Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.
Golden Treasury
WALLER.
90. TO CELIA.
Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.
I sent thee late a rosy wreath,
Not so much honouring thee
As giving it a hope that there
It could not wither'd be;
But thou thereon didst only breathe
And sent'st it back to me;
Since when it grows, and smells, I swear,
Not of itself but thee!
B. JONSON.
91. CHERRY-RIPE.
There is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do grow;
There cherries grow that none may buy,
Till Cherry-Ripe themselves do cry.
Those cherries fairly do enclose
Of orient pearl a double row,
Which when her lovely laughter shows,
They look like rose-buds fill'd with snow:
Yet them no peer nor prince can buy
Till Cherry-Ripe themselves do cry.
Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat'ning with piercing frowns to kill
All that approach with eye or hand
These sacred cherries to come nigh,
--Till Cherry-Ripe themselves do cry!
ANON.
92. THE POETRY OF DRESS.
I.
A sweet disorder in the dress
Kindles in clothes a wantonness:--
A lawn about the shoulders thrown
Into a fine distraction,--
An erring lace, which here and there
Enthrals the crimson stomacher,--
A cuff neglectful, and thereby
Ribbands to flow confusedly,--
A winning wave, deserving note,
In the tempestuous petticoat,--
A careless shoe-string, in whose tie
I see a wild civility;--
Do more bewitch me, than when art
Is too precise in every part.
R. HERRICK.
93. --II.
Whenas in silks my Julia goes
Then, then (methinks) how sweetly flows
That liquefaction of her clothes.
Next, when I cast mine eyes and see
That brave vibration each way free;
O how that glittering taketh me!
R. HERRICK.
94. --III.
My Love in her attire doth shew her wit,
It doth so well become her;
For every season she hath dressings fit,
For Winter, Spring, and Summer.
No beauty she doth miss
When all her robes are on
But Beauty's self she is
When all her robes are gone.
ANON.
95. ON A GIRDLE.
That which her slender waist confined
Shall now my joyful temples bind:
No monarch but would give his crown
His arms might do what this has done.
It was my Heaven's extremest sphere,
The pale which held that lovely deer:
My joy, my grief, my hope, my love
Did all within this circle move.
A narrow compass! and yet there
Dwelt all that's good, and all that's fair:
Give me but what this ribband bound,
Take all the rest the Sun goes round.
E. WALLER.
96. TO ANTHEA WHO MAY COMMAND HIM ANY THING.
Bid me to live, and I will live
Thy Protestant to be;
Or bid me love, and I will give
A loving heart to thee.
A heart as soft, a heart as kind,
A heart as sound and free
As in the whole world thou canst find,
That heart I'll give to thee.
Bid that heart stay, and it will stay,
To honour thy decree:
Or bid it languish quite away,
And 't shall do so for thee.
Bid me to weep, and I will weep,
While I have eyes to see:
And having none, yet I will keep
A heart to weep for thee.
Bid me despair, and I'll despair,
Under that cypress tree:
Or bid me die, and I will dare
E'en Death, to die for thee.
Thou art my life, my love, my heart,
The very eyes of me,
And hast command of every part,
To live and die for thee.
R. HERRICK.
97.
Love not me for comely grace,
For my pleasing eye or face,
Nor for any outward part,
No, nor for a constant heart,--
For these may fail, or turn to ill,
So thou and I shall sever:
Keep, therefore, a true woman's eye,
And love me still, but know not why--
So hast thou the same reason still
To doat upon me ever!
ANON.
98.
Not, Celia, that I juster am
Or better than the rest;
For I would change each hour, like them,
Were not my heart at rest.
But I am tied to very thee
By every thought I have;
Thy face I only care to see,
Thy heart I only crave.
All that in woman is adored
In thy dear self I find--
For the whole sex can but afford
The handsome and the kind.
Why then should I seek further store,
And still make love anew?
When change itself can give no more,
'Tis easy to be true.
SIR C. SEDLEY.
99. TO ALTHEA FROM PRISON.
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fetter'd to her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses crown'd,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free--
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
COLONEL LOVELACE.
100. TO LUCASTA, ON GOING BEYOND THE SEAS.
If to be absent were to be
Away from thee;
Or that when I am gone
You or I were alone;
Then, my Lucasta, might I crave
Pity from blustering wind, or swallowing wave.
Though seas and land betwixt us both,
Our faith and troth,
Like separated souls,
All time and space controls:
Above the highest sphere we meet
Unseen, unknown; and greet as Angels greet.
So then we do anticipate
Our after-fate,
And are alive i' the skies,
If thus our lips and eyes
Can speak like spirits unconfined
In Heaven, their earthy bodies left behind.
COLONEL LOVELACE.
101. ENCOURAGEMENTS TO A LOVER.
Why so pale and wan, fond lover?
Prythee, why so pale?
Will, if looking well can't move her,
Looking ill prevail?
Prythee, why so pale?
Why so dull and mute, young sinner?
Prythee, why so mute?
Will, when speaking well can't win her,
Saying nothing do't?
Prythee, why so mute?
Quit, quit for shame! This will not move,
This cannot take her;
If of herself she will not love,
Nothing can make her:
The D----l take her!
SIR J. SUCKLING.
102. A SUPPLICATION.
Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.
Hark! how the strings awake:
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.
Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure.
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.
Sleep, sleep again my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.
A. COWLEY.
103. THE MANLY HEART.
Shall I, wasting in despair,
Die because a woman's fair?
Or my cheeks make pale with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flowery meads in May--
If she be not so to me,
What care I how fair she be?
Shall my foolish heart be pined
'Cause I see a woman kind;
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?
Shall a woman's virtues move
Me to perish for her love?
Or her merit's value known
Make me quite forget my own?
Be she with that goodness blest
Which may gain her name of Best;
If she be not such to me,
What care I how good she be?
'Cause her fortune seems too high,
Shall I play the fool and die?
Those that bear a noble mind
Where they want of riches find,
Think what with them they would do
Who without them dare to woo;
And unless that mind I see,
What care I how great she be?
Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?
G. WITHER.
104. MELANCHOLY.
Hence, all you vain delights,
As short as are the nights
Wherein you spend your folly
There's naught in this life sweet
If men were wise to see't,
But only melancholy,
O sweetest Melancholy!
Welcome, folded arms and fixed eyes,
A sigh that piercing mortifies,
A look that's fasten'd to the ground,
A tongue chain'd up without a sound!
Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed save bats and owls!
A midnight bell, a parting groan!
These are the sounds we feed upon;
Then stretch our bones in a still gloomy valley;
Nothing's so dainty sweet as lovely melancholy.
J. FLETCHER.
105. TO A LOCK OF HAIR.
Thy hue, dear pledge, is pure and bright
As in that well-remember'd night
When first thy mystic braid was wove,
And first my Agnes whisper'd love.
Since then how often hast thou prest
The torrid zone of this wild breast,
Whose wrath and hate have sworn to dwell
With the first sin that peopled hell;
A breast whose blood's a troubled ocean,
Each throb the earthquake's wild commotion!
O if such clime thou canst endure
Yet keep thy hue unstain'd and pure,
What conquest o'er each erring thought
Of that fierce realm had Agnes wrought!
I had not wander'd far and wide
With such an angel for my guide;
Nor heaven nor earth could then reprove me
If she had lived, and lived to love me.
Not then this world's wild joys had been
To me one savage hunting scene,
My sole delight the headlong race,
And frantic hurry of the chase;
To start, pursue, and bring to bay,
Rush in, drag down, and rend my prey,
Then--from the carcase turn away!
Mine ireful mood had sweetness tamed,
And soothed each wound which pride inflamed:--
Yes, God and man might now approve me
If thou hadst lived, and lived to love me!
SIR W. SCOTT.
106. THE FORSAKEN BRIDE.
O waly waly, up the bank,
And waly waly down the brae,
And waly waly yon burn-side
Where I and my Love wont to gae!
I leant my back unto an aik,
I thought it was a trusty tree;
But first it bow'd, and syne it brak,
Sae my true Love did lichtly me.
O waly waly, but love be bonny
A little time while it is new;
But when 'tis auld, it waxeth cauld,
And fades awa' like morning dew.
O wherefore should I busk my head?
Or wherefore should I kame my hair?
For my true Love has me forsook,
And says he'll never loe me mair.
Now Arthur-seat sall be my bed;
The sheets sall ne'er be prest by me:
Saint Anton's well sall be my drink,
Since my true Love has forsaken me.
Marti'mas wind, when wilt thou blaw
And shake the green leaves aff the tree?
