No More Learning

There sober thought pursued the amusing theme,
Till fancy coloured it, and formed a dream.
A vision hermits can to hell transport,
And forced even me to see the damned at Court.
Not Dante dreaming all the infernal state,
Beheld such scenes of envy, sin, and hate.
Base fear becomes the guilty, not the free;
Suits tyrants, plunderers, but suits not me:
Shall I, the terror of this sinful town,
Care, if a liveried lord or smile or frown?
Who cannot flatter, and detest who can,
Tremble before a noble serving-man?
O, my fair mistress, Truth! shall I quit thee
For huffing, braggart, puffed nobility?
Thou, who since yesterday hast rolled o'er all
The busy, idle blockheads of the ball,
Hast thou, oh, sun! beheld an emptier fort,
Than such who swell this bladder of a Court?
Now plague on those who show a Court in wax!
It ought to bring all courtiers on their backs:
Such painted puppets! such a varnished race
Of hollow gewgaws, only dress and face!
Such waxen noses, stately staring things--
No wonder some folks bow, and think them kings.
See! where the British youth, engaged no more
At Fig's, at White's, with felons, or a bore,
Pay their last duty to the Court and come
All fresh and fragrant, to the drawing-room;
In hues as gay, and odours as divine,
As the fair fields they sold to look so fine.
"That's velvet for a king! " the flatterer swears
'Tis true, for ten days hence 'twill be King Lear's.
Our Court may justly to our stage give rules,
That helps it both to fools-coats and to fools.
And why not players strut in courtiers' clothes?
For these are actors too, as well as those:
Wants reach all states; they beg but better drest,
And all is splended poverty at best.
Painted for sight, and essenced for the smell,
Like frigates fraught with spice and cochinel,
Sail in the ladies: how each pirate eyes
So weak a vessel, and so rich a prize!
Top-gallant he, and she in all her trim,
He boarding her, she striking sail to him:
"Dear Countess! you have charms all hearts to hit! "
And "Sweet Sir Fopling! you have so much wit! "
Such wits and beauties are not praised for nought,
For both the beauty and the wit are bought.
'Twould burst even Heraclitus with the spleen
To see those antics, Fopling and Courtin:
The presence seems, with things so richly odd,
The mosque of Mahound, or some queer Pagod.
See them survey their limbs by Durer's rules,
Of all beau-kind the best proportioned fools!
Adjust their clothes, and to confession draw
Those venial sins, an atom, or a straw;
But oh! what terrors must distract the soul
Convicted of that mortal crime, a hole;
Or should one pound of powder less bespread
Those monkey tails that wag behind their head.
Thus finished, and corrected to a hair,
They march, to prate their hour before the fair.
So first to preach a white-gloved chaplain goes,
With band of lily, and with cheek of rose,
Sweeter than Sharon, in immaculate trim,
Neatness itself impertinent in him.
Let but the ladies smile, and they are blest:
Prodigious! how the things protest, protest:
Peace, fools, or Gonson will for Papists seize you,
If once he catch you at your Jesu! Jesu!
Nature made every fop to plague his brother,
Just as one beauty mortifies another.
But here's the captain that will plague them both,
Whose air cries Arm! whose very look's an oath:
The captain's honest, Sirs, and that's enough,
Though his soul's bullet, and his body buff.
He spits fore-right; his haughty chest before,
Like battering rams, beats open every door:
And with a face as red, and as awry,
As Herod's hangdogs in old tapestry,
Scarecrow to boys, the breeding woman's curse,
Has yet a strange ambition to look worse;
Confounds the civil, keeps the rude in awe,
Jests like a licensed fool, commands like law.
Frighted, I quit the room, but leave it so
As men from jails to execution go;
For hung with deadly sins I see the wall,
And lined with giants deadlier than 'em all:
Each man an Askapart, of strength to toss
For quoits, both Temple Bar and Charing Cross.
Scared at the grizzly forms, I sweat, I fly,
And shake all o'er, like a discovered spy.
Courts are too much for wits so weak as mine:
Charge them with Heaven's artillery, bold divine!
From such alone the great rebukes endure
Whose satire's sacred, and whose rage secure:
'Tis mine to wash a few light stains, but theirs
To deluge sin, and drown a Court in tears.
However, what's now Apocrypha, my wit,
In time to come, may pass for holy writ.



EPILOGUE TO THE SATIRES.
IN TWO DIALOGUES.
WRITTEN IN MDCCXXXVIII.


DIALOGUE I.


