Rptd in Bohn's
Standard
Library, 1883.
Cambridge History of English Literature - 1908 - v06
Monck.
Comments on the Plays of Beaumont and Fletcher.
1797.
Mitford, J. Cursory notes on various passages in the text of Beaumont and
Fletcher as edited by Dyce, A. 1856.
Murch, H. S. The Knight of the Burning Pestle. Edited with introduction,
notes, etc. New York, 1908.
Oliphant, E. H. The Works of Beaumont and Fletcher. Engl. Stud. vol. XIV,
pp. 53-94; vol. xv, pp. 321-360; vol. xvi, pp. 180-200. 1890–2.
Rapp, M. Studien über das englische Theater. Archiv für die neneren
Sprachen, vol. xx, pp. 1-37. 1856.
Rosenbach, A. S. N. The Curious Impertinent in English Dramatic Litera-
ture. . . . Mod. Lang. Notes, vol. XVII, p. 357. 1902.
Salmacis and Hermaphroditus not by Francis Beaumont. Shakesp. Soc.
Papers, vol. II, p. 94. 1847.
Schelling's Elizabethan Drama. Vol. 11, pp. 182–239.
Seward, T. Introduction to the 1750 edition of the Works (see above).
Spalding, W. Letter on Shakespeare's authorship of The Two Noble
Kinsmen. Edinburgh, 1833. Rptd in N. Shaksp. Soc. Trans. , 1876.
Spedding, H. On the several shares of Shakespeare and Fletcher in Henry
VIII. N. Shaksp. Soc. Trans. , Appendix, 1874.
Stiefel, A. L. Zur Quellenfrage von John Fletcher's Monsieur Thomas.
Engl. Stud. vol. XXXVI, p. 238. 1906.
Die Nachahmung Spanischer Komödien in England. Archiv für die
neueren Sprachen, vol. xcix, pp. 271-310. 1897. [Argues that Love's
Cure is derived from La fuerza de la costumbre of G. de Castro. ]
Review of Koeppel's Quellen-studien. Zeitschr. für vergleich. Litt.
vol. XII, p. 241. 1898.
Ueber die Quelle von J. Fletchers Island Princess. Archiv für die
neueren Sprachen, vol. cili, pp. 277-308. 1899.
Swinburne, A. C. Beaumont and Fletcher. E yclopædia Britannica, Ath
ed. 1875. Also printed in Studies in Prose and Poetry (pp. 53-83), 1894.
Thompson, E. N. 8. Elizabethan dramatic co-operation. Engl. Stud. vol. XL,
p. 30. 1908.
Thorndike, A. H. The Influence of Beaumont and Fletcher on Shakespeare.
1901.
Ward. Vol. 11, pp. 643–764.
Weber, H. Introduction, etc. in W's edition of Beaumont and Fletcher, 1812.
1
## p. 441 (#459) ############################################
Chapter V
441
VI. GENERAL.
[In addition to many of the above. ]
A. Before 1800.
Cibber, Theophilus. Lives of the Poets. Vol. 1, pp. 154–164. 1753.
Collier, J. A Short View of the Immorality and Profaneness of the English
Stage. 1698.
Commendatory Verses prefixed to the folio of 1647.
Dryden, John. An Essay of Dramatic Poesy. 1668.
Defence of the Epilogue, or An Essay on the Dramatic Poetry of the
Last Age. 1672.
Preface to Troilus and Cressida. 1679.
Flecknoe, R. A short Discourse on the English Stage. 1664.
Rymer, T. The Tragedies of the Last Age. . . . 1678.
B. From 1800.
Aronstein, P. Die Moral des Beaumont-Fletcherschen Dramas. Anglia,
vol. XXXI, p. 141. 1908.
Beaumont and Fletcher. National Quarterly Review, vol. XXXIII, p. 302. 1876.
Brereton, J. Le Gay. Marginalia on Beaumont and Fletcher, vols. I and II.
Sydney University Library Publ. , vols. III and iv.
Bullen, A. H. Art. Fletcher. Dict. of Nat. Biogr. vol. xix. 1889.
Coleridge, S. T. Lectures and Notes on Shakespeare. In Literary Remains
of S. T. C. Vol. 11. 1836.
Rptd in Bohn's Standard Library, 1883.
(Contains many dispersed remarks on Beaumont and Fletcher. ]
Courthope. Vol. iv, pp. 304-347. 1903.
Cowden Clarke, C. Beaumont and Fletcher. Gentleman's Magazine, June
1871.
Crofts, E. Chapters in the History of English Literature. pp. 258-283. 1884.
Cyclopaedia of English Literature. Ed. Chambers, R. Vol. 1, pp. 203-210.
1843-4. New ed. Vol. 1, pp. 468-477. 1901.
Donne, W. B. Essays on the Drama. pp. 34-66. 1863.
