No More Learning

European Books. —In reading Montaigne, La
Rochefoucauld, La Bruyere, Fontenelle (especially
the Dialogues des Moris), Vauvenargues, and Cham-
fort we are nearer to antiquity than in any group
of six authors of other nations. Through these
six the spirit of the last centuries before Christ
has once more come into being, and they collec-
tively form an important link in the great and
still continuous chain of the Renaissance. Their
books are raised above all changes of national
taste and philosophical nuances from which as a
rule every book takes and must take its hue in
order to become famous. They contain more real
ideas than all the books of German philosophers
put together: ideas of the sort that breed ideas
I am at a loss how to define to the end: enough to
say that they appear to me writers who wrote
neither for children nor for visionaries, neither for
virgins nor for Christians, neither for Germans nor
for I am again at a loss how to finish my list
.
To praise them in plain terms, I may say that
had they been written in Greek, they would have
been understood by Greeks. How much, on the
other hand, would even a Plato have understood
of the writings of our best German thinkers—Goethe
and Schopenhauer, for instance—to say nothing
of the repugnance that he would have felt to


## p. 303 (#347) ############################################

THE WANDERER AND HIS SHADOW. 303
their style, particularly to its obscure, exaggerated,
and occasionally dry-as-dust elements? And these
are defects from which these two among German
thinkers suffer least and yet far too much (Goethe
as thinker was fonder than he should have been
of embracing the cloud, and Schopenhauer almost
constantly wanders, not with impunity, among
symbols of objects rather than among the objects
themselves). — On the other hand, what clearness
and graceful precision there is in these Frenchmen!
The Greeks, whose ears were most refined, could
not but have approved of this art, and one quality
they would even have admired and reverenced—
the French verbal wit: they were extremely fond
of this quality, without being particularly strong
in it themselves.
215.
Fashion and Modernity. — Wherever ignor-
ance, uncleanness, and superstition are still rife,
where communication is backward, agriculture poor,
and the priesthood powerful, national costumes are
still worn. Fashion, on the other hand, rules where
the opposite conditions prevail. Fashion is accor-
dingly to be found next to the virtues in modern
Europe. Are we to call it their seamy side? —
Masculine dress that is fashionable and no longer
national proclaims of its wearer: firstly, that he
does not wish to appear as an individual or as
member of a class or race; that he has made an
intentional suppression of these kinds of vanity a
law unto himself: secondly, that he is a worker,
and has little time for dressing and self-adornment,


## p. 304 (#348) ############################################

304 HUMAN, ALL-TOO-HUMAN.
and moreover regards anything expensive or lux-
urious in material and cut as out of harmony with
his work: lastly, that by his clothes he indic-
ates the more learned and intellectual callings as
those to which he stands or would like to stand
nearest as a European—whereas such national
costumes as still exist would exhibit the occupa-
tions of brigand, shepherd, and soldier as the most
desirable and distinguished. Within this general
character of masculine fashion exist the slight
fluctuations demanded by the vanity of young
men, the dandies and dawdlers of our great
cities — in other words, Europeans who have
not yet reached maturity. —European women are
as yet far less mature, and for this reason the
fluctuations with them are much greater. They
also will not have the national costume, and hate
to be recognised by their dress as German, French,
or Russian. They are, however, very desirous of
creating an impression as individuals. Then, too,
their dress must leave no one in doubt that they
belong to one of the more reputable classes of
society (to "good " or " high" or "great" society),
and on this score their pretensions are all the
greater if they belong scarcely or not at all to that
class. Above all, the young woman does not want
to wear what an older woman wears, because she
thinks she loses her market value if she is suspected
of being somewhat advanced in years. The older
woman, on the other hand, would like to deceive
the world as long as possible by a youthful garb.
From this competition must continually arise
temporary fashions, in which the youthful element


## p. 305 (#349) ############################################

THE WANDERER AND HIS SHADOW. 305
is unmistakably and inimitably apparent. But after
the inventive genius of the young female artists
has run riot for some time in such indiscreet reve-
lations of youth (or rather, after the inventive
genius of older, courtly civilisations and of still
existing peoples—in fact, of the whole world of
dress—has been pressed into the service, and, say,
the Spaniards, Turks, and ancient Greeks have been
yoked together for the glorification of fair flesh),
then they at last discover, time and again, that
they have not been good judges of their own in-
terest; that if they wish to have power over men,
the game of hide-and-seek with the beautiful body
is more likely to win than naked or half-naked
honesty. And then the wheel of taste and vanity
turns once more in an opposite direction. The
rather older young women find that their kingdom
has come, and the competition of the dear, absurd
creatures rages again from the beginning. —But the
more women advance mentally, and no longer
among themselves concede the pre-eminence to an
unripe age, the smaller their fluctuations of costume
grow and the less elaborate their adornment. A
just verdict in this respect must not be based on
ancient models—in other words, not on the standard
of the dress of women who dwell on the shores of
the Mediterranean—but must have an eye to the
climatic conditions of the central and northern
regions, where the intellectual and creative spirit
of Europe now finds its most natural home. —
Generally speaking, therefore, it is not change that
will be the characteristic mark of fashion and
modernity, for change is retrograde, and betokens
vol. 11. U


