No More Learning

36. HOW THE WALL-FLOWER CAME FIRST, AND WHY SO CALLED.

Why this flower is now call'd so,
List, sweet maids, and you shall know.
Understand, this firstling was
Once a brisk and bonnie lass,
Kept as close as Danaë was:
Who a sprightly springall lov'd,
And to have it fully prov'd,
Up she got upon a wall,
Tempting down to slide withal:
But the silken twist untied,
So she fell, and, bruis'd, she died.
Love, in pity of the deed,
And her loving-luckless speed,
Turn'd her to this plant we call
Now _the flower of the wall_.

_Tempting_, trying.


37. WHY FLOWERS CHANGE COLOUR.

These fresh beauties (we can prove)
Once were virgins sick of love.
Turn'd to flowers,--still in some
Colours go and colours come.


38. TO HIS MISTRESS OBJECTING TO HIM NEITHER TOYING OR TALKING.

You say I love not, 'cause I do not play
Still with your curls, and kiss the time away.
You blame me too, because I can't devise
Some sport to please those babies in your eyes:
By love's religion, I must here confess it,
The most I love when I the least express it.
_Small griefs find tongues_: full casks are ever found
To give (if any, yet) but little sound.
_Deep waters noiseless are_; and this we know,
_That chiding streams betray small depth below_.
So, when love speechless is, she doth express
A depth in love and that depth bottomless.
Now, since my love is tongueless, know me such
Who speak but little 'cause I love so much.

_Babies in your eyes_, see Note.


39. UPON THE LOSS OF HIS MISTRESSES.

I have lost, and lately, these
Many dainty mistresses:
Stately Julia, prime of all:
Sappho next, a principal:
Smooth Anthea for a skin
White, and heaven-like crystalline:
Sweet Electra, and the choice
Myrrha for the lute and voice:
Next Corinna, for her wit,
And the graceful use of it:
With Perilla: all are gone;
Only Herrick's left alone
For to number sorrow by
Their departures hence, and die.


40. THE DREAM.

Methought last night Love in an anger came
And brought a rod, so whipt me with the same;
Myrtle the twigs were, merely to imply
Love strikes, but 'tis with gentle cruelty.
Patient I was: Love pitiful grew then
And strok'd the stripes, and I was whole again.
Thus, like a bee, Love gentle still doth bring
Honey to salve where he before did sting.


42. TO LOVE.

I'm free from thee; and thou no more shalt hear
My puling pipe to beat against thine ear.
Farewell my shackles, though of pearl they be;
Such precious thraldom ne'er shall fetter me.
He loves his bonds who, when the first are broke,
Submits his neck unto a second yoke.


43. ON HIMSELF.

Young I was, but now am old,
But I am not yet grown cold;
I can play, and I can twine
'Bout a virgin like a vine:
In her lap too I can lie
Melting, and in fancy die;
And return to life if she
Claps my cheek, or kisseth me:
Thus, and thus it now appears
That our love outlasts our years.


44. LOVE'S PLAY AT PUSH-PIN.

Love and myself, believe me, on a day
At childish push-pin, for our sport, did play;
I put, he pushed, and, heedless of my skin,
Love pricked my finger with a golden pin;
Since which it festers so that I can prove
'Twas but a trick to poison me with love:
Little the wound was, greater was the smart,
The finger bled, but burnt was all my heart.

_Push-pin_, a game in which pins are pushed with an endeavor to cross
them.


45. THE ROSARY.

One ask'd me where the roses grew:
I bade him not go seek,
But forthwith bade my Julia show
A bud in either cheek.


46. UPON CUPID.

Old wives have often told how they
Saw Cupid bitten by a flea;
And thereupon, in tears half drown'd,
He cried aloud: Help, help the wound!
He wept, he sobb'd, he call'd to some
To bring him lint and balsamum,
To make a tent, and put it in
Where the stiletto pierced the skin;
Which, being done, the fretful pain
Assuaged, and he was well again.

_Tent_, a roll of lint for probing wounds.


