west S~" and
contains
the town of Sidl"-1ham), 30.
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
!
Four Paragraphs')
Heae, w. bcsccch The<: . ? . (from 'The Ulany', 'TI,e Litany
of the Sainu', etc. ), 15'u4, 2$9. 03, 576. 30 heat turned the milk (m 'Letter')
he<:? haw, . 17. tO, ,61. 25,201. 36, 20<1. 0{, 520. 20, 533. 2.
Heigh hoi (JU 'I. ast Monologue Motif. ')
He married his markets (JU 'Anna l. ivia Motili')
II. poin1. 'l the deathbonc and the quick aR OIill, 81. 32, 193. 29,
'95. 05, (45S? 1ol), 547022, 595. 0[ , 628. "4
h? ? hoves his thnmb and fuur fingel"J . . . (the pattern formw
in this motif is that of five poin1. 'l in a ring, and hence of the
circle? trO! o' combination diJcussed above, in Chaptel"J r'our
and Five), 26. ~. h, 352. 28, 6'2. 34, 6'7. 0<1
he spat in hi. fist . . . (a curious but deaIly important motif
whcdc significance entirely "",apet me), 83. 29, (227. 09), 311. 31,326. 20,363. >7
he would bRak his buhheywiggcr', head for hinl, 70. 2! , 81. 2$ hide and ",d<, 35. 09, 66. '7, [61. 22, 312. 35, 374. . 21, 4-51. 26,
462. IO,5. jQ? 34
Hip! Hip! Hurrah! 26. 09, $3. 36, 106. 1 9, 205. ot, 236. 15,
258. 09, 329. 04, 348. 27, (S57? 06), 377,33, 495? [3, 569? 25,
59{? 16
Hi,= Civil J:1Jlm"",sU (se. 'Anna Livia Motif. ')
his bark i. wone than bis bite (applied, in onc 'e. . . . , to Eve',
tr<:e), [68. 05, ,8'. 36,339. 09, ? l7? 0I, 542. '9
hi. lttCat was locust! and wild honey (Mall. 3: 4), [14. 20, 318. 1$
Hohohoho Mr Finn. . . , 5. 09, 58. 16, ? 9-l. 1" ~50. 19, ~93"9, 3[4. 18,3[9. 011,383. 08
,,'
? An lndt. x 4'Motifs in Finntgans Wake hold,. undle to it, ~5P5, ~71. IO, 459,30
Home! (IU 'La. t Monologue Mow;,')
home is home, be it never so homely, '73,'9, ~45? S4, SI8. 05,
3911? 11
H"", AAt qui "",/J p. ;u. (Med. Fr. : 'evil be [to him] who evil
trunks ofthis'- the motto of the Order oftll<: Garter), 29. 32, 35m, "3-'7, 238. 33, (32. 'i. 08), 49. 'i? 2'
hook and I may/who am I to say' 61. 24, '97. 17, 214. 05, 239. 05,330. ,6, H'. o" (6'3'34)
hopes to lOOn hear (Ut 'Letter')
hop, Itcp and jump, 63'36, '99. 0', 232. 30
horn of a bull, hoof of a hone, smile of a Saxon (the doctrine of '. ignatuIC! ! 'j, 127. 29, '36. 32, 3'0. 30, 377. 04
the hospice for the dying, 24-04, 392. 07, 514,'5
hour ofru;ng, 449. 27, s98. '3
the house of the hundred bottle. (appan:ntly cd;,n to a talc
which I han nat been able tu identifyj, 2g. 01, 380" 5
How are you today, my dark ,ir? ,6. 0{, 35. 15, 54. 10 If. , 93. 06,
95? 0. 'i, 160? S', 186. 32, 322. ,6, 4"9,'40 466. 29, 5'1. " How Copenhagen Ended, 10. 2J, 324. 29
how K<"'" the t:I1. cmy? (~ what is the time? j, 352. 10, {69. 23 how long, 0 Lord, how long/Tipoff, K. . . ,m, TiPOf. , 54. 12, [00. 22,
244? '0, '47. 1. 'i, 363. 1I, 395. 06, 452. [0, 587. 36
hue and cry, 34. &2, 68. 20, 103. 05, 106. 0<l, 118. 19, 182. 08,
215. ' 7 , 2. 'i6. 10, 273 . 13, 344. 03, {82 . 25, 517. 19, 558. 23,
563. 01, 6og. 20, 6'0. [7, 6,2'33
Humblady fair (? ), 18. 07, 207"5, (472. 2')
Humph is in hi, dOS" (Ut 'Vikingfather SIC(:p")
the Hundred of Manhood (in England a 'hundred' is a ,ub-
divilion of a county Or shire; Manhood U in lOuth.
