Secundus
gives his opinion.
Tacitus
8 or 1.
E.
9.
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The Project Gutenberg EBook of A Dialogue Concerning Oratory, Or The
Causes Of Corrupt Eloquence, by Cornelius Tacitus
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Title: A Dialogue Concerning Oratory, Or The Causes Of Corrupt Eloquence
The Works Of Cornelius Tacitus, Volume 8 (of 8); With An Essay On
His Life And Genius, Notes, Supplements
Author: Cornelius Tacitus
Release Date: February 11, 2005 [EBook #15017]
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK CONCERNING ORATORY ***
Produced by Ted Garvin, Tom Martin and the PG Online Distributed
Proofreading Team
THE WORKS OF CORNELIUS TACITUS;
WITH
AN ESSAY ON HIS LIFE AND GENIUS,
NOTES, SUPPLEMENTS, &c.
BY
ARTHUR MURPHY, ESQ.
Præcipuum munus annalium reor, ne virtutes sileantur, utque pravis
dictis factisque ex posteritate et infamiâ metus sit.
TACITUS, Annales, iii. s. 65.
A NEW EDITION,
WITH THE AUTHOR'S LAST CORRECTIONS.
IN EIGHT VOLUMES.
VOL. VIII.
LONDON: PRINTED FOR JOHN STOCKDALE; F. C. AND J. RIVINGTON; J. WALKER;
R. LEA; LONGMAN, HURST, REES, ORME, AND BROWN; CADELL AND DAVIES; J.
MAWMAN; J. MURRAY; J. RICHARDSON; R. BALDWIN; AND J. FAULDER.
1811.
A DIALOGUE CONCERNING ORATORY,
OR THE CAUSES OF CORRUPT ELOQUENCE.
VOL. VIII.
CONTENTS.
I. General introduction, with the reasons for writing an account of
the following discourse.
II. The persons engaged in the dialogue; at first, Curiatius Maternus,
Julius Secundus, and Marcus Aper.
III. Secundus endeavours to dissuade Maternus from thinking any more
of dramatic composition.
IV. Maternus gives his reasons for persisting.
V. Aper condemns his resolution, and, in point of utility, real
happiness, fame and dignity, contends that the oratorical profession
is preferable to the poetical.
VIII. He cites the example of Eprius Marcellus and Crispus Vibius, who
raised themselves by their eloquence to the highest honours.
IX. Poetical fame brings with it no advantage.
X. He exhorts Maternus to relinquish the muses, and devote his whole
to eloquence and the business of the bar.
XI. Maternus defends his favourite studies; the pleasures arising from
poetry are in their nature innocent and sublime; the fame is extensive
and immortal. The poet enjoys the most delightful intercourse with his
friends, whereas the life of the public orator is a state of warfare
and anxiety.
XIV. Vipstanius Messala enters the room. He finds his friends engaged
in a controversy, and being an admirer of ancient eloquence, he
advises Aper to adopt the model of the ancients in preference to the
plan of the modern rhetoricians.
XV. Hence a difference of opinion concerning the merit of the ancients
and the moderns. Messala, Secundus, and Maternus, profess themselves
admirers of the oratory that flourished in the time of the republic.
Aper launches out against the ancients, and gives the preference to
the advocates of his own time. He desires to know who are to be
accounted ancients.
XVIII. Eloquence has various modes, all changing with the conjuncture
of the times. But it is the nature of men to praise the past, and
censure the present. The period when Cassius Severus flourished, is
stated to be the point of time at which men cease to be ancients;
Cassius with good reason deviated from the ancient manner.
XX. Defects of ancient eloquence: the modern style more refined and
elegant.
XXI. The character of Calvus, Cælius, Cæsar and Brutus, and also of
Asinius Pollio, and Messala Corvinus.
XXII. The praise and censure of Cicero.
XXIII. The true rhetorical art consists in blending the virtues of
ancient oratory with the beauties of the modern style.
XXIV. Maternus observes that there can be no dispute about the
superior reputation of the ancient orators: he therefore calls upon
Messala to take that point for granted, and proceed to an enquiry into
the causes that produced so great an alteration.
XXV. After some observations on the eloquence of Calvus, Asinius
Pollio, Cæsar, Cicero, and others, Messala praises Gracchus and Lucius
Crassus, but censures Mæcenas, Gallio, and Cassius Severus.
XXVII. Maternus reminds Messala of the true point in question; Messala
proceeds to assign the causes which occasioned the decay of eloquence,
such as the dissipation of the young men, the inattention of their
parents, the ignorance of rhetorical professors, and the total neglect
of ancient discipline.
XXXIV. He proceeds to explain the plan of study, and the institutions,
customs, and various arts, by which orators were formed in the time of
the republic.
XXXV. The defects and vices in the new system of education. In this
part of the dialogue, the sequel of Messala's discourse is lost, with
the whole of what was said by Secundus, and the beginning of Maternus:
the supplement goes on from this place, distinguished by inverted
commas [transcriber's note: not used], and the sections marked with
numerical figures.
1. Messala describes the presumption of the young advocates on their
first appearance at the bar; their want of legal knowledge, and the
absurd habits which they contracted in the schools of the
rhetoricians.
2. Eloquence totally ruined by the preceptors. Messala concludes with
desiring Secundus and Maternus to assign the reasons which have
occurred to them.
4.
Secundus gives his opinion. The change of government produced a new
mode of eloquence. The orators under the emperors endeavoured to be
ingenious rather than natural. Seneca the first who introduced a false
taste, which still prevailed in the reign of Vespasian.
8. Licinius Largus taught the advocates of his time the disgraceful
art of hiring applauders by profession. This was the bane of all true
oratory, and, for that reason, Maternus was right in renouncing the
forum altogether.
10. Maternus acknowledges that he was disgusted by the shameful
practices that prevailed at the bar, and therefore resolved to devote
the rest of his time to poetry and the muses.
11. An apology for the rhetoricians. The praise of Quintilian. True
eloquence died with Cicero.
13. The loss of liberty was the ruin of genuine oratory. Demosthenes
flourished under a free government. The original goes on from this
place to the end of the dialogue.
XXXVI. Eloquence flourishes most in times of public tumult. The crimes
of turbulent citizens supply the orator with his best materials.
XXXVII. In the time of the republic, oratorical talents were necessary
qualifications, and without them no man was deemed worthy of being
advanced to the magistracy.
XXXVIII. The Roman orators were not confined in point of time; they
might extend their speeches to what length they thought proper, and
could even adjourn. Pompey abridged the liberty of speech, and limited
the time.
XXXIX. The very dress of the advocates under the emperors was
prejudicial to eloquence.
XL. True eloquence springs from the vices of men, and never was known
to exist under a calm and settled government.
XLI. Eloquence changes with the times. Every age has its own peculiar
advantages, and invidious comparisons are unnecessary.
XLII. Conclusion of the dialogue.
The time of this dialogue was the sixth of Vespasian's reign.
