No More Learning

The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of wind
With lightning eyes, and eager breath, and feet _260
Disturbing not the drifted snow, had paused
In its career: the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream _265
Of after-times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path _270
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there, _275
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:--'Thou hast a home, _280
Beautiful bird; thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here, _285
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts? ' A gloomy smile _290
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms. _295

Startled by his own thoughts he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze. _300
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste; _305
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves. _310
Following his eager soul, the wanderer
Leaped in the boat, he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane. _315

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. --A whirlwind swept it on, _320
With fierce gusts and precipitating force,
Through the white ridges of the chafed sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp. _325
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers _330
Appointed to conduct him to the light
Of those beloved eyes, the Poet sate,
Holding the steady helm. Evening came on,
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray _335
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of day;
Night followed, clad with stars. On every side _340
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam _345
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean: safely fled--
As if that frail and wasted human form, _350
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves _355
Bursting and eddying irresistibly
Rage and resound forever. --Who shall save? --
The boat fled on,--the boiling torrent drove,--
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea, _360
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on _365
With unrelaxing speed. --'Vision and Love! '
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long. '

The boat pursued
The windings of the cavern. Daylight shone _370
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky, _375
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm:
Stair above stair the eddying waters rose, _380
Circling immeasurably fast, and laved
With alternating dash the gnarled roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting, yet distorting every cloud, _385
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round, and round, and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve, _390
Where, through an opening of the rocky bank,
The waters overflow, and a smooth spot
Of glassy quiet mid those battling tides
Is left, the boat paused shuddering. --Shall it sink
Down the abyss? Shall the reverting stress _395
Of that resistless gulf embosom it?
Now shall it fall? --A wandering stream of wind,
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion, between banks
Of mossy slope, and on a placid stream, _400
Beneath a woven grove it sails, and, hark!
The ghastly torrent mingles its far roar,
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove _405
Is closed by meeting banks, whose yellow flowers
For ever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind, _410
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid _415
In those flushed cheeks, bent eyes, and shadowy frame
Had yet performed its ministry: it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.
The noonday sun _420
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their aery rocks,
Mocking its moans, respond and roar for ever. _425
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle, and his sepulchre. More dark _430
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below, _435
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around _440
The grey trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs
Uniting their close union; the woven leaves _445
Make net-work of the dark blue light of day,
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms _450
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose, twined with jasmine,
A soul-dissolving odour to invite
To some more lovely mystery. Through the dell,
Silence and Twilight here, twin-sisters, keep _455
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck _460
Of azure sky, darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon, _465
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines _470
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leaves, the grass that sprung _475
Startled and glanced and trembled even to feel
An unaccustomed presence, and the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside him--clothed in no bright robes _480
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;--
But, undulating woods, and silent well,
And leaping rivulet, and evening gloom _485
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was,--only. . . when his regard
Was raised by intense pensiveness,. . . two eyes,
Two starry eyes, hung in the gloom of thought, _490
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. --The rivulet,
Wanton and wild, through many a green ravine _495
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced; like childhood laughing as it went:
Then, through the plain in tranquil wanderings crept, _500
Reflecting every herb and drooping bud
That overhung its quietness. --'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness, _505
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain, and invisible course
Have each their type in me; and the wide sky.
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud _510
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind! '

Beside the grassy shore
Of the small stream he went; he did impress _515
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet, not like him,
Forgetful of the grave, where, when the flame _520
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed _525
For the uniform and lightsome evening sky.
Grey rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarled roots of ancient pines _530
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here,
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes _535
Had shone, gleam stony orbs:--so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm, he still pursued
The stream, that with a larger volume now _540
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles _545
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands _550
Its stony jaws, the abrupt mountain breaks,
And seems, with its accumulated crags,
To overhang the world: for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams, _555
Dim tracts and vast, robed in the lustrous gloom
Of leaden-coloured even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity, _560
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response, at each pause
In most familiar cadence, with the howl _565
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void
Scattering its waters to the passing winds. _570

Yet the grey precipice and solemn pine
And torrent were not all;--one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity _575
The dark earth, and the bending vault of stars.
It was a tranquil spot, that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves for ever green, _580
And berries dark, the smooth and even space
Of its inviolated floor, and here
The children of the autumnal whirlwind bore,
In wanton sport, those bright leaves, whose decay,
Red, yellow, or ethereally pale, _585
Rivals the pride of summer. 'Tis the haunt
Of every gentle wind, whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude:--one voice _590
Alone inspired its echoes;--even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued _595
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colours of that varying cheek, _600
That snowy breast, those dark and drooping eyes.

