No More Learning

This proneness to finery in dress, however, which Boswell and others of
Goldsmith's contemporaries, who did not understand the secret plies of his
character, attributed to vanity, arose, we are convinced, from a widely
different motive. It was from a painful idea of his own personal defects,
which had been cruelly stamped upon his mind in his boyhood by the sneers
and jeers of his playmates, and had been ground deeper into it by rude
speeches made to him in every step of his struggling career, until it had
become a constant cause of awkwardness and embarrassment. This he had
experienced the more sensibly since his reputation had elevated him into
polite society; and he was constantly endeavoring by the aid of dress to
acquire that personal _acceptability_, if we may use the phrase, which
nature had denied him. If ever he betrayed a little self-complacency on
first turning out in a new suit, it may perhaps have been because he felt
as if he had achieved a triumph over his ugliness.

There were circumstances too about the time of which we are treating which
may have rendered Goldsmith more than usually attentive to his personal
appearance. He had recently made the acquaintance of a most agreeable
family from Devonshire, which he met at the house of his friend, Sir Joshua
Reynolds. It consisted of Mrs. Horneck, widow of Captain Kane Horneck; two
daughters, seventeen and nineteen years of age, and an only son, Charles,
"the Captain in Lace," as his sisters playfully and somewhat proudly called
him, he having lately entered the Guards. The daughters are described as
uncommonly beautiful, intelligent, sprightly, and agreeable. Catharine, the
eldest, went among her friends by the name of "Little Comedy," indicative,
very probably, of her disposition. She was engaged to William Henry
Bunbury, second son of a Suffolk baronet. The hand and heart of her sister
Mary were yet unengaged, although she bore the by-name among her friends of
the "Jessamy Bride. " This family was prepared, by their intimacy with
Reynolds and his sister, to appreciate the merits of Goldsmith. The poet
had always been a chosen friend of the eminent painter, and Miss Reynolds,
as we have shown, ever since she had heard his poem of The Traveler read
aloud, had ceased to consider him ugly. The Hornecks were equally capable
of forgetting his person in admiring his works. On becoming acquainted with
him, too, they were delighted with his guileless simplicity; his buoyant
good-nature and his innate benevolence, and an enduring intimacy soon
sprang up between them. For once poor Goldsmith had met with polite society
with which he was perfectly at home, and by which he was fully appreciated;
for once he had met with lovely women, to whom his ugly features were not
repulsive. A proof of the easy and playful terms in which he was with them
remains in a whimsical epistle in verse, of which the following was the
occasion. A dinner was to be given to their family by a Dr. Baker, a friend
of their mother's, at which Reynolds and Angelica Kauffman were to be
present. The young ladies were eager to have Goldsmith of the party, and
their intimacy with Dr. Baker allowing them to take the liberty, they wrote
a joint invitation to the poet at the last moment. It came too late, and
drew from him the following reply; on the top of which was scrawled, "This
is a poem! This _is_ a copy of verses! "

"Your mandate I got,
You may all go to pot;
Had your senses been right,
You'd have sent before night--
So tell Horneck and Nesbitt,
And Baker and his bit,
And Kauffman beside,
And the _Jessamy Bride_,
With the rest of the crew.
The Reynoldses too,
_Little Comedy's_ face,
And the _Captain in Lace_--
Tell each other to rue
Your Devonshire crew,
For sending so late
To one of my state.
But 'tis Reynolds's way
From wisdom to stray,
And Angelica's whim
To befrolic like him;
But alas! your good worships, how could they be wiser,
When both have been spoil'd in to-day's 'Advertiser'? "

[Footnote: The following lines had appeared in that day's "Advertiser," on
the portrait of Sir Joshua by Angelica Kauffman:

"While fair Angelica, with matchless grace,
Paints Conway's burly form and Stanhope's face;
Our hearts to beauty willing homage pay,
We praise, admire, and gaze our souls away.

But when the likeness she hath done for thee,
O Reynolds! with astonishment we see,
Forced to submit, with all our pride we own,
Such strength, such harmony excelled by none.
And thou art rivaled by thyself alone. "]

It has been intimated that the intimacy of poor Goldsmith with the Misses
Horneck, which began in so sprightly a vein, gradually assumed something of
a more tender nature, and that he was not insensible to the fascinations of
the younger sister. This may account for some of the phenomena which about
this time appeared in his wardrobe and toilet. During the first year of his
acquaintance with these lovely girls, the tell-tale book of his tailor, Mr.
William Filby, displays entries of four or five full suits, besides
separate articles of dress. Among the items we find a green half-trimmed
frock and breeches, lined with silk; a queen's blue dress suit; a half
dress suit of ratteen, lined with satin; a pair of silk stocking breeches,
and another pair of bloom color. Alas! poor Goldsmith! how much of this
silken finery was dictated, not by vanity, but humble consciousness of thy
defects; how much of it was to atone for the uncouthness of thy person, and
to win favor in the eyes of the Jessamy Bride!




CHAPTER TWENTY-SIX

GOLDSMITH IN THE TEMPLE--JUDGE DAY AND GRATTAN--LABOR AND
DISSIPATION--PUBLICATION OF THE ROMAN HISTORY--OPINIONS OF IT--HISTORY OF
ANIMATED NATURE--TEMPLE ROOKERY--ANECDOTES OF A SPIDER


In the winter of 1768-69 Goldsmith occupied himself at his quarters in the
Temple, slowly "building up" his Roman History. We have pleasant views of
him in this learned and half-cloistered retreat of wit and lawyers and
legal students, in the reminiscences of Judge Day of the Irish Bench, who
in his advanced age delighted to recall the days of his youth, when he was
a templar, and to speak of the kindness with which he and his
fellow-student, Grattan, were treated by the poet. "I was just arrived from
college," said he, "full freighted with academic gleanings, and our author
did not disdain to receive from me some opinions and hints toward his Greek
and Roman histories. Being then a young man, I felt much flattered by the
notice of so celebrated a person. He took great delight in the conversation
of Grattan, whose brilliancy in the morning of life furnished full earnest
of the unrivaled splendor which awaited his meridian; and finding us
dwelling together in Essex Court, near himself, where he frequently visited
my immortal friend, his warm heart became naturally prepossessed toward the
associate of one whom he so much admired. "

The judge goes on, in his reminiscences, to give a picture of Goldsmith's
social habits, similar in style to those already furnished. He frequented
much the Grecian Coffee-House, then the favorite resort of the Irish and
Lancashire Templars. He delighted in collecting his friends around him at
evening parties at his chambers, where he entertained them with a cordial
and unostentatious hospitality. "Occasionally," adds the judge, "he amused
them with his flute, or with whist, neither of which he played well,
particularly the latter, but, on losing his money, he never lost his
temper. In a run of bad luck and worse play, he would fling his cards upon
the floor and exclaim, '_Byefore_ George, I ought forever to renounce
thee, fickle, faithless Fortune. '"