Year of Rome--Of Christ Consuls.
828 75 Vespasian, 6th time; Titus his son,
4th time.
A DIALOGUE CONCERNING ORATORY, OR THE CAUSES OF CORRUPT ELOQUENCE.
I. You have often enquired of me, my good friend, Justus Fabius [a],
how and from what causes it has proceeded, that while ancient times
display a race of great and splendid orators, the present age,
dispirited, and without any claim to the praise of eloquence, has
scarcely retained the name of an orator. By that appellation we now
distinguish none but those who flourished in a former period. To the
eminent of the present day, we give the title of speakers, pleaders,
advocates, patrons, in short, every thing but orators.
The enquiry is in its nature delicate; tending, if we are not able to
contend with antiquity, to impeach our genius, and if we are not
willing, to arraign our judgement. An answer to so nice a question is
more than I should venture to undertake, were I to rely altogether
upon myself: but it happens, that I am able to state the sentiments of
men distinguished by their eloquence, such as it is in modern times;
having, in the early part of my life, been present at their
conversation on the very subject now before us. What I have to offer,
will not be the result of my own thinking: it is the work of memory
only; a mere recital of what fell from the most celebrated orators of
their time: a set of men, who thought with subtilty, and expressed
themselves with energy and precision; each, in his turn, assigning
different but probable causes, at times insisting on the same, and, in
the course of the debate, maintaining his own proper character, and
the peculiar cast of his mind. What they said upon the occasion, I
shall relate, as nearly as may be, in the style and manner of the
several speakers, observing always the regular course and order of the
controversy. For a controversy it certainly was, where the speakers of
the present age did not want an advocate, who supported their cause
with zeal, and, after treating antiquity with sufficient freedom, and
even derision, assigned the palm of eloquence to the practisers of
modern times.
II. Curiatius Maternus [a] gave a public reading of his tragedy of
Cato. On the following day a report prevailed, that the piece had
given umbrage to the men in power. The author, it was said, had
laboured to display his favourite character in the brightest colours;
anxious for the fame of his hero, but regardless of himself. This soon
became the topic of public conversation. Maternus received a visit
from Marcus Aper [b] and Julius Secundus [c], both men of genius, and
the first ornaments of the forum. I was, at that time, a constant
attendant on those eminent men. I heard them, not only in their scenes
of public business, but, feeling an inclination to the same studies, I
followed them with all the ardour of youthful emulation. I was
admitted to their private parties; I heard their debates, and the
amusement of their social hours: I treasured up their wit, and their
sentiments on the various topics which they had discussed in
conversation. Respected as they were, it must, however, be
acknowledged that they did not escape the malignity of criticism. It
was objected to Secundus, that he had no command of words, no flow of
language; and to Aper, that he was indebted for his fame, not to art
or literature, but to the natural powers of a vigorous understanding.
The truth is, the style of the former was remarkable for its purity;
concise, yet free and copious; and the latter was sufficiently versed
in all branches of general erudition. It might be said of him, that he
despised literature, not that he wanted it. He thought, perhaps, that,
by scorning the aid of letters, and by drawing altogether from his own
fund, his fame would stand on a more solid foundation.
III. We went together to pay our visit to Maternus. Upon entering his
study, we found him with the tragedy, which he had read on the
preceding day, lying before him. Secundus began: And are you then so
little affected by the censure of malignant critics, as to persist in
cherishing a tragedy which has given so much offence? Perhaps you are
revising the piece, and, after retrenching certain passages, intend to
send your Cato into the world, I will not say improved, but certainly
less obnoxious. There lies the poem, said Maternus; you may, if you
think proper, peruse it with all its imperfections on its head. If
Cato has omitted any thing, Thyestes [a], at my next reading, shall
atone for all deficiencies. I have formed the fable of a tragedy on
that subject: the plan is warm in my imagination, and, that I may give
my whole time to it, I now am eager to dispatch an edition of Cato.
Marcus Aper interposed: And are you, indeed, so enamoured of your
dramatic muse, as to renounce your oratorical character, and the
honours of your profession, in order to sacrifice your time, I think
it was lately to Medea, and now to Thyestes? Your friends, in the mean
time, expect your patronage; the colonies [b] invoke your aid, and the
municipal cities invite you to the bar. And surely the weight of so
many causes may be deemed sufficient, without this new solicitude
imposed upon you by Domitius [c] or Cato. And must you thus waste all
your time, amusing yourself for ever with scenes of fictitious
distress, and still labouring to add to the fables of Greece the
incidents and characters of the Roman story?
IV. The sharpness of that reproof, replied Maternus, would, perhaps,
have disconcerted me, if, by frequent repetition, it had not lost its
sting. To differ on this subject is grown familiar to us both. Poetry,
it seems, is to expect no quarter: you wage an incessant war against
the followers of that pleasing art; and I, who am charged with
deserting my clients, have yet every day the cause of poetry to
defend. But we have now a fair opportunity, and I embrace it with
pleasure, since we have a person present, of ability to decide between
us; a judge, who will either lay me under an injunction to write no
more verses, or, as I rather hope, encourage me, by his authority, to
renounce for ever the dry employment of forensic causes (in which I
have had my share of drudgery), that I may, for the future, be at
leisure to cultivate the sublime and sacred eloquence of the tragic
muse.
V. Secundus desired to be heard: I am aware, he said, that Aper may
refuse me as an umpire. Before he states his objections, let me follow
the example of all fair and upright judges, who, in particular cases,
when they feel a partiality for one of the contending parties, desire
to be excused from hearing the cause. The friendship and habitual
intercourse, which I have ever cultivated with Saleius Bassus [a],
that excellent man, and no less excellent poet, are well known: and
let me add, if poetry is to be arraigned, I know no client that can
offer such handsome bribes.
My business, replied Aper, is not with Saleius Bassus: let him, and
all of his description, who, without talents for the bar, devote their
time to the muses, pursue their favourite amusement without
interruption. But Maternus must not think to escape in the crowd. I
single him out from the rest, and since we are now before a competent
judge, I call upon him to answer, how it happens, that a man of his
talents, formed by nature to reach the heights of manly eloquence, can
think of renouncing a profession, which not only serves to multiply
friendships, but to support them with reputation: a profession, which
enables us to conciliate the esteem of foreign nations, and (if we
regard our own interest) lays open the road to the first honours of
the state; a profession, which, besides the celebrity that it gives
within the walls of Rome, spreads an illustrious name throughout this
wide extent of the empire.
If it be wisdom to make the ornament and happiness of life the end and
aim of our actions, what can be more advisable than to embrace an art,
by which we are enabled to protect our friends; to defend the cause of
strangers; and succour the distressed? Nor is this all: the eminent
orator is a terror to his enemies: envy and malice tremble, while they
hate him. Secure in his own strength, he knows how to ward off every
danger. His own genius is his protection; a perpetual guard, that
watches him; an invincible power, that shields him from his enemies.
