No More Learning

O punishment!
Then he that patiently want's burden bears,
No burden bears, but is a king, a king!
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!

T. DEKKER.




55.

This Life, which seems so fair,
Is like a bubble blown up in the air
By sporting children's breath,
Who chase it everywhere
And strive who can most motion it bequeath.
And though it sometimes seem of its own might
Like to an eye of gold to be fix'd there,
And firm to hover in that empty height,
That only is because it is so light.
--But in that pomp it doth not long appear;
For when 'tis most admired, in a thought,
Because it erst was nought, it turns to nought.

W. DRUMMOND.




56. SOUL AND BODY.

Poor Soul, the centre of my sinful earth,
Fool'd by those rebel powers that thee array,
Why dost thou pine within, and suffer dearth,
Painting thy outward walls so costly gay?

Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? is this thy body's end?

Then, Soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:--

So shall thou feed on death, that feeds on men,
And death once dead, there's no more dying then.

W. SHAKESPEARE.




57. LIFE.

The World's a bubble, and the Life of Man
Less than a span:
In his conception wretched, from the womb
So to the tomb;
Curst from his cradle, and brought up to years
With cares and fears.
Who then to frail mortality shall trust,
But limns on water, or but writes in dust.

Yet whilst with sorrow here we live opprest,
What life is best?
Courts are but only superficial schools
To dandle fools:
The rural parts are turn'd into a den
Of savage men:
And where's a city from foul vice so free,
But may be term'd the worst of all the three?

Domestic cares afflict the husband's bed,
Or pains his head:
Those that live single, take it for a curse,
Or do things worse:
Some would have children: those that have them, moan
Or wish them gone:
What is it, then, to have, or have no wife,
But single thraldom, or a double strife?

Our own affections still at home to please
Is a disease:
To cross the seas to any foreign soil,
Peril and toil:
Wars with their noise affright us; when they cease,
We are worse in peace;--
What then remains, but that we still should cry
For being born, or, being born, to die

LORD BACON




58. THE LESSONS OF NATURE.

Of this fair volume which we World do name
If we the sheets and leaves could turn with care,
Of Him who it corrects, and did it frame,
We clear might read the art and wisdom rare:

Find out His power which wildest powers doth tame,
His providence extending everywhere,
His justice which proud rebels doth not spare,
In every page, no period of the same.

But silly we, like foolish children, rest
Well pleased with colour'd vellum, leaves of gold,
Fair dangling ribbands, leaving what is best,
On the great Writer's sense ne'er taking hold;

Or if by chance we stay our minds on aught,
It is some picture on the margin wrought.

W. DRUMMOND.




59.

Doth then the world go thus, doth all thus move?
Is this the justice which on Earth we find?
Is this that firm decree which all doth bind?
Are these your influences, Powers above?

Those souls which vice's moody mists most blind,
Blind Fortune, blindly, most their friend doth prove;
And they who thee, poor idle Virtue! love,
Ply like a feather toss'd by storm and wind.

Ah! if a Providence doth sway this all,
Why should best minds groan under most distress?
Or why should pride humility make thrall,
And injuries the innocent oppress?

Heavens! hinder, stop this fate; or grant a time
When good may have, as well as bad, their prime!

W. DRUMMOND.




60. THE WORLD'S WAY.

Tired with all these, for restful death I cry--
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,

And gilded honour shamefully misplaced,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,
And strength by limping sway disabled

And art made tongue-tied by authority,
And folly, doctor-like, controlling skill,
And simple truth miscall'd simplicity,
And captive Good attending captain Ill:--

--Tired with all these, from these would I be gone,
Save that, to die, I leave my Love alone.

W. SHAKESPEARE.




61. SAINT JOHN BAPTIST.

The last and greatest Herald of Heaven's King
Girt with rough skins, hies to the deserts wild,
Among that savage brood the woods forth bring,
Which he more harmless found than man, and mild.

His food was locusts, and what there doth spring
With honey that from virgin hives distill'd;
Parch'd body, hollow eyes, some uncouth thing
Made him appear, long since from earth exiled.

There burst he forth: All ye whose hopes rely
On God, with me amidst these deserts mourn,
Repent, repent, and from old errors turn!
--Who listen'd to his voice, obey'd his cry?

Only the echoes, which he made relent,
Rung from their flinty caves, Repent! Repent!

W. DRUMMOND.





SECOND BOOK.

SUMMARY.