west S~" and contains the town of Sidl"-1ham), 30. 08, 54. 25, 911. 01, 26. 1,. 20, 337. 011, 375. 09, (376. 02), 388. 27, {0II. 06,
sg6. 03
I am blad:, but comely (Cant. [:5), [58. 33,550. 20
I am paWng out (Set 'i. aJt Monologue MOI1. &')
'AM THA T I AM (Exod. 3:14), s06. }'5, 455. 23, {81. 35,
? l4? 05, 6o,P3
"7
? An Index ifMotifs in Fil1! Ugmu Wah
itk bin sofrtd! (~r. : " am Ii<) ch<<ky'), I13? ~5, 356. 17
I'd die down over hU r<:<:t (I'" 'Last Monologue Motifs') I Jail to""", '5,. 26, ~71. 07, 558,34
ifi? . and and< "",re pots and pan. there'd he no more work for the Linke", 455. 17, 46S. ~8
IfI",enhimbt,aringdownon1m? . ? (sa'Lan Monologue Motif. ')
I have met YO"1OO late . . . im the many accounts ofJoyce'.
early m<<ting witb Yeal. 1), 37. 13, 60. 29, '55. n, 245. 22,
345. 13, 408. 16
I have trodden the winepreM alone (h. 63:S), 20. '-'9, 212. 16,
5-1,2. 11
ill-hallowed hill, 7. 33, 436. 29, 565. ~ , 587. lf
I'm going (SI< 'Anna Livia MotifS')
l""". paia (I. at. : 'the rcproachel'- C hrist'l add,. . ,. . to the
people on Good Friday), 278. oS, fS6. '-'9, . j. 8po
in JU~JU ilI;'I;~ ill. ""'port ('in those days', 'at tbat time'-
Latin formulae u",d in the M. . . . to introduce Leoon and Gospel
respectively), '9. 3', 74. 06, 82. Q, ,61,. 340 310. ,6, 385. 03, 386. 07, 390. 20
inhannoniow crcatiom ? . . ,109. 23, ,88. 26 in hi. heart of heart. , ,88. 3', 3:,6. ", 396. ' , '" ilt. . trmjxJtt (su 'i~ ditb-. illis' )
in meili4< m, ,:,6. 07, (Sg/l. 08), 423. 111
in Mmi"" PdIris. / Filii rt SpiriWs Stw;ti, 128. 33, '53. 3', ,61:"',
220. 25, 235. 04, 273? Ff, 286. 22, 33'. '4, 339. 36, 37'. 0', 4'9. '-'9,440"4, . j. 82. 0', 529. 30, 6n. go, 6'4. 3'
in other word. , 260. 26, 285. 22
in point offact, 60,'7. ,62. ,6, 350. 05, 365. 3? , 532. '-'9
in the btginning . . . (Gen. ':'; John,:,; the 11M: of the word. to bt,gin botb o:r. and a Gospel i. a prim. ""ample of a>1ICtItm. . ), '7. 22, 30. '2, 56. 20, 129"0, ,Gg. M, 2U. 03, 239. 23, 271. 23, 277. 12, 282. 05, (287? 06), 30'. 03, 378. 29, 468. 05, (. j. 8J? '5), 417. 20, 59-! ,? 02, 59po
in the mid" of life we "'" in de. . th (from tbe 'Order fOT the Burial of the Dead'). II . 32, l:! o. 34, ,67. 27, 2tk2f, 376. 28,
384-09
".
? . An Inthx of Motifr in Filllltgans Wake
ip the fWUt ofthy face . bal! tho<I eat b~ad (Gen. 3''9).
~ ,gII. os, ~ 56J? 19
2
,. 06.
in the twinkling of an er<' (I Cor. ' 5'52), 279? l"33, 4'>6. ,. ,
324. 03. 336. 28. 408-01, (426,'5).
524? ~4, &. 10,'5
i. ";/III ~ (I<< 'Fint Monologue Motifs')
I "'e 'hent Ning (m 'La. . t MonO)! ogue Motifs')
is life worth living? I~. o! , (I7~. 09), 230. 25, ~6g. FI
1 urt"f~r l'<I. . . tfom til _dnuWl4tu. .
lit ~U" """ 11s1 /#TpMIl . , . Aru.