47. THE PARCÆ; OR, THREE DAINTY DESTINIES: THE ARMILLET.

Three lovely sisters working were,
As they were closely set,
Of soft and dainty maidenhair
A curious armillet.
I, smiling, asked them what they did,
Fair Destinies all three,
Who told me they had drawn a thread
Of life, and 'twas for me.
They show'd me then how fine 'twas spun,
And I reply'd thereto,--
"I care not now how soon 'tis done,
Or cut, if cut by you".


48. SORROWS SUCCEED.

When one is past, another care we have:
_Thus woe succeeds a woe, as wave a wave_.


49. CHERRY-PIT.

Julia and I did lately sit
Playing for sport at cherry-pit:
She threw; I cast; and, having thrown,
I got the pit, and she the stone.

_Cherry-pit_, a game in which cherry-stones were pitched into a small
hole.


50. TO ROBIN REDBREAST.

Laid out for dead, let thy last kindness be
With leaves and moss-work for to cover me:
And while the wood-nymphs my cold corpse inter,
Sing thou my dirge, sweet-warbling chorister!
For epitaph, in foliage, next write this:
_Here, here the tomb of Robin Herrick is_.


51. DISCONTENTS IN DEVON.

More discontents I never had
Since I was born than here,
Where I have been, and still am sad,
In this dull Devonshire;
Yet, justly too, I must confess
I ne'er invented such
Ennobled numbers for the press,
Than where I loathed so much.


52. TO HIS PATERNAL COUNTRY.

O earth! earth! earth! hear thou my voice, and be
Loving and gentle for to cover me:
Banish'd from thee I live, ne'er to return,
Unless thou giv'st my small remains an urn.


53. CHERRY-RIPE.

Cherry-ripe, ripe, ripe, I cry,
Full and fair ones; come and buy.
If so be you ask me where
They do grow, I answer: There,
Where my Julia's lips do smile;
There's the land, or cherry-isle,
Whose plantations fully show
All the year where cherries grow.


54. TO HIS MISTRESSES.

Put on your silks, and piece by piece
Give them the scent of ambergris;
And for your breaths, too, let them smell
Ambrosia-like, or nectarel;
While other gums their sweets perspire,
By your own jewels set on fire.


55. TO ANTHEA.

Now is the time, when all the lights wax dim;
And thou, Anthea, must withdraw from him
Who was thy servant. Dearest, bury me
Under that Holy-oak or Gospel-tree,
Where, though thou see'st not, thou may'st think upon
Me, when thou yearly go'st procession;
Or, for mine honour, lay me in that tomb
In which thy sacred relics shall have room.
For my embalming, sweetest, there will be
No spices wanting when I'm laid by thee.

_Holy oak_, the oak under which the minister read the Gospel in the
procession round the parish bounds in Rogation week.


56. THE VISION TO ELECTRA.

I dreamed we both were in a bed
Of roses, almost smothered:
The warmth and sweetness had me there
Made lovingly familiar,
But that I heard thy sweet breath say,
Faults done by night will blush by day.
I kissed thee, panting, and, I call
Night to the record! that was all.
But, ah! if empty dreams so please,
Love give me more such nights as these.


57. DREAMS.

Here we are all by day; by night we're hurl'd
By dreams, each one into a sev'ral world.


58. AMBITION.

In man ambition is the common'st thing;
Each one by nature loves to be a king.


59. HIS REQUEST TO JULIA.

Julia, if I chance to die
Ere I print my poetry,
I most humbly thee desire
To commit it to the fire:
Better 'twere my book were dead
Than to live not perfected.


60. MONEY GETS THE MASTERY.

Fight thou with shafts of silver and o'ercome,
When no force else can get the masterdom.


61. THE SCARE-FIRE.

Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all.

_Scare-fire_, fire-alarm.


62. UPON SILVIA, A MISTRESS.

When some shall say, Fair once my Silvia was,
Thou wilt complain, False now's thy looking-glass,
Which renders that quite tarnished which was green,
And priceless now what peerless once had been.
Upon thy form more wrinkles yet will fall,
And, coming down, shall make no noise at all.

_Priceless_, valueless.


63. CHEERFULNESS IN CHARITY; OR, THE SWEET SACRIFICE.

'Tis not a thousand bullocks' thighs
Can please those heav'nly deities,
If the vower don't express
In his offering cheerfulness.


65. SWEETNESS IN SACRIFICE.

'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those _Eternal Essences_.


