No More Learning

Slowly goes far: the mean is best: desire,
Grown violent, does either die or tire.


144. UPON A VIRGIN KISSING A ROSE.

'Twas but a single rose,
Till you on it did breathe;
But since, methinks, it shows
Not so much rose as wreath.


145. UPON A WIFE THAT DIED MAD WITH JEALOUSY.

In this little vault she lies,
Here, with all her jealousies:
Quiet yet; but if ye make
Any noise they both will wake,
And such spirits raise 'twill then
Trouble death to lay again.


146. UPON THE BISHOP OF LINCOLN'S IMPRISONMENT.

Never was day so over-sick with showers
But that it had some intermitting hours;
Never was night so tedious but it knew
The last watch out, and saw the dawning too;
Never was dungeon so obscurely deep
Wherein or light or day did never peep;
Never did moon so ebb, or seas so wane,
But they left hope-seed to fill up again.
So you, my lord, though you have now your stay,
Your night, your prison, and your ebb, you may
Spring up afresh, when all these mists are spent,
And star-like, once more gild our firmament.
Let but that mighty Cæsar speak, and then
All bolts, all bars, all gates shall cleave; as when
That earthquake shook the house, and gave the stout
Apostles way, unshackled, to go out.
This, as I wish for, so I hope to see;
Though you, my lord, have been unkind to me,
To wound my heart, and never to apply,
When you had power, the meanest remedy.
Well, though my grief by you was gall'd the more,
Yet I bring balm and oil to heal your sore.


147. DISSUASIONS FROM IDLENESS.

Cynthius, pluck ye by the ear,
That ye may good doctrine hear;
Play not with the maiden-hair,
For each ringlet there's a snare.
Cheek, and eye, and lip, and chin--
These are traps to take fools in.
Arms, and hands, and all parts else,
Are but toils, or manacles,
Set on purpose to enthral
Men, but slothfuls most of all.
Live employed, and so live free
From these fetters; like to me,
Who have found, and still can prove,
_The lazy man the most doth love_.


149. AN EPITHALAMY TO SIR THOMAS SOUTHWELL AND HIS LADY.


I.

Now, now's the time, so oft by truth
Promis'd should come to crown your youth.
Then, fair ones, do not wrong
Your joys by staying long;
Or let love's fire go out,
By lingering thus in doubt;
But learn that time once lost
Is ne'er redeem'd by cost.
Then away; come, Hymen, guide
To the bed the bashful bride.


II.

Is it, sweet maid, your fault these holy
Bridal rites go on so slowly?
Dear, is it this you dread
The loss of maidenhead?
Believe me, you will most
Esteem it when 'tis lost;
Then it no longer keep,
Lest issue lie asleep.
Then, away; come, Hymen, guide
To the bed the bashful bride.


III.

These precious, pearly, purling tears
But spring from ceremonious fears.
And 'tis but native shame
That hides the loving flame,
And may a while control
The soft and am'rous soul;
But yet love's fire will waste
Such bashfulness at last.
Then, away; come, Hymen, guide
To the bed the bashful bride.


IV.

Night now hath watch'd herself half blind,
Yet not a maidenhead resign'd!
'Tis strange, ye will not fly
To love's sweet mystery.
Might yon full moon the sweets
Have, promised to your sheets,
She soon would leave her sphere,
To be admitted there.
Then, away; come, Hymen, guide
To the bed the bashful bride.


V.

On, on devoutly, make no stay;
While Domiduca leads the way,
And Genius, who attends
The bed for lucky ends.
With Juno goes the Hours
And Graces strewing flowers.
And the boys with sweet tunes sing:
Hymen, O Hymen, bring
Home the turtles; Hymen, guide
To the bed the bashful bride.


VI.

Behold! how Hymen's taper-light
Shows you how much is spent of night.
See, see the bridegroom's torch
Half wasted in the porch.
And now those tapers five,
That show the womb shall thrive,
Their silv'ry flames advance,
To tell all prosp'rous chance
Still shall crown the happy life
Of the goodman and the wife.


