No More Learning

Pinchgut Lane, H"8 Hill, Dark Lane, Gibbet's Mead, Bea"" Walk and Bumbailiff', Lane are tmdieval Dublin placenam. . . . .
In 568. 28, 'cabbuchio gaeden' i, the uhbogt Gnden, a defWlCt Capuchin Cemetery . t the end of Cathedral Lane. The sub_
sequent report . eeI the Lord Mawr reading his incomprel>en- sibl. Addr<u ofWelcomc, while the King makes obscene gestureo
with hi, tongue to blushing ladies looIr;ing down from balconies. Bell, Tiog out. One of d. . f",,"tS honoured by h. . Maj<:$ty'1 pre-
sence is then described (569. 21-8), followed by the vi,it to the TheatreRoyalon2) Augu. t,whichrefleetsm'svi,itrotheGaiety
Thea". . at 032. ''}-O33. '3.
&veral other honnu. . . . bc11OW<<i upon Dublin diJoitaries tm<ae
with the knighthood. Bartholomew VanhoJTlTigh, latheT of Swift', Vanes. . . , was a[}(Kher Lord Mayor. In FW he i, confiated with
. . L o. M. . . . . ,. 1. . 0"",,',AWNXII. . ('97S),66.
Abraham Bradley Ki"ll 25
? the mYthi""l colonist Partllalon, lupposcdly. dir"Ct dnemdant of Noah, beause the rwnc Plonhlolon . . . . . Once an&Iiriz<<l &rfho. . lomc:w. In. 697 WiUiun III prntn. M Vanhorn? . . , . . ilb '. collar ol ss? (? . . . ,. Iled ar 291. 19) for the city. The: comparUon wilb Georae IV'I co""",",ioo i. deans. at 61}. 04- 20. n. . COIJIIUf><I pcrf~ r<hres additionally to one at Ibe Smocl< Alky T h e o t t < = . w h i c h w. . f a t n O U . i n c o n n e c t i o n w i t h D u b l i n ' , t w O , r u t eighteenth? century rival actorimanall"rt, Ibe impcrioua Mouop and the emotional Barry (respectively " and 1:~1 569. }O). In 1, 84 tbe: Vio:croy, the Duke of Rutlllnd, commanded the. . . , the produc. tion ofJohnHom". ~1"' ('My name: i. NONaI, on the Gram.
pian hill? ? . . '). But having rcuntly made him""lf unpoput. r he . . . . . hiued and g. _oed on the command nl&h'.
SirJonah Barrinl'on" aivn u? ? la. n p<huait ofSir Abrlllam Bradley King. Ir $ttJi\I that? ? , his nmu: was King 1M hi. COllI o f a r m s i n d U < k d ? c r o w n , m e m b e n o f t h e c o m m o n 0DWIci1 b q : a n 10 addr~ bim flITJwuly u 'your majesty'. Now. ,bis phrue il I frequent m pointer in FW. F. ". exlmple It the opening ol III. }. wllere II Ircquestioning Yawn (OT information about rn, they com- pt. in that hi. langu. ogf' hal no. one pronounceable term to ,ianify
majnty (478. 08-n).
The thi,d tableau of 111. 4 te. "m plotting the . . . . tCtllion of hi'
tJi/l. to DUn Uoghai. . . , (Dun Leary), rttWned KinlSlOWll. iJI. honour<JIGmrJe',~mrr. thmtt(5b-35~). Meanwhilein the 00. . . . . . . OOIltr:lccptivelo:tOCCUfl bet_ce" m and . . . . This paIS- a~, wilb its ext""";ve employmen. of ericketina 111",10111, hal
been diacutsed by Mr Athenon. " The rae. that it is conn. oepti~ . ,kll '0 the sterilif)' <JI book I ll : the: fruitful thunderword. hawe
ceased to appear . inee 424-10-n.
m in 1II. 4 j, slightly i uuet. (ve of JlOy~'. father u presented
b y S t a n i s l a u l . " J U l 1 a l i n 1 . 3 ( 0 , I . t 1- 1 5 ) w e f o u n d m t c l l i n l t h r . . little boyo Ihe 'lOry of. " ca,lier m, 00 at 587. 01\ '. hr. . joUy pott- boy,. who Ioave jU! ! tcotrlf: from the Theott<= Royal,emcmber m. eet- illi the d"Clining m in. pub. A praktr of his own polS! , he 1Ii11 drink:oo. he Kina'. bet. llt. , but hi. unbi. ionls arc b. ntered down by
~ of calamitin (589. >>-590. 03). n. e lasl tablc1iu IICCS AI day breab they past in. o the: c:i. . . ,1e of rWw! l6, boot: IV.