66. STEAM IN SACRIFICE.

If meat the gods give, I the steam
High-towering will devote to them,
Whose easy natures like it well,
If we the roast have, they the smell.


67. UPON JULIA'S VOICE.

So smooth, so sweet, so silv'ry is thy voice,
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.

_Amber_, used here merely for any rich material: cp. "Treading on amber
with their silver feet".


68. AGAIN.

When I thy singing next shall hear,
I'll wish I might turn all to ear
To drink in notes and numbers such
As blessed souls can't hear too much;
Then melted down, there let me lie
Entranc'd and lost confusedly,
And, by thy music stricken mute,
Die and be turn'd into a lute.


69. ALL THINGS DECAY AND DIE.

_All things decay with time_: the forest sees
The growth and downfall of her aged trees;
That timber tall, which threescore lusters stood
The proud dictator of the state-like wood,--
I mean (the sovereign of all plants) the oak--
Droops, dies, and falls without the cleaver's stroke.

_Lusters_, the Roman reckoning of five years.


70. THE SUCCESSION OF THE FOUR SWEET MONTHS.

First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more rich and sweet array;
Next enters June, and brings us more
Gems than those two that went before:
Then (lastly) July comes, and she
More wealth brings in than all those three.


71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.

Thou sail'st with others in this Argus here;
Nor wreck or bulging thou hast cause to fear;
But trust to this, my noble passenger;
Who swims with virtue, he shall still be sure
(Ulysses-like) all tempests to endure,
And 'midst a thousand gulfs to be secure.

_Bulging_, leaking.


72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH HERRICK.

First, for effusions due unto the dead,
My solemn vows have here accomplished:
Next, how I love thee, that my grief must tell,
Wherein thou liv'st for ever. Dear, farewell.

_Effusions_, drink-offerings.


73. OF LOVE. A SONNET.

How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part 'tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.


74. TO ANTHEA.

Ah, my Anthea! Must my heart still break?
(_Love makes me write, what shame forbids to speak_. )
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.


75. THE ROCK OF RUBIES, AND THE QUARRY OF PEARLS.

Some ask'd me where the rubies grew,
And nothing I did say:
But with my finger pointed to
The lips of Julia.
Some ask'd how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and show'd them there
The quarrelets of Pearl.

_Quarrelets_, little squares.


76. CONFORMITY.

Conformity was ever known
A foe to dissolution:
Nor can we that a ruin call,
Whose crack gives crushing unto all.


77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.

Welcome, most welcome to our vows and us,
Most great and universal genius!
The drooping West, which hitherto has stood
As one in long-lamented widowhood,
Looks like a bride now, or a bed of flowers
Newly refresh'd both by the sun and showers.
War, which before was horrid, now appears
Lovely in you, brave prince of cavaliers!
A deal of courage in each bosom springs
By your access, O you the best of kings!
Ride on with all white omens; so that where
Your standard's up, we fix a conquest there.


78. UPON ROSES.

Under a lawn, than skies more clear,
Some ruffled roses nestling were:
And, snugging there, they seem'd to lie
As in a flowery nunnery:
They blush'd, and look'd more fresh than flowers
Quicken'd of late by pearly showers,
And all because they were possess'd
But of the heat of Julia's breast:
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.


79. TO THE KING AND QUEEN UPON THEIR UNHAPPY DISTANCES.

Woe, woe to them, who, by a ball of strife,
Do, and have parted here a man and wife:
CHARLES the best husband, while MARIA strives
To be, and is, the very best of wives,
Like streams, you are divorc'd; but 'twill come when
These eyes of mine shall see you mix again.
Thus speaks the oak here; C. and M. shall meet,
Treading on amber, with their silver-feet,
Nor will't be long ere this accomplish'd be:
The words found true, C. M. , remember me.

_Oak_, the prophetic tree.


80. DANGERS WAIT ON KINGS.

As oft as night is banish'd by the morn,
So oft we'll think we see a king new born.


81. THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST.

One silent night of late,
When every creature rested,
Came one unto my gate
And, knocking, me molested.

Who's that, said I, beats there,
And troubles thus the sleepy?
Cast off, said he, all fear,
And let not locks thus keep ye.

For I a boy am, who
By moonless nights have swerved;
And all with show'rs wet through,
And e'en with cold half starved.

