' An imme~ and bewildering grab-bag of fag-endo of philooophy, wrillen in a
naively thrilling and pugnaciouJ tone wlliclt mwt haw: pIe'.
naively thrilling and pugnaciouJ tone wlliclt mwt haw: pIe'.
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
" "';"11 1 I _ .
ded.
. . . . ,. ,_. n
I I. . " " , R<. . . ,. , ol"th<
~l'''"
Onlin&ry; '. . ,? ? "V<<!
,,- """,. n, indi.
1 1 _ ; all ? ,. . . . oordinary? ;
dep<nd'''! r ott ,. . . , oruthalII><
-.
/);,. ,,,,,: ? . . . l<. . . rood. . . . y by
~~
'IIw. a. GoLOO [ Ac. orH,ROU I,
"-
Ao. "":M. ~ IIuman
F. n;o;. u,. do",
[
n. , I. o,. ofhuman "-
Human; <km<>-
",. ,",
Anku. . ,? . . -m
. . . ,. .
,i",; . ru. ru. tio
,
;. ;
Cusrow.
I'o<ti< oc "'. . . Rd'Q"" And
,
I ~"
Cooleric; I"'"",m""
",1;'''- oct - - -- - ,
J""". . . . '<1>
CHAOACTU. tmC
TL""'(" ~";~~~
-
Divi""
lli,th , "'r><"'" P. "
";th . . . . . "''',''' "",o. ! ocrupu""- . . . . . . ,,J. P-
[,. . mc~
M. . . . . . .
-"
? JOI< EIA. . . . . _ " "
_. --.
~,("I
. . . . . . . -
~
'. . . . . ,. , . . . .
I Ar~""'<1! k
-,.
A <liviD< ,. ,. ".
1_
bI. ><w>i,,<<,
u1~;
"P=>ion
-,~
~
[
i
~ . . t;'"11"""'" II. moe; . . . . . ;'\(
-_. wi,h til< trult. """'''',''''' by </'"
"'" ofc<ttoin of tho 1><" ,h<moel " " ,
--
fae! >
P<. . h: burial
l ' u , . . . . . ,
,
? CyduF_
Vim as his 000r<:c. Chiefamong tho:: non? Viconian <:yclc:o which help to mQuld the lines ofFi"",g~1IJ Wod. are the world? ~a of Indian philolophy and the nppost:d gyreo ofYcata' 14 VUio. and Wm"' 'The MenIal Travdler'. ' joya" interut in e. u~m philosophy "e"" to have bun aro~ during his . . . . . . . i~tion with tbe colourful Dublin theosophim, ,,~th whom he mixed
for a time in hll youth. Hi. ! brother Stan;'law wrole thaI thee- tophy wu the only one ofJOYOX" early o:ntbusiums which he
taler coruid~ to be. ll. complete waste of time' but, ahho. . gh Joyce may well have Ugn. :l1ed n01spending his time 10 belter advantage, these de,p~ punuiu provided him with the taw material for a good dn l of rich AUrc in UI,Si't1 and Filwtmu IV"," and had a profound infIuenct on Ihe fonn of the
latter.
J oyce'. literary oources for the bu lk of Ihe Iht(dOphiul
. U. . . . iow in Ul. -. and FUuup1lS Woth Jttm 10 h. "" boen the IUrgKI outpourings of H. P. BI. . . vatsky. While SllOan Gilbert was writing hi. study of Ul. 1""' J oyce 'U~ led 10 him 1ha1 he read in particular Isis U_ii,d, on which Stephen mu. YI KOm- fuDy(U ,80),Joycehadnodoublread1=Oilier. . . vrb-and apccially, puhaps, Tilt Mdabu uuntL--but Isis UlIUI'fuI appears to have been the book he knew ht:! . t.
' An imme~ and bewildering grab-bag of fag-endo of philooophy, wrillen in a
naively thrilling and pugnaciouJ tone wlliclt mwt haw: pIe'. . . ! Joy<<'. insatiable W le for the stridenl and absurd, it is ofcourse hopcl=ly inaccurate and mweading in its pronouncements aboUl the Indian philO$Ophical. sy. tenu. Odd contradictioltl and irre. xmcilah! c points ofview, devdoped throtJgb 1400 Iarge and rambling pages, a. . , all represented,. . manUealations of the
g. . ,at u. . ,O$Ophkal Truth. The aC<:llracy or ultimate vallle of Ihe book were, however, III i,. ,. . ,levanl for Joyce al Ihey are for ! bil SOIdy, and he mighl ""II ha"" JAid ofIsis Ulfvtild,. . he did ofIhe SC. . . . . -ta "'_ : 'I would 1101 pay ovcnnllch attention to
, l'ai< m'=""" . . . . to W. II. Veau,. A 1'"";'" t<V . <<In. , l. <m<kon, 'lr. I7; I ' o t I r J M J I P r m , q I I - "i / I _ S l U t . < : d . G . 1 U y n a . l - << O d o n . ' 9 : . 6 . W . " <>- , 3 .