Fr. Not twice a twelvemonth you appear in print,
And when it comes, the Court see nothing in't.
You grow correct, that once with rapture writ,
And are, besides, too moral for a wit.
Decay of parts, alas! we all must feel--
Why now, this moment, don't I see you steal?
'Tis all from Horace; Horace long before ye
Said, "Tories called him Whig, and Whigs a Tory;"
And taught his Romans, in much better metre,
"To laugh at fools who put their trust in Peter. "
But Horace, sir, was delicate, was nice;
Bubo observes, he lashed no sort of vice;
Horace would say, Sir Billy served the crown,
Blunt could do business, H-ggins knew the town;
In Sappho touch the failings of the sex,
In reverend bishops note some small neglects,
And own, the Spaniard did a waggish thing,
Who cropped our ears, and sent them to the king.
His sly, polite, insinuating style
Could please at Court, and make Augustus smile:
An artful manager, that crept between
His friend and shame, and was a kind of screen.
But 'faith, your friends will soon be sore;
Patriots there are, who wish you'd jest no more--
And where's the glory? 'twill be only thought
The Great Man never offered you a groat.
Go, see Sir Robert--P. See Sir Robert! --hum--
And never laugh--for all my life to come?
Seen him I have, but in his happier hour
Of social pleasure, ill-exchanged for power;
Seen him, unencumbered with the venal tribe,
Smile without art, and win without a bribe.
Would he oblige me? let me only find
He does not think me what he thinks mankind.
Come, come, at all I laugh he laughs, no doubt;
The only difference is I dare laugh out.
F. Why, yes: with Scripture still you may be free;
A horse-laugh, if you please, at honesty:
A joke on Jekyl, or some odd old Whig
Who never changed his principle, or wig:
A patriot is a fool in every age,
Whom all Lord Chamberlains allow the stage:
These nothing hurts; they keep their fashion still,
And wear their strange old virtue, as they will.
If any ask you, "Who's the man, so near
His prince, that writes in verse, and has his ear? "
Why, answer, Lyttelton, and I'll engage
The worthy youth shall ne'er be in a rage;
But were his verses vile, his whisper base,
You'd quickly find him in Lord Fanny's case.
Sejanus, Wolsey, hurt not honest Fleury,
But well may put some statesmen in a fury.
Laugh, then, at any, but at fools or foes;
These you but anger, and you mend not those.
Laugh at your friends, and, if your friends are sore,
So much the better, you may laugh the more.
To vice and folly to confine the jest,
Sets half the world, God knows, against the rest;
Did not the sneer of more impartial men
At sense and virtue, balance all again.
Judicious wits spread wide the ridicule,
And charitably comfort knave and fool.
P. Dear sir, forgive the prejudice of youth;
Adieu distinction, satire, warmth, and truth!
Come, harmless characters, that no one hit;
Come, Henley's oratory, Osborne's wit!
The honey dropping from Favonio's tongue,
The flowers of Bubo, and the flow of Y--ng!
The gracious dew of pulpit eloquence,
And all the well-whipped cream of courtly sense,
That first was H--vy's, F---'s next, and then
The S--te's, and then H--vy's once again.
O, come, that easy Ciceronian style,
So Latin, yet so English all the while,
As, though the pride of Middleton and Bland,
All boys may read, and girls may understand!
Then might I sing, without the least offence,
And all I sung should be the nation's sense;
Or teach the melancholy muse to mourn,
Hang the sad verse on Carolina's urn,
And hail her passage to the realms of rest,
All parts performed, and all her children blessed!
So--satire is no more--I feel it die--
No Gazetteer more innocent than I--
And let, a' God's name, every fool and knave
Be graced through life, and flattered in his grave.