The dim and horned moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank _605
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace. --O, storm of death!
Whose sightless speed divides this sullen night: 610
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world, from the red field
Of slaughter, from the reeking hospital, _615
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee. Ruin calls
His brother Death. A rare and regal prey
He hath prepared, prowling around the world; _620
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess _625
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now, _630
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine. Upon an ivied stone
Reclined his languid head, his limbs did rest, _635
Diffused and motionless, on the smooth brink
Of that obscurest chasm;--and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and despair,
The torturers, slept; no mortal pain or fear _640
Marred his repose; the influxes of sense,
And his own being unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling:--his last sight _645
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame _650
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With nature's ebb and flow, grew feebler still:
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp _655
Of his faint respiration scarce did stir
The stagnate night:--till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It paused--it fluttered. But when heaven remained
Utterly black, the murky shades involved _660
An image, silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapour fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame-- _665
No sense, no motion, no divinity--
A fragile lute, on whose harmonious strings
The breath of heaven did wander--a bright stream
Once fed with many-voiced waves--a dream
Of youth, which night and time have quenched for ever, _670
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! O, that God, _675
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders for ever, _680
Lone as incarnate death! O, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law _685
Of this so lovely world! But thou art fled,
Like some frail exhalation; which the dawn
Robes in its golden beams,--ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things _690
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:--but thou art fled-- _695
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not. Upon those pallid lips
So sweet even in their silence, on those eyes _700
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shed--not even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone _705
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence, _710
And all the shows o' the world are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves _715
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were. _720


Notes:
_219 Conduct edition 1816. See "Editor's Notes".
_530 roots edition 1816: query stumps or trunks. See "Editor's Notes".


NOTE ON ALASTOR, BY MRS. SHELLEY.

"Alastor" is written in a very different tone from "Queen Mab". In the
latter, Shelley poured out all the cherished speculations of his
youth--all the irrepressible emotions of sympathy, censure, and hope,
to which the present suffering, and what he considers the proper
destiny of his fellow-creatures, gave birth. "Alastor", on the
contrary, contains an individual interest only. A very few years, with
their attendant events, had checked the ardour of Shelley's hopes,
though he still thought them well-grounded, and that to advance their
fulfilment was the noblest task man could achieve.

This is neither the time nor place to speak of the misfortunes that
chequered his life. It will be sufficient to say that, in all he did,
he at the time of doing it believed himself justified to his own
conscience; while the various ills of poverty and loss of friends
brought home to him the sad realities of life. Physical suffering had
also considerable influence in causing him to turn his eyes inward;
inclining him rather to brood over the thoughts and emotions of his
own soul than to glance abroad, and to make, as in "Queen Mab", the
whole universe the object and subject of his song. In the Spring of
1815, an eminent physician pronounced that he was dying rapidly of a
consumption; abscesses were formed on his lungs, and he suffered acute
spasms. Suddenly a complete change took place; and though through life
he was a martyr to pain and debility, every symptom of pulmonary
disease vanished. His nerves, which nature had formed sensitive to an
unexampled degree, were rendered still more susceptible by the state
of his health.

As soon as the peace of 1814 had opened the Continent, he went abroad.
He visited some of the more magnificent scenes of Switzerland, and
returned to England from Lucerne, by the Reuss and the Rhine. This
river-navigation enchanted him. In his favourite poem of "Thalaba",
his imagination had been excited by a description of such a voyage. In
the summer of 1815, after a tour along the southern coast of
Devonshire and a visit to Clifton, he rented a house on Bishopgate
Heath, on the borders of Windsor Forest, where he enjoyed several
months of comparative health and tranquil happiness. The later summer
months were warm and dry. Accompanied by a few friends, he visited the
source of the Thames, making a voyage in a wherry from Windsor to
Crichlade. His beautiful stanzas in the churchyard of Lechlade were
written on that occasion. "Alastor" was composed on his return. He
spent his days under the oak-shades of Windsor Great Park; and the
magnificent woodland was a fitting study to inspire the various
descriptions of forest scenery we find in the poem.

None of Shelley's poems is more characteristic than this. The solemn
spirit that reigns throughout, the worship of the majesty of nature,
the broodings of a poet's heart in solitude--the mingling of the
exulting joy which the various aspects of the visible universe
inspires with the sad and struggling pangs which human passion
imparts--give a touching interest to the whole. The death which he had
often contemplated during the last months as certain and near he here
represented in such colours as had, in his lonely musings, soothed his
soul to peace. The versification sustains the solemn spirit which
breathes throughout: it is peculiarly melodious. The poem ought rather
to be considered didactic than narrative: it was the outpouring of his
own emotions, embodied in the purest form he could conceive, painted
in the ideal hues which his brilliant imagination inspired, and
softened by the recent anticipation of death.

***


THE REVOLT OF ISLAM.

A POEM IN TWELVE CANTOS.

Osais de Broton ethnos aglaiais aptomestha
perainei pros eschaton
ploon nausi d oute pezos ion an eurois
es Uperboreon agona thaumatan odon.

Pind. Pyth. x.

[Composed in the neighbourhood of Bisham Wood, near Great Marlow,
Bucks, 1817 (April-September 23); printed, with title (dated 1818),
"Laon and Cythna; or, The Revolution of the Golden City: A Vision of
the Nineteenth Century", October, November, 1817, but suppressed,
pending revision, by the publishers, C & J. Ollier. (A few copies had
got out, but these were recalled, and some recovered. ) Published, with
a fresh title-page and twenty-seven cancel-leaves, as "The Revolt of
Islam", January 10, 1818. Sources of the text are (1) "Laon and
Cythna", 1818; (2) "The Revolt of Islam", 1818; (3) "Poetical Works",
1839, editions 1st and 2nd--both edited by Mrs. Shelley. A copy, with
several pages missing, of the "Preface", the Dedication", and "Canto
1" of "Laon and Cythna" is amongst the Shelley manuscripts at the
Bodleian. For a full collation of this manuscript see Mr. C. D.
Locock's "Examination of the Shelley Manuscripts at the Bodleian
Library". Oxford: Clarendon Press, 1903. Two manuscript fragments from
the Hunt papers are also extant: one (twenty-four lines) in the
possession of Mr. W. M. Rossetti, another (9 23 9 to 29 6) in that of
Mr. H. Buxton Forman, C. B. See "The Shelley Library", pages 83-86, for
an account of the copy of "Laon" upon which Shelley worked in revising
for publication. ]

AUTHOR'S PREFACE.