I pitiful arose,
And soon a taper lighted;
And did myself disclose
Unto the lad benighted.

I saw he had a bow
And wings, too, which did shiver;
And, looking down below,
I spied he had a quiver.

I to my chimney's shine
Brought him, as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.

But when he felt him warm'd:
Let's try this bow of ours,
And string, if they be harm'd,
Said he, with these late showers.

Forthwith his bow he bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.
Then, laughing loud, he flew
Away, and thus said, flying:
Adieu, mine host, adieu,
I'll leave thy heart a-dying.


82. TO THE REVEREND SHADE OF HIS RELIGIOUS FATHER.

That for seven lusters I did never come
To do the rites to thy religious tomb;
That neither hair was cut, or true tears shed
By me, o'er thee, as justments to the dead,
Forgive, forgive me; since I did not know
Whether thy bones had here their rest or no,
But now 'tis known, behold! behold, I bring
Unto thy ghost th' effused offering:
And look what smallage, night-shade, cypress, yew,
Unto the shades have been, or now are due,
Here I devote; and something more than so;
I come to pay a debt of birth I owe.
Thou gav'st me life, but mortal; for that one
Favour I'll make full satisfaction;
For my life mortal rise from out thy hearse.
And take a life immortal from my verse.

_Seven lusters_, five and thirty years.
_Hair was cut_, according to the Greek custom.
_Justments_, dues.
_Smallage_, water parsley.


83. DELIGHT IN DISORDER.

A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace which here and there
Enthralls the crimson stomacher:
A cuff neglectful, and thereby
Ribbons to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.


84. TO HIS MUSE.

Were I to give thee baptism, I would choose
To christen thee, the bride, the bashful Muse,
Or Muse of roses: since that name does fit
Best with those virgin-verses thou hast writ:
Which are so clean, so chaste, as none may fear
Cato the censor, should he scan each here.


85. UPON LOVE.

Love scorch'd my finger, but did spare
The burning of my heart;
To signify in love my share
Should be a little part.

Little I love; but if that he
Would but that heat recall;
That joint to ashes burnt should be,[E]
Ere I would love at all.

[E] Orig. ed. , _should be burnt_.


86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY WHICH SOMETIMES HE LIVED.

Dean Bourn, farewell; I never look to see
Dean, or thy watery[F] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.

[F] Orig. ed. , _warty_.


87. KISSING USURY.

Bianca, let
Me pay the debt
I owe thee for a kiss
Thou lend'st to me,
And I to thee
Will render ten for this.

If thou wilt say
Ten will not pay
For that so rich a one;
I'll clear the sum,
If it will come
Unto a million.

By this, I guess,
Of happiness
Who has a little measure,
He must of right
To th' utmost mite
Make payment for his pleasure.


88. TO JULIA.

How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium. [G]
Between thy breasts (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, chalcedon.

_Carcanet_, necklace.

[G] _Dardanium_, a bracelet, from Dardanus so called. (Note in the
original edition. )


89. TO LAURELS.

A funeral stone
Or verse I covet none,
But only crave
Of you that I may have
A sacred laurel springing from my grave:
Which being seen,
Blest with perpetual green,
May grow to be
Not so much call'd a tree
As the eternal monument of me.


90. HIS CAVALIER.

Give me that man that dares bestride
The active sea-horse, and with pride
Through that huge field of waters ride.

Who with his looks, too, can appease
The ruffling winds and raging seas,
In midst of all their outrages.

This, this a virtuous man can do,
Sail against rocks, and split them too;
Ay, and a world of pikes pass through.


91. ZEAL REQUIRED IN LOVE.

I'll do my best to win whene'er I woo:
_That man loves not who is not zealous too_.


92. THE BAG OF THE BEE.

About the sweet bag of a bee
Two cupids fell at odds,
And whose the pretty prize should be
They vow'd to ask the gods.

Which Venus hearing, thither came,
And for their boldness stripp'd them,
And, taking thence from each his flame,
With rods of myrtle whipp'd them.

Which done, to still their wanton cries,
When quiet grown she'd seen them,
She kiss'd, and wip'd their dove-like eyes,
And gave the bag between them.