This division, embracing the latter eighty years of the seventeenth
century, contains the close of our Early poetical style and the
commencement of the Modern. In Dryden we see the first master of the
new: in Milton, whose genius dominates here as Shakespeare's in the
former book,--the crown and consummation of the early period. Their
splendid Odes are far in advance of any prior attempts, Spenser's
excepted: they exhibit the wider and grander range which years and
experience and the struggles of the time conferred on Poetry. Poetry now
gave expression to political feeling, to religious thought, to a high
philosophic statesmanship in writers such as Marvell, Herbert, and
Wotton: whilst in Marvell and Milton, again, we find the first noble
attempts at pure description of nature, destined in our own ages to be
continued and equalled. Meanwhile the poetry of simple passion, although
before 1660 often deformed by verbal fancies and conceits of thought,
and afterward by levity and an artificial tone,--produced in Herrick and
Waller some charming pieces of more finished art than the Elizabethan:
until in the courtly compliments of Sedley it seems to exhaust itself,
and lie almost dormant for the hundred years between the days of Wither
and Suckling and the days of Burns and Cowper. --That the change from our
early style to the modern brought with it at first a loss of nature and
simplicity is undeniable: yet the far bolder and wider scope which
Poetry took between 1620 and 1700, and the successful efforts then made
to gain greater clearness in expression, in their results have been no
slight compensation.





62. ODE ON THE MORNING OF CHRIST'S NATIVITY.

This is the month, and this the happy morn
Wherein the Son of Heaven's Eternal King
Of wedded maid and virgin mother born,
Our great redemption from above did bring;
For so the holy sages once did sing
That He our deadly forfeit should release,
And with His Father work us a perpetual peace.

That glorious Form, that Light unsufferable,
And that far-beaming blaze of Majesty
Wherewith He wont at Heaven's high council-table
To sit the midst of Trinal Unity,
He laid aside; and, here with us to be,
Forsook the courts of everlasting day,
And chose with us a darksome house of mortal clay.

Say, heavenly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no verse, no hymn, or solemn strain
To welcome Him to this His new abode,
Now while the heaven, by the sun's team untrod,
Hath took no print of the approaching light,
And all the spangled host keep watch in squadrons bright?

See how from far, upon the eastern road,
The star-led wizards haste with odours sweet:
O run, prevent them with thy humble ode
And lay it lowly at his blessed feet;
Have thou the honour first thy Lord to greet,
And join thy voice unto the angel quire
From out His secret altar touch'd with hallow'd fire.

THE HYMN.

It was the Winter wild
While the heaven-born Child
All meanly wrapt in the rude manger lies
Nature in awe to Him
Had doff'd her gaudy trim,
With her great Master so to sympathise:
It was no season then for her
To wanton with the sun, her lusty paramour.

Only with speeches fair
She woos the gentle air
To hide her guilty front with innocent snow;
And on her naked shame,
Pollute with sinful blame,
The saintly veil of maiden white to throw;
Confounded, that her Maker's eyes
Should look so near upon her foul deformities.

But He, her fears to cease,
Sent down the meek-eyed Peace,
She crown'd with olive green, came softly sliding
Down through the turning sphere
His ready harbinger,
With turtle wing the amorous clouds dividing;
And waving wide her myrtle wand,
She strikes a universal peace through sea and land.

No war, or battle's sound
Was heard the world around:
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood;
The trumpet spake not to the armed throng;
And kings sat still with awful eye,
As if they surely knew their sovran Lord was by.

But peaceful was the night
Wherin the Prince of Light
His reign of peace upon the earth began:
The winds, with wonder whist,
Smoothly the waters kist
Whispering new joys to the mild ocean--
Who now hath quite forgot to rave,
While birds of calm sit brooding on the charmed wave.

The stars with deep amaze
Stand fix'd in steadfast gaze,
Bending one way their precious influence;
And will not take their flight
For all the morning light,
Or Lucifer that often warn'd them thence;
But in their glimmering orbs did glow,
Until their Lord Himself bespake, and bid them go.

And though the shady gloom
Had given day her room,
The sun himself withheld his wonted speed,
And hid his head for shame,
As his inferior flame
The new-enlightn'd world no more should need:
He saw a greater Sun appear
Then his bright throne, or burning axletree, could bear.

The shepherds on the lawn
Or ere the point of dawn
Sate simply chatting in a rustic row;
Full little thought they then
That the mighty Pan
Was kindly come to live with them below;
Perhaps their loves, or else their sheep
Was all that did their silly thoughts so busy keep.

When such music sweet
Their hearts and ears did greet
As never was by mortal finger strook--
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blissful rapture took:
The air, such pleasure loth to lose,
With thousand echoes still prolongs each heavenly close.

Nature that heard such sound
Beneath the hollow round
Of Cynthia's seat the airy region thrilling,
Now was almost won
To think her part was done,
And that her reign had here its last fulfilling;
She knew such harmony alone
Could hold all heaven and earth in happier union.