## p. 305 (#350) ############################################

304
HUMAN, ALL-TOO-HUMAN.
and moreover regards anything expensive or lux-
urious in material and cut as out of harmony with
his work: lastly, that by his clothes he indic-
ates the more learned and intellectual callings as
those to which he stands or would like to stand
nearest as a European - whereas such national
costumes as still exist would exhibit the occupa-
tions of brigand, shepherd, and soldier as the most
desirable and distinguished. Within this general
character of masculine fashion exist the slight
fluctuations demanded by the vanity of young
men, the dandies and dawdlers of our great
cities — in other words, Europeans who have
not yet reached maturity. - European women are
as yet far less mature, and for this reason the
fluctuations with them are much greater. They
also will not have the national costume, and hate
to be recognised by their dress as German, French,
or Russian. They are, however, very desirous of
creating an impression as individuals. Then, too,
their dress must leave no one in doubt that they
belong to one of the more reputable classes of
society (to “good” or “high” or “great” society),
and on this score their pretensions are all the
greater if they belong scarcely or not at all to that
class. Above all, the young woman does not want
to wear what an older woman wears, because she
thinks she loses her market value if she is suspected
of being somewhat advanced in years. The older
woman, on the other hand, would like to deceive
the world as long as possible by a youthful garb.
From this competition must continually arise
temporary fashions, in which the youthful element


## p. 305 (#351) ############################################

THE WANDERER AND HIS SHADOW. - 305
is unmistakably and inimitably apparent. But after
the inventive genius of the young female artists
has run riot for some time in such indiscreet reve-
lations of youth (or rather, after the inventive
genius of older, courtly civilisations and of still
existing peoples—in fact, of the whole world of
dress has been pressed into the service, and, say,
the Spaniards, Turks, and ancient Greeks have been
yoked together for the glorification of fair flesh),
then they at last discover, time and again, that
they have not been good judges of their own in-
terest; that if they wish to have power over men,
the game of hide-and-seek with the beautiful body
is more likely to win than naked or half-naked
honesty. And then the wheel of taste and vanity
turns once more in an opposite direction. The
rather older young women find that their kingdom
has come, and the competition of the dear, absurd
creatures rages again from the beginning. –But the
more women advance mentally, and no longer
among themselves concede the pre-eminence to an
unripe age, the smaller their fluctuations of costume
grow and the less elaborate their adornment. A
just verdict in this respect must not be based on
ancient models—in other words, not on the standard
of the dress of women who dwell on the shores of
the Mediterranean—but must have an eye to the
climatic conditions of the central and northern
regions, where the intellectual and creative spirit
of Europe now finds its most natural home. -
Generally speaking, therefore, it is not change that
will be the characteristic mark of fashion and
modernity, for change is retrograde, and betokens
VOL. II.


## p. 305 (#352) ############################################

304
HUMAN, ALL-TOO-HUMAN.
and moreover regards anything expensive or lux-
urious in material and cut as out of harmony with
his work: lastly, that by his clothes he indic-
ates the more learned and intellectual callings as
those to which he stands or would like to stand
nearest as a European — whereas such national
costumes as still exist would exhibit the occupa-
tions of brigand, shepherd, and soldier as the most
desirable and distinguished. Within this general
character of masculine fashion exist the slight
fluctuations demanded by the vanity of young
men, the dandies and dawdlers of our great
cities - in other words, Europeans who have
not yet reached maturity. -European women are
as yet far less mature, and for this reason the
fluctuations with them are much greater. They
also will not have the national costume, and hate
to be recognised by their dress as German, French,
or Russian. They are, however, very desirous of
creating an impression as individuals. Then, too,
their dress must leave no one in doubt that they
belong to one of the more reputable classes of
society (to “good” or “high” or “great” society),
and on this score their pretensions are all the
greater if they belong scarcely or not at all to that
class. Above all, the young woman does not want
to wear what an older woman wears, because she
thinks she loses her market value if she is suspected
of being somewhat advanced in years. The older
woman, on the other hand, would like to deceive
the world as long as possible by a youthful garb.
From this competition must continually arise
temporary fashions, in which the youthful element