O gentle Death, when wilt thou come?
For of my life I am wearie.
'Tis not the frost, that freezes fell,
Nor blawing snaw's inclemencie,
'Tis not sic cauld that makes me cry,
But my Love's heart grown cauld to me.
When we came in by Glasgow town
We were a comely sight to see;
My Love was clad in the black velvet,
And I mysell in cramasie.
But had I wist, before I kist,
That love had been sae ill to win,
I had lockt my heart in a case of gowd
And pinn'd it wi' a siller pin.
And O! if my young babe were born,
And set upon the nurse's knee,
And I mysell were dead and gane,
And the green grass growing over me!
ANON.
107. FAIR HELEN.
I wish I were where Helen lies;
Night and day on me she cries;
O that I were where Helen lies
On fair Kirconnell lea.
Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!
O think na but my heart was sair,
When my Love dropt down and spak nae mair!
I laid her down wi' meikle care,
On fair Kirconnell lea.
As I went down the water side,
None but my foe to be my guide,
None but my foe to be my guide,
On fair Kirconnell lea;
I lighted down my sword to draw,
I hacked him in pieces sma',
I hacked him in pieces sma',
For her sake that died for me.
O Helen fair, beyond compare!
I'll make a garland of thy hair
Shall bind my heart for evermair
Until the day I die.
O that I were where Helen lies!
Night and day on me she cries;
Out of my bed she bids me rise,
Says, "Haste, and come to me! "
O Helen fair! O Helen chaste!
If I were with thee, I were blest,
Where thou lies low and takes thy rest
On fair Kirconnell lea.
I wish my grave were growing green,
A winding-sheet drawn ower my een,
And I in Helen's arms lying,
On fair Kirconnell lea.
I wish I were where Helen lies;
Night and day on me she cries;
And I am weary of the skies,
Since my Love died for me.
ANON.
108. THE TWA CORBIES.
As I was walking all alane
I heard twa corbies making a mane;
The tane unto the t'other say,
"Where sall we gang and dine to-day? "
"--In behint yon auld fail dyke,
I wot there lies a new-slain Knight;
And naebody kens that he lies there,
But his hawk, his hound, and lady fair.
"His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady's ta'en another mate,
So we may mak our dinner sweet.
"Ye'll sit on his white hause-bane,
And I'll pick out his bonny blue een:
Wi' ae lock o' his gowden hair
We'll theek our nest when it grows bare.
"Mony a one for him makes mane,
But nane sall ken where he is gane;
O'er his white banes, when they are bare,
The wind sall blaw for evermair. "
ANON.
109. TO BLOSSOMS.
Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past,
But you may stay yet here awhile
To blush and gently smile,
And go at last.
What, were ye born to be
An hour or half's delight;
And so to bid good-night?
'Twas pity Nature brought ye forth,
Merely to show your worth,
And lose you quite.
But you are lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave:
And after they have shown their pride
Like you, awhile, they glide
Into the grave.
R. HERRICK.
110. TO DAFFODILS.
Fair Daffodils, we weep to see
You haste away so soon
As yet the early-rising Sun
Has not attain'd his noon.
Stay, stay,
Until the hasting day
Has run
But to the even-song;
And, having pray'd together, we
Will go with you along.
We have short time to stay, as you,
We have as short a Spring;
As quick a growth to meet decay
As you, or any thing.
We die
As your hours do, and dry
Away
Like to the summer's rain;
Or as the pearls of morning's dew
Ne'er to be found again.
R. HERRICK.
111. THOUGHTS IN A GARDEN.
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their incessant labours see
Crown'd from some single herb or tree,
Whose short and narrow-verged shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of Repose.
Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.
No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress' name:
Little, alas! they know or heed
How far these beauties hers exceed!
Fair trees! where'er your barks I wound,
No name shall but your own be found.
When we have run our passions' heat,
Love hither makes his best retreat:
The gods, who mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so
Only that she might laurel grow;
And Pan did after Syrinx speed
Not as a nymph, but for a reed.
What wondrous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons, as I pass,
Ensnared with flowers, I fall on grass.
Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that's made
To a green thought in a green shade.
Here at the fountain's sliding foot
Or at some fruit-tree's mossy root,
Casting the body's vest aside
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and claps its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.
Such was that happy Garden-state
While man there walk'd without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But 'twas beyond a mortal's share
To wander solitary there:
Two paradises are in one,
To live in Paradise alone.
How well the skilful gardener drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th' industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon'd, but with herbs and flowers!
A. MARVELL.
112. L'ALLEGRO.
Hence, loathed Melancholy,
Of Cerberus and blackest Midnight born
In Stygian cave forlorn
'Mongst horrid shapes, and shrieks, and sights unholy!
Find out some uncouth cell
Where brooding Darkness spreads his jealous wings
And the night-raven sings;
There, under ebon shades and low-browed rocks
As ragged as thy locks,
In dark Cimmerian desert ever dwell.
But come, thou Goddess fair and free,
In heaven yclept Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus at a birth
With two sister Graces more
To ivy-crowned Bacchus bore:
Or whether (as some sager sing)
The frolic wind that breathes the spring
Zephyr, with Aurora playing,
As he met her once a-Maying--
There, on beds of violets blue
And fresh-blown roses wash'd in dew
Fill'd her with thee, a daughter fair,
So buxom, blithe, and debonair.
Haste thee, Nymph, and bring with thee
Jest, and youthful jollity,
Quips, and cranks, and wanton wiles,
Nods, and becks, and wreathed smiles
Such as hang on Hebe's cheek,
And love to live in dimple sleek;
Sport that wrinkled Care derides,
And Laughter holding both his sides:--
Come, and trip it as you go
On the light fantastic toe;
And in thy right hand lead with thee
The mountain-nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crew,
To live with her, and live with thee,
In unreproved pleasures free;
To hear the lark begin his flight
And singing startle the dull night
From his watch-tower in the skies,
Till the dappled dawn doth rise:
Then to come, in spite of sorrow,
And at my window bid good-morrow,
Through the sweetbriar, or the vine,
Or the twisted eglantine:
While the cock with lively din,
Scatters the rear of darkness thin,
And to the stack, or the barn-door,
Stoutly struts his dames before:
Oft listening how the hounds and horn
Cheerly rouse the slumbering morn,
From the side of some hoar hill,
Through the high wood echoing shrill:
Sometime walking, not unseen,
By hedgerow elms, on hillocks green,
Right against the eastern gate
Where the great Sun begins his state
Robed in flames and amber light,
The clouds in thousand liveries dight;
While the ploughman, near at hand,
Whistles o'er the furrow'd land,
And the milkmaid singeth blithe,
And the mower whets his scythe,
And every shepherd tells his tale
Under the hawthorn in the dale.
Straight mine eye hath caught new pleasures
Whilst the landscape round it measures;
Russet lawns, and fallows gray,
Where the nibbling flocks do stray;
Mountains, on whose barren breast
The labouring clouds do often rest;
Meadows trim with daisies pied;
Shallow brooks, and rivers wide;
Towers and battlements it sees
Bosom'd high in tufted trees,
Where perhaps some Beauty lies,
The Cynosure of neighbouring eyes.
Hard by, a cottage chimney smokes
From betwixt two aged oaks,
Where Corydon and Thyrsis, met
Are at their savoury dinner set
Of herbs, and other country messes,
Which the neat-handed Phyllis dresses;
And then in haste her bower she leaves
With Thestylis to bind the sheaves;
Or, if the earlier season lead,
To the tann'd haycock in the mead.
Sometimes with secure delight
The upland hamlets will invite,
When the merry bells ring round,
And the jocund rebecks sound
To many a youth and many a maid,
Dancing in the chequer'd shade;
And young and old come forth to play
On a sun-shine holy-day,
Till the live-long day-light fail:
Then to the spicy nut-brown ale,
With stories told of many a feat,
How faery Mab the junkets eat;
She was pinch'd and pull'd, she said;
And he, by friar's lantern led,
Tells how the drudging Goblin sweat
To earn his cream-bowl duly set,
When in one night, ere glimpse of morn,
His shadowy flail hath thresh'd the corn
That ten day-labourers could not end;
Then lies him down the lubber fiend,
And, stretch'd out all the chimney's length,
Basks at the fire his hairy strength;
And crop-full out of doors he flings,
Ere the first cock his matin rings.
Thus done the tales, to bed they creep,
By whispering winds soon lull'd asleep.
Tower'd cities please us then,
And the busy hum of men,
Where throngs of knights and barons bold,
In weeds of peace high triumphs hold,
With store of ladies, whose bright eyes
Rain influence, and judge the prize
Of wit or arms, while both contend
To win her grace whom all commend.