F. Why so? if satire knows its time and place
You still may lash the greatest--in disgrace:
For merit will by turns forsake them all;
Would you know when? exactly when they fall.
But let all satire in all changes spare
Immortal S--k, and grave De--re.
Silent and soft, as saints remove to heaven,
All ties dissolved and every sin forgiven,
These may some gentle ministerial wing
Receive, and place for ever near a king!
There, where no passion, pride, or shame transport,
Lulled with the sweet nepenthe of a Court;
There, where no father's, brother's, friend's disgrace
Once break their rest, or stir them from their place:
But past the sense of human miseries,
All tears are wiped for ever from all eyes;
No cheek is known to blush, no heart to throb,
Save when they lose a question, or a job.
P. Good Heaven forbid, that I should blast their glory,
Who know how like Whig ministers to Tory,
And, when three sovereigns died, could scarce be vexed,
Considering what a gracious prince was next.
Have I, in silent wonder, seen such things
As pride in slaves, and avarice in kings;
And at a peer, or peeress, shall I fret,
Who starves a sister, or forswears a debt?
Virtue, I grant you, is an empty boast;
But shall the dignity of vice be lost?
Ye gods! shall Cibber's son, without rebuke,
Swear like a lord, or rich out-rake a duke?
A favourite's porter with his master vie,
Be bribed as often, and as often lie?
Shall Ward draw contracts with a statesman's skill?
Or Japhet pocket, like his grace, a will?
Is it for Bond or Peter (paltry things)
To pay their debts, or keep their faith, like kings?
If Blount despatched himself, he played the man,
And so may'st thou, illustrious Passeran!
But shall a printer, weary of his life,
Learn, from their books, to hang himself and wife?
This, this, my friend, I cannot, must not bear;
Vice thus abused, demands a nation's care;
This calls the Church to deprecate our sin,
And hurls the thunder of the laws on gin.
Let modest Foster, if he will, excel
Ten Metropolitans in preaching well;
A simple Quaker, or a Quaker's wife,
Outdo Llandaff in doctrine--yea in life:
Let humble Allen, with an awkward shame,
Do good by stealth, and blush to find it fame.
Virtue may choose the high or low degree,
'Tis just alike to virtue, and to me;
Dwell in a monk, or light upon a king,
She's still the same, beloved, contented thing.
Vice is undone, if she forgets her birth,
And stoops from angels to the dregs of earth:
But 'tis the Fall degrades her to a w***e;
Let greatness own her, and she's mean no more;
Her birth, her beauty, crowds and courts confess;
Chaste matrons praise her, and grave bishops bless;
In golden chains the willing world she draws,
And hers the Gospel is, and hers the laws,
Mounts the tribunal, lifts her scarlet head,
And sees pale Virtue carted in her stead.
Lo! at the wheels of her triumphal car
Old England's genius, rough with many a scar,
Dragged in the dust! his arms hang idly round,
His flag inverted trails along the ground!
Our youth, all liveried o'er with foreign gold,
Before her dance: behind her crawl the old!
See thronging millions to the Pagod run,
And offer country, parent, wife, or son;
Hear her black trumpet through the land proclaim
That not to be corrupted is the shame.
In soldier, Churchman, patriot, man in power,
'Tis avarice all, ambition is no more!
See, all our nobles begging to be slaves!
See, all our fools aspiring to be knaves!
The wit of cheats, the courage of a w***e,
Are what ten thousand envy and adore;
All, all look up, with reverential awe,
At crimes that 'scape, or triumph o'er the law;
While truth, worth, wisdom, daily they decry--
"Nothing is sacred now but villainy. "
Yet may this verse (if such a verse remain)
Show there was one who held it in disdain.


