Has here writ a letter to you; I
should have given 't you to-day morning, but as a madman's
epistles are no gospels, so it skills not much when they are
deliver'd.
should have given 't you to-day morning, but as a madman's
epistles are no gospels, so it skills not much when they are
deliver'd.
Shakespeare
What foolish boldness brought thee to their mercies
Whom thou, in terms so bloody and so dear,
Hast made thine enemies?
ANTONIO. Orsino, noble sir,
Be pleas'd that I shake off these names you give me:
Antonio never yet was thief or pirate,
Though I confess, on base and ground enough,
Orsino's enemy. A witchcraft drew me hither:
That most ingrateful boy there by your side
From the rude sea's enrag'd and foamy mouth
Did I redeem; a wreck past hope he was.
His life I gave him, and did thereto ad
My love without retention or restraint,
All his in dedication; for his sake,
Did I expose myself, pure for his love,
Into the danger of this adverse town;
Drew to defend him when he was beset;
Where being apprehended, his false cunning,
Not meaning to partake with me in danger,
Taught him to face me out of his acquaintance,
And grew a twenty years removed thing
While one would wink; denied me mine own purse,
Which I had recommended to his use
Not half an hour before.
VIOLA. How can this be?
DUKE. When came he to this town?
ANTONIO. To-day, my lord; and for three months before,
No int'rim, not a minute's vacancy,
Both day and night did we keep company.
Enter OLIVIA and ATTENDANTS
DUKE. Here comes the Countess; now heaven walks on earth.
But for thee, fellow- fellow, thy words are madness.
Three months this youth hath tended upon me-
But more of that anon. Take him aside.
OLIVIA. What would my lord, but that he may not have,
Wherein Olivia may seem serviceable?
Cesario, you do not keep promise with me.
VIOLA. Madam?
DUKE. Gracious Olivia-
OLIVIA. What do you say, Cesario? Good my lord-
VIOLA. My lord would speak; my duty hushes me.
OLIVIA. If it be aught to the old tune, my lord,
It is as fat and fulsome to mine ear
As howling after music.
DUKE. Still so cruel?
OLIVIA. Still so constant, lord.
DUKE. What, to perverseness? You uncivil lady,
To whose ingrate and unauspicious altars
My soul the faithfull'st off'rings hath breath'd out
That e'er devotion tender'd! What shall I do?
OLIVIA. Even what it please my lord, that shall become him.
DUKE. Why should I not, had I the heart to do it,
Like to the Egyptian thief at point of death,
Kill what I love? - a savage jealousy
That sometime savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye
Where he sits crowned in his master's spite.
Come, boy, with me; my thoughts are ripe in mischief:
I'll sacrifice the lamb that I do love
To spite a raven's heart within a dove.
VIOLA. And I, most jocund, apt, and willingly,
To do you rest, a thousand deaths would die.
OLIVIA. Where goes Cesario?
VIOLA. After him I love
More than I love these eyes, more than my life,
More, by all mores, than e'er I shall love wife.
If I do feign, you witnesses above
Punish my life for tainting of my love!
OLIVIA. Ay me, detested! How am I beguil'd!
VIOLA. Who does beguile you? Who does do you wrong?
OLIVIA. Hast thou forgot thyself? Is it so long?
Call forth the holy father. Exit an ATTENDANT
DUKE. Come, away!
OLIVIA. Whither, my lord? Cesario, husband, stay.
DUKE. Husband?
OLIVIA. Ay, husband; can he that deny?
DUKE. Her husband, sirrah?
VIOLA. No, my lord, not I.
OLIVIA. Alas, it is the baseness of thy fear
That makes thee strangle thy propriety.
Fear not, Cesario, take thy fortunes up;
Be that thou know'st thou art, and then thou art
As great as that thou fear'st.
Enter PRIEST
O, welcome, father!
Father, I charge thee, by thy reverence,
Here to unfold- though lately we intended
To keep in darkness what occasion now
Reveals before 'tis ripe- what thou dost know
Hath newly pass'd between this youth and me.