At last surrounds their sight
A globe of circular light
That with long beams the shamefaced night array'd;
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings display'd,
Harping in loud and solemn quire
With unexpressive notes, to Heaven's new-born Heir.

Such music (as 'tis said)
Before was never made
But when of old the sons of morning sung,
While the Creator great
His constellations set
And the well-balanced world on hinges hung;
And cast the dark foundations deep,
And bid the weltering waves their oozy channel keep.

Ring out, ye crystal spheres!
Once bless our human ears,
If ye have power to touch our senses so;
And let your silver chime
Move in melodious time;
And let the bass of heaven's deep organ blow;
And with your ninefold harmony
Make up full concert to the angelic symphony.

For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold;
And speckled vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould;
And Hell itself will pass away,
And leave her dolorous mansions to the peering day.

Yea, Truth and Justice then
Will down return to men,
Orb'd in a rainbow; and, like glories wearing,
Mercy will sit between
Throned in celestial sheen,
With radiant feet the tissued clouds down steering;
And Heaven, as at some festival,
Will open wide the gates of her high palace hall.

But wisest Fate says No;
This must not yet be so;
The Babe yet lies in smiling infancy
That on the bitter cross
Must redeem our loss;
So both Himself and us to glorify:
Yet first to those ychain'd in sleep
The wakeful trump of doom must thunder through the deep;

With such a horrid clang
As on mount Sinai rang
While the red fire and smouldering clouds outbrake:
The aged Earth agast
With terrour of that blast
Shall from the surface to the centre shake,
When at the worlds last session,
The dreadful Judge in middle air shall spread His throne.

And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
The old Dragon, under ground
In straiter limits bound,
Not half so far casts his usurped sway;
And, wroth to see his Kingdom fail,
Swinges the scaly horrour of his folded tail.

The oracles are dumb;
No voice or hideous hum
Runs through the arched roof in words deceiving:
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving:
No nightly trance or breathed spell
Inspires the pale-eyed priest from the prophetic cell.

The lonely mountains o'er
And the resounding shore
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edged with poplar pale
The parting Genius is with sighing sent;
With flower-inwoven tresses torn
The nymphs in twilight shade of tangled thickets mourn.

In consecrated earth
And on the holy hearth,
The Lars and Lemures moan with midnight plaint;
In urns, and altars round
A drear and dying sound
Affrights the Flamens at their service quaint;
And the chill marble seems to sweat,
While each peculiar Power forgoes his wonted seat.

Peor and Baalim
Forsake their temples dim,
With that twice-batter'd god of Palestine
And mooned Ashtaroth
Heaven's queen and mother both,
Now sits not girt with tapers' holy shine;
The Lybic Hammon shrinks his horn,
In vain the Tyrian maids their wounded Thammuz mourn.

And sullen Moloch, fled,
Hath left in shadows dread
His burning idol all of blackest hue;
In vain with cymbals' ring
They call the grisly king,
In dismal dance about the furnace blue;
The brutish gods of Nile as fast
Isis and Orus, and the dog Anubis, haste.

Nor is Osiris seen
In Memphian grove, or green,
Trampling the unshower'd grass with lowings loud:
Nor can he be at rest
Within his sacred chest;
Naught but profoundest hell can be his shroud;
In vain with timbrell'd anthems dark
The sable stoled sorcerers bear his worshipt ark.

He feels from Juda's land
The dreaded infant's hand;
The rays of Bethlehem blind his dusky eyn;
Nor all the gods beside
Longer dare abide,
Nor Typhon huge ending in snaky twine:
Our Babe, to shew his Godhead true,
Can in his swaddling bands control the damned crew.

So, when the sun in bed
Curtain'd with cloudy red
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to the infernal jail,
Each fetter'd ghost slips to his several grave;
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.

But see, the Virgin blest
Hath laid her Babe to rest;
Time is, our tedious song should here have ending:
Heavens youngest-teemed star,
Hath fixed her polish'd car,
Her sleeping Lord with hand-maid lamp attending:
And all about the courtly stable
Bright-harness'd angels sit in order serviceable.

J. MILTON.




63. SONG FOR ST CECILIA'S DAY,

1687.

From Harmony, from heavenly Harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high
Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound.
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangor
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries "Hark! the foes come;
Charge, charge, 'tis too late to retreat! "

The soft complaining flute
In dying notes discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion
For the fair, disdainful dame.

But oh! what art can teach,
What human voice can reach
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race,
And trees uprooted left their place
Sequacious of the lyre:
But bright Cecilia raised the wonder higher:
When to her Organ vocal breath was given
An angel heard, and straight appear'd--
Mistaking Earth for Heaven!

_Grand Chorus_:

As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky.

