.






FAMINE AND HARVEST

[PLYMOUTH PLANTATION: 1622]


The strong and the tender,
The young and the old,
Unto Death we must render;--
Our silver, our gold.

To break their long sleeping
No voice may avail:
They hear not our weeping--
Our famished love's wail.

Yea, those whom we cherish
Depart, day by day.
Soon we, too, shall perish
And crumble to clay.

And the vine and the berry
Above us will bloom;
The wind shall make merry
While we lie in gloom.

Fear not! Though thou starvest,
Provision is made:
God gathers His harvest
When our hopes fade!






THE CHILD'S WISH GRANTED


Do you remember, my sweet, absent son,
How in the soft June days forever done
You loved the heavens so warm and clear and high;
And when I lifted you, soft came your cry,--
"Put me 'way up--'way, 'way up in blue sky"?

I laughed and said I could not;--set you down,
Your gray eyes wonder-filled beneath that crown
Of bright hair gladdening me as you raced by.
Another Father now, more strong than I,
Has borne you voiceless to your dear blue sky.






THE FLOWN SOUL

(FRANCIS HAWTHORNE LATHROP)

FEBRUARY 6, 1881


Come not again! I dwell with you
Above the realm of frost and dew,
Of pain and fire, and growth to death.
I dwell with you where never breath
Is drawn, but fragrance vital flows
From life to life, even as a rose
Unseen pours sweetness through each vein
And from the air distills again.
You are my rose unseen; we live
Where each to other joy may give
In ways untold, by means unknown
And secret as the magnet-stone.

For which of us, indeed, is dead?
No more I lean to kiss your head--
The gold-red hair so thick upon it;
Joy feels no more the touch that won it
When o'er my brow your pearl-cool palm
In tenderness so childish, calm,
Crept softly, once. Yet, see, my arm
Is strong, and still my blood runs warm.
I still can work, and think and weep.
But all this show of life I keep
Is but the shadow of your shine,
Flicker of your fire, husk of your vine;
Therefore, you are not dead, nor I
Who hear your laughter's minstrelsy.
Among the stars your feet are set;
Your little feet are dancing yet
Their rhythmic beat, as when on earth.
So swift, so slight are death and birth!

Come not again, dear child. If thou
By any chance couldst break that vow
Of silence at thy last hour made;
If to this grim life unafraid
Thou couldst return, and melt the frost
Wherein thy bright limbs' power was lost;
Still would I whisper--since so fair
This silent comradeship we share--
Yes, whisper 'mid the unbidden rain
Of tears: "Come not, come not again! "






SUNSET AND SHORE


Birds that like vanishing visions go winging,
White, white in the flame of the sunset's burning,
Fly with the wild spray the billows are flinging,
Blend, blend with the nightfall, and fade, unreturning!

Fire of the heaven, whose splendor all-glowing
Soon, soon shall end, and in darkness must perish;
Sea-bird and flame-wreath and foam lightly blowing;--
Soon, soon tho' we lose you, your beauty we cherish.

Visions may vanish, the sweetest, the dearest;
Hush'd, hush'd be the voice of love's echo replying;
Spirits may leave us that clung to us nearest:--
Love, love, only love dwells with us undying!






THE PHOEBE-BIRD

(A REPLY)


Yes, I was wrong about the phoebe-bird.
Two songs it has, and both of them I've heard:
I did not know those strains of joy and sorrow
Came from one throat, or that each note could borrow
Strength from the other, making one more brave
And one as sad as rain-drops on a grave.

But thus it is. Two songs have men and maidens:
One is for hey-day, one is sorrow's cadence.
Our voices vary with the changing seasons
Of life's long year, for deep and natural reasons.
Therefore despair not. Think not you have altered,
If, at some time, the gayer note has faltered.
We are as God has made us. Gladness, pain,
Delight and death, and moods of bliss or bane,
With love and hate, or good and evil--all,
At separate times, in separate accents call;
Yet 't is the same heart-throb within the breast
That gives an impulse to our worst and best.
I doubt not when our earthly cries are ended,
The Listener finds them in one music blended.






A STRONG CITY


For them that hope in Thee. . . . Thou shalt hide
them in the secret of Thy face, from the disturbance of men.

Thou shalt protect them in Thy tabernacle from the
contradiction of tongues.

Blessed be the Lord, for He hath shewn His wonderful
mercy to me in a fortified city. --_Psalm xxx. _


Beauty and splendor were on every hand:
Yet strangely crawled dark shadows down the lanes,
Twisting across the fields, like dragon-shapes
That smote the air with blackness, and devoured
The life of light, and choked the smiling world
Till it grew livid with a sudden age--
The death of hope.

O squandered happiness;
Vain dust of misery powdering life's fresh flower!
The sky was holy, but the earth was not.

Men ruled, but ruled in vain; since wretchedness
Of soul and body, for the mass of men,
Made them like dead leaves in an idle drift
Around the plough of progress as it drove
Sharp through the glebe of modern days, to plant
A civilized world. Ay; civilized--but not Christian!

Civilization is a clarion voice
Crying in the wilderness; a prophet-word
Still unfulfilled. And lo, along the ways
Crowded with nations, there arose a strife;
Disturbance of men; tongues contradicting tongues;
Madness of noise, that scattered multitudes;
A trample of blind feet, beneath whose tread
Truth's bloom shrank withered; while incessant mouths
Howled "Progress! Change! "--as though all moods of change
Were fiats of truth eternal.