The Poem which I now present to the world is an attempt from which I
scarcely dare to expect success, and in which a writer of established
fame might fail without disgrace. It is an experiment on the temper of
the public mind, as to how far a thirst for a happier condition of
moral and political society survives, among the enlightened and
refined, the tempests which have shaken the age in which we live. I
have sought to enlist the harmony of metrical language, the ethereal
combinations of the fancy, the rapid and subtle transitions of human
passion, all those elements which essentially compose a Poem, in the
cause of a liberal and comprehensive morality; and in the view of
kindling within the bosoms of my readers a virtuous enthusiasm for
those doctrines of liberty and justice, that faith and hope in
something good, which neither violence nor misrepresentation nor
prejudice can ever totally extinguish among mankind.

For this purpose I have chosen a story of human passion in its most
universal character, diversified with moving and romantic adventures,
and appealing, in contempt of all artificial opinions or institutions,
to the common sympathies of every human breast. I have made no attempt
to recommend the motives which I would substitute for those at present
governing mankind, by methodical and systematic argument. I would only
awaken the feelings, so that the reader should see the beauty of true
virtue, and be incited to those inquiries which have led to my moral
and political creed, and that of some of the sublimest intellects in
the world. The Poem therefore (with the exception of the first canto,
which is purely introductory) is narrative, not didactic. It is a
succession of pictures illustrating the growth and progress of
individual mind aspiring after excellence, and devoted to the love of
mankind; its influence in refining and making pure the most daring and
uncommon impulses of the imagination, the understanding, and the
senses; its impatience at 'all the oppressions which are done under
the sun;' its tendency to awaken public hope, and to enlighten and
improve mankind; the rapid effects of the application of that
tendency; the awakening of an immense nation from their slavery and
degradation to a true sense of moral dignity and freedom; the
bloodless dethronement of their oppressors, and the unveiling of the
religious frauds by which they had been deluded into submission; the
tranquillity of successful patriotism, and the universal toleration
and benevolence of true philanthropy; the treachery and barbarity of
hired soldiers; vice not the object of punishment and hatred, but
kindness and pity; the faithlessness of tyrants; the confederacy of
the Rulers of the World and the restoration of the expelled Dynasty by
foreign arms; the massacre and extermination of the Patriots, and the
victory of established power; the consequences of legitimate
despotism,--civil war, famine, plague, superstition, and an utter
extinction of the domestic affections; the judicial murder of the
advocates of Liberty; the temporary triumph of oppression, that secure
earnest of its final and inevitable fall; the transient nature of
ignorance and error and the eternity of genius and virtue. Such is the
series of delineations of which the Poem consists. And, if the lofty
passions with which it has been my scope to distinguish this story
shall not excite in the reader a generous impulse, an ardent thirst
for excellence, an interest profound and strong such as belongs to no
meaner desires, let not the failure be imputed to a natural unfitness
for human sympathy in these sublime and animating themes. It is the
business of the Poet to communicate to others the pleasure and the
enthusiasm arising out of those images and feelings in the vivid
presence of which within his own mind consists at once his inspiration
and his reward.

The panic which, like an epidemic transport, seized upon all classes
of men during the excesses consequent upon the French Revolution, is
gradually giving place to sanity. It has ceased to be believed that
whole generations of mankind ought to consign themselves to a hopeless
inheritance of ignorance and misery, because a nation of men who had
been dupes and slaves for centuries were incapable of conducting
themselves with the wisdom and tranquillity of freemen so soon as some
of their fetters were partially loosened. That their conduct could not
have been marked by any other characters than ferocity and
thoughtlessness is the historical fact from which liberty derives all
its recommendations, and falsehood the worst features of its
deformity. There is a reflux in the tide of human things which bears
the shipwrecked hopes of men into a secure haven after the storms are
past. Methinks, those who now live have survived an age of despair.

