Dibdin's excellent songs, and the air to which it is sung
by the Boors is remarkably sweet and lively.
by the Boors is remarkably sweet and lively.
Samuel Taylor Coleridge
save when with awe
I praise him, and with Faith that inly feels;
Who with his saving mercies healed me,
A sinful and most miserable man,
Wildered and dark, and gave me to possess
Peace, and this cot, and thee, dear honoured
Maid!
1795.
THE PICTURE
OR THE LOVER'S RESOLUTION
Through weeds and thorns, and matted underwood
I force my way; now climb, and now descend
O'er rocks, or bare or mossy, with wild foot
Crushing the purple whorts;[1] while oft unseen,
Hurrying along the drifted forest-leaves,
The scared snake rustles. Onward still I toil,
I know not, ask not whither! A new joy,
Lovely as light, sudden as summer gust,
And gladsome as the first-born of the spring,
Beckons me on, or follows from behind,
Playmate, or guide! The master-passion quelled,
I feel that I am free. With dun-red bark
The fir-trees, and the unfrequent slender oak,
Forth from this tangle wild of bush and brake
Soar up, and form a melancholy vault
High o'er me, murmuring like a distant sea.
Here Wisdom might resort, and here Remorse;
Here too the love-lorn man, who, sick in soul,
And of this busy human heart aweary,
Worships the spirit of unconscious life
In tree or wild-flower. --Gentle lunatic!
If so he might not wholly cease to be,
He would far rather not be that he is;
But would be something that he knows not of,
In winds or waters, or among the rocks!
But hence, fond wretch! breathe not contagion
here!
No myrtle-walks are these: these are no groves
Where Love dare loiter! If in sullen mood
He should stray hither, the low stumps shall
gore
His dainty feet, the briar and the thorn
Make his plumes haggard. Like a wounded
bird
Easily caught, ensnare him, O ye Nymphs,
Ye Oreads chaste, ye dusky Dryades!
And you, ye Earth-winds! you that make at
morn
The dew-drops quiver on the spiders' webs!
You, O ye wingless Airs! that creep between
The rigid stems of heath and bitten furze,
Within whose scanty shade, at summer-noon,
The mother-sheep hath worn a hollow bed--
Ye, that now cool her fleece with dropless damp,
Now pant and murmur with her feeding lamb.
Chase, chase him, all ye Fays, and elfin Gnomes!
With prickles sharper than his darts bemock
His little Godship, making him perforce
Creep through a thorn-bush on yon hedgehog's
back.
This is my hour of triumph! I can now
With my own fancies play the merry fool,
And laugh away worse folly, being free.
Here will I seat myself, beside this old,
Hollow, and weedy oak, which ivy-twine
Clothes as with net-work: here will couch my limbs,
Close by this river, in this silent shade,
As safe and sacred from the step of man
As an invisible world--unheard, unseen,
And listening only to the pebbly brook
That murmurs with a dead, yet tinkling sound;
Or to the bees, that in the neighbouring trunk
Make honey-hoards. The breeze, that visits me,
Was never Love's accomplice, never raised
The tendril ringlets from the maiden's brow,
And the blue, delicate veins above her cheek;
Ne'er played the wanton--never half disclosed
The maiden's snowy bosom, scattering thence
Eye-poisons for some love-distempered youth,
Who ne'er henceforth may see an aspen-grove
Shiver in sunshine, but his feeble heart
Shall flow away like a dissolving thing.
Sweet breeze! thou only, if I guess aright,
Liftest the feathers of the robin's breast,
That swells its little breast, so full of song,
Singing above me, on the mountain-ash.
And thou too, desert stream! no pool of thine,
Though clear as lake in latest summer-eve,
Did e'er reflect the stately virgin's robe,
The face, the form divine, the downcast look
Contemplative! Behold! her open palm
Presses her cheek and brow! her elbow rests
On the bare branch of half-uprooted tree,
That leans towards its mirror! Who erewhile
Had from her countenance turned, or looked by stealth
(For fear is true-love's cruel nurse), he now
With steadfast gaze and unoffending eye,
Worships the watery idol, dreaming hopes
Delicious to the soul, but fleeting, vain,
E'en as that phantom-world on which he gazed,
But not unheeded gazed: for see, ah! see,
The sportive tyrant with her left hand plucks
The heads of tall flowers that behind her grow,
Lychnis, and willow-herb, and fox-glove bells:
And suddenly, as one that toys with time,
Scatters them on the pool! Then all the charm
Is broken--all that phantom world so fair
Vanishes, and a thousand circlets spread,
And each mis-shapes the other. Stay awhile,
Poor youth, who scarcely dar'st lift up thine eyes!
The stream will soon renew its smoothness, soon
The visions will return! And lo! he stays:
And soon the fragments dim of lovely forms
Come trembling back, unite, and now once more
The pool becomes a mirror; and behold
Each wildflower on the marge inverted there,
And there the half-uprooted tree--but where,
O where the virgin's snowy arm, that leaned
On its bare branch? He turns, and she is gone!
Homeward she steals through many a woodland maze
Which he shall seek in vain. Ill-fated youth!
Go, day by day, and waste thy manly prime
In mad love-yearning by the vacant brook,
Till sickly thoughts bewitch thine eyes, and thou
Behold'st her shadow still abiding there,
The Naiad of the mirror!
Not to thee,
O wild and desert stream! belongs this tale:
Gloomy and dark art thou-the crowded firs
Spire from thy shores, and stretch across thy bed,
Making thee doleful as a cavern-well:
Save when the shy king-fishers build their nest
On thy steep banks, no loves hast thou, wild stream!
This be my chosen haunt--emancipate
From passion's dreams, a freeman, and alone,
I rise and trace its devious course. O lead,
Lead me to deeper shades and lonelier glooms.
Lo! stealing through the canopy of firs,
How fair the sunshine spots that mossy rock,
Isle of the river, whose disparted waves
Dart off asunder with an angry sound,
How soon to re-unite! And see! they meet,
Each in the other lost and found: and see
Placeless, as spirits, one soft water-sun
Throbbing within them, heart at once and eye!
With its soft neighbourhood of filmy clouds,
The stains and shadings of forgotten tears,
Dimness o'erswum with lustre! Such the hour
Of deep enjoyment, following love's brief feuds;
And hark, the noise of a near waterfall!
I pass forth into light--I find myself
Beneath a weeping birch (most beautiful
Of forest trees, the Lady of the Woods),
Hard by the brink of a tall weedy rock
That overbrows the cataract. How burst?
The landscape on my sight! Two crescent hills
Fold in behind each other, and so make
A circular vale, and land-locked, as might seem,
With brook and bridge, and grey stone cottages,
Half hid by rocks and fruit-trees. At my feet,
The whortle-berries are bedewed with spray,
Dashed upwards by the furious waterfall.
How solemnly the pendent ivy-mass
Swings in its winnow: All the air is calm.
The smoke from cottage-chimneys, tinged with light,
Rises in columns; from this house alone,
Close by the waterfall, the column slants,
And feels its ceaseless breeze. But what is this?
That cottage, with its slanting chimney-smoke,
And close beside its porch a sleeping child,
His dear head pillow'd on a sleeping dog--
One arm between its fore-legs, and the hand
Holds loosely its small handful of wildflowers,
Unfilletted, and of unequal lengths.
A curious picture, with a master's haste
Sketched on a strip of pinky-silver skin,
Peeled from the birchen bark! Divinest maid!
Yon bark her canvas, and those purple berries
Her pencil! See, the juice is scarcely dried
On the fine skin! She has been newly here;
And lo! yon patch of heath has been her couch--
The pressure still remains! O blessed couch!
For this may'st thou flower early, and the sun,
Slanting at eve, rest bright, and linger long
Upon thy purple bells! O Isabel!
Daughter of genius! stateliest of our maids!
More beautiful than whom Alcaeus wooed,
The Lesbian woman of immortal song!
O child of genius! stately, beautiful,
And full of love to all, save only me,
And not ungentle e'en to me! My heart,
Why beats it thus? Through yonder coppicewood
Needs must the pathway turn, that leads straightway
On to her father's house. She is alone!
The night draws on-such ways are hard to hit--
And fit it is I should restore this sketch,
Dropt unawares no doubt. Why should I yearn
To keep the relique? 'twill but idly feed
The passion that consumes me. Let me haste!
The picture in my hand which she has left;
She cannot blame me that I follow'd her:
And I may be her guide the long wood through.
1802.
[Footnote 1: _Vaccinium Myrtillus_ known by the different names of
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries. [Note by S. T. C. 1802. ]]
THE GARDEN OF BOCCACCIO
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dreary mood, which he who ne'er has known
May bless his happy lot, I sate alone;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy!
And as I watch'd the dull continuous ache,
Which, all else slum'bring, seem'd alone to wake;
O Friend! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry!
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bathed steep
Emerging from a mist: or like a stream
Of music soft that not dispels the sleep,
But casts in happier moulds the slumberer's dream,
Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man!
