No More Learning

I mused: perhaps the matter's squared--
O yes! my hopes soon disappeared. "
"But, _matushka_, to Moscow you(70)
Should go, the market for a maid,
With many a vacancy, 'tis said. "--
"Alas! my friend, no revenue! "
"Enough to see one winter's end;
If not, the money I will lend. "

[Note 70: "Matushka," or "little mother," a term of endearment
in constant use amongst Russian females. ]

XXV

The venerable dame opined
The counsel good and full of reason,
Her money counted, and designed
To visit Moscow in the season.
Tattiana learns the intelligence--
Of her provincial innocence
The unaffected traits she now
Unto a carping world must show--
Her toilette's antiquated style,
Her antiquated mode of speech,
For Moscow fops and Circes each
To mark with a contemptuous smile.
Horror! had she not better stay
Deep in the greenwood far away?

XXVI

Arising with the morning's light,
Unto the fields she makes her way,
And with emotional delight
Surveying them, she thus doth say:
"Ye peaceful valleys all, good-bye!
Ye well-known mountain summits high,
Ye groves whose depths I know so well,
Thou beauteous sky above, farewell!
Delicious nature, thee I fly,
The calm existence which I prize
I yield for splendid vanities,
Thou too farewell, my liberty!
Whither and wherefore do I speed
And what will Destiny concede? "

XXVII

Farther Tattiana's walks extend--
'Tis now the hillock now the rill
Their natural attractions lend
To stay the maid against her will.
She the acquaintances she loves,
Her spacious fields and shady groves,
Another visit hastes to pay.
But Summer swiftly fades away
And golden Autumn draweth nigh,
And pallid nature trembling grieves,
A victim decked with golden leaves;
Dark clouds before the north wind fly;
It blew: it howled: till winter e'en
Came forth in all her magic sheen.

XXVIII

The snow descends and buries all,
Hangs heavy on the oaken boughs,
A white and undulating pall
O'er hillock and o'er meadow throws.
The channel of the river stilled
As if with eider-down is filled.
The hoar-frost glitters: all rejoice
In mother Winter's strange caprice.
But Tania's heart is not at ease,
Winter's approach she doth not hail
Nor the frost particles inhale
Nor the first snow of winter seize
Her shoulders, breast and face to lave--
Alarm the winter journey gave.

XXIX

The date was fixed though oft postponed,
But ultimately doth approach.
Examined, mended, newly found
Was the old and forgotten coach;
Kibitkas three, the accustomed train,(71)
The household property contain:
Saucepans and mattresses and chairs,
Portmanteaus and preserves in jars,
Feather-beds, also poultry-coops,
Basins and jugs--well! everything
To happiness contributing.
Behold! beside their dwelling groups
Of serfs the farewell wail have given.
Nags eighteen to the door are driven.

[Note 71: In former times, and to some extent the practice still
continues to the present day, Russian families were wont to
travel with every necessary of life, and, in the case of the
wealthy, all its luxuries following in their train. As the
poet complains in a subsequent stanza there were no inns;
and if the simple Larinas required such ample store of creature
comforts the impediments accompanying a great noble on his
journeys may be easily conceived. ]

XXX

These to the coach of state are bound,
Breakfast the busy cooks prepare,
Baggage is heaped up in a mound,
Old women at the coachmen swear.
A bearded postillion astride
A lean and shaggy nag doth ride,
Unto the gates the servants fly
To bid the gentlefolk good-bye.
These take their seats; the coach of state
Leisurely through the gateway glides.
"Adieu! thou home where peace abides,
Where turmoil cannot penetrate,
Shall I behold thee once again? "--
Tattiana tears cannot restrain.

XXXI

The limits of enlightenment
When to enlarge we shall succeed,
In course of time (the whole extent
Will not five centuries exceed
By computation) it is like
Our roads transformed the eye will strike;
Highways all Russia will unite
And form a network left and right;
On iron bridges we shall gaze
Which o'er the waters boldly leap,
Mountains we'll level and through deep
Streams excavate subaqueous ways,
And Christian folk will, I expect,
An inn at every stage erect.

XXXII

But now, what wretched roads one sees,
Our bridges long neglected rot,
And at the stages bugs and fleas
One moment's slumber suffer not.
Inns there are none. Pretentious but
Meagre, within a draughty hut,
A bill of fare hangs full in sight
And irritates the appetite.
Meantime a Cyclops of those parts
Before a fire which feebly glows
Mends with the Russian hammer's blows
The flimsy wares of Western marts,
With blessings on the ditches and
The ruts of his own fatherland.