In the calm seasons of life, the true use of oratory consists in the
assistance which it affords to our fellow-citizens. We then behold the
triumph of eloquence. Have we reason to be alarmed for ourselves, the
sword and breast-plate are not a better defence in the heat of battle.
It is at once a buckler to cover yourself [b] and a weapon to brandish
against your enemy. Armed with this, you may appear with courage
before the tribunals of justice, in the senate, and even in the
presence of the prince. We lately saw [c] Eprius Marcellus arraigned
before the fathers: in that moment, when the minds of the whole
assembly were inflamed against him, what had he to oppose to the
vehemence of his enemies, but that nervous eloquence which he
possessed in so eminent a degree? Collected in himself, and looking
terror to his enemies, he was more than a match for Helvidius Priscus;
a man, no doubt, of consummate wisdom, but without that flow of
eloquence, which springs from practice, and that skill in argument,
which is necessary to manage a public debate. Such is the advantage of
oratory: to enlarge upon it were superfluous. My friend Maternus will
not dispute the point.
VI. I proceed to the pleasure arising from the exercise of eloquence;
a pleasure which does not consist in the mere sensation of the moment,
but is felt through life, repeated every day, and almost every hour.
For let me ask, to a man of an ingenuous and liberal mind, who knows
the relish of elegant enjoyments, what can yield such true delight, as
a concourse of the most respectable characters crowding to his levee?
How must it enhance his pleasure, when he reflects, that the visit is
not paid to him because he is rich, and wants an heir [a], or is in
possession of a public office, but purely as a compliment to superior
talents, a mark of respect to a great and accomplished orator! The
rich who have no issue, and the men in high rank and power, are his
followers. Though he is still young, and probably destitute of
fortune, all concur in paying their court to solicit his patronage for
themselves, or to recommend their friends to his protection. In the
most splendid fortune, in all the dignity and pride of power, is there
any thing that can equal the heartfelt satisfaction of the able
advocate, when he sees the most illustrious citizens, men respected
for their years, and flourishing in the opinion of the public, yet
paying their court to a rising genius, and, in the midst of wealth and
grandeur, fairly owning, that they still want something superior to
all their possessions? What shall be said of the attendants, that
follow the young orator from the bar, and watch his motions to his own
house? With what importance does he appear to the multitude! in the
courts of judicature, with what veneration! When he rises to speak,
the audience is hushed in mute attention; every eye is fixed on him
alone; the crowd presses round him; he is master of their passions;
they are swayed, impelled, directed, as he thinks proper. These are
the fruits of eloquence, well known to all, and palpable to every
common observer.
There are other pleasures more refined and secret, felt only by the
initiated. When the orator, upon some great occasion, comes with a
well-digested speech, conscious of his matter, and animated by his
subject, his breast expands, and heaves with emotions unfelt before.
In his joy there is a dignity suited to the weight and energy of the
composition which he has prepared. Does he rise to hazard himself [b]
in a sudden debate; he is alarmed for himself, but in that very alarm
there is a mingle of pleasure, which predominates, till distress
itself becomes delightful. The mind exults in the prompt exertion of
its powers, and even glories in its rashness. The productions of
genius, and those of the field, have this resemblance: many things are
sown, and brought to maturity with toil and care; yet that, which
grows from the wild vigour of nature, has the most grateful flavour.
VII. As to myself, if I may allude to my own feelings, the day on
which I put on the manly gown [a], and even the days that followed,
when, as a new man at Rome, born in a city that did not favour my
pretensions [b], I rose in succession to the offices of quæstor,
tribune, and prætor; those days, I say, did not awaken in my breast
such exalted rapture, as when, in the course of my profession, I was
called forth, with such talents as have fallen to my share, to defend
the accused; to argue a question of law before the centumviri [c], or,
in the presence of the prince, to plead for his freedmen, and the
procurators appointed by himself. Upon those occasions I towered above
all places of profit, and all preferment; I looked down on the
dignities of tribune, prætor, and consul; I felt within myself, what
neither the favour of the great, nor the wills and codicils [d] of the
rich, can give, a vigour of mind, an inward energy, that springs from
no external cause, but is altogether your own.
Look through the circle of the fine arts, survey the whole compass of
the sciences, and tell me in what branch can the professors acquire a
name to vie with the celebrity of a great and powerful orator. His
fame does not depend on the opinion of thinking men, who attend to
business and watch the administration of affairs; he is applauded by
the youth of Rome, at least by such of them as are of a well-turned
disposition, and hope to rise by honourable means. The eminent orator
is the model which every parent recommends to his children. Even the
common people [e] stand at gaze, as he passes by; they pronounce his
name with pleasure, and point at him as the object of their
admiration. The provinces resound with his praise. The strangers, who
arrive from all parts, have heard of his genius; they wish to behold
the man, and their curiosity is never at rest, till they have seen his
person, and perused his countenance.
VIII. I have already mentioned Eprius Marcellus and Crispus Vibius
[a]. I cite living examples, in preference to the names of a former
day. Those two illustrious persons, I will be bold to say, are not
less known in the remotest parts of the empire, than they are at
Capua, or Vercellæ [b], where, we are told, they both were born. And
to what is their extensive fame to be attributed? Not surely to their
immoderate riches. Three hundred thousand sesterces cannot give the
fame of genius. Their eloquence may be said to have built up their
fortunes; and, indeed, such is the power, I might say the inspiration,
of eloquence, that in every age we have examples of men, who by their
talents raised themselves to the summit of their ambition.
But I waive all former instances. The two, whom I have mentioned, are
not recorded in history, nor are we to glean an imperfect knowledge of
them from tradition; they are every day before our eyes. They have
risen from low beginnings; but the more abject their origin, and the
more sordid the poverty, in which they set out, their success rises in
proportion, and affords a striking proof of what I have advanced;
since it is apparent, that, without birth or fortune, neither of them
recommended by his moral character, and one of them deformed in his
person, they have, notwithstanding all disadvantages, made themselves,
for a series of years, the first men in the state. They began their
career in the forum, and, as long as they chose to pursue that road of
ambition, they flourished in the highest reputation; they are now at
the head of the commonwealth, the ministers who direct and govern, and
so high in favour with the prince, that the respect, with which he
receives them, is little short of veneration.
The truth is, Vespasian [c], now in the vale of years, but always open
to the voice of truth, clearly sees that the rest of his favourites
derive all their lustre from the favours, which his munificence has
bestowed; but with Marcellus and Crispus the case is different: they
carry into the cabinet, what no prince can give, and no subject can
receive. Compared with the advantages which those men possess, what
are family-pictures, statues, busts, and titles of honour? They are
things of a perishable nature, yet not without their value. Marcellus
and Vibius know how to estimate them, as they do wealth and honours;
and wealth and honours are advantages against which you will easily
find men that declaim, but none that in their hearts despise them.