Wild strain of Scalds, that in the sea-worn caves
Rehearsed their war-spell to the winds and waves;
Or fateful hymn of those prophetic maids,
That call'd on Hertha in deep forest glades;
Or minstrel lay, that cheer'd the baron's feast;
Or rhyme of city pomp, of monk and priest,
Judge, mayor, and many a guild in long array,
To high-church pacing on the great saint's day.
And many a verse which to myself I sang,
That woke the tear yet stole away the pang,
Of hopes which in lamenting I renew'd.
And last, a matron now, of sober mien,
Yet radiant still and with no earthly sheen,
Whom as a faery child my childhood woo'd
Even in my dawn of thought--Philosophy;
Though then unconscious of herself, pardie,
She bore no other name than Poesy;
And, like a gift from heaven, in lifeful glee,
That had but newly left a mother's knee,
Prattled and play'd with bird and flower, and stone,
As if with elfin playfellows well known,
And life reveal'd to innocence alone.
Thanks, gentle artist! now I can descry
Thy fair creation with a mastering eye,
And _all_ awake! And now in fix'd gaze stand,
Now wander through the Eden of thy hand;
Praise the green arches, on the fountain clear
See fragment shadows of the crossing deer;
And with that serviceable nymph I stoop
The crystal from its restless pool to scoop.
I see no longer! I myself am there,
Sit on the ground-sward, and the banquet share.
'Tis I, that sweep that lute's love-echoing strings,
And gaze upon the maid who gazing sings;
Or pause and listen to the tinkling bells
From the high tower, and think that there she dwells.
With old Boccaccio's soul I stand possest,
And breathe an air like life, that swells my chest.
The brightness of the world, O thou once free,
And always fair, rare land of courtesy!
O Florence! with the Tuscan fields and hills
And famous Arno, fed with all their rills;
Thou brightest star of star-bright Italy!
Rich, ornate, populous, all treasures thine,
The golden corn, the olive, and the vine.
Fair cities, gallant mansions, castles old,
And forests, where beside his leafy hold
The sullen boar hath heard the distant horn,
And whets his tusks against the gnarled thorn;
Palladian palace with its storied halls;
Fountains, where Love lies listening to their falls;
Gardens, where flings the bridge its airy span,
And Nature makes her happy home with man;
Where many a gorgeous flower is duly fed
With its own rill, on its own spangled bed,
And wreathes the marble urn, or leans its head,
A mimic mourner, that with veil withdrawn
Weeps liquid gems, the presents of the dawn;--
Thine all delights, and every muse is thine;
And more than all, the embrace and intertwine
Of all with all in gay and twinkling dance!
Mid gods of Greece and warriors of romance,
See! Boccace sits, unfolding on his knees
The new-found roll of old Maeonides;
But from his mantle's fold, and near the heart,
Peers Ovid's Holy Book of Love's sweet smart!
O all-enjoying and all-blending sage,
Long be it mine to con thy mazy page,
Where, half conceal'd, the eye of fancy views
Fauns, nymphs, and winged saints, all gracious to thy muse!
Still in thy garden let me watch their pranks,
And see in Dian's vest between the ranks
Of the trim vines, some maid that half believes
The _vestal_ fires, of which her lover grieves,
With that sly satyr peeping through the leaves!
1828.
THE TWO FOUNTS
STANZAS ADDRESSED TO A LADY [MRS. ADERS] ON
HER RECOVERY WITH UNBLEMISHED LOOKS,
FROM A SEVERE ATTACK OF PAIN
'T was my last waking thought, how it could be
That thou, sweet friend, such anguish should'st endure;
When straight from Dreamland came a Dwarf, and he
Could tell the cause, forsooth, and knew the cure.
Methought he fronted me with peering look
Fix'd on my heart; and read aloud in game
The loves and griefs therein, as from a book:
And uttered praise like one who wished to blame.
In every heart (quoth he) since Adam's sin
Two Founts there are, of Suffering and of Cheer!
_That_ to let forth, and _this_ to keep within!
But she, whose aspect I find imaged here,
Of Pleasure only will to all dispense,
_That_ Fount alone unlock, by no distress
Choked or turned inward, but still issue thence
Unconquered cheer, persistent loveliness.
As on the driving cloud the shiny bow,
That gracious thing made up of tears and light,
Mid the wild rack and rain that slants below
Stands smiling forth, unmoved and freshly bright:
As though the spirits of all lovely flowers,
Inweaving each its wreath and dewy crown,
Or ere they sank to earth in vernal showers,
Had built a bridge to tempt the angels down.
Even so, Eliza! on that face of thine,
On that benignant face, whose look alone
(The soul's translucence thro' her crystal shrine! )
Has power to soothe all anguish but thine own,
A beauty hovers still, and ne'er takes wing,
But with a silent charm compels the stern
And tort'ring Genius of the bitter spring,
To shrink aback, and cower upon his urn.
Who then needs wonder, if (no outlet found
In passion, spleen, or strife) the Fount of Pain
O'erflowing beats against its lovely mound,
And in wild flashes shoots from heart to brain?
Sleep, and the Dwarf with that unsteady gleam
On his raised lip, that aped a critic smile,
Had passed: yet I, my sad thoughts to beguile,
Lay weaving on the tissue of my dream;
Till audibly at length I cried, as though
Thou hadst indeed been present to my eyes,
O sweet, sweet sufferer; if the case be so,
I pray thee, be _less_ good, _less_ sweet, _less_ wise!
In every look a barbed arrow send,
On those soft lips let scorn and anger live!
Do _any_ thing, rather than thus, sweet friend!
Hoard for thyself the pain, thou wilt not give!
1826.
A DAY-DREAM
My eyes make pictures, when they are shut:
I see a fountain, large and fair,
A willow and a ruined hut,
And thee, and me and Mary there.
O Mary! make thy gentle lap our pillow!
Bend o'er us, like a bower, my beautiful green willow!
A wild-rose roofs the ruined shed,
And that and summer well agree:
And lo! where Mary leans her head,
Two dear names carved upon the tree!
And Mary's tears, they are not tears of sorrow:
Our sister and our friend will both be here tomorrow.
'Twas day! but now few, large, and bright,
The stars are round the crescent moon!
And now it is a dark warm night,
The balmiest of the month of June!
A glow-worm fall'n, and on the marge remounting
Shines, and its shadow shines, fit stars for our sweet fountain.
O ever--ever be thou blest!
For dearly, Asra! love I thee!
This brooding warmth across my breast,
This depth of tranquil bliss--ah, me!
Fount, tree and shed are gone, I know not whither,
But in one quiet room we three are still together.
The shadows dance upon the wall,
By the still dancing fire-flames made;
And now they slumber moveless all!
And now they melt to one deep shade!
But not from me shall this mild darkness steal thee;
I dream thee with mine eyes, and at my heart I feel thee!
Thine eyelash on my cheek doth play--
'Tis Mary's hand upon my brow!
But let me check this tender lay
Which none may hear but she and thou!
Like the still hive at quiet midnight humming,
Murmur it to yourselves, ye two beloved women!
? 1807.
SONNET
TO A FRIEND WHO ASKED, HOW I FELT WHEN
THE NURSE FIRST PRESENTED MY INFANT TO
ME
Charles! my slow heart was only sad, when first
I scanned that face of feeble infancy:
For dimly on my thoughtful spirit burst
All I had been, and all my child might be!
But when I saw it on its mother's arm,
And hanging at her bosom (she the while
Bent o'er its features with a tearful smile)
Then I was thrilled and melted, and most warm
Impressed a father's kiss: and all beguiled
Of dark remembrance and presageful fear,
I seemed to see an angel-form appear--
'Twas even thine, beloved woman mild!
So for the mother's sake the child was dear,
And dearer was the mother for the child.
1796.
LINES TO W. LINLEY, ESQ.
WHILE HE SANG A SONG TO PURCELL'S MUSIC
While my young cheek retains its healthful hues,
And I have many friends who hold me dear,
Linley! methinks, I would not often hear
Such melodies as thine, lest I should lose
All memory of the wrongs and sore distress
For which my miserable brethren weep!
But should uncomforted misfortunes steep
My daily bread in tears and bitterness;
And if at death's dread moment I should lie
With no beloved face at my bed-side,
To fix the last glance of my closing eye,
Methinks such strains, breathed by my angel-guide,
Would make me pass the cup of anguish by,
Mix with the blest, nor know that I had died!
1797.
DOMESTIC PEACE
[FROM THE FALL OF ROBESPIERRE, ACT I. ]
Tell me, on what holy ground
May Domestic Peace be found?
Halcyon daughter of the skies,
Far on fearful wings she flies,
From the pomp of Sceptered State,
From the Rebel's noisy hate.
In a cottaged vale She dwells,
Listening to the Sabbath bells!
Still around her steps are seen
Spotless Honour's meeker mien,
Love, the sire of pleasing fears,
Sorrow smiling through her tears,
And conscious of the past employ
Memory, bosom-spring of joy.
1794.
SONG
SUNG BY GLYCINE IN _ZAPOLYA_, ACT II. SCENE 2.
A Sunny shaft did I behold,
From sky to earth it slanted:
And poised therein a bird so bold--
Sweet bird, thou wert enchanted!