XXXIII

Yet on a frosty winter day
The journey in a sledge doth please,
No senseless fashionable lay
Glides with a more luxurious ease;
For our Automedons are fire
And our swift troikas never tire;
The verst posts catch the vacant eye
And like a palisade flit by. (72)
The Larinas unwisely went,
From apprehension of the cost,
By their own horses, not the post--
So Tania to her heart's content
Could taste the pleasures of the road.
Seven days and nights the travellers plod.

[Note 72: This somewhat musty joke has appeared in more than one
national costume. Most Englishmen, if we were to replace
verst-posts with milestones and substitute a graveyard for
a palisade, would instantly recognize its Yankee extraction.
In Russia however its origin is as ancient at least as the
reign of Catherine the Second. The witticism ran thus: A
courier sent by Prince Potemkin to the Empress drove so
fast that his sword, projecting from the vehicle, rattled
against the verst-posts as if against a palisade! ]

XXXIV

But they draw near. Before them, lo!
White Moscow raises her old spires,
Whose countless golden crosses glow
As with innumerable fires. (73)
Ah! brethren, what was my delight
When I yon semicircle bright
Of churches, gardens, belfries high
Descried before me suddenly!
Moscow, how oft in evil days,
Condemned to exile dire by fate,
On thee I used to meditate!
Moscow! How much is in the phrase
For every loyal Russian breast!
How much is in that word expressed!

[Note 73: The aspect of Moscow, especially as seen from the Sparrow
Hills, a low range bordering the river Moskva at a short distance
from the city, is unique and splendid. It possesses several domes
completely plated with gold and some twelve hundred spires most of
which are surmounted by a golden cross. At the time of sunset they
seem literally tipped with flame. It was from this memorable spot
that Napoleon and the Grand Army first obtained a glimpse at the
city of the Tsars. There are three hundred and seventy churches in
Moscow. The Kremlin itself is however by far the most interesting
object to the stranger. ]

XXXV

Lo! compassed by his grove of oaks,
Petrovski Palace! Gloomily
His recent glory he invokes.
Here, drunk with his late victory,
Napoleon tarried till it please
Moscow approach on bended knees,
Time-honoured Kremlin's keys present.
Not so! My Moscow never went
To seek him out with bended head.
No gift she bears, no feast proclaims,
But lights incendiary flames
For the impatient chief instead.
From hence engrossed in thought profound
He on the conflagration frowned. (74)

[Note 74: Napoleon on his arrival in Moscow on the 14th September
took up his quarters in the Kremlin, but on the 16th had to
remove to the Petrovski Palace or Castle on account of the
conflagration which broke out in all quarters of the city. He
however returned to the Kremlin on the 19th September. The Palace
itself is placed in the midst of extensive grounds just outside
the city, on the road to Tver, i. e. to the northwest. It is
perhaps worthy of remark, as one amongst numerous circumstances
proving how extensively the poet interwove his own life-experiences
with the plot of this poem, that it was by this road that he
himself must have been in the habit of approaching Moscow from his
favourite country residence of Mikhailovskoe, in the province of
Pskoff. ]

XXXVI

Adieu, thou witness of our glory,
Petrovski Palace; come, astir!
Drive on! the city barriers hoary
Appear; along the road of Tver
The coach is borne o'er ruts and holes,
Past women, sentry-boxes, rolls,
Past palaces and nunneries,
Lamp-posts, shops, sledges, families,
Bokharians, peasants, beds of greens,
Boulevards, belfries, milliners,
Huts, chemists, Cossacks, shopkeepers
And fashionable magazines,
Balconies, lion's heads on doors,
Jackdaws on every spire--in scores. (75)

[Note 75: The first line refers to the prevailing shape of the
cast-iron handles which adorn the _porte cocheres_. The
Russians are fond of tame birds--jackdaws, pigeons, starlings,
etc. , abound in Moscow and elsewhere. ]

XXXVII

The weary way still incomplete,
An hour passed by--another--till,
Near Khariton's in a side street
The coach before a house stood still.
At an old aunt's they had arrived
Who had for four long years survived
An invalid from lung complaint.
A Kalmuck gray, in caftan rent
And spectacles, his knitting staid
And the saloon threw open wide;
The princess from the sofa cried
And the newcomers welcome bade.
The two old ladies then embraced
And exclamations interlaced.

XXXVIII

"Princesse, mon ange! "--"Pachette! "--
"Aline! "
"Who would have thought it? As of yore!
Is it for long? "--"Ma chere cousine! "
"Sit down. How funny, to be sure!
'Tis a scene of romance, I vow! "
"Tania, my eldest child, you know"--
"Ah! come, Tattiana, come to me!
Is it a dream, and can it be?
Cousin, rememb'rest Grandison? "
"What! Grandison? "--"Yes, certainly! "
"Oh! I remember, where is he? "--
"Here, he resides with Simeon.
He called upon me Christmas Eve--
His son is married, just conceive! "

XXXIX

"And he--but of him presently--
To-morrow Tania we will show,
What say you? to the family--
Alas! abroad I cannot go.
See, I can hardly crawl about--
But you must both be quite tired out!
Let us go seek a little rest--
Ah! I'm so weak--my throbbing breast!
Oppressive now is happiness,
Not only sorrow--Ah! my dear,
Now I am fit for nothing here.
In old age life is weariness! "
Then weeping she sank back distressed
And fits of coughing racked her chest.