VII.

Move forward then your rosy feet,
And make whate'er they touch turn sweet.
May all, like flowery meads,
Smell where your soft foot treads;
And everything assume
To it the like perfume,
As Zephyrus when he 'spires
Through woodbine and sweetbriars.
Then, away; come, Hymen, guide
To the bed the bashful bride.


VIII.

And now the yellow veil at last
Over her fragrant cheek is cast.
Now seems she to express
A bashful willingness:
Showing a heart consenting,
As with a will repenting.
Then gently lead her on
With wise suspicion;
For that, matrons say, a measure
Of that passion sweetens pleasure.


IX.

You, you that be of her nearest kin,
Now o'er the threshold force her in.
But to avert the worst
Let her her fillets first
Knit to the posts, this point
Remembering, to anoint
The sides, for 'tis a charm
Strong against future harm;
And the evil deads, the which
There was hidden by the witch.


X.

O Venus! thou to whom is known
The best way how to loose the zone
Of virgins, tell the maid
She need not be afraid,
And bid the youth apply
Close kisses if she cry,
And charge he not forbears
Her though she woo with tears.
Tell them now they must adventure,
Since that love and night bid enter.


XI.

No fatal owl the bedstead keeps,
With direful notes to fright your sleeps;
No furies here about
To put the tapers out,
Watch or did make the bed:
'Tis omen full of dread;
But all fair signs appear
Within the chamber here.
Juno here far off doth stand,
Cooling sleep with charming wand.


XII.

Virgins, weep not; 'twill come when,
As she, so you'll be ripe for men.
Then grieve her not with saying
She must no more a-maying,
Or by rosebuds divine
Who'll be her valentine.
Nor name those wanton reaks
You've had at barley-breaks,
But now kiss her and thus say,
"Take time, lady, while ye may".


XIII.

Now bar the doors; the bridegroom puts
The eager boys to gather nuts.
And now both love and time
To their full height do climb:
Oh! give them active heat
And moisture both complete:
Fit organs for increase,
To keep and to release
That which may the honour'd stem
Circle with a diadem.


XIV.

And now, behold! the bed or couch
That ne'er knew bride's or bridegroom's touch,
Feels in itself a fire;
And, tickled with desire,
Pants with a downy breast,
As with a heart possesst,
Shrugging as it did move
Ev'n with the soul of love.
And, oh! had it but a tongue,
Doves, 'twould say, ye bill too long.


XV.

O enter then! but see ye shun
A sleep until the act be done.
Let kisses in their close,
Breathe as the damask rose,
Or sweet as is that gum
Doth from Panchaia come.
Teach nature now to know
Lips can make cherries grow
Sooner than she ever yet
In her wisdom could beget.


XVI.

On your minutes, hours, days, months, years,
Drop the fat blessing of the spheres.
That good which heav'n can give
To make you bravely live
Fall like a spangling dew
By day and night on you.
May fortune's lily-hand
Open at your command;
With all lucky birds to side
With the bridegroom and the bride.


XVII.

Let bounteous Fate[s] your spindles full
Fill, and wind up with whitest wool.
Let them not cut the thread
Of life until ye bid.
May death yet come at last,
And not with desp'rate haste,
But when ye both can say
"Come, let us now away,"
Be ye to the barn then borne,
Two, like two ripe shocks of corn.

_Domiduca_, Juno, the goddess of marriage, the "home-bringer".
_Reaks_, pranks.
_Barley-break_, a country game, see 101.
_Panchaia_, the land of spices: _cf_, Virg. G. ii. 139; Æn. iv. 379.


150. TEARS ARE TONGUES.

When Julia chid I stood as mute the while
As is the fish or tongueless crocodile.
Air coin'd to words my Julia could not hear,
But she could see each eye to stamp a tear;
By which mine angry mistress might descry
Tears are the noble language of the eye.
And when true love of words is destitute
The eyes by tears speak, while the tongue is mute.