He sunk, he rose, he twinkled, he trolled
Within that shaft of sunny mist;
His eyes of fire, his beak of gold,
All else of amethyst!
And thus he sang: "Adieu! adieu!
Love's dreams prove seldom true.
The blossoms they make no delay:
The sparkling dew-drops will not stay.
Sweet month of May,
We must away;
Far, far away!
To-day! to-day! "
1815.
HUNTING SONG
[_ZAPOLYA_, ACT IV. SCENE 2]
Up, up! ye dames, and lasses gay!
To the meadows trip away.
'Tis you must tend the flocks this morn,
And scare the small birds from the corn.
Not a soul at home may stay:
For the shepherds must go
With lance and bow
To hunt the wolf in the woods to-day.
Leave the hearth and leave the house
To the cricket and the mouse:
Find grannam out a sunny seat,
With babe and lambkin at her feet.
Not a soul at home may stay:
For the shepherds must go
With lance and bow
To hunt the wolf in the woods to-day.
1815.
WESTPHALIAN SONG
[The following is an almost literal translation of a very old and very
favourite song among the Westphalian Boors. The turn at the end is the same
with one of Mr.
Dibdin's excellent songs, and the air to which it is sung
by the Boors is remarkably sweet and lively. ]
When thou to my true-love com'st
Greet her from me kindly;
When she asks thee how I fare?
Say, folks in Heaven fare finely.
When she asks, "What! Is he sick? "
Say, dead! --and when for sorrow
She begins to sob and cry,
Say, I come to-morrow.
? 1799.
YOUTH AND AGE
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee--
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
_When_ I was young? --Ah, woeful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly _then_ it flashed along:--
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
_Ere_ I was old? Ah woeful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit--
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:-
And thou wert aye a masker bold!
What strange disguise hast now put on,
To _make believe_, that thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
1823-1832.
WORK WITHOUT HOPE
LINES COMPOSED 2IST FEBRUARY 1827
All Nature seems at work. Slugs leave their lair--
The bees are stirring--birds are on the wing--
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
1827.
TIME, REAL AND IMAGINARY
AN ALLEGORY
On the wide level of a mountain's head,
(I knew not where, but 'twas some faery place)
Their pinions, ostrich-like, for sails outspread,
Two lovely children run an endless race,
A sister and a brother!
This far outstript the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind:
For he, alas! is blind!
O'er rough and smooth with even step he passed,
And knows not whether he be first or last.
1815.
LOVE'S APPARITION AND EVANISHMENT
AN ALLEGORIC ROMANCE
Like a lone Arab, old and blind,
Some caravan had left behind,
Who sits beside a ruin'd well,
Where the shy sand-asps bask and swell;
And now he hangs his aged head aslant,
And listens for a human sound--in vain!
And now the aid, which Heaven alone can grant,
Upturns his eyeless face from Heaven to gain;--
Even thus, in vacant mood, one sultry hour,
Resting my eye upon a drooping plant,
With brow low-bent, within my garden-bower,
I sate upon the couch of camomile;
And--whether 'twas a transient sleep, perchance,
Flitted across the idle brain, the while
I watch'd the sickly calm with aimless scope,
In my own heart; or that, indeed a trance,
Turn'd my eye inward--thee, O genial Hope,
Love's elder sister! thee did I behold,
Drest as a bridesmaid, but all pale and cold,
With roseless cheek, all pale and cold and dim,
Lie lifeless at my feet!
And then came Love, a sylph in bridal trim,
And stood beside my seat;
She bent, and kiss'd her sister's lips,
As she was wont to do;--
Alas! 'twas but a chilling breath
Woke just enough of life in death
To make Hope die anew.
L'ENVOY
In vain we supplicate the Powers above;
There is no resurrection for the Love
That, nursed in tenderest care, yet fades away
In the chill'd heart by gradual self-decay.
1833.
LOVE, HOPE, AND PATIENCE IN EDUCATION
O'er wayward childhood would'st thou hold firm rule,
And sun thee in the light of happy faces;
Love, Hope, and Patience, these must be thy graces,
And in thine own heart let them first keep school.
For as old Atlas on his broad neck places
Heaven's starry globe, and there sustains it;--so
Do these upbear the little world below
Of Education,--Patience, Love, and Hope.
Methinks, I see them group'd in seemly show,
The straiten'd arms upraised, the palms aslope,
And robes that touching as adown they flow,
Distinctly blend, like snow emboss'd in snow.
O part them never! If Hope prostrate lie,
Love too will sink and die.
But Love is subtle, and doth proof derive
From her own life that Hope is yet alive;
And bending o'er, with soul-transfusing eyes,
And the soft murmurs of the mother dove,
Wooes back the fleeting spirit, and half supplies;--
Thus Love repays to Hope what Hope first gave to Love.
Yet haply there will come a weary day,
When overtask'd at length
Both Love and Hope beneath the load give way.
Then with a statue's smile, a statue's strength,
Stands the mute sister, Patience, nothing loth,
And both supporting does the work of both.
1829.
DUTY SURVIVING SELF-LOVE
THE ONLY SURE FRIEND OF DECLINING LIFE
A SOLILOQUY
Unchanged within, to see all changed without,
Is a blank lot and hard to bear, no doubt.
Yet why at others' wanings should'st thou fret?
Then only might'st thou feel a just regret,
Hadst thou withheld thy love or hid thy light
In selfish forethought of neglect and slight.
O wiselier then, from feeble yearnings freed,
_While_, and _on whom_, thou may'st--shine on! nor heed
Whether the object by reflected light
Return thy radiance or absorb it quite:
And though thou notest from thy safe recess
Old friends burn dim, like lamps in noisome air,
Love them for what they _are_; nor love them less,
Because to _thee_ they are not what they _were_.
1826.
LOVE'S FIRST HOPE
O Fair is Love's first hope to gentle mind!
As Eve's first star thro' fleecy cloudlet peeping;
And sweeter than the gentle south-west wind,
O'er willowy meads, and shadow'd waters creeping,
And Ceres' golden fields;--the sultry hind
Meets it with brow uplift, and stays his reaping.
? 1824.
PHANTOM
All look and likeness caught from earth,
All accident of kin and birth,
Had pass'd away. There was no trace
Of aught on that illumined face,
Upraised beneath the rifted stone,
But of one spirit all her own;--
She, she herself, and only she,
Shone through her body visibly.
1804.
TO NATURE
It may indeed be phantasy: when I
Essay to draw from all created things
Deep, heartfelt, inward joy that closely clings;
And trace in leaves and flowers that round me lie
Lessons of love and earnest piety.
So let it be; and if the wide world rings
In mock of this belief, it brings
Nor fear, nor grief, nor vain, perplexity.
So will I build my altar in the fields,
And the blue sky my fretted dome shall be,
And the sweet fragrance that the wild flower yields
Shall be the incense I will yield to Thee,
Thee only God! and thou shalt not despise
Even me, the priest of this poor sacrifice.
? 182O.
FANCY IN NUBIBUS
OR THE POET IN THE CLOUDS
O! It is pleasant, with a heart at ease,
Just after sunset, or by moonlight skies,
To make the shifting clouds be what you please,
Or let the easily persuaded eyes
Own each quaint likeness issuing from the mould
Of a friend's fancy; or with head bent low
And cheek aslant see rivers flow of gold
'Twixt crimson banks; and then, a traveller, go
From mount to mount through Cloudland, gorgeous land!
Or list'ning to the tide, with closed sight,
Be that blind bard, who on the Chian strand
By those deep sounds possessed with inward light,
Beheld the Iliad and the Odyssee
Rise to the swelling of the voiceful sea.
1819.
CONSTANCY TO AN IDEAL OBJECT
Since all that beat about in Nature's range,
Or veer or vanish; why should'st thou remain
The only constant in a world of change,
O yearning Thought! that liv'st but in the brain?
Call to the Hours, that in the distance play,
The faery people of the future day--
Fond Thought! not one of all that shining swarm
Will breathe on _thee_ with life-enkindling breath,
Till when, like strangers shelt'ring from a storm,
Hope and Despair meet in the porch of Death!
Yet still thou haunt'st me; and though well I see,
She is not thou, and only thou art she,
Still, still as though some dear _embodied_ Good,
Some _living_ Love before my eyes there stood
With answering look a ready ear to lend,
I mourn to thee and say--"Ah! loveliest friend!
That this the meed of all my toils might be,
To have a home, an English home, and thee! "
Vain repetition! Home and Thou are one.
The peacefull'st cot, the moon shall shine upon,
Lulled by the thrush and wakened by the lark,
Without thee were but a becalmed bark,
Whose helmsman on an ocean waste and wide
Sits mute and pale his mouldering helm beside.
And art thou nothing? Such thou art, as when
The woodman winding westward up the glen
At wintry dawn, where o'er the sheep-track's maze
The viewless snow-mist weaves a glist'ning haze,
Sees full before him, gliding without tread,
An image with a glory round its head;
The enamoured rustic worships its fair hues,
Nor knows he _makes_ the shadow, he pursues!