XL

By the sick lady's gaiety
And kindness Tania was impressed,
But, her own room in memory,
The strange apartment her oppressed:
Repose her silken curtains fled,
She could not sleep in her new bed.
The early tinkling of the bells
Which of approaching labour tells
Aroused Tattiana from her bed.
The maiden at her casement sits
As daylight glimmers, darkness flits,
But ah! discerns nor wood nor mead--
Beneath her lay a strange courtyard,
A stable, kitchen, fence appeared.

XLI

To consanguineous dinners they
Conduct Tattiana constantly,
That grandmothers and grandsires may
Contemplate her sad reverie.
We Russians, friends from distant parts
Ever receive with kindly hearts
And exclamations and good cheer.
"How Tania grows! Doth it appear"
"Long since I held thee at the font--
Since in these arms I thee did bear--
And since I pulled thee by the ear--
And I to give thee cakes was wont? "--
Then the old dames in chorus sing,
"Oh! how our years are vanishing! "

XLII

But nothing changed in them is seen,
All in the good old style appears,
Our dear old aunt, Princess Helene,
Her cap of tulle still ever wears:
Luceria Lvovna paint applies,
Amy Petrovna utters lies,
Ivan Petrovitch still a gaby,
Simeon Petrovitch just as shabby;
Pelagie Nikolavna has
Her friend Monsieur Finemouche the same,
Her wolf-dog and her husband tame;
Still of his club he member was--
As deaf and silly doth remain,
Still eats and drinks enough for twain.

XLIII

Their daughters kiss Tattiana fair.
In the beginning, cold and mute,
Moscow's young Graces at her stare,
Examine her from head to foot.
They deem her somewhat finical,
Outlandish and provincial,
A trifle pale, a trifle lean,
But plainer girls they oft had seen.
Obedient then to Nature's law,
With her they did associate,
Squeeze tiny hands and osculate;
Her tresses curled in fashion saw,
And oft in whispers would impart
A maiden's secrets--of the heart.

XLIV

Triumphs--their own or those of friends--
Hopes, frolics, dreams and sentiment
Their harmless conversation blends
With scandal's trivial ornament.
Then to reward such confidence
Her amorous experience
With mute appeal to ask they seem--
But Tania just as in a dream
Without participation hears,
Their voices nought to her impart
And the lone secret of her heart,
Her sacred hoard of joy and tears,
She buries deep within her breast
Nor aught confides unto the rest.

XLV

Tattiana would have gladly heard
The converse of the world polite,
But in the drawing-room all appeared
To find in gossip such delight,
Speech was so tame and colourless
Their slander e'en was weariness;
In their sterility of prattle,
Questions and news and tittle-tattle,
No sense was ever manifest
Though by an error and unsought--
The languid mind could smile at nought,
Heart would not throb albeit in jest--
Even amusing fools we miss
In thee, thou world of empty bliss.

XLVI

In groups, official striplings glance
Conceitedly on Tania fair,
And views amongst themselves advance
Unfavourable unto her.
But one buffoon unhappy deemed
Her the ideal which he dreamed,
And leaning 'gainst the portal closed
To her an elegy composed.
Also one Viazemski, remarking
Tattiana by a poor aunt's side,
Successfully to please her tried,
And an old gent the poet marking
By Tania, smoothing his peruke,
To ask her name the trouble took. (76)

[Note 76: One of the obscure satirical allusions contained in this
poem. Doubtless the joke was perfectly intelligible to the
_habitues_ of contemporary St. Petersburg society. Viazemski of
course is the poet and prince, Pushkin's friend. ]

XLVII

But where Melpomene doth rave
With lengthened howl and accent loud,
And her bespangled robe doth wave
Before a cold indifferent crowd,
And where Thalia softly dreams
And heedless of approval seems,
Terpsichore alone among
Her sisterhood delights the young
(So 'twas with us in former years,
In your young days and also mine),
Never upon my heroine
The jealous dame her lorgnette veers,
The connoisseur his glances throws
From boxes or from stalls in rows.

XLVIII

To the assembly her they bear.
There the confusion, pressure, heat,
The crash of music, candles' glare
And rapid whirl of many feet,
The ladies' dresses airy, light,
The motley moving mass and bright,
Young ladies in a vasty curve,
To strike imagination serve.
'Tis there that arrant fops display
Their insolence and waistcoats white
And glasses unemployed all night;
Thither hussars on leave will stray
To clank the spur, delight the fair--
And vanish like a bird in air.

