THE
DEFINITION
OF BEAUTY.
Robert Herrick - Hesperide and Noble Numbers
THE SCARE-FIRE.
Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all.
_Scare-fire_, fire-alarm.
62. UPON SILVIA, A MISTRESS.
When some shall say, Fair once my Silvia was,
Thou wilt complain, False now's thy looking-glass,
Which renders that quite tarnished which was green,
And priceless now what peerless once had been.
Upon thy form more wrinkles yet will fall,
And, coming down, shall make no noise at all.
_Priceless_, valueless.
63. CHEERFULNESS IN CHARITY; OR, THE SWEET SACRIFICE.
'Tis not a thousand bullocks' thighs
Can please those heav'nly deities,
If the vower don't express
In his offering cheerfulness.
65. SWEETNESS IN SACRIFICE.
'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those _Eternal Essences_.
66. STEAM IN SACRIFICE.
If meat the gods give, I the steam
High-towering will devote to them,
Whose easy natures like it well,
If we the roast have, they the smell.
67. UPON JULIA'S VOICE.
So smooth, so sweet, so silv'ry is thy voice,
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.
_Amber_, used here merely for any rich material: cp. "Treading on amber
with their silver feet".
68. AGAIN.
When I thy singing next shall hear,
I'll wish I might turn all to ear
To drink in notes and numbers such
As blessed souls can't hear too much;
Then melted down, there let me lie
Entranc'd and lost confusedly,
And, by thy music stricken mute,
Die and be turn'd into a lute.
69. ALL THINGS DECAY AND DIE.
_All things decay with time_: the forest sees
The growth and downfall of her aged trees;
That timber tall, which threescore lusters stood
The proud dictator of the state-like wood,--
I mean (the sovereign of all plants) the oak--
Droops, dies, and falls without the cleaver's stroke.
_Lusters_, the Roman reckoning of five years.
70. THE SUCCESSION OF THE FOUR SWEET MONTHS.
First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more rich and sweet array;
Next enters June, and brings us more
Gems than those two that went before:
Then (lastly) July comes, and she
More wealth brings in than all those three.
71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.
Thou sail'st with others in this Argus here;
Nor wreck or bulging thou hast cause to fear;
But trust to this, my noble passenger;
Who swims with virtue, he shall still be sure
(Ulysses-like) all tempests to endure,
And 'midst a thousand gulfs to be secure.
_Bulging_, leaking.
72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH HERRICK.
First, for effusions due unto the dead,
My solemn vows have here accomplished:
Next, how I love thee, that my grief must tell,
Wherein thou liv'st for ever. Dear, farewell.
_Effusions_, drink-offerings.
73. OF LOVE. A SONNET.
How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part 'tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.
74. TO ANTHEA.
Ah, my Anthea! Must my heart still break?
(_Love makes me write, what shame forbids to speak_. )
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.
75. THE ROCK OF RUBIES, AND THE QUARRY OF PEARLS.
Some ask'd me where the rubies grew,
And nothing I did say:
But with my finger pointed to
The lips of Julia.
Some ask'd how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and show'd them there
The quarrelets of Pearl.
_Quarrelets_, little squares.
76. CONFORMITY.
Conformity was ever known
A foe to dissolution:
Nor can we that a ruin call,
Whose crack gives crushing unto all.
77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.
Welcome, most welcome to our vows and us,
Most great and universal genius!
The drooping West, which hitherto has stood
As one in long-lamented widowhood,
Looks like a bride now, or a bed of flowers
Newly refresh'd both by the sun and showers.
War, which before was horrid, now appears
Lovely in you, brave prince of cavaliers!
A deal of courage in each bosom springs
By your access, O you the best of kings!
Ride on with all white omens; so that where
Your standard's up, we fix a conquest there.
78. UPON ROSES.
Under a lawn, than skies more clear,
Some ruffled roses nestling were:
And, snugging there, they seem'd to lie
As in a flowery nunnery:
They blush'd, and look'd more fresh than flowers
Quicken'd of late by pearly showers,
And all because they were possess'd
But of the heat of Julia's breast:
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.
79. TO THE KING AND QUEEN UPON THEIR UNHAPPY DISTANCES.
Woe, woe to them, who, by a ball of strife,
Do, and have parted here a man and wife:
CHARLES the best husband, while MARIA strives
To be, and is, the very best of wives,
Like streams, you are divorc'd; but 'twill come when
These eyes of mine shall see you mix again.
Thus speaks the oak here; C. and M. shall meet,
Treading on amber, with their silver-feet,
Nor will't be long ere this accomplish'd be:
The words found true, C. M. , remember me.
_Oak_, the prophetic tree.
80. DANGERS WAIT ON KINGS.
As oft as night is banish'd by the morn,
So oft we'll think we see a king new born.
81. THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST.
One silent night of late,
When every creature rested,
Came one unto my gate
And, knocking, me molested.
Who's that, said I, beats there,
And troubles thus the sleepy?
Cast off, said he, all fear,
And let not locks thus keep ye.
For I a boy am, who
By moonless nights have swerved;
And all with show'rs wet through,
And e'en with cold half starved.
I pitiful arose,
And soon a taper lighted;
And did myself disclose
Unto the lad benighted.
I saw he had a bow
And wings, too, which did shiver;
And, looking down below,
I spied he had a quiver.
I to my chimney's shine
Brought him, as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.
But when he felt him warm'd:
Let's try this bow of ours,
And string, if they be harm'd,
Said he, with these late showers.
Forthwith his bow he bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.
Then, laughing loud, he flew
Away, and thus said, flying:
Adieu, mine host, adieu,
I'll leave thy heart a-dying.
82. TO THE REVEREND SHADE OF HIS RELIGIOUS FATHER.
That for seven lusters I did never come
To do the rites to thy religious tomb;
That neither hair was cut, or true tears shed
By me, o'er thee, as justments to the dead,
Forgive, forgive me; since I did not know
Whether thy bones had here their rest or no,
But now 'tis known, behold! behold, I bring
Unto thy ghost th' effused offering:
And look what smallage, night-shade, cypress, yew,
Unto the shades have been, or now are due,
Here I devote; and something more than so;
I come to pay a debt of birth I owe.
Thou gav'st me life, but mortal; for that one
Favour I'll make full satisfaction;
For my life mortal rise from out thy hearse.
And take a life immortal from my verse.
_Seven lusters_, five and thirty years.
_Hair was cut_, according to the Greek custom.
_Justments_, dues.
_Smallage_, water parsley.
83. DELIGHT IN DISORDER.
A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace which here and there
Enthralls the crimson stomacher:
A cuff neglectful, and thereby
Ribbons to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.
84. TO HIS MUSE.
Were I to give thee baptism, I would choose
To christen thee, the bride, the bashful Muse,
Or Muse of roses: since that name does fit
Best with those virgin-verses thou hast writ:
Which are so clean, so chaste, as none may fear
Cato the censor, should he scan each here.
85. UPON LOVE.
Love scorch'd my finger, but did spare
The burning of my heart;
To signify in love my share
Should be a little part.
Little I love; but if that he
Would but that heat recall;
That joint to ashes burnt should be,[E]
Ere I would love at all.
[E] Orig. ed. , _should be burnt_.
86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY WHICH SOMETIMES HE LIVED.
Dean Bourn, farewell; I never look to see
Dean, or thy watery[F] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.
[F] Orig. ed. , _warty_.
87. KISSING USURY.
Bianca, let
Me pay the debt
I owe thee for a kiss
Thou lend'st to me,
And I to thee
Will render ten for this.