PRIEST. A contract of eternal bond of love,
Confirm'd by mutual joinder of your hands,
Attested by the holy close of lips,
Strength'ned by interchangement of your rings;
And all the ceremony of this compact
Seal'd in my function, by my testimony;
Since when, my watch hath told me, toward my grave,
I have travell'd but two hours.
DUKE. O thou dissembling cub! What wilt thou be,
When time hath sow'd a grizzle on thy case?
Or will not else thy craft so quickly grow
That thine own trip shall be thine overthrow?
Farewell, and take her; but direct thy feet
Where thou and I henceforth may never meet.
VIOLA. My lord, I do protest-
OLIVIA. O, do not swear!
Hold little faith, though thou has too much fear.
Enter SIR ANDREW
AGUECHEEK. For the love of God, a surgeon!
Send one presently to Sir Toby.
OLIVIA. What's the matter?
AGUECHEEK. Has broke my head across, and has given Sir Toby a
bloody coxcomb too. For the love of God, your help! I had rather
than forty pound I were at home.
OLIVIA. Who has done this, Sir Andrew?
AGUECHEEK. The Count's gentleman, one Cesario. We took him for a
coward, but he's the very devil incardinate.
DUKE. My gentleman, Cesario?
AGUECHEEK. Od's lifelings, here he is! You broke my head for
nothing; and that that did, I was set on to do't by Sir Toby.
VIOLA. Why do you speak to me? I never hurt you.
You drew your sword upon me without cause;
But I bespake you fair and hurt you not.
Enter SIR TOBY and CLOWN
AGUECHEEK. If a bloody coxcomb be a hurt, you have hurt me; I think
you set nothing by a bloody coxcomb. Here comes Sir Toby halting;
you shall hear more; but if he had not been in drink, he would
have tickl'd you othergates than he did.
DUKE. How now, gentleman? How is't with you?
SIR TOBY. That's all one; has hurt me, and there's th' end on't.
Sot, didst see Dick Surgeon, sot?
CLOWN. O, he's drunk, Sir Toby, an hour agone; his eyes were set at
eight i' th' morning.
SIR TOBY. Then he's a rogue and a passy measures pavin. I hate a
drunken rogue.
OLIVIA. Away with him. Who hath made this havoc with them?
AGUECHEEK. I'll help you, Sir Toby, because we'll be dress'd
together.
SIR TOBY. Will you help- an ass-head and a coxcomb and a knave, a
thin fac'd knave, a gull?
OLIVIA. Get him to bed, and let his hurt be look'd to.
Exeunt CLOWN, FABIAN, SIR TOBY, and SIR ANDREW
Enter SEBASTIAN
SEBASTIAN. I am sorry, madam, I have hurt your kinsman;
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I do perceive it hath offended you.
Pardon me, sweet one, even for the vows
We made each other but so late ago.
DUKE. One face, one voice, one habit, and two persons!
A natural perspective, that is and is not.
SEBASTIAN. Antonio, O my dear Antonio!
How have the hours rack'd and tortur'd me
Since I have lost thee!
ANTONIO. Sebastian are you?
SEBASTIAN. Fear'st thou that, Antonio?
ANTONIO. How have you made division of yourself?
An apple cleft in two is not more twin
Than these two creatures. Which is Sebastian?
OLIVIA. Most wonderful!
SEBASTIAN. Do I stand there? I never had a brother;
Nor can there be that deity in my nature
Of here and everywhere. I had a sister
Whom the blind waves and surges have devour'd.
Of charity, what kin are you to me?
What countryman, what name, what parentage?
VIOLA. Of Messaline; Sebastian was my father.
Such a Sebastian was my brother too;
So went he suited to his watery tomb;
If spirits can assume both form and suit,
You come to fright us.
SEBASTIAN. A spirit I am indeed,
But am in that dimension grossly clad
Which from the womb I did participate.
Were you a woman, as the rest goes even,
I should my tears let fall upon your cheek,
And say 'Thrice welcome, drowned Viola! '
VIOLA. My father had a mole upon his brow.
SEBASTIAN. And so had mine.
VIOLA. And died that day when Viola from her birth
Had numb'red thirteen years.
SEBASTIAN. O, that record is lively in my soul!
He finished indeed his mortal act
That day that made my sister thirteen years.