XLIX

Full many a lovely star hath night
And Moscow many a beauty fair:
Yet clearer shines than every light
The moon in the blue atmosphere.
And she to whom my lyre would fain,
Yet dares not, dedicate its strain,
Shines in the female firmament
Like a full moon magnificent.
Lo! with what pride celestial
Her feet the earth beneath her press!
Her heart how full of gentleness,
Her glance how wild yet genial!
Enough, enough, conclude thy lay--
For folly's dues thou hadst to pay.

L

Noise, laughter, bowing, hurrying mixt,
Gallop, mazurka, waltzing--see!
A pillar by, two aunts betwixt,
Tania, observed by nobody,
Looks upon all with absent gaze
And hates the world's discordant ways.
'Tis noisome to her there: in thought
Again her rural life she sought,
The hamlet, the poor villagers,
The little solitary nook
Where shining runs the tiny brook,
Her garden, and those books of hers,
And the lime alley's twilight dim
Where the first time she met with _him_.

LI

Thus widely meditation erred,
Forgot the world, the noisy ball,
Whilst from her countenance ne'er stirred
The eyes of a grave general.
Both aunts looked knowing as a judge,
Each gave Tattiana's arm a nudge
And in a whisper did repeat:
"Look quickly to your left, my sweet! "
"The left? Why, what on earth is there? "--
"No matter, look immediately.
There, in that knot of company,
Two dressed in uniform appear--
Ah! he has gone the other way"--
"Who? Is it that stout general, pray? "--

LII

Let us congratulations pay
To our Tattiana conquering,
And for a time our course delay,
That I forget not whom I sing.
Let me explain that in my song
"I celebrate a comrade young
And the extent of his caprice;
O epic Muse, my powers increase
And grant success to labour long;
Having a trusty staff bestowed,
Grant that I err not on the road. "
Enough! my pack is now unslung--
To classicism I've homage paid,
Though late, have a beginning made. (77)

[Note 77: Many will consider this mode of bringing the canto
to a conclusion of more than doubtful taste. The poet evidently
aims a stroke at the pedantic and narrow-minded criticism to
which original genius, emancipated from the strait-waistcoat of
conventionality, is not unfrequently subjected. ]


End of Canto The Seventh



CANTO THE EIGHTH

The Great World

'Fare thee well, and if for ever,
Still for ever fare thee well. '--Byron


Canto the Eighth

[St. Petersburg, Boldino, Tsarskoe Selo, 1880-1881]


I

In the Lyceum's noiseless shade
As in a garden when I grew,
I Apuleius gladly read
But would not look at Cicero.
'Twas then in valleys lone, remote,
In spring-time, heard the cygnet's note
By waters shining tranquilly,
That first the Muse appeared to me.
Into the study of the boy
There came a sudden flash of light,
The Muse revealed her first delight,
Sang childhood's pastimes and its joy,
Glory with which our history teems
And the heart's agitated dreams.

II

And the world met her smilingly,
A first success light pinions gave,
The old Derjavine noticed me,
And blest me, sinking to the grave. (78)
Then my companions young with pleasure
In the unfettered hours of leisure
Her utterances ever heard,
And by a partial temper stirred
And boiling o'er with friendly heat,
They first of all my brow did wreathe
And an encouragement did breathe
That my coy Muse might sing more sweet.
O triumphs of my guileless days,
How sweet a dream your memories raise!

[Note 78: This touching scene produced a lasting impression on
Pushkin's mind. It took place at a public examination at
the Lyceum, on which occasion the boy poet produced a poem. The
incident recalls the "Mon cher Tibulle" of Voltaire and the
youthful Parny (see Note 42). Derjavine flourished during the
reigns of Catherine the Second and Alexander the First. His
poems are stiff and formal in style and are not much thought of
by contemporary Russians. But a century back a very infinitesimal
endowment of literary ability was sufficient to secure imperial
reward and protection, owing to the backward state of the empire.
Stanza II properly concludes with this line, the remainder having
been expunged either by the author himself or the censors. I have
filled up the void with lines from a fragment left by the author
having reference to this canto. ]

III

Passion's wild sway I then allowed,
Her promptings unto law did make,
Pursuits I followed of the crowd,
My sportive Muse I used to take
To many a noisy feast and fight,
Terror of guardians of the night;
And wild festivities among
She brought with her the gift of song.
Like a Bacchante in her sport
Beside the cup she sang her rhymes
And the young revellers of past times
Vociferously paid her court,
And I, amid the friendly crowd,
Of my light paramour was proud.