The judge was aware at the time that all the learned labor of poor
Goldsmith upon his Roman History was mere hack work to recruit his
exhausted finances. "His purse replenished," adds he, "by labors of this
kind, the season of relaxation and pleasure took its turn, in attending the
theaters, Ranelagh, Vauxhall, and other scenes of gayety and amusement.
Whenever his funds were dissipated--and they fled more rapidly from being
the dupe of many artful persons, male and female, who practiced upon his
benevolence--he returned to his literary labors, and shut himself up from
society to provide fresh matter for his bookseller, and fresh supplies for
himself. "

How completely had the young student discerned the characteristics of poor,
genial, generous, drudging, holiday-loving Goldsmith; toiling that he might
play; earning his bread by the sweat of his brains, and then throwing it
out of the window.

The Roman History was published in the middle of May, in two volumes of
five hundred pages each. It was brought out without parade or pretension,
and was announced as for the use of schools and colleges; but, though a
work written for bread, not fame, such is its ease, perspicuity, good
sense, and the delightful simplicity of its style, that it was well
received by the critics, commanded a prompt and extensive sale, and has
ever since remained in the hands of young and old.

Johnson, who, as we have before remarked, rarely praised or dispraised
things by halves, broke forth in a warm eulogy of the author and the work,
in a conversation with Boswell, to the great astonishment of the latter.
"Whether we take Goldsmith," said he, "as a poet, as a comic writer, or as
a historian, he stands in the first class. " Boswell. --"A historian! My dear
sir, you surely will not rank his compilation of the Roman History with the
works of other historians of this age. " Johnson. --"Why, who are before
him? " Boswell. --"Hume--Robertson--Lord Lyttelton. " Johnson (his antipathy
against the Scotch beginning to rise). --"I have not read Hume; but
doubtless Goldsmith's History is better than the verbiage of Robertson, or
the foppery of Dalrymple. " Boswell. --"Will you not admit the superiority of
Robertson, in whose history we find such penetration, such painting? "
Johnson. --"Sir, you must consider how that penetration and that painting
are employed. It is not history, it is imagination. He who describes what
he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints
faces, in a history-piece; he imagines a heroic countenance. You must look
upon Robertson's work as romance, and try it by that standard. History it
is not. Besides, sir, it is the great excellence of a writer to put into
his book as much as his book will hold. Goldsmith has done this in his
history. Now Robertson might have put twice as much in his book. Robertson
is like a man who has packed gold in wool; the wool takes up more room than
the gold. No, sir, I always thought Robertson would be crushed with his own
weight--would be buried under his own ornaments. Goldsmith tells you
shortly all you want to know; Robertson detains you a great deal too long.
No man will read Robertson's cumbrous detail a second time; but Goldsmith's
plain narrative will please again and again. I would say to Robertson what
an old tutor of a college said to one of his pupils, 'Read over your
compositions, and whenever you meet with a passage which you think is
particularly fine, strike it out! '--Goldsmith's abridgment is better than
that of Lucius Floras or Eutropius; and I will venture to say, that if you
compare him with Vertot in the same places of the Roman History, you will
find that he excels Vertot. Sir, he has the art of compiling, and of saying
everything he has to say in a pleasing manner. He is now writing a Natural
History, and will make it as entertaining as a Persian tale. "

The Natural History to which Johnson alluded was the History of Animated
Nature, which Goldsmith commenced in 1769, under an engagement with
Griffin, the bookseller, to complete it as soon as possible in eight
volumes, each containing upward of four hundred pages, in pica; a hundred
guineas to be paid to the author on the delivery of each volume in
manuscript.

He was induced to engage in this work by the urgent solicitations of the
booksellers, who had been struck by the sterling merits and captivating
style of an introduction which he wrote to Brookes' Natural History. It was
Goldsmith's intention originally to make a translation of Pliny, with a
popular commentary; but the appearance of Buffon's work induced him to
change his plan and make use of that author for a guide and model.

Cumberland, speaking of this work, observes: "Distress drove Goldsmith upon
undertakings neither congenial with his studies nor worthy of his talents.
I remember him when, in his chambers in the Temple, he showed me the
beginning of his Animated Nature; it was with a sigh, such as genius draws
when hard necessity diverts it from its bent to drudge for bread, and talk
of birds, and beasts, and creeping things, which Pidock's showman would
have done as well. Poor fellow, he hardly knows an ass from a mule, nor a
turkey from a goose, but when he sees it on the table. "

Others of Goldsmith's friends entertained similar ideas with respect to his
fitness for the task, and they were apt now and then to banter him on the
subject, and to amuse themselves with his easy credulity. The custom among
the natives of Otaheite of eating dogs being once mentioned in company,
Goldsmith observed that a similar custom prevailed in China; that a
dog-butcher is as common there as any other butcher; and that when he walks
abroad all the dogs fall on him. Johnson. --"That is not owing to his
killing dogs; sir, I remember a butcher at Litchfield, whom a dog that was
in the house where I lived always attacked. It is the smell of carnage
which provokes this, let the animals he has killed be what they may. "
Goldsmith. --"Yes, there is a general abhorrence in animals at the signs of
massacre. If you put a tub full of blood into a stable, the horses are
likely to go mad. " Johnson. --"I doubt that. " Goldsmith. --"Nay, sir, it is a
fact well authenticated. " Thrale. --"You had better prove it before you put
it into your book on Natural History. You may do it in my stable if you
will. " Johnson. --"Nay, sir, I would not have him prove it. If he is content
to take his information from others, he may get through his book with
little trouble, and without much endangering his reputation. But if he
makes experiments for so comprehensive a book as his, there would be no end
to them; his erroneous assertions would fall then upon himself; and he
might be blamed for not having made experiments as to every particular. "

Johnson's original prediction, however, with respect to this work, that
Goldsmith would make it as entertaining as a Persian tale, was verified;
and though much of it was borrowed from Buffon, and but little of it
written from his own observation; though it was by no means profound, and
was chargeable with many errors, yet the charms of his style and the play
of his happy disposition throughout have continued to render it far more
popular and readable than many works on the subject of much greater scope
and science. Cumberland was mistaken, however, in his notion of Goldsmith's
ignorance and lack of observation as to the characteristics of animals. On
the contrary, he was a minute and shrewd observer of them; but he observed
them with the eye of a poet and moralist as well as a naturalist. We quote
two passages from his works illustrative of this fact, and we do so the
more readily because they are in a manner a part of his history, and give
us another peep into his private life in the Temple; of his mode of
occupying himself in his lonely and apparently idle moments, and of another
class of acquaintances which he made there.

