No More Learning

—He who attempts to mediate
between two decided thinkers is rightly called
mediocre: he has not an eye for seeing the unique;
similarising and equalising are signs of weak eyes.

229.

Obstinacy and Loyalty.
—Out of obstinacy he
holds fast to a cause of which the questionableness
has become obvious,—he calls that, however, his
"loyalty.
"
230.

Lack of Reserve.
—His whole nature fails to
convince—that results from the fact that he has
never been reticent about a good action he has
performed.



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202 THE JOYFUL WISDOM, III
231.

The "Plodders"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion:—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
that is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—" Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
235-
Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.

\


## p.
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THE JOYFUL WISDOM, III 203
236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?
Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239-
The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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202 THE JOYFUL WISDOM, III
231.

The "Plodders.
"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion :—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
that is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—"Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
235.

Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.



## p.
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THE JOYFUL WISDOM, III 203
236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?
Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239-
The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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202 THE JOYFUL WISDOM, III
231-
The "Plodders.
"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion:—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
tltat is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—"Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
23S.

Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.



## p.
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THE JOYFUL WISDOM, III 203
236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?
Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239-
The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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202 THE JOYFUL WISDOM, III
231.

The "Plodders.
"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion :—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
that is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—"Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
235.

Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.



## p.
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THE JOYFUL WISDOM, III 203
236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?
Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239.

The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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202 THE JOYFUL WISDOM, III
231.

The "Plodders.
"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion:—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
that is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—"Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
235-
Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.



## p.
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THE JOYFUL WISDOM, III 203
236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?
Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239-
The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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202 THE JOYFUL WISDOM, III
231.

The "Plodders.
"—Persons slow of apprehension
think that slowness forms part of knowledge.

232.

Dreaming.
—Either one does not dream at all,
or one dreams in an interesting manner.
One
must learn to be awake in the same fashion:—
either not at all, or in an interesting manner.

233-
The most Dangerous Point of View.
—What I
now do, or neglect to do, is as important for all
that is to come, as the greatest event of the past:
in this immense perspective of effects all actions
are equally great and small.

234-
Consolatory Words of a Musician.
—"Your life
does not sound into people's ears: for them you
live a dumb life, and all refinements of melody,
all fond resolutions in following or leading the
way, are concealed from them.
To be sure you do
not parade the thoroughfares with regimental
music,—but these good people have no right to
say on that account that your life is lacking in
music.
He that hath ears let him hear. "
235-
Spirit and Character.
—Many a one attains his
full height of character, but his spirit is not adapted
to the elevation,—and many a one reversely.



## p.
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THE JOYFUL WISDOM, III 203
.

236.

To Move the Multitude.
—Is it not necessary for
him who wants to move the multitude to give a
stage representation of himself?

Has he not first
to translate himself into the grotesquely obvious,
and then set forth his whole personality and cause
in that vulgarised and simplified fashion?

237-
The Polite Man.
—" He is so polite! "—Yes, he
has always a sop for Cerberus with him, and is
so timid that he takes everybody for Cerberus,
even you and me,—that is his " politeness.
"
238.

Without Envy.
—He is wholly without envy, but
there is no merit therein: for he wants to conquer
a land which no one has yet possessed and hardly
any one has even seen.

239-
The Joyless Person.
—A single joyless person
is enough to make constant displeasure and a
clouded heaven in a household; and it is only
by a miracle that such a person is lacking!

Happiness is not nearly such a contagious disease;
—how is that?

240.

On the Sea-Shore.
—I would not build myself a
house (it is an element of my happiness not to be
a house-owner!
). If I had to do so, however, I
should build it, like many of the Romans, right


## p.
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204 THE JOYFUL WISDOM, III
into the sea,—I should like to have some secrets
in common with that beautiful monster.

241.

Work and Artist.
—This artist is ambitious and
nothing more; ultimately, however, his work is
only a magnifying glass, which he offers to every
one who looks in his direction.

242.