IV

But I abandoned their array,
And fled afar--she followed me.
How oft the kindly Muse away
Hath whiled the road's monotony,
Entranced me by some mystic tale.
How oft beneath the moonbeams pale
Like Leonora did she ride(79)
With me Caucasian rocks beside!
How oft to the Crimean shore
She led me through nocturnal mist
Unto the sounding sea to list,
Where Nereids murmur evermore,
And where the billows hoarsely raise
To God eternal hymns of praise.

[Note 79: See Note 30, "Leonora," a poem by Gottfried Augustus
Burger, b. 1748, d. 1794. ]

V

Then, the far capital forgot,
Its splendour and its blandishments,
In poor Moldavia cast her lot,
She visited the humble tents
Of migratory gipsy hordes--
And wild among them grew her words--
Our godlike tongue she could exchange
For savage speech, uncouth and strange,
And ditties of the steppe she loved.
But suddenly all changed around!
Lo! in my garden was she found
And as a country damsel roved,
A pensive sorrow in her glance
And in her hand a French romance.

VI

Now for the first time I my Muse
Lead into good society,
Her steppe-like beauties I peruse
With jealous fear, anxiety.
Through dense aristocratic rows
Of diplomats and warlike beaux
And supercilious dames she glides,
Sits down and gazes on all sides--
Amazed at the confusing crowd,
Variety of speech and vests,
Deliberate approach of guests
Who to the youthful hostess bowed,
And the dark fringe of men, like frames
Enclosing pictures of fair dames.

VII

Assemblies oligarchical
Please her by their decorum fixed,
The rigour of cold pride and all
Titles and ages intermixed.
But who in that choice company
With clouded brow stands silently?
Unknown to all he doth appear,
A vision desolate and drear
Doth seem to him the festal scene.
Doth his brow wretchedness declare
Or suffering pride? Why is he there?
Who may he be? Is it Eugene?
Pray is it he? It is the same.
"And is it long since back he came?

VIII

"Is he the same or grown more wise?
Still doth the misanthrope appear?
He has returned, say in what guise?
What is his latest character?
What doth he act? Is it Melmoth,(80)
Philanthropist or patriot,
Childe Harold, quaker, devotee,
Or other mask donned playfully?
Or a good fellow for the nonce,
Like you and me and all the rest? --
But this is my advice, 'twere best
Not to behave as he did once--
Society he duped enow. "
"Is he known to you? "--"Yes and No. "

[Note 80: A romance by Maturin. ]

IX

Wherefore regarding him express
Perverse, unfavourable views?
Is it that human restlessness
For ever carps, condemns, pursues?
Is it that ardent souls of flame
By recklessness amuse or shame
Selfish nonentities around?
That mind which yearns for space is bound?
And that too often we receive
Professions eagerly for deeds,
That crass stupidity misleads,
That we by cant ourselves deceive,
That mediocrity alone
Without disgust we look upon?

X

Happy he who in youth was young,
Happy who timely grew mature,
He who life's frosts which early wrung
Hath gradually learnt to endure;
By visions who was ne'er deranged
Nor from the mob polite estranged,
At twenty who was prig or swell,
At thirty who was married well,
At fifty who relief obtained
From public and from private ties,
Who glory, wealth and dignities
Hath tranquilly in turn attained,
And unto whom we all allude
As to a worthy man and good!

XI

But sad is the reflection made,
In vain was youth by us received,
That we her constantly betrayed
And she at last hath us deceived;
That our desires which noblest seemed,
The purest of the dreams we dreamed,
Have one by one all withered grown
Like rotten leaves by Autumn strown--
'Tis fearful to anticipate
Nought but of dinners a long row,
To look on life as on a show,
Eternally to imitate
The seemly crowd, partaking nought
Its passions and its modes of thought.

XII

The butt of scandal having been,
'Tis dreadful--ye agree, I hope--
To pass with reasonable men
For a fictitious misanthrope,
A visionary mortified,
Or monster of Satanic pride,
Or e'en the "Demon" of my strain. (81)
Oneguine--take him up again--
In duel having killed his friend
And reached, with nought his mind to engage,
The twenty-sixth year of his age,
Wearied of leisure in the end,
Without profession, business, wife,
He knew not how to spend his life.