J. DRYDEN.




64. ON THE LATE MASSACRE IN PIEMONT.

Avenge, O Lord! Thy slaughter'd Saints, whose bones
Lie scatter'd on the Alpine mountains cold;
Even them who kept Thy truth so pure of old
When all our fathers worshipt stocks and stones.

Forget not: In Thy book record their groans
Who were Thy sheep, and in their ancient fold
Slain by the bloody Piemontese, that roll'd
Mother with infant down the rocks. Their moans

The vales redoubled to the hills, and they
To Heaven. Their martyr'd blood and ashes sow
O'er all the Italian field, where still doth sway
The triple tyrant, that from these may grow
A hundred-fold, who, having learnt Thy way,
Early may fly the Babylonian woe.

J. MILTON.




65. HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND.

The forward youth that would appear,
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.

'Tis time to leave the books in dust,
And oil the unused armour's rust,
Removing from the wall
The corslet of the hall.

So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urged his active star:

And like the three-fork'd lightning first
Breaking the clouds where it was nurst,
Did thorough his own side
His fiery way divide:

For 'tis all one to courage high
The emulous, or enemy;
And with such, to enclose
Is more than to oppose;

Then burning through the air he went
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.

'Tis madness to resist or blame
The face of angry heaven's flame;
And if we would speak true,
Much to the Man is due

Who, from his private gardens, where
He lived reserved and austere
(As if he his highest plot
To plant the bergamot)

Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdoms old
Into another mould.

Though Justice against Fate complain,
And plead the ancient Rights in vain--
But those do hold or break
As men are strong or weak;

Nature, that hateth emptiness,
Allows of penetration less,
And therefore must make room
Where greater spirits come.

What field of all the civil war
Where his were not the deepest scar?
And Hampton shows what part
He had of wiser art,

Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook's narrow case;

That thence the Royal actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands;

He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;

Nor call'd the Gods, with vulgar spite,
To vindicate his helpless right;
But bow'd his comely head
Down, as upon a bed.

--This was that memorable hour
Which first assured the forced power:
So when they did design
The Capitol's first line,

A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate!

And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do
That does both act and know.

They can affirm his praises best,
And have, though overcome, confest
How good he is, how just
And fit for highest trust;

Nor yet grown stiffer with command,
But still in the Republic's hand--
How fit he is to sway
That can so well obey!

He to the Commons' feet presents
A Kingdom for his first year's rents,
And (what he may) forbears
His fame, to make it theirs:

And has his sword and spoils ungirt
To lay them at the Public's skirt.
So when the falcon high
Falls heavy from the sky,

She, having kill'd, no more doth search
But on the next green bough to perch,
Where, when he first does lure,
The falconer has her sure.

--What may not then our Isle presume
While victory his crest does plume?
What may not others fear
If thus he crowns each year!

As Caesar he, ere long, to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climacteric be.

The Pict no shelter now shall find
Within his parti-colour'd mind,
But, from this valour, sad
Shrink underneath the plaid--

Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.

But Thou, the War's and Fortune's son,
March indefatigably on;
And for the last effect
Still keep the sword erect:

Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.

A. MARVELL.




66. LYCIDAS

_Elegy on a Friend drowned in the Irish Channel. _

Yet once more, O ye laurels, and once more
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint, and sad occasion dear
Compels me to disturb your season due:
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer:
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.

Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string;
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn:
And as he passes, turn
And bid fair peace be to my sable shroud.

For we were nursed upon the self-same hill,
Fed the same flock by fountain, shade, and rill:
Together both, ere the high lawns appear'd
Under the opening eye-lids of the morn,
We drove a-field, and both together heard
What time the gray-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Temper'd to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.

But, O the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods, and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows and the hazel copses green
Shall now no more be seen
Fanning their joyous leaves to thy soft lays:--
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherds' ear.

Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream--
Had ye been there--for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When by the rout that made the hideous roar
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?

Alas! what boots it with incessant care
To tend the homely, slighted, shepherd's trade
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears
And slits the thin-spun life. "But not the praise,"
Phoebus replied, and touch'd my trembling ears;
"Fame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies:
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed. "

O fountain Arethuse, and thou honour'd flood
Smooth-sliding Mincius, crown'd with vocal reeds!
That strain I heard was of a higher mood:
But now my oat proceeds,
And listens to the herald of the sea
That came in Neptune's plea;
He ask'd the waves, and ask'd the felon winds,
What hard mishap hath doom'd this gentle swain?
And question'd every gust of rugged wings
That blows from off each beaked promontory:
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon stray'd;
The air was calm, and on the level brine
Sleek Panope with all her sisters play'd.
It was that fatal and perfidious bark
Built in the eclipse, and rigg'd with curses dark,
That sunk so low that sacred head of thine.

Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe:
"Ah! who hath reft," quoth he, "my dearest pledge! "
Last came, and last did go
The pilot of the Galilean Lake;
Two massy keys he bore of metals twain
(The golden opes, the iron shuts amain);
He shook his mitred locks, and stern bespake:
"How well could I have spared for thee, young swain,
Enow of such, as for their bellies' sake
Creep and intrude and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest;
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learn'd aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped;
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw
Rot inwardly, and foul contagion spread:
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said:
--But that two-handed engine at the door
Stands ready to smite once, and smite no more. "

Return, Alpheus; the dread voice is past
That shrunk thy streams; return, Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks
On whose fresh lap the swart star sparely looks;
Throw hither all your quaint enamell'd eyes
That on the green turf suck the honey'd showers
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freak'd with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears:
Bid amaranthus all his beauty shed,
And daffodillies fill their cups with tears
To strew the laureate hearse where Lycid lies.
For so to interpose a little ease,
Let our frail thoughts dally with false surmise;
Ay me! whilst thee the shores and sounding seas
Wash far away,--where'er thy bones are hurl'd;
Whether beyond the stormy Hebrides
Where thou perhaps, under the whelming tide
Visitest the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold,
--Look homeward, Angel, now, and melt with ruth:
--And, O ye dolphins, waft the hapless youth!

Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor;
So sinks the day-star in the ocean-bed,
And yet anon repairs his drooping head
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high
Through the dear might of Him that walk'd the waves;
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song
In the blest kingdoms meek of joy and love.
There entertain him all the saints above
In solemn troops, and sweet societies,
That sing, and singing, in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.

Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals gray;
He touch'd the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretch'd out all the hills,
And now was dropt into the western bay:
At last he rose, and twitch'd his mantle blue:
To-morrow to fresh woods, and pastures new.

J. MILTON.




67. THE TOMBS IN WESTMINSTER ABBEY.

Mortality, behold and fear
What a change of flesh is here!
Think how many royal bones
Sleep within these heaps of stones;
Here they lie, had realms and lands,
Who now want strength to stir their hands,
Where from their pulpits seal'd with dust
They preach, "In greatness is no trust. "
Here's an acre sown indeed
With the richest royallest seed
That the earth did e'er suck in
Since the first man died for sin:
Here the bones of birth have cried
"Though gods they were, as men they died! "
Here are sands, ignoble things,
Dropt from the ruin'd sides of kings
Here's a world of pomp and state
Buried in dust, once dead by fate.

F. BEAUMONT.




68. THE LAST CONQUEROR.

Victorious men of earth, no more
Proclaim how wide your empires are;
Though you bind-in every shore
And your triumphs reach as far
As night and day,
Yet you, proud monarchs, must obey
And mingle with forgotten ashes, when
Death calls ye to the crowd of common men.

Devouring Famine, Plague, and War,
Each able to undo mankind,
Death's servile emissaries are;
Nor to these alone confined,
He hath at will
More quaint and subtle ways to kill;
A smile or kiss, as he will use the art,
Shall have the cunning skill to break a heart.

J. SHIRLEY.




69. DEATH THE LEVELLER.

The glories of our blood and state
Are shadows, not substantial things;
There is no armour against fate;
Death lays his icy hand on kings:
Sceptre and Crown
Must tumble down,
And in the dust be equal made
With the poor crooked scythe and spade.

Some men with swords may reap the field,
And plant fresh laurels where they kill:
But their strong nerves at last must yield;
They tame but one another still:
Early or late
They stoop to fate,
And must give up their murmuring breath
When they, pale captives, creep to death.

The garlands wither on your brow;
Then boast no more your mighty deeds;
Upon Death's purple altar now
See where the victor-victim bleeds:
Your heads must come
To the cold tomb;
Only the actions of the just
Smell sweet, and blossom in their dust.

J. SHIRLEY.




70. WHEN THE ASSAULT WAS INTENDED TO THE CITY.

Captain, or Colonel, or Knight in arms,
Whose chance on these defenceless doors may seize,
If deed of honour did thee ever please;
Guard them, and him within protect from harms.

He can requite thee; for he knows the charms
That call fame on such gentle acts as these.
And he can spread thy name o'er lands and seas,
Whatever clime the sun's bright circle warms.

Lift not thy spear against the Muses' bower:
The great Emathian conqueror bid spare
The house of Pindarus, when temple and tower
Went to the ground: and the repeated air
Of sad Electra's poet had the power
To save the Athenian walls from ruin bare.