Suum cuique.
—However great be my greed of
knowledge, I cannot appropriate aught of things
but what already belongs to me,—the property of
others still remains in the things.
How is it
possible for a man to be a thief or a robber?

243-
Origin of "Good" and "Bad.
"—He only will
devise an improvement who can feel that " this is
not good.
"
244.

Thoughts and Words.
—Even our thoughts we
are unable to render completely in words.

245.

Praise in Choice.
—The artist chooses his subjects;
that is his mode of praising.

246.

Mathematics.
—We want to carry the refinement
and rigour of mathematics into all the sciences, as
far as it is in any way possible, not in the belief that


## p.
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THE JOYFUL WISDOM, III 205
we shall apprehend things in this way, but in order
thereby to assert our human relation to things.

Mathematics is only a means to general and
ultimate human knowledge.

247.

Habits.
—All habits make our hand wittier and
our wit unhandier.

248.

Books.
—Of what account is a book that never
carries us away beyond all books?

249.

The Sigh of the Seeker of Knowledge.
—" Oh, my
covetousness!
In this soul there is no disinterested-
ness—but an all-desiring self, which, by means of
many individuals, would fain see as with its own
eyes, and grasp as with its own hands—a self
bringing back even the entire past, and wanting
to lose nothing that could in any way belong to it!

Oh, this flame of my covetousness!
Oh, that I
were reincarnated in a hundred individuals!
"—He
who does not know this sigh by experience, does
not know the passion of the seeker of knowledge
either.

250.

Guilt.
—Although the most intelligent judges of
the witches, and even the witches themselves, were
convinced of the guilt of witchcraft, the guilt,
nevertheless, was not there.
So it is with all
guilt.



## p.
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206 THE JOYFUL WISDOM, III
251.

Misunderstood Sufferers.
—Great natures suffer
otherwise than their worshippers imagine; they
suffer most severely from the ignoble, petty emo-
tions of certain evil moments; in short, from doubt
of their own greatness;—not however from the
sacrifices and martyrdoms which their tasks require
of them.
As long as Prometheus sympathises
with men and sacrifices himself for them, he is
happy and proud in himself; but on becoming
envious of Zeus and of the homage which mortals
pay him—then Prometheus suffers!

252.

Better to be in Debt.
—" Better to remain in debt
than to pay with money which does not bear our
stamp!
"—that is what our sovereignty prefers.
253-
Always at Home.
—One day we attain our goal—
and then refer with pride to the long journeys we
have made to reach it.
In truth, we did not notice
that we travelled.
We got into the habit of think-
ing that we were at home in every place.

254.

Against Embarrassment.
—He who is always
thoroughly occupied is rid of all embarrassment.

255-
Imitators.
—A : "What? You don't want to have
imitators?
" B: "I don't want people to do any-


## p.
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THE JOYFUL WISDOM, III 207
thing after me; I want every one to do something
before himself (as a pattern to himself)—just as /
do.
" A: "Consequently—? "
256.

Skinniness.
—All profound men have their happi-
ness in imitating the flying-fish for once, and
playing on the crests of the waves; they think
that what is best of all in things is their surface:
their skinniness—sit venia verbo.

257.

From Experience.
—A person often does not know
how rich he is, until he learns from experience what
rich men even play the thief on him.

258.

The Deniers of Chance.
—No conqueror believes
in chance.

259.

From Paradise.
—"Good and Evil are God's
prejudices "—said the serpent.

260.

One times One.
—One only is always in the wrong,
but with two truth begins.
—One only cannot
prove himself right; but two are already beyond
refutation.

261.

Originality.
—What is originality? To see some-
thing that does not yet bear a name, that cannot
yet be named, although it is before everybody's


## p.
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208 THE JOYFUL WISDOM, III
eyes.
As people are usually constituted, it is the
name that first makes a thing generally visible to
them.
—Original persons have also for the most
part been the namers of things.

262.

Sub specie aeterni.
—A: "You withdraw faster
and faster from the living; they will soon strike
you out of their lists !
"—B: "It is the only way
to participate in the privilege of the dead.
" A:
"In what privilege ?
"—B: "No longer having to
die.
"
263.