151. UPON A YOUNG MOTHER OF MANY CHILDREN.

Let all chaste matrons, when they chance to see
My num'rous issue, praise and pity me:
Praise me for having such a fruitful womb,
Pity me, too, who found so soon a tomb.


152. TO ELECTRA.

I'll come to thee in all those shapes
As Jove did when he made his rapes,
Only I'll not appear to thee
As he did once to Semele.
Thunder and lightning I'll lay by,
To talk with thee familiarly.
Which done, then quickly we'll undress
To one and th' other's nakedness,
And, ravish'd, plunge into the bed,
Bodies and souls commingled,
And kissing, so as none may hear,
We'll weary all the fables there.

_Fables_, _i. e. _, of Jove's amours.


153. HIS WISH.

It is sufficient if we pray
To Jove, who gives and takes away:
Let him the land and living find;
Let me alone to fit the mind.


154. HIS PROTESTATION TO PERILLA.

Noonday and midnight shall at once be seen:
Trees, at one time, shall be both sere and green:
Fire and water shall together lie
In one self-sweet-conspiring sympathy:
Summer and winter shall at one time show
Ripe ears of corn, and up to th' ears in snow:
Seas shall be sandless; fields devoid of grass;
Shapeless the world, as when all chaos was,
Before, my dear Perilla, I will be
False to my vow, or fall away from thee.


155. LOVE PERFUMES ALL PARTS.

If I kiss Anthea's breast,
There I smell the phœnix nest:
If her lip, the most sincere
Altar of incense I smell there--
Hands, and thighs, and legs are all
Richly aromatical.
Goddess Isis can't transfer
Musks and ambers more from her:
Nor can Juno sweeter be,
When she lies with Jove, than she.


156. TO JULIA.

Permit me, Julia, now to go away;
Or by thy love decree me here to stay.
If thou wilt say that I shall live with thee,
Here shall my endless tabernacle be:
If not, as banish'd, I will live alone
There where no language ever yet was known.


157. ON HIMSELF.

Love-sick I am, and must endure
A desperate grief, that finds no cure.
Ah me! I try; and trying, prove
_No herbs have power to cure love. _
Only one sovereign salve I know,
And that is death, the end of woe.


158. VIRTUE IS SENSIBLE OF SUFFERING.

Though a wise man all pressures can sustain,
His virtue still is sensible of pain:
Large shoulders though he has, and well can bear,
He feels when packs do pinch him, and the where.


159. THE CRUEL MAID.

And cruel maid, because I see
You scornful of my love and me,
I'll trouble you no more; but go
My way where you shall never know
What is become of me: there I
Will find me out a path to die,
Or learn some way how to forget
You and your name for ever: yet,
Ere I go hence, know this from me,
What will, in time, your fortune be:
This to your coyness I will tell,
And, having spoke it once, farewell.
The lily will not long endure,
Nor the snow continue pure;
The rose, the violet, one day,
See, both these lady-flowers decay:
And you must fade as well as they.
And it may chance that Love may turn,
And, like to mine, make your heart burn
And weep to see't; yet this thing do,
That my last vow commends to you:
When you shall see that I am dead,
For pity let a tear be shed;
And, with your mantle o'er me cast,
Give my cold lips a kiss at last:
If twice you kiss you need not fear
That I shall stir or live more here.
Next, hollow out a tomb to cover
Me--me, the most despisèd lover,
And write thereon: _This, reader, know:
Love kill'd this man_. No more, but so.


160. TO DIANEME.

Sweet, be not proud of those two eyes
Which, starlike, sparkle in their skies;
Nor be you proud that you can see
All hearts your captives, yours yet free;
Be you not proud of that rich hair
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty's gone.