Hence it is, that in the houses of all who have distinguished
themselves in the career of eloquence, we see titles, statues, and
splendid ornaments, the reward of talents, and, at all times, the
decorations of the great and powerful orator.
IX. But to come to the point, from which we started: poetry, to which
my friend Maternus wishes to dedicate all his time, has none of these
advantages. It confers no dignity, nor does it serve any useful
purpose. It is attended with some pleasure, but it is the pleasure of
a moment, springing from vain applause, and bringing with it no solid
advantage. What I have said, and am going to add, may probably, my
good friend Maternus, be unwelcome to your ear; and yet I must take
the liberty to ask you, if Agamemnon [a] or Jason speaks in your piece
with dignity of language, what useful consequence follows from it?
What client has been defended? Who confesses an obligation? In that
whole audience, who returns to his own house with a grateful heart?
Our friend Saleius Bassus [b] is, beyond all question, a poet of
eminence, or, to use a warmer expression, he has the god within him:
but who attends his levee? who seeks his patronage, or follows in his
train? Should he himself, or his intimate friend, or his near
relation, happen to be involved in a troublesome litigation, what
course do you imagine he would take? He would, most probably, apply to
his friend, Secundus; or to you, Maternus; not because you are a poet,
nor yet to obtain a copy of verses from you; of those he has a
sufficient stock at home, elegant, it must be owned, and exquisite in
the kind. But after all his labour and waste of genius, what is his
reward?
When in the course of a year, after toiling day and night, he has
brought a single poem to perfection, he is obliged to solicit his
friends and exert his interest, in order to bring together an audience
[c], so obliging as to hear a recital of the piece. Nor can this be
done without expence. A room must be hired, a stage or pulpit must be
erected; benches must be arranged, and hand-bills distributed
throughout the city. What if the reading succeeds to the height of his
wishes? Pass but a day or two, and the whole harvest of praise and
admiration fades away, like a flower that withers in its bloom, and
never ripens into fruit. By the event, however flattering, he gains no
friend, he obtains no patronage, nor does a single person go away
impressed with the idea of an obligation conferred upon him. The poet
has been heard with applause; he has been received with acclamations;
and he has enjoyed a short-lived transport.
Bassus, it is true, has lately received from Vespasian a present of
fifty thousand sesterces. Upon that occasion, we all admired the
generosity of the prince. To deserve so distinguished a proof of the
sovereign's esteem is, no doubt, highly honourable; but is it not
still more honourable, if your circumstances require it, to serve
yourself by your talents? to cultivate your genius, for your own
advantage? and to owe every thing to your own industry, indebted to
the bounty of no man whatever? It must not be forgotten, that the
poet, who would produce any thing truly excellent in the kind, must
bid farewell to the conversation of his friends; he must renounce, not
only the pleasures of Rome, but also the duties of social life; he
must retire from the world; as the poets say, "to groves and grottos
every muse's son. " In other words, he must condemn himself to a
sequestered life in the gloom of solitude.
X. The love of fame, it seems, is the passion that inspires the poet's
genius: but even in this respect, is he so amply paid as to rival in
any degree the professors of the persuasive arts? As to the
indifferent poet, men leave him to his own [a] mediocrity: the real
genius moves in a narrow circle. Let there be a reading of a poem by
the ablest master of his art: will the fame of his performance reach
all quarters, I will not say of the empire, but of Rome only? Among
the strangers who arrive from Spain, from Asia, or from Gaul, who
enquires [b] after Saleius Bassus? Should it happen that there is one,
who thinks, of him; his curiosity is soon satisfied; he passes on,
content with a transient view, as if he had seen a picture or a
statue.
In what I have advanced, let me not be misunderstood: I do not mean to
deter such as are not blessed with the gift of oratory, from the
practice of their favourite art, if it serves to fill up their time,
and gain a degree of reputation. I am an admirer of eloquence [c]; I
hold it venerable, and even sacred, in all its shapes, and every mode
of composition. The pathetic of tragedy, of which you, Maternus, are
so great a master; the majesty of the epic, the gaiety of the lyric
muse; the wanton elegy, the keen iambic, and the pointed epigram; all
have their charms; and Eloquence, whatever may be the subject which
she chooses to adorn, is with me the sublimest faculty, the queen of
all the arts and sciences. But this, Maternus, is no apology for you,
whose conduct is so extraordinary, that, though formed by nature to
reach the summit of perfection [d], you choose to wander into devious
paths, and rest contented with an humble station in the vale beneath.
Were you a native of Greece, where to exhibit in the public games [e]
is an honourable employment; and if the gods had bestowed upon you the
force and sinew of the athletic Nicostratus [f]; do you imagine that I
could look tamely on, and see that amazing vigour waste itself away in
nothing better than the frivolous art of darting the javelin, or
throwing the coit? To drop the allusion, I summon you from the theatre
and public recitals to the business of the forum, to the tribunals of
justice, to scenes of real contention, to a conflict worthy of your
abilities. You cannot decline the challenge, for you are left without
an excuse. You cannot say, with a number of others, that the
profession of poetry is safer than that of the public orator; since
you have ventured, in a tragedy written with spirit, to display the
ardour of a bold and towering genius.
And for whom have you provoked so many enemies? Not for a friend; that
would have had alleviating circumstances. You undertook the cause of
Cato, and for him committed yourself. You cannot plead, by way of
apology, the duty of an advocate, or the sudden effusion of sentiment
in the heat and hurry of an unpremeditated speech. Your plan was
settled; a great historical personage was your hero, and you chose
him, because what falls from so distinguished a character, falls from
a height that gives it additional weight. I am aware of your answer:
you will say, it was that very circumstance that ensured the success
of your piece; the sentiments were received with sympathetic rapture:
the room echoed with applause, and hence your fame throughout the city
of Rome. Then let us hear no more of your love of quiet and a state of
security: you have voluntarily courted danger. For myself, I am
content with controversies of a private nature, and the incidents of
the present day. If, hurried beyond the bounds of prudence, I should
happen, on any occasion, to grate the ears of men in power, the zeal
of an advocate, in the service of his client, will excuse the honest
freedom of speech, and, perhaps, be deemed a proof of integrity.
XI. Aper went through his argument, according to his custom, with
warmth and vehemence. He delivered the whole with a peremptory tone
and an eager eye. As soon as he finished, I am prepared, said Maternus
smiling, to exhibit a charge against the professors of oratory, which
may, perhaps, counterbalance the praise so lavishly bestowed upon them
by my friend. In the course of what he said, I was not surprised to
see him going out of his way, to lay poor poetry prostrate at his
feet. He has, indeed, shewn some kindness to such as are not blessed
with oratorical talents. He has passed an act of indulgence in their
favour, and they, it seems, are allowed to pursue their favourite
studies. For my part, I will not say that I think myself wholly
unqualified for the eloquence of the bar. It may be true, that I have
some kind of talent for that profession; but the tragic muse affords
superior pleasure.