The French Revolution may be considered as one of those manifestations
of a general state of feeling among civilised mankind produced by a
defect of correspondence between the knowledge existing in society and
the improvement or gradual abolition of political institutions. The
year 1788 may be assumed as the epoch of one of the most important
crises produced by this feeling. The sympathies connected with that
event extended to every bosom. The most generous and amiable natures
were those which participated the most extensively in these
sympathies.
But such a degree of unmingled good was expected as it was
impossible to realise. If the Revolution had been in every respect
prosperous, then misrule and superstition would lose half their claims
to our abhorrence, as fetters which the captive can unlock with the
slightest motion of his fingers, and which do not eat with poisonous
rust into the soul. The revulsion occasioned by the atrocities of the
demagogues, and the re-establishment of successive tyrannies in
France, was terrible, and felt in the remotest corner of the civilised
world. Could they listen to the plea of reason who had groaned under
the calamities of a social state according to the provisions of which
one man riots in luxury whilst another famishes for want of bread? Can
he who the day before was a trampled slave suddenly become
liberal-minded, forbearing, and independent? This is the consequence
of the habits of a state of society to be produced by resolute
perseverance and indefatigable hope, and long-suffering and
long-believing courage, and the systematic efforts of generations of
men of intellect and virtue. Such is the lesson which experience
teaches now. But, on the first reverses of hope in the progress of
French liberty, the sanguine eagerness for good overleaped the
solution of these questions, and for a time extinguished itself in the
unexpectedness of their result. Thus, many of the most ardent and
tender-hearted of the worshippers of public good have been morally
ruined by what a partial glimpse of the events they deplored appeared
to show as the melancholy desolation of all their cherished hopes.
Hence gloom and misanthropy have become the characteristics of the age
in which we live, the solace of a disappointment that unconsciously
finds relief only in the wilful exaggeration of its own despair. This
influence has tainted the literature of the age with the hopelessness
of the minds from which it flows. Metaphysics (I ought to except sir
W. Drummond's "Academical Questions"; a volume of very acute and
powerful metaphysical criticism. ), and inquiries into moral and
political science, have become little else than vain attempts to
revive exploded superstitions, or sophisms like those of Mr. Malthus
(It is remarkable, as a symptom of the revival of public hope, that
Mr. Malthus has assigned, in the later editions of his work, an
indefinite dominion to moral restraint over the principle of
population. This concession answers all the inferences from his
doctrine unfavourable to human improvement, and reduces the "Essay on
Population" to a commentary illustrative of the unanswerableness of
"Political Justice". ), calculated to lull the oppressors of mankind
into a security of everlasting triumph. Our works of fiction and
poetry have been overshadowed by the same infectious gloom. But
mankind appear to me to be emerging from their trance. I am aware,
methinks, of a slow, gradual, silent change. In that belief I have
composed the following Poem.

I do not presume to enter into competition with our greatest
contemporary Poets. Yet I am unwilling to tread in the footsteps of
any who have preceded me. I have sought to avoid the imitation of any
style of language or versification peculiar to the original minds of
which it is the character; designing that, even if what I have
produced be worthless, it should still be properly my own. Nor have I
permitted any system relating to mere words to divert the attention of
the reader, from whatever interest I may have succeeded in creating,
to my own ingenuity in contriving to disgust them according to the
rules of criticism. I have simply clothed my thoughts in what appeared
to me the most obvious and appropriate language. A person familiar
with nature, and with the most celebrated productions of the human
mind, can scarcely err in following the instinct, with respect to
selection of language, produced by that familiarity.

There is an education peculiarly fitted for a Poet, without which
genius and sensibility can hardly fill the circle of their capacities.
No education, indeed, can entitle to this appellation a dull and
unobservant mind, or one, though neither dull nor unobservant, in
which the channels of communication between thought and expression
have been obstructed or closed. How far it is my fortune to belong to
either of the latter classes I cannot know. I aspire to be something
better. The circumstances of my accidental education have been
favourable to this ambition. I have been familiar from boyhood with
mountains and lakes and the sea, and the solitude of forests: Danger,
which sports upon the brink of precipices, has been my playmate. I
have trodden the glaciers of the Alps, and lived under the eye of Mont
Blanc. I have been a wanderer among distant fields. I have sailed down
mighty rivers, and seen the sun rise and set, and the stars come
forth, whilst I have sailed night and day down a rapid stream among
mountains. I have seen populous cities, and have watched the passions
which rise and spread, and sink and change, amongst assembled
multitudes of men. I have seen the theatre of the more visible ravages
of tyranny and war, cities and villages reduced to scattered groups of
black and roofless houses, and the naked inhabitants sitting famished
upon their desolated thresholds. I have conversed with living men of
genius. The poetry of ancient Greece and Rome, and modern Italy, and
our own country, has been to me, like external nature, a passion and
an enjoyment. Such are the sources from which the materials for the
imagery of my Poem have been drawn. I have considered Poetry in its
most comprehensive sense; and have read the Poets and the Historians
and the Metaphysicians (In this sense there may be such a thing as
perfectibility in works of fiction, notwithstanding the concession
often made by the advocates of human improvement, that perfectibility
is a term applicable only to science. ) whose writings have been
accessible to me, and have looked upon the beautiful and majestic
scenery of the earth, as common sources of those elements which it is
the province of the Poet to embody and combine. Yet the experience and
the feelings to which I refer do not in themselves constitute men
Poets, but only prepares them to be the auditors of those who are. How
far I shall be found to possess that more essential attribute of
Poetry, the power of awakening in others sensations like those which
animate my own bosom, is that which, to speak sincerely, I know not;
and which, with an acquiescent and contented spirit, I expect to be
taught by the effect which I shall produce upon those whom I now
address.