[Note 81: The "Demon," a short poem by Pushkin which at its first
appearance created some excitement in Russian society. A more
appropriate, or at any rate explanatory title, would have been
the _Tempter_. It is descriptive of the first manifestation of
doubt and cynicism in his youthful mind, allegorically as the
visits of a "demon. " Russian society was moved to embody this
imaginary demon in the person of a certain friend of Pushkin's.
This must not be confounded with Lermontoff's poem bearing the
same title upon which Rubinstein's new opera, "Il Demonio," is
founded. ]

XIII

Him a disquietude did seize,
A wish from place to place to roam,
A very troublesome disease,
In some a willing martyrdom.
Abandoned he his country seat,
Of woods and fields the calm retreat,
Where every day before his eyes
A blood-bespattered shade would rise,
And aimless journeys did commence--
But still remembrance to him clings,
His travels like all other things
Inspired but weariness intense;
Returning, from his ship amid
A ball he fell as Tchatzki did. (82)

[Note 82: Tchatzki, one of the principal characters in Griboyedoff's
celebrated comedy "Woe from Wit" (_Gore ot Ouma_). ]

XIV

Behold, the crowd begins to stir,
A whisper runs along the hall,
A lady draws the hostess near,
Behind her a grave general.
Her manners were deliberate,
Reserved, but not inanimate,
Her eyes no saucy glance address,
There was no angling for success.
Her features no grimaces bleared;
Of affectation innocent,
Calm and without embarrassment,
A faithful model she appeared
Of "comme il faut. " Shishkoff, forgive!
I can't translate the adjective. (83)

[Note 83: Shishkoff was a member of the literary school which
cultivated the vernacular as opposed to the _Arzamass_ or
Gallic school, to which the poet himself and his uncle Vassili
Pushkin belonged. He was admiral, author, and minister of
education. ]

XV

Ladies in crowds around her close,
Her with a smile old women greet,
The men salute with lower bows
And watch her eye's full glance to meet.
Maidens before her meekly move
Along the hall, and high above
The crowd doth head and shoulders rise
The general who accompanies.
None could her beautiful declare,
Yet viewing her from head to foot,
None could a trace of that impute,
Which in the elevated sphere
Of London life is "vulgar" called
And ruthless fashion hath blackballed.

XVI

I like this word exceedingly
Although it will not bear translation,
With us 'tis quite a novelty
Not high in general estimation;
'Twould serve ye in an epigram--
But turn we once more to our dame.
Enchanting, but unwittingly,
At table she was sitting by
The brilliant Nina Voronskoi,
The Neva's Cleopatra, and
None the conviction could withstand
That Nina's marble symmetry,
Though dazzling its effulgence white,
Could not eclipse her neighbour's light.

XVII

"And is it," meditates Eugene.
"And is it she? It must be--no--
How! from the waste of steppes unseen,"--
And the eternal lorgnette through
Frequent and rapid doth his glance
Seek the forgotten countenance
Familiar to him long ago.
"Inform me, prince, pray dost thou know
The lady in the crimson cap
Who with the Spanish envoy speaks? "--
The prince's eye Oneguine seeks:
"Ah! long the world hath missed thy shape!
But stop! I will present thee, if
You choose. "--"But who is she? "--"My wife. "

XVIII

"So thou art wed! I did not know.
Long ago? "--"'Tis the second year. "
"To--? "--"Larina. "--"Tattiana? "--"So.
And dost thou know her? "--"We live near. "
"Then come with me. " The prince proceeds,
His wife approaches, with him leads
His relative and friend as well.
The lady's glance upon him fell--
And though her soul might be confused,
And vehemently though amazed
She on the apparition gazed,
No signs of trouble her accused,
A mien unaltered she preserved,
Her bow was easy, unreserved.

XIX

Ah no! no faintness her attacked
Nor sudden turned she red or white,
Her brow she did not e'en contract
Nor yet her lip compressed did bite.
Though he surveyed her at his ease,
Not the least trace Oneguine sees
Of the Tattiana of times fled.
He conversation would have led--
But could not. Then she questioned him:--
"Had he been long here, and where from?
Straight from their province had he come? "--
Cast upwards then her eyeballs dim
Unto her husband, went away--
Transfixed Oneguine mine doth stay.

XX

Is this the same Tattiana, say,
Before whom once in solitude,
In the beginning of this lay,
Deep in the distant province rude,
Impelled by zeal for moral worth,
He salutary rules poured forth?
The maid whose note he still possessed
Wherein the heart its vows expressed,
Where all upon the surface lies,--
That girl--but he must dreaming be--
That girl whom once on a time he
Could in a humble sphere despise,
Can she have been a moment gone
Thus haughty, careless in her tone?

XXI

He quits the fashionable throng
And meditative homeward goes,
Visions, now sad, now grateful, long
Do agitate his late repose.
He wakes--they with a letter come--
The Princess N. will be at home
On such a day. O Heavens, 'tis she!
Oh! I accept. And instantly
He a polite reply doth scrawl.
What hath he dreamed? What hath occurred?
In the recesses what hath stirred
Of a heart cold and cynical?
Vexation? Vanity? or strove
Again the plague of boyhood--love?