?
m and . . in u1tima.
e itolarion from the: dream's encumbrances.
. . "" . ,~""*IfNO. 0-r. . . . (I'71--,G>Itw. . . . "l>> III. ,I.
"'s. ,. . . ,PC! a. m. . . F" '4'"W. . . . . Itt T_-. l. Ti/1J>,<4JadP. 001. . . . oneI0;. . Hart(~_. . . o! '>bot '966). ~1i-4.
. . n. c-w"[)"bI;" lMry? ? d. O. II. fk'l7 (" ! loa, "'? . ? 'DC. Uu. . . . ,. ! <)' rr. . . '91t}, I". . . .
? Chapter 2 C
Coincid"",t,'o OPj>fnI'loru",
The OOIle<:ptof. ",bivalenoe, ofthe cooxis! ence ofir~\ablefl, is utterly fascinating. By brooding upon iI, one comes 10 appre- hend irs psycboiogical ubiquity _ ~udo-Diony';u. considered Ihll' God transcends conl",";e,,' and this diCtum was taken by Nichola. of Cusa a. the besl definilion of divinity : 'yQu mm' regard ,he ttntre and ,he poles as coincident, using the help "f your irnaginatinn a. much u pos. ible. " The idea expanded in the brain ofGiordano Bru"n, who wrote: 'Almo. t all things aro IDJ. de up of opp<l. ites. , . . we shall ever find that one opposite is the "",son t M ! the other opposite plea. es and i. desired. " T h . plX>-
nouncemcnCS of N;';hol. , and Bruno g", used in 163. 15-28: 'Theophil' is Theophiluo, HnIno'. mouthpiece in Illch works as n, Itl <<Iusa, p. ;",;pio ? uno and Cnw tU Ia UHeT;.
FW endeavours 10 encomp? ? ? all ambival= by the wn- struet;"n"faunity,m,whichcanalway' be construed a? ? duality, I: and A. VU1. 16. "'4 h. u '2 in I man /'or:'. The duali'tic appl'Ollch
become,; more frequent in book I and re. ::edes as boo! < III i. tfll- ""roed. The critical point. , the nodes of 1. 4 and 111. 3, are
oepar,ued hy ? region of perpetual enfo. . . :cd arnhivakncc. An app",i. . . ! of th;' <><:= t ubsequently, in hook IV :
So thot when we shall have acquired unification we . holl pass on ,,, divc<1ilYand when we shall have pa. . ed on to diversity we shall have aequired the instinct of combat and when we . haI1 haveacquired the instinCt of c"mba' we dull p. o? ? back Ln me <piriI of appeasement? (6 10. 23-7)
S"" abo 7. . . . ' ,. . f", ? . . ,. . ,. 1 ~ of. ambj"l<n<<.
'Mir<n Eli1dt. n. . Ttro ood ,'" 0 . . . If. J. M. &;. ben (I. ond<>o, H. . . . . m
'96~),
'~.
'OfI? ,uJJr-o_. . . . ",. G. H""",(lAndon,~ "'"K<pnPo",
'9~') IT, Ii. '7. . H~Ii. ,. ". . . ",. ".
I. . w;m. ,,,,(1 _ , Rtdwo. lil1) I, II.
? 28 The Sigla of Fi. . . . qans Walt
The generaliZAtion usually made m upbin 'Shon and S. . . . \IIl' is that Shent, C, i. the artist, Joyce himself, Stephen Dedalus, in- trove~d sensibility, where. . S. . . .