93. LOVE KILLED BY LACK.

Let me be warm, let me be fully fed,
_Luxurious love by wealth is nourished_.
Let me be lean, and cold, and once grown poor,
I shall dislike what once I lov'd before.


94. TO HIS MISTRESS.

Choose me your valentine,
Next let us marry--
Love to the death will pine
If we long tarry.

Promise, and keep your vows,
Or vow ye never--
Love's doctrine disallows
Troth-breakers ever.

You have broke promise twice,
Dear, to undo me,
If you prove faithless thrice
None then will woo ye.


95. TO THE GENEROUS READER.

See and not see, and if thou chance t'espy
Some aberrations in my poetry,
Wink at small faults; the greater, ne'ertheless,
Hide, and with them their father's nakedness.
Let's do our best, our watch and ward to keep;
Homer himself, in a long work, may sleep.


96. TO CRITICS.

I'll write, because I'll give
You critics means to live;
For should I not supply
The cause, th' effect would die.


97. DUTY TO TYRANTS.

Good princes must be pray'd for; for the bad
They must be borne with, and in rev'rence had.
Do they first pill thee, next pluck off thy skin?
_Good children kiss the rods that punish sin_.
Touch not the tyrant; let the gods alone
To strike him dead that but usurps a throne.

_Pill_, plunder.


98. BEING ONCE BLIND, HIS REQUEST TO BIANCA.

When age or chance has made me blind,
So that the path I cannot find,
And when my falls and stumblings are
More than the stones i' th' street by far,
Go thou afore, and I shall well
Follow thy perfumes by the smell;
Or be my guide, and I shall be
Led by some light that flows from thee.
Thus held or led by thee, I shall
In ways confus'd nor slip or fall.


100. NO WANT WHERE THERE'S LITTLE.

To bread and water none is poor;
And having these, what need of more?
Though much from out the cess be spent,
_Nature with little is content_.

_Cess_, the parish assessment for church purposes.


101. BARLEY-BREAK; OR, LAST IN HELL.

We two are last in hell; what may we fear
To be tormented or kept pris'ners here?
Alas! if kissing be of plagues the worst,
We'll wish in hell we had been last and first.

_Barley-break_, a country game resembling prisoners' base. See Note.
_Hell_, the "middle den," the occupants of which had to catch the other
players.


102. THE DEFINITION OF BEAUTY.

Beauty no other thing is than a beam
Flashed out between the middle and extreme.


103. TO DIANEME.

Dear, though to part it be a hell,
Yet, Dianeme, now farewell:
Thy frown last night did bid me go,
But whither only grief does know.
I do beseech thee ere we part,
If merciful as fair thou art,
Or else desir'st that maids should tell
Thy pity by love's chronicle,
O Dianeme, rather kill
Me, than to make me languish still!
'Tis cruelty in thee to th' height
Thus, thus to wound, not kill outright;
Yet there's a way found, if you please,
By sudden death to give me ease;
And thus devis'd, do thou but this--
Bequeath to me one parting kiss,
So sup'rabundant joy shall be
The executioner of me.


104. TO ANTHEA LYING IN BED.

So looks Anthea, when in bed she lies
O'ercome or half betray'd by tiffanies,
Like to a twilight, or that simpering dawn
That roses show when misted o'er with lawn.
Twilight is yet, till that her lawns give way;
Which done, that dawn turns then to perfect day.

_Tiffanies_, gauzes.
_Lawn_, fine linen.


105. TO ELECTRA.

More white than whitest lilies far,
Or snow, or whitest swans you are:
More white than are the whitest creams,
Or moonlight tinselling the streams:
More white than pearls, or Juno's thigh,
Or Pelops' arm of ivory.
True, I confess, such whites as these
May me delight, not fully please;
Till like Ixion's cloud you be
White, warm, and soft to lie with me.

_Pelops' arm_, which Jove gave him to replace the one eaten by Ceres at
the feast of Tantalus.
_Ixion's cloud_, to which Jove, for his deception, gave the form of Juno.