Speaking in his Animated Nature of the habitudes of Rooks, "I have often
amused myself," says he, "with observing their plans of policy from my
window in the Temple, that looks upon a grove, where they have made a
colony in the midst of a city. At the commencement of spring the rookery,
which, during the continuance of winter, seemed to have been deserted, or
only guarded by about five or six, like old soldiers in a garrison, now
begins to be once more frequented; and in a short time, all the bustle and
hurry of business will be fairly commenced. "

The other passage, which we take the liberty to quote at some length, is
from an admirable paper in the "Bee," and relates to the House Spider.

"Of all the solitary insects I have ever remarked, the spider is the most
sagacious, and its motions to me, who have attentively considered them,
seem almost to exceed belief. . . . I perceived, about four years ago, a large
spider in one corner of my room making its web; and, though the maid
frequently leveled her broom against the labors of the little animal, I had
the good fortune then to prevent its destruction, and I may say it more
than paid me by the entertainment it afforded.

"In three days the web was, with incredible diligence, completed; nor could
I avoid thinking that the insect seemed to exult in its new abode. It
frequently traversed it round, examined the strength of every part of it,
retired into its hole, and came out very frequently. The first enemy,
however, it had to encounter was another and a much larger spider, which,
having no web of its own, and having probably exhausted all its stock in
former labors of this kind, came to invade the property of its neighbor.
Soon, then, a terrible encounter ensued, in which the invader seemed to
have the victory, and the laborious spider was obliged to take refuge in
its hole. Upon this I perceived the victor using every art to draw the
enemy from its stronghold. He seemed to go off, but quickly returned; and
when he found all arts in vain, began to demolish the new web without
mercy. This brought on another battle, and, contrary to my expectations,
the laborious spider became conqueror, and fairly killed his antagonist.

"Now, then, in peaceable possession of what was justly its own, it waited
three days with the utmost patience, repairing the breaches of its web, and
taking no sustenance that I could perceive. At last, however, a large blue
fly fell into the snare, and struggled hard to get loose. The spider gave
it leave to entangle itself as much as possible, but it seemed to be too
strong for the cobweb. I must own I was greatly surprised when I saw the
spider immediately sally out, and in less than a minute weave a new net
round its captive, by which the motion of its wings was stopped; and when
it was fairly hampered in this manner it was seized and dragged into the
hole.

"In this manner it lived, in a precarious state; and nature seemed to have
fitted it for such a life, for upon a single fly it subsisted for more than
a week. I once put a wasp into the net; but when the spider came out in
order to seize it, as usual, upon perceiving what kind of an enemy it had
to deal with, it instantly broke all the bands that held it fast, and
contributed all that lay in its power to disengage so formidable an
antagonist. When the wasp was set at liberty, I expected the spider would
have set about repairing the breaches that were made in its net; but those,
it seems, were irreparable; wherefore the cobweb was now entirely forsaken,
and a new one begun, which was completed in the usual time.

"I had now a mind to try how many cobwebs a single spider could furnish;
wherefore I destroyed this, and the insect set about another. When I
destroyed the other also, its whole stock seemed entirely exhausted, and it
could spin no more. The arts it made use of to support itself, now deprived
of its great means of subsistence, were indeed surprising. I have seen it
roll up its legs like a ball, and lie motionless for hours together, but
cautiously watching all the time; when a fly happened to approach
sufficiently near, it would dart out all at once, and often seize its prey.

"Of this life, however, it soon began to grow weary, and resolved to invade
the possession of some other spider, since it could not make a web of its
own. It formed an attack upon a neighboring fortification with great vigor,
and at first was as vigorously repulsed. Not daunted, however, with one
defeat, in this manner it continued to lay siege to another's web for three
days, and at length, having killed the defendant, actually took possession.
When smaller flies happen to fall into the snare, the spider does not sally
out at once, but very patiently waits till it is sure of them; for, upon
his immediately approaching the terror of his appearance might give the
captive strength sufficient to get loose; the manner, then, is to wait
patiently, till, by ineffectual and impotent struggles, the captive has
wasted all its strength, and then he becomes a certain and easy conquest.

"The insect I am now describing lived three years; every year it changed
its skin and got a new set of legs. I have sometimes plucked off a leg,
which grew again in two or three days. At first it dreaded my approach to
its web, but at last it became so familiar as to take a fly out of my hand;
and, upon my touching any part of the web, would immediately leave its
hole, prepared either for a defense or an attack. "




CHAPTER TWENTY-SEVEN

HONORS AT THE ROYAL ACADEMY--LETTER TO HIS BROTHER MAURICE--FAMILY
FORTUNES--JANE CONTARINE AND THE MINIATURE--PORTRAITS AND
ENGRAVINGS--SCHOOL ASSOCIATIONS--JOHNSON AND GOLDSMITH IN WESTMINSTER ABBEY


The latter part of the year 1768 had been made memorable in the world of
taste by the institution of the Royal Academy of Arts, under the patronage
of the king, and the direction of forty of the most distinguished artist.
Reynolds, who had been mainly instrumental in founding it, had been
unanimously elected president, and had thereupon received the honor of
knighthood. [Footnote: We must apologize for the anachronism we have
permitted ourselves, in the course of this memoir, in speaking of Reynolds
as _Sir Joshua_, when treating of circumstances which occurred prior
to his being dubbed; but it is so customary to speak of him by that title
that we found it difficult to dispense with it. ] Johnson was so delighted
with his friend's elevation that he broke through a rule of total
abstinence with respect to wine, which he had maintained for several years,
and drank bumpers on the occasion. Sir Joshua eagerly sought to associate
his old and valued friends with him in his new honors, and it is supposed
to be through his suggestions that, on the first establishment of
professorships, which took place in December, 1769, Johnson was nominated
to that of Ancient Literature, and Goldsmith to that of History. They were
mere honorary titles, without emolument, but gave distinction, from the
noble institution to which they appertained. They also gave the possessors
honorable places at the annual banquet, at which were assembled many of the
most distinguished persons of rank and talent, all proud to be classed
among the patrons of the arts.

The following letter of Goldsmith to his brother alludes to the foregoing
appointment, and to a small legacy bequeathed to him by his uncle
Contarine.

"_To Mr. Maurice Goldsmith, at James Lawders, Esq. , at Kilmore, near
Carrick-on-Shannon. _

"January, 1770.