I have avoided, as I have said before, the imitation of any
contemporary style. But there must be a resemblance, which does not
depend upon their own will, between all the writers of any particular
age. They cannot escape from subjection to a common influence which
arises out of an infinite combination of circumstances belonging to
the times in which they live; though each is in a degree the author of
the very influence by which his being is thus pervaded. Thus, the
tragic poets of the age of Pericles; the Italian revivers of ancient
learning; those mighty intellects of our own country that succeeded
the Reformation, the translators of the Bible, Shakespeare, Spenser,
the Dramatists of the reign of Elizabeth, and Lord Bacon (Milton
stands alone in the age which he illumined. ); the colder spirits of
the interval that succeeded;--all resemble each other, and differ from
every other in their several classes. In this view of things, Ford can
no more be called the imitator of Shakespeare than Shakespeare the
imitator of Ford. There were perhaps few other points of resemblance
between these two men than that which the universal and inevitable
influence of their age produced. And this is an influence which
neither the meanest scribbler nor the sublimest genius of any era can
escape; and which I have not attempted to escape.

I have adopted the stanza of Spenser (a measure inexpressibly
beautiful), not because I consider it a finer model of poetical
harmony than the blank verse of Shakespeare and Milton, but because in
the latter there is no shelter for mediocrity; you must either succeed
or fail. This perhaps an aspiring spirit should desire. But I was
enticed also by the brilliancy and magnificence of sound which a mind
that has been nourished upon musical thoughts can produce by a just
and harmonious arrangement of the pauses of this measure. Yet there
will be found some instances where I have completely failed in this
attempt, and one, which I here request the reader to consider as an
erratum, where there is left, most inadvertently, an alexandrine in
the middle of a stanza.

But in this, as in every other respect, I have written fearlessly. It
is the misfortune of this age that its Writers, too thoughtless of
immortality, are exquisitely sensible to temporary praise or blame.
They write with the fear of Reviews before their eyes. This system of
criticism sprang up in that torpid interval when Poetry was not.
Poetry, and the art which professes to regulate and limit its powers,
cannot subsist together. Longinus could not have been the contemporary
of Homer, nor Boileau of Horace. Yet this species of criticism never
presumed to assert an understanding of its own; it has always, unlike
true science, followed, not preceded, the opinion of mankind, and
would even now bribe with worthless adulation some of our greatest
Poets to impose gratuitous fetters on their own imaginations, and
become unconscious accomplices in the daily murder of all genius
either not so aspiring or not so fortunate as their own. I have sought
therefore to write, as I believe that Homer, Shakespeare, and Milton
wrote, with an utter disregard of anonymous censure. I am certain that
calumny and misrepresentation, though it may move me to compassion,
cannot disturb my peace. I shall understand the expressive silence of
those sagacious enemies who dare not trust themselves to speak. I
shall endeavour to extract, from the midst of insult and contempt and
maledictions, those admonitions which may tend to correct whatever
imperfections such censurers may discover in this my first serious
appeal to the Public. If certain Critics were as clear-sighted as they
are malignant, how great would be the benefit to be derived from their
virulent writings! As it is, I fear I shall be malicious enough to be
amused with their paltry tricks and lame invectives. Should the Public
judge that my composition is worthless, I shall indeed bow before the
tribunal from which Milton received his crown of immortality, and
shall seek to gather, if I live, strength from that defeat, which may
nerve me to some new enterprise of thought which may not be worthless.
I cannot conceive that Lucretius, when he meditated that poem whose
doctrines are yet the basis of our metaphysical knowledge, and whose
eloquence has been the wonder of mankind, wrote in awe of such censure
as the hired sophists of the impure and superstitious noblemen of Rome
might affix to what he should produce. It was at the period when
Greece was led captive and Asia made tributary to the Republic, fast
verging itself to slavery and ruin, that a multitude of Syrian
captives, bigoted to the worship of their obscene Ashtaroth, and the
unworthy successors of Socrates and Zeno, found there a precarious
subsistence by administering, under the name of freedmen, to the vices
and vanities of the great. These wretched men were skilled to plead,
with a superficial but plausible set of sophisms, in favour of that
contempt for virtue which is the portion of slaves, and that faith in
portents, the most fatal substitute for benevolence in the
imaginations of men, which, arising from the enslaved communities of
the East, then first began to overwhelm the western nations in its
stream. Were these the kind of men whose disapprobation the wise and
lofty-minded Lucretius should have regarded with a salutary awe? The
latest and perhaps the meanest of those who follow in his footsteps
would disdain to hold life on such conditions.

The Poem now presented to the Public occupied little more than six
months in the composition. That period has been devoted to the task
with unremitting ardour and enthusiasm. I have exercised a watchful
and earnest criticism on my work as it grew under my hands. I would
willingly have sent it forth to the world with that perfection which
long labour and revision is said to bestow. But I found that, if I
should gain something in exactness by this method, I might lose much
of the newness and energy of imagery and language as it flowed fresh
from my mind. And, although the mere composition occupied no more than
six months, the thoughts thus arranged were slowly gathered in as many
years.

