No More Learning

The Project Gutenberg EBook of Mountain Interval, by Robert Frost

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org


Title: Mountain Interval

Author: Robert Frost

Release Date: July 7, 2009 [EBook #29345]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK MOUNTAIN INTERVAL ***




Produced by David Starner, Katherine Ward and the Online
Distributed Proofreading Team at http://www. pgdp. net





[Illustration: ROBERT FROST
From the original in plaster by AROLDO DU CHÊNE
_Copyright, Henry Holt and Company_]




MOUNTAIN INTERVAL


BY
ROBERT FROST


NEW YORK
HENRY HOLT AND COMPANY

COPYRIGHT, 1916, 1921
BY
HENRY HOLT AND COMPANY

_May, 1931_

PRINTED IN THE U. S. A. BY
THE QUINN & BODEN COMPANY
RAHWAY, N. J.

* * * * *


TO YOU
WHO LEAST NEED REMINDING

that before this interval of the South Branch under black
mountains, there was another interval, the Upper at Plymouth,
where we walked in spring beyond the covered bridge; but that
the first interval of all was the old farm, our brook interval,
so called by the man we had it from in sale.




CONTENTS

PAGE
THE ROAD NOT TAKEN 9
CHRISTMAS TREES 11
AN OLD MAN'S WINTER NIGHT 14
A PATCH OF OLD SNOW 15
IN THE HOME STRETCH 16
THE TELEPHONE 24
MEETING AND PASSING 25
HYLA BROOK 26
THE OVEN BIRD 27
BOND AND FREE 28
BIRCHES 29
PEA BRUSH 31
PUTTING IN THE SEED 32
A TIME TO TALK 33
THE COW IN APPLE TIME 34
AN ENCOUNTER 35
RANGE-FINDING 36
THE HILL WIFE 37
I LONELINESS--HER WORD 37
II HOUSE FEAR 37
III THE SMILE--HER WORD 38
IV THE OFT-REPEATED DREAM 38
V THE IMPULSE 39
THE BONFIRE 41
A GIRL'S GARDEN 45
THE EXPOSED NEST 48
"OUT, OUT--" 50
BROWN'S DESCENT OR THE WILLY-NILLY SLIDE 52
THE GUM-GATHERER 56
THE LINE-GANG 58
THE VANISHING RED 59
SNOW 61
THE SOUND OF THE TREES 75




_THE ROAD NOT TAKEN_


_Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;_

_Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,_

_And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. _

_I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference. _




CHRISTMAS TREES

(_A Christmas Circular Letter_)


The city had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove
A stranger to our yard, who looked the city,
Yet did in country fashion in that there
He sat and waited till he drew us out
A-buttoning coats to ask him who he was.
He proved to be the city come again
To look for something it had left behind
And could not do without and keep its Christmas.
He asked if I would sell my Christmas trees;
My woods--the young fir balsams like a place
Where houses all are churches and have spires.
I hadn't thought of them as Christmas Trees.
I doubt if I was tempted for a moment
To sell them off their feet to go in cars
And leave the slope behind the house all bare,
Where the sun shines now no warmer than the moon.
I'd hate to have them know it if I was.
Yet more I'd hate to hold my trees except
As others hold theirs or refuse for them,
Beyond the time of profitable growth,
The trial by market everything must come to.
I dallied so much with the thought of selling.
Then whether from mistaken courtesy
And fear of seeming short of speech, or whether
From hope of hearing good of what was mine,
I said, "There aren't enough to be worth while. "
"I could soon tell how many they would cut,
You let me look them over. "

"You could look.
But don't expect I'm going to let you have them. "
Pasture they spring in, some in clumps too close
That lop each other of boughs, but not a few
Quite solitary and having equal boughs
All round and round. The latter he nodded "Yes" to,
Or paused to say beneath some lovelier one,
With a buyer's moderation, "That would do. "
I thought so too, but wasn't there to say so.
We climbed the pasture on the south, crossed over,
And came down on the north.