"DEAR BROTHER--I should have answered your letter sooner, but, in truth, I
am not fond of thinking of the necessities of those I love, when it is so
very little in my power to help them. I am sorry to find you are every way
unprovided for; and what adds to my uneasiness is, that I have received a
letter from my sister Johnson, by which I learn that she is pretty much in
the same circumstances. As to myself, I believe I think I could get both
you and my poor brother-in-law something like that which you desire, but I
am determined never to ask for little things, nor exhaust any little
interest I may have, until I can serve you, him, and myself more
effectually. As yet, no opportunity has offered; but I believe you are
pretty well convinced that I will not be remiss when it arrives.

"The king has lately been pleased to make me Professor of Ancient History
in the Royal Academy of Painting which he has just established, but there
is no salary annexed; and I took it rather as a compliment to the
institution than any benefit to myself. Honors to one in my situation are
something like ruffles to one that wants a shirt.

"You tell me that there are fourteen or fifteen pounds left me in the hands
of my cousin Lawder, and you ask me what I would have done with them. My
dear brother, I would by no means give any directions to my dear worthy
relations at Kilmore how to dispose of money which is, properly speaking,
more theirs than mine. All that I can say is, that I entirely, and this
letter will serve to witness, give up any right and title to it; and I am
sure they will dispose of it to the best advantage. To them I entirely
leave it; whether they or you may think the whole necessary to fit you out,
or whether our poor sister Johnson may not want the half, I leave entirely
to their and your discretion. The kindness of that good couple to our
shattered family demands our sincerest gratitude; and though they have
almost forgotten me, yet, if good things at last arrive, I hope one day to
return and increase their good-humor, by adding to my own.

"I have sent my cousin Jenny a miniature picture of myself, as I believe it
is the most acceptable present I can offer. I have ordered it to be left
for her at George Faulkner's, folded in a letter. The face, you well know,
is ugly enough, but it is finely painted. I will shortly also send my
friends over the Shannon some mezzotinto prints of myself, and some more of
my friends here, such as Burke, Johnson, Reynolds, and Colman. I believe I
have written a hundred letters to different friends in your country, and
never received an answer to any of them. I do not know how to account for
this, or why they are unwilling to keep up for me those regards which I
must ever retain for them.

"If, then, you have a mind to oblige me, you will write often, whether I
answer you or not. Let me particularly have the news of our family and old
acquaintances. For instance, you may begin by telling me about the family
where you reside, how they spend their time, and whether they ever make
mention of me. Tell me about my mother, my brother Hodson, and his son, my
brother Harry's son and daughter, my sister Johnson, the family of
Ballyoughter, what is become of them, where they live, and how they do. You
talked of being my only brother: I don't understand you. Where is Charles?
A sheet of paper occasionally filled with the news of this kind would make
me very happy, and would keep you nearer my mind. As it is, my dear
brother, believe me to be

"Yours, most affectionately,

"OLIVER GOLDSMITH. "

By this letter we find the Goldsmiths the same shifting, shiftless race as
formerly; a "shattered family," scrambling on each other's back as soon as
any rise above the surface. Maurice is "every way unprovided for"; living
upon Cousin Jane and her husband, and, perhaps, amusing himself by hunting
otter in the river Inny. Sister Johnson and her husband are as poorly off
as Maurice, with, perhaps, no one at hand to quarter themselves upon; as to
the rest, "what is become of them; where do they live; how do they do; what
is become of Charles? " What forlorn, haphazard life is implied by these
questions! Can we wonder that, with all the love for his native place,
which is shown throughout Goldsmith's writings, he had not the heart to
return there? Yet his affections are still there. He wishes to know whether
the Lawders (which means his cousin Jane, his early Valentine) ever make
mention of him; he sends Jane his miniature; he believes "it is the most
acceptable present he can offer"; he evidently, therefore, does not believe
she has almost forgotten him, although he intimates that he does: in his
memory she is still Jane Contarine, as he last saw her, when he accompanied
her harpsichord with his flute. Absence, like death, sets a seal on the
image of those we have loved; we cannot realize the intervening changes
which time may have effected.

As to the rest of Goldsmith's relatives, he abandons his legacy of fifteen
pounds, to be shared among them. It is all he has to give. His heedless
improvidence is eating up the pay of the booksellers in advance. With all
his literary success, he has neither money nor influence; but he has empty
fame, and he is ready to participate with them; he is honorary professor,
without pay; his portrait is to be engraved in mezzotint, in company with
those of his friends, Burke, Reynolds, Johnson, Colman, and others, and he
will send prints of them to his friends over the Shannon, though they may
not have a house to hang them up in. What a motley letter! How indicative
of the motley character of the writer!
By the bye, the publication of a
splendid mezzotinto engraving of his likeness by Reynolds, was a great
matter of glorification to Goldsmith, especially as it appeared in such
illustrious company. As he was one day walking the streets in a state of
high elation, from having just seen it figuring in the print-shop windows,
he met a young gentleman with a newly married wife hanging on his arm, whom
he immediately recognized for Master Bishop, one of the boys he had petted
and treated with sweetmeats when a humble usher at Milner's school. The
kindly feelings of old times revived, and he accosted him with cordial
familiarity, though the youth may have found some difficulty in recognizing
in the personage, arrayed, perhaps, in garments of Tyrian dye, the dingy
pedagogue of the Milners. "Come, my boy," cried Goldsmith, as if still
speaking to a schoolboy, "Come, Sam, I am delighted to see you. I must
treat you to something--what shall it be? Will you have some apples? "
glancing at an old woman's stall; then, recollecting the print-shop window:
"Sam," said he, "have you seen my picture by Sir Joshua Reynolds? Have you
seen it, Sam? Have you got an engraving? " Bishop was caught; he
equivocated; he had not yet bought it; but he was furnishing his house, and
had fixed upon the place where it was to be hung. "Ah, Sam! " rejoined
Goldsmith reproachfully, "if your picture had been published, I should not
have waited an hour without having it. "

After all, it was honest pride, not vanity, in Goldsmith, that was
gratified at seeing his portrait deemed worthy of being perpetuated by the
classic pencil of Reynolds, and "hung up in history," beside that of his
revered friend, Johnson. Even the great moralist himself was not insensible
to a feeling of this kind. Walking one day with Goldsmith, in Westminster
Abbey, among the tombs of monarchs, warriors, and statesmen, they came to
the sculptured mementos of literary worthies in Poets' Corner. Casting his
eye round upon these memorials of genius, Johnson muttered in a low tone to
his companion,

"Forsitan et nostrum nomen miscebitur istis. "

Goldsmith treasured up the intimated hope, and shortly afterward, as they
were passing by Temple bar, where the heads of Jacobite rebels, executed
for treason, were mouldering aloft on spikes, pointed up to the grizzly
mementos, and echoed the intimation,