If thou wilt say
Ten will not pay
For that so rich a one;
I'll clear the sum,
If it will come
Unto a million.
By this, I guess,
Of happiness
Who has a little measure,
He must of right
To th' utmost mite
Make payment for his pleasure.
88. TO JULIA.
How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium. [G]
Between thy breasts (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, chalcedon.
_Carcanet_, necklace.
[G] _Dardanium_, a bracelet, from Dardanus so called. (Note in the
original edition. )
89. TO LAURELS.
A funeral stone
Or verse I covet none,
But only crave
Of you that I may have
A sacred laurel springing from my grave:
Which being seen,
Blest with perpetual green,
May grow to be
Not so much call'd a tree
As the eternal monument of me.
90. HIS CAVALIER.
Give me that man that dares bestride
The active sea-horse, and with pride
Through that huge field of waters ride.
Who with his looks, too, can appease
The ruffling winds and raging seas,
In midst of all their outrages.
This, this a virtuous man can do,
Sail against rocks, and split them too;
Ay, and a world of pikes pass through.
91. ZEAL REQUIRED IN LOVE.
I'll do my best to win whene'er I woo:
_That man loves not who is not zealous too_.
92. THE BAG OF THE BEE.
About the sweet bag of a bee
Two cupids fell at odds,
And whose the pretty prize should be
They vow'd to ask the gods.
Which Venus hearing, thither came,
And for their boldness stripp'd them,
And, taking thence from each his flame,
With rods of myrtle whipp'd them.
Which done, to still their wanton cries,
When quiet grown she'd seen them,
She kiss'd, and wip'd their dove-like eyes,
And gave the bag between them.
93. LOVE KILLED BY LACK.
Let me be warm, let me be fully fed,
_Luxurious love by wealth is nourished_.
Let me be lean, and cold, and once grown poor,
I shall dislike what once I lov'd before.
94. TO HIS MISTRESS.
Choose me your valentine,
Next let us marry--
Love to the death will pine
If we long tarry.
Promise, and keep your vows,
Or vow ye never--
Love's doctrine disallows
Troth-breakers ever.
You have broke promise twice,
Dear, to undo me,
If you prove faithless thrice
None then will woo ye.
95. TO THE GENEROUS READER.
See and not see, and if thou chance t'espy
Some aberrations in my poetry,
Wink at small faults; the greater, ne'ertheless,
Hide, and with them their father's nakedness.
Let's do our best, our watch and ward to keep;
Homer himself, in a long work, may sleep.
96. TO CRITICS.
I'll write, because I'll give
You critics means to live;
For should I not supply
The cause, th' effect would die.
97. DUTY TO TYRANTS.
Good princes must be pray'd for; for the bad
They must be borne with, and in rev'rence had.
Do they first pill thee, next pluck off thy skin?
_Good children kiss the rods that punish sin_.
Touch not the tyrant; let the gods alone
To strike him dead that but usurps a throne.
_Pill_, plunder.
98. BEING ONCE BLIND, HIS REQUEST TO BIANCA.
When age or chance has made me blind,
So that the path I cannot find,
And when my falls and stumblings are
More than the stones i' th' street by far,
Go thou afore, and I shall well
Follow thy perfumes by the smell;
Or be my guide, and I shall be
Led by some light that flows from thee.
Thus held or led by thee, I shall
In ways confus'd nor slip or fall.
100. NO WANT WHERE THERE'S LITTLE.
To bread and water none is poor;
And having these, what need of more?
Though much from out the cess be spent,
_Nature with little is content_.
_Cess_, the parish assessment for church purposes.
101. BARLEY-BREAK; OR, LAST IN HELL.
We two are last in hell; what may we fear
To be tormented or kept pris'ners here?
Alas! if kissing be of plagues the worst,
We'll wish in hell we had been last and first.
_Barley-break_, a country game resembling prisoners' base. See Note.
_Hell_, the "middle den," the occupants of which had to catch the other
players.
102.
THE DEFINITION OF BEAUTY.
Beauty no other thing is than a beam
Flashed out between the middle and extreme.
103. TO DIANEME.
Dear, though to part it be a hell,
Yet, Dianeme, now farewell:
Thy frown last night did bid me go,
But whither only grief does know.
I do beseech thee ere we part,
If merciful as fair thou art,
Or else desir'st that maids should tell
Thy pity by love's chronicle,
O Dianeme, rather kill
Me, than to make me languish still!
'Tis cruelty in thee to th' height
Thus, thus to wound, not kill outright;
Yet there's a way found, if you please,
By sudden death to give me ease;
And thus devis'd, do thou but this--
Bequeath to me one parting kiss,
So sup'rabundant joy shall be
The executioner of me.
104. TO ANTHEA LYING IN BED.
So looks Anthea, when in bed she lies
O'ercome or half betray'd by tiffanies,
Like to a twilight, or that simpering dawn
That roses show when misted o'er with lawn.
Twilight is yet, till that her lawns give way;
Which done, that dawn turns then to perfect day.
_Tiffanies_, gauzes.
_Lawn_, fine linen.
105. TO ELECTRA.
More white than whitest lilies far,
Or snow, or whitest swans you are:
More white than are the whitest creams,
Or moonlight tinselling the streams:
More white than pearls, or Juno's thigh,
Or Pelops' arm of ivory.
True, I confess, such whites as these
May me delight, not fully please;
Till like Ixion's cloud you be
White, warm, and soft to lie with me.
_Pelops' arm_, which Jove gave him to replace the one eaten by Ceres at
the feast of Tantalus.
_Ixion's cloud_, to which Jove, for his deception, gave the form of Juno.
106. A COUNTRY-LIFE: TO HIS BROTHER, MR. THO. HERRICK.
Thrice, and above, bless'd, my soul's half, art thou
In thy both last and better vow:
Could'st leave the city, for exchange, to see
The country's sweet simplicity:
And it to know and practise, with intent
To grow the sooner innocent
By studying to know virtue, and to aim
More at her nature than her name.
The last is but the least; the first doth tell
Ways less to live than to live well:
And both are known to thee, who now can'st live
Led by thy conscience; to give
Justice to soon-pleased nature; and to show
Wisdom and she together go
And keep one centre: this with that conspires
To teach man to confine desires
And know that riches have their proper stint
In the contented mind, not mint:
And can'st instruct that those who have the itch
Of craving more are never rich.
These things thou know'st to th' height, and dost prevent
That plague; because thou art content
With that heav'n gave thee with a wary hand,
More blessed in thy brass than land,
To keep cheap nature even and upright;
To cool, not cocker appetite.
Thus thou canst tersely live to satisfy
The belly chiefly, not the eye;
Keeping the barking stomach wisely quiet,
Less with a neat than needful diet.
But that which most makes sweet thy country life
Is the fruition of a wife:
Whom, stars consenting with thy fate, thou hast
Got not so beautiful as chaste:
By whose warm side thou dost securely sleep,
While love the sentinel doth keep,
With those deeds done by day, which ne'er affright
Thy silken slumbers in the night.
Nor has the darkness power to usher in
Fear to those sheets that know no sin;
But still thy wife, by chaste intentions led,
Gives thee each night a maidenhead.
The damask'd meadows and the pebbly streams
Sweeten and make soft your dreams:
The purling springs, groves, birds, and well-weav'd bowers,
With fields enamelled with flowers,
Present their shapes; while fantasy discloses
Millions of lilies mix'd with roses.
Then dream ye hear the lamb by many a bleat
Woo'd to come suck the milky teat:
While Faunus in the vision comes to keep
From rav'ning wolves the fleecy sheep.