? 1805.
PHANTOM OR FACT
A DIALOGUE IN VERSE
AUTHOR
A Lovely form there sate beside my bed,
And such a feeding calm its presence shed,
A tender love so pure from earthly leaven,
That I unnethe the fancy might control,
'Twas my own spirit newly come from heaven,
Wooing its gentle way into my soul!
But ah! the change--It had not stirr'd, and yet--
Alas! that change how fain would I forget!
That shrinking back, like one that had mistook!
That weary, wandering, disavowing look!
'Twas all another, feature, look, and frame,
And still, methought, I knew, it was the same!
FRIEND
This riddling tale, to what does it belong?
Is't history? vision? or an idle song?
Or rather say at once, within what space
Of time this wild disastrous change took place?
AUTHOR
Call it a _moment's_ work (and such it seems)
This tale's a fragment from the life of dreams;
But say, that years matur'd the silent strife,
And 'tis a record from the dream of life.
? 183O.
LINES
SUGGESTED BY THE LAST WORDS OF BERENGARIUS
OB. ANNO DOM. 1O88
No more 'twixt conscience staggering and the Pope
Soon shall I now before my God appear,
By him to be acquitted, as I hope;
By him to be condemned, as I fear. --
REFLECTION ON THE ABOVE
Lynx amid moles! had I stood by thy bed,
Be of good cheer, meek soul! I would have said:
I see a hope spring from that humble fear.
All are not strong alike through storms to steer
Right onward. What though dread of threatened death
And dungeon torture made thy hand and breath
Inconstant to the truth within thy heart?
That truth, from which, through fear, thou twice didst start,
Fear haply told thee, was a learned strife,
Or not so vital as to claim thy life:
And myriads had reached Heaven, who never knew
Where lay the difference 'twixt the false and true!
Ye, who secure 'mid trophies not your own,
Judge him who won them when he stood alone,
And proudly talk of _recreant_ Berengare--
O first the age, and then the man compare!
That age how dark! congenial minds how rare!
No host of friends with kindred zeal did burn!
No throbbing hearts awaited his return!
Prostrate alike when prince and peasant fell,
He only disenchanted from the spell,
Like the weak worm that gems the starless night,
Moved in the scanty circlet of his light:
And was it strange if he withdrew the ray
That did but guide the night-birds to their prey?
The ascending day-star with a bolder eye
Hath lit each dew-drop on our trimmer lawn!
Yet not for this, if wise, will we decry
The spots and struggles of the timid Dawn;
Lest so we tempt the approaching Noon to scorn
The mists and painted vapours of our Morn.
? 1826.
FORBEARANCE
Beareth all things. --2 COR. xiii. 7.
Gently I took that which ungently came,
And without scorn forgave:--Do thou the same.
A wrong done to thee think a cat's-eye spark
Thou wouldst not see, were not thine own heart dark
Thine own keen sense of wrong that thirsts for sin,
Fear that--the spark self-kindled from within,
Which blown upon will blind thee with its glare,
Or smother'd stifle thee with noisome air.
Clap on the extinguisher, pull up the blinds,
And soon the ventilated spirit finds
Its natural daylight. If a foe have kenn'd,
Or worse than foe, an alienated friend,
A rib of dry rot in thy ship's stout side,
Think it God's message, and in humble pride
With heart of oak replace it;--thine the gains--
Give him the rotten timber for his pains!
1832.
_SANCTI DOMINICI PALLIUM_
A DIALOGUE BETWEEN POET AND FRIEND
FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF
BUTLER'S "BOOK OF THE CHURCH" (1825)
POET
I note the moods and feelings men betray,
And heed them more than aught they do or say;
The lingering ghosts of many a secret deed
Still-born or haply strangled in its birth;
These best reveal the smooth man's inward creed!
These mark the spot where lies the treasure Worth!
Butler made up of impudence and trick,
With cloven tongue prepared to hiss and lick,
Rome's brazen serpent--boldly dares discuss
The roasting of thy heart, O brave John Huss!
And with grim triumph and a truculent glee
Absolves anew the Pope-wrought perfidy,
That made an empire's plighted faith a lie,
And fix'd a broad stare on the Devil's eye--
(Pleased with the guilt, yet envy-stung at heart
To stand outmaster'd in his own black art! )
Yet Butler-
FRIEND
Enough of Butler! we're agreed,
Who now defends would then have done the deed.
But who not feels persuasion's gentle sway,
Who but must meet the proffer'd hand half way
When courteous Butler--
POET (_aside_)
(Rome's smooth go-between! )
FRIEND
Laments the advice that sour'd a milky queen--
(For "bloody" all enlighten'd men confess
An antiquated error of the press:)
Who, rapt by zeal beyond her sex's bounds,
With actual cautery staunch'd the Church's wounds!
And tho' he deems, that with too broad a blur
We damn the French and Irish massacre,
Yet blames them both--and thinks the Pope might err!
What think you now? Boots it with spear and shield
Against such gentle foes to take the field
Whose beckoning hands the mild Caduceus wield?
POET
What think I now? Even what I thought before;--
What Butler boasts though Butler may deplore,
Still I repeat, words lead me not astray
When the shown feeling points a different way.
Smooth Butler can say grace at slander's feast,
And bless each haut-gout cook'd by monk or priest;
Leaves the full lie on Butler's gong to swell,
Content with half-truths that do just as well;
But duly decks his mitred comrade's flanks,
And with him shares the Irish nation's thanks!
So much for you, my friend! who own a Church,
And would not leave your mother in the lurch!
But when a Liberal asks me what I think--
Scared by the blood and soot of Cobbett's ink,
And Jeffrey's glairy phlegm and Connor's foam,
In search of some safe parable I roam--
An emblem sometimes may comprise a tome!
Disclaimant of his uncaught grandsire's mood,
I see a tiger lapping kitten's food:
And who shall blame him that he purs applause,
When brother Brindle pleads the good old cause;
And frisks his pretty tail, and half unsheathes his claws!
Yet not the less, for modern lights unapt,
I trust the bolts and cross-bars of the laws
More than the Protestant milk all newly lapt,
Impearling a tame wild-cat's whisker'd jaws!
1825, or 1826.
ON DONNE'S POETRY
With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots;
Rhyme's sturdy cripple, fancy's maze and clue,
Wit's forge and fire-blast, meaning's press and screw.
? 1818.
ON A BAD SINGER
Swans sing before they die--'twere no bad thing
Should certain persons die before they sing.
NE PLUS ULTRA
Sole Positive of Night!
Antipathist of Light!
Fate's only essence! primal scorpion rod--
The one permitted opposite of God! --
Condensed blackness and abysmal storm
Compacted to one sceptre
Arms the Grasp enorm--
The Interceptor--
The Substance that still casts the shadow
Death! --
The Dragon foul and fell--
The unrevealable,
And hidden one, whose breath
Gives wind and fuel to the fires of Hell! --
Ah! sole despair
Of both the eternities in Heaven!
Sole interdict of all-bedewing prayer,
The all-compassionate!
Save to the Lampads Seven
Reveal'd to none of all the Angelic State,
Save to the Lampads Seven,
That watch the throne of Heaven!
? 1826.
HUMAN LIFE
ON THE DENIAL OF IMMORTALITY
If dead, we cease to be; if total gloom
Swallow up life's brief flash for aye, we fare
As summer-gusts, of sudden birth and doom,
Whose sound and motion not alone declare,
But _are_ their _whole_ of being! If the breath
Be Life itself, and not its task and tent,
If even a soul like Milton's can know death;
O Man! thou vessel purposeless, unmeant,
Yet drone-hive strange of phantom purposes!
Surplus of Nature's dread activity,
Which, as she gazed on some nigh-finished vase,
Retreating slow, with meditative pause,
She formed with restless hands unconsciously.
Blank accident! nothing's anomaly!
If rootless thus, thus substanceless thy state,
Go, weigh thy dreams, and be thy hopes, thy fears,
The counter-weights! --Thy laughter and thy tears
Mean but themselves, each fittest to create
And to repay each other! Why rejoices
Thy heart with hollow joy for hollow good?
Why cowl thy face beneath the mourner's hood,
Why waste thy sighs, and thy lamenting voices,
Image of Image, Ghost of Ghostly Elf,
That such a thing as thou feel'st warm or cold?
Yet what and whence thy gain, if thou withhold
These costless shadows of thy shadowy self?
Be sad! be glad! be neither! seek, or shun!
Thou hast no reason why! Thou canst have none;
Thy being's being is contradiction.
? 1815.
THE BUTTERFLY
The Butterfly the ancient Grecians made
The soul's fair emblem, and its only name--
But of the soul, escaped the slavish trade
Of earthly life! --For in this mortal frame
Our's is the reptile's lot, much toil, much blame,
Manifold motions making little speed,
And to deform and kill the things whereon we feed.
? 1815.
THE PANG MORE SHARP THAN ALL
AN ALLEGORY
I
He too has flitted from his secret nest,
Hope's last and dearest child without a name!