## p. 305 (#353) ############################################

THE WANDERER AND HIS SHADOW. - 305
is unmistakably and inimitably apparent. But after
the inventive genius of the young female artists
has run riot for some time in such indiscreet reve-
lations of youth (or rather, after the inventive
genius of older, courtly civilisations and of still
existing peoples-in fact, of the whole world of
dress—has been pressed into the service, and, say,
the Spaniards, Turks, and ancient Greeks have been
yoked together for the glorification of fair flesh),
then they at last discover, time and again, that
they have not been good judges of their own in-
terest; that if they wish to have power over men,
the game of hide-and-seek with the beautiful body
is more likely to win than naked or half-naked
honesty. And then the wheel of taste and vanity
turns once more in an opposite direction. The
rather older young women find that their kingdom
has come, and the competition of the dear, absurd
creatures rages again from the beginning. –But the
more women advance mentally, and no longer
among themselves concede the pre-eminence to an
unripe age, the smaller their Auctuations of costume
grow and the less elaborate their adornment. A
just verdict in this respect must not be based on
ancient models—in other words, not on the standard
of the dress of women who dwell on the shores of
the Mediterranean—but must have an eye to the
climatic conditions of the central and northern
regions, where the intellectual and creative spirit
of Europe now finds its most natural home. -
Generally speaking, therefore, it is not change that
will be the characteristic mark of fashion and
modernity, for change is retrograde, and betokens
VOL. II.
U


## p. 306 (#354) ############################################

306 HUMAN, ALL-TOO-HUMAN.
the still unripened men and women of Europe; but
rather the repudiation of national, social, and in-
dividual vanity. Accordingly, it is commendable,
because involving a saving of time and strength,
if certain cities and districts of Europe think and
invent for all the rest in the matter of dress, in
view of the fact that a sense of form does not
seem to have been bestowed upon all. Nor is
it really an excessive ambition, so long as these
fluctuations still exist, for Paris, for example, to
claim to be the sole inventor and innovator in this
sphere. If a German, from hatred of these claims
on the part of a French city, wishes to dress differ-
ently,—as, for example, in the Diirer style,—let
him reflect that he then has a costume which
the Germans of olden times wore, but which the
Germans have not in the slightest degree invented.
For there has never been a style of dress that
characterised the German as a German. Moreover,
let him observe how he looks in his costume, and
whether his altogether modern face, with all its hues
and wrinkles, does not raise a protest against a
Diirer fashion of dress. —Here, where the concepts
"modern " and " European " are almost identical, we
understand by " Europe" a far wider region than
is embraced by the Europe of geography, the little
peninsula of Asia. In particular, we must include
America, in so far as America is the daughter of
our civilisation. On the other hand, not all Europe
falls under the heading of cultured "Europe," but
only those nations and divisions of nations which
have their common past in Greece, Rome, Judaism,
and Christianity.


## p. 307 (#355) ############################################

the wanderer and his shadow. 307
216.
"GERMAN Virtue. "—There is no denying that
from the end of the eighteenth century a current
of moral awakening flowed through Europe. Then
only Virtue found again the power of speech. She
learnt to discover the unrestrained gestures of ex-
altation and emotion, she was no longer ashamed of
herself, and she created philosophies and poems for
her own glorification. If we look for the sources of
this current, we come upon Rousseau,butthe mythical
Rousseau, the phantom formed from the impression
left by his writings (one might almost say again, his
mythically interpreted writings) and by the indica-
tions that he provided himself. He and his public
constantly worked at the fashioning of this ideal
figure. The other origin lies in the resurrection of
the Stoical side of Rome's greatness, whereby the
French so nobly carried on the task of the Renais-
sance. With striking success they proceeded from
the reproduction of antique forms tothe reproduction
of antique characters. Thus they may always claim
a title to the highest honours, as the nation which has
hitherto given the modern world its best books and
its best men. How this twofold archetype, the
mythical Rousseau and the resurrected spirit of
Rome, affected France's weaker neighbours, is par-
ticularly noticeable in Germany, which, in conse-
quence of her novel and quite unwonted impulse
to seriousness and loftiness in will and self-control,
finally came to feel astonishment at her own new-
found virtue, and launched into the world the con-
cept "German virtue," as if this were the most