He said, "A thousand. "

"A thousand Christmas trees! --at what apiece? "

He felt some need of softening that to me:
"A thousand trees would come to thirty dollars. "

Then I was certain I had never meant
To let him have them. Never show surprise!
But thirty dollars seemed so small beside
The extent of pasture I should strip, three cents
(For that was all they figured out apiece),
Three cents so small beside the dollar friends
I should be writing to within the hour
Would pay in cities for good trees like those,
Regular vestry-trees whole Sunday Schools
Could hang enough on to pick off enough.
A thousand Christmas trees I didn't know I had!
Worth three cents more to give away than sell,
As may be shown by a simple calculation.
Too bad I couldn't lay one in a letter.
I can't help wishing I could send you one,
In wishing you herewith a Merry Christmas.




AN OLD MAN'S WINTER NIGHT


All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him--at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off;--and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man--one man--can't fill a house,
A farm, a countryside, or if he can,
It's thus he does it of a winter night.




A PATCH OF OLD SNOW


There's a patch of old snow in a corner
That I should have guessed
Was a blow-away paper the rain
Had brought to rest.

It is speckled with grime as if
Small print overspread it,
The news of a day I've forgotten--
If I ever read it.




IN THE HOME STRETCH


She stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has--parlor, bed-room,
And dining-room--thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back. She always answered without turning.

"Where will I put this walnut bureau, lady? "
"Put it on top of something that's on top
Of something else," she laughed. "Oh, put it where
You can to-night, and go. It's almost dark;
You must be getting started back to town. "
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
"What are you seeing out the window, _lady_? "

"Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder. "

"But I ask,
What are you seeing out the window, lady? "

"What I'll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times. "

"And what is that? You only put me off. "

"Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all. And it's scarce enough to call
A view. "

"And yet you think you like it, dear? "

"That's what you're so concerned to know! You hope
I like it. Bang goes something big away
Off there upstairs. The very tread of men
As great as those is shattering to the frame
Of such a little house. Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors. "

"I think you see
More than you like to own to out that window. "

"No; for besides the things I tell you of,
I only see the years. They come and go
In alternation with the weeds, the field,
The wood. "

"What kind of years? "
"Why, latter years--
Different from early years. "
"I see them, too.
You didn't count them? "
"No, the further off
So ran together that I didn't try to.
It can scarce be that they would be in number
We'd care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness. "

"Come from that window where you see too much for me,
And take a livelier view of things from here.
They're going. Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it. "

"See how it makes his nose-side bright, a proof
How dark it's getting. Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything. Her light won't last us long.
It's something, though, to know we're going to have her
Night after night and stronger every night
To see us through our first two weeks. But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming. Hurry! Call them back! "

"They're not gone yet. "

"We've got to have the stove,
Whatever else we want for. And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach? "
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
"A fit! " said one, and banged a stovepipe shoulder.
"It's good luck when you move in to begin
With good luck with your stovepipe. Never mind,
It's not so bad in the country, settled down,
When people're getting on in life. You'll like it. "
Joe said: "You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do. There's not enough
For everybody as it is in there. "
"God! " one said wildly, and, when no one spoke:
"Say that to Jimmy here. He needs a farm. "
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer. Then there was a French boy
Who said with seriousness that made them laugh,
"Ma friend, you ain't know what it is you're ask. "
He doffed his cap and held it with both hands
Across his chest to make as 'twere a bow:
"We're giving you our chances on de farm. "
And then they all turned to with deafening boots
And put each other bodily out of the house.
"Goodby to them! We puzzle them. They think--
I don't know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game 'Ten-step' the children play. "

"Good boys they seemed, and let them love the city.
All they could say was 'God! ' when you proposed
Their coming out and making useful farmers. "

"Did they make something lonesome go through you?
It would take more than them to sicken you--
Us of our bargain. But they left us so
As to our fate, like fools past reasoning with.
They almost shook _me_. "

"It's all so much
What we have always wanted, I confess
It's seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It's nothing; it's their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed. I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off. "
He fetched a dingy lantern from behind
A door. "There's that we didn't lose! And these! "--
Some matches he unpocketed. "For food--
The meals we've had no one can take from us.
I wish that everything on earth were just
As certain as the meals we've had. I wish
The meals we haven't had were, anyway.
What have you you know where to lay your hands on? "

"The bread we bought in passing at the store.
There's butter somewhere, too. "