I praise him, and with Faith that inly feels;
Who with his saving mercies healed me,
A sinful and most miserable man,
Wildered and dark, and gave me to possess
Peace, and this cot, and thee, dear honoured
Maid!
1795.
THE PICTURE
OR THE LOVER'S RESOLUTION
Through weeds and thorns, and matted underwood
I force my way; now climb, and now descend
O'er rocks, or bare or mossy, with wild foot
Crushing the purple whorts;[1] while oft unseen,
Hurrying along the drifted forest-leaves,
The scared snake rustles. Onward still I toil,
I know not, ask not whither! A new joy,
Lovely as light, sudden as summer gust,
And gladsome as the first-born of the spring,
Beckons me on, or follows from behind,
Playmate, or guide! The master-passion quelled,
I feel that I am free. With dun-red bark
The fir-trees, and the unfrequent slender oak,
Forth from this tangle wild of bush and brake
Soar up, and form a melancholy vault
High o'er me, murmuring like a distant sea.
Here Wisdom might resort, and here Remorse;
Here too the love-lorn man, who, sick in soul,
And of this busy human heart aweary,
Worships the spirit of unconscious life
In tree or wild-flower. --Gentle lunatic!
If so he might not wholly cease to be,
He would far rather not be that he is;
But would be something that he knows not of,
In winds or waters, or among the rocks!
But hence, fond wretch! breathe not contagion
here!
No myrtle-walks are these: these are no groves
Where Love dare loiter! If in sullen mood
He should stray hither, the low stumps shall
gore
His dainty feet, the briar and the thorn
Make his plumes haggard. Like a wounded
bird
Easily caught, ensnare him, O ye Nymphs,
Ye Oreads chaste, ye dusky Dryades!
And you, ye Earth-winds! you that make at
morn
The dew-drops quiver on the spiders' webs!
You, O ye wingless Airs! that creep between
The rigid stems of heath and bitten furze,
Within whose scanty shade, at summer-noon,
The mother-sheep hath worn a hollow bed--
Ye, that now cool her fleece with dropless damp,
Now pant and murmur with her feeding lamb.
Chase, chase him, all ye Fays, and elfin Gnomes!
With prickles sharper than his darts bemock
His little Godship, making him perforce
Creep through a thorn-bush on yon hedgehog's
back.
This is my hour of triumph! I can now
With my own fancies play the merry fool,
And laugh away worse folly, being free.
Here will I seat myself, beside this old,
Hollow, and weedy oak, which ivy-twine
Clothes as with net-work: here will couch my limbs,
Close by this river, in this silent shade,
As safe and sacred from the step of man
As an invisible world--unheard, unseen,
And listening only to the pebbly brook
That murmurs with a dead, yet tinkling sound;
Or to the bees, that in the neighbouring trunk
Make honey-hoards. The breeze, that visits me,
Was never Love's accomplice, never raised
The tendril ringlets from the maiden's brow,
And the blue, delicate veins above her cheek;
Ne'er played the wanton--never half disclosed
The maiden's snowy bosom, scattering thence
Eye-poisons for some love-distempered youth,
Who ne'er henceforth may see an aspen-grove
Shiver in sunshine, but his feeble heart
Shall flow away like a dissolving thing.
Sweet breeze! thou only, if I guess aright,
Liftest the feathers of the robin's breast,
That swells its little breast, so full of song,
Singing above me, on the mountain-ash.
And thou too, desert stream! no pool of thine,
Though clear as lake in latest summer-eve,
Did e'er reflect the stately virgin's robe,
The face, the form divine, the downcast look
Contemplative! Behold! her open palm
Presses her cheek and brow! her elbow rests
On the bare branch of half-uprooted tree,
That leans towards its mirror! Who erewhile
Had from her countenance turned, or looked by stealth
(For fear is true-love's cruel nurse), he now
With steadfast gaze and unoffending eye,
Worships the watery idol, dreaming hopes
Delicious to the soul, but fleeting, vain,
E'en as that phantom-world on which he gazed,
But not unheeded gazed: for see, ah! see,
The sportive tyrant with her left hand plucks
The heads of tall flowers that behind her grow,
Lychnis, and willow-herb, and fox-glove bells:
And suddenly, as one that toys with time,
Scatters them on the pool! Then all the charm
Is broken--all that phantom world so fair
Vanishes, and a thousand circlets spread,
And each mis-shapes the other. Stay awhile,
Poor youth, who scarcely dar'st lift up thine eyes!
The stream will soon renew its smoothness, soon
The visions will return! And lo! he stays:
And soon the fragments dim of lovely forms
Come trembling back, unite, and now once more
The pool becomes a mirror; and behold
Each wildflower on the marge inverted there,
And there the half-uprooted tree--but where,
O where the virgin's snowy arm, that leaned
On its bare branch? He turns, and she is gone!
Homeward she steals through many a woodland maze
Which he shall seek in vain. Ill-fated youth!
Go, day by day, and waste thy manly prime
In mad love-yearning by the vacant brook,
Till sickly thoughts bewitch thine eyes, and thou
Behold'st her shadow still abiding there,
The Naiad of the mirror!
Not to thee,
O wild and desert stream! belongs this tale:
Gloomy and dark art thou-the crowded firs
Spire from thy shores, and stretch across thy bed,
Making thee doleful as a cavern-well:
Save when the shy king-fishers build their nest
On thy steep banks, no loves hast thou, wild stream!
This be my chosen haunt--emancipate
From passion's dreams, a freeman, and alone,
I rise and trace its devious course. O lead,
Lead me to deeper shades and lonelier glooms.
Lo! stealing through the canopy of firs,
How fair the sunshine spots that mossy rock,
Isle of the river, whose disparted waves
Dart off asunder with an angry sound,
How soon to re-unite! And see! they meet,
Each in the other lost and found: and see
Placeless, as spirits, one soft water-sun
Throbbing within them, heart at once and eye!
With its soft neighbourhood of filmy clouds,
The stains and shadings of forgotten tears,
Dimness o'erswum with lustre! Such the hour
Of deep enjoyment, following love's brief feuds;
And hark, the noise of a near waterfall!
I pass forth into light--I find myself
Beneath a weeping birch (most beautiful
Of forest trees, the Lady of the Woods),
Hard by the brink of a tall weedy rock
That overbrows the cataract. How burst?
The landscape on my sight! Two crescent hills
Fold in behind each other, and so make
A circular vale, and land-locked, as might seem,
With brook and bridge, and grey stone cottages,
Half hid by rocks and fruit-trees. At my feet,
The whortle-berries are bedewed with spray,
Dashed upwards by the furious waterfall.
How solemnly the pendent ivy-mass
Swings in its winnow: All the air is calm.
The smoke from cottage-chimneys, tinged with light,
Rises in columns; from this house alone,
Close by the waterfall, the column slants,
And feels its ceaseless breeze. But what is this?
That cottage, with its slanting chimney-smoke,
And close beside its porch a sleeping child,
His dear head pillow'd on a sleeping dog--
One arm between its fore-legs, and the hand
Holds loosely its small handful of wildflowers,
Unfilletted, and of unequal lengths.
A curious picture, with a master's haste
Sketched on a strip of pinky-silver skin,
Peeled from the birchen bark! Divinest maid!
Yon bark her canvas, and those purple berries
Her pencil! See, the juice is scarcely dried
On the fine skin! She has been newly here;
And lo! yon patch of heath has been her couch--
The pressure still remains! O blessed couch!
For this may'st thou flower early, and the sun,
Slanting at eve, rest bright, and linger long
Upon thy purple bells! O Isabel!
Daughter of genius! stateliest of our maids!
More beautiful than whom Alcaeus wooed,
The Lesbian woman of immortal song!
O child of genius! stately, beautiful,
And full of love to all, save only me,
And not ungentle e'en to me! My heart,
Why beats it thus? Through yonder coppicewood
Needs must the pathway turn, that leads straightway
On to her father's house. She is alone!
The night draws on-such ways are hard to hit--
And fit it is I should restore this sketch,
Dropt unawares no doubt. Why should I yearn
To keep the relique? 'twill but idly feed
The passion that consumes me. Let me haste!
The picture in my hand which she has left;
She cannot blame me that I follow'd her:
And I may be her guide the long wood through.
1802.
[Footnote 1: _Vaccinium Myrtillus_ known by the different names of
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries. [Note by S. T. C. 1802. ]]
THE GARDEN OF BOCCACCIO
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dreary mood, which he who ne'er has known
May bless his happy lot, I sate alone;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy!
And as I watch'd the dull continuous ache,
Which, all else slum'bring, seem'd alone to wake;
O Friend! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry!
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bathed steep
Emerging from a mist: or like a stream
Of music soft that not dispels the sleep,
But casts in happier moulds the slumberer's dream,
Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man!
Wild strain of Scalds, that in the sea-worn caves
Rehearsed their war-spell to the winds and waves;
Or fateful hymn of those prophetic maids,
That call'd on Hertha in deep forest glades;
Or minstrel lay, that cheer'd the baron's feast;
Or rhyme of city pomp, of monk and priest,
Judge, mayor, and many a guild in long array,
To high-church pacing on the great saint's day.