DIALOGUE II.


Fr. 'Tis all a libel--Paxton (sir) will say. }
P. Not yet, my friend! to-morrow 'faith it may }
And for that very cause I print to-day. }
How should I fret to mangle every line,
In reverence to the sins of thirty-nine!
Vice with such giant strides comes on amain,
Invention strives to be before in vain;
Feign what I will, and paint it e'er so strong,
Some rising genius sins up to my song.
F. Yet none but you by name the guilty lash;
Even Guthry saves half Newgate by a dash.
Spare, then, the person, and expose the vice.
P. How, sir? not damn the sharper, but the dice?
Come on, then, satire! general, unconfined,
Spread thy broad wing, and souse on all the kind.
Ye statesmen, priests, of one religion all!
Ye tradesmen vile, in army, court, or hall,
Ye reverend atheists--
F. Scandal! name them! who?
P. Why that's the thing you bid me not to do.
Who starved a sister, who forswore a debt,
I never named; the town's inquiring yet.
The poisoning dame--
F. You mean--
P. I don't.
F. You do!
P. See, now I keep the secret, and not you!
The bribing statesman--
F. Hold, too high you go.
P. The bribed elector--
F. There you stoop too low.
P. I fain would please you, if I knew with what;
Tell me, which knave is lawful game, which not?
Must great offenders, once escaped the Crown,
Like royal harts, be never more run down?
Admit your law to spare the knight requires,
As beasts of nature may we hunt the squires?
Suppose I censure--you know what I mean--
To save a bishop, may I name a dean?
F. A dean, sir? no: his fortune is not made;
You hurt a man that's rising in the trade.
P. If not the tradesman who set up to-day,
Much less the 'prentice who to-morrow may.
Down, down, proud satire! though a realm be spoiled,
Arraign no mightier thief than wretched Wild;
Or, if a court or country's made a job,
Go drench a pickpocket, and join the mob.
But, sir, I beg you (for the love of vice! )
The matter's weighty, pray consider twice;
Have you less pity for the needy cheat,
The poor and friendless villain, than the great?
Alas! the small discredit of a bribe
Scarce hurts the lawyer, but undoes the scribe.
Then better, sure, it charity becomes
To tax directors, who (thank God! ) have plums;
Still better, ministers; or, if the thing
May pinch even there--why lay it on a king.
F. Stop! stop!
P. Must satire, then, nor rise nor fall?
Speak out, and bid me blame no rogues at all.
F. Yes, strike that Wild, I'll justify the blow.
P. Strike? why the man was hanged ten year ago:
Who now that obsolete example fears?
Even Peter trembles only for his ears.
F. What? always Peter? Peter thinks you mad;
You make men desperate if they once are bad:
Else might he take to virtue some years hence--
P. As S---k, if he lives, will love the prince.
F. Strange spleen to S---k!
P. Do I wrong the man?
God knows, I praise a courtier where I can.
When I confess, there is who feels for fame,
And melts to goodness, need I Scarb'row name?
Please let me own, in Esher's peaceful grove
(Where Kent and Nature vie for Pelham's love),
The scene, the master, opening to my view,
I sit and dream I see my Craggs anew!
Even in a bishop I can spy desert;
Secker is decent, Rundel has a heart,
Manners with candour are to Benson given,
To Berkeley, every virtue under Heaven.
But does the Court a worthy man remove?
That instant, I declare, he has my love:
I shun his zenith, court his mild decline;
Thus Somers once, and Halifax, were mine.
Oft, in the clear, still mirror of retreat,
I studied Shrewsbury, the wise and great:
Carleton's calm sense, and Stanhope's noble flame,
Compared, and knew their generous end the same;
How pleasing Atterbury's softer hour!
How shined the soul, unconquered in the tower!
How can I Pulteney, Chesterfield forget,
While Roman spirit charms, and attic wit:
Argyll, the state's whole thunder born to wield,
And shake alike the senate and the field:
Or Wyndham, just to freedom and the throne,
The master of our passions, and his own?
Names, which I long have loved, nor loved in vain,
Ranked with their friends, not numbered with their train;
And if yet higher the proud list should end,
Still let me say: No follower, but a friend.
Yet think not, friendship only prompts my lays;
I follow Virtue: where she shines, I praise:
Point she to priest or elder, Whig or Tory,
Or round a Quaker's beaver cast a glory.
I never (to my sorrow, I declare)
Dined with the Man of Ross, or my Lord Mayor.
Some in their choice of friends (nay, look not grave)
Have still a secret bias to a knave:
To find an honest man I beat about,
And love him, court him, praise him, in or out.
F. Then why so few commended?
P. Not so fierce!
Find you the virtue, and I'll find the verse.
But random praise--the task can ne'er be done;
Each mother asks it for her booby son,
Each widow asks it for the best of men,
For him she weeps, and him she weds again.
Praise cannot stoop, like satire, to the ground;
The number may be hanged, but not be crowned.
Enough for half the greatest of these days
To 'scape my censure, not expect my praise.
And they not rich? what more can they pretend?
Dare they to hope a poet for their friend?
What Richelieu wanted, Louis scarce could gain,
And what young Ammon wished, but wished in vain.
No power the muse's friendship can command;
No power when virtue claims it, can withstand:
To Cato, Virgil paid one honest line;
O let my country's friends illumine mine!
What are you thinking?
F. 'Faith, the thought's no sin:
I think your friends are out, and would be in.
P. If merely to come in, sir, they go out,
The way they take is strangely round about.
F. They too may be corrupted, you'll allow?
P. I only call those knaves who are so now.
Is that too little? Come, then, I'll comply--
Spirit of Arnall! aid me while I lie.
Cobham's a coward, Polwarth is a slave,