"Forsitan et nostrum nomen miscebitur _istis_. "




CHAPTER TWENTY-EIGHT

PUBLICATION OF THE DESERTED VILLAGE--NOTICES AND ILLUSTRATIONS OF IT


Several years had now elapsed since the publication of The Traveler, and
much wonder was expressed that the great success of that poem had not
excited the author to further poetic attempts. On being questioned at the
annual dinner of the Royal Academy by the Earl of Lisburn, why he neglected
the muses to compile histories and write novels, "My Lord," replied he, "by
courting the muses I shall starve, but by my other labors I eat, drink,
have good clothes, and can enjoy the luxuries of life. " So, also, on being
asked by a poor writer what was the most profitable mode of exercising the
pen, "My dear fellow," replied he, good-humoredly, "pay no regard to the
draggle-tailed muses; for my part I have found productions in prose much
more sought after and better paid for. "

Still, however, as we have heretofore shown, he found sweet moments of
dalliance to steal away from his prosaic toils, and court the muse among
the green lanes and hedgerows in the rural environs of London, and on the
26th of May, 1770, he was enabled to bring his Deserted Village before the
public.

The popularity of The Traveler had prepared the way for this poem, and its
sale was instantaneous and immense. The first edition was immediately
exhausted; in a few days a second was issued; in a few days more a third,
and by the 16th of August the fifth edition was hurried through the press.
As is the case with popular writers, he had become his own rival, and
critics were inclined to give the preference to his first poem; but with
the public at large we believe the Deserted Village has ever been the
greatest favorite. Previous to its publication the bookseller gave him in
advance a note for the price agreed upon, one hundred guineas. As the
latter was returning home he met a friend to whom he mentioned the
circumstance, and who, apparently judging of poetry by quantity rather than
quality, observed that it was a great sum for so small a poem. "In truth,"
said Goldsmith, "I think so too; it is much more than the honest man can
afford or the piece is worth. I have not been easy since I received it. " In
fact, he actually returned the note to the bookseller, and left it to him
to graduate the payment according to the success of the work. The
bookseller, as may well be supposed, soon repaid him in full with many
acknowledgments of his disinterestedness. This anecdote has been called in
question, we know not on what grounds; we see nothing in it incompatible
with the character of Goldsmith, who was very impulsive, and prone to acts
of inconsiderate generosity.

As we do not pretend in this summary memoir to go into a criticism or
analysis of any of Goldsmith's writings, we shall not dwell upon the
peculiar merits of this poem; we cannot help noticing, however, how truly
it is a mirror of the author's heart, and of all the fond pictures of early
friends and early life forever present there. It seems to us as if the very
last accounts received from home, of his "shattered family," and the
desolation that seemed to have settled upon the haunts of his childhood,
had cut to the roots one feebly cherished hope, and produced the following
exquisitely tender and mournful lines:

"In all my wand'rings round this world of care,
In all my griefs--and God has giv'n my share--
I still had hopes my latest hours to crown,
Amid these humble bowers to lay me down;
To husband out life's taper at the close,
And keep the flame from wasting by repose;
I still had hopes, for pride attends us still,
Amid the swains to show my book-learn'd skill,
Around my fire an ev'ning group to draw,
And tell of all I felt and all I saw;
And as a hare, whom hounds and horns pursue,
Pants to the place from whence at first she flew;
I still had hopes, my long vexations past,
Here to return--_and die at home at last_. "

How touchingly expressive are the succeeding lines, wrung from a heart
which all the trials and temptations and buffetings of the world could not
render worldly; which, amid a thousand follies and errors of the head,
still retained its childlike innocence; and which, doomed to struggle on to
the last amid the din and turmoil of the metropolis, had ever been cheating
itself with a dream of rural quiet and seclusion:

"Oh, bless'd retirement! friend to life's decline,
Retreats from care, _that never must be mine_,
How blest is he who crowns, in shades like these,
A youth of labor with an age of ease;
Who quits a world where strong temptations try,
And, since 'tis hard to combat, learns to fly!
For him no wretches, born to work and weep,
Explore the mine, or tempt the dangerous deep;
Nor surly porter stands, in guilty state,
To spurn imploring famine from the gate;
But on he moves to meet his latter end,
Angels around befriending virtue's friend;
Sinks to the grave with unperceived decay,
While resignation gently slopes the way;
And all his prospects brightening to the last,
His heaven commences ere the world be past. "

* * * * *

NOTE

The following article, which appeared in a London periodical, shows the
effect of Goldsmith's poem in renovating the fortunes of Lissoy.

"About three miles from Ballymahon, a very central town in the sister
kingdom, is the mansion and village of Auburn, so called by their present
possessor, Captain Hogan. Through the taste and improvement of this
gentleman, it is now a beautiful spot, although fifteen years since it
presented a very bare and unpoetical aspect. This, however, was owing to a
cause which serves strongly to corroborate the assertion that Goldsmith had
this scene in view when he wrote his poem of The Deserted Village. The then
possessor, General Napier, turned all his tenants out of their farms that
he might inclose them in his own private domain. Littleton, the mansion of
the general, stands not far off, a complete emblem of the desolating spirit
lamented by the poet, dilapidated and converted into a barrack.

"The chief object of attraction is Lissoy, once the parsonage house of
Henry Goldsmith, that brother to whom the poet dedicated his Traveler, and
who is represented as the village pastor,

"'Passing rich with forty pounds a year. '

"When I was in the country, the lower chambers were inhabited by pigs and
sheep, and the drawing-rooms by oats. Captain Hogan, however, has, I
believe, got it since into his possession, and has, of course, improved its
condition.

"Though at first strongly inclined to dispute the identity of Auburn,
Lissoy House overcame my scruples. As I clambered over the rotten gate, and
crossed the grass-grown lawn or court, the tide of association became too
strong for casuistry; here the poet dwelt and wrote, and here his thoughts
fondly recurred when composing his Traveler in a foreign land. Yonder was
the decent church, that literally 'topped the neighboring hill. ' Before me
lay the little hill of Knockrue, on which he declares, in one of his
letters, he had rather sit with a book in hand than mingle in the proudest
assemblies. And, above all, startlingly true, beneath my feet was

"'Yonder copse, where once the garden smiled,
And still where many a garden-flower grows wild. '

"A painting from the life could not be more exact. 'The stubborn
currant-bush' lifts its head above the rank grass, and the proud hollyhock
flaunts where its sisters of the flower-knot are no more.