With thousand such enchanting dreams, that meet
To make sleep not so sound as sweet:
Nor can these figures so thy rest endear
As not to rise when Chanticlere
Warns the last watch; but with the dawn dost rise
To work, but first to sacrifice;
Making thy peace with heav'n, for some late fault,
With holy-meal and spirting-salt.
Which done, thy painful thumb this sentence tells us,
_Jove for our labour all things sells us_.
Nor are thy daily and devout affairs
Attended with those desp'rate cares
Th' industrious merchant has; who, for to find
Gold, runneth to the Western Inde,
And back again, tortured with fears, doth fly,
Untaught to suffer poverty.
But thou at home, bless'd with securest ease,
Sitt'st, and believ'st that there be seas
And watery dangers; while thy whiter hap
But sees these things within thy map.
And viewing them with a more safe survey
Mak'st easy fear unto thee say,--
_"A heart thrice wall'd with oak and brass that man
Had, first durst plough the ocean"_.
But thou at home, without or tide or gale,
Can'st in thy map securely sail:
Seeing those painted countries, and so guess
By those fine shades their substances:
And, from thy compass taking small advice,
Buy'st travel at the lowest price.
Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things:
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report
Vice rules the most or all at court,
Thy pious wishes are, though thou not there,
Virtue had, and mov'd her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes or goes,
But with thy equal thoughts prepared dost stand,
To take her by the either hand;
Nor car'st which comes the first, the foul or fair:
_A wise man ev'ry way lies square_,
And, like a surly oak with storms perplex'd,
Grows still the stronger, strongly vex'd.
Be so, bold spirit; stand centre-like, unmov'd;
And be not only thought, but prov'd
To be what I report thee; and inure
Thyself, if want comes to endure:
And so thou dost, for thy desires are
Confin'd to live with private lar:
Not curious whether appetite be fed
Or with the first or second bread,
Who keep'st no proud mouth for delicious cates:
Hunger makes coarse meats delicates.
Canst, and unurg'd, forsake that larded fare,
Which art, not nature, makes so rare,
To taste boil'd nettles, colworts, beets, and eat
These and sour herbs as dainty meat,
While soft opinion makes thy Genius say,
_Content makes all ambrosia_.
Nor is it that thou keep'st this stricter size
So much for want as exercise:
To numb the sense of dearth, which should sin haste it,
Thou might'st but only see't, not taste it.
Yet can thy humble roof maintain a choir
Of singing crickets by the fire:
And the brisk mouse may feast herself with crumbs
Till that the green-eyed kitling comes,
Then to her cabin blest she can escape
The sudden danger of a rape:
And thus thy little well-kept stock doth prove
_Wealth cannot make a life, but love_.
Nor art thou so close-handed but canst spend,
Counsel concurring with the end,
As well as spare, still conning o'er this theme,
To shun the first and last extreme.
Ordaining that thy small stock find no breach,
Or to exceed thy tether's reach:
But to live round, and close, and wisely true
To thine own self, and known to few.
Thus let thy rural sanctuary be
Elysium to thy wife and thee;
There to disport yourselves with golden measure:
_For seldom use commends the pleasure_.
Live, and live blest, thrice happy pair; let breath,
But lost to one, be the other's death.
And as there is one love, one faith, one troth,
Be so one death, one grave to both.
Till when, in such assurance live ye may,
Nor fear or wish your dying day.
_Brass_, money.
_Cocker_, pamper.
_Neat_, dainty.
_Spirting-salt_, the "saliente mica" of Horace, See Note.
_Lar_, the "closet-gods," or gods of the house.
_Colworts_, cabbages.
_Size_ or _assize_, a fixed allowance of food, a ration.
107. DIVINATION BY A DAFFODIL.
When a daffodil I see,
Hanging down his head towards me,
Guess I may what I must be:
First, I shall decline my head;
Secondly, I shall be dead;
Lastly, safely buried.
108. TO THE PAINTER, TO DRAW HIM A PICTURE.
Come, skilful Lupo, now, and take
Thy bice, thy umber, pink, and lake;
And let it be thy pencil's strife,
To paint a Bridgeman to the life:
Draw him as like too, as you can,
An old, poor, lying, flattering man:
His cheeks bepimpled, red and blue;
His nose and lips of mulberry hue.
Then, for an easy fancy, place
A burling iron for his face:
Next, make his cheeks with breath to swell,
And for to speak, if possible:
But do not so, for fear lest he
Should by his breathing, poison thee.
_Bice_, properly a brown grey, but by transference from "blue bice" and
"green bice," used for blue and green.
_Burling iron_, pincers for extracting knots.
111. A LYRIC TO MIRTH.
While the milder fates consent,
Let's enjoy our merriment:
Drink, and dance, and pipe, and play;
Kiss our dollies night and day:
Crowned with clusters of the vine,
Let us sit, and quaff our wine.
Call on Bacchus, chant his praise;
Shake the thyrse, and bite the bays:
Rouse Anacreon from the dead,
And return him drunk to bed:
Sing o'er Horace, for ere long
Death will come and mar the song:
Then shall Wilson and Gotiere
Never sing or play more here.
_Wilson_, Dr. John Wilson, the singer and composer, one of the king's
musicians (1594-1673).
_Gotiere_, Jacques Gaultier, a French lutist at the court of Charles I.
112. TO THE EARL OF WESTMORELAND.
When my date's done, and my grey age must die,
Nurse up, great lord, this my posterity:
Weak though it be, long may it grow and stand,
Shored up by you, brave Earl of Westmoreland.
113. AGAINST LOVE.
Whene'er my heart love's warmth but entertains,
Oh frost! oh snow! oh hail! forbid the banes.
One drop now deads a spark, but if the same
Once gets a force, floods cannot quench the flame.
Rather than love, let me be ever lost,
Or let me 'gender with eternal frost.
114. UPON JULIA'S RIBAND.
As shows the air when with a rainbow grac'd,
So smiles that riband 'bout my Julia's waist:
Or like--nay 'tis that zonulet of love,
Wherein all pleasures of the world are wove.
115. THE FROZEN ZONE; OR, JULIA DISDAINFUL.
Whither? say, whither shall I fly,
To slack these flames wherein I fry?
To the treasures, shall I go,
Of the rain, frost, hail, and snow?
Shall I search the underground,
Where all damps and mists are found?
Shall I seek (for speedy ease)
All the floods and frozen seas?
Or descend into the deep,
Where eternal cold does keep?
These may cool; but there's a zone
Colder yet than anyone:
That's my Julia's breast, where dwells
Such destructive icicles,
As that the congelation will
Me sooner starve than those can kill.
116. AN EPITAPH UPON A SOBER MATRON.
With blameless carriage, I lived here
To the almost seven and fortieth year.
Stout sons I had, and those twice three
One only daughter lent to me:
The which was made a happy bride
But thrice three moons before she died.
My modest wedlock, that was known
Contented with the bed of one.
117. TO THE PATRON OF POETS, M. END. PORTER.
Let there be patrons, patrons like to thee,
Brave Porter! poets ne'er will wanting be:
Fabius and Cotta, Lentulus, all live
In thee, thou man of men! who here do'st give
Not only subject-matter for our wit,
But likewise oil of maintenance to it:
For which, before thy threshold, we'll lay down
Our thyrse for sceptre, and our bays for crown.
For, to say truth, all garlands are thy due:
The laurel, myrtle, oak, and ivy too.