There let Hymen oft appear
In saffron robe, with taper clear,
And pomp, and feast, and revelry,
With mask, and antique pageantry;
Such sights as youthful poets dream
On summer eves by haunted stream.
Then to the well-trod stage anon,
If Jonson's learned sock be on,
Or sweetest Shakspeare, Fancy's child,
Warble his native wood-notes wild.
And ever against eating cares,
Lap me in soft Lydian airs
Married to immortal verse,
Such as the meeting soul may pierce
In notes, with many a winding bout
Of linked sweetness long drawn out,
With wanton heed and giddy cunning
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;
That Orpheus' self may heave his head
From golden slumber, on a bed
Of heap'd Elysian flowers, and hear
Such strains as would have won the ear
Of Pluto, to have quite set free
His half-regain'd Eurydice.
These delights if thou canst give,
Mirth, with thee I mean to live.
J. MILTON.
113. IL PENSEROSO.
Hence, vain deluding Joys,
The brood of Folly without father bred!
How little you bestead
Or fill the fixed mind with all your toys!
Dwell in some idle brain,
And fancies fond with gaudy shapes possess
As thick and numberless
As the gay motes that people the sunbeams,
Or likest hovering dreams
The fickle pensioners of Morpheus' train.
But hail, thou goddess sage and holy,
Hail, divinest Melancholy!
Whose saintly visage is too bright
To hit the sense of human sight,
And therefore to our weaker view
O'erlaid with black, staid Wisdom's hue;
Black, but such as in esteem
Prince Memnon's sister might beseem.
Or that starr'd Ethiop queen that strove
To set her beauty's praise above
The sea-nymphs, and their powers offended.
Yet thou art higher far descended:
Thee bright-hair'd Vesta, long of yore,
To solitary Saturn bore;
His daughter she; in Saturn's reign
Such mixture was not held a stain:
Oft in glimmering bowers and glades
He met her, and in secret shades
Of woody Ida's inmost grove,
Whilst yet there was no fear of Jove.
Come, pensive nun, devout and pure,
Sober, steadfast, and demure,
All in a robe of darkest grain
Flowing with majestic train,
And sable stole of cypres lawn
Over thy decent shoulders drawn:
Come, but keep thy wonted state,
With even step, and musing gait,
And looks commercing with the skies,
Thy rapt soul sitting in thine eyes:
There, held in holy passion still,
Forget thyself to marble, till
With a sad leaden downward cast
Thou fix them on the earth as fast:
And join with thee calm Peace, and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring
Aye round about Jove's altar sing:
And add to these retired Leisure
That in trim gardens takes his pleasure:--
But first, and chiefest, with thee bring
Him that yon soars on golden wing,
Guiding the fiery-wheeled throne,
The cherub Contemplation;
And the mute Silence hist along,
'Less Philomel will deign a song,
In her sweetest saddest plight,
Smoothing the rugged brow of Night,
While Cynthia checks her dragon yoke
Gently o'er the accustom'd oak.
--Sweet bird, that shunn'st the noise of folly,
Most musical, most melancholy!
Thee, chauntress, oft the woods among
I woo, to hear thy even-song;
And, missing thee, I walk unseen
On the dry smooth-shaven green,
To behold the wandering moon,
Riding near her highest noon,
Like one that had been led astray
Through the heaven's wide pathless way,
And oft, as if her head she bow'd,
Stooping through a fleecy cloud.
Oft, on a plat of rising ground
I hear the far-off curfeu sound,
Over some wide-water'd shore,
Swinging slow with sullen roar;
Or, if the air will not permit,
Some still removed place will fit,
Where glowing embers through the room
Teach light to counterfeit a gloom;
Far from all resort of mirth,
Save the cricket on the hearth,
Or the bellman's drowsy charm
To bless the doors from nightly harm.
Or let my lamp at midnight hour
Be seen in some high lonely tower,
Where I may oft out-watch the Bear,
With thrice-great Hermes, or unsphere
The spirit of Plato, to unfold
What worlds or what vast regions hold
The immortal mind that hath forsook
Her mansion in this fleshy nook:
And of those demons that are found
In fire, air, flood, or under ground,
Whose power hath a true consent
With planet, or with element.
Sometime let gorgeous Tragedy
In sceptr'd pall come sweeping by
Presenting Thebes, or Pelops' line,
Or the tale of Troy divine;
Or what (though rare) of later age
Ennobled hath the buskin'd stage.
But, O sad Virgin, that thy power
Might raise Musaeus from his bower,
Or bid the soul of Orpheus sing
Such notes as, warbled to the string,
Drew iron tears down Pluto's cheek
And made Hell grant what Love did seek!
Or call up him that left half-told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canace to wife
That own'd the virtuous ring and glass;
And of the wondrous horse of brass
On which the Tartar king did ride;
And if aught else great bards beside
In sage and solemn tunes have sung
Of tourneys, and of trophies hung,
Of forests, and enchantments drear,
Where more is meant than meets the ear.
Thus, Night, oft see me in thy pale career,
Till civil-suited Morn appear,
Not trick'd and frounced as she was wont
With the Attic Boy to hunt,
But kercheft in a comely cloud
While rocking winds are piping loud,
Or usher'd with a shower still,
When the gust hath blown his fill,
Ending on the rustling leaves
With minute drops from off the eaves.
And when the sun begins to fling
His flaring beams, me, goddess, bring
To arched walks of twilight groves,
And shadows brown, that Sylvan loves,
Of pine, or monumental oak,
Where the rude axe, with heaved stroke,
Was never heard the nymphs to daunt
Or fright them from their hallow'd haunt.
There in close covert by some brook
Where no profaner eye may look,
Hide me from day's garish eye,
While the bee with honey'd thigh,
That at her flowery work doth sing,
And the waters murmuring,
With such consort as they keep
Entice the dewy-feather'd Sleep.
And let some strange mysterious dream
Wave at his wings in aery stream
Of lively portraiture display'd,
Softly on my eyelids laid:
And, as I wake, sweet music breathe
Above, about, or underneath,
Sent by some spirit to mortals good,
Or the unseen Genius of the wood.
But let my due feet never fail
To walk the studious cloister's pale,
And love the high-embowed roof,
With antique pillars massy proof,
And storied windows richly dight
Casting a dim religious light:
There let the pealing organ blow
To the full-voiced quire below
In service high and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heaven before mine eyes.
And may at last my weary age
Find out the peaceful hermitage,
The hairy gown and mossy cell,
Where I may sit and rightly spell
Of every star that heaven doth show,
And every herb that sips the dew;
Till old experience do attain
To something like prophetic strain.
These pleasures, Melancholy, give,
And I with thee will choose to live.
J. MILTON.
114. SONG OF THE EMIGRANTS IN BERMUDA.
Where the remote Bermudas ride
In the ocean's bosom unespied,
From a small boat that row'd along
The listening woods received this song.
"What should we do but sing His praise
That led us through the watery maze
Where He the huge sea-monsters wracks,
That lift the deep upon their backs,
Unto an isle so long unknown,
And yet far kinder than our own?
He lands us on a grassy stage,
Safe from the storms, and prelate's rage:
He gave us this eternal spring
Which here enamels everything,
And sends the fowls to us in care
On daily visits through the air.
He hangs in shades the orange bright
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows:
He makes the figs our mouths to meet,
And throws the melons at our feet;
But apples plants of such a price,
No tree could ever bear them twice.
With cedars chosen by His hand
From Lebanon He stores the land;
And makes the hollow seas that roar
Proclaim the ambergris on shore.
He cast (of which we rather boast)
The Gospel's pearl upon our coast;
And in these rocks for us did frame
A temple where to sound His name.
O let our voice His praise exalt
Till it arrive at Heaven's vault,
Which then perhaps rebounding may
Echo beyond the Mexique bay! "
--Thus sung they in the English boat
A holy and a cheerful note:
And all the way, to guide their chime,
With falling oars they kept the time.
A. MARVELL.
115. AT A SOLEMN MUSIC.
Blest pair of Sirens, pledges of Heaven's joy,
Sphere-born harmonious Sisters, Voice, and Verse,
Wed your divine sounds, and mixt power employ
Dead things with inbreathed sense able to pierce,
And to our high-raised phantasy present
That undisturbed Song of pure concent,
Ay sung before the sapphire-colour'd throne
To Him that sits thereon,
With saintly shout and solemn jubilee;
Where the bright Seraphim in burning row
Their loud uplifted angel-trumpets blow;
And the Cherubic host in thousand quires
Touch their immortal harps of golden wires,
With those just Spirits that wear victorious palms
Hymns devout and holy psalms
Singing everlastingly:
That we on earth, with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion'd sin
Jarr'd against nature's chime, and with harsh din
Broke the fair music that all creatures made
To their great Lord, whose love their motion sway'd
In perfect diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heaven, till God ere long
To His celestial consort us unite,
To live with Him, and sing in endless morn of light!