VIOLA. If nothing lets to make us happy both
But this my masculine usurp'd attire,
Do not embrace me till each circumstance
Of place, time, fortune, do cohere and jump
That I am Viola; which to confirm,
I'll bring you to a captain in this town,
Where lie my maiden weeds; by whose gentle help
I was preserv'd to serve this noble Count.
All the occurrence of my fortune since
Hath been between this lady and this lord.
SEBASTIAN. [To OLIVIA] So Comes it, lady, you have been mistook;
But nature to her bias drew in that.
You would have been contracted to a maid;
Nor are you therein, by my life, deceiv'd;
You are betroth'd both to a maid and man.
DUKE. Be not amaz'd; right noble is his blood.
If this be so, as yet the glass seems true,
I shall have share in this most happy wreck.
[To VIOLA] Boy, thou hast said to me a thousand times
Thou never shouldst love woman like to me.
VIOLA. And all those sayings will I overswear;
And all those swearings keep as true in soul
As doth that orbed continent the fire
That severs day from night.
DUKE. Give me thy hand;
And let me see thee in thy woman's weeds.
VIOLA. The captain that did bring me first on shore
Hath my maid's garments. He, upon some action,
Is now in durance, at Malvolio's suit,
A gentleman and follower of my lady's.
OLIVIA. He shall enlarge him. Fetch Malvolio hither;
And yet, alas, now I remember me,
They say, poor gentleman, he's much distract.
Re-enter CLOWN, with a letter, and FABIAN
A most extracting frenzy of mine own
From my remembrance clearly banish'd his.
How does he, sirrah?
CLOWN. Truly, madam, he holds Belzebub at the stave's end as well
as a man in his case may do.
Has here writ a letter to you; I
should have given 't you to-day morning, but as a madman's
epistles are no gospels, so it skills not much when they are
deliver'd.
OLIVIA. Open't, and read it.
CLOWN. Look then to be well edified when the fool delivers the
madman. [Reads madly ] 'By the Lord, madam-'
OLIVIA. How now! Art thou mad?
CLOWN. No, madam, I do but read madness. An your ladyship will have
it as it ought to be, you must allow vox.
OLIVIA. Prithee read i' thy right wits.
CLOWN. So I do, madonna; but to read his right wits is to read
thus; therefore perpend, my Princess, and give ear.
OLIVIA. [To FABIAN] Read it you, sirrah.
FABIAN. [Reads] 'By the Lord, madam, you wrong me, and the world
shall know it. Though you have put me into darkness and given
your drunken cousin rule over me, yet have I the benefit of my
senses as well as your ladyship. I have your own letter that
induced me to the semblance I put on, with the which I doubt not
but to do myself much right or you much shame. Think of me as you
please. I leave my duty a little unthought of, and speak out of
my injury.
THE MADLY-US'D MALVOLIO'
OLIVIA. Did he write this?
CLOWN. Ay, Madam.
DUKE. This savours not much of distraction.
OLIVIA. See him deliver'd, Fabian; bring him hither.
Exit FABIAN
My lord, so please you, these things further thought on,
To think me as well a sister as a wife,
One day shall crown th' alliance on't, so please you,
Here at my house, and at my proper cost.
DUKE. Madam, I am most apt t' embrace your offer.
[To VIOLA] Your master quits you; and, for your service done
him,
So much against the mettle of your sex,
So far beneath your soft and tender breeding,
And since you call'd me master for so long,
Here is my hand; you shall from this time be
You master's mistress.
OLIVIA. A sister! You are she.
Re-enter FABIAN, with MALVOLIO
DUKE. Is this the madman?
OLIVIA. Ay, my lord, this same.
How now, Malvolio!
MALVOLIO. Madam, you have done me wrong,
Notorious wrong.
OLIVIA. Have I, Malvolio? No.
MALVOLIO. Lady, you have. Pray you peruse that letter.
You must not now deny it is your hand;
Write from it if you can, in hand or phrase;
Or say 'tis not your seal, not your invention;
You can say none of this. Well, grant it then,
And tell me, in the modesty of honour,
Why you have given me such clear lights of favour,
Bade me come smiling and cross-garter'd to you,
To put on yellow stockings, and to frown
Upon Sir Toby and the lighter people;
And, acting this in an obedient hope,
Why have you suffer'd me to be imprison'd,
Kept in a dark house, visited by the priest,
And made the most notorious geck and gul
That e'er invention play'd on? Tell me why.