Dyce's edition of Beaumont and Fletcher. Reviews in Edinburgh Review,
July 1847; Eclectic Magazine, Oct. 1847; Quarterly Review, Sept. 1848.
Genest.
Greg, W. W. Pastoral Poetry and Pastoral Drama. pp. 264-282, 327-330.
1906.
Grosart, A. B. Art. Beaumont. Dict. of Nat. Biogr. vol. iv. 1885.
Hallam, H. Introduction to the Literature of Europe in the 15th, 16th and
17th centuries. Vol. 111, pp. 98-113. 1843.
Hazlitt, W. Lectures on the Elizabethan Drama. 1821.
Jusserand, E. Tr. Vol. 11, pp. 812-821.
Lowell, R. The Old English Dramatists. pp. 100-112. 1892.
Mézières, A. Contemporains et successeurs de Shakespeare. 2nd ed. Paris,
1864. (Vol. II, p. 21. )
Saintsbury, G. History of Elizabethan Literature. pp. 254–266. 1887.
Schack, A. von. Die englischen Dramatiker vor, neben und nach Shake-
speare. 1893.
Schelling's Elizabethan Drama. Vol. II, pp. 182–239.
Schlegel, A. W. von. Ueber dramatische Kunst und Litteratur. Heidelberg
Vol. 11, part 2, p. 288. 1811.
Swinburne, A. C. The earlier plays of Beaumont and Fletcher. In The
English Review, May 1910.
Symonds, J. A. Some Notes on Fletcher's Valentinian. Fortnightly Review
Sept. 1886.
Thorndike, A. H. Tragedy. pp. 203-217. Boston and New York, 1908.
## p. 442 (#460) ############################################
442
1
Bibliography
1
CHAPTER VI
PHILIP MASSINGER
I. ORIGINAL EDITIONS.
(The dates prefired to the plays are those of first performance. )
Before 1623. The Duke of Millaine. A Tragedie. As it hath beene often
acted by his Majesties servants, at the blacke Friers. 1623.
Before 1623. The Unnaturall Combat. A Tragedie. The Scaena Marsellis.
Written by Philip Massinger. As it was presented by the Kings
Majesties Servants at the Globe. 1639.
1623. The Bond Man: An Antient Storie. As it bath been often Acted
with good allowance, at the Cock-pit in Drury-lane : by the most excellent
Princesse, the lady Elizabeth her Servants. 1624. Rptd 1719 with a
second title Love and Liberty.
1624. The Renegado, A Tragøcomedie. As it hath beene often acted by
the Queenes Majesties servants, at the private Play-house in Drurye-
Lane. 1630.
1624. The Parliament of Love. A Comedy. Licensed for the stage on
3 June 1624, and acted 3 November 1624 at the Cockpit, Drury Lane.
First ptd by Gifford in 1805 from a MS belonging to Malone.
Before 1626. A New Way To Pay Old Debts. A Comodie. As it hath
beene often acted at the Phoenix in Drury-Lane, by the Queenes Majesties
servants. 1633.
1626. The Roman Actor. A Tragoodie. As it hath divers times beene, with
good allowance Acted, at the private Play-house in the Black-Friers, by
the Kings Majesties Servants. 1629.
The Maid of Honour. As it hath beene often presented with good allow-
ance at the Phoenix in Drurie-Lane, by the Queenes Majesties Servants.
1632.
1627. The Great Duke of Florence. A Comicale Historie. As it hath beene
often presented with good allowance by her Maties Servants at the
Phoenix in Drurie-Lane. 1636.
1629. The Picture. A Tragecomedie, As it was often presented with good
allowance, at the Globe, and Blacke-Friers Play-houses, by the Kings
Majesties servants. 1630.
1631. The Emperour Of The East. A Tragæ-Comoedie. The Scaena
Constantinople. As it hath bene divers times acted, at the Black-friers,
and Globe Play-houses, by the Kings Majesties Servants. 1632.
1631. Believe as yon list. A Comedy. Entered on the Stationers' books
9 September 1653 and, again, '29 June 1660 bat not printed. First
ptd in 1849 (see sec. II B post).
1632. The City Madam, A Comedie. As it was acted at the private House
in Black Friers with great applause. 1658.
1633. The Guardian, a Comical History. As it hath been acted by the Kings
players at the Private-house in Black-fryers. 1655. [This and the two
plays following were published in one volume for Humphrey Moseley
under the title: Three New Playes. )
1634. A Very Woman. A Tragi-Comedy. As it hath been often Acted at
the Private-House in Black-Friers, by his late Majesties Servants, with
great Applause. 1655.
## p. 443 (#461) ############################################
Chapter VI
443
1636. The Bashful Lover. A Tragi-Comedy. As it hath been often Acted
at the Private House in Black-Friers, by his late Majesties Servants,
with great Applause. 1655.