? S. J"I"'<. IoIJ8rNJw', "I</W. l:md. n, '9~p. '. . . . . , Athmoo, p. ~:JIi.
? H. P. Bb. . . . I>ky. Im~? ? . . . . . . . London,'In. ?
? C"clic Form
th. ,. . , throne. '! , beyond u. ing them for III they a", worth 'I There . . one vital point of. rructu", d. . tinguishing the Vkon_ ian cycl. . fmm aIm""t all the cyclic pattenu which ob,,,. . . ,d Blavauky, for whe",. . . Vico'. throri. . a", oo. . ,d on a tripartite
formula, with a . hort interconnecting link betwttn eycles, nearly ew:ry Indian oystem \lSOS a primarily four_part cycle, with or without a ,hon additional fifth Age. ' Sin"" in some ''''peets a four_part cycle . uits j nyce', purpose, better than dncs a thr""_part, he extend. Vico', fourth age, on the analogy of the Indian cycles, and g;v", it a g",at deal more detailed attention than ;t receives in the &inoZil NUMJtl. He ,till adheres to the g<'neral V;conian prugH. , Birth, Marriage, Death, and RccoM\ituUon_but the ricm", which in Vico is litde IIl<lre than a transitional fiux, . , given aJ; much prominen"" aJ; the other Ag<'s and is even elevated to the supreme moment of the cycle. The new emphasi; ",f1CClJi both Joy""', temperamelll and hi,
perception of the world in which he lived. In the twentieth century the 'ahnihili$a. tion of the etym' (353. ~2) had become a fact in both semel, and j oyce'. environment, al",ady highly fragmented, waJ; made to appear even more on by joyce him_ >elf. Not content with the insecurity of the crumbled Europe in which he had chosen to dwell, he ma. oochistically added to his
insecurity by constant restless movement; not content with the naturally accderaring flux of the English language . . . he round it, he helped it to crumble yel f. . . ter. But whenjoycc d"'troyed i t Wa J ; a l w a Y ' i n o r d e r t o r e b u i l d , f o r t h e p r o c = o f r e c o n s t i t u t i o n r. . . cinated him. He w3. I remarkably uuinte",. red in achieve_ men! 3--cither h. , own penonal and artistic achievemenu, Or the ooci"'"political achievements of Europe- but the flux of the moment never failed to hold h. . attention. In art a. in life it was proce'" rather than result that appealed to him most- how a thing. ;ames to be, rather than what it;" Physical and spiritual gestation of all1cind. ! . delighted him. Nora'. pregnancies, which to her we'" simple human . ;anditions, became fur him ml'"tical evenU worthy oftile de<:pest $cudy. ? He ! pCnt a tbow. and hom. . . ,
? h l l e Y s , p . o~r.
? Ii<< below. p. ~,.
? EJ. l""'n", pp. [g6,:J<i6.
5'
? Cyeii, Form
aC<;Ording to his own reckoning, trying to reproduce the physical procea linguistically in the 'Oxen ofthe Sun' epi! odeof UIy,,"s,' and e","n contrived to make the whole of another book, A Porl,ail, ",fleet in some detail the stag. . of development of the human foetus. ' Thi. inlo,. . . t in the p"""'"" of c",ation is yet more pronounced in FiMllp1U W4k" in which everything, . . , h", frequently be<:n . aid, . . in a constant ,tate of becoming. Joyce oru:e s. aid rather I. . tily to ru. . brother Stanislaw that style w9. . 1 the<mly thing in which he wa. inte"",ted,' but '. tyle' ;' here to k unden tood in the wid. . t possible lensc. For the mature Joyce 'uyle' denoted more than a wayofwnLing; it had become a way of life, or at lea,t . . way of intupteting IW" which, for a man a ! tempcramcnta. lly pallive a ! Joyce, amoun! . 1 10 virtually the urne thing. In Ulyssts his surrogate, Stephen, mUJCd on tho world-book of signa"'r.