OLIVIA. Alas, Malvolio, this is not my writing,
Though, I confess, much like the character;
But out of question 'tis Maria's hand.
And now I do bethink me, it was she
First told me thou wast mad; then cam'st in smiling,
And in such forms which here were presuppos'd
Upon thee in the letter. Prithee, be content;
This practice hath most shrewdly pass'd upon thee,
But, when we know the grounds and authors of it,
Thou shalt be both the plaintiff and the judge
Of thine own cause.
FABIAN. Good madam, hear me speak,
And let no quarrel nor no brawl to come
Taint the condition of this present hour,
Which I have wond'red at. In hope it shall not,
Most freely I confess myself and Toby
Set this device against Malvolio here,
Upon some stubborn and uncourteous parts
We had conceiv'd against him. Maria writ
The letter, at Sir Toby's great importance,
In recompense whereof he hath married her.
How with a sportful malice it was follow'd
May rather pluck on laughter than revenge,
If that the injuries be justly weigh'd
That have on both sides pass'd.
OLIVIA. Alas, poor fool, how have they baffl'd thee!
CLOWN. Why, 'Some are born great, some achieve greatness, and some
have greatness thrown upon them. ' I was one, sir, in this
interlude- one Sir Topas, sir; but that's all one. 'By the Lord,
fool, I am not mad! ' But do you remember- 'Madam, why laugh you
at such a barren rascal? An you smile not, he's gagg'd'? And thus
the whirligig of time brings in his revenges.
MALVOLIO. I'll be reveng'd on the whole pack of you.
Exit
OLIVIA. He hath been most notoriously abus'd.
DUKE. Pursue him, and entreat him to a peace;
He hath not told us of the captain yet.
When that is known, and golden time convents,
A solemn combination shall be made
Of our dear souls. Meantime, sweet sister,
We will not part from hence. Cesario, come;
For so you shall be while you are a man;
But when in other habits you are seen,
Orsino's mistress, and his fancy's queen.
Exeunt all but the CLOWN
CLOWN sings
When that I was and a little tiny boy,
With hey, ho, the wind and the rain,
A foolish thing was but a toy,
For the rain it raineth every day.
But when I came to man's estate,
With hey, ho, the wind and the rain,
'Gainst knaves and thieves men shut their gate,
For the rain it raineth every day.
But when I came, alas! to wive,
With hey, ho, the wind and the rain,
By swaggering could I never thrive,
For the rain it raineth every day.
But when I came unto my beds,
With hey, ho, the wind and the rain,
With toss-pots still had drunken heads,
For the rain it raineth every day.
A great while ago the world begun,
With hey, ho, the wind and the rain,
But that's all one, our play is done,
And we'll strive to please you every day.
Exit
THE END
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
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PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
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1595
THE TWO GENTLEMEN OF VERONA
by William Shakespeare
DRAMATIS PERSONAE
DUKE OF MILAN, father to Silvia
VALENTINE, one of the two gentlemen
PROTEUS, " " " " "
ANTONIO, father to Proteus
THURIO, a foolish rival to Valentine
EGLAMOUR, agent for Silvia in her escape
SPEED, a clownish servant to Valentine
LAUNCE, the like to Proteus
PANTHINO, servant to Antonio
HOST, where Julia lodges in Milan
OUTLAWS, with Valentine
JULIA, a lady of Verona, beloved of Proteus
SILVIA, the Duke's daughter, beloved of Valentine
LUCETTA, waiting-woman to Julia
SERVANTS
MUSICIANS
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC. , AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP. >>
SCENE:
Verona; Milan; the frontiers of Mantua
ACT I. SCENE I.
Verona. An open place
Enter VALENTINE and PROTEUS
VALENTINE. Cease to persuade, my loving Proteus:
Home-keeping youth have ever homely wits.