(With Dekker.
Mitford, J. Cursory notes on various passages in the text of Beaumont and
Fletcher as edited by Dyce, A. 1856.
Murch, H. S. The Knight of the Burning Pestle. Edited with introduction,
notes, etc. New York, 1908.
Oliphant, E. H. The Works of Beaumont and Fletcher. Engl. Stud. vol. XIV,
pp. 53-94; vol. xv, pp. 321-360; vol. xvi, pp. 180-200. 1890–2.
Rapp, M. Studien über das englische Theater. Archiv für die neneren
Sprachen, vol. xx, pp. 1-37. 1856.
Rosenbach, A. S. N. The Curious Impertinent in English Dramatic Litera-
ture. . . . Mod. Lang. Notes, vol. XVII, p. 357. 1902.
Salmacis and Hermaphroditus not by Francis Beaumont. Shakesp. Soc.
Papers, vol. II, p. 94. 1847.
Schelling's Elizabethan Drama. Vol. 11, pp. 182–239.
Seward, T. Introduction to the 1750 edition of the Works (see above).
Spalding, W. Letter on Shakespeare's authorship of The Two Noble
Kinsmen. Edinburgh, 1833. Rptd in N. Shaksp. Soc. Trans. , 1876.
Spedding, H. On the several shares of Shakespeare and Fletcher in Henry
VIII. N. Shaksp. Soc. Trans. , Appendix, 1874.
Stiefel, A. L. Zur Quellenfrage von John Fletcher's Monsieur Thomas.
Engl. Stud. vol. XXXVI, p. 238. 1906.
Die Nachahmung Spanischer Komödien in England. Archiv für die
neueren Sprachen, vol. xcix, pp. 271-310. 1897. [Argues that Love's
Cure is derived from La fuerza de la costumbre of G. de Castro. ]
Review of Koeppel's Quellen-studien. Zeitschr. für vergleich. Litt.
vol. XII, p. 241. 1898.
Ueber die Quelle von J. Fletchers Island Princess. Archiv für die
neueren Sprachen, vol. cili, pp. 277-308. 1899.
Swinburne, A. C. Beaumont and Fletcher. E yclopædia Britannica, Ath
ed. 1875. Also printed in Studies in Prose and Poetry (pp. 53-83), 1894.
Thompson, E. N. 8. Elizabethan dramatic co-operation. Engl. Stud. vol. XL,
p. 30. 1908.
Thorndike, A. H. The Influence of Beaumont and Fletcher on Shakespeare.
1901.
Ward. Vol. 11, pp. 643–764.
Weber, H. Introduction, etc. in W's edition of Beaumont and Fletcher, 1812.
1
## p. 441 (#459) ############################################
Chapter V
441
VI. GENERAL.
[In addition to many of the above. ]
A. Before 1800.
Cibber, Theophilus. Lives of the Poets. Vol. 1, pp. 154–164. 1753.
Collier, J. A Short View of the Immorality and Profaneness of the English
Stage. 1698.
Commendatory Verses prefixed to the folio of 1647.
Dryden, John. An Essay of Dramatic Poesy. 1668.
Defence of the Epilogue, or An Essay on the Dramatic Poetry of the
Last Age. 1672.
Preface to Troilus and Cressida. 1679.
Flecknoe, R. A short Discourse on the English Stage. 1664.
Rymer, T. The Tragedies of the Last Age. . . . 1678.
B. From 1800.
Aronstein, P. Die Moral des Beaumont-Fletcherschen Dramas. Anglia,
vol. XXXI, p. 141. 1908.
Beaumont and Fletcher. National Quarterly Review, vol. XXXIII, p. 302. 1876.
Brereton, J. Le Gay. Marginalia on Beaumont and Fletcher, vols. I and II.
Sydney University Library Publ. , vols. III and iv.
Bullen, A. H. Art. Fletcher. Dict. of Nat. Biogr. vol. xix. 1889.
Coleridge, S. T. Lectures and Notes on Shakespeare. In Literary Remains
of S. T. C. Vol. 11. 1836.
Rptd in Bohn's Standard Library, 1883.
(Contains many dispersed remarks on Beaumont and Fletcher. ]
Courthope. Vol. iv, pp. 304-347. 1903.
Cowden Clarke, C. Beaumont and Fletcher. Gentleman's Magazine, June
1871.
Crofts, E. Chapters in the History of English Literature. pp. 258-283. 1884.
Cyclopaedia of English Literature. Ed. Chambers, R. Vol. 1, pp. 203-210.
1843-4. New ed. Vol. 1, pp. 468-477. 1901.
Donne, W. B. Essays on the Drama. pp. 34-66. 1863.