J. MILTON.
116. ALEXANDER'S FEAST, OR, THE POWER OF MUSIC.
'Twas at the royal feast for Persia won
By Philip's warlike son--
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around;
Their brows with roses and with myrtles bound
(So should desert in arms be crown'd).
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:--
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair.
Timotheus placed on high
Amid the tuneful quire
With flying fingers touch'd the lyre:
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above--
Such is the power of mighty love!
A dragon's fiery form belied the god;
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast;
Then round her slender waist he curl'd,
And stamp'd an image of himself, a sovereign of the world.
--The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravish'd ears
The monarch hears,
Assumes the god;
Affects to nod
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung:
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flush'd with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes; and thrice he slew the slain!
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and check'd his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
--With downcast looks the joyless victor sate,
Revolving in his alter'd soul
The various turns of Chance below;
And now and then a sigh he stole;
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures,
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble,
Never ending, still beginning;
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
--The many rend the skies with loud applause;
So Love was crown'd, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sigh'd and look'd, sigh'd and look'd,
Sigh'd and look'd, and sigh'd again:
At length, with love and wine at once opprest
The vanquish'd victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder,
And rouse him, like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead,
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arise!
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
--The princes applaud with a furious joy:
And the king seized a flambeau with zeal to destroy;
Thais led the way,
To light him to his prey,
And like another Helen, fired another Troy!
--Thus, long ago,
Ere heaving bellows learn'd to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
--Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
J. DRYDEN.
THIRD BOOK.
SUMMARY.
It is more difficult to characterise the English Poetry of the
eighteenth century than that of any other. For it was an age not only of
spontaneous transition, but of bold experiment: it includes not only
such divergences of thought as distinguished the "Rape of the Lock" from
the "Parish Register," but such vast contemporaneous differences as lie
between Pope and Collins, Burns and Cowper. Yet we may clearly trace
three leading moods or tendencies:--the aspects of courtly or educated
life represented by Pope and carried to exhaustion by his followers; the
poetry of Nature and of Man, viewed through a cultivated, and at the
same time an impassioned frame of mind by Collins and Gray:--lastly, the
study of vivid and simple narrative, including natural description,
begun by Gay and Thomson, pursued by Burns and others in the north, and
established in England by Goldsmith, Percy, Crabbe, and Cowper. Great
varieties in style accompanied these diversities in aim: poets could not
always distinguish the manner suitable for subjects so far apart; and
the union of the language of courtly and of common life, exhibited most
conspicuously by Burns, has given a tone to the poetry of that century
which is better explained by reference to its historical origin than by
naming it, in the common criticism of our day, artificial. There is
again, a nobleness of thought, a courageous aim at high and, in a strict
sense manly, excellence in many of the writers:--nor can that period be
justly termed tame and wanting in originality, which produced poems such
as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey,
the songs of Burns and Cowper. In truth Poetry at this as at all times
was a more or less unconscious mirror of the genius of the age; and the
brave and admirable spirit of Enquiry which made the eighteenth century
the turning-time in European civilisation is reflected faithfully in its
verse. An intelligent reader will find the influence of Newton as
markedly in the poems of Pope, as of Elizabeth in the plays of
Shakespeare. On this great subject, however, these indications must here
be sufficient.
117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE.
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She woos the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.
New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the sky-lark warbles high
His trembling thrilling ecstasy;
And lessening from the dazzled sight,
Melts into air and liquid light.
Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.
Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.
Still, where rosy Pleasure leads,
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.
See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
T. GRAY.
118. SOLITUDE.
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire;
Whose trees in summer yield him shade
In winter, fire.
Blest, who can unconcern'dly find
Hours, days, and years, slide soft away
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
A. POPE.
119. THE BLIND BOY.
O say what is that thing call'd Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
C. CIBBER.
120. ON A FAVOURITE CAT, DROWNED IN A TUB OF GOLD FISHES.
'Twas on a lofty vase's side
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind
The pensive Selima, reclined,
Gazed on the lake below.
Her conscious tail her joy declared:
The fair round face, the snowy beard,
The velvet of her paws,
Her coat that with the tortoise vies,
Her ears of jet, and emerald eyes--
She saw, and purr'd applause.
Still had she gazed, but 'midst the tide
Two angel forms were seen to glide,
The Genii of the stream:
Their scaly armour's Tyrian hue
Through richest purple, to the view
Betray'd a golden gleam.
The hapless Nymph with wonder saw;
A whisker first, and then a claw
With many an ardent wish
She stretch'd, in vain, to reach the prize--
What female heart can gold despise?
What cat's averse to fish?
Presumptuous maid! with looks intent
Again she stretch'd, again she bent,
Nor knew the gulf between--
Malignant Fate sat by and smiled--
The slippery verge her feet beguiled;
She tumbled headlong in!
Eight times emerging from the flood,
She mew'd to every watery God
Some speedy aid to send:--
No Dolphin came, no Nereid stirr'd,
Nor cruel Tom nor Susan heard--
A favourite has no friend!
From hence, ye Beauties! undeceived
Know one false step is ne'er retrieved,
And be with caution bold:
Not all that tempts your wandering eyes
And heedless hearts, is lawful prize,
Nor all that glisters, gold!
T. GRAY.
121. TO CHARLOTTE PULTENEY.
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song.
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandon'd to thy will,
Yet imagining no ill,
Yet too innocent to blush,
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy petty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:--
This thy present happy lot
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
A. PHILIPS.
122. RULE BRITANNIA.
When Britain first at Heaven's command
Arose from out the azure main,
This was the charter of her land,
And guardian angels sung the strain:
Rule Brittania! Brittania rules the waves!
Britons never shall be slaves.
The nations not so blest as thee
Must in their turn to tyrants fall,
Whilst thou shalt flourish great and free
The dread and envy of them all.
Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies
Serves but to root thy native oak.
Thee haughty tyrants ne'er shall tame;
All their attempts to bend thee down
Will but arouse thy generous flame,
And work their woe and thy renown.
To thee belongs the rural reign;
Thy cities shall with commerce shine;
All thine shall be the subject main,
And every shore it circles thine!
The Muses, still with Freedom found,
Shall to thy happy coast repair;
Blest Isle, with matchless beauty crown'd,
And manly hearts to guard the fair:--
Rule Britannia! Brittania rules the waves!
Britons never shall be slaves!
J. THOMSON.
123. THE BARD.
_Pindaric Ode. _
"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fann'd by Conquest's crimson wing
They mock the air with idle state.
Helm, nor hauberk's twisted mail
Nor e'en thy virtues, tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears! "
--Such were the sounds that o'er the crested pride
Of the first Edward scatter'd wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array:--
Stout Glo'ster stood aghast in speechless trance;
"To arms! " cried Mortimer, and couch'd quivering lance.
On a rock, whose haughty brow
Frowns o'er old Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Stream'd like a meteor to the troubled air)
And with a master's hand and prophet's fire
Struck the deep sorrows of his lyre:
"Hark, how each giant oak and desert-cave
Sighs to the torrent's awful voice beneath!
90. TO CELIA.
Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.
I sent thee late a rosy wreath,
Not so much honouring thee
As giving it a hope that there
It could not wither'd be;
But thou thereon didst only breathe
And sent'st it back to me;
Since when it grows, and smells, I swear,
Not of itself but thee!
B. JONSON.
91. CHERRY-RIPE.
There is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do grow;
There cherries grow that none may buy,
Till Cherry-Ripe themselves do cry.
Those cherries fairly do enclose
Of orient pearl a double row,
Which when her lovely laughter shows,
They look like rose-buds fill'd with snow:
Yet them no peer nor prince can buy
Till Cherry-Ripe themselves do cry.
Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat'ning with piercing frowns to kill
All that approach with eye or hand
These sacred cherries to come nigh,
--Till Cherry-Ripe themselves do cry!
ANON.
92. THE POETRY OF DRESS.
I.
A sweet disorder in the dress
Kindles in clothes a wantonness:--
A lawn about the shoulders thrown
Into a fine distraction,--
An erring lace, which here and there
Enthrals the crimson stomacher,--
A cuff neglectful, and thereby
Ribbands to flow confusedly,--
A winning wave, deserving note,
In the tempestuous petticoat,--
A careless shoe-string, in whose tie
I see a wild civility;--
Do more bewitch me, than when art
Is too precise in every part.