. . . . ,. ,_. n
I I. . " " , R<. . . ,. , ol"th<
~l'''"
Onlin&ry; '. . ,? ? "V<<!
,,- """,. n, indi.
1 1 _ ; all ? ,. . . . oordinary? ;
dep<nd'''! r ott ,. . . , oruthalII><
-.
/);,. ,,,,,: ? . . . l<. . . rood. . . . y by
~~
'IIw. a. GoLOO [ Ac. orH,ROU I,
"-
Ao. "":M. ~ IIuman
F. n;o;. u,. do",
[
n. , I. o,. ofhuman "-
Human; <km<>-
",. ,",
Anku. . ,? . . -m
. . . ,. .
,i",; . ru. ru. tio
,
;. ;
Cusrow.
I'o<ti< oc "'. . . Rd'Q"" And
,
I ~"
Cooleric; I"'"",m""
",1;'''- oct - - -- - ,
J""". . . . '<1>
CHAOACTU. tmC
TL""'(" ~";~~~
-
Divi""
lli,th , "'r><"'" P. "
";th . . . . . "''',''' "",o. ! ocrupu""- . . . . . . ,,J. P-
[,. . mc~
M. . . . . . .
-"
? JOI< EIA. . . . . _ " "
_. --.
~,("I
. . . . . . . -
~
'. . . . . ,. , . . . .
I Ar~""'<1! k
-,.
A <liviD< ,. ,. ".
1_
bI. ><w>i,,<<,
u1~;
"P=>ion
-,~
~
[
i
~ . . t;'"11"""'" II. moe; . . . . . ;'\(
-_. wi,h til< trult. """'''',''''' by </'"
"'" ofc<ttoin of tho 1><" ,h<moel " " ,
--
fae! >
P<. . h: burial
l ' u , . . . . . ,
,
? CyduF_
Vim as his 000r<:c. Chiefamong tho:: non? Viconian <:yclc:o which help to mQuld the lines ofFi"",g~1IJ Wod. are the world? ~a of Indian philolophy and the nppost:d gyreo ofYcata' 14 VUio. and Wm"' 'The MenIal Travdler'. ' joya" interut in e. u~m philosophy "e"" to have bun aro~ during his . . . . . . . i~tion with tbe colourful Dublin theosophim, ,,~th whom he mixed
for a time in hll youth. Hi. ! brother Stan;'law wrole thaI thee- tophy wu the only one ofJOYOX" early o:ntbusiums which he
taler coruid~ to be. ll. complete waste of time' but, ahho. . gh Joyce may well have Ugn. :l1ed n01spending his time 10 belter advantage, these de,p~ punuiu provided him with the taw material for a good dn l of rich AUrc in UI,Si't1 and Filwtmu IV"," and had a profound infIuenct on Ihe fonn of the
latter.
J oyce'. literary oources for the bu lk of Ihe Iht(dOphiul
. U. . . . iow in Ul. -. and FUuup1lS Woth Jttm 10 h. "" boen the IUrgKI outpourings of H. P. BI. . . vatsky. While SllOan Gilbert was writing hi. study of Ul. 1""' J oyce 'U~ led 10 him 1ha1 he read in particular Isis U_ii,d, on which Stephen mu. YI KOm- fuDy(U ,80),Joycehadnodoublread1=Oilier. . . vrb-and apccially, puhaps, Tilt Mdabu uuntL--but Isis UlIUI'fuI appears to have been the book he knew ht:! . t.
' An imme~ and bewildering grab-bag of fag-endo of philooophy, wrillen in a
naively thrilling and pugnaciouJ tone wlliclt mwt haw: pIe'. . . ! Joy<<'. insatiable W le for the stridenl and absurd, it is ofcourse hopcl=ly inaccurate and mweading in its pronouncements aboUl the Indian philO$Ophical. sy. tenu. Odd contradictioltl and irre. xmcilah! c points ofview, devdoped throtJgb 1400 Iarge and rambling pages, a. . , all represented,. . manUealations of the
g. . ,at u. . ,O$Ophkal Truth. The aC<:llracy or ultimate vallle of Ihe book were, however, III i,. ,. . ,levanl for Joyce al Ihey are for ! bil SOIdy, and he mighl ""II ha"" JAid ofIsis Ulfvtild,. . he did ofIhe SC. . . . . -ta "'_ : 'I would 1101 pay ovcnnllch attention to
, l'ai< m'=""" . . . . to W. II. Veau,. A 1'"";'" t<V . <<In. , l. <m<kon, 'lr. I7; I ' o t I r J M J I P r m , q I I - "i / I _ S l U t . < : d . G . 1 U y n a . l - << O d o n . ' 9 : . 6 . W . " <>- , 3 .