161. TO THE KING, TO CURE THE EVIL.

To find that tree of life whose fruits did feed
And leaves did heal all sick of human seed:
To find Bethesda and an angel there
Stirring the waters, I am come; and here,
At last, I find (after my much to do)
The tree, Bethesda and the angel too:
And all in your blest hand, which has the powers
Of all those suppling-healing herbs and flowers.
To that soft charm, that spell, that magic bough,
That high enchantment, I betake me now,
And to that hand (the branch of heaven's fair tree),
I kneel for help; O! lay that hand on me,
Adored Cæsar! and my faith is such
I shall be heal'd if that my king but touch.
The evil is not yours: my sorrow sings,
"Mine is the evil, but the cure the king's".


162. HIS MISERY IN A MISTRESS.

Water, water I espy;
Come and cool ye, all who fry
In your loves; but none as I.

Though a thousand showers be
Still a-falling, yet I see
Not one drop to light on me.

Happy you who can have seas
For to quench ye, or some ease
From your kinder mistresses.

I have one, and she alone,
Of a thousand thousand known,
Dead to all compassion.

Such an one as will repeat
Both the cause and make the heat
More by provocation great.

Gentle friends, though I despair
Of my cure, do you beware
Of those girls which cruel are.


164. TO A GENTLEWOMAN OBJECTING TO HIM HIS GRAY HAIRS.

Am I despised because you say,
And I dare swear, that I am gray?
Know, lady, you have but your day:
And time will come when you shall wear
Such frost and snow upon your hair;
And when (though long, it comes to pass)
You question with your looking-glass;
And in that sincere crystal seek,
But find no rose-bud in your cheek:
Nor any bed to give the show
Where such a rare carnation grew.
Ah! then too late, close in your chamber keeping,
It will be told
That you are old,
By those true tears y'are weeping.


165. TO CEDARS.

If 'mongst my many poems I can see
One only worthy to be wash'd by thee,
I live for ever, let the rest all lie
In dens of darkness or condemn'd to die.

_Cedars_, oil of cedar was used for preserving manuscripts (carmina
linenda cedro. _Hor. _ Ars Poet. , 331. )


166. UPON CUPID.

Love like a gipsy lately came,
And did me much importune
To see my hand, that by the same
He might foretell my fortune.

He saw my palm, and then, said he,
I tell thee by this score here,
That thou within few months shalt be
The youthful Prince d'Amour here.

I smil'd, and bade him once more prove,
And by some cross-line show it,
That I could ne'er be prince of love,
Though here the princely poet.


167. HOW PRIMROSES CAME GREEN.

Virgins, time-past, known were these,
Troubled with green-sicknesses:
Turn'd to flowers, still the hue,
Sickly girls, they bear of you.


168. TO JOS. , LORD BISHOP OF EXETER.

Whom should I fear to write to if I can
Stand before you, my learn'd diocesan?
And never show blood-guiltiness or fear
To see my lines excathedrated here.
Since none so good are but you may condemn,
Or here so bad but you may pardon them.
If then, my lord, to sanctify my muse
One only poem out of all you'll choose,
And mark it for a rapture nobly writ,
'Tis good confirm'd, for you have bishop'd it.

_Blood-guiltiness_, guilt betrayed by blushing; cp. 837.
_Excathedrated_, condemned _ex cathedra_.


169. UPON A BLACK TWIST ROUNDING THE ARM OF THE COUNTESS OF CARLISLE.

I saw about her spotless wrist,
Of blackest silk, a curious twist;
Which, circumvolving gently, there
Enthrall'd her arm as prisoner.
Dark was the jail, but as if light
Had met t'engender with the night;
Or so as darkness made a stay
To show at once both night and day.
One fancy more! but if there be
Such freedom in captivity,
I beg of Love that ever I
May in like chains of darkness lie.


170. ON HIMSELF.

I fear no earthly powers,
But care for crowns of flowers;
And love to have my beard
With wine and oil besmear'd.
This day I'll drown all sorrow:
Who knows to live to-morrow?


172. A RING PRESENTED TO JULIA.

Julia, I bring
To thee this ring,
Made for thy finger fit;
To show by this
That our love is
(Or should be) like to it.

Close though it be
The joint is free;
So, when love's yoke is on,
It must not gall,
Or fret at all
With hard oppression.