XXII

The hours once more Oneguine counts,
Impatient waits the close of day,
But ten strikes and his sledge he mounts
And gallops to her house away.
Trembling he seeks the young princess--
Tattiana finds in loneliness.
Together moments one or two
They sat, but conversation's flow
Deserted Eugene. He, distraught,
Sits by her gloomily, desponds,
Scarce to her questions he responds,
Full of exasperating thought.
He fixedly upon her stares--
She calm and unconcerned appears.

XXIII

The husband comes and interferes
With this unpleasant _tete-a-tete_,
With Eugene pranks of former years
And jests doth recapitulate.
They talked and laughed. The guests arrived.
The conversation was revived
By the coarse wit of worldly hate;
But round the hostess scintillate
Light sallies without coxcombry,
Awhile sound conversation seems
To banish far unworthy themes
And platitudes and pedantry,
And never was the ear affright
By liberties or loose or light.

XXIV

And yet the city's flower was there,
Noblesse and models of the mode,
Faces which we meet everywhere
And necessary fools allowed.
Behold the dames who once were fine
With roses, caps and looks malign;
Some marriageable maids behold,
Blank, unapproachable and cold.
Lo, the ambassador who speaks
Economy political,
And with gray hair ambrosial
The old man who has had his freaks,
Renowned for his acumen, wit,
But now ridiculous a bit.

XXV

Behold Sabouroff, whom the age
For baseness of the spirit scorns,
Saint Priest, who every album's page
With blunted pencil-point adorns.
Another tribune of the ball
Hung like a print against the wall,
Pink as Palm Sunday cherubim,(84)
Motionless, mute, tight-laced and trim.
The traveller, bird of passage he,
Stiff, overstarched and insolent,
Awakens secret merriment
By his embarrassed dignity--
Mute glances interchanged aside
Meet punishment for him provide.

[Note 84: On Palm Sunday the Russians carry branches, or used to
do so. These branches were adorned with little painted pictures
of cherubs with the ruddy complexions of tradition. Hence the
comparison. ]

XXVI

But my Oneguine the whole eve
Within his mind Tattiana bore,
Not the young timid maid, believe,
Enamoured, simple-minded, poor,
But the indifferent princess,
Divinity without access
Of the imperial Neva's shore.
O Men, how very like ye are
To Eve the universal mother,
Possession hath no power to please,
The serpent to unlawful trees
Aye bids ye in some way or other--
Unless forbidden fruit we eat,
Our paradise is no more sweet.

XXVII

Ah! how Tattiana was transformed,
How thoroughly her part she took!
How soon to habits she conformed
Which crushing dignity must brook!
Who would the maiden innocent
In the unmoved, magnificent
Autocrat of the drawing-room seek?
And he had made her heart beat quick!
'Twas he whom, amid nightly shades,
Whilst Morpheus his approach delays,
She mourned and to the moon would raise
The languid eye of love-sick maids,
Dreaming perchance in weal or woe
To end with him her path below.

XXVIII

To Love all ages lowly bend,
But the young unpolluted heart
His gusts should fertilize, amend,
As vernal storms the fields athwart.
Youth freshens beneath Passion's showers,
Develops and matures its powers,
And thus in season the rich field
Gay flowers and luscious fruit doth yield.
But at a later, sterile age,
The solstice of our earthly years,
Mournful Love's deadly trace appears
As storms which in chill autumn rage
And leave a marsh the fertile ground
And devastate the woods around.

XXIX

There was no doubt! Eugene, alas!
Tattiana loved as when a lad,
Both day and night he now must pass
In love-lorn meditation sad.
Careless of every social rule,
The crystals of her vestibule
He daily in his drives drew near
And like a shadow haunted her.
Enraptured was he if allowed
To swathe her shoulders in the furs,
If his hot hand encountered hers,
Or he dispersed the motley crowd
Of lackeys in her pathway grouped,
Or to pick up her kerchief stooped.

XXX

She seemed of him oblivious,
Despite the anguish of his breast,
Received him freely at her house,
At times three words to him addressed
In company, or simply bowed,
Or recognized not in the crowd.
No coquetry was there, I vouch--
Society endures not such!
Oneguine's cheek grew ashy pale,
Either she saw not or ignored;
Oneguine wasted; on my word,
Already he grew phthisical.
All to the doctors Eugene send,
And they the waters recommend.

XXXI

He went not--sooner was prepared
To write his forefathers to warn
Of his approach; but nothing cared
Tattiana--thus the sex is born. --
He obstinately will remain,
Still hopes, endeavours, though in vain.
Sickness more courage doth command
Than health, so with a trembling hand
A love epistle he doth scrawl.
Though correspondence as a rule
He used to hate--and was no fool--
Yet suffering emotional
Had rendered him an invalid;
But word for word his letter read.