? S. J"I"'<. IoIJ8rNJw', "I</W. l:md. n, '9~p. '. . . . . , Athmoo, p. ~:JIi.
? H. P. Bb. . . . I>ky. Im~? ? . . . . . . . London,'In. ?
? C"clic Form
th. ,. . , throne. '! , beyond u. ing them for III they a", worth 'I There . . one vital point of. rructu", d. . tinguishing the Vkon_ ian cycl. . fmm aIm""t all the cyclic pattenu which ob,,,. . . ,d Blavauky, for whe",. . . Vico'. throri. . a", oo. . ,d on a tripartite
formula, with a . hort interconnecting link betwttn eycles, nearly ew:ry Indian oystem \lSOS a primarily four_part cycle, with or without a ,hon additional fifth Age. ' Sin"" in some ''''peets a four_part cycle . uits j nyce', purpose, better than dncs a thr""_part, he extend. Vico', fourth age, on the analogy of the Indian cycles, and g;v", it a g",at deal more detailed attention than ;t receives in the &inoZil NUMJtl. He ,till adheres to the g<'neral V;conian prugH. , Birth, Marriage, Death, and RccoM\ituUon_but the ricm", which in Vico is litde IIl<lre than a transitional fiux, . , given aJ; much prominen"" aJ; the other Ag<'s and is even elevated to the supreme moment of the cycle. The new emphasi; ",f1CClJi both Joy""', temperamelll and hi,
perception of the world in which he lived. In the twentieth century the 'ahnihili$a. tion of the etym' (353. ~2) had become a fact in both semel, and j oyce'. environment, al",ady highly fragmented, waJ; made to appear even more on by joyce him_ >elf. Not content with the insecurity of the crumbled Europe in which he had chosen to dwell, he ma. oochistically added to his
insecurity by constant restless movement; not content with the naturally accderaring flux of the English language . . . he round it, he helped it to crumble yel f. . . ter. But whenjoycc d"'troyed i t Wa J ; a l w a Y ' i n o r d e r t o r e b u i l d , f o r t h e p r o c = o f r e c o n s t i t u t i o n r. . . cinated him. He w3. I remarkably uuinte",. red in achieve_ men! 3--cither h. , own penonal and artistic achievemenu, Or the ooci"'"political achievements of Europe- but the flux of the moment never failed to hold h. . attention. In art a. in life it was proce'" rather than result that appealed to him most- how a thing. ;ames to be, rather than what it;" Physical and spiritual gestation of all1cind. ! . delighted him. Nora'. pregnancies, which to her we'" simple human . ;anditions, became fur him ml'"tical evenU worthy oftile de<:pest $cudy. ? He ! pCnt a tbow. and hom. . . ,
? h l l e Y s , p . o~r.
? Ii<< below. p. ~,.
? EJ. l""'n", pp. [g6,:J<i6.
5'
? Cyeii, Form
aC<;Ording to his own reckoning, trying to reproduce the physical procea linguistically in the 'Oxen ofthe Sun' epi! odeof UIy,,"s,' and e","n contrived to make the whole of another book, A Porl,ail, ",fleet in some detail the stag. . of development of the human foetus. ' Thi. inlo,. . . t in the p"""'"" of c",ation is yet more pronounced in FiMllp1U W4k" in which everything, . . , h", frequently be<:n . aid, . . in a constant ,tate of becoming. Joyce oru:e s. aid rather I. . tily to ru. . brother Stanislaw that style w9. . 1 the<mly thing in which he wa. inte"",ted,' but '. tyle' ;' here to k unden tood in the wid. . t possible lensc. For the mature Joyce 'uyle' denoted more than a wayofwnLing; it had become a way of life, or at lea,t . . way of intupteting IW" which, for a man a ! tempcramcnta. lly pallive a ! Joyce, amoun! . 1 10 virtually the urne thing. In Ulyssts his surrogate, Stephen, mUJCd on tho world-book of signa"'r.