Without Vanity.
—When we love we want our
defects to remain concealed,—not out of vanity, but
lest the person loved should suffer therefrom.

Indeed, the lover would like to appear as a God,—
and not out of vanity either.

264.

What we Do.
—What we do is never understood,
but only praised and blamed.

265.

Ultimate Scepticism.
—But what after all are
man's truths ?
—They are his irrefutable errors.
266.

Where Cruelty is Necessary.
—He who is great is
cruel to his second-rate virtues and judgments.



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THE JOYFUL WISDOM, III 209
267.

With a high Aim.
—With a high aim a person
is superior even to justice, and not only to his
deeds and his judges.

268.

What makes Heroic?
—To face simultaneously
one's greatest suffering and one's highest hope.

269.

What dost thou Believe in ?
—In this: That the
weights of all things must be determined anew.

270.

What Saith thy Conscience?
—"Thou shalt become
what thou art.
"
271.

Where are thy Greatest Dangers?
—In pity.
272.

What dost thou Love in others ?
—My hopes.
273-
Whom dost thou call Bad?
—Him who always
wants to put others to shame.

274.

What dost thou think most humane ?
—To spare
a person shame.

275.

What is the Seal of Liberty Attained?
—To be
no longer ashamed of oneself.

14


## p.
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## p.
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BOOK FOURTH
SANCTUS JANUARIUS
Thou who with cleaving fiery
lances
The stream of my soul from
its ice dost free,
Till with a rush and a roar it
advances
To enter with glorious hoping
the sea:
Brighter to see and purer ever,
Free in the bonds of thy sweet
constraint,—
So it praises thy wondrous en-
deavour,
January, thou beauteous saint!

Genoa, January 1882.

V


## p.
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## p.
213 (#281) ############################################

276.

For the New Year.
—I still live, I still think; I
must still live, for I must still think.
Sum, ergo
cogito: cogito, ergo sum.
To-day everyone takes
the liberty of expressing his wish and his favourite
thought: well, I also mean to tell what I have
wished for myself to-day, and what thought first
crossed my mind this year,—a thought which ought
to be the basis, the pledge and the sweetening of
all my future life!
I want more and more to
perceive the necessary characters in things as the
beautiful: — I shall thus be one of those who
beautify things.
Amor fati: let that henceforth
be my love!
I do not want to wage war with the
ugly.
I do not want to accuse, I do not want even
to accuse the accusers.
Looking aside, let that be
my sole negation!
And all in all, to sum up: I
wish to be at any time hereafter only a yea-sayer!

277.

Personal Providence.
—There is a certain climax
in life, at which, notwithstanding all our freedom,
and however much we may have denied all direct-
ing reason and goodness in the beautiful chaos
of existence, we are once more in great danger
of intellectual bondage, and have to face our


## p.
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214 THE JOYFUL WISDOM, IV
hardest test.
For now the thought of a personal
Providence first presents itself before us with
its most persuasive force, and has the best of
advocates, apparentness, in its favour, now when it
is obvious that all and everything that happens to
us always turns out for the best.
The life of every
day and of every hour seems to be anxious for
nothing else but always to prove this proposition
anew; let it be what it will, bad or good weather,
the loss of a friend, a sickness, a calumny, the
non-receipt of a letter, the spraining of one's
foot, a glance into a shop-window, a counter-
argument, the opening of a book, a dream, a
deception :—it shows itself immediately, or very
soon afterwards as something "not permitted to
be absent,"—it is full of profound significance and
utility precisely for us!
Is there a more dangerous
temptation to rid ourselves of the belief in the
Gods of Epicurus, those careless, unknown Gods,
and believe in some anxious and mean Divinity,
who knows personally every little hair on our
heads, and feels no disgust in rendering the most
wretched services?
Well—I mean in spite of all
this!
we want to leave the Gods alone (and the
serviceable genii likewise), and wish to content
ourselves with the assumption that our own
practical and theoretical skilfulness in explaining
and suitably arranging events has now reached its
highest point.
We do not want either to think
too highly of this dexterity of our wisdom, when
the wonderful harmony which results from play-
ing on our instrument sometimes surprises us
too much; a harmony which sounds too well for


## p.
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SANCTUS JANUARIUS 215
us to dare to ascribe it to ourselves.
In fact, now
and then there is one who plays with us—beloved
Chance: he leads our hand occasionally, and even
the all-wisest Providence could not devise any finer
music than that of which our foolish hand is then
capable.