J. MILTON.




71. ON HIS BLINDNESS.

When I consider how my light is spent
Ere half my days, in this dark world and wide,
And that one talent which is death to hide
Lodged with me useless, though my soul more bent

To serve therewith my Maker, and present
My true account, lest He returning chide,--
Doth God exact day-labour, light denied?
I fondly ask:--But Patience, to prevent

That murmur, soon replies; God doth not need
Either man's work, or His own gifts: who best
Bear His mild yoke, they serve Him best: His state

Is kingly; thousands at His bidding speed
And post o'er land and ocean without rest:--
They also serve who only stand and wait.

J. MILTON.




72. CHARACTER OF A HAPPY LIFE.

How happy is he born and taught
That serveth not another's will;
Whose armour is his honest thought
And simple truth his utmost skill!

Whose passions not his masters are,
Whose soul is still prepared for death,
Not tied unto the world by care
Of public fame, or private breath;

Who envies none that chance doth raise
Or vice; Who never understood
How deepest wounds are given by praise;
Nor rules of state, but rules of good:

Who hath his life from rumours freed,
Whose conscience is his strong retreat;
Whose state can neither flatterers feed,
Nor ruin make accusers great;

Who God doth late and early pray
More of His grace than gifts to lend;
And entertains the harmless day
With a well-chosen book or friend;

--This man is freed from servile bands
Of hope to rise, or fear to fall;
Lord of himself, though not of lands,
And having nothing, yet hath all.

SIR H. WOTTON.




73. THE NOBLE NATURE.

It is not growing like a tree
In bulk, doth make Man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May,
Although it fall and die that night--
It was the plant and flower of Light.
In small proportions we just beauties see;
And in short measures life may perfect be.

B. JONSON




74. THE GIFTS OF GOD.

When God at first made Man,
Having a glass of blessings standing by;
Let us (said he) pour on him all we can:
Let the world's riches, which dispersed lie,
Contract into a span.

So strength first made a way;
Then beauty flow'd, then wisdom, honour, pleasure:
When almost all was out, God made a stay,
Perceiving that alone, of all his treasure,
Rest in the bottom lay.

For if I should (said he)
Bestow this jewel also on my creature,
He would adore My gifts instead of Me,
And rest in Nature, not the God of Nature:
So both should losers be.

Yet let him keep the rest,
But keep them with repining restlessness:
Let him be rich and weary, that at least,
If goodness lead him not, yet weariness
May toss him to my breast.

G. HERBERT.




75. THE RETREAT.

Happy those early days, when I
Shined in my Angel-infancy!
Before I understood this place
Appointed for my second race,
Or taught my soul to fancy aught
But a white, celestial thought;
When yet I had not walk'd above
A mile or two from my first Love,

And looking back, at that short space
Could see a glimpse of his bright face;
When on some gilded cloud or flower
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.

O how I long to travel back,
And tread again that ancient track!
That I might once more reach that plain,
Where first I left my glorious train;
From whence th' enlighten'd spirit sees
That shady City of Palm trees!
But ah! my soul with too much stay
Is drunk, and staggers in the way:--
Some men a forward motion love,
But I by backward steps would move;
And when this dust falls to the urn,
In that state I came, return.

H. VAUGHAN.




76. TO MR. LAWRENCE.

Lawrence, of virtuous father virtuous son,
Now that the fields are dank and ways are mire,
Where shall we sometimes meet, and by the fire
Help waste a sullen day, what may be won

From the hard season gaining? Time will run
On smoother, till Favonius re-inspire
The frozen earth, and cloth in fresh attire
The lily and rose, that neither sow'd nor spun.

What neat repast shall feast us, light and choice,
Of Attic taste, with wine, whence we may rise
To hear the lute well touch'd, or artful voice

Warble immortal notes and Tuscan air?
He who of those delights can judge, and spare
To interpose them oft, is not unwise.

J. MILTON.




77. TO CYRIACK SKINNER.

Cyriack, whose grandsire on the royal bench
Of British Themis, with no mean applause
Pronounced, and in his volumes taught, our laws,
Which others at their bar so often wrench;

To-day deep thoughts resolve with me to drench
In mirth, that after no repenting draws;
Let Euclid rest and Archimedes pause,
And what the Swede intends, and what the French.

To measure life learn thou betimes, and know
Toward solid good what leads the nearest way;
For other things mild Heaven a time ordains,

And disapproves that care, though wise in show,
That with superfluous burden loads the day,
And, when God sends a cheerful hour, refrains.

J. MILTON.




78. HYMN TO DIANA.

Queen and Huntress, chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.

Earth, let not thy envious shade
Dare itself to interpose;
Cynthia's shining orb was made
Heaven to clear when day did close;
Bless us then with wished sight,
Goddess excellently bright.

Lay thy bow of pearl apart
And thy crystal-shining quiver;
Give unto the flying hart
Space to breathe, how short soever;
Thou that mak'st a day of night,
Goddess excellently bright.