118. THE SADNESS OF THINGS FOR SAPPHO'S SICKNESS.
Lilies will languish; violets look ill;
Sickly the primrose; pale the daffodil;
That gallant tulip will hang down his head,
Like to a virgin newly ravished;
Pansies will weep, and marigolds will wither,
And keep a fast and funeral together;
Sappho droop, daisies will open never,
But bid good-night, and close their lids for ever.
119. LEANDER'S OBSEQUIES.
When as Leander young was drown'd
No heart by Love receiv'd a wound,
But on a rock himself sat by,
There weeping sup'rabundantly.
Sighs numberless he cast about,
And, all his tapers thus put out,
His head upon his hand he laid,
And sobbing deeply, thus he said:
"Ah, cruel sea," and, looking on't,
Wept as he'd drown the Hellespont.
And sure his tongue had more express'd
But that his tears forbade the rest.
120. HOPE HEARTENS.
None goes to warfare but with this intent--
The gains must dead the fears of detriment.
121. FOUR THINGS MAKE US HAPPY HERE.
Health is the first good lent to men;
A gentle disposition then:
Next, to be rich by no by-ways;
Lastly, with friends t'enjoy our days.
122. HIS PARTING FROM MRS. DOROTHY KENNEDY.
When I did go from thee I felt that smart
Which bodies do when souls from them depart.
Thou did'st not mind it; though thou then might'st see
Me turn'd to tears; yet did'st not weep for me.
'Tis true, I kiss'd thee; but I could not hear
Thee spend a sigh t'accompany my tear.
Methought 'twas strange that thou so hard should'st prove,
Whose heart, whose hand, whose every part spake love.
Prithee, lest maids should censure thee, but say
Thou shed'st one tear, whenas I went away;
And that will please me somewhat: though I know,
And Love will swear't, my dearest did not so.
123. THE TEAR SENT TO HER FROM STAINES.
Glide, gentle streams, and bear
Along with you my tear
To that coy girl
Who smiles, yet slays
Me with delays,
And strings my tears as pearl.
See! see, she's yonder set,
Making a carcanet
Of maiden-flowers!
There, there present
This orient
And pendant pearl of ours.
Then say I've sent one more
Gem to enrich her store;
And that is all
Which I can send,
Or vainly spend,
For tears no more will fall.
Nor will I seek supply
Of them, the spring's once dry;
But I'll devise,
Among the rest,
A way that's best
How I may save mine eyes.
Yet say--should she condemn
Me to surrender them
Then say my part
Must be to weep
Out them, to keep
A poor, yet loving heart.
Say too, she would have this;
She shall: then my hope is,
That when I'm poor
And nothing have
To send or save,
I'm sure she'll ask no more.
_Carcanet_, necklace.
124. UPON ONE LILY, WHO MARRIED WITH A MAID CALLED ROSE.
What times of sweetness this fair day foreshows,
Whenas the Lily marries with the Rose!
What next is look'd for? but we all should see
To spring from thee a sweet posterity.
125. AN EPITAPH UPON A CHILD.
Virgins promis'd when I died
That they would each primrose-tide
Duly, morn and evening, come,
And with flowers dress my tomb.
Having promis'd, pay your debts,
Maids, and here strew violets.
127. THE HOUR-GLASS.
That hour-glass which there you see
With water fill'd, sirs, credit me,
The humour was, as I have read,
But lovers' tears incrystalled.
Which, as they drop by drop do pass
From th' upper to the under-glass,
Do in a trickling manner tell,
By many a watery syllable,
That lovers' tears in lifetime shed
Do restless run when they are dead.
_Humour_, moisture.
128. HIS FAREWELL TO SACK.
Farewell thou thing, time past so known, so dear
To me as blood to life and spirit; near,
Nay, thou more near than kindred, friend, man, wife,
Male to the female, soul to body; life
To quick action, or the warm soft side
Of the resigning, yet resisting bride.
The kiss of virgins, first fruits of the bed,
Soft speech, smooth touch, the lips, the maidenhead:
These and a thousand sweets could never be
So near or dear as thou wast once to me.
O thou, the drink of gods and angels! wine
That scatter'st spirit and lust, whose purest shine
More radiant than the summer's sunbeams shows;
Each way illustrious, brave, and like to those
Comets we see by night, whose shagg'd portents
Foretell the coming of some dire events,
Or some full flame which with a pride aspires,
Throwing about his wild and active fires;
'Tis thou, above nectar, O divinest soul!
Eternal in thyself, that can'st control
That which subverts whole nature, grief and care,
Vexation of the mind, and damn'd despair.
'Tis thou alone who, with thy mystic fan,
Work'st more than wisdom, art, or nature can
To rouse the sacred madness and awake
The frost-bound blood and spirits, and to make
Them frantic with thy raptures flashing through
The soul like lightning, and as active too.
'Tis not Apollo can, or those thrice three
Castalian sisters, sing, if wanting thee.
Horace, Anacreon, both had lost their fame,
Had'st thou not fill'd them with thy fire and flame.
Phœbean splendour! and thou, Thespian spring!
Of which sweet swans must drink before they sing
Their true-pac'd numbers and their holy lays,
Which makes them worthy cedar and the bays.
But why, why longer do I gaze upon
Thee with the eye of admiration?
Since I must leave thee, and enforc'd must say
To all thy witching beauties, Go, away.
But if thy whimpering looks do ask me why,
Then know that nature bids thee go, not I.
'Tis her erroneous self has made a brain
Uncapable of such a sovereign
As is thy powerful self. Prithee not smile,
Or smile more inly, lest thy looks beguile
My vows denounc'd in zeal, which thus much show thee
That I have sworn but by thy looks to know thee.
Let others drink thee freely, and desire
Thee and their lips espous'd, while I admire
And love thee, but not taste thee. Let my muse
Fail of thy former helps, and only use
Her inadult'rate strength: what's done by me
Hereafter shall smell of the lamp, not thee.
_Shagg'd_, rough-haired.
_Mystic fan_, the "mystica vannus Iacchi" of Georgic, i. 166.
_Cedar_, _i. e. _, cedar oil, used for the preservation of manuscripts.
130. UPON MRS. ELIZABETH WHEELER, UNDER THE NAME OF AMARILLIS.
Sweet Amarillis by a spring's
Soft and soul-melting murmurings
Slept, and thus sleeping, thither flew
A robin-redbreast, who, at view,
Not seeing her at all to stir,
Brought leaves and moss to cover her;
But while he perking there did pry
About the arch of either eye,
The lid began to let out day,
At which poor robin flew away,
And seeing her not dead, but all disleav'd,
He chirp'd for joy to see himself deceiv'd.
132. TO MYRRHA, HARD-HEARTED.
Fold now thine arms and hang the head,
Like to a lily withered;
Next look thou like a sickly moon,
Or like Jocasta in a swoon;
Then weep and sigh and softly go,
Like to a widow drown'd in woe,
Or like a virgin full of ruth
For the lost sweetheart of her youth;
And all because, fair maid, thou art
Insensible of all my smart,
And of those evil days that be
Now posting on to punish thee.
The gods are easy, and condemn
All such as are not soft like them.
133. THE EYE.
Make me a heaven, and make me there
Many a less and greater sphere:
Make me the straight and oblique lines,
The motions, lations and the signs.
Make me a chariot and a sun,
And let them through a zodiac run;
Next place me zones and tropics there,
With all the seasons of the year.
Make me a sunset and a night,
And then present the morning's light
Cloth'd in her chamlets of delight.
To these make clouds to pour down rain,
With weather foul, then fair again.
And when, wise artist, that thou hast
With all that can be this heaven grac't,
Ah! what is then this curious sky
But only my Corinna's eye?