And many a verse which to myself I sang,
That woke the tear yet stole away the pang,
Of hopes which in lamenting I renew'd.
And last, a matron now, of sober mien,
Yet radiant still and with no earthly sheen,
Whom as a faery child my childhood woo'd
Even in my dawn of thought--Philosophy;
Though then unconscious of herself, pardie,
She bore no other name than Poesy;
And, like a gift from heaven, in lifeful glee,
That had but newly left a mother's knee,
Prattled and play'd with bird and flower, and stone,
As if with elfin playfellows well known,
And life reveal'd to innocence alone.
Thanks, gentle artist! now I can descry
Thy fair creation with a mastering eye,
And _all_ awake! And now in fix'd gaze stand,
Now wander through the Eden of thy hand;
Praise the green arches, on the fountain clear
See fragment shadows of the crossing deer;
And with that serviceable nymph I stoop
The crystal from its restless pool to scoop.
I see no longer! I myself am there,
Sit on the ground-sward, and the banquet share.
'Tis I, that sweep that lute's love-echoing strings,
And gaze upon the maid who gazing sings;
Or pause and listen to the tinkling bells
From the high tower, and think that there she dwells.
With old Boccaccio's soul I stand possest,
And breathe an air like life, that swells my chest.
The brightness of the world, O thou once free,
And always fair, rare land of courtesy!
O Florence! with the Tuscan fields and hills
And famous Arno, fed with all their rills;
Thou brightest star of star-bright Italy!
Rich, ornate, populous, all treasures thine,
The golden corn, the olive, and the vine.
Fair cities, gallant mansions, castles old,
And forests, where beside his leafy hold
The sullen boar hath heard the distant horn,
And whets his tusks against the gnarled thorn;
Palladian palace with its storied halls;
Fountains, where Love lies listening to their falls;
Gardens, where flings the bridge its airy span,
And Nature makes her happy home with man;
Where many a gorgeous flower is duly fed
With its own rill, on its own spangled bed,
And wreathes the marble urn, or leans its head,
A mimic mourner, that with veil withdrawn
Weeps liquid gems, the presents of the dawn;--
Thine all delights, and every muse is thine;
And more than all, the embrace and intertwine
Of all with all in gay and twinkling dance!
Mid gods of Greece and warriors of romance,
See! Boccace sits, unfolding on his knees
The new-found roll of old Maeonides;
But from his mantle's fold, and near the heart,
Peers Ovid's Holy Book of Love's sweet smart!
O all-enjoying and all-blending sage,
Long be it mine to con thy mazy page,
Where, half conceal'd, the eye of fancy views
Fauns, nymphs, and winged saints, all gracious to thy muse!
Still in thy garden let me watch their pranks,
And see in Dian's vest between the ranks
Of the trim vines, some maid that half believes
The _vestal_ fires, of which her lover grieves,
With that sly satyr peeping through the leaves!
1828.
THE TWO FOUNTS
STANZAS ADDRESSED TO A LADY [MRS. ADERS] ON
HER RECOVERY WITH UNBLEMISHED LOOKS,
FROM A SEVERE ATTACK OF PAIN
'T was my last waking thought, how it could be
That thou, sweet friend, such anguish should'st endure;
When straight from Dreamland came a Dwarf, and he
Could tell the cause, forsooth, and knew the cure.
Methought he fronted me with peering look
Fix'd on my heart; and read aloud in game
The loves and griefs therein, as from a book:
And uttered praise like one who wished to blame.
In every heart (quoth he) since Adam's sin
Two Founts there are, of Suffering and of Cheer!
_That_ to let forth, and _this_ to keep within!
But she, whose aspect I find imaged here,
Of Pleasure only will to all dispense,
_That_ Fount alone unlock, by no distress
Choked or turned inward, but still issue thence
Unconquered cheer, persistent loveliness.
As on the driving cloud the shiny bow,
That gracious thing made up of tears and light,
Mid the wild rack and rain that slants below
Stands smiling forth, unmoved and freshly bright:
As though the spirits of all lovely flowers,
Inweaving each its wreath and dewy crown,
Or ere they sank to earth in vernal showers,
Had built a bridge to tempt the angels down.
Even so, Eliza! on that face of thine,
On that benignant face, whose look alone
(The soul's translucence thro' her crystal shrine! )
Has power to soothe all anguish but thine own,
A beauty hovers still, and ne'er takes wing,
But with a silent charm compels the stern
And tort'ring Genius of the bitter spring,
To shrink aback, and cower upon his urn.
Who then needs wonder, if (no outlet found
In passion, spleen, or strife) the Fount of Pain
O'erflowing beats against its lovely mound,
And in wild flashes shoots from heart to brain?
Sleep, and the Dwarf with that unsteady gleam
On his raised lip, that aped a critic smile,
Had passed: yet I, my sad thoughts to beguile,
Lay weaving on the tissue of my dream;
Till audibly at length I cried, as though
Thou hadst indeed been present to my eyes,
O sweet, sweet sufferer; if the case be so,
I pray thee, be _less_ good, _less_ sweet, _less_ wise!
In every look a barbed arrow send,
On those soft lips let scorn and anger live!
Do _any_ thing, rather than thus, sweet friend!
Hoard for thyself the pain, thou wilt not give!
1826.
A DAY-DREAM
My eyes make pictures, when they are shut:
I see a fountain, large and fair,
A willow and a ruined hut,
And thee, and me and Mary there.
O Mary! make thy gentle lap our pillow!
Bend o'er us, like a bower, my beautiful green willow!
A wild-rose roofs the ruined shed,
And that and summer well agree:
And lo! where Mary leans her head,
Two dear names carved upon the tree!
And Mary's tears, they are not tears of sorrow:
Our sister and our friend will both be here tomorrow.
'Twas day! but now few, large, and bright,
The stars are round the crescent moon!
And now it is a dark warm night,
The balmiest of the month of June!
A glow-worm fall'n, and on the marge remounting
Shines, and its shadow shines, fit stars for our sweet fountain.
O ever--ever be thou blest!
For dearly, Asra! love I thee!
This brooding warmth across my breast,
This depth of tranquil bliss--ah, me!
Fount, tree and shed are gone, I know not whither,
But in one quiet room we three are still together.
The shadows dance upon the wall,
By the still dancing fire-flames made;
And now they slumber moveless all!
And now they melt to one deep shade!
But not from me shall this mild darkness steal thee;
I dream thee with mine eyes, and at my heart I feel thee!
Thine eyelash on my cheek doth play--
'Tis Mary's hand upon my brow!
But let me check this tender lay
Which none may hear but she and thou!
Like the still hive at quiet midnight humming,
Murmur it to yourselves, ye two beloved women!
? 1807.
SONNET
TO A FRIEND WHO ASKED, HOW I FELT WHEN
THE NURSE FIRST PRESENTED MY INFANT TO
ME
Charles! my slow heart was only sad, when first
I scanned that face of feeble infancy:
For dimly on my thoughtful spirit burst
All I had been, and all my child might be!
But when I saw it on its mother's arm,
And hanging at her bosom (she the while
Bent o'er its features with a tearful smile)
Then I was thrilled and melted, and most warm
Impressed a father's kiss: and all beguiled
Of dark remembrance and presageful fear,
I seemed to see an angel-form appear--
'Twas even thine, beloved woman mild!
So for the mother's sake the child was dear,
And dearer was the mother for the child.
1796.
LINES TO W. LINLEY, ESQ.
WHILE HE SANG A SONG TO PURCELL'S MUSIC
While my young cheek retains its healthful hues,
And I have many friends who hold me dear,
Linley! methinks, I would not often hear
Such melodies as thine, lest I should lose
All memory of the wrongs and sore distress
For which my miserable brethren weep!
But should uncomforted misfortunes steep
My daily bread in tears and bitterness;
And if at death's dread moment I should lie
With no beloved face at my bed-side,
To fix the last glance of my closing eye,
Methinks such strains, breathed by my angel-guide,
Would make me pass the cup of anguish by,
Mix with the blest, nor know that I had died!
1797.
DOMESTIC PEACE
[FROM THE FALL OF ROBESPIERRE, ACT I. ]
Tell me, on what holy ground
May Domestic Peace be found?
Halcyon daughter of the skies,
Far on fearful wings she flies,
From the pomp of Sceptered State,
From the Rebel's noisy hate.
In a cottaged vale She dwells,
Listening to the Sabbath bells!
Still around her steps are seen
Spotless Honour's meeker mien,
Love, the sire of pleasing fears,
Sorrow smiling through her tears,
And conscious of the past employ
Memory, bosom-spring of joy.
1794.
SONG
SUNG BY GLYCINE IN _ZAPOLYA_, ACT II. SCENE 2.
A Sunny shaft did I behold,
From sky to earth it slanted:
And poised therein a bird so bold--
Sweet bird, thou wert enchanted!
He sunk, he rose, he twinkled, he trolled
Within that shaft of sunny mist;
His eyes of fire, his beak of gold,
All else of amethyst!
And thus he sang: "Adieu! adieu!
Love's dreams prove seldom true.