Were't not affection chains thy tender days
To the sweet glances of thy honour'd love,
I rather would entreat thy company
To see the wonders of the world abroad,
Than, living dully sluggardiz'd at home,
Wear out thy youth with shapeless idleness.
But since thou lov'st, love still, and thrive therein,
Even as I would, when I to love begin.
PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!
Think on thy Proteus, when thou haply seest
Some rare noteworthy object in thy travel.
Wish me partaker in thy happiness
When thou dost meet good hap; and in thy danger,
If ever danger do environ thee,
Commend thy grievance to my holy prayers,
For I will be thy headsman, Valentine.
VALENTINE. And on a love-book pray for my success?
PROTEUS. Upon some book I love I'll pray for thee.
VALENTINE. That's on some shallow story of deep love:
How young Leander cross'd the Hellespont.
PROTEUS. That's a deep story of a deeper love;
For he was more than over shoes in love.
VALENTINE. 'Tis true; for you are over boots in love,
And yet you never swum the Hellespont.
PROTEUS. Over the boots! Nay, give me not the boots.
VALENTINE. No, I will not, for it boots thee not.
PROTEUS. What?
VALENTINE. To be in love- where scorn is bought with groans,
Coy looks with heart-sore sighs, one fading moment's mirth
With twenty watchful, weary, tedious nights;
If haply won, perhaps a hapless gain;
If lost, why then a grievous labour won;
However, but a folly bought with wit,
Or else a wit by folly vanquished.
PROTEUS. So, by your circumstance, you call me fool.
VALENTINE. So, by your circumstance, I fear you'll prove.
PROTEUS. 'Tis love you cavil at; I am not Love.
VALENTINE. Love is your master, for he masters you;
And he that is so yoked by a fool,
Methinks, should not be chronicled for wise.
PROTEUS. Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.
VALENTINE. And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime,
And all the fair effects of future hopes.
But wherefore waste I time to counsel the
That art a votary to fond desire?
Once more adieu. My father at the road
Expects my coming, there to see me shipp'd.
PROTEUS. And thither will I bring thee, Valentine.
VALENTINE. Sweet Proteus, no; now let us take our leave.
To Milan let me hear from thee by letters
Of thy success in love, and what news else
Betideth here in absence of thy friend;
And I likewise will visit thee with mine.
PROTEUS. All happiness bechance to thee in Milan!
VALENTINE. As much to you at home; and so farewell!
Exit VALENTINE
PROTEUS. He after honour hunts, I after love;
He leaves his friends to dignify them more:
I leave myself, my friends, and all for love.
Thou, Julia, thou hast metamorphis'd me,
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought;
Made wit with musing weak, heart sick with thought.
Enter SPEED
SPEED. Sir Proteus, save you! Saw you my master?
PROTEUS. But now he parted hence to embark for Milan.
SPEED. Twenty to one then he is shipp'd already,
And I have play'd the sheep in losing him.
PROTEUS. Indeed a sheep doth very often stray,
An if the shepherd be awhile away.
SPEED. You conclude that my master is a shepherd then, and
I a sheep?
PROTEUS. I do.
SPEED. Why then, my horns are his horns, whether I wake or sleep.
PROTEUS. A silly answer, and fitting well a sheep.
SPEED. This proves me still a sheep.
PROTEUS. True; and thy master a shepherd.
SPEED. Nay, that I can deny by a circumstance.
PROTEUS. It shall go hard but I'll prove it by another.
SPEED. The shepherd seeks the sheep, and not the sheep the
shepherd; but I seek my master, and my master seeks not me;
therefore, I am no sheep.
PROTEUS. The sheep for fodder follow the shepherd; the shepherd for
food follows not the sheep: thou for wages followest thy master;
thy master for wages follows not thee. Therefore, thou art a
sheep.
SPEED. Such another proof will make me cry 'baa. '
PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?
SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a lac'd
mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing
for my labour.
PROTEUS. Here's too small a pasture for such store of muttons.
SPEED. If the ground be overcharg'd, you were best stick her.
PROTEUS. Nay, in that you are astray: 'twere best pound you.
SPEED. Nay, sir, less than a pound shall serve me for carrying your
letter.
PROTEUS. You mistake; I mean the pound- a pinfold.
SPEED.