Oneguine's Letter to Tattiana

All is foreseen. My secret drear
Will sound an insult in your ear.
What acrimonious scorn I trace
Depicted on your haughty face!
What do I ask? What cause assigned
That I to you reveal my mind?
To what malicious merriment,
It may be, I yield nutriment!

Meeting you in times past by chance,
Warmth I imagined in your glance,
But, knowing not the actual truth,
Restrained the impulses of youth;
Also my wretched liberty
I would not part with finally;
This separated us as well--
Lenski, unhappy victim, fell,
From everything the heart held dear
I then resolved my heart to tear;
Unknown to all, without a tie,
I thought--retirement, liberty,
Will happiness replace. My God!
How I have erred and felt the rod!

No, ever to behold your face,
To follow you in every place,
Your smiling lips, your beaming eyes,
To watch with lovers' ecstasies,
Long listen, comprehend the whole
Of your perfections in my soul,
Before you agonized to die--
This, this were true felicity!

But such is not for me. I brood
Daily of love in solitude.
My days of life approach their end,
Yet I in idleness expend
The remnant destiny concedes,
And thus each stubbornly proceeds.
I feel, allotted is my span;
But, that life longer may remain,
At morn I must assuredly
Know that thy face that day I see.

I tremble lest my humble prayer
You with stern countenance declare
The artifice of villany--
I hear your harsh, reproachful cry.
If ye but knew how dreadful 'tis
To bear love's parching agonies--
To burn, yet reason keep awake
The fever of the blood to slake--
A passionate desire to bend
And, sobbing at your feet, to blend
Entreaties, woes and prayers, confess
All that the heart would fain express--
Yet with a feigned frigidity
To arm the tongue and e'en the eye,
To be in conversation clear
And happy unto you appear.

So be it! But internal strife
I cannot longer wage concealed.
The die is cast! Thine is my life!
Into thy hands my fate I yield!

XXXII

No answer! He another sent.
Epistle second, note the third,
Remained unnoticed. Once he went
To an assembly--she appeared
Just as he entered. How severe!
She will not see, she will not hear.
Alas! she is as hard, behold,
And frosty as a Twelfth Night cold.
Oh, how her lips compressed restrain
The indignation of her heart!
A sidelong look doth Eugene dart:
Where, where, remorse, compassion, pain?
Where, where, the trace of tears? None, none!
Upon her brow sits wrath alone--

XXXIII

And it may be a secret dread
Lest the world or her lord divine
A certain little escapade
Well known unto Oneguine mine.
'Tis hopeless! Homeward doth he flee
Cursing his own stupidity,
And brooding o'er the ills he bore,
Society renounced once more.
Then in the silent cabinet
He in imagination saw
The time when Melancholy's claw
'Mid worldly pleasures chased him yet,
Caught him and by the collar took
And shut him in a lonely nook.

XXXIV

He read as vainly as before,
perusing Gibbon and Rousseau,
Manzoni, Herder and Chamfort,(85)
Madame de Stael, Bichat, Tissot:
He read the unbelieving Bayle,
Also the works of Fontenelle,
Some Russian authors he perused--
Nought in the universe refused:
Nor almanacs nor newspapers,
Which lessons unto us repeat,
Wherein I castigation get;
And where a madrigal occurs
Writ in my honour now and then--
_E sempre bene_, gentlemen!

[Note 85: Owing to the unstable nature of fame the names of some
of the above literary worthies necessitate reference at this
period in the nineteenth century.

Johann Gottfried von Herder, b. 1744, d. 1803, a German
philosopher, philanthropist and author, was the personal friend
of Goethe and held the poet of court chaplain at Weimar. His chief
work is entitled, "Ideas for a Philosophy of the History of
Mankind," in 4 vols.

Sebastien Roch Nicholas Chamfort, b. 1741, d. 1794, was a French
novelist and dramatist of the Revolution, who contrary to his
real wishes became entangled in its meshes. He exercised a
considerable influence over certain of its leaders, notably
Mirabeau and Sieyes. He is said to have originated the title of
the celebrated tract from the pen of the latter. "What is the
Tiers Etat? Nothing. What ought it to be? Everything. " He
ultimately experienced the common destiny in those days, was thrown
into prison and though shortly afterwards released, his
incarceration had such an effect upon his mind that he committed
suicide.

Marie Francois Xavier Bichat, b. 1771, d. 1802, a French anatomist
and physiologist of eminence. His principal works are a "Traite
des Membranes," "Anatomie generale appliquee a la Physiologie et a
la Medecine," and "Recherches Physiologiques sur la Vie et la
Mort. " He died at an early age from constant exposure to noxious
exhalations during his researches.

Pierre Francois Tissot, b. 1768, d. 1864, a French writer of the
Revolution and Empire. In 1812 he was appointed by Napoleon editor
of the _Gazette de France_.