"In the middle of the village stands the old 'hawthorn-tree,' built up with
masonry to distinguish and preserve it; it is old and stunted, and suffers
much from the depredations of post-chaise travelers, who generally stop to
procure a twig. Opposite to it is the village alehouse, over the door of
which swings 'The Three Jolly Pigeons. ' Within everything is arranged
according to the letter:

'The whitewash'd wall, the nicely-sanded floor,
The varnish'd clock that click'd behind the door:
The chest, contrived a double debt to pay,
A bed by night, a chest of drawers by day;
The pictures placed for ornament and use,
The twelve good rules, the royal game of goose. '

"Captain Hogan, I have heard, found great difficulty in obtaining 'the
twelve good rules,' but at length purchased them at some London bookstall
to adorn the whitewashed parlor of 'The Three Jolly Pigeons. ' However
laudable this may be, nothing shook my faith in the reality of Auburn so
much as this exactness, which had the disagreeable air of being got up for
the occasion. The last object of pilgrimage is the quondam habitation of
the schoolmaster,

"'There, in his noisy mansion, skill'd to rule. '

"It is surrounded with fragrant proofs of identity in

"'The blossom'd furze, unprofitably gay. '

"There is to be seen the chair of the poet, which fell into the hands of
its present possessors at the wreck of the parsonage-house; they have
frequently refused large offers of purchase; but more, I daresay, for the
sake of drawing contributions from the curious than from any reverence for
the bard. The chair is of oak, with back and seat of cane, which precluded
all hopes of a secret drawer, like that lately discovered in Gay's. There
is no fear of its being worn out by the devout earnestness of sitters--as
the cocks and hens have usurped undisputed possession of it, and protest
most clamorously against all attempts to get it cleansed or to seat one's
self.

"The controversy concerning the identity of this Auburn was formerly a
standing theme of discussion among the learned of the neighborhood; but,
since the pros and cons have been all ascertained, the argument has died
away. Its abettors plead the singular agreement between the local history
of the place and the Auburn of the poem, and the exactness with which the
scenery of the one answers to the description of the other. To this is
opposed the mention of the nightingale,

"'And fill'd each pause the nightingale had made';

there being no such bird in the island. The objection is slighted, on the
other hand, by considering the passage as a mere poetical license.
'Besides,' say they, 'the robin is the Irish nightingale. ' And if it be
hinted how unlikely it was that Goldsmith should have laid the scene in a
place from which he was and had been so long absent, the rejoinder is
always, 'Pray, sir, was Milton in hell when he built Pandemonium? '

"The line is naturally drawn between; there can be no doubt that the poet
intended England by

"'The land to hast'ning ills a prey,
Where wealth accumulates and men decay. '

"But it is very natural to suppose that, at the same time, his imagination
had in view the scenes of his youth, which give such strong features of
resemblance to the picture. "

* * * * *

Best, an Irish clergyman, told Davis, the traveler in America, that the
hawthorn-bush mentioned in the poem was still remarkably large. "I was
riding once," said he, "with Brady, titular Bishop of Ardagh, when he
observed to me, 'Ma foy, Best, this huge overgrown bush is mightily in the
way. I will order it to be cut down. ' 'What, sir! ' replied I, 'cut down the
bush that supplies so beautiful an image in The Deserted Village? '--'Ma
foy! ' exclaimed the bishop, 'is that the hawthorn-bush? Then let it be
sacred from the edge of the ax, and evil be to him that should cut off a
branch. ' "--The hawthorn-bush, however, has long since been cut up, root
and branch, in furnishing relics to literary pilgrims.




CHAPTER TWENTY-NINE

THE POET AMONG THE LADIES--DESCRIPTION OF HIS PERSON AND
MANNERS--EXPEDITION TO PARIS WITH THE HORNECK FAMILY--THE TRAVELER OF
TWENTY AND THE TRAVELER OF FORTY--HICKEY, THE SPECIAL ATTORNEY--AN UNLUCKY
EXPLOIT


The Deserted Village had shed an additional poetic grace round the homely
person of the author; he was becoming more and more acceptable in ladies'
eyes, and finding himself more and more at ease in their society; at least
in the society of those whom he met in the Reynolds circle, among whom he
particularly affected the beautiful family of the Hornecks.

But let us see what were really the looks and manners of Goldsmith about
this time, and what right he had to aspire to ladies' smiles; and in so
doing let us not take the sketches of Boswell and his compeers, who had a
propensity to represent him in caricature; but let us take the apparently
truthful and discriminating picture of him as he appeared to Judge Day,
when the latter was a student in the Temple.

"In person," says the judge, "he was short; about five feet five or six
inches; strong, but not heavy in make; rather fair in complexion, with
brown hair; such, at least, as could be distinguished from his wig. His
features were plain, but not repulsive--certainly not so when lighted up by
conversation. His manners were simple, natural, and perhaps on the whole,
we may say, not polished; at least without the refinement and good-breeding
which the exquisite polish of his compositions would lead us to expect. He
was always cheerful and animated, often, indeed, boisterous in his mirth;
entered with spirit into convivial society; contributed largely to its
enjoyments by solidity of information, and the naïvete and originality of
his character; talked often without premeditation, and laughed loudly
without restraint. "

This, it will be recollected, represents him as he appeared to a young
Templar, who probably saw him only in Temple coffee-houses, at students'
quarters, or at the jovial supper parties given at the poet's own chambers;
here, of course, his mind was in its rough dress; his laugh may have been
loud and his mirth boisterous; but we trust all these matters became
softened and modified when he found himself in polite drawing-rooms and in
female society.

But what say the ladies themselves of him; and here, fortunately, we have
another sketch of him, as he appeared at the time to one of the Horneck
circle; in fact, we believe, to the Jessamy Bride herself. After admitting,
apparently with some reluctance, that "he was a very plain man," she goes
on to say, "but had he been much more so, it was impossible not to love and
respect his goodness of heart, which broke out on every occasion. His
benevolence was unquestionable, and _his countenance bore every trace of
it_: no one that knew him intimately could avoid admiring and loving his
good qualities. " When to all this we add the idea of intellectual delicacy
and refinement associated with him by his poetry and the newly plucked bays
that were flourishing round his brow, we cannot be surprised that fine and
fashionable ladies should be proud of his attentions, and that even a young
beauty should not be altogether displeased with the thoughts of having a
man of his genius in her chains.