106. A COUNTRY-LIFE: TO HIS BROTHER, MR. THO. HERRICK.

Thrice, and above, bless'd, my soul's half, art thou
In thy both last and better vow:
Could'st leave the city, for exchange, to see
The country's sweet simplicity:
And it to know and practise, with intent
To grow the sooner innocent
By studying to know virtue, and to aim
More at her nature than her name.
The last is but the least; the first doth tell
Ways less to live than to live well:
And both are known to thee, who now can'st live
Led by thy conscience; to give
Justice to soon-pleased nature; and to show
Wisdom and she together go
And keep one centre: this with that conspires
To teach man to confine desires
And know that riches have their proper stint
In the contented mind, not mint:
And can'st instruct that those who have the itch
Of craving more are never rich.
These things thou know'st to th' height, and dost prevent
That plague; because thou art content
With that heav'n gave thee with a wary hand,
More blessed in thy brass than land,
To keep cheap nature even and upright;
To cool, not cocker appetite.
Thus thou canst tersely live to satisfy
The belly chiefly, not the eye;
Keeping the barking stomach wisely quiet,
Less with a neat than needful diet.
But that which most makes sweet thy country life
Is the fruition of a wife:
Whom, stars consenting with thy fate, thou hast
Got not so beautiful as chaste:
By whose warm side thou dost securely sleep,
While love the sentinel doth keep,
With those deeds done by day, which ne'er affright
Thy silken slumbers in the night.
Nor has the darkness power to usher in
Fear to those sheets that know no sin;
But still thy wife, by chaste intentions led,
Gives thee each night a maidenhead.
The damask'd meadows and the pebbly streams
Sweeten and make soft your dreams:
The purling springs, groves, birds, and well-weav'd bowers,
With fields enamelled with flowers,
Present their shapes; while fantasy discloses
Millions of lilies mix'd with roses.
Then dream ye hear the lamb by many a bleat
Woo'd to come suck the milky teat:
While Faunus in the vision comes to keep
From rav'ning wolves the fleecy sheep.
With thousand such enchanting dreams, that meet
To make sleep not so sound as sweet:
Nor can these figures so thy rest endear
As not to rise when Chanticlere
Warns the last watch; but with the dawn dost rise
To work, but first to sacrifice;
Making thy peace with heav'n, for some late fault,
With holy-meal and spirting-salt.
Which done, thy painful thumb this sentence tells us,
_Jove for our labour all things sells us_.
Nor are thy daily and devout affairs
Attended with those desp'rate cares
Th' industrious merchant has; who, for to find
Gold, runneth to the Western Inde,
And back again, tortured with fears, doth fly,
Untaught to suffer poverty.
But thou at home, bless'd with securest ease,
Sitt'st, and believ'st that there be seas
And watery dangers; while thy whiter hap
But sees these things within thy map.
And viewing them with a more safe survey
Mak'st easy fear unto thee say,--
_"A heart thrice wall'd with oak and brass that man
Had, first durst plough the ocean"_.
But thou at home, without or tide or gale,
Can'st in thy map securely sail:
Seeing those painted countries, and so guess
By those fine shades their substances:
And, from thy compass taking small advice,
Buy'st travel at the lowest price.
Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things:
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report
Vice rules the most or all at court,
Thy pious wishes are, though thou not there,
Virtue had, and mov'd her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes or goes,
But with thy equal thoughts prepared dost stand,
To take her by the either hand;
Nor car'st which comes the first, the foul or fair:
_A wise man ev'ry way lies square_,
And, like a surly oak with storms perplex'd,
Grows still the stronger, strongly vex'd.
Be so, bold spirit; stand centre-like, unmov'd;
And be not only thought, but prov'd
To be what I report thee; and inure
Thyself, if want comes to endure:
And so thou dost, for thy desires are
Confin'd to live with private lar:
Not curious whether appetite be fed
Or with the first or second bread,
Who keep'st no proud mouth for delicious cates:
Hunger makes coarse meats delicates.
Canst, and unurg'd, forsake that larded fare,
Which art, not nature, makes so rare,
To taste boil'd nettles, colworts, beets, and eat
These and sour herbs as dainty meat,
While soft opinion makes thy Genius say,
_Content makes all ambrosia_.
Nor is it that thou keep'st this stricter size
So much for want as exercise:
To numb the sense of dearth, which should sin haste it,
Thou might'st but only see't, not taste it.
Yet can thy humble roof maintain a choir
Of singing crickets by the fire:
And the brisk mouse may feast herself with crumbs
Till that the green-eyed kitling comes,
Then to her cabin blest she can escape
The sudden danger of a rape:
And thus thy little well-kept stock doth prove
_Wealth cannot make a life, but love_.
Nor art thou so close-handed but canst spend,
Counsel concurring with the end,
As well as spare, still conning o'er this theme,
To shun the first and last extreme.
Ordaining that thy small stock find no breach,
Or to exceed thy tether's reach:
But to live round, and close, and wisely true
To thine own self, and known to few.
Thus let thy rural sanctuary be
Elysium to thy wife and thee;
There to disport yourselves with golden measure:
_For seldom use commends the pleasure_.
Live, and live blest, thrice happy pair; let breath,
But lost to one, be the other's death.
And as there is one love, one faith, one troth,
Be so one death, one grave to both.
Till when, in such assurance live ye may,
Nor fear or wish your dying day.