The blossoms they make no delay:
The sparkling dew-drops will not stay.
Sweet month of May,
We must away;
Far, far away!
To-day! to-day! "
1815.
HUNTING SONG
[_ZAPOLYA_, ACT IV. SCENE 2]
Up, up! ye dames, and lasses gay!
To the meadows trip away.
'Tis you must tend the flocks this morn,
And scare the small birds from the corn.
Not a soul at home may stay:
For the shepherds must go
With lance and bow
To hunt the wolf in the woods to-day.
Leave the hearth and leave the house
To the cricket and the mouse:
Find grannam out a sunny seat,
With babe and lambkin at her feet.
Not a soul at home may stay:
For the shepherds must go
With lance and bow
To hunt the wolf in the woods to-day.
1815.
WESTPHALIAN SONG
[The following is an almost literal translation of a very old and very
favourite song among the Westphalian Boors. The turn at the end is the same
with one of Mr.
Dibdin's excellent songs, and the air to which it is sung
by the Boors is remarkably sweet and lively. ]
When thou to my true-love com'st
Greet her from me kindly;
When she asks thee how I fare?
Say, folks in Heaven fare finely.
When she asks, "What! Is he sick? "
Say, dead! --and when for sorrow
She begins to sob and cry,
Say, I come to-morrow.
? 1799.
YOUTH AND AGE
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a bee--
Both were mine! Life went a-maying
With Nature, Hope, and Poesy,
When I was young!
_When_ I was young? --Ah, woeful When!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly _then_ it flashed along:--
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I lived in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
_Ere_ I was old? Ah woeful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet,
'Tis known, that Thou and I were one,
I'll think it but a fond conceit--
It cannot be that Thou art gone!
Thy vesper-bell hath not yet toll'd:-
And thou wert aye a masker bold!
What strange disguise hast now put on,
To _make believe_, that thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But Spring-tide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist;
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
1823-1832.
WORK WITHOUT HOPE
LINES COMPOSED 2IST FEBRUARY 1827
All Nature seems at work. Slugs leave their lair--
The bees are stirring--birds are on the wing--
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
1827.
TIME, REAL AND IMAGINARY
AN ALLEGORY
On the wide level of a mountain's head,
(I knew not where, but 'twas some faery place)
Their pinions, ostrich-like, for sails outspread,
Two lovely children run an endless race,
A sister and a brother!
This far outstript the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind:
For he, alas! is blind!
O'er rough and smooth with even step he passed,
And knows not whether he be first or last.
1815.
LOVE'S APPARITION AND EVANISHMENT
AN ALLEGORIC ROMANCE
Like a lone Arab, old and blind,
Some caravan had left behind,
Who sits beside a ruin'd well,
Where the shy sand-asps bask and swell;
And now he hangs his aged head aslant,
And listens for a human sound--in vain!
And now the aid, which Heaven alone can grant,
Upturns his eyeless face from Heaven to gain;--
Even thus, in vacant mood, one sultry hour,
Resting my eye upon a drooping plant,
With brow low-bent, within my garden-bower,
I sate upon the couch of camomile;
And--whether 'twas a transient sleep, perchance,
Flitted across the idle brain, the while
I watch'd the sickly calm with aimless scope,
In my own heart; or that, indeed a trance,
Turn'd my eye inward--thee, O genial Hope,
Love's elder sister! thee did I behold,
Drest as a bridesmaid, but all pale and cold,
With roseless cheek, all pale and cold and dim,
Lie lifeless at my feet!
And then came Love, a sylph in bridal trim,
And stood beside my seat;
She bent, and kiss'd her sister's lips,
As she was wont to do;--
Alas! 'twas but a chilling breath
Woke just enough of life in death
To make Hope die anew.
L'ENVOY
In vain we supplicate the Powers above;
There is no resurrection for the Love
That, nursed in tenderest care, yet fades away
In the chill'd heart by gradual self-decay.
1833.
LOVE, HOPE, AND PATIENCE IN EDUCATION
O'er wayward childhood would'st thou hold firm rule,
And sun thee in the light of happy faces;
Love, Hope, and Patience, these must be thy graces,
And in thine own heart let them first keep school.
For as old Atlas on his broad neck places
Heaven's starry globe, and there sustains it;--so
Do these upbear the little world below
Of Education,--Patience, Love, and Hope.
Methinks, I see them group'd in seemly show,
The straiten'd arms upraised, the palms aslope,
And robes that touching as adown they flow,
Distinctly blend, like snow emboss'd in snow.
O part them never! If Hope prostrate lie,
Love too will sink and die.
But Love is subtle, and doth proof derive
From her own life that Hope is yet alive;
And bending o'er, with soul-transfusing eyes,
And the soft murmurs of the mother dove,
Wooes back the fleeting spirit, and half supplies;--
Thus Love repays to Hope what Hope first gave to Love.
Yet haply there will come a weary day,
When overtask'd at length
Both Love and Hope beneath the load give way.
Then with a statue's smile, a statue's strength,
Stands the mute sister, Patience, nothing loth,
And both supporting does the work of both.
1829.
DUTY SURVIVING SELF-LOVE
THE ONLY SURE FRIEND OF DECLINING LIFE
A SOLILOQUY
Unchanged within, to see all changed without,
Is a blank lot and hard to bear, no doubt.
Yet why at others' wanings should'st thou fret?
Then only might'st thou feel a just regret,
Hadst thou withheld thy love or hid thy light
In selfish forethought of neglect and slight.
O wiselier then, from feeble yearnings freed,
_While_, and _on whom_, thou may'st--shine on! nor heed
Whether the object by reflected light
Return thy radiance or absorb it quite:
And though thou notest from thy safe recess
Old friends burn dim, like lamps in noisome air,
Love them for what they _are_; nor love them less,
Because to _thee_ they are not what they _were_.
1826.
LOVE'S FIRST HOPE
O Fair is Love's first hope to gentle mind!
As Eve's first star thro' fleecy cloudlet peeping;
And sweeter than the gentle south-west wind,
O'er willowy meads, and shadow'd waters creeping,
And Ceres' golden fields;--the sultry hind
Meets it with brow uplift, and stays his reaping.
? 1824.
PHANTOM
All look and likeness caught from earth,
All accident of kin and birth,
Had pass'd away. There was no trace
Of aught on that illumined face,
Upraised beneath the rifted stone,
But of one spirit all her own;--
She, she herself, and only she,
Shone through her body visibly.
1804.
TO NATURE
It may indeed be phantasy: when I
Essay to draw from all created things
Deep, heartfelt, inward joy that closely clings;
And trace in leaves and flowers that round me lie
Lessons of love and earnest piety.
So let it be; and if the wide world rings
In mock of this belief, it brings
Nor fear, nor grief, nor vain, perplexity.
So will I build my altar in the fields,
And the blue sky my fretted dome shall be,
And the sweet fragrance that the wild flower yields
Shall be the incense I will yield to Thee,
Thee only God! and thou shalt not despise
Even me, the priest of this poor sacrifice.
? 182O.
FANCY IN NUBIBUS
OR THE POET IN THE CLOUDS
O! It is pleasant, with a heart at ease,
Just after sunset, or by moonlight skies,
To make the shifting clouds be what you please,
Or let the easily persuaded eyes
Own each quaint likeness issuing from the mould
Of a friend's fancy; or with head bent low
And cheek aslant see rivers flow of gold
'Twixt crimson banks; and then, a traveller, go
From mount to mount through Cloudland, gorgeous land!
Or list'ning to the tide, with closed sight,
Be that blind bard, who on the Chian strand
By those deep sounds possessed with inward light,
Beheld the Iliad and the Odyssee
Rise to the swelling of the voiceful sea.
1819.
CONSTANCY TO AN IDEAL OBJECT
Since all that beat about in Nature's range,
Or veer or vanish; why should'st thou remain
The only constant in a world of change,
O yearning Thought! that liv'st but in the brain?
Call to the Hours, that in the distance play,
The faery people of the future day--
Fond Thought! not one of all that shining swarm
Will breathe on _thee_ with life-enkindling breath,
Till when, like strangers shelt'ring from a storm,
Hope and Despair meet in the porch of Death!
Yet still thou haunt'st me; and though well I see,
She is not thou, and only thou art she,
Still, still as though some dear _embodied_ Good,
Some _living_ Love before my eyes there stood
With answering look a ready ear to lend,
I mourn to thee and say--"Ah! loveliest friend!
That this the meed of all my toils might be,
To have a home, an English home, and thee! "
Vain repetition! Home and Thou are one.
The peacefull'st cot, the moon shall shine upon,
Lulled by the thrush and wakened by the lark,
Without thee were but a becalmed bark,
Whose helmsman on an ocean waste and wide
Sits mute and pale his mouldering helm beside.
And art thou nothing? Such thou art, as when
The woodman winding westward up the glen
At wintry dawn, where o'er the sheep-track's maze
The viewless snow-mist weaves a glist'ning haze,
Sees full before him, gliding without tread,
An image with a glory round its head;
The enamoured rustic worships its fair hues,
Nor knows he _makes_ the shadow, he pursues!