I trust that the reader will carefully distinguish between those
opinions which have a dramatic propriety in reference to the
characters which they are designed to elucidate, and such as are
properly my own. The erroneous and degrading idea which men have
conceived of a Supreme Being, for instance, is spoken against, but not
the Supreme Being itself. The belief which some superstitious persons
whom I have brought upon the stage entertain of the Deity, as
injurious to the character of his benevolence, is widely different
from my own. In recommending also a great and important change in the
spirit which animates the social institutions of mankind, I have
avoided all flattery to those violent and malignant passions of our
nature which are ever on the watch to mingle with and to alloy the
most beneficial innovations. There is no quarter given to Revenge, or
Envy, or Prejudice. Love is celebrated everywhere as the sole law
which should govern the moral world.


DEDICATION.

There is no danger to a man that knows
What life and death is: there's not any law
Exceeds his knowledge; neither is it lawful
That he should stoop to any other law. --CHAPMAN.

TO MARY -- --.

1.
So now my summer-task is ended, Mary,
And I return to thee, mine own heart's home;
As to his Queen some victor Knight of Faery,
Earning bright spoils for her enchanted dome;
Nor thou disdain, that ere my fame become _5
A star among the stars of mortal night,
If it indeed may cleave its natal gloom,
Its doubtful promise thus I would unite
With thy beloved name, thou Child of love and light.

2.
The toil which stole from thee so many an hour, _10
Is ended,--and the fruit is at thy feet!
No longer where the woods to frame a bower
With interlaced branches mix and meet,
Or where with sound like many voices sweet,
Waterfalls leap among wild islands green, _15
Which framed for my lone boat a lone retreat
Of moss-grown trees and weeds, shall I be seen;
But beside thee, where still my heart has ever been.

3.
Thoughts of great deeds were mine, dear Friend, when first
The clouds which wrap this world from youth did pass. _20
I do remember well the hour which burst
My spirit's sleep. A fresh May-dawn it was,
When I walked forth upon the glittering grass,
And wept, I knew not why; until there rose
From the near schoolroom, voices that, alas! _25
Were but one echo from a world of woes--
The harsh and grating strife of tyrants and of foes.

4.
And then I clasped my hands and looked around--
--But none was near to mock my streaming eyes,
Which poured their warm drops on the sunny ground-- _30
So without shame I spake:--'I will be wise,
And just, and free, and mild, if in me lies
Such power, for I grow weary to behold
The selfish and the strong still tyrannise
Without reproach or check. ' I then controlled _35
My tears, my heart grew calm, and I was meek and bold.

5.
And from that hour did I with earnest thought
Heap knowledge from forbidden mines of lore;
Yet nothing that my tyrants knew or taught
I cared to learn, but from that secret store _40
Wrought linked armour for my soul, before
It might walk forth to war among mankind;
Thus power and hope were strengthened more and more
Within me, till there came upon my mind
A sense of loneliness, a thirst with which I pined. _45

6.
Alas, that love should be a blight and snare
To those who seek all sympathies in one! --
Such once I sought in vain; then black despair,
The shadow of a starless night, was thrown
Over the world in which I moved alone:-- _50
Yet never found I one not false to me,
Hard hearts, and cold, like weights of icy stone
Which crushed and withered mine, that could not be
Aught but a lifeless clod, until revived by thee.

7.
Thou Friend, whose presence on my wintry heart _55
Fell, like bright Spring upon some herbless plain;
How beautiful and calm and free thou wert
In thy young wisdom, when the mortal chain
Of Custom thou didst burst and rend in twain,
And walked as free as light the clouds among, _60
Which many an envious slave then breathed in vain
From his dim dungeon, and my spirit sprung
To meet thee from the woes which had begirt it long!

8.
No more alone through the world's wilderness,
Although I trod the paths of high intent, _65
I journeyed now: no more companionless,
Where solitude is like despair, I went. --
There is the wisdom of a stern content
When Poverty can blight the just and good,
When Infamy dares mock the innocent, _70
And cherished friends turn with the multitude
To trample: this was ours, and we unshaken stood!

9.
Now has descended a serener hour,
And with inconstant fortune, friends return;
Though suffering leaves the knowledge and the power _75
Which says:--Let scorn be not repaid with scorn.
And from thy side two gentle babes are born
To fill our home with smiles, and thus are we
Most fortunate beneath life's beaming morn;
And these delights, and thou, have been to me _80
The parents of the Song I consecrate to thee.

10.
Is it that now my inexperienced fingers
But strike the prelude of a loftier strain?
Or, must the lyre on which my spirit lingers
Soon pause in silence, ne'er to sound again, _85
Though it might shake the Anarch Custom's reign,
And charm the minds of men to Truth's own sway
Holier than was Amphion's? I would fain
Reply in hope--but I am worn away,
And Death and Love are yet contending for their prey. _90

11.
And what art thou? I know, but dare not speak:
Time may interpret to his silent years.
Yet in the paleness of thy thoughtful cheek,
And in the light thine ample forehead wears,
And in thy sweetest smiles, and in thy tears, _95
And in thy gentle speech, a prophecy
Is whispered, to subdue my fondest fears:
And through thine eyes, even in thy soul I see
A lamp of vestal fire burning internally.

12.
They say that thou wert lovely from thy birth, _100
Of glorious parents thou aspiring Child.
I wonder not--for One then left this earth
Whose life was like a setting planet mild,
Which clothed thee in the radiance undefiled
Of its departing glory; still her fame _105
Shines on thee, through the tempests dark and wild
Which shake these latter days; and thou canst claim
The shelter, from thy Sire, of an immortal name.