Dyce's edition of Beaumont and Fletcher. Reviews in Edinburgh Review,
July 1847; Eclectic Magazine, Oct. 1847; Quarterly Review, Sept. 1848.
Genest.
Greg, W. W. Pastoral Poetry and Pastoral Drama. pp. 264-282, 327-330.
1906.
Grosart, A. B. Art. Beaumont. Dict. of Nat. Biogr. vol. iv. 1885.
Hallam, H. Introduction to the Literature of Europe in the 15th, 16th and
17th centuries. Vol. 111, pp. 98-113. 1843.
Hazlitt, W. Lectures on the Elizabethan Drama. 1821.
Jusserand, E. Tr. Vol. 11, pp. 812-821.
Lowell, R. The Old English Dramatists. pp. 100-112. 1892.
Mézières, A. Contemporains et successeurs de Shakespeare. 2nd ed. Paris,
1864. (Vol. II, p. 21. )
Saintsbury, G. History of Elizabethan Literature. pp. 254–266. 1887.
Schack, A. von. Die englischen Dramatiker vor, neben und nach Shake-
speare. 1893.
Schelling's Elizabethan Drama. Vol. II, pp. 182–239.
Schlegel, A. W. von. Ueber dramatische Kunst und Litteratur. Heidelberg
Vol. 11, part 2, p. 288. 1811.
Swinburne, A. C. The earlier plays of Beaumont and Fletcher. In The
English Review, May 1910.
Symonds, J. A. Some Notes on Fletcher's Valentinian. Fortnightly Review
Sept. 1886.
Thorndike, A. H. Tragedy. pp. 203-217. Boston and New York, 1908.
## p. 442 (#460) ############################################
442
1
Bibliography
1
CHAPTER VI
PHILIP MASSINGER
I. ORIGINAL EDITIONS.
(The dates prefired to the plays are those of first performance. )
Before 1623. The Duke of Millaine. A Tragedie. As it hath beene often
acted by his Majesties servants, at the blacke Friers. 1623.
Before 1623. The Unnaturall Combat. A Tragedie. The Scaena Marsellis.
Written by Philip Massinger. As it was presented by the Kings
Majesties Servants at the Globe. 1639.
1623. The Bond Man: An Antient Storie. As it bath been often Acted
with good allowance, at the Cock-pit in Drury-lane : by the most excellent
Princesse, the lady Elizabeth her Servants. 1624. Rptd 1719 with a
second title Love and Liberty.
1624. The Renegado, A Tragøcomedie. As it hath beene often acted by
the Queenes Majesties servants, at the private Play-house in Drurye-
Lane. 1630.
1624. The Parliament of Love. A Comedy. Licensed for the stage on
3 June 1624, and acted 3 November 1624 at the Cockpit, Drury Lane.
First ptd by Gifford in 1805 from a MS belonging to Malone.
Before 1626. A New Way To Pay Old Debts. A Comodie. As it hath
beene often acted at the Phoenix in Drury-Lane, by the Queenes Majesties
servants. 1633.
1626. The Roman Actor. A Tragoodie. As it hath divers times beene, with
good allowance Acted, at the private Play-house in the Black-Friers, by
the Kings Majesties Servants. 1629.
The Maid of Honour. As it hath beene often presented with good allow-
ance at the Phoenix in Drurie-Lane, by the Queenes Majesties Servants.
1632.
1627. The Great Duke of Florence. A Comicale Historie. As it hath beene
often presented with good allowance by her Maties Servants at the
Phoenix in Drurie-Lane. 1636.
1629. The Picture. A Tragecomedie, As it was often presented with good
allowance, at the Globe, and Blacke-Friers Play-houses, by the Kings
Majesties servants. 1630.
1631. The Emperour Of The East. A Tragæ-Comoedie. The Scaena
Constantinople. As it hath bene divers times acted, at the Black-friers,
and Globe Play-houses, by the Kings Majesties Servants. 1632.
1631. Believe as yon list. A Comedy. Entered on the Stationers' books
9 September 1653 and, again, '29 June 1660 bat not printed. First
ptd in 1849 (see sec. II B post).
1632. The City Madam, A Comedie. As it was acted at the private House
in Black Friers with great applause. 1658.
1633. The Guardian, a Comical History. As it hath been acted by the Kings
players at the Private-house in Black-fryers. 1655. [This and the two
plays following were published in one volume for Humphrey Moseley
under the title: Three New Playes. )
1634. A Very Woman. A Tragi-Comedy. As it hath been often Acted at
the Private-House in Black-Friers, by his late Majesties Servants, with
great Applause. 1655.
## p. 443 (#461) ############################################
Chapter VI
443
1636. The Bashful Lover. A Tragi-Comedy. As it hath been often Acted
at the Private House in Black-Friers, by his late Majesties Servants,
with great Applause. 1655.
(With Dekker.