? 1805.
PHANTOM OR FACT
A DIALOGUE IN VERSE
AUTHOR
A Lovely form there sate beside my bed,
And such a feeding calm its presence shed,
A tender love so pure from earthly leaven,
That I unnethe the fancy might control,
'Twas my own spirit newly come from heaven,
Wooing its gentle way into my soul!
But ah! the change--It had not stirr'd, and yet--
Alas! that change how fain would I forget!
That shrinking back, like one that had mistook!
That weary, wandering, disavowing look!
'Twas all another, feature, look, and frame,
And still, methought, I knew, it was the same!
FRIEND
This riddling tale, to what does it belong?
Is't history? vision? or an idle song?
Or rather say at once, within what space
Of time this wild disastrous change took place?
AUTHOR
Call it a _moment's_ work (and such it seems)
This tale's a fragment from the life of dreams;
But say, that years matur'd the silent strife,
And 'tis a record from the dream of life.
? 183O.
LINES
SUGGESTED BY THE LAST WORDS OF BERENGARIUS
OB. ANNO DOM. 1O88
No more 'twixt conscience staggering and the Pope
Soon shall I now before my God appear,
By him to be acquitted, as I hope;
By him to be condemned, as I fear. --
REFLECTION ON THE ABOVE
Lynx amid moles! had I stood by thy bed,
Be of good cheer, meek soul! I would have said:
I see a hope spring from that humble fear.
All are not strong alike through storms to steer
Right onward. What though dread of threatened death
And dungeon torture made thy hand and breath
Inconstant to the truth within thy heart?
That truth, from which, through fear, thou twice didst start,
Fear haply told thee, was a learned strife,
Or not so vital as to claim thy life:
And myriads had reached Heaven, who never knew
Where lay the difference 'twixt the false and true!
Ye, who secure 'mid trophies not your own,
Judge him who won them when he stood alone,
And proudly talk of _recreant_ Berengare--
O first the age, and then the man compare!
That age how dark! congenial minds how rare!
No host of friends with kindred zeal did burn!
No throbbing hearts awaited his return!
Prostrate alike when prince and peasant fell,
He only disenchanted from the spell,
Like the weak worm that gems the starless night,
Moved in the scanty circlet of his light:
And was it strange if he withdrew the ray
That did but guide the night-birds to their prey?
The ascending day-star with a bolder eye
Hath lit each dew-drop on our trimmer lawn!
Yet not for this, if wise, will we decry
The spots and struggles of the timid Dawn;
Lest so we tempt the approaching Noon to scorn
The mists and painted vapours of our Morn.
? 1826.
FORBEARANCE
Beareth all things. --2 COR. xiii. 7.
Gently I took that which ungently came,
And without scorn forgave:--Do thou the same.
A wrong done to thee think a cat's-eye spark
Thou wouldst not see, were not thine own heart dark
Thine own keen sense of wrong that thirsts for sin,
Fear that--the spark self-kindled from within,
Which blown upon will blind thee with its glare,
Or smother'd stifle thee with noisome air.
Clap on the extinguisher, pull up the blinds,
And soon the ventilated spirit finds
Its natural daylight. If a foe have kenn'd,
Or worse than foe, an alienated friend,
A rib of dry rot in thy ship's stout side,
Think it God's message, and in humble pride
With heart of oak replace it;--thine the gains--
Give him the rotten timber for his pains!
1832.
_SANCTI DOMINICI PALLIUM_
A DIALOGUE BETWEEN POET AND FRIEND
FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF
BUTLER'S "BOOK OF THE CHURCH" (1825)
POET
I note the moods and feelings men betray,
And heed them more than aught they do or say;
The lingering ghosts of many a secret deed
Still-born or haply strangled in its birth;
These best reveal the smooth man's inward creed!
These mark the spot where lies the treasure Worth!
Butler made up of impudence and trick,
With cloven tongue prepared to hiss and lick,
Rome's brazen serpent--boldly dares discuss
The roasting of thy heart, O brave John Huss!
And with grim triumph and a truculent glee
Absolves anew the Pope-wrought perfidy,
That made an empire's plighted faith a lie,
And fix'd a broad stare on the Devil's eye--
(Pleased with the guilt, yet envy-stung at heart
To stand outmaster'd in his own black art! )
Yet Butler-
FRIEND
Enough of Butler! we're agreed,
Who now defends would then have done the deed.
But who not feels persuasion's gentle sway,
Who but must meet the proffer'd hand half way
When courteous Butler--
POET (_aside_)
(Rome's smooth go-between! )
FRIEND
Laments the advice that sour'd a milky queen--
(For "bloody" all enlighten'd men confess
An antiquated error of the press:)
Who, rapt by zeal beyond her sex's bounds,
With actual cautery staunch'd the Church's wounds!
And tho' he deems, that with too broad a blur
We damn the French and Irish massacre,
Yet blames them both--and thinks the Pope might err!
What think you now? Boots it with spear and shield
Against such gentle foes to take the field
Whose beckoning hands the mild Caduceus wield?
POET
What think I now? Even what I thought before;--
What Butler boasts though Butler may deplore,
Still I repeat, words lead me not astray
When the shown feeling points a different way.
Smooth Butler can say grace at slander's feast,
And bless each haut-gout cook'd by monk or priest;
Leaves the full lie on Butler's gong to swell,
Content with half-truths that do just as well;
But duly decks his mitred comrade's flanks,
And with him shares the Irish nation's thanks!
So much for you, my friend! who own a Church,
And would not leave your mother in the lurch!
But when a Liberal asks me what I think--
Scared by the blood and soot of Cobbett's ink,
And Jeffrey's glairy phlegm and Connor's foam,
In search of some safe parable I roam--
An emblem sometimes may comprise a tome!
Disclaimant of his uncaught grandsire's mood,
I see a tiger lapping kitten's food:
And who shall blame him that he purs applause,
When brother Brindle pleads the good old cause;
And frisks his pretty tail, and half unsheathes his claws!
Yet not the less, for modern lights unapt,
I trust the bolts and cross-bars of the laws
More than the Protestant milk all newly lapt,
Impearling a tame wild-cat's whisker'd jaws!
1825, or 1826.
ON DONNE'S POETRY
With Donne, whose muse on dromedary trots,
Wreathe iron pokers into true-love knots;
Rhyme's sturdy cripple, fancy's maze and clue,
Wit's forge and fire-blast, meaning's press and screw.
? 1818.
ON A BAD SINGER
Swans sing before they die--'twere no bad thing
Should certain persons die before they sing.
NE PLUS ULTRA
Sole Positive of Night!
Antipathist of Light!
Fate's only essence! primal scorpion rod--
The one permitted opposite of God! --
Condensed blackness and abysmal storm
Compacted to one sceptre
Arms the Grasp enorm--
The Interceptor--
The Substance that still casts the shadow
Death! --
The Dragon foul and fell--
The unrevealable,
And hidden one, whose breath
Gives wind and fuel to the fires of Hell! --
Ah! sole despair
Of both the eternities in Heaven!
Sole interdict of all-bedewing prayer,
The all-compassionate!
Save to the Lampads Seven
Reveal'd to none of all the Angelic State,
Save to the Lampads Seven,
That watch the throne of Heaven!
? 1826.
HUMAN LIFE
ON THE DENIAL OF IMMORTALITY
If dead, we cease to be; if total gloom
Swallow up life's brief flash for aye, we fare
As summer-gusts, of sudden birth and doom,
Whose sound and motion not alone declare,
But _are_ their _whole_ of being! If the breath
Be Life itself, and not its task and tent,
If even a soul like Milton's can know death;
O Man! thou vessel purposeless, unmeant,
Yet drone-hive strange of phantom purposes!
Surplus of Nature's dread activity,
Which, as she gazed on some nigh-finished vase,
Retreating slow, with meditative pause,
She formed with restless hands unconsciously.
Blank accident! nothing's anomaly!
If rootless thus, thus substanceless thy state,
Go, weigh thy dreams, and be thy hopes, thy fears,
The counter-weights! --Thy laughter and thy tears
Mean but themselves, each fittest to create
And to repay each other! Why rejoices
Thy heart with hollow joy for hollow good?
Why cowl thy face beneath the mourner's hood,
Why waste thy sighs, and thy lamenting voices,
Image of Image, Ghost of Ghostly Elf,
That such a thing as thou feel'st warm or cold?
Yet what and whence thy gain, if thou withhold
These costless shadows of thy shadowy self?
Be sad! be glad! be neither! seek, or shun!
Thou hast no reason why! Thou canst have none;
Thy being's being is contradiction.
? 1815.
THE BUTTERFLY
The Butterfly the ancient Grecians made
The soul's fair emblem, and its only name--
But of the soul, escaped the slavish trade
Of earthly life! --For in this mortal frame
Our's is the reptile's lot, much toil, much blame,
Manifold motions making little speed,
And to deform and kill the things whereon we feed.
? 1815.
THE PANG MORE SHARP THAN ALL
AN ALLEGORY
I
He too has flitted from his secret nest,
Hope's last and dearest child without a name!