R. HERRICK.
93. --II.
Whenas in silks my Julia goes
Then, then (methinks) how sweetly flows
That liquefaction of her clothes.
Next, when I cast mine eyes and see
That brave vibration each way free;
O how that glittering taketh me!
R. HERRICK.
94. --III.
My Love in her attire doth shew her wit,
It doth so well become her;
For every season she hath dressings fit,
For Winter, Spring, and Summer.
No beauty she doth miss
When all her robes are on
But Beauty's self she is
When all her robes are gone.
ANON.
95. ON A GIRDLE.
That which her slender waist confined
Shall now my joyful temples bind:
No monarch but would give his crown
His arms might do what this has done.
It was my Heaven's extremest sphere,
The pale which held that lovely deer:
My joy, my grief, my hope, my love
Did all within this circle move.
A narrow compass! and yet there
Dwelt all that's good, and all that's fair:
Give me but what this ribband bound,
Take all the rest the Sun goes round.
E. WALLER.
96. TO ANTHEA WHO MAY COMMAND HIM ANY THING.
Bid me to live, and I will live
Thy Protestant to be;
Or bid me love, and I will give
A loving heart to thee.
A heart as soft, a heart as kind,
A heart as sound and free
As in the whole world thou canst find,
That heart I'll give to thee.
Bid that heart stay, and it will stay,
To honour thy decree:
Or bid it languish quite away,
And 't shall do so for thee.
Bid me to weep, and I will weep,
While I have eyes to see:
And having none, yet I will keep
A heart to weep for thee.
Bid me despair, and I'll despair,
Under that cypress tree:
Or bid me die, and I will dare
E'en Death, to die for thee.
Thou art my life, my love, my heart,
The very eyes of me,
And hast command of every part,
To live and die for thee.
R. HERRICK.
97.
Love not me for comely grace,
For my pleasing eye or face,
Nor for any outward part,
No, nor for a constant heart,--
For these may fail, or turn to ill,
So thou and I shall sever:
Keep, therefore, a true woman's eye,
And love me still, but know not why--
So hast thou the same reason still
To doat upon me ever!
ANON.
98.
Not, Celia, that I juster am
Or better than the rest;
For I would change each hour, like them,
Were not my heart at rest.
But I am tied to very thee
By every thought I have;
Thy face I only care to see,
Thy heart I only crave.
All that in woman is adored
In thy dear self I find--
For the whole sex can but afford
The handsome and the kind.
Why then should I seek further store,
And still make love anew?
When change itself can give no more,
'Tis easy to be true.
SIR C. SEDLEY.
99. TO ALTHEA FROM PRISON.
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fetter'd to her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses crown'd,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free--
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
COLONEL LOVELACE.
100. TO LUCASTA, ON GOING BEYOND THE SEAS.
If to be absent were to be
Away from thee;
Or that when I am gone
You or I were alone;
Then, my Lucasta, might I crave
Pity from blustering wind, or swallowing wave.
Though seas and land betwixt us both,
Our faith and troth,
Like separated souls,
All time and space controls:
Above the highest sphere we meet
Unseen, unknown; and greet as Angels greet.
So then we do anticipate
Our after-fate,
And are alive i' the skies,
If thus our lips and eyes
Can speak like spirits unconfined
In Heaven, their earthy bodies left behind.
COLONEL LOVELACE.
101. ENCOURAGEMENTS TO A LOVER.
Why so pale and wan, fond lover?
Prythee, why so pale?
Will, if looking well can't move her,
Looking ill prevail?
Prythee, why so pale?
Why so dull and mute, young sinner?
Prythee, why so mute?
Will, when speaking well can't win her,
Saying nothing do't?
Prythee, why so mute?
Quit, quit for shame! This will not move,
This cannot take her;
If of herself she will not love,
Nothing can make her:
The D----l take her!
SIR J. SUCKLING.
102. A SUPPLICATION.
Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.
Hark! how the strings awake:
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.
Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure.
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.
Sleep, sleep again my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.
A. COWLEY.
103. THE MANLY HEART.
Shall I, wasting in despair,
Die because a woman's fair?
Or my cheeks make pale with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flowery meads in May--
If she be not so to me,
What care I how fair she be?
Shall my foolish heart be pined
'Cause I see a woman kind;
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?
Shall a woman's virtues move
Me to perish for her love?
Or her merit's value known
Make me quite forget my own?
Be she with that goodness blest
Which may gain her name of Best;
If she be not such to me,
What care I how good she be?
'Cause her fortune seems too high,
Shall I play the fool and die?
Those that bear a noble mind
Where they want of riches find,
Think what with them they would do
Who without them dare to woo;
And unless that mind I see,
What care I how great she be?
Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?
G. WITHER.
104. MELANCHOLY.
Hence, all you vain delights,
As short as are the nights
Wherein you spend your folly
There's naught in this life sweet
If men were wise to see't,
But only melancholy,
O sweetest Melancholy!
Welcome, folded arms and fixed eyes,
A sigh that piercing mortifies,
A look that's fasten'd to the ground,
A tongue chain'd up without a sound!
Fountain-heads and pathless groves,
Places which pale passion loves!
Moonlight walks, when all the fowls
Are warmly housed save bats and owls!
A midnight bell, a parting groan!
These are the sounds we feed upon;
Then stretch our bones in a still gloomy valley;
Nothing's so dainty sweet as lovely melancholy.
J. FLETCHER.
105. TO A LOCK OF HAIR.
Thy hue, dear pledge, is pure and bright
As in that well-remember'd night
When first thy mystic braid was wove,
And first my Agnes whisper'd love.
Since then how often hast thou prest
The torrid zone of this wild breast,
Whose wrath and hate have sworn to dwell
With the first sin that peopled hell;
A breast whose blood's a troubled ocean,
Each throb the earthquake's wild commotion!
O if such clime thou canst endure
Yet keep thy hue unstain'd and pure,
What conquest o'er each erring thought
Of that fierce realm had Agnes wrought!
I had not wander'd far and wide
With such an angel for my guide;
Nor heaven nor earth could then reprove me
If she had lived, and lived to love me.
Not then this world's wild joys had been
To me one savage hunting scene,
My sole delight the headlong race,
And frantic hurry of the chase;
To start, pursue, and bring to bay,
Rush in, drag down, and rend my prey,
Then--from the carcase turn away!
Mine ireful mood had sweetness tamed,
And soothed each wound which pride inflamed:--
Yes, God and man might now approve me
If thou hadst lived, and lived to love me!
SIR W. SCOTT.
106. THE FORSAKEN BRIDE.
O waly waly, up the bank,
And waly waly down the brae,
And waly waly yon burn-side
Where I and my Love wont to gae!
I leant my back unto an aik,
I thought it was a trusty tree;
But first it bow'd, and syne it brak,
Sae my true Love did lichtly me.
O waly waly, but love be bonny
A little time while it is new;
But when 'tis auld, it waxeth cauld,
And fades awa' like morning dew.
O wherefore should I busk my head?
Or wherefore should I kame my hair?
For my true Love has me forsook,
And says he'll never loe me mair.
Now Arthur-seat sall be my bed;
The sheets sall ne'er be prest by me:
Saint Anton's well sall be my drink,
Since my true Love has forsaken me.
Marti'mas wind, when wilt thou blaw
And shake the green leaves aff the tree?
O gentle Death, when wilt thou come?
For of my life I am wearie.
'Tis not the frost, that freezes fell,
Nor blawing snaw's inclemencie,
'Tis not sic cauld that makes me cry,
But my Love's heart grown cauld to me.
When we came in by Glasgow town
We were a comely sight to see;
My Love was clad in the black velvet,
And I mysell in cramasie.
But had I wist, before I kist,
That love had been sae ill to win,
I had lockt my heart in a case of gowd
And pinn'd it wi' a siller pin.
And O! if my young babe were born,
And set upon the nurse's knee,
And I mysell were dead and gane,
And the green grass growing over me!
ANON.
107. FAIR HELEN.
I wish I were where Helen lies;
Night and day on me she cries;
O that I were where Helen lies
On fair Kirconnell lea.
Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!
O think na but my heart was sair,
When my Love dropt down and spak nae mair!
I laid her down wi' meikle care,
On fair Kirconnell lea.