Heae, w. bcsccch The<: . ? . (from 'The Ulany', 'TI,e Litany
of the Sainu', etc. ), 15'u4, 2$9. 03, 576. 30 heat turned the milk (m 'Letter')
he<:? haw, . 17. tO, ,61. 25,201. 36, 20<1. 0{, 520. 20, 533. 2.
Heigh hoi (JU 'I. ast Monologue Motif. ')
He married his markets (JU 'Anna l. ivia Motili')
II. poin1. 'l the deathbonc and the quick aR OIill, 81. 32, 193. 29,
'95. 05, (45S? 1ol), 547022, 595. 0[ , 628. "4
h? ? hoves his thnmb and fuur fingel"J . . . (the pattern formw
in this motif is that of five poin1. 'l in a ring, and hence of the
circle? trO! o' combination diJcussed above, in Chaptel"J r'our
and Five), 26. ~. h, 352. 28, 6'2. 34, 6'7. 0<1
he spat in hi. fist . . . (a curious but deaIly important motif
whcdc significance entirely "",apet me), 83. 29, (227. 09), 311. 31,326. 20,363. >7
he would bRak his buhheywiggcr', head for hinl, 70. 2! , 81. 2$ hide and ",d<, 35. 09, 66. '7, [61. 22, 312. 35, 374. . 21, 4-51. 26,
462. IO,5. jQ? 34
Hip! Hip! Hurrah! 26. 09, $3. 36, 106. 1 9, 205. ot, 236. 15,
258. 09, 329. 04, 348. 27, (S57? 06), 377,33, 495? [3, 569? 25,
59{? 16
Hi,= Civil J:1Jlm"",sU (se. 'Anna Livia Motif. ')
his bark i. wone than bis bite (applied, in onc 'e. . . . , to Eve',
tr<:e), [68. 05, ,8'. 36,339. 09, ? l7? 0I, 542. '9
hi. lttCat was locust! and wild honey (Mall. 3: 4), [14. 20, 318. 1$
Hohohoho Mr Finn. . . , 5. 09, 58. 16, ? 9-l. 1" ~50. 19, ~93"9, 3[4. 18,3[9. 011,383. 08
,,'
? An lndt. x 4'Motifs in Finntgans Wake hold,. undle to it, ~5P5, ~71. IO, 459,30
Home! (IU 'La. t Monologue Mow;,')
home is home, be it never so homely, '73,'9, ~45? S4, SI8. 05,
3911? 11
H"", AAt qui "",/J p. ;u. (Med. Fr. : 'evil be [to him] who evil
trunks ofthis'- the motto of the Order oftll<: Garter), 29. 32, 35m, "3-'7, 238. 33, (32. 'i. 08), 49. 'i? 2'
hook and I may/who am I to say' 61. 24, '97. 17, 214. 05, 239. 05,330. ,6, H'. o" (6'3'34)
hopes to lOOn hear (Ut 'Letter')
hop, Itcp and jump, 63'36, '99. 0', 232. 30
horn of a bull, hoof of a hone, smile of a Saxon (the doctrine of '. ignatuIC! ! 'j, 127. 29, '36. 32, 3'0. 30, 377. 04
the hospice for the dying, 24-04, 392. 07, 514,'5
hour ofru;ng, 449. 27, s98. '3
the house of the hundred bottle. (appan:ntly cd;,n to a talc
which I han nat been able tu identifyj, 2g. 01, 380" 5
How are you today, my dark ,ir? ,6. 0{, 35. 15, 54. 10 If. , 93. 06,
95? 0. 'i, 160? S', 186. 32, 322. ,6, 4"9,'40 466. 29, 5'1. " How Copenhagen Ended, 10. 2J, 324. 29
how K<"'" the t:I1. cmy? (~ what is the time? j, 352. 10, {69. 23 how long, 0 Lord, how long/Tipoff, K. . . ,m, TiPOf. , 54. 12, [00. 22,
244? '0, '47. 1. 'i, 363. 1I, 395. 06, 452. [0, 587. 36
hue and cry, 34. &2, 68. 20, 103. 05, 106. 0<l, 118. 19, 182. 08,
215. ' 7 , 2. 'i6. 10, 273 . 13, 344. 03, {82 . 25, 517. 19, 558. 23,
563. 01, 6og. 20, 6'0. [7, 6,2'33
Humblady fair (? ), 18. 07, 207"5, (472. 2')
Humph is in hi, dOS" (Ut 'Vikingfather SIC(:p")
the Hundred of Manhood (in England a 'hundred' is a ,ub-
divilion of a county Or shire; Manhood U in lOuth.