_Brass_, money.
_Cocker_, pamper.
_Neat_, dainty.
_Spirting-salt_, the "saliente mica" of Horace, See Note.
_Lar_, the "closet-gods," or gods of the house.
_Colworts_, cabbages.
_Size_ or _assize_, a fixed allowance of food, a ration.


107. DIVINATION BY A DAFFODIL.

When a daffodil I see,
Hanging down his head towards me,
Guess I may what I must be:
First, I shall decline my head;
Secondly, I shall be dead;
Lastly, safely buried.


108. TO THE PAINTER, TO DRAW HIM A PICTURE.

Come, skilful Lupo, now, and take
Thy bice, thy umber, pink, and lake;
And let it be thy pencil's strife,
To paint a Bridgeman to the life:
Draw him as like too, as you can,
An old, poor, lying, flattering man:
His cheeks bepimpled, red and blue;
His nose and lips of mulberry hue.
Then, for an easy fancy, place
A burling iron for his face:
Next, make his cheeks with breath to swell,
And for to speak, if possible:
But do not so, for fear lest he
Should by his breathing, poison thee.

_Bice_, properly a brown grey, but by transference from "blue bice" and
"green bice," used for blue and green.
_Burling iron_, pincers for extracting knots.


111. A LYRIC TO MIRTH.

While the milder fates consent,
Let's enjoy our merriment:
Drink, and dance, and pipe, and play;
Kiss our dollies night and day:
Crowned with clusters of the vine,
Let us sit, and quaff our wine.
Call on Bacchus, chant his praise;
Shake the thyrse, and bite the bays:
Rouse Anacreon from the dead,
And return him drunk to bed:
Sing o'er Horace, for ere long
Death will come and mar the song:
Then shall Wilson and Gotiere
Never sing or play more here.

_Wilson_, Dr. John Wilson, the singer and composer, one of the king's
musicians (1594-1673).
_Gotiere_, Jacques Gaultier, a French lutist at the court of Charles I.


112. TO THE EARL OF WESTMORELAND.

When my date's done, and my grey age must die,
Nurse up, great lord, this my posterity:
Weak though it be, long may it grow and stand,
Shored up by you, brave Earl of Westmoreland.


113. AGAINST LOVE.

Whene'er my heart love's warmth but entertains,
Oh frost! oh snow! oh hail! forbid the banes.
One drop now deads a spark, but if the same
Once gets a force, floods cannot quench the flame.
Rather than love, let me be ever lost,
Or let me 'gender with eternal frost.


114. UPON JULIA'S RIBAND.

As shows the air when with a rainbow grac'd,
So smiles that riband 'bout my Julia's waist:
Or like--nay 'tis that zonulet of love,
Wherein all pleasures of the world are wove.


115. THE FROZEN ZONE; OR, JULIA DISDAINFUL.

Whither? say, whither shall I fly,
To slack these flames wherein I fry?
To the treasures, shall I go,
Of the rain, frost, hail, and snow?
Shall I search the underground,
Where all damps and mists are found?
Shall I seek (for speedy ease)
All the floods and frozen seas?
Or descend into the deep,
Where eternal cold does keep?
These may cool; but there's a zone
Colder yet than anyone:
That's my Julia's breast, where dwells
Such destructive icicles,
As that the congelation will
Me sooner starve than those can kill.