"Let's rend the bread.
I'll light the fire for company for you;
You'll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He'll know what he would do if he were we,
And all at once. He'll plan for us and plan
To help us, but he'll take it out in planning.
Well, you can set the table with the loaf.
Let's see you find your loaf. I'll light the fire.
I like chairs occupying other chairs
Not offering a lady--"

"There again, Joe!
_You're tired. _"

"I'm drunk-nonsensical tired out;
Don't mind a word I say. It's a day's work
To empty one house of all household goods
And fill another with 'em fifteen miles away,
Although you do no more than dump them down. "

"Dumped down in paradise we are and happy. "

"It's all so much what I have always wanted,
I can't believe it's what you wanted, too. "

"Shouldn't you like to know? "

"I'd like to know
If it is what you wanted, then how much
You wanted it for me. "

"A troubled conscience!
You don't want me to tell if _I_ don't know. "

"I don't want to find out what can't be known.

But who first said the word to come? "

"My dear,
It's who first thought the thought. You're searching, Joe,
For things that don't exist; I mean beginnings.
Ends and beginnings--there are no such things.
There are only middles. "

"What is this? "
"This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won't deny the lantern isn't new.
The stove is not, and you are not to me,
Nor I to you. "

"Perhaps you never were? "

"It would take me forever to recite
All that's not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere. I've heard you say as much.
No, this is no beginning. "

"Then an end? "
"End is a gloomy word. "

"Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn't lived in? I've been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is. "

"I know this much:
I'm going to put you in your bed, if first
I have to make you build it. Come, the light. "

When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they'd always danced there.




THE TELEPHONE


"When I was just as far as I could walk
From here to-day,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don't say I didn't, for I heard you say--
You spoke from that flower on the window sill--
Do you remember what it was you said? "

"First tell me what it was you thought you heard. "

"Having found the flower and driven a bee away,
I leaned my head,
And holding by the stalk,
I listened and I thought I caught the word--
What was it? Did you call me by my name?
Or did you say--
_Someone_ said 'Come'--I heard it as I bowed. "

"I may have thought as much, but not aloud.
org


Title: Mountain Interval

Author: Robert Frost

Release Date: July 7, 2009 [EBook #29345]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK MOUNTAIN INTERVAL ***




Produced by David Starner, Katherine Ward and the Online
Distributed Proofreading Team at http://www. pgdp. net





[Illustration: ROBERT FROST
From the original in plaster by AROLDO DU CHÊNE
_Copyright, Henry Holt and Company_]




MOUNTAIN INTERVAL


BY
ROBERT FROST


NEW YORK
HENRY HOLT AND COMPANY

COPYRIGHT, 1916, 1921
BY
HENRY HOLT AND COMPANY

_May, 1931_

PRINTED IN THE U. S. A. BY
THE QUINN & BODEN COMPANY
RAHWAY, N. J.

* * * * *


TO YOU
WHO LEAST NEED REMINDING

that before this interval of the South Branch under black
mountains, there was another interval, the Upper at Plymouth,
where we walked in spring beyond the covered bridge; but that
the first interval of all was the old farm, our brook interval,
so called by the man we had it from in sale.




CONTENTS

PAGE
THE ROAD NOT TAKEN 9
CHRISTMAS TREES 11
AN OLD MAN'S WINTER NIGHT 14
A PATCH OF OLD SNOW 15
IN THE HOME STRETCH 16
THE TELEPHONE 24
MEETING AND PASSING 25
HYLA BROOK 26
THE OVEN BIRD 27
BOND AND FREE 28
BIRCHES 29
PEA BRUSH 31
PUTTING IN THE SEED 32
A TIME TO TALK 33
THE COW IN APPLE TIME 34
AN ENCOUNTER 35
RANGE-FINDING 36
THE HILL WIFE 37
I LONELINESS--HER WORD 37
II HOUSE FEAR 37
III THE SMILE--HER WORD 38
IV THE OFT-REPEATED DREAM 38
V THE IMPULSE 39
THE BONFIRE 41
A GIRL'S GARDEN 45
THE EXPOSED NEST 48
"OUT, OUT--" 50
BROWN'S DESCENT OR THE WILLY-NILLY SLIDE 52
THE GUM-GATHERER 56
THE LINE-GANG 58
THE VANISHING RED 59
SNOW 61
THE SOUND OF THE TREES 75