_Lations_, astral attractions.
_Chamlets_, _i. e.
Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all.
_Scare-fire_, fire-alarm.
62. UPON SILVIA, A MISTRESS.
When some shall say, Fair once my Silvia was,
Thou wilt complain, False now's thy looking-glass,
Which renders that quite tarnished which was green,
And priceless now what peerless once had been.
Upon thy form more wrinkles yet will fall,
And, coming down, shall make no noise at all.
_Priceless_, valueless.
63. CHEERFULNESS IN CHARITY; OR, THE SWEET SACRIFICE.
'Tis not a thousand bullocks' thighs
Can please those heav'nly deities,
If the vower don't express
In his offering cheerfulness.
65. SWEETNESS IN SACRIFICE.
'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those _Eternal Essences_.
66. STEAM IN SACRIFICE.
If meat the gods give, I the steam
High-towering will devote to them,
Whose easy natures like it well,
If we the roast have, they the smell.
67. UPON JULIA'S VOICE.
So smooth, so sweet, so silv'ry is thy voice,
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.
_Amber_, used here merely for any rich material: cp. "Treading on amber
with their silver feet".
68. AGAIN.
When I thy singing next shall hear,
I'll wish I might turn all to ear
To drink in notes and numbers such
As blessed souls can't hear too much;
Then melted down, there let me lie
Entranc'd and lost confusedly,
And, by thy music stricken mute,
Die and be turn'd into a lute.
69. ALL THINGS DECAY AND DIE.
_All things decay with time_: the forest sees
The growth and downfall of her aged trees;
That timber tall, which threescore lusters stood
The proud dictator of the state-like wood,--
I mean (the sovereign of all plants) the oak--
Droops, dies, and falls without the cleaver's stroke.
_Lusters_, the Roman reckoning of five years.
70. THE SUCCESSION OF THE FOUR SWEET MONTHS.
First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more rich and sweet array;
Next enters June, and brings us more
Gems than those two that went before:
Then (lastly) July comes, and she
More wealth brings in than all those three.
71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.
Thou sail'st with others in this Argus here;
Nor wreck or bulging thou hast cause to fear;
But trust to this, my noble passenger;
Who swims with virtue, he shall still be sure
(Ulysses-like) all tempests to endure,
And 'midst a thousand gulfs to be secure.
_Bulging_, leaking.
72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH HERRICK.
First, for effusions due unto the dead,
My solemn vows have here accomplished:
Next, how I love thee, that my grief must tell,
Wherein thou liv'st for ever. Dear, farewell.
_Effusions_, drink-offerings.
73. OF LOVE. A SONNET.
How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part 'tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.
74. TO ANTHEA.
Ah, my Anthea! Must my heart still break?
(_Love makes me write, what shame forbids to speak_. )
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.
75. THE ROCK OF RUBIES, AND THE QUARRY OF PEARLS.
Some ask'd me where the rubies grew,
And nothing I did say:
But with my finger pointed to
The lips of Julia.
Some ask'd how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and show'd them there
The quarrelets of Pearl.
_Quarrelets_, little squares.
76. CONFORMITY.
Conformity was ever known
A foe to dissolution:
Nor can we that a ruin call,
Whose crack gives crushing unto all.
77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.
Welcome, most welcome to our vows and us,
Most great and universal genius!
The drooping West, which hitherto has stood
As one in long-lamented widowhood,
Looks like a bride now, or a bed of flowers
Newly refresh'd both by the sun and showers.
War, which before was horrid, now appears
Lovely in you, brave prince of cavaliers!
A deal of courage in each bosom springs
By your access, O you the best of kings!
Ride on with all white omens; so that where
Your standard's up, we fix a conquest there.
78. UPON ROSES.
Under a lawn, than skies more clear,
Some ruffled roses nestling were:
And, snugging there, they seem'd to lie
As in a flowery nunnery:
They blush'd, and look'd more fresh than flowers
Quicken'd of late by pearly showers,
And all because they were possess'd
But of the heat of Julia's breast:
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.
79. TO THE KING AND QUEEN UPON THEIR UNHAPPY DISTANCES.
Woe, woe to them, who, by a ball of strife,
Do, and have parted here a man and wife:
CHARLES the best husband, while MARIA strives
To be, and is, the very best of wives,
Like streams, you are divorc'd; but 'twill come when
These eyes of mine shall see you mix again.
Thus speaks the oak here; C. and M. shall meet,
Treading on amber, with their silver-feet,
Nor will't be long ere this accomplish'd be:
The words found true, C. M. , remember me.
_Oak_, the prophetic tree.
80. DANGERS WAIT ON KINGS.
As oft as night is banish'd by the morn,
So oft we'll think we see a king new born.
81. THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST.
One silent night of late,
When every creature rested,
Came one unto my gate
And, knocking, me molested.
Who's that, said I, beats there,
And troubles thus the sleepy?
Cast off, said he, all fear,
And let not locks thus keep ye.
For I a boy am, who
By moonless nights have swerved;
And all with show'rs wet through,
And e'en with cold half starved.
I pitiful arose,
And soon a taper lighted;
And did myself disclose
Unto the lad benighted.
I saw he had a bow
And wings, too, which did shiver;
And, looking down below,
I spied he had a quiver.
I to my chimney's shine
Brought him, as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.
But when he felt him warm'd:
Let's try this bow of ours,
And string, if they be harm'd,
Said he, with these late showers.
Forthwith his bow he bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.
Then, laughing loud, he flew
Away, and thus said, flying:
Adieu, mine host, adieu,
I'll leave thy heart a-dying.
82. TO THE REVEREND SHADE OF HIS RELIGIOUS FATHER.
That for seven lusters I did never come
To do the rites to thy religious tomb;
That neither hair was cut, or true tears shed
By me, o'er thee, as justments to the dead,
Forgive, forgive me; since I did not know
Whether thy bones had here their rest or no,
But now 'tis known, behold! behold, I bring
Unto thy ghost th' effused offering:
And look what smallage, night-shade, cypress, yew,
Unto the shades have been, or now are due,
Here I devote; and something more than so;
I come to pay a debt of birth I owe.
Thou gav'st me life, but mortal; for that one
Favour I'll make full satisfaction;
For my life mortal rise from out thy hearse.
And take a life immortal from my verse.
_Seven lusters_, five and thirty years.
_Hair was cut_, according to the Greek custom.
_Justments_, dues.
_Smallage_, water parsley.
83. DELIGHT IN DISORDER.
A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace which here and there
Enthralls the crimson stomacher:
A cuff neglectful, and thereby
Ribbons to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.
84. TO HIS MUSE.
Were I to give thee baptism, I would choose
To christen thee, the bride, the bashful Muse,
Or Muse of roses: since that name does fit
Best with those virgin-verses thou hast writ:
Which are so clean, so chaste, as none may fear
Cato the censor, should he scan each here.
85. UPON LOVE.
Love scorch'd my finger, but did spare
The burning of my heart;
To signify in love my share
Should be a little part.
Little I love; but if that he
Would but that heat recall;
That joint to ashes burnt should be,[E]
Ere I would love at all.
[E] Orig. ed. , _should be burnt_.
86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY WHICH SOMETIMES HE LIVED.
Dean Bourn, farewell; I never look to see
Dean, or thy watery[F] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.
[F] Orig. ed. , _warty_.
87. KISSING USURY.
Bianca, let
Me pay the debt
I owe thee for a kiss
Thou lend'st to me,
And I to thee
Will render ten for this.
If thou wilt say
Ten will not pay
For that so rich a one;
I'll clear the sum,
If it will come
Unto a million.