west S~" and contains the town of Sidl"-1ham), 30. 08, 54. 25, 911. 01, 26. 1,. 20, 337. 011, 375. 09, (376. 02), 388. 27, {0II. 06,
sg6. 03
I am blad:, but comely (Cant. [:5), [58. 33,550. 20
I am paWng out (Set 'i. aJt Monologue MOI1. &')
'AM THA T I AM (Exod. 3:14), s06. }'5, 455. 23, {81. 35,
? l4? 05, 6o,P3
"7
? An Index ifMotifs in Fil1! Ugmu Wah
itk bin sofrtd! (~r. : " am Ii<) ch<<ky'), I13? ~5, 356. 17
I'd die down over hU r<:<:t (I'" 'Last Monologue Motifs') I Jail to""", '5,. 26, ~71. 07, 558,34
ifi? . and and< "",re pots and pan. there'd he no more work for the Linke", 455. 17, 46S. ~8
IfI",enhimbt,aringdownon1m? . ? (sa'Lan Monologue Motif. ')
I have met YO"1OO late . . . im the many accounts ofJoyce'.
early m<<ting witb Yeal. 1), 37. 13, 60. 29, '55. n, 245. 22,
345. 13, 408. 16
I have trodden the winepreM alone (h. 63:S), 20. '-'9, 212. 16,
5-1,2. 11
ill-hallowed hill, 7. 33, 436. 29, 565. ~ , 587. lf
I'm going (SI< 'Anna Livia MotifS')
l""". paia (I. at. : 'the rcproachel'- C hrist'l add,. . ,. . to the
people on Good Friday), 278. oS, fS6. '-'9, . j. 8po
in JU~JU ilI;'I;~ ill. ""'port ('in those days', 'at tbat time'-
Latin formulae u",d in the M. . . . to introduce Leoon and Gospel
respectively), '9. 3', 74. 06, 82. Q, ,61,. 340 310. ,6, 385. 03, 386. 07, 390. 20
inhannoniow crcatiom ? . . ,109. 23, ,88. 26 in hi. heart of heart. , ,88. 3', 3:,6. ", 396. ' , '" ilt. . trmjxJtt (su 'i~ ditb-. illis' )
in meili4< m, ,:,6. 07, (Sg/l. 08), 423. 111
in Mmi"" PdIris. / Filii rt SpiriWs Stw;ti, 128. 33, '53. 3', ,61:"',
220. 25, 235. 04, 273? Ff, 286. 22, 33'. '4, 339. 36, 37'. 0', 4'9. '-'9,440"4, . j. 82. 0', 529. 30, 6n. go, 6'4. 3'
in other word. , 260. 26, 285. 22
in point offact, 60,'7. ,62. ,6, 350. 05, 365. 3? , 532. '-'9
in the btginning . . . (Gen. ':'; John,:,; the 11M: of the word. to bt,gin botb o:r. and a Gospel i. a prim. ""ample of a>1ICtItm. . ), '7. 22, 30. '2, 56. 20, 129"0, ,Gg. M, 2U. 03, 239. 23, 271. 23, 277. 12, 282. 05, (287? 06), 30'. 03, 378. 29, 468. 05, (. j. 8J? '5), 417. 20, 59-! ,? 02, 59po
in the mid" of life we "'" in de. . th (from tbe 'Order fOT the Burial of the Dead'). II . 32, l:! o. 34, ,67. 27, 2tk2f, 376. 28,
384-09
".
? . An Inthx of Motifr in Filllltgans Wake
ip the fWUt ofthy face . bal! tho<I eat b~ad (Gen. 3''9).
~ ,gII. os, ~ 56J? 19
2
,. 06.
in the twinkling of an er<' (I Cor. ' 5'52), 279? l"33, 4'>6. ,. ,
324. 03. 336. 28. 408-01, (426,'5).
524? ~4, &. 10,'5
i. ";/III ~ (I<< 'Fint Monologue Motifs')
I "'e 'hent Ning (m 'La. . t MonO)! ogue Motifs')
is life worth living? I~. o! , (I7~. 09), 230. 25, ~6g. FI
1 urt"f~r l'<I. . . tfom til _dnuWl4tu. .
lit ~U" """ 11s1 /#TpMIl . , . Aru.