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The Project Gutenberg EBook of A Dialogue Concerning Oratory, Or The
Causes Of Corrupt Eloquence, by Cornelius Tacitus
This eBook is for the use of anyone anywhere at no cost and with
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Title: A Dialogue Concerning Oratory, Or The Causes Of Corrupt Eloquence
The Works Of Cornelius Tacitus, Volume 8 (of 8); With An Essay On
His Life And Genius, Notes, Supplements
Author: Cornelius Tacitus
Release Date: February 11, 2005 [EBook #15017]
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK CONCERNING ORATORY ***
Produced by Ted Garvin, Tom Martin and the PG Online Distributed
Proofreading Team
THE WORKS OF CORNELIUS TACITUS;
WITH
AN ESSAY ON HIS LIFE AND GENIUS,
NOTES, SUPPLEMENTS, &c.
BY
ARTHUR MURPHY, ESQ.
Præcipuum munus annalium reor, ne virtutes sileantur, utque pravis
dictis factisque ex posteritate et infamiâ metus sit.
TACITUS, Annales, iii. s. 65.
A NEW EDITION,
WITH THE AUTHOR'S LAST CORRECTIONS.
IN EIGHT VOLUMES.
VOL. VIII.
LONDON: PRINTED FOR JOHN STOCKDALE; F. C. AND J. RIVINGTON; J. WALKER;
R. LEA; LONGMAN, HURST, REES, ORME, AND BROWN; CADELL AND DAVIES; J.
MAWMAN; J. MURRAY; J. RICHARDSON; R. BALDWIN; AND J. FAULDER.
1811.
A DIALOGUE CONCERNING ORATORY,
OR THE CAUSES OF CORRUPT ELOQUENCE.
VOL. VIII.
CONTENTS.
I. General introduction, with the reasons for writing an account of
the following discourse.
II. The persons engaged in the dialogue; at first, Curiatius Maternus,
Julius Secundus, and Marcus Aper.
III. Secundus endeavours to dissuade Maternus from thinking any more
of dramatic composition.
IV. Maternus gives his reasons for persisting.
V. Aper condemns his resolution, and, in point of utility, real
happiness, fame and dignity, contends that the oratorical profession
is preferable to the poetical.
VIII. He cites the example of Eprius Marcellus and Crispus Vibius, who
raised themselves by their eloquence to the highest honours.
IX. Poetical fame brings with it no advantage.
X. He exhorts Maternus to relinquish the muses, and devote his whole
to eloquence and the business of the bar.
XI. Maternus defends his favourite studies; the pleasures arising from
poetry are in their nature innocent and sublime; the fame is extensive
and immortal. The poet enjoys the most delightful intercourse with his
friends, whereas the life of the public orator is a state of warfare
and anxiety.
XIV. Vipstanius Messala enters the room. He finds his friends engaged
in a controversy, and being an admirer of ancient eloquence, he
advises Aper to adopt the model of the ancients in preference to the
plan of the modern rhetoricians.
XV. Hence a difference of opinion concerning the merit of the ancients
and the moderns. Messala, Secundus, and Maternus, profess themselves
admirers of the oratory that flourished in the time of the republic.
Aper launches out against the ancients, and gives the preference to
the advocates of his own time. He desires to know who are to be
accounted ancients.
XVIII. Eloquence has various modes, all changing with the conjuncture
of the times. But it is the nature of men to praise the past, and
censure the present. The period when Cassius Severus flourished, is
stated to be the point of time at which men cease to be ancients;
Cassius with good reason deviated from the ancient manner.
XX. Defects of ancient eloquence: the modern style more refined and
elegant.
XXI. The character of Calvus, Cælius, Cæsar and Brutus, and also of
Asinius Pollio, and Messala Corvinus.
XXII. The praise and censure of Cicero.
XXIII. The true rhetorical art consists in blending the virtues of
ancient oratory with the beauties of the modern style.
XXIV. Maternus observes that there can be no dispute about the
superior reputation of the ancient orators: he therefore calls upon
Messala to take that point for granted, and proceed to an enquiry into
the causes that produced so great an alteration.
XXV. After some observations on the eloquence of Calvus, Asinius
Pollio, Cæsar, Cicero, and others, Messala praises Gracchus and Lucius
Crassus, but censures Mæcenas, Gallio, and Cassius Severus.
XXVII. Maternus reminds Messala of the true point in question; Messala
proceeds to assign the causes which occasioned the decay of eloquence,
such as the dissipation of the young men, the inattention of their
parents, the ignorance of rhetorical professors, and the total neglect
of ancient discipline.
XXXIV. He proceeds to explain the plan of study, and the institutions,
customs, and various arts, by which orators were formed in the time of
the republic.
XXXV. The defects and vices in the new system of education. In this
part of the dialogue, the sequel of Messala's discourse is lost, with
the whole of what was said by Secundus, and the beginning of Maternus:
the supplement goes on from this place, distinguished by inverted
commas [transcriber's note: not used], and the sections marked with
numerical figures.
1. Messala describes the presumption of the young advocates on their
first appearance at the bar; their want of legal knowledge, and the
absurd habits which they contracted in the schools of the
rhetoricians.
2. Eloquence totally ruined by the preceptors. Messala concludes with
desiring Secundus and Maternus to assign the reasons which have
occurred to them.
4.
Secundus gives his opinion. The change of government produced a new
mode of eloquence. The orators under the emperors endeavoured to be
ingenious rather than natural. Seneca the first who introduced a false
taste, which still prevailed in the reign of Vespasian.
8. Licinius Largus taught the advocates of his time the disgraceful
art of hiring applauders by profession. This was the bane of all true
oratory, and, for that reason, Maternus was right in renouncing the
forum altogether.
10. Maternus acknowledges that he was disgusted by the shameful
practices that prevailed at the bar, and therefore resolved to devote
the rest of his time to poetry and the muses.
11. An apology for the rhetoricians. The praise of Quintilian. True
eloquence died with Cicero.
13. The loss of liberty was the ruin of genuine oratory. Demosthenes
flourished under a free government. The original goes on from this
place to the end of the dialogue.
XXXVI. Eloquence flourishes most in times of public tumult. The crimes
of turbulent citizens supply the orator with his best materials.
XXXVII. In the time of the republic, oratorical talents were necessary
qualifications, and without them no man was deemed worthy of being
advanced to the magistracy.
XXXVIII. The Roman orators were not confined in point of time; they
might extend their speeches to what length they thought proper, and
could even adjourn. Pompey abridged the liberty of speech, and limited
the time.
XXXIX. The very dress of the advocates under the emperors was
prejudicial to eloquence.
XL. True eloquence springs from the vices of men, and never was known
to exist under a calm and settled government.
XLI. Eloquence changes with the times. Every age has its own peculiar
advantages, and invidious comparisons are unnecessary.
XLII. Conclusion of the dialogue.
The time of this dialogue was the sixth of Vespasian's reign.