As I went down the water side,
None but my foe to be my guide,
None but my foe to be my guide,
On fair Kirconnell lea;
I lighted down my sword to draw,
I hacked him in pieces sma',
I hacked him in pieces sma',
For her sake that died for me.
O Helen fair, beyond compare!
I'll make a garland of thy hair
Shall bind my heart for evermair
Until the day I die.
O that I were where Helen lies!
Night and day on me she cries;
Out of my bed she bids me rise,
Says, "Haste, and come to me! "
O Helen fair! O Helen chaste!
If I were with thee, I were blest,
Where thou lies low and takes thy rest
On fair Kirconnell lea.
I wish my grave were growing green,
A winding-sheet drawn ower my een,
And I in Helen's arms lying,
On fair Kirconnell lea.
I wish I were where Helen lies;
Night and day on me she cries;
And I am weary of the skies,
Since my Love died for me.
ANON.
108. THE TWA CORBIES.
As I was walking all alane
I heard twa corbies making a mane;
The tane unto the t'other say,
"Where sall we gang and dine to-day? "
"--In behint yon auld fail dyke,
I wot there lies a new-slain Knight;
And naebody kens that he lies there,
But his hawk, his hound, and lady fair.
"His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady's ta'en another mate,
So we may mak our dinner sweet.
"Ye'll sit on his white hause-bane,
And I'll pick out his bonny blue een:
Wi' ae lock o' his gowden hair
We'll theek our nest when it grows bare.
"Mony a one for him makes mane,
But nane sall ken where he is gane;
O'er his white banes, when they are bare,
The wind sall blaw for evermair. "
ANON.
109. TO BLOSSOMS.
Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past,
But you may stay yet here awhile
To blush and gently smile,
And go at last.
What, were ye born to be
An hour or half's delight;
And so to bid good-night?
'Twas pity Nature brought ye forth,
Merely to show your worth,
And lose you quite.
But you are lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave:
And after they have shown their pride
Like you, awhile, they glide
Into the grave.
R. HERRICK.
110. TO DAFFODILS.
Fair Daffodils, we weep to see
You haste away so soon
As yet the early-rising Sun
Has not attain'd his noon.
Stay, stay,
Until the hasting day
Has run
But to the even-song;
And, having pray'd together, we
Will go with you along.
We have short time to stay, as you,
We have as short a Spring;
As quick a growth to meet decay
As you, or any thing.
We die
As your hours do, and dry
Away
Like to the summer's rain;
Or as the pearls of morning's dew
Ne'er to be found again.
R. HERRICK.
111. THOUGHTS IN A GARDEN.
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their incessant labours see
Crown'd from some single herb or tree,
Whose short and narrow-verged shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of Repose.
Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.
No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress' name:
Little, alas! they know or heed
How far these beauties hers exceed!
Fair trees! where'er your barks I wound,
No name shall but your own be found.
When we have run our passions' heat,
Love hither makes his best retreat:
The gods, who mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so
Only that she might laurel grow;
And Pan did after Syrinx speed
Not as a nymph, but for a reed.
What wondrous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons, as I pass,
Ensnared with flowers, I fall on grass.
Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that's made
To a green thought in a green shade.
Here at the fountain's sliding foot
Or at some fruit-tree's mossy root,
Casting the body's vest aside
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and claps its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.
Such was that happy Garden-state
While man there walk'd without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But 'twas beyond a mortal's share
To wander solitary there:
Two paradises are in one,
To live in Paradise alone.
How well the skilful gardener drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th' industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon'd, but with herbs and flowers!
A. MARVELL.
112. L'ALLEGRO.
Hence, loathed Melancholy,
Of Cerberus and blackest Midnight born
In Stygian cave forlorn
'Mongst horrid shapes, and shrieks, and sights unholy!
Find out some uncouth cell
Where brooding Darkness spreads his jealous wings
And the night-raven sings;
There, under ebon shades and low-browed rocks
As ragged as thy locks,
In dark Cimmerian desert ever dwell.
But come, thou Goddess fair and free,
In heaven yclept Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus at a birth
With two sister Graces more
To ivy-crowned Bacchus bore:
Or whether (as some sager sing)
The frolic wind that breathes the spring
Zephyr, with Aurora playing,
As he met her once a-Maying--
There, on beds of violets blue
And fresh-blown roses wash'd in dew
Fill'd her with thee, a daughter fair,
So buxom, blithe, and debonair.
Haste thee, Nymph, and bring with thee
Jest, and youthful jollity,
Quips, and cranks, and wanton wiles,
Nods, and becks, and wreathed smiles
Such as hang on Hebe's cheek,
And love to live in dimple sleek;
Sport that wrinkled Care derides,
And Laughter holding both his sides:--
Come, and trip it as you go
On the light fantastic toe;
And in thy right hand lead with thee
The mountain-nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crew,
To live with her, and live with thee,
In unreproved pleasures free;
To hear the lark begin his flight
And singing startle the dull night
From his watch-tower in the skies,
Till the dappled dawn doth rise:
Then to come, in spite of sorrow,
And at my window bid good-morrow,
Through the sweetbriar, or the vine,
Or the twisted eglantine:
While the cock with lively din,
Scatters the rear of darkness thin,
And to the stack, or the barn-door,
Stoutly struts his dames before:
Oft listening how the hounds and horn
Cheerly rouse the slumbering morn,
From the side of some hoar hill,
Through the high wood echoing shrill:
Sometime walking, not unseen,
By hedgerow elms, on hillocks green,
Right against the eastern gate
Where the great Sun begins his state
Robed in flames and amber light,
The clouds in thousand liveries dight;
While the ploughman, near at hand,
Whistles o'er the furrow'd land,
And the milkmaid singeth blithe,
And the mower whets his scythe,
And every shepherd tells his tale
Under the hawthorn in the dale.
Straight mine eye hath caught new pleasures
Whilst the landscape round it measures;
Russet lawns, and fallows gray,
Where the nibbling flocks do stray;
Mountains, on whose barren breast
The labouring clouds do often rest;
Meadows trim with daisies pied;
Shallow brooks, and rivers wide;
Towers and battlements it sees
Bosom'd high in tufted trees,
Where perhaps some Beauty lies,
The Cynosure of neighbouring eyes.
Hard by, a cottage chimney smokes
From betwixt two aged oaks,
Where Corydon and Thyrsis, met
Are at their savoury dinner set
Of herbs, and other country messes,
Which the neat-handed Phyllis dresses;
And then in haste her bower she leaves
With Thestylis to bind the sheaves;
Or, if the earlier season lead,
To the tann'd haycock in the mead.
Sometimes with secure delight
The upland hamlets will invite,
When the merry bells ring round,
And the jocund rebecks sound
To many a youth and many a maid,
Dancing in the chequer'd shade;
And young and old come forth to play
On a sun-shine holy-day,
Till the live-long day-light fail:
Then to the spicy nut-brown ale,
With stories told of many a feat,
How faery Mab the junkets eat;
She was pinch'd and pull'd, she said;
And he, by friar's lantern led,
Tells how the drudging Goblin sweat
To earn his cream-bowl duly set,
When in one night, ere glimpse of morn,
His shadowy flail hath thresh'd the corn
That ten day-labourers could not end;
Then lies him down the lubber fiend,
And, stretch'd out all the chimney's length,
Basks at the fire his hairy strength;
And crop-full out of doors he flings,
Ere the first cock his matin rings.
Thus done the tales, to bed they creep,
By whispering winds soon lull'd asleep.
Tower'd cities please us then,
And the busy hum of men,
Where throngs of knights and barons bold,
In weeds of peace high triumphs hold,
With store of ladies, whose bright eyes
Rain influence, and judge the prize
Of wit or arms, while both contend
To win her grace whom all commend.
There let Hymen oft appear
In saffron robe, with taper clear,
And pomp, and feast, and revelry,
With mask, and antique pageantry;
Such sights as youthful poets dream
On summer eves by haunted stream.
Then to the well-trod stage anon,
If Jonson's learned sock be on,
Or sweetest Shakspeare, Fancy's child,
Warble his native wood-notes wild.
And ever against eating cares,
Lap me in soft Lydian airs
Married to immortal verse,
Such as the meeting soul may pierce
In notes, with many a winding bout
Of linked sweetness long drawn out,
With wanton heed and giddy cunning
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;
That Orpheus' self may heave his head
From golden slumber, on a bed
Of heap'd Elysian flowers, and hear
Such strains as would have won the ear
Of Pluto, to have quite set free
His half-regain'd Eurydice.
These delights if thou canst give,
Mirth, with thee I mean to live.
J. MILTON.
113. IL PENSEROSO.
Hence, vain deluding Joys,
The brood of Folly without father bred!