By this, I guess,
Of happiness
Who has a little measure,
He must of right
To th' utmost mite
Make payment for his pleasure.
88. TO JULIA.
How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium. [G]
Between thy breasts (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, chalcedon.
_Carcanet_, necklace.
[G] _Dardanium_, a bracelet, from Dardanus so called. (Note in the
original edition. )
89. TO LAURELS.
A funeral stone
Or verse I covet none,
But only crave
Of you that I may have
A sacred laurel springing from my grave:
Which being seen,
Blest with perpetual green,
May grow to be
Not so much call'd a tree
As the eternal monument of me.
90. HIS CAVALIER.
Give me that man that dares bestride
The active sea-horse, and with pride
Through that huge field of waters ride.
Who with his looks, too, can appease
The ruffling winds and raging seas,
In midst of all their outrages.
This, this a virtuous man can do,
Sail against rocks, and split them too;
Ay, and a world of pikes pass through.
91. ZEAL REQUIRED IN LOVE.
I'll do my best to win whene'er I woo:
_That man loves not who is not zealous too_.
92. THE BAG OF THE BEE.
About the sweet bag of a bee
Two cupids fell at odds,
And whose the pretty prize should be
They vow'd to ask the gods.
Which Venus hearing, thither came,
And for their boldness stripp'd them,
And, taking thence from each his flame,
With rods of myrtle whipp'd them.
Which done, to still their wanton cries,
When quiet grown she'd seen them,
She kiss'd, and wip'd their dove-like eyes,
And gave the bag between them.
93. LOVE KILLED BY LACK.
Let me be warm, let me be fully fed,
_Luxurious love by wealth is nourished_.
Let me be lean, and cold, and once grown poor,
I shall dislike what once I lov'd before.
94. TO HIS MISTRESS.
Choose me your valentine,
Next let us marry--
Love to the death will pine
If we long tarry.
Promise, and keep your vows,
Or vow ye never--
Love's doctrine disallows
Troth-breakers ever.
You have broke promise twice,
Dear, to undo me,
If you prove faithless thrice
None then will woo ye.
95. TO THE GENEROUS READER.
See and not see, and if thou chance t'espy
Some aberrations in my poetry,
Wink at small faults; the greater, ne'ertheless,
Hide, and with them their father's nakedness.
Let's do our best, our watch and ward to keep;
Homer himself, in a long work, may sleep.
96. TO CRITICS.
I'll write, because I'll give
You critics means to live;
For should I not supply
The cause, th' effect would die.
97. DUTY TO TYRANTS.
Good princes must be pray'd for; for the bad
They must be borne with, and in rev'rence had.
Do they first pill thee, next pluck off thy skin?
_Good children kiss the rods that punish sin_.
Touch not the tyrant; let the gods alone
To strike him dead that but usurps a throne.
_Pill_, plunder.
98. BEING ONCE BLIND, HIS REQUEST TO BIANCA.
When age or chance has made me blind,
So that the path I cannot find,
And when my falls and stumblings are
More than the stones i' th' street by far,
Go thou afore, and I shall well
Follow thy perfumes by the smell;
Or be my guide, and I shall be
Led by some light that flows from thee.
Thus held or led by thee, I shall
In ways confus'd nor slip or fall.
100. NO WANT WHERE THERE'S LITTLE.
To bread and water none is poor;
And having these, what need of more?
Though much from out the cess be spent,
_Nature with little is content_.
_Cess_, the parish assessment for church purposes.
101. BARLEY-BREAK; OR, LAST IN HELL.
We two are last in hell; what may we fear
To be tormented or kept pris'ners here?
Alas! if kissing be of plagues the worst,
We'll wish in hell we had been last and first.
_Barley-break_, a country game resembling prisoners' base. See Note.
_Hell_, the "middle den," the occupants of which had to catch the other
players.
102.
THE DEFINITION OF BEAUTY.
Beauty no other thing is than a beam
Flashed out between the middle and extreme.
103. TO DIANEME.
Dear, though to part it be a hell,
Yet, Dianeme, now farewell:
Thy frown last night did bid me go,
But whither only grief does know.
I do beseech thee ere we part,
If merciful as fair thou art,
Or else desir'st that maids should tell
Thy pity by love's chronicle,
O Dianeme, rather kill
Me, than to make me languish still!
'Tis cruelty in thee to th' height
Thus, thus to wound, not kill outright;
Yet there's a way found, if you please,
By sudden death to give me ease;
And thus devis'd, do thou but this--
Bequeath to me one parting kiss,
So sup'rabundant joy shall be
The executioner of me.
104. TO ANTHEA LYING IN BED.
So looks Anthea, when in bed she lies
O'ercome or half betray'd by tiffanies,
Like to a twilight, or that simpering dawn
That roses show when misted o'er with lawn.
Twilight is yet, till that her lawns give way;
Which done, that dawn turns then to perfect day.
_Tiffanies_, gauzes.
_Lawn_, fine linen.
105. TO ELECTRA.
More white than whitest lilies far,
Or snow, or whitest swans you are:
More white than are the whitest creams,
Or moonlight tinselling the streams:
More white than pearls, or Juno's thigh,
Or Pelops' arm of ivory.
True, I confess, such whites as these
May me delight, not fully please;
Till like Ixion's cloud you be
White, warm, and soft to lie with me.
_Pelops' arm_, which Jove gave him to replace the one eaten by Ceres at
the feast of Tantalus.
_Ixion's cloud_, to which Jove, for his deception, gave the form of Juno.
106. A COUNTRY-LIFE: TO HIS BROTHER, MR. THO. HERRICK.
Thrice, and above, bless'd, my soul's half, art thou
In thy both last and better vow:
Could'st leave the city, for exchange, to see
The country's sweet simplicity:
And it to know and practise, with intent
To grow the sooner innocent
By studying to know virtue, and to aim
More at her nature than her name.
The last is but the least; the first doth tell
Ways less to live than to live well:
And both are known to thee, who now can'st live
Led by thy conscience; to give
Justice to soon-pleased nature; and to show
Wisdom and she together go
And keep one centre: this with that conspires
To teach man to confine desires
And know that riches have their proper stint
In the contented mind, not mint:
And can'st instruct that those who have the itch
Of craving more are never rich.
These things thou know'st to th' height, and dost prevent
That plague; because thou art content
With that heav'n gave thee with a wary hand,
More blessed in thy brass than land,
To keep cheap nature even and upright;
To cool, not cocker appetite.
Thus thou canst tersely live to satisfy
The belly chiefly, not the eye;
Keeping the barking stomach wisely quiet,
Less with a neat than needful diet.
But that which most makes sweet thy country life
Is the fruition of a wife:
Whom, stars consenting with thy fate, thou hast
Got not so beautiful as chaste:
By whose warm side thou dost securely sleep,
While love the sentinel doth keep,
With those deeds done by day, which ne'er affright
Thy silken slumbers in the night.
Nor has the darkness power to usher in
Fear to those sheets that know no sin;
But still thy wife, by chaste intentions led,
Gives thee each night a maidenhead.
The damask'd meadows and the pebbly streams
Sweeten and make soft your dreams:
The purling springs, groves, birds, and well-weav'd bowers,
With fields enamelled with flowers,
Present their shapes; while fantasy discloses
Millions of lilies mix'd with roses.
Then dream ye hear the lamb by many a bleat
Woo'd to come suck the milky teat:
While Faunus in the vision comes to keep
From rav'ning wolves the fleecy sheep.