13.
One voice came forth from many a mighty spirit,
Which was the echo of three thousand years; _110
And the tumultuous world stood mute to hear it,
As some lone man who in a desert hears
The music of his home:--unwonted fears
Fell on the pale oppressors of our race,
And Faith, and Custom, and low-thoughted cares, _115
Like thunder-stricken dragons, for a space
Left the torn human heart, their food and dwelling-place.

14.
Truth's deathless voice pauses among mankind!
If there must be no response to my cry--
If men must rise and stamp with fury blind _120
On his pure name who loves them,--thou and I,
Sweet friend! can look from our tranquillity
Like lamps into the world's tempestuous night,--
Two tranquil stars, while clouds are passing by
Which wrap them from the foundering seaman's sight, _125
That burn from year to year with unextinguished light.


NOTES.
_54 cloaking edition 1818. See notes at end.


CANTO 1.

1.
When the last hope of trampled France had failed
Like a brief dream of unremaining glory,
From visions of despair I rose, and scaled
The peak of an aerial promontory, _130
Whose caverned base with the vexed surge was hoary;
And saw the golden dawn break forth, and waken
Each cloud, and every wave:--but transitory
The calm; for sudden, the firm earth was shaken,
As if by the last wreck its frame were overtaken. _135

2.
So as I stood, one blast of muttering thunder
Burst in far peals along the waveless deep,
When, gathering fast, around, above, and under,
Long trains of tremulous mist began to creep,
Until their complicating lines did steep _140
The orient sun in shadow:--not a sound
Was heard; one horrible repose did keep
The forests and the floods, and all around
Darkness more dread than night was poured upon the ground.

3.
Hark! 'tis the rushing of a wind that sweeps _145
Earth and the ocean. See! the lightnings yawn
Deluging Heaven with fire, and the lashed deeps
Glitter and boil beneath: it rages on,
One mighty stream, whirlwind and waves upthrown,
Lightning, and hail, and darkness eddying by. _150
There is a pause--the sea-birds, that were gone
Into their caves to shriek, come forth, to spy
What calm has fall'n on earth, what light is in the sky.

4.
For, where the irresistible storm had cloven
That fearful darkness, the blue sky was seen _155
Fretted with many a fair cloud interwoven
Most delicately, and the ocean green,
Beneath that opening spot of blue serene,
Quivered like burning emerald; calm was spread
On all below; but far on high, between _160
Earth and the upper air, the vast clouds fled,
Countless and swift as leaves on autumn's tempest shed.

5.
For ever, as the war became more fierce
Between the whirlwinds and the rack on high,
That spot grew more serene; blue light did pierce _165
The woof of those white clouds, which seem to lie
Far, deep, and motionless; while through the sky
The pallid semicircle of the moon
Passed on, in slow and moving majesty;
Its upper horn arrayed in mists, which soon _170
But slowly fled, like dew beneath the beams of noon.

6.
I could not choose but gaze; a fascination
Dwelt in that moon, and sky, and clouds, which drew
My fancy thither, and in expectation
Of what I knew not, I remained:--the hue _175
Of the white moon, amid that heaven so blue,
Suddenly stained with shadow did appear;
A speck, a cloud, a shape, approaching grew,
Like a great ship in the sun's sinking sphere
Beheld afar at sea, and swift it came anear. _180

7.
Even like a bark, which from a chasm of mountains,
Dark, vast and overhanging, on a river
Which there collects the strength of all its fountains,
Comes forth, whilst with the speed its frame doth quiver,
Sails, oars and stream, tending to one endeavour; _185
So, from that chasm of light a winged Form
On all the winds of heaven approaching ever
Floated, dilating as it came; the storm
Pursued it with fierce blasts, and lightnings swift and warm.

8.
A course precipitous, of dizzy speed, _190
Suspending thought and breath; a monstrous sight!
For in the air do I behold indeed
An Eagle and a Serpent wreathed in fight:--
And now, relaxing its impetuous flight,
Before the aerial rock on which I stood, _195
The Eagle, hovering, wheeled to left and right,
And hung with lingering wings over the flood,
And startled with its yells the wide air's solitude.

9.
A shaft of light upon its wings descended,
And every golden feather gleamed therein-- _200
Feather and scale, inextricably blended.
The Serpent's mailed and many-coloured skin
Shone through the plumes its coils were twined within
By many a swoln and knotted fold, and high
And far, the neck, receding lithe and thin, _205
Sustained a crested head, which warily
Shifted and glanced before the Eagle's steadfast eye.

10.
Around, around, in ceaseless circles wheeling
With clang of wings and scream, the Eagle sailed
Incessantly--sometimes on high concealing _210
Its lessening orbs, sometimes as if it failed,
Drooped through the air; and still it shrieked and wailed,
And casting back its eager head, with beak
And talon unremittingly assailed
The wreathed Serpent, who did ever seek _215
Upon his enemy's heart a mortal wound to wreak.