Year of Rome--Of Christ Consuls.
828 75 Vespasian, 6th time; Titus his son,
4th time.
A DIALOGUE CONCERNING ORATORY, OR THE CAUSES OF CORRUPT ELOQUENCE.
I. You have often enquired of me, my good friend, Justus Fabius [a],
how and from what causes it has proceeded, that while ancient times
display a race of great and splendid orators, the present age,
dispirited, and without any claim to the praise of eloquence, has
scarcely retained the name of an orator. By that appellation we now
distinguish none but those who flourished in a former period. To the
eminent of the present day, we give the title of speakers, pleaders,
advocates, patrons, in short, every thing but orators.
The enquiry is in its nature delicate; tending, if we are not able to
contend with antiquity, to impeach our genius, and if we are not
willing, to arraign our judgement. An answer to so nice a question is
more than I should venture to undertake, were I to rely altogether
upon myself: but it happens, that I am able to state the sentiments of
men distinguished by their eloquence, such as it is in modern times;
having, in the early part of my life, been present at their
conversation on the very subject now before us. What I have to offer,
will not be the result of my own thinking: it is the work of memory
only; a mere recital of what fell from the most celebrated orators of
their time: a set of men, who thought with subtilty, and expressed
themselves with energy and precision; each, in his turn, assigning
different but probable causes, at times insisting on the same, and, in
the course of the debate, maintaining his own proper character, and
the peculiar cast of his mind. What they said upon the occasion, I
shall relate, as nearly as may be, in the style and manner of the
several speakers, observing always the regular course and order of the
controversy. For a controversy it certainly was, where the speakers of
the present age did not want an advocate, who supported their cause
with zeal, and, after treating antiquity with sufficient freedom, and
even derision, assigned the palm of eloquence to the practisers of
modern times.
II. Curiatius Maternus [a] gave a public reading of his tragedy of
Cato. On the following day a report prevailed, that the piece had
given umbrage to the men in power. The author, it was said, had
laboured to display his favourite character in the brightest colours;
anxious for the fame of his hero, but regardless of himself. This soon
became the topic of public conversation. Maternus received a visit
from Marcus Aper [b] and Julius Secundus [c], both men of genius, and
the first ornaments of the forum. I was, at that time, a constant
attendant on those eminent men. I heard them, not only in their scenes
of public business, but, feeling an inclination to the same studies, I
followed them with all the ardour of youthful emulation. I was
admitted to their private parties; I heard their debates, and the
amusement of their social hours: I treasured up their wit, and their
sentiments on the various topics which they had discussed in
conversation. Respected as they were, it must, however, be
acknowledged that they did not escape the malignity of criticism. It
was objected to Secundus, that he had no command of words, no flow of
language; and to Aper, that he was indebted for his fame, not to art
or literature, but to the natural powers of a vigorous understanding.
The truth is, the style of the former was remarkable for its purity;
concise, yet free and copious; and the latter was sufficiently versed
in all branches of general erudition. It might be said of him, that he
despised literature, not that he wanted it. He thought, perhaps, that,
by scorning the aid of letters, and by drawing altogether from his own
fund, his fame would stand on a more solid foundation.
III. We went together to pay our visit to Maternus. Upon entering his
study, we found him with the tragedy, which he had read on the
preceding day, lying before him. Secundus began: And are you then so
little affected by the censure of malignant critics, as to persist in
cherishing a tragedy which has given so much offence? Perhaps you are
revising the piece, and, after retrenching certain passages, intend to
send your Cato into the world, I will not say improved, but certainly
less obnoxious. There lies the poem, said Maternus; you may, if you
think proper, peruse it with all its imperfections on its head. If
Cato has omitted any thing, Thyestes [a], at my next reading, shall
atone for all deficiencies. I have formed the fable of a tragedy on
that subject: the plan is warm in my imagination, and, that I may give
my whole time to it, I now am eager to dispatch an edition of Cato.
Marcus Aper interposed: And are you, indeed, so enamoured of your
dramatic muse, as to renounce your oratorical character, and the
honours of your profession, in order to sacrifice your time, I think
it was lately to Medea, and now to Thyestes? Your friends, in the mean
time, expect your patronage; the colonies [b] invoke your aid, and the
municipal cities invite you to the bar. And surely the weight of so
many causes may be deemed sufficient, without this new solicitude
imposed upon you by Domitius [c] or Cato. And must you thus waste all
your time, amusing yourself for ever with scenes of fictitious
distress, and still labouring to add to the fables of Greece the
incidents and characters of the Roman story?
IV. The sharpness of that reproof, replied Maternus, would, perhaps,
have disconcerted me, if, by frequent repetition, it had not lost its
sting. To differ on this subject is grown familiar to us both. Poetry,
it seems, is to expect no quarter: you wage an incessant war against
the followers of that pleasing art; and I, who am charged with
deserting my clients, have yet every day the cause of poetry to
defend. But we have now a fair opportunity, and I embrace it with
pleasure, since we have a person present, of ability to decide between
us; a judge, who will either lay me under an injunction to write no
more verses, or, as I rather hope, encourage me, by his authority, to
renounce for ever the dry employment of forensic causes (in which I
have had my share of drudgery), that I may, for the future, be at
leisure to cultivate the sublime and sacred eloquence of the tragic
muse.
V. Secundus desired to be heard: I am aware, he said, that Aper may
refuse me as an umpire. Before he states his objections, let me follow
the example of all fair and upright judges, who, in particular cases,
when they feel a partiality for one of the contending parties, desire
to be excused from hearing the cause. The friendship and habitual
intercourse, which I have ever cultivated with Saleius Bassus [a],
that excellent man, and no less excellent poet, are well known: and
let me add, if poetry is to be arraigned, I know no client that can
offer such handsome bribes.
My business, replied Aper, is not with Saleius Bassus: let him, and
all of his description, who, without talents for the bar, devote their
time to the muses, pursue their favourite amusement without
interruption. But Maternus must not think to escape in the crowd. I
single him out from the rest, and since we are now before a competent
judge, I call upon him to answer, how it happens, that a man of his
talents, formed by nature to reach the heights of manly eloquence, can
think of renouncing a profession, which not only serves to multiply
friendships, but to support them with reputation: a profession, which
enables us to conciliate the esteem of foreign nations, and (if we
regard our own interest) lays open the road to the first honours of
the state; a profession, which, besides the celebrity that it gives
within the walls of Rome, spreads an illustrious name throughout this
wide extent of the empire.
If it be wisdom to make the ornament and happiness of life the end and
aim of our actions, what can be more advisable than to embrace an art,
by which we are enabled to protect our friends; to defend the cause of
strangers; and succour the distressed? Nor is this all: the eminent
orator is a terror to his enemies: envy and malice tremble, while they
hate him. Secure in his own strength, he knows how to ward off every
danger. His own genius is his protection; a perpetual guard, that
watches him; an invincible power, that shields him from his enemies.