And Littelton a dark, designing knave,
St. John has ever been a wealthy fool--
But let me add, Sir Robert's mighty dull,
Has never made a friend in private life,
And was, besides, a tyrant to his wife.
But pray, when others praise him, do I blame?
Call Verres, Wolsey, any odious name?
Why rail they, then, if but a wreath of mine,
Oh, all-accomplished St. John! deck thy shrine?
What? shall each spur-galled hackney of the day,
When Paxton gives him double pots and pay,
Or each new-pensioned sycophant, pretend
To break my windows, if I treat a friend?
Then wisely plead, to me they meant no hurt,
But 'twas my guest at whom they threw the dirt?
Sure, if I spare the minister, no rules
Of honour bind me, not to maul his tools;
Some, if they cannot cut, it may be said
His saws are toothless, and his hatchet's lead.
If angered Turenne, once upon a day,
To see a footman kicked that took his pay:
But when he heard the affront the fellow gave,
Knew one a man of honour, one a knave;
The prudent general turned it to a jest,
And begged, he'd take the pains to kick the rest:
Which not at present having time to do--
F. Hold, sir! for God's sake where's the affront to you?
Against your worship when had S---k writ?
Or P--ge poured forth the torrent of his wit?
Or grant the bard whose distich all commend
(In power a servant, out of power a friend)
To W---le guilty of some venial sin;
What's that to you who ne'er was out nor in?
The priest whose flattery be-dropt the Crown,
How hurt he you? he only stained the gown.
And how did, pray, the florid youth offend,
Whose speech you took, and gave it to a friend?
P. 'Faith, it imports not much from whom it came; }
Whoever borrowed, could not be to blame, }
Since the whole house did afterwards the same. }
Let courtly wits to wits afford supply,
As hog to hog in huts of Westphaly;
If one, through Nature's bounty, or his Lord's,
Has what the frugal, dirty soil affords,
From him the next receives it, thick or thin,
As pure a mess almost as it came in;
The blessed benefit, not there confined,
Drops to the third, who nuzzles close behind;
From tail to mouth, they feed and they carouse:
The last full fairly gives it to the House.
F. This filthy simile, this beastly line,
Quite turns my stomach--
P. So does flattery mine;
And all your courtly civet-cats can vent,
Perfume to you, to me is excrement.
But hear me further--Japhet, 'tis agreed,
Writ not, and Chartres scarce could write or read,
In all the courts of Pindus guiltless quite;
But pens can forge, my friend, that cannot write;
And must no egg in Japhet's face be thrown
Because the deed he forged was not my own?
Must never patriot, then, declaim at gin,
Unless, good man! he has been fairly in?
No zealous pastor blame a failing spouse
Without a staring reason on his brows?
And each blasphemer quite escape the rod
Because the insult's not on man, but God?
Ask you what provocation I have had?
The strong antipathy of good to bad.
When truth or virtue an affront endures,
The affront is mine, my friend, and should be yours.
Mine, as a foe professed to false pretence,
Who think a coxcomb's honour like his sense;
Mine, as a friend to every worthy mind
And mine as man, who feel for all mankind.
F. You're strangely proud.
P. So proud, I am no slave: }
So impudent I own myself no knave: }
So odd, my country's ruin makes me grave. }
Yes, I am proud; I must be proud to see
Men not afraid of God afraid of me:
Safe from the Bar, the Pulpit, and the Throne,
Yet touched and shamed by ridicule alone.
O, sacred weapon left for truth's defence,
Sole dread of folly, vice, and insolence!
To all but heaven-directed hands denied
The muse may give thee, but the gods must guide:
Reverent I touch thee! but with honest zeal,
To rouse the watchmen of the public weal;
To virtue's work provoke the tardy hall,
And goad the prelate slumbering in his stall.
Ye tinsel insects whom a Court maintains
That counts your beauties only by your stains,
Spin all your cobwebs o'er the eye of day!
The muse's wing shall brush you all away;
All his Grace preaches, all his Lordship sings,
All that makes saints of queens, and gods of kings.
All, all but truth, drops dead-born from the press,
Like the last gazette or the last address.
When black ambition stains a public cause,
A monarch's sword when mad vain-glory draws,
Not Waller's wreath can hide the nation's scar
Nor Boileau turn the feather to a star.
Not so, when diademed with rays divine,
Touched with the flame that breaks from Virtue's shrine,
Her priestless muse forbids the good to die,
And opes the temple of Eternity.
There other trophies deck the truly brave,
Than such as Anstis casts into the grave;
Far other stars than * and * * wear,
And may descend to Mordington from Stair:
(Such as on Hough's unsullied mitre shine,
Or beam, good Digby, from a heart like thine).
Let envy howl, while heaven's whole chorus sings,
And bark at honour not conferred by kings:
Let flattery sickening see the incense rise
Sweet to the world, and grateful to the skies:
Truth guards the poet, sanctifies the line,
And makes immortal, verse as mean as mine.
Yes, the last pen for freedom let me draw,
When truth stands trembling on the edge of law;
Here, last of Britons! let your names be read;
Are none, none living? let me praise the dead,
And for that cause which made your fathers shine
Fall by the votes of their degenerate line.
Fr. Alas! alas! pray end what you began,
And write next winter more essays on man.



***END OF THE PROJECT GUTENBERG EBOOK ESSAY ON MAN***


******* This file should be named 2428. txt or 2428. zip *******


This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/2/4/2/2428



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www. gutenberg. org/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F.