But it must play
Still either way,
And be, too, such a yoke
As not too wide
To overslide,
Or be so strait to choke.

So we who bear
This beam must rear
Ourselves to such a height
As that the stay
Of either may
Create the burden light.

And as this round
Is nowhere found
To flaw, or else to sever:
So let our love
As endless prove,
And pure as gold for ever.


173. TO THE DETRACTOR.

Where others love and praise my verses, still
Thy long black thumb-nail marks them out for ill:
A fellon take it, or some whitflaw come
For to unslate or to untile that thumb!
But cry thee mercy: exercise thy nails
To scratch or claw, so that thy tongue not rails:
Some numbers prurient are, and some of these
Are wanton with their itch; scratch, and 'twill please.

_Fellon_, a sore, especially in the finger.
_Whitflaw_, or whitlow.


174. UPON THE SAME.

I ask'd thee oft what poets thou hast read,
And lik'st the best. Still thou reply'st: The dead.
I shall, ere long, with green turfs cover'd be;
Then sure thou'lt like or thou wilt envy me.


175. JULIA'S PETTICOAT.

Thy azure robe I did behold
As airy as the leaves of gold,
Which, erring here, and wandering there,
Pleas'd with transgression ev'rywhere:
Sometimes 'twould pant, and sigh, and heave,
As if to stir it scarce had leave:
But, having got it, thereupon
'Twould make a brave expansion.
And pounc'd with stars it showed to me
Like a celestial canopy.
Sometimes 'twould blaze, and then abate,
Like to a flame grown moderate:
Sometimes away 'twould wildly fling,
Then to thy thighs so closely cling
That some conceit did melt me down
As lovers fall into a swoon:
And, all confus'd, I there did lie
Drown'd in delights, but could not die.
That leading cloud I follow'd still,
Hoping t' have seen of it my fill;
But ah! I could not: should it move
To life eternal, I could love.

_Pounc'd_, sprinkled.


176. TO MUSIC.

Begin to charm, and, as thou strok'st mine ears
With thy enchantment, melt me into tears.
Then let thy active hand scud o'er thy lyre,
And make my spirits frantic with the fire.
That done, sink down into a silvery strain,
And make me smooth as balm and oil again.


177. DISTRUST.

To safeguard man from wrongs, there nothing must
Be truer to him than a wise distrust.
And to thyself be best this sentence known:
_Hear all men speak, but credit few or none_.


178. CORINNA'S GOING A-MAYING.

Get up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air:
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept and bow'd toward the east
Above an hour since: yet you not dress'd;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin,
Nay, profanation to keep in,
Whereas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept;
Come and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.

Come, my Corinna, come; and, coming, mark
How each field turns a street, each street a park
Made green and trimm'd with trees: see how
Devotion gives each house a bough
Or branch: each porch, each door ere this
An ark, a tabernacle is,
Made up of white-thorn neatly interwove;
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see't?
Come, we'll abroad; and let's obey
The proclamation made for May:
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.

There's not a budding boy or girl this day
But is got up, and gone to bring in May.
A deal of youth, ere this, is come
Back, and with white-thorn laden home.
Some have despatch'd their cakes and cream
Before that we have left to dream:
And some have wept, and woo'd, and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given;
Many a kiss, both odd and even:
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the keys betraying
This night, and locks pick'd, yet we're not a-Maying.

Come, let us go while we are in our prime;
And take the harmless folly of the time.
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapour or a drop of rain,
Once lost, can ne'er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying.

_Beads_, prayers.
_Left to dream_, ceased dreaming.
_Green-gown_, tumble on the grass.


179. ON JULIA'S BREATH.

Breathe, Julia, breathe, and I'll protest,
Nay more, I'll deeply swear,
That all the spices of the east
Are circumfused there.

_Circumfused_, spread around.