With thousand such enchanting dreams, that meet
To make sleep not so sound as sweet:
Nor can these figures so thy rest endear
As not to rise when Chanticlere
Warns the last watch; but with the dawn dost rise
To work, but first to sacrifice;
Making thy peace with heav'n, for some late fault,
With holy-meal and spirting-salt.
Which done, thy painful thumb this sentence tells us,
_Jove for our labour all things sells us_.
Nor are thy daily and devout affairs
Attended with those desp'rate cares
Th' industrious merchant has; who, for to find
Gold, runneth to the Western Inde,
And back again, tortured with fears, doth fly,
Untaught to suffer poverty.
But thou at home, bless'd with securest ease,
Sitt'st, and believ'st that there be seas
And watery dangers; while thy whiter hap
But sees these things within thy map.
And viewing them with a more safe survey
Mak'st easy fear unto thee say,--
_"A heart thrice wall'd with oak and brass that man
Had, first durst plough the ocean"_.
But thou at home, without or tide or gale,
Can'st in thy map securely sail:
Seeing those painted countries, and so guess
By those fine shades their substances:
And, from thy compass taking small advice,
Buy'st travel at the lowest price.
Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things:
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report
Vice rules the most or all at court,
Thy pious wishes are, though thou not there,
Virtue had, and mov'd her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes or goes,
But with thy equal thoughts prepared dost stand,
To take her by the either hand;
Nor car'st which comes the first, the foul or fair:
_A wise man ev'ry way lies square_,
And, like a surly oak with storms perplex'd,
Grows still the stronger, strongly vex'd.
Be so, bold spirit; stand centre-like, unmov'd;
And be not only thought, but prov'd
To be what I report thee; and inure
Thyself, if want comes to endure:
And so thou dost, for thy desires are
Confin'd to live with private lar:
Not curious whether appetite be fed
Or with the first or second bread,
Who keep'st no proud mouth for delicious cates:
Hunger makes coarse meats delicates.
Canst, and unurg'd, forsake that larded fare,
Which art, not nature, makes so rare,
To taste boil'd nettles, colworts, beets, and eat
These and sour herbs as dainty meat,
While soft opinion makes thy Genius say,
_Content makes all ambrosia_.
Nor is it that thou keep'st this stricter size
So much for want as exercise:
To numb the sense of dearth, which should sin haste it,
Thou might'st but only see't, not taste it.
Yet can thy humble roof maintain a choir
Of singing crickets by the fire:
And the brisk mouse may feast herself with crumbs
Till that the green-eyed kitling comes,
Then to her cabin blest she can escape
The sudden danger of a rape:
And thus thy little well-kept stock doth prove
_Wealth cannot make a life, but love_.
Nor art thou so close-handed but canst spend,
Counsel concurring with the end,
As well as spare, still conning o'er this theme,
To shun the first and last extreme.
Ordaining that thy small stock find no breach,
Or to exceed thy tether's reach:
But to live round, and close, and wisely true
To thine own self, and known to few.
Thus let thy rural sanctuary be
Elysium to thy wife and thee;
There to disport yourselves with golden measure:
_For seldom use commends the pleasure_.
Live, and live blest, thrice happy pair; let breath,
But lost to one, be the other's death.
And as there is one love, one faith, one troth,
Be so one death, one grave to both.
Till when, in such assurance live ye may,
Nor fear or wish your dying day.
_Brass_, money.
_Cocker_, pamper.
_Neat_, dainty.
_Spirting-salt_, the "saliente mica" of Horace, See Note.
_Lar_, the "closet-gods," or gods of the house.
_Colworts_, cabbages.
_Size_ or _assize_, a fixed allowance of food, a ration.
107. DIVINATION BY A DAFFODIL.
When a daffodil I see,
Hanging down his head towards me,
Guess I may what I must be:
First, I shall decline my head;
Secondly, I shall be dead;
Lastly, safely buried.
108. TO THE PAINTER, TO DRAW HIM A PICTURE.
Come, skilful Lupo, now, and take
Thy bice, thy umber, pink, and lake;
And let it be thy pencil's strife,
To paint a Bridgeman to the life:
Draw him as like too, as you can,
An old, poor, lying, flattering man:
His cheeks bepimpled, red and blue;
His nose and lips of mulberry hue.
Then, for an easy fancy, place
A burling iron for his face:
Next, make his cheeks with breath to swell,
And for to speak, if possible:
But do not so, for fear lest he
Should by his breathing, poison thee.
_Bice_, properly a brown grey, but by transference from "blue bice" and
"green bice," used for blue and green.
_Burling iron_, pincers for extracting knots.
111. A LYRIC TO MIRTH.
While the milder fates consent,
Let's enjoy our merriment:
Drink, and dance, and pipe, and play;
Kiss our dollies night and day:
Crowned with clusters of the vine,
Let us sit, and quaff our wine.
Call on Bacchus, chant his praise;
Shake the thyrse, and bite the bays:
Rouse Anacreon from the dead,
And return him drunk to bed:
Sing o'er Horace, for ere long
Death will come and mar the song:
Then shall Wilson and Gotiere
Never sing or play more here.
_Wilson_, Dr. John Wilson, the singer and composer, one of the king's
musicians (1594-1673).
_Gotiere_, Jacques Gaultier, a French lutist at the court of Charles I.
112. TO THE EARL OF WESTMORELAND.
When my date's done, and my grey age must die,
Nurse up, great lord, this my posterity:
Weak though it be, long may it grow and stand,
Shored up by you, brave Earl of Westmoreland.
113. AGAINST LOVE.
Whene'er my heart love's warmth but entertains,
Oh frost! oh snow! oh hail! forbid the banes.
One drop now deads a spark, but if the same
Once gets a force, floods cannot quench the flame.
Rather than love, let me be ever lost,
Or let me 'gender with eternal frost.
114. UPON JULIA'S RIBAND.
As shows the air when with a rainbow grac'd,
So smiles that riband 'bout my Julia's waist:
Or like--nay 'tis that zonulet of love,
Wherein all pleasures of the world are wove.
115. THE FROZEN ZONE; OR, JULIA DISDAINFUL.
Whither? say, whither shall I fly,
To slack these flames wherein I fry?
To the treasures, shall I go,
Of the rain, frost, hail, and snow?
Shall I search the underground,
Where all damps and mists are found?
Shall I seek (for speedy ease)
All the floods and frozen seas?
Or descend into the deep,
Where eternal cold does keep?
These may cool; but there's a zone
Colder yet than anyone:
That's my Julia's breast, where dwells
Such destructive icicles,
As that the congelation will
Me sooner starve than those can kill.
116. AN EPITAPH UPON A SOBER MATRON.
With blameless carriage, I lived here
To the almost seven and fortieth year.
Stout sons I had, and those twice three
One only daughter lent to me:
The which was made a happy bride
But thrice three moons before she died.
My modest wedlock, that was known
Contented with the bed of one.
117. TO THE PATRON OF POETS, M. END. PORTER.
Let there be patrons, patrons like to thee,
Brave Porter! poets ne'er will wanting be:
Fabius and Cotta, Lentulus, all live
In thee, thou man of men! who here do'st give
Not only subject-matter for our wit,
But likewise oil of maintenance to it:
For which, before thy threshold, we'll lay down
Our thyrse for sceptre, and our bays for crown.
For, to say truth, all garlands are thy due:
The laurel, myrtle, oak, and ivy too.
118. THE SADNESS OF THINGS FOR SAPPHO'S SICKNESS.
Lilies will languish; violets look ill;
Sickly the primrose; pale the daffodil;
That gallant tulip will hang down his head,
Like to a virgin newly ravished;
Pansies will weep, and marigolds will wither,
And keep a fast and funeral together;
Sappho droop, daisies will open never,
But bid good-night, and close their lids for ever.