B. JONSON.




79. WISHES FOR THE SUPPOSED MISTRESS.

Whoe'er she be,
That not impossible She
That shall command my heart and me;

Where'er she lie,
Lock'd up from mortal eye
In shady leaves of destiny:

Till that ripe birth
Of studied Fate stand forth,
And teach her fair steps to our earth;

Till that divine
Idea take a shrine
Of crystal flesh, through which to shine:

--Meet you her, my Wishes,
Bespeak her to my blisses,
And be ye call'd, my absent kisses.

I wish her beauty,
That owes not all its duty
To gaudy tire, or glist'ring shoe-tie:

Something more than
Taffata or tissue can,
Or rampant feather, or rich fan.

A face that's best
By its own beauty drest,
And can alone command the rest:

A face made up
Out of no other shop
Than what Nature's white hand sets ope.

Sydneian showers
Of sweet discourse, whose powers
Can crown old Winter's head with flowers.

Whate'er delight
Can make day's forehead bright
Or give down to the wings of night.

Soft silken hours,
Open suns, shady bowers;
'Bove all, nothing within that lowers.

Days, that need borrow
No part of their good morrow
From a fore-spent night of sorrow:

Days, that in spite
Of darkness, by the light
Of a clear mind are day all night.

Life, that dares send
A challenge to his end,
And when it comes, say, "Welcome friend. "

I wish her store
Of worth may leave her poor
Of wishes; and I wish--no more.

--Now, if Time knows
That Her, whose radiant brows
Weave them a garland of my vows;

Her that dares be
What these lines wish to see;
I seek no further, it is She.

'Tis She, and here
Lo! I unclothe and clear
My wishes' cloudy character.

Such worth as this is
Shall fix my flying wishes,
And determine them to kisses.

Let her full glory,
My fancies, fly before ye;
Be ye my fictions:--but her story.

R. CRASHAW.




80. THE GREAT ADVENTURER.

Over the mountains
And over the waves,
Under the fountains
And under the graves;
Under floods that are deepest,
Which Neptune obey;
Over rocks that are steepest
Love will find out the way.

When there is no place
For the glow-worm to lie;
When there is no space
For receipt of a fly;
When the midge dares not venture
Lest herself fast she lay;
If Love come, he will enter
And will find out his way.

You may esteem him
A child for his might;
Or you may deem him
A coward from his flight;
But if she whom love doth honour
Be conceal'd from the day,
Set a thousand guards upon her,
Love will find out the way.

Some think to lose him
By having him confined;
And some do suppose him,
Poor thing, to be blind;
But if ne'er so close ye wall him,
Do the best that you may,
Blind love, if so ye call him,
Will find out his way.

You may train the eagle
To stoop to your fist;
Or you may inveigle
The phoenix of the east;
The lioness, ye may move her
To give o'er her prey;
But you'll ne'er stop a lover:
He will find out his way.

ANON.




81. CHILD AND MAIDEN.

Ah, Chloris! could I now but sit
As unconcern'd as when
Your infant beauty could beget
No happiness or pain!
When I the dawn used to admire,
And praised the coming day,
I little thought the rising fire
Would take my rest away.

Your charms in harmless childhood lay
Like metals in a mine;
Age from no face takes more away
Than youth conceal'd in thine.
But as your charms insensibly
To their perfection prest,
So love as unperceived did fly,
And center'd in my breast.

My passion with your beauty grew,
While Cupid at my heart
Still as his mother favour'd you,
Threw a new flaming dart:
Each gloried in their wanton part;
To make a lover, he
Employ'd the utmost of his art--
To make a beauty, she.

SIR C. SEDLEY.




82. COUNSEL TO GIRLS.

Gather ye rose-buds while ye may,
Old Time is still a-flying:
And this same flower that smiles to-day,
To-morrow will be dying.

The glorious Lamp of Heaven, the Sun,
The higher he's a-getting
The sooner will his race be run,
And nearer he's to setting.

That age is best which is the first,
When youth and blood are warmer,
But being spent, the worse, and worst
Times, still succeed the former.

Then be not coy, but use your time;
And while ye may, go marry:
For having lost but once your prime,
You may for ever tarry.

R. HERRICK.




83. TO LUCASTA, ON GOING TO THE WARS.

Tell me not, Sweet, I am unkind
That from the nunnery
Of thy chaste breast and quiet mind,
To war and arms I fly.

True, a new mistress now I chase,
The first foe in the field;
And with a stronger faith embrace
A sword, a horse, a shield.

Yet this inconstancy is such
As you too shalt adore;
I could not love thee, Dear, so much,
Loved I not Honour more.

COLONEL LOVELACE.