180. UPON A CHILD. AN EPITAPH.

But born, and like a short delight,
I glided by my parents' sight.
That done, the harder fates denied
My longer stay, and so I died.
If, pitying my sad parents' tears,
You'll spill a tear or two with theirs,
And with some flowers my grave bestrew,
Love and they'll thank you for't. Adieu.


181. A DIALOGUE BETWIXT HORACE AND LYDIA, TRANSLATED ANNO 1627, AND SET
BY MR. RO. RAMSEY.

_Hor. _ While, Lydia, I was loved of thee,
Nor any was preferred 'fore me
To hug thy whitest neck, than I
The Persian king lived not more happily.

_Lyd. _ While thou no other didst affect,
Nor Chloe was of more respect
Than Lydia, far-famed Lydia,
I flourished more than Roman Ilia.

_Hor. _ Now Thracian Chloe governs me,
Skilful i' th' harp and melody;
For whose affection, Lydia, I
(So fate spares her) am well content to die.

_Lyd. _ My heart now set on fire is
By Ornithes' son, young Calais,
For whose commutual flames here I,
To save his life, twice am content to die.

_Hor. _ Say our first loves we should revoke,
And, severed, join in brazen yoke;
Admit I Chloe put away,
And love again love-cast-off Lydia?

_Lyd. _ Though mine be brighter than the star,
Thou lighter than the cork by far,
Rough as the Adriatic sea, yet I
Will live with thee, or else for thee will die.


182. THE CAPTIV'D BEE, OR THE LITTLE FILCHER.

As Julia once a-slumbering lay
It chanced a bee did fly that way,
After a dew or dew-like shower,
To tipple freely in a flower.
For some rich flower he took the lip
Of Julia, and began to sip;
But when he felt he sucked from thence
Honey, and in the quintessence,
He drank so much he scarce could stir,
So Julia took the pilferer.
And thus surprised, as filchers use,
He thus began himself t' excuse:
Sweet lady-flower, I never brought
Hither the least one thieving thought;
But, taking those rare lips of yours
For some fresh, fragrant, luscious flowers,
I thought I might there take a taste,
Where so much syrup ran at waste.
Besides, know this: I never sting
The flower that gives me nourishing;
But with a kiss, or thanks, do pay
For honey that I bear away.
This said, he laid his little scrip
Of honey 'fore her ladyship:
And told her, as some tears did fall,
That that he took, and that was all.
At which she smiled, and bade him go
And take his bag; but thus much know:
When next he came a-pilfering so,
He should from her full lips derive
Honey enough to fill his hive.


185. AN ODE TO MASTER ENDYMION PORTER, UPON HIS BROTHER'S DEATH.

Not all thy flushing suns are set,
Herrick, as yet;
Nor doth this far-drawn hemisphere
Frown and look sullen ev'rywhere.
Days may conclude in nights, and suns may rest
As dead within the west;
Yet, the next morn, regild the fragrant east.

Alas! for me, that I have lost
E'en all almost;
Sunk is my sight, set is my sun,
And all the loom of life undone:
The staff, the elm, the prop, the shelt'ring wall
Whereon my vine did crawl,
Now, now blown down; needs must the old stock fall.

Yet, Porter, while thou keep'st alive,
In death I thrive:
And like a phœnix re-aspire
From out my nard and fun'ral fire:
And as I prune my feathered youth, so I
Do mar'l how I could die
When I had thee, my chief preserver, by.

I'm up, I'm up, and bless that hand
Which makes me stand
Now as I do, and but for thee
I must confess I could not be.
The debt is paid; for he who doth resign
Thanks to the gen'rous vine
Invites fresh grapes to fill his press with wine.

_Mar'l_, marvel.