278.

The Thought of Death.
—It gives me a melancholy
happiness to live in the midst of this confusion of
streets, of necessities, of voices: how much en-
joyment, impatience and desire, how much thirsty
life and drunkenness of life comes to light here
every moment!
And yet it will soon be so still
for all these shouting, lively, life-loving people!

How everyone's shadow, his gloomy travelling-
companion stands behind him!
It is always as in
the last moment before the departure of an emi-
grant-ship: people have more than ever to say to
one another, the hour • presses, the ocean with its
lonely silence waits impatiently behind all the
noise—so greedy, so certain of its prey!
And all,
all, suppose that the past has been nothing, or a
small matter, that the near future is everything:
hence this haste, this crying, this self-deafening
and self-overreaching!
Everyone wants to be
foremost in this future,—and yet death and the
stillness of death are the only things certain and
common to all in this future!
How strange that this
sole thing that is certain and common to all, exercises
almost no influence on men, and that they are the
furthest from regarding themselves as the brother-
hood of death!
It makes me happy to see that


## p.
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## p.
215 (#285) ############################################

mis- *z
f> k ie-
WSOTL-u
v,-: _


## p.
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214 THE JOYFUL WISDOM, IV
hardest test.
For now the thought of a personal
Providence first presents itself before us with
its most persuasive force, and has the best of
advocates, apparentness, in its favour, now when it
is obvious that all and everything that happens to
us always turns out for the best.
The life of every
day and of every hour seems to be anxious for
nothing else but always to prove this proposition
anew; let it be what it will, bad or good weather,
the loss of a friend, a sickness, a calumny, the
non-receipt of a letter, the spraining of one's
foot, a glance into a shop-window, a counter-
argument, the opening of a book, a dream, a
deception :—it shows itself immediately, or very
soon afterwards as something "not permitted to
be absent,"—it is full of profound significance and
utility precisely for us!
Is there a more dangerous
temptation to rid ourselves of the belief in the
Gods of Epicurus, those careless, unknown Gods,
and believe in some anxious and mean Divinity,
who knows personally every little hair on our
heads, and feels no disgust in rendering the most
wretched services?
Well—I mean in spite of all
this!
we want to leave the Gods alone (and the
serviceable genii likewise), and wish to content
ourselves with the assumption that our own
practical and theoretical skilfulness in explaining
and suitably arranging events has now reached its
highest point.
We do not want either to think
too highly of this dexterity of our wisdom, when
the wonderful harmony which results from play-
ing on our instrument sometimes surprises us
too much: a harmony which sounds too well for


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SANCTUS JANUARIUS 215
us to dare to ascribe it to ourselves.
In fact, now
and then there is one who plays with us—beloved
Chance: he leads our hand occasionally, and even
the all-wisest Providence could not devise any finer
music than that of which our foolish hand is then
capable.

278.

The Thought of Death.
—It gives me a melancholy
happiness to live in the midst of this confusion of
streets, of necessities, of voices: how much en-
joyment, impatience and desire, how much thirsty
life and drunkenness of life comes to light here
every moment!
And yet it will soon be so still
for all these shouting, lively, life-loving people!

How everyone's shadow, his gloomy travelling-
companion stands behind him!
It is always as in
the last moment before the departure of an emi-
grant-ship: people have more than ever to say to
one another, the hour • presses, the ocean with its
lonely silence waits impatiently behind all the
noise—so greedy, so certain of its prey!