We are led to indulge some notions of the kind from finding him in the
month of July, but a few weeks after the publication of the Deserted
Village, setting off on a six weeks' excursion to Paris, in company with
Mrs. Horneck and her two beautiful daughters. A day or two before his
departure we find another new gala suit charged to him on the books of Mr.
William Filby. Were the bright eyes of the Jessamy Bride responsible for
this additional extravagance of wardrobe? Goldsmith had recently been
editing the works of Parnell; had he taken courage from the example of
Edwin in the fairy tale? --

"Yet spite of all that nature did
To make his uncouth form forbid,
This creature dared to love.
He felt the force of Edith's eyes,
Nor wanted hope to gain the prize
_Could ladies look within--_"

All this we throw out as mere hints and surmises, leaving it to our readers
to draw their own conclusions. It will be found, however, that the poet was
subjected to shrewd bantering among his contemporaries about the beautiful
Mary Horneck, and that he was extremely sensitive on the subject.

It was in the month of June that he set out for Paris with his fair
companions, and the following letter was written by him to Sir Joshua
Reynolds, soon after the party landed at Calais:

"MY DEAR FRIEND--We had a very quick passage from Dover to Calais, which we
performed in three hours and twenty minutes, all of us extremely seasick,
which must necessarily have happened, as my machine to prevent seasickness
was not completed. We were glad to leave Dover, because we hated to be
imposed upon; so were in high spirits at coming to Calais, where we were
told that a little money would go a great way.

"Upon landing, with two little trunks, which was all we carried with us, we
were surprised to see fourteen or fifteen fellows all running down to the
ship to lay their hands upon them; four got under each trunk, the rest
surrounded and held the hasps; and in this manner our little baggage was
conducted, with a kind of funeral solemnity, till it was safely lodged at
the custom-house. We were well enough pleased with the people's civility
till they came to be paid; every creature that had the happiness of but
touching our trunks with their finger expected sixpence; and they had so
pretty and civil a manner of demanding it that there was no refusing them.

"When we had done with the porters, we had next to speak with the
custom-house officers, who had their pretty civil ways too. We were
directed to the Hotel d'Angleterre, where a valet-de-place came to offer
his service, and spoke to me ten minutes before I once found out that he
was speaking English. We had no occasion for his services, so we gave him a
little money because he spoke English, and because he wanted it. I cannot
help mentioning another circumstance: I bought a new ribbon for my wig at
Canterbury, and the barber at Calais broke it in order to gain sixpence by
buying me a new one. "

An incident which occurred in the course of this tour has been tortured by
that literary magpie, Boswell, into a proof of Goldsmith's absurd jealousy
of any admiration shown to others in his presence. While stopping at a
hotel in Lisle, they were drawn to the windows by a military parade in
front. The extreme beauty of the Misses Horneck immediately attracted the
attention of the officers, who broke forth with enthusiastic speeches and
compliments intended for their ears. Goldsmith was amused for a while, but
at length affected impatience at this exclusive admiration of his beautiful
companions, and exclaimed, with mock severity of aspect, "Elsewhere I also
would have my admirers. "

It is difficult to conceive the obtuseness of intellect necessary to
misconstrue so obvious a piece of mock petulance and dry humor into an
instance of mortified vanity and jealous self-conceit.

Goldsmith jealous of the admiration of a group of gay officers for the
charms of two beautiful young women! This even out-Boswells Boswell; yet
this is but one of several similar absurdities, evidently misconceptions of
Goldsmith's peculiar vein of humor, by which the charge of envious jealousy
has been attempted to be fixed upon him. In the present instance it was
contradicted by one of the ladies herself, who was annoyed that it had been
advanced against him. "I am sure," said she, "from the peculiar manner of
his humor, and assumed frown of countenance, what was often uttered in jest
was mistaken, by those who did not know him, for earnest. " No one was more
prone to err on this point than Boswell. He had a tolerable perception of
wit, but none of humor.

The following letter to Sir Joshua Reynolds was subsequently written:

"To _Sir Joshua Reynolds_.

"PARIS, _July 29 (1770)_.

"MY DEAR FRIEND--I began a long letter to you from Lisle, giving a
description of all that we had done and seen, but, finding it very dull,
and knowing that you would show it again, I threw it aside and it was lost.
You see by the top of this letter that we are at Paris, and (as I have
often heard you say) we have brought our own amusement with us, for the
ladies do not seem to be very fond of what we have yet seen.

"With regard to myself, I find that traveling at twenty and forty are very
different things. I set out with all my confirmed habits about me, and can
find nothing on the Continent so good as when I formerly left it. One of
our chief amusements here is scolding at everything we meet with, and
praising everything and every person we left at home. You may judge,
therefore, whether your name is not frequently bandied at table among us.
To tell you the truth, I never thought I could regret your absence so much
as our various mortifications on the road have often taught me to do. I
could tell you of disasters and adventures without number; of our lying in
barns, and of my being half poisoned with a dish of green peas; of our
quarreling with postilions, and being cheated by our landladies; but I
reserve all this for a happy hour which I expect to share with you upon my
return.

"I have little to tell you more but that we are at present all well, and
expect returning when we have stayed out one month, which I did not care if
it were over this very day. I long to hear from you all, how you yourself
do, how Johnson, Burke, Dyer, Chamier, Colman, and every one of the club
do. I wish I could send you some amusement in this letter, but I protest I
am so stupefied by the air of this country (for I am sure it cannot be
natural) that I have not a word to say. I have been thinking of the plot of
a comedy, which shall be entitled A Journey to Paris, in which a family
shall be introduced with a full intention of going to France to save money.
You know there is not a place in the world more promising for that purpose.
As for the meat of this country, I can scarce eat it; and, though we pay
two good shillings a head for our dinner, I find it all so tough that I
have spent less time with my knife than my picktooth. I said this as a good
thing at the table, but it was not understood. I believe it to be a good
thing.

"As for our intended journey to Devonshire, I find it out of my power to
perform it; for, as soon as I arrive at Dover, I intend to let the ladies
go on, and I will take a country lodging somewhere near that place in order
to do some business. I have so outrun the constable that I must mortify a
little to bring it up again. For God's sake, the night you receive this,
take your pen in your hand and tell me something about yourself and myself,
if you know anything that has happened. About Miss Reynolds, about Mr.
Bickerstaff, my nephew, or anybody that you regard. I beg you will send to
Griffin the bookseller to know if there be any letters left for me, and be
so good as to send them to me at Paris. They may perhaps be left for me at
the Porter's Lodge, opposite the pump in Temple Lane. The same messenger
will do. I expect one from Lord Clare, from Ireland. As for the others, I
am not much uneasy about.