186. TO HIS DYING BROTHER, MASTER WILLIAM HERRICK.

Life of my life, 'take not so soon thy flight,
But stay the time till we have bade good-night.
Thou hast both wind and tide with thee; thy way
As soon despatch'd is by the night as day.
Let us not then so rudely henceforth go
Till we have wept, kissed, sigh'd, shook hands, or so.
There's pain in parting, and a kind of hell,
When once true lovers take their last farewell.
What! shall we two our endless leaves take here
Without a sad look or a solemn tear?
He knows not love that hath not this truth proved,
_Love is most loth to leave the thing beloved_.
Pay we our vows and go; yet when we part,
Then, even then, I will bequeath my heart
Into thy loving hands; for I'll keep none
To warm my breast when thou, my pulse, art gone.
No, here I'll last, and walk (a harmless shade)
About this urn wherein thy dust is laid,
To guard it so as nothing here shall be
Heavy to hurt those sacred seeds of thee.


187. THE OLIVE BRANCH.

Sadly I walk'd within the field,
To see what comfort it would yield;
And as I went my private way
An olive branch before me lay,
And seeing it I made a stay,
And took it up and view'd it; then
Kissing the omen, said Amen;
Be, be it so, and let this be
A divination unto me;
That in short time my woes shall cease
And Love shall crown my end with peace.


189. TO CHERRY-BLOSSOMS.

Ye may simper, blush and smile,
And perfume the air awhile;
But, sweet things, ye must be gone,
Fruit, ye know, is coming on;
Then, ah! then, where is your grace,
Whenas cherries come in place?


190. HOW LILIES CAME WHITE.

White though ye be, yet, lilies, know,
From the first ye were not so;
But I'll tell ye
What befell ye:
Cupid and his mother lay
In a cloud, while both did play,
He with his pretty finger press'd
The ruby niplet of her breast;
Out of which the cream of light,
Like to a dew,
Fell down on you
And made ye white.


191. TO PANSIES.

Ah, cruel love! must I endure
Thy many scorns and find no cure?
Say, are thy medicines made to be
Helps to all others but to me?
I'll leave thee and to pansies come,
Comforts you'll afford me some;
You can ease my heart and do
What love could ne'er be brought unto.


192. ON GILLY-FLOWERS BEGOTTEN.

What was't that fell but now
From that warm kiss of ours?
Look, look! by love I vow
They were two gilly-flowers.

Let's kiss and kiss again,
For if so be our closes
Make gilly-flowers, then
I'm sure they'll fashion roses.


193. THE LILY IN A CRYSTAL.

You have beheld a smiling rose
When virgins' hands have drawn
O'er it a cobweb-lawn;
And here you see this lily shows,
Tomb'd in a crystal stone,
More fair in this transparent case
Than when it grew alone
And had but single grace.

You see how cream but naked is
Nor dances in the eye
Without a strawberry,
Or some fine tincture like to this,
Which draws the sight thereto
More by that wantoning with it
Than when the paler hue
No mixture did admit.

You see how amber through the streams
More gently strokes the sight
With some conceal'd delight
Than when he darts his radiant beams
Into the boundless air;
Where either too much light his worth
Doth all at once impair,
Or set it little forth.

Put purple grapes or cherries in-
To glass, and they will send
More beauty to commend
Them from that clean and subtle skin
Than if they naked stood,
And had no other pride at all
But their own flesh and blood
And tinctures natural.

Thus lily, rose, grape, cherry, cream,
And strawberry do stir
More love when they transfer
A weak, a soft, a broken beam,
Than if they should discover
At full their proper excellence;
Without some scene cast over
To juggle with the sense.

Thus let this crystal'd lily be
A rule how far to teach
Your nakedness must reach;
And that no further than we see
Those glaring colours laid
By art's wise hand, but to this end
They should obey a shade,
Lest they too far extend.

So though you're white as swan or snow,
And have the power to move
A world of men to love,
Yet when your lawns and silks shall flow,
And that white cloud divide
Into a doubtful twilight, then,
Then will your hidden pride
Raise greater fires in men.

_Tincture_, colour, dye.
_Scene_, a covering.


194. TO HIS BOOK.

Like to a bride, come forth, my book, at last,
With all thy richest jewels overcast;
Say, if there be, 'mongst many gems here, one
Deserveless of the name of paragon;
Blush not at all for that, since we have set
Some pearls on queens that have been counterfeit.