How little you bestead
Or fill the fixed mind with all your toys!
Dwell in some idle brain,
And fancies fond with gaudy shapes possess
As thick and numberless
As the gay motes that people the sunbeams,
Or likest hovering dreams
The fickle pensioners of Morpheus' train.
But hail, thou goddess sage and holy,
Hail, divinest Melancholy!
Whose saintly visage is too bright
To hit the sense of human sight,
And therefore to our weaker view
O'erlaid with black, staid Wisdom's hue;
Black, but such as in esteem
Prince Memnon's sister might beseem.
Or that starr'd Ethiop queen that strove
To set her beauty's praise above
The sea-nymphs, and their powers offended.
Yet thou art higher far descended:
Thee bright-hair'd Vesta, long of yore,
To solitary Saturn bore;
His daughter she; in Saturn's reign
Such mixture was not held a stain:
Oft in glimmering bowers and glades
He met her, and in secret shades
Of woody Ida's inmost grove,
Whilst yet there was no fear of Jove.
Come, pensive nun, devout and pure,
Sober, steadfast, and demure,
All in a robe of darkest grain
Flowing with majestic train,
And sable stole of cypres lawn
Over thy decent shoulders drawn:
Come, but keep thy wonted state,
With even step, and musing gait,
And looks commercing with the skies,
Thy rapt soul sitting in thine eyes:
There, held in holy passion still,
Forget thyself to marble, till
With a sad leaden downward cast
Thou fix them on the earth as fast:
And join with thee calm Peace, and Quiet,
Spare Fast, that oft with gods doth diet,
And hears the Muses in a ring
Aye round about Jove's altar sing:
And add to these retired Leisure
That in trim gardens takes his pleasure:--
But first, and chiefest, with thee bring
Him that yon soars on golden wing,
Guiding the fiery-wheeled throne,
The cherub Contemplation;
And the mute Silence hist along,
'Less Philomel will deign a song,
In her sweetest saddest plight,
Smoothing the rugged brow of Night,
While Cynthia checks her dragon yoke
Gently o'er the accustom'd oak.
--Sweet bird, that shunn'st the noise of folly,
Most musical, most melancholy!
Thee, chauntress, oft the woods among
I woo, to hear thy even-song;
And, missing thee, I walk unseen
On the dry smooth-shaven green,
To behold the wandering moon,
Riding near her highest noon,
Like one that had been led astray
Through the heaven's wide pathless way,
And oft, as if her head she bow'd,
Stooping through a fleecy cloud.
Oft, on a plat of rising ground
I hear the far-off curfeu sound,
Over some wide-water'd shore,
Swinging slow with sullen roar;
Or, if the air will not permit,
Some still removed place will fit,
Where glowing embers through the room
Teach light to counterfeit a gloom;
Far from all resort of mirth,
Save the cricket on the hearth,
Or the bellman's drowsy charm
To bless the doors from nightly harm.
Or let my lamp at midnight hour
Be seen in some high lonely tower,
Where I may oft out-watch the Bear,
With thrice-great Hermes, or unsphere
The spirit of Plato, to unfold
What worlds or what vast regions hold
The immortal mind that hath forsook
Her mansion in this fleshy nook:
And of those demons that are found
In fire, air, flood, or under ground,
Whose power hath a true consent
With planet, or with element.
Sometime let gorgeous Tragedy
In sceptr'd pall come sweeping by
Presenting Thebes, or Pelops' line,
Or the tale of Troy divine;
Or what (though rare) of later age
Ennobled hath the buskin'd stage.
But, O sad Virgin, that thy power
Might raise Musaeus from his bower,
Or bid the soul of Orpheus sing
Such notes as, warbled to the string,
Drew iron tears down Pluto's cheek
And made Hell grant what Love did seek!
Or call up him that left half-told
The story of Cambuscan bold,
Of Camball, and of Algarsife,
And who had Canace to wife
That own'd the virtuous ring and glass;
And of the wondrous horse of brass
On which the Tartar king did ride;
And if aught else great bards beside
In sage and solemn tunes have sung
Of tourneys, and of trophies hung,
Of forests, and enchantments drear,
Where more is meant than meets the ear.
Thus, Night, oft see me in thy pale career,
Till civil-suited Morn appear,
Not trick'd and frounced as she was wont
With the Attic Boy to hunt,
But kercheft in a comely cloud
While rocking winds are piping loud,
Or usher'd with a shower still,
When the gust hath blown his fill,
Ending on the rustling leaves
With minute drops from off the eaves.
And when the sun begins to fling
His flaring beams, me, goddess, bring
To arched walks of twilight groves,
And shadows brown, that Sylvan loves,
Of pine, or monumental oak,
Where the rude axe, with heaved stroke,
Was never heard the nymphs to daunt
Or fright them from their hallow'd haunt.
There in close covert by some brook
Where no profaner eye may look,
Hide me from day's garish eye,
While the bee with honey'd thigh,
That at her flowery work doth sing,
And the waters murmuring,
With such consort as they keep
Entice the dewy-feather'd Sleep.
And let some strange mysterious dream
Wave at his wings in aery stream
Of lively portraiture display'd,
Softly on my eyelids laid:
And, as I wake, sweet music breathe
Above, about, or underneath,
Sent by some spirit to mortals good,
Or the unseen Genius of the wood.
But let my due feet never fail
To walk the studious cloister's pale,
And love the high-embowed roof,
With antique pillars massy proof,
And storied windows richly dight
Casting a dim religious light:
There let the pealing organ blow
To the full-voiced quire below
In service high and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heaven before mine eyes.
And may at last my weary age
Find out the peaceful hermitage,
The hairy gown and mossy cell,
Where I may sit and rightly spell
Of every star that heaven doth show,
And every herb that sips the dew;
Till old experience do attain
To something like prophetic strain.
These pleasures, Melancholy, give,
And I with thee will choose to live.
J. MILTON.
114. SONG OF THE EMIGRANTS IN BERMUDA.
Where the remote Bermudas ride
In the ocean's bosom unespied,
From a small boat that row'd along
The listening woods received this song.
"What should we do but sing His praise
That led us through the watery maze
Where He the huge sea-monsters wracks,
That lift the deep upon their backs,
Unto an isle so long unknown,
And yet far kinder than our own?
He lands us on a grassy stage,
Safe from the storms, and prelate's rage:
He gave us this eternal spring
Which here enamels everything,
And sends the fowls to us in care
On daily visits through the air.
He hangs in shades the orange bright
Like golden lamps in a green night,
And does in the pomegranates close
Jewels more rich than Ormus shows:
He makes the figs our mouths to meet,
And throws the melons at our feet;
But apples plants of such a price,
No tree could ever bear them twice.
With cedars chosen by His hand
From Lebanon He stores the land;
And makes the hollow seas that roar
Proclaim the ambergris on shore.
He cast (of which we rather boast)
The Gospel's pearl upon our coast;
And in these rocks for us did frame
A temple where to sound His name.
O let our voice His praise exalt
Till it arrive at Heaven's vault,
Which then perhaps rebounding may
Echo beyond the Mexique bay! "
--Thus sung they in the English boat
A holy and a cheerful note:
And all the way, to guide their chime,
With falling oars they kept the time.
A. MARVELL.
115. AT A SOLEMN MUSIC.
Blest pair of Sirens, pledges of Heaven's joy,
Sphere-born harmonious Sisters, Voice, and Verse,
Wed your divine sounds, and mixt power employ
Dead things with inbreathed sense able to pierce,
And to our high-raised phantasy present
That undisturbed Song of pure concent,
Ay sung before the sapphire-colour'd throne
To Him that sits thereon,
With saintly shout and solemn jubilee;
Where the bright Seraphim in burning row
Their loud uplifted angel-trumpets blow;
And the Cherubic host in thousand quires
Touch their immortal harps of golden wires,
With those just Spirits that wear victorious palms
Hymns devout and holy psalms
Singing everlastingly:
That we on earth, with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion'd sin
Jarr'd against nature's chime, and with harsh din
Broke the fair music that all creatures made
To their great Lord, whose love their motion sway'd
In perfect diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heaven, till God ere long
To His celestial consort us unite,
To live with Him, and sing in endless morn of light!
J. MILTON.
116. ALEXANDER'S FEAST, OR, THE POWER OF MUSIC.
'Twas at the royal feast for Persia won
By Philip's warlike son--
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around;
Their brows with roses and with myrtles bound
(So should desert in arms be crown'd).
The lovely Thais by his side
Sate like a blooming eastern bride
In flower of youth and beauty's pride:--
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair.