84. ELIZABETH OF BOHEMIA.

You meaner beauties of the night,
Which poorly satisfy our eyes
More by your number than your light,
You common people of the skies,
What are you, when the Moon shall rise?

Ye violets that first appear,
By your pure purple mantles known
Like the proud virgins of the year
As if the spring were all your own,--
What are you, when the Rose is blown?

You curious chanters of the wood
That warble forth dame Nature's lays,
Thinking your passions understood
By your weak accents; what's your praise
When Philomel her voice doth raise?

So, when my Mistress shall be seen
In sweetness of her looks and mind,
By virtue first, then choice, a Queen,
Tell me, if she were not design'd
Th' eclipse and glory of her kind?

SIR H. WOTTON.




85. TO THE LADY MARGARET LEY.

Daughter to that good earl, once President
Of England's council and her treasury,
Who lived in both, unstain'd with gold or fee,
And left them both, more in himself content.

Till the sad breaking of that parliament
Broke him, as that dishonest victory
At Chaeronia, fatal to liberty,
Kill'd with report that old man eloquent;--

Though later born than to have known the days
Wherein your father flourish'd, yet by you,
Madam, methinks I see him living yet;

So well your words his noble virtues praise,
That all both judge you to relate them true,
And to possess them, honour'd Margaret.

J. MILTON.




86. THE LOVELINESS OF LOVE.

It is not Beauty I demand,
A crystal brow, the moon's despair,
Nor the snow's daughter, a white hand,
Nor mermaid's yellow pride of hair:

Tell me not of your starry eyes,
Your lips that seem on roses fed,
Your breasts, where Cupid tumbling lies,
Nor sleeps for kissing of his bed:--

A bloomy pair of vermeil cheeks
Like Hebe's in her ruddiest hours,
A breath that softer music speaks
Than summer winds a-wooing flowers,

These are but gauds: nay what are lips?
Coral beneath the ocean-stream,
Whose brink when your adventurer slips
Full oft he perisheth on them.

And what are cheeks, but ensigns oft
That wave hot youth to fields of blood?
Did Helen's breast, though ne'er so soft,
Do Greece or Ilium any good?

Eyes can with baleful ardour burn;
Poison can breathe, that erst perfumed;
There's many a white hand holds an urn
With lovers hearts to dust consumed.

For crystal brows there's nought within;
They are but empty cells for pride;
He who the Syren's hair would win
Is mostly strangled in the tide.

Give me, instead of Beauty's bust,
A tender heart, a loyal mind
Which with temptation I would trust,
Yet never link'd with error find,--

One in whose gentle bosom I
Could pour my secret heart of woes,
Like the care-burthen'd honey-fly
That hides his murmurs in the rose,--

My earthly Comforter! whose love
So indefeasible might be
That, when my spirit wonn'd above,
Hers could not stay, for sympathy.

ANON.




87. THE TRUE BEAUTY.

He that loves a rosy cheek
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires;
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
Gentle thoughts, and calm desires,
Hearts with equal love combined,
Kindle never-dying fires:--
Where these are not, I despise
Lovely cheeks or lips or eyes.

T. CAREW.




88. TO DIANEME.

Sweet, be not proud of those two eyes
Which starlike sparkle in their skies;
Nor be you proud, that you can see
All hearts your captives; yours yet free:
Be you not proud of that rich hair
Which wantons with the lovesick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone,
When all your world of beauty's gone.

R. HERRICK.




89.

Go, lovely Rose!
Tell her, that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.

Tell her that's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts, where no men abide,
Thou must have uncommended died.

Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.

Then die! that she
The common fate of all things rare
May read in thee:
How small a part of time they share
That are so wondrous sweet and fair!

E. WALLER.




90. TO CELIA.

Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup
And I'll not look for wine.
The thirst that from the soul doth rise
Doth ask a drink divine;
But might I of Jove's nectar sup,
I would not change for thine.

I sent thee late a rosy wreath,
Not so much honouring thee
As giving it a hope that there
It could not wither'd be;
But thou thereon didst only breathe
And sent'st it back to me;
Since when it grows, and smells, I swear,
Not of itself but thee!

B. JONSON.




91. CHERRY-RIPE.

There is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do grow;
There cherries grow that none may buy,
Till Cherry-Ripe themselves do cry.

Those cherries fairly do enclose
Of orient pearl a double row,
Which when her lovely laughter shows,
They look like rose-buds fill'd with snow:
Yet them no peer nor prince can buy
Till Cherry-Ripe themselves do cry.

Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat'ning with piercing frowns to kill
All that approach with eye or hand
These sacred cherries to come nigh,
--Till Cherry-Ripe themselves do cry!

ANON.




92. THE POETRY OF DRESS.