11.
What life, what power, was kindled and arose
Within the sphere of that appalling fray!
For, from the encounter of those wondrous foes,
A vapour like the sea's suspended spray _220
Hung gathered; in the void air, far away,
Floated the shattered plumes; bright scales did leap,
Where'er the Eagle's talons made their way,
Like sparks into the darkness;--as they sweep,
Blood stains the snowy foam of the tumultuous deep. _225

12.
Swift chances in that combat--many a check,
And many a change, a dark and wild turmoil;
Sometimes the Snake around his enemy's neck
Locked in stiff rings his adamantine coil,
Until the Eagle, faint with pain and toil, _230
Remitted his strong flight, and near the sea
Languidly fluttered, hopeless so to foil
His adversary, who then reared on high
His red and burning crest, radiant with victory.

13.
Then on the white edge of the bursting surge, _235
Where they had sunk together, would the Snake
Relax his suffocating grasp, and scourge
The wind with his wild writhings; for to break
That chain of torment, the vast bird would shake
The strength of his unconquerable wings _240
As in despair, and with his sinewy neck,
Dissolve in sudden shock those linked rings--
Then soar, as swift as smoke from a volcano springs.

14.
Wile baffled wile, and strength encountered strength,
Thus long, but unprevailing:--the event _245
Of that portentous fight appeared at length:
Until the lamp of day was almost spent
It had endured, when lifeless, stark, and rent,
Hung high that mighty Serpent, and at last
Fell to the sea, while o'er the continent _250
With clang of wings and scream the Eagle passed,
Heavily borne away on the exhausted blast.

15.
And with it fled the tempest, so that ocean
And earth and sky shone through the atmosphere--
Only, 'twas strange to see the red commotion _255
Of waves like mountains o'er the sinking sphere
Of sunset sweep, and their fierce roar to hear
Amid the calm: down the steep path I wound
To the sea-shore--the evening was most clear
And beautiful, and there the sea I found _260
Calm as a cradled child in dreamless slumber bound.

16.
There was a Woman, beautiful as morning,
Sitting beneath the rocks, upon the sand
Of the waste sea--fair as one flower adorning
An icy wilderness; each delicate hand _265
Lay crossed upon her bosom, and the band
Of her dark hair had fall'n, and so she sate
Looking upon the waves; on the bare strand
Upon the sea-mark a small boat did wait,
Fair as herself, like Love by Hope left desolate. _270

17.
It seemed that this fair Shape had looked upon
That unimaginable fight, and now
That her sweet eyes were weary of the sun,
As brightly it illustrated her woe;
For in the tears which silently to flow _275
Paused not, its lustre hung: she watching aye
The foam-wreaths which the faint tide wove below
Upon the spangled sands, groaned heavily,
And after every groan looked up over the sea.

18.
And when she saw the wounded Serpent make _280
His path between the waves, her lips grew pale,
Parted, and quivered; the tears ceased to break
From her immovable eyes; no voice of wail
Escaped her; but she rose, and on the gale
Loosening her star-bright robe and shadowy hair _285
Poured forth her voice; the caverns of the vale
That opened to the ocean, caught it there,
And filled with silver sounds the overflowing air.

19.
She spake in language whose strange melody
Might not belong to earth. I heard alone, _290
What made its music more melodious be,
The pity and the love of every tone;
But to the Snake those accents sweet were known
His native tongue and hers; nor did he beat
The hoar spray idly then, but winding on _295
Through the green shadows of the waves that meet
Near to the shore, did pause beside her snowy feet.

20.
Then on the sands the Woman sate again,
And wept and clasped her hands, and all between,
Renewed the unintelligible strain _300
Of her melodious voice and eloquent mien;
And she unveiled her bosom, and the green
And glancing shadows of the sea did play
O'er its marmoreal depth:--one moment seen,
For ere the next, the Serpent did obey _305
Her voice, and, coiled in rest in her embrace it lay.

21.
Then she arose, and smiled on me with eyes
Serene yet sorrowing, like that planet fair,
While yet the daylight lingereth in the skies
Which cleaves with arrowy beams the dark-red air, _310
And said: 'To grieve is wise, but the despair
Was weak and vain which led thee here from sleep:
This shalt thou know, and more, if thou dost dare
With me and with this Serpent, o'er the deep,
A voyage divine and strange, companionship to keep. ' _315

22.
Her voice was like the wildest, saddest tone,
Yet sweet, of some loved voice heard long ago.
I wept. 'Shall this fair woman all alone,
Over the sea with that fierce Serpent go?
His head is on her heart, and who can know _320
How soon he may devour his feeble prey? '--
Such were my thoughts, when the tide gan to flow;
And that strange boat like the moon's shade did sway
Amid reflected stars that in the waters lay:--

23.
A boat of rare device, which had no sail _325
But its own curved prow of thin moonstone,
Wrought like a web of texture fine and frail,
To catch those gentlest winds which are not known
To breathe, but by the steady speed alone
With which it cleaves the sparkling sea; and now _330
We are embarked--the mountains hang and frown
Over the starry deep that gleams below,
A vast and dim expanse, as o'er the waves we go.

24.
And as we sailed, a strange and awful tale
That Woman told, like such mysterious dream _335
As makes the slumberer's cheek with wonder pale!
'Twas midnight, and around, a shoreless stream,
Wide ocean rolled, when that majestic theme
Shrined in her heart found utterance, and she bent
Her looks on mine; those eyes a kindling beam _340
Of love divine into my spirit sent,
And ere her lips could move, made the air eloquent.

25.