195. UPON SOME WOMEN.

Thou who wilt not love, do this,
Learn of me what woman is.
Something made of thread and thrum.
A mere botch of all and some.
Pieces, patches, ropes of hair;
Inlaid garbage everywhere.
Outside silk and outside lawn;
Scenes to cheat us neatly drawn.
False in legs, and false in thighs;
False in breast, teeth, hair, and eyes;
False in head, and false enough;
Only true in shreds and stuff.

_Thrum_, a small thread.
_All and some_, anything and everything.


196. SUPREME FORTUNE FALLS SOONEST.

While leanest beasts in pastures feed,
_The fattest ox the first must bleed_.


197. THE WELCOME TO SACK.

So soft streams meet, so springs with gladder smiles
Meet after long divorcement by the isles;
When love, the child of likeness, urgeth on
Their crystal natures to a union:
So meet stolen kisses, when the moony nights
Call forth fierce lovers to their wish'd delights;
So kings and queens meet, when desire convinces
All thoughts but such as aim at getting princes,
As I meet thee. Soul of my life and fame!
Eternal lamp of love! whose radiant flame
Out-glares the heaven's Osiris,[H] and thy gleams
Out-shine the splendour of his mid-day beams.
Welcome, O welcome, my illustrious spouse;
Welcome as are the ends unto my vows;
Aye! far more welcome than the happy soil
The sea-scourged merchant, after all his toil,
Salutes with tears of joy, when fires betray
The smoky chimneys of his Ithaca.
Where hast thou been so long from my embraces,
Poor pitied exile? Tell me, did thy graces
Fly discontented hence, and for a time
Did rather choose to bless another clime?
Or went'st thou to this end, the more to move me,
By thy short absence, to desire and love thee?
Why frowns my sweet? Why won't my saint confer
Favours on me, her fierce idolater?
Why are those looks, those looks the which have been
Time-past so fragrant, sickly now drawn in
Like a dull twilight? Tell me, and the fault
I'll expiate with sulphur, hair and salt;
And, with the crystal humour of the spring,
Purge hence the guilt and kill this quarrelling.
Wo't thou not smile or tell me what's amiss?
Have I been cold to hug thee, too remiss,
Too temp'rate in embracing? Tell me, has desire
To thee-ward died i' th' embers, and no fire
Left in this rak'd-up ash-heap as a mark
To testify the glowing of a spark?
Have I divorc'd thee only to combine
In hot adult'ry with another wine?
True, I confess I left thee, and appeal
'Twas done by me more to confirm my zeal
And double my affection on thee, as do those
Whose love grows more inflam'd by being foes.
But to forsake thee ever, could there be
A thought of such-like possibility?
When thou thyself dar'st say thy isles shall lack
Grapes before Herrick leaves canary sack.
Thou mak'st me airy, active to be borne,
Like Iphiclus, upon the tops of corn.
Thou mak'st me nimble, as the winged hours,
To dance and caper on the heads of flowers,
And ride the sunbeams. Can there be a thing
Under the heavenly Isis[I] that can bring
More love unto my life, or can present
My genius with a fuller blandishment?
Illustrious idol! could th' Egyptians seek
Help from the garlic, onion and the leek
And pay no vows to thee, who wast their best
God, and far more transcendent than the rest?
Had Cassius, that weak water-drinker, known
Thee in thy vine, or had but tasted one
Small chalice of thy frantic liquor, he,
As the wise Cato, had approv'd of thee.
Had not Jove's son,[J] that brave Tirynthian swain,
Invited to the Thesbian banquet, ta'en
Full goblets of thy gen'rous blood, his sprite
Ne'er had kept heat for fifty maids that night.
Come, come and kiss me; love and lust commends
Thee and thy beauties; kiss, we will be friends
Too strong for fate to break us. Look upon
Me with that full pride of complexion
As queens meet queens, or come thou unto me
As Cleopatra came to Anthony,
When her high carriage did at once present
To the triumvir love and wonderment.