_THE ROAD NOT TAKEN_


_Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;_

_Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,_

_And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. _

_I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference. _




CHRISTMAS TREES

(_A Christmas Circular Letter_)


The city had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove
A stranger to our yard, who looked the city,
Yet did in country fashion in that there
He sat and waited till he drew us out
A-buttoning coats to ask him who he was.
He proved to be the city come again
To look for something it had left behind
And could not do without and keep its Christmas.
He asked if I would sell my Christmas trees;
My woods--the young fir balsams like a place
Where houses all are churches and have spires.
I hadn't thought of them as Christmas Trees.
I doubt if I was tempted for a moment
To sell them off their feet to go in cars
And leave the slope behind the house all bare,
Where the sun shines now no warmer than the moon.
I'd hate to have them know it if I was.
Yet more I'd hate to hold my trees except
As others hold theirs or refuse for them,
Beyond the time of profitable growth,
The trial by market everything must come to.
I dallied so much with the thought of selling.
Then whether from mistaken courtesy
And fear of seeming short of speech, or whether
From hope of hearing good of what was mine,
I said, "There aren't enough to be worth while. "
"I could soon tell how many they would cut,
You let me look them over. "

"You could look.
But don't expect I'm going to let you have them. "
Pasture they spring in, some in clumps too close
That lop each other of boughs, but not a few
Quite solitary and having equal boughs
All round and round. The latter he nodded "Yes" to,
Or paused to say beneath some lovelier one,
With a buyer's moderation, "That would do. "
I thought so too, but wasn't there to say so.
We climbed the pasture on the south, crossed over,
And came down on the north.

He said, "A thousand. "

"A thousand Christmas trees! --at what apiece? "

He felt some need of softening that to me:
"A thousand trees would come to thirty dollars. "

Then I was certain I had never meant
To let him have them. Never show surprise!
But thirty dollars seemed so small beside
The extent of pasture I should strip, three cents
(For that was all they figured out apiece),
Three cents so small beside the dollar friends
I should be writing to within the hour
Would pay in cities for good trees like those,
Regular vestry-trees whole Sunday Schools
Could hang enough on to pick off enough.
A thousand Christmas trees I didn't know I had!
Worth three cents more to give away than sell,
As may be shown by a simple calculation.
Too bad I couldn't lay one in a letter.
I can't help wishing I could send you one,
In wishing you herewith a Merry Christmas.




AN OLD MAN'S WINTER NIGHT


All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him--at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off;--and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man--one man--can't fill a house,
A farm, a countryside, or if he can,
It's thus he does it of a winter night.




A PATCH OF OLD SNOW


There's a patch of old snow in a corner
That I should have guessed
Was a blow-away paper the rain
Had brought to rest.

It is speckled with grime as if
Small print overspread it,
The news of a day I've forgotten--
If I ever read it.




IN THE HOME STRETCH


She stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has--parlor, bed-room,
And dining-room--thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back. She always answered without turning.

"Where will I put this walnut bureau, lady? "
"Put it on top of something that's on top
Of something else," she laughed. "Oh, put it where
You can to-night, and go. It's almost dark;
You must be getting started back to town. "
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
"What are you seeing out the window, _lady_? "

"Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder. "

"But I ask,
What are you seeing out the window, lady? "

"What I'll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times. "

"And what is that? You only put me off. "

"Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all. And it's scarce enough to call
A view. "

"And yet you think you like it, dear? "

"That's what you're so concerned to know! You hope
I like it. Bang goes something big away
Off there upstairs. The very tread of men
As great as those is shattering to the frame
Of such a little house. Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors. "

"I think you see
More than you like to own to out that window. "

"No; for besides the things I tell you of,
I only see the years. They come and go
In alternation with the weeds, the field,
The wood. "

"What kind of years? "
"Why, latter years--
Different from early years. "
"I see them, too.
You didn't count them? "
"No, the further off
So ran together that I didn't try to.
It can scarce be that they would be in number
We'd care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness. "

"Come from that window where you see too much for me,
And take a livelier view of things from here.
They're going. Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it. "