Timotheus placed on high
Amid the tuneful quire
With flying fingers touch'd the lyre:
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above--
Such is the power of mighty love!
A dragon's fiery form belied the god;
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast;
Then round her slender waist he curl'd,
And stamp'd an image of himself, a sovereign of the world.
--The listening crowd admire the lofty sound!
A present deity! they shout around:
A present deity! the vaulted roofs rebound!
With ravish'd ears
The monarch hears,
Assumes the god;
Affects to nod
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung:
Of Bacchus ever fair and ever young:
The jolly god in triumph comes!
Sound the trumpets, beat the drums!
Flush'd with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes; and thrice he slew the slain!
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and check'd his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate,
And weltering in his blood;
Deserted, at his utmost need,
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
--With downcast looks the joyless victor sate,
Revolving in his alter'd soul
The various turns of Chance below;
And now and then a sigh he stole;
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred-sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures,
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble,
Never ending, still beginning;
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
--The many rend the skies with loud applause;
So Love was crown'd, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sigh'd and look'd, sigh'd and look'd,
Sigh'd and look'd, and sigh'd again:
At length, with love and wine at once opprest
The vanquish'd victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder,
And rouse him, like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead,
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arise!
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
--The princes applaud with a furious joy:
And the king seized a flambeau with zeal to destroy;
Thais led the way,
To light him to his prey,
And like another Helen, fired another Troy!
--Thus, long ago,
Ere heaving bellows learn'd to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came,
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
--Let old Timotheus yield the prize
Or both divide the crown;
He raised a mortal to the skies;
She drew an angel down!
J. DRYDEN.
THIRD BOOK.
SUMMARY.
It is more difficult to characterise the English Poetry of the
eighteenth century than that of any other. For it was an age not only of
spontaneous transition, but of bold experiment: it includes not only
such divergences of thought as distinguished the "Rape of the Lock" from
the "Parish Register," but such vast contemporaneous differences as lie
between Pope and Collins, Burns and Cowper. Yet we may clearly trace
three leading moods or tendencies:--the aspects of courtly or educated
life represented by Pope and carried to exhaustion by his followers; the
poetry of Nature and of Man, viewed through a cultivated, and at the
same time an impassioned frame of mind by Collins and Gray:--lastly, the
study of vivid and simple narrative, including natural description,
begun by Gay and Thomson, pursued by Burns and others in the north, and
established in England by Goldsmith, Percy, Crabbe, and Cowper. Great
varieties in style accompanied these diversities in aim: poets could not
always distinguish the manner suitable for subjects so far apart; and
the union of the language of courtly and of common life, exhibited most
conspicuously by Burns, has given a tone to the poetry of that century
which is better explained by reference to its historical origin than by
naming it, in the common criticism of our day, artificial. There is
again, a nobleness of thought, a courageous aim at high and, in a strict
sense manly, excellence in many of the writers:--nor can that period be
justly termed tame and wanting in originality, which produced poems such
as Pope's Satires, Gray's Odes and Elegy, the ballads of Gay and Carey,
the songs of Burns and Cowper. In truth Poetry at this as at all times
was a more or less unconscious mirror of the genius of the age; and the
brave and admirable spirit of Enquiry which made the eighteenth century
the turning-time in European civilisation is reflected faithfully in its
verse. An intelligent reader will find the influence of Newton as
markedly in the poems of Pope, as of Elizabeth in the plays of
Shakespeare. On this great subject, however, these indications must here
be sufficient.
117. ODE ON THE PLEASURE ARISING FROM VICISSITUDE.
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She woos the tardy Spring:
Till April starts, and calls around
The sleeping fragrance from the ground,
And lightly o'er the living scene
Scatters his freshest, tenderest green.
New-born flocks, in rustic dance,
Frisking ply their feeble feet;
Forgetful of their wintry trance
The birds his presence greet:
But chief, the sky-lark warbles high
His trembling thrilling ecstasy;
And lessening from the dazzled sight,
Melts into air and liquid light.
Yesterday the sullen year
Saw the snowy whirlwind fly;
Mute was the music of the air,
The herd stood drooping by:
Their raptures now that wildly flow
No yesterday nor morrow know;
'Tis Man alone that joy descries
With forward and reverted eyes.
Smiles on past Misfortune's brow
Soft Reflection's hand can trace,
And o'er the cheek of Sorrow throw
A melancholy grace;
While Hope prolongs our happier hour,
Or deepest shades, that dimly lour
And blacken round our weary way,
Gilds with a gleam of distant day.
Still, where rosy Pleasure leads,
See a kindred Grief pursue;
Behind the steps that Misery treads
Approaching Comfort view:
The hues of bliss more brightly glow
Chastised by sabler tints of woe,
And blended form, with artful strife,
The strength and harmony of life.
See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening Paradise.
T. GRAY.
118. SOLITUDE.
Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.
Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire;
Whose trees in summer yield him shade
In winter, fire.
Blest, who can unconcern'dly find
Hours, days, and years, slide soft away
In health of body, peace of mind,
Quiet by day,
Sound sleep by night; study and ease
Together mix'd; sweet recreation,
And innocence, which most does please
With meditation.
Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.
A. POPE.
119. THE BLIND BOY.
O say what is that thing call'd Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
C. CIBBER.
120. ON A FAVOURITE CAT, DROWNED IN A TUB OF GOLD FISHES.
'Twas on a lofty vase's side
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind
The pensive Selima, reclined,
Gazed on the lake below.
Her conscious tail her joy declared:
The fair round face, the snowy beard,
The velvet of her paws,
Her coat that with the tortoise vies,
Her ears of jet, and emerald eyes--
She saw, and purr'd applause.
Still had she gazed, but 'midst the tide
Two angel forms were seen to glide,
The Genii of the stream:
Their scaly armour's Tyrian hue
Through richest purple, to the view
Betray'd a golden gleam.
The hapless Nymph with wonder saw;
A whisker first, and then a claw
With many an ardent wish
She stretch'd, in vain, to reach the prize--
What female heart can gold despise?
What cat's averse to fish?
Presumptuous maid! with looks intent
Again she stretch'd, again she bent,
Nor knew the gulf between--
Malignant Fate sat by and smiled--
The slippery verge her feet beguiled;
She tumbled headlong in!
Eight times emerging from the flood,
She mew'd to every watery God
Some speedy aid to send:--
No Dolphin came, no Nereid stirr'd,
Nor cruel Tom nor Susan heard--
A favourite has no friend!
From hence, ye Beauties! undeceived
Know one false step is ne'er retrieved,
And be with caution bold:
Not all that tempts your wandering eyes
And heedless hearts, is lawful prize,
Nor all that glisters, gold!
T. GRAY.
121. TO CHARLOTTE PULTENEY.
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song.
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandon'd to thy will,
Yet imagining no ill,
Yet too innocent to blush,
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy petty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:--
This thy present happy lot
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
A. PHILIPS.
122. RULE BRITANNIA.
When Britain first at Heaven's command
Arose from out the azure main,
This was the charter of her land,
And guardian angels sung the strain:
Rule Brittania! Brittania rules the waves!
Britons never shall be slaves.
The nations not so blest as thee
Must in their turn to tyrants fall,
Whilst thou shalt flourish great and free
The dread and envy of them all.
Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies
Serves but to root thy native oak.
Thee haughty tyrants ne'er shall tame;
All their attempts to bend thee down
Will but arouse thy generous flame,
And work their woe and thy renown.
To thee belongs the rural reign;
Thy cities shall with commerce shine;
All thine shall be the subject main,
And every shore it circles thine!
The Muses, still with Freedom found,
Shall to thy happy coast repair;
Blest Isle, with matchless beauty crown'd,
And manly hearts to guard the fair:--
Rule Britannia! Brittania rules the waves!
Britons never shall be slaves!
J. THOMSON.
123. THE BARD.
_Pindaric Ode. _
"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fann'd by Conquest's crimson wing
They mock the air with idle state.
Helm, nor hauberk's twisted mail
Nor e'en thy virtues, tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears! "
--Such were the sounds that o'er the crested pride
Of the first Edward scatter'd wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array:--
Stout Glo'ster stood aghast in speechless trance;
"To arms! " cried Mortimer, and couch'd quivering lance.
On a rock, whose haughty brow
Frowns o'er old Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Stream'd like a meteor to the troubled air)
And with a master's hand and prophet's fire
Struck the deep sorrows of his lyre:
"Hark, how each giant oak and desert-cave
Sighs to the torrent's awful voice beneath!