119. LEANDER'S OBSEQUIES.
When as Leander young was drown'd
No heart by Love receiv'd a wound,
But on a rock himself sat by,
There weeping sup'rabundantly.
Sighs numberless he cast about,
And, all his tapers thus put out,
His head upon his hand he laid,
And sobbing deeply, thus he said:
"Ah, cruel sea," and, looking on't,
Wept as he'd drown the Hellespont.
And sure his tongue had more express'd
But that his tears forbade the rest.
120. HOPE HEARTENS.
None goes to warfare but with this intent--
The gains must dead the fears of detriment.
121. FOUR THINGS MAKE US HAPPY HERE.
Health is the first good lent to men;
A gentle disposition then:
Next, to be rich by no by-ways;
Lastly, with friends t'enjoy our days.
122. HIS PARTING FROM MRS. DOROTHY KENNEDY.
When I did go from thee I felt that smart
Which bodies do when souls from them depart.
Thou did'st not mind it; though thou then might'st see
Me turn'd to tears; yet did'st not weep for me.
'Tis true, I kiss'd thee; but I could not hear
Thee spend a sigh t'accompany my tear.
Methought 'twas strange that thou so hard should'st prove,
Whose heart, whose hand, whose every part spake love.
Prithee, lest maids should censure thee, but say
Thou shed'st one tear, whenas I went away;
And that will please me somewhat: though I know,
And Love will swear't, my dearest did not so.
123. THE TEAR SENT TO HER FROM STAINES.
Glide, gentle streams, and bear
Along with you my tear
To that coy girl
Who smiles, yet slays
Me with delays,
And strings my tears as pearl.
See! see, she's yonder set,
Making a carcanet
Of maiden-flowers!
There, there present
This orient
And pendant pearl of ours.
Then say I've sent one more
Gem to enrich her store;
And that is all
Which I can send,
Or vainly spend,
For tears no more will fall.
Nor will I seek supply
Of them, the spring's once dry;
But I'll devise,
Among the rest,
A way that's best
How I may save mine eyes.
Yet say--should she condemn
Me to surrender them
Then say my part
Must be to weep
Out them, to keep
A poor, yet loving heart.
Say too, she would have this;
She shall: then my hope is,
That when I'm poor
And nothing have
To send or save,
I'm sure she'll ask no more.
_Carcanet_, necklace.
124. UPON ONE LILY, WHO MARRIED WITH A MAID CALLED ROSE.
What times of sweetness this fair day foreshows,
Whenas the Lily marries with the Rose!
What next is look'd for? but we all should see
To spring from thee a sweet posterity.
125. AN EPITAPH UPON A CHILD.
Virgins promis'd when I died
That they would each primrose-tide
Duly, morn and evening, come,
And with flowers dress my tomb.
Having promis'd, pay your debts,
Maids, and here strew violets.
127. THE HOUR-GLASS.
That hour-glass which there you see
With water fill'd, sirs, credit me,
The humour was, as I have read,
But lovers' tears incrystalled.
Which, as they drop by drop do pass
From th' upper to the under-glass,
Do in a trickling manner tell,
By many a watery syllable,
That lovers' tears in lifetime shed
Do restless run when they are dead.
_Humour_, moisture.
128. HIS FAREWELL TO SACK.
Farewell thou thing, time past so known, so dear
To me as blood to life and spirit; near,
Nay, thou more near than kindred, friend, man, wife,
Male to the female, soul to body; life
To quick action, or the warm soft side
Of the resigning, yet resisting bride.
The kiss of virgins, first fruits of the bed,
Soft speech, smooth touch, the lips, the maidenhead:
These and a thousand sweets could never be
So near or dear as thou wast once to me.
O thou, the drink of gods and angels! wine
That scatter'st spirit and lust, whose purest shine
More radiant than the summer's sunbeams shows;
Each way illustrious, brave, and like to those
Comets we see by night, whose shagg'd portents
Foretell the coming of some dire events,
Or some full flame which with a pride aspires,
Throwing about his wild and active fires;
'Tis thou, above nectar, O divinest soul!
Eternal in thyself, that can'st control
That which subverts whole nature, grief and care,
Vexation of the mind, and damn'd despair.
'Tis thou alone who, with thy mystic fan,
Work'st more than wisdom, art, or nature can
To rouse the sacred madness and awake
The frost-bound blood and spirits, and to make
Them frantic with thy raptures flashing through
The soul like lightning, and as active too.
'Tis not Apollo can, or those thrice three
Castalian sisters, sing, if wanting thee.
Horace, Anacreon, both had lost their fame,
Had'st thou not fill'd them with thy fire and flame.
Phœbean splendour! and thou, Thespian spring!
Of which sweet swans must drink before they sing
Their true-pac'd numbers and their holy lays,
Which makes them worthy cedar and the bays.
But why, why longer do I gaze upon
Thee with the eye of admiration?
Since I must leave thee, and enforc'd must say
To all thy witching beauties, Go, away.
But if thy whimpering looks do ask me why,
Then know that nature bids thee go, not I.
'Tis her erroneous self has made a brain
Uncapable of such a sovereign
As is thy powerful self. Prithee not smile,
Or smile more inly, lest thy looks beguile
My vows denounc'd in zeal, which thus much show thee
That I have sworn but by thy looks to know thee.
Let others drink thee freely, and desire
Thee and their lips espous'd, while I admire
And love thee, but not taste thee. Let my muse
Fail of thy former helps, and only use
Her inadult'rate strength: what's done by me
Hereafter shall smell of the lamp, not thee.
_Shagg'd_, rough-haired.
_Mystic fan_, the "mystica vannus Iacchi" of Georgic, i. 166.
_Cedar_, _i. e. _, cedar oil, used for the preservation of manuscripts.
130. UPON MRS. ELIZABETH WHEELER, UNDER THE NAME OF AMARILLIS.
Sweet Amarillis by a spring's
Soft and soul-melting murmurings
Slept, and thus sleeping, thither flew
A robin-redbreast, who, at view,
Not seeing her at all to stir,
Brought leaves and moss to cover her;
But while he perking there did pry
About the arch of either eye,
The lid began to let out day,
At which poor robin flew away,
And seeing her not dead, but all disleav'd,
He chirp'd for joy to see himself deceiv'd.
132. TO MYRRHA, HARD-HEARTED.
Fold now thine arms and hang the head,
Like to a lily withered;
Next look thou like a sickly moon,
Or like Jocasta in a swoon;
Then weep and sigh and softly go,
Like to a widow drown'd in woe,
Or like a virgin full of ruth
For the lost sweetheart of her youth;
And all because, fair maid, thou art
Insensible of all my smart,
And of those evil days that be
Now posting on to punish thee.
The gods are easy, and condemn
All such as are not soft like them.
133. THE EYE.
Make me a heaven, and make me there
Many a less and greater sphere:
Make me the straight and oblique lines,
The motions, lations and the signs.
Make me a chariot and a sun,
And let them through a zodiac run;
Next place me zones and tropics there,
With all the seasons of the year.
Make me a sunset and a night,
And then present the morning's light
Cloth'd in her chamlets of delight.
To these make clouds to pour down rain,
With weather foul, then fair again.
And when, wise artist, that thou hast
With all that can be this heaven grac't,
Ah! what is then this curious sky
But only my Corinna's eye?
_Lations_, astral attractions.
_Chamlets_, _i. e.