In the calm seasons of life, the true use of oratory consists in the
assistance which it affords to our fellow-citizens. We then behold the
triumph of eloquence. Have we reason to be alarmed for ourselves, the
sword and breast-plate are not a better defence in the heat of battle.
It is at once a buckler to cover yourself [b] and a weapon to brandish
against your enemy. Armed with this, you may appear with courage
before the tribunals of justice, in the senate, and even in the
presence of the prince. We lately saw [c] Eprius Marcellus arraigned
before the fathers: in that moment, when the minds of the whole
assembly were inflamed against him, what had he to oppose to the
vehemence of his enemies, but that nervous eloquence which he
possessed in so eminent a degree? Collected in himself, and looking
terror to his enemies, he was more than a match for Helvidius Priscus;
a man, no doubt, of consummate wisdom, but without that flow of
eloquence, which springs from practice, and that skill in argument,
which is necessary to manage a public debate. Such is the advantage of
oratory: to enlarge upon it were superfluous. My friend Maternus will
not dispute the point.
VI. I proceed to the pleasure arising from the exercise of eloquence;
a pleasure which does not consist in the mere sensation of the moment,
but is felt through life, repeated every day, and almost every hour.
For let me ask, to a man of an ingenuous and liberal mind, who knows
the relish of elegant enjoyments, what can yield such true delight, as
a concourse of the most respectable characters crowding to his levee?
How must it enhance his pleasure, when he reflects, that the visit is
not paid to him because he is rich, and wants an heir [a], or is in
possession of a public office, but purely as a compliment to superior
talents, a mark of respect to a great and accomplished orator! The
rich who have no issue, and the men in high rank and power, are his
followers. Though he is still young, and probably destitute of
fortune, all concur in paying their court to solicit his patronage for
themselves, or to recommend their friends to his protection. In the
most splendid fortune, in all the dignity and pride of power, is there
any thing that can equal the heartfelt satisfaction of the able
advocate, when he sees the most illustrious citizens, men respected
for their years, and flourishing in the opinion of the public, yet
paying their court to a rising genius, and, in the midst of wealth and
grandeur, fairly owning, that they still want something superior to
all their possessions? What shall be said of the attendants, that
follow the young orator from the bar, and watch his motions to his own
house? With what importance does he appear to the multitude! in the
courts of judicature, with what veneration! When he rises to speak,
the audience is hushed in mute attention; every eye is fixed on him
alone; the crowd presses round him; he is master of their passions;
they are swayed, impelled, directed, as he thinks proper. These are
the fruits of eloquence, well known to all, and palpable to every
common observer.
There are other pleasures more refined and secret, felt only by the
initiated. When the orator, upon some great occasion, comes with a
well-digested speech, conscious of his matter, and animated by his
subject, his breast expands, and heaves with emotions unfelt before.
In his joy there is a dignity suited to the weight and energy of the
composition which he has prepared. Does he rise to hazard himself [b]
in a sudden debate; he is alarmed for himself, but in that very alarm
there is a mingle of pleasure, which predominates, till distress
itself becomes delightful. The mind exults in the prompt exertion of
its powers, and even glories in its rashness. The productions of
genius, and those of the field, have this resemblance: many things are
sown, and brought to maturity with toil and care; yet that, which
grows from the wild vigour of nature, has the most grateful flavour.
VII. As to myself, if I may allude to my own feelings, the day on
which I put on the manly gown [a], and even the days that followed,
when, as a new man at Rome, born in a city that did not favour my
pretensions [b], I rose in succession to the offices of quæstor,
tribune, and prætor; those days, I say, did not awaken in my breast
such exalted rapture, as when, in the course of my profession, I was
called forth, with such talents as have fallen to my share, to defend
the accused; to argue a question of law before the centumviri [c], or,
in the presence of the prince, to plead for his freedmen, and the
procurators appointed by himself. Upon those occasions I towered above
all places of profit, and all preferment; I looked down on the
dignities of tribune, prætor, and consul; I felt within myself, what
neither the favour of the great, nor the wills and codicils [d] of the
rich, can give, a vigour of mind, an inward energy, that springs from
no external cause, but is altogether your own.
Look through the circle of the fine arts, survey the whole compass of
the sciences, and tell me in what branch can the professors acquire a
name to vie with the celebrity of a great and powerful orator. His
fame does not depend on the opinion of thinking men, who attend to
business and watch the administration of affairs; he is applauded by
the youth of Rome, at least by such of them as are of a well-turned
disposition, and hope to rise by honourable means. The eminent orator
is the model which every parent recommends to his children. Even the
common people [e] stand at gaze, as he passes by; they pronounce his
name with pleasure, and point at him as the object of their
admiration. The provinces resound with his praise. The strangers, who
arrive from all parts, have heard of his genius; they wish to behold
the man, and their curiosity is never at rest, till they have seen his
person, and perused his countenance.
VIII. I have already mentioned Eprius Marcellus and Crispus Vibius
[a]. I cite living examples, in preference to the names of a former
day. Those two illustrious persons, I will be bold to say, are not
less known in the remotest parts of the empire, than they are at
Capua, or Vercellæ [b], where, we are told, they both were born. And
to what is their extensive fame to be attributed? Not surely to their
immoderate riches. Three hundred thousand sesterces cannot give the
fame of genius. Their eloquence may be said to have built up their
fortunes; and, indeed, such is the power, I might say the inspiration,
of eloquence, that in every age we have examples of men, who by their
talents raised themselves to the summit of their ambition.
But I waive all former instances. The two, whom I have mentioned, are
not recorded in history, nor are we to glean an imperfect knowledge of
them from tradition; they are every day before our eyes. They have
risen from low beginnings; but the more abject their origin, and the
more sordid the poverty, in which they set out, their success rises in
proportion, and affords a striking proof of what I have advanced;
since it is apparent, that, without birth or fortune, neither of them
recommended by his moral character, and one of them deformed in his
person, they have, notwithstanding all disadvantages, made themselves,
for a series of years, the first men in the state. They began their
career in the forum, and, as long as they chose to pursue that road of
ambition, they flourished in the highest reputation; they are now at
the head of the commonwealth, the ministers who direct and govern, and
so high in favour with the prince, that the respect, with which he
receives them, is little short of veneration.
The truth is, Vespasian [c], now in the vale of years, but always open
to the voice of truth, clearly sees that the rest of his favourites
derive all their lustre from the favours, which his munificence has
bestowed; but with Marcellus and Crispus the case is different: they
carry into the cabinet, what no prince can give, and no subject can
receive. Compared with the advantages which those men possess, what
are family-pictures, statues, busts, and titles of honour? They are
things of a perishable nature, yet not without their value. Marcellus
and Vibius know how to estimate them, as they do wealth and honours;
and wealth and honours are advantages against which you will easily
find men that declaim, but none that in their hearts despise them.