"See how it makes his nose-side bright, a proof
How dark it's getting. Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything. Her light won't last us long.
It's something, though, to know we're going to have her
Night after night and stronger every night
To see us through our first two weeks. But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming. Hurry! Call them back! "

"They're not gone yet. "

"We've got to have the stove,
Whatever else we want for. And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach? "
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
"A fit! " said one, and banged a stovepipe shoulder.
"It's good luck when you move in to begin
With good luck with your stovepipe. Never mind,
It's not so bad in the country, settled down,
When people're getting on in life. You'll like it. "
Joe said: "You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do. There's not enough
For everybody as it is in there. "
"God! " one said wildly, and, when no one spoke:
"Say that to Jimmy here. He needs a farm. "
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer. Then there was a French boy
Who said with seriousness that made them laugh,
"Ma friend, you ain't know what it is you're ask. "
He doffed his cap and held it with both hands
Across his chest to make as 'twere a bow:
"We're giving you our chances on de farm. "
And then they all turned to with deafening boots
And put each other bodily out of the house.
"Goodby to them! We puzzle them. They think--
I don't know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game 'Ten-step' the children play. "

"Good boys they seemed, and let them love the city.
All they could say was 'God! ' when you proposed
Their coming out and making useful farmers. "

"Did they make something lonesome go through you?
It would take more than them to sicken you--
Us of our bargain. But they left us so
As to our fate, like fools past reasoning with.
They almost shook _me_. "

"It's all so much
What we have always wanted, I confess
It's seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It's nothing; it's their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed. I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off. "
He fetched a dingy lantern from behind
A door. "There's that we didn't lose! And these! "--
Some matches he unpocketed. "For food--
The meals we've had no one can take from us.
I wish that everything on earth were just
As certain as the meals we've had. I wish
The meals we haven't had were, anyway.
What have you you know where to lay your hands on? "

"The bread we bought in passing at the store.
There's butter somewhere, too. "

"Let's rend the bread.
I'll light the fire for company for you;
You'll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He'll know what he would do if he were we,
And all at once. He'll plan for us and plan
To help us, but he'll take it out in planning.
Well, you can set the table with the loaf.
Let's see you find your loaf. I'll light the fire.
I like chairs occupying other chairs
Not offering a lady--"

"There again, Joe!
_You're tired. _"

"I'm drunk-nonsensical tired out;
Don't mind a word I say. It's a day's work
To empty one house of all household goods
And fill another with 'em fifteen miles away,
Although you do no more than dump them down. "

"Dumped down in paradise we are and happy. "

"It's all so much what I have always wanted,
I can't believe it's what you wanted, too. "

"Shouldn't you like to know? "

"I'd like to know
If it is what you wanted, then how much
You wanted it for me. "

"A troubled conscience!
You don't want me to tell if _I_ don't know. "

"I don't want to find out what can't be known.

But who first said the word to come? "

"My dear,
It's who first thought the thought. You're searching, Joe,
For things that don't exist; I mean beginnings.
Ends and beginnings--there are no such things.
There are only middles. "

"What is this? "
"This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won't deny the lantern isn't new.
The stove is not, and you are not to me,
Nor I to you. "

"Perhaps you never were? "

"It would take me forever to recite
All that's not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere. I've heard you say as much.
No, this is no beginning. "

"Then an end? "
"End is a gloomy word. "

"Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn't lived in? I've been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is. "

"I know this much:
I'm going to put you in your bed, if first
I have to make you build it. Come, the light. "

When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they'd always danced there.




THE TELEPHONE


"When I was just as far as I could walk
From here to-day,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don't say I didn't, for I heard you say--
You spoke from that flower on the window sill--
Do you remember what it was you said? "

"First tell me what it was you thought you heard. "

"Having found the flower and driven a bee away,
I leaned my head,
And holding by the stalk,
I listened and I thought I caught the word--
What was it? Did you call me by my name?
Or did you say--
_Someone_ said 'Come'--I heard it as I bowed. "

"I may have thought as much, but not aloud. "

"Well, so I came. "




MEETING AND PASSING


As I went down the hill along the wall
There was a gate I had leaned at for the view
And had just turned from when I first saw you
As you came up the hill. We met. But all
We did that day was mingle great and small
Footprints in summer dust as if we drew
The figure of our being less than two
But more than one as yet.