"Is there anything I can do for you at Paris? I wish you would tell me. The
whole of my own purchases here is one silk coat, which I have put on, and
which makes me look like a fool. But no more of that. I find that Colman
has gained his lawsuit. I am glad of it. I suppose you often meet. I will
soon be among you, better pleased with my situation at home than I ever was
before. And yet I must say that, if anything could make France pleasant,
the very good women with whom I am at present would certainly do it. I
could say more about that, but I intend showing them the letter before I
send it away. What signifies teasing you longer with moral observations,
when the business of my writing is over? I have one thing only more to say,
and of that I think every hour in the day; namely, that I am your most
sincere and most affectionate friend,

"OLIVER GOLDSMITH.

"Direct to me at the Hotel de Danemarc,
Rue Jacob, Fauxbourg St. Germains. "

A word of comment on this letter:

Traveling is, indeed, a very different thing with Goldsmith the poor
student at twenty, and Goldsmith the poet and professor at forty. At
twenty, though obliged to trudge on foot from town to town, and country to
country, paying for a supper and a bed by a tune on the flute, everything
pleased, everything was good; a truckle bed in a garret was a conch of
down, and the homely fare of the peasant a feast fit for an epicure. Now,
at forty, when he posts through the country in a carriage, with fair ladies
by his side, everything goes wrong: he has to quarrel with postilions, he
is cheated by landladies, the hotels are barns, the meat is too tough to be
eaten, and he is half poisoned by green peas! A line hi his letter explains
the secret: "The ladies do not seem to be very fond of what we have yet
seen. " "One of our chief amusements is scolding at everything we meet with,
and praising everything and every person we have left at home! " the true
English traveling amusement. Poor Goldsmith! he has "all his
_confirmed_ habits about him"; that is to say, he has recently risen
into high life, and acquired highbred notions; he must be fastidious like
his fellow-travelers; he dare not be pleased with what pleased the vulgar
tastes of his youth. He is unconsciously illustrating the trait so
humorously satirized by him in Bill Tibbs, the shabby beau, who can find
"no such dressing as he had at Lord Crump's or Lady Crimp's"; whose very
senses have grown genteel, and who no longer "smacks at wretched wine or
praises detestable custard. " A lurking thorn, too, is worrying him
throughout this tour; he has "outrun the constable"; that is to say, his
expenses have outrun his means, and he will have to make up for this
butterfly flight by toiling like a grub on his return.

Another circumstance contributes to mar the pleasure he had promised
himself in this excursion. At Paris the party is unexpectedly joined by a
Mr. Hickey, a bustling attorney, who is well acquainted with that
metropolis and its environs, and insists on playing the cicerone on all
occasions. He and Goldsmith do not relish each other, and they have several
petty altercations. The lawyer is too much a man of business and method for
the careless poet, and is disposed to manage everything. He has perceived
Goldsmith's whimsical peculiarities without properly appreciating his
merits, and is prone to indulge in broad bantering and raillery at his
expense, particularly irksome if indulged in presence of the ladies. He
makes himself merry on his return to England, by giving the following
anecdote as illustrative of Goldsmith's vanity:

"Being with a party at Versailles, viewing the waterworks, a question arose
among the gentlemen present, whether the distance from whence they stood to
one of the little islands was within the compass of a leap. Goldsmith
maintained the affirmative; but, being bantered on the subject, and
remembering his former prowess as a youth, attempted the leap, but, falling
short, descended into the water, to the great amusement of the company. "

Was the Jessamy Bride a witness of this unlucky exploit?

This same Hickey is the one of whom Goldsmith, some time subsequently, gave
a good-humored sketch in his poem of The Retaliation.

"Here Hickey reclines, a most blunt, pleasant creature,
And slander itself must allow him good nature;
He cherish'd his friend, and he relish'd a bumper,
Yet one fault he had, and that one was a thumper.
Perhaps you may ask if the man was a miser;
I answer No, no, for he always was wiser;
Too courteous, perhaps, or obligingly flat,
His very worst foe can't accuse him of that;
Perhaps he confided in men as they go,
And so was too foolishly honest? Ah, not
Then what was his failing? Come, tell it, and burn ye--
He was, could he help it? a special attorney. "

One of the few remarks extant made by Goldsmith during his tour is the
following, of whimsical import, in his Animated Nature.

"In going through the towns of France, some time since, I could not help
observing how much plainer their parrots spoke than ours, and how very
distinctly I understood their parrots speak French, when I could not
understand our own, though they spoke my native language. I at first
ascribed it to the different qualities of the two languages, and was for
entering into an elaborate discussion on the vowels and consonants; but a
friend that was with me solved the difficulty at once, by assuring me that
the French women scarce did anything else the whole day than sit and
instruct their feathered pupils; and that the birds were thus distinct in
their lessons in consequence of continual schooling. "

His tour does not seem to have left in his memory the most fragrant
recollections; for, being asked, after his return, whether traveling on the
Continent repaid "an Englishman for the privations and annoyances attendant
on it," he replied, "I recommend it by all means to the sick, if they are
without the sense of _smelling_, and to the poor, if they are without
the sense of _feeling_; and to both, if they can discharge from their
minds all idea of what in England we term comfort. "

It is needless to say that the universal improvement in the art of living
on the Continent has at the present day taken away the force of Goldsmith's
reply, though even at the time it was more humorous than correct.




CHAPTER THIRTY

DEATH OF GOLDSMITH'S MOTHER--BIOGRAPHY OF PARNELL--AGREEMENT WITH DAVIES
FOR THE HISTORY OF ROME--LIFE OP BOLINGBROKE--THE HAUNCH OF VENISON


On his return to England, Goldsmith received the melancholy tidings of the
death of his mother. Notwithstanding the fame as an author to which he had
attained, she seems to have been disappointed in her early expectations
from him. Like others of his family, she had been more vexed by his early
follies than pleased by his proofs of genius; and in subsequent years, when
he had risen to fame and to intercourse with the great, had been annoyed at
the ignorance of the world and want of management, which prevented him from
pushing his fortune. He had always, however, been an affectionate son, and
in the latter years of her life, when she had become blind, contributed
from his precarious resources to prevent her from feeling want.

He now resumed the labors of the pen, which his recent excursion to Paris
rendered doubly necessary. We should have mentioned a Life of Parnell,
published by him shortly after the Deserted Village. It was, as usual, a
piece of job work, hastily got up for pocket-money. Johnson spoke
slightingly of it, and the author, himself, thought proper to apologize for
its meagerness; yet, in so doing, used a simile which for beauty of imagery
and felicity of language is enough of itself to stamp a value upon the
essay.

"Such," says he, "is the very unpoetical detail of the life of a poet. Some
dates and some few facts, scarcely more interesting than those that make
the ornaments of a country tombstone, are all that remain of one whose
labors now begin to excite universal curiosity. A poet, while living, is
seldom an object sufficiently great to attract much attention; his real
merits are known but to a few, and these are generally sparing in their
praises.