Hence it is, that in the houses of all who have distinguished
themselves in the career of eloquence, we see titles, statues, and
splendid ornaments, the reward of talents, and, at all times, the
decorations of the great and powerful orator.
IX. But to come to the point, from which we started: poetry, to which
my friend Maternus wishes to dedicate all his time, has none of these
advantages. It confers no dignity, nor does it serve any useful
purpose. It is attended with some pleasure, but it is the pleasure of
a moment, springing from vain applause, and bringing with it no solid
advantage. What I have said, and am going to add, may probably, my
good friend Maternus, be unwelcome to your ear; and yet I must take
the liberty to ask you, if Agamemnon [a] or Jason speaks in your piece
with dignity of language, what useful consequence follows from it?
What client has been defended? Who confesses an obligation? In that
whole audience, who returns to his own house with a grateful heart?
Our friend Saleius Bassus [b] is, beyond all question, a poet of
eminence, or, to use a warmer expression, he has the god within him:
but who attends his levee? who seeks his patronage, or follows in his
train? Should he himself, or his intimate friend, or his near
relation, happen to be involved in a troublesome litigation, what
course do you imagine he would take? He would, most probably, apply to
his friend, Secundus; or to you, Maternus; not because you are a poet,
nor yet to obtain a copy of verses from you; of those he has a
sufficient stock at home, elegant, it must be owned, and exquisite in
the kind. But after all his labour and waste of genius, what is his
reward?
When in the course of a year, after toiling day and night, he has
brought a single poem to perfection, he is obliged to solicit his
friends and exert his interest, in order to bring together an audience
[c], so obliging as to hear a recital of the piece. Nor can this be
done without expence. A room must be hired, a stage or pulpit must be
erected; benches must be arranged, and hand-bills distributed
throughout the city. What if the reading succeeds to the height of his
wishes? Pass but a day or two, and the whole harvest of praise and
admiration fades away, like a flower that withers in its bloom, and
never ripens into fruit. By the event, however flattering, he gains no
friend, he obtains no patronage, nor does a single person go away
impressed with the idea of an obligation conferred upon him. The poet
has been heard with applause; he has been received with acclamations;
and he has enjoyed a short-lived transport.
Bassus, it is true, has lately received from Vespasian a present of
fifty thousand sesterces. Upon that occasion, we all admired the
generosity of the prince. To deserve so distinguished a proof of the
sovereign's esteem is, no doubt, highly honourable; but is it not
still more honourable, if your circumstances require it, to serve
yourself by your talents? to cultivate your genius, for your own
advantage? and to owe every thing to your own industry, indebted to
the bounty of no man whatever? It must not be forgotten, that the
poet, who would produce any thing truly excellent in the kind, must
bid farewell to the conversation of his friends; he must renounce, not
only the pleasures of Rome, but also the duties of social life; he
must retire from the world; as the poets say, "to groves and grottos
every muse's son. " In other words, he must condemn himself to a
sequestered life in the gloom of solitude.
X. The love of fame, it seems, is the passion that inspires the poet's
genius: but even in this respect, is he so amply paid as to rival in
any degree the professors of the persuasive arts? As to the
indifferent poet, men leave him to his own [a] mediocrity: the real
genius moves in a narrow circle. Let there be a reading of a poem by
the ablest master of his art: will the fame of his performance reach
all quarters, I will not say of the empire, but of Rome only? Among
the strangers who arrive from Spain, from Asia, or from Gaul, who
enquires [b] after Saleius Bassus? Should it happen that there is one,
who thinks, of him; his curiosity is soon satisfied; he passes on,
content with a transient view, as if he had seen a picture or a
statue.
In what I have advanced, let me not be misunderstood: I do not mean to
deter such as are not blessed with the gift of oratory, from the
practice of their favourite art, if it serves to fill up their time,
and gain a degree of reputation. I am an admirer of eloquence [c]; I
hold it venerable, and even sacred, in all its shapes, and every mode
of composition. The pathetic of tragedy, of which you, Maternus, are
so great a master; the majesty of the epic, the gaiety of the lyric
muse; the wanton elegy, the keen iambic, and the pointed epigram; all
have their charms; and Eloquence, whatever may be the subject which
she chooses to adorn, is with me the sublimest faculty, the queen of
all the arts and sciences. But this, Maternus, is no apology for you,
whose conduct is so extraordinary, that, though formed by nature to
reach the summit of perfection [d], you choose to wander into devious
paths, and rest contented with an humble station in the vale beneath.
Were you a native of Greece, where to exhibit in the public games [e]
is an honourable employment; and if the gods had bestowed upon you the
force and sinew of the athletic Nicostratus [f]; do you imagine that I
could look tamely on, and see that amazing vigour waste itself away in
nothing better than the frivolous art of darting the javelin, or
throwing the coit? To drop the allusion, I summon you from the theatre
and public recitals to the business of the forum, to the tribunals of
justice, to scenes of real contention, to a conflict worthy of your
abilities. You cannot decline the challenge, for you are left without
an excuse. You cannot say, with a number of others, that the
profession of poetry is safer than that of the public orator; since
you have ventured, in a tragedy written with spirit, to display the
ardour of a bold and towering genius.
And for whom have you provoked so many enemies? Not for a friend; that
would have had alleviating circumstances. You undertook the cause of
Cato, and for him committed yourself. You cannot plead, by way of
apology, the duty of an advocate, or the sudden effusion of sentiment
in the heat and hurry of an unpremeditated speech. Your plan was
settled; a great historical personage was your hero, and you chose
him, because what falls from so distinguished a character, falls from
a height that gives it additional weight. I am aware of your answer:
you will say, it was that very circumstance that ensured the success
of your piece; the sentiments were received with sympathetic rapture:
the room echoed with applause, and hence your fame throughout the city
of Rome. Then let us hear no more of your love of quiet and a state of
security: you have voluntarily courted danger. For myself, I am
content with controversies of a private nature, and the incidents of
the present day. If, hurried beyond the bounds of prudence, I should
happen, on any occasion, to grate the ears of men in power, the zeal
of an advocate, in the service of his client, will excuse the honest
freedom of speech, and, perhaps, be deemed a proof of integrity.
XI. Aper went through his argument, according to his custom, with
warmth and vehemence. He delivered the whole with a peremptory tone
and an eager eye. As soon as he finished, I am prepared, said Maternus
smiling, to exhibit a charge against the professors of oratory, which
may, perhaps, counterbalance the praise so lavishly bestowed upon them
by my friend. In the course of what he said, I was not surprised to
see him going out of his way, to lay poor poetry prostrate at his
feet. He has, indeed, shewn some kindness to such as are not blessed
with oratorical talents. He has passed an act of indulgence in their
favour, and they, it seems, are allowed to pursue their favourite
studies. For my part, I will not say that I think myself wholly
unqualified for the eloquence of the bar. It may be true, that I have
some kind of talent for that profession; but the tragic muse affords
superior pleasure.