## p. 308 (#356) ############################################

308 HUMAH, ALL-TOO-HUMAN.
original and hereditary of her possessions. The first
great men who transfused into their own blood that
French impulse towards greatness and consciousness
of the moral will were more honest, and more grate-
ful. Whence comes the moralism of Kant? He is
continually reminding us: from Rousseau and the
revival of Stoic Rome. The moralism of Schiller
has the same source and the same glorification of
the source. The moralism of Beethoven in notes is
a continual song in praise of Rousseau, the antique
French, and Schiller. "Young Germany" was the
first to forget its gratitude, because in the meantime
people had listened to the preachers of hatred of
the French. The "young German " came to the fore
with more consciousness than is generally allowed
to youths. When he investigated his paternity,
he might well think of the proximity of Schiller,
Schleiermacher, and Fichte. But he should have
looked for his grandfathers in Paris and Geneva,
and it was very short-sighted of him to believe what
he believed: that virtue was not more than thirty
years old. People became used to demanding that
the word "German" should connote "virtue," and
this process has not been wholly forgotten to
this day. —Be it observed further that this moral
awakening, as may almost be guessed, has resulted
only in drawbacks and obstacles to the recognition
of moral phenomena. What is the entire German
philosophy, starting from Kant, with all its French,
English, and Italian offshoots and by-products? A
semi-theological attack upon Helvetius, a rejection
of the slowly and laboriously acquired views and
signposts of the right road, which in the end he


## p. 309 (#357) ############################################

THE WANDERER AND HIS SHADOW. 309
collected and expressed so well. To this day Hel-
vetius is the best-abused of all good moralists and
good men in Germany.
217.
Classic and Romantic. —Both classically and
romantically minded spirits—two species that al-
ways exist—cherish a vision of the future; but the
former derive their vision from the strength of their
time, the latter from its weakness.
218.
The Machine as Teacher. —Machinery teaches
in itself the dovetailed working of masses of men,
in activities where each has but one thing to do. It
is the model of party organisations and of warfare.
On the other hand, it does not teach individual self-
glorification, for it makes of the many a machine,
and of each individual a tool for one purpose. Its
most general effect is to teach the advantage of
centralisation.
219.
Unable to Settle. — One likes to live in a
small town. But from time to time just this small
town drives us out into bare and lonely Nature, es-
pecially when we think we know it too well. Finally,
in order to refresh ourselves from Nature, we go to
the big town. A few draughts from this cup and we
see its dregs, and the circle begins afresh, with the
small town as starting-point. —So the moderns live;


## p. 310 (#358) ############################################

3IO HUMAN, ALL-TOO-HUMAX.
/
f
they are in all things rather too thorough to be able
to settle like the men of other days.
220.
Reaction against the Civilisation of
MACHINERY. —The machine, itself a product of the
highest mental powers, sets in motion hardly any
but the lower, unthinking forces of the men who
serve it True, it unfetters a vast quantity of force
which would otherwise lie dormant . But it does not
communicate the impulse to climb higher, to im-
prove, to become artistic. It creates activity and
monotony, but this in the long-run produces a
counter-effect, a despairing ennui of the soul, which
through machinery has learnt to hanker after the
variety of leisure.
221.
The Danger of Enlightenment. —All the
half-insane, theatrical, bestially cruel, licentious, and
especially sentimental and self-intoxicating ele-
ments which go to form the true revolutionary sub-
stance, and became flesh and spirit, before the
revolution, in Rousseau—all this composite being,
with factitious enthusiasm, finally set even "enlighten-
ment" upon its fanatical head, which thereby began
itself to shine as in an illuminating halo. Yet, en-
lightenment is essentially foreign to that phenome-
non, and, if left to itself, would have pierced silently
through the clouds like a shaft of light, long content
to transfigure individuals alone, and thus only slowly
transfiguring national customs and institutions as
well. But now, bound hand and foot to a violent and


## p. 311 (#359) ############################################

THE WANDERER AND HIS SHADOW. 311
abrupt monster, enlightenment itself became violent
and abrupt. Its danger has therefore become almost
greater than its useful quality of liberation and il-
lumination, which it introduced into the great re-
volutionary movement. Whoever grasps this will
also know from what confusion it has to be extri-
cated, from what impurities to be cleansed, in order
that it may then by itself continue the work of
enlightenment and also nip the revolution in the bud
and nullify its effects.
222.
Passion in the Middle Ages. —The Middle
Ages are the period of great passions. Neither an-
tiquity nor our period possesses this widening of the
soul. Never was the capacity of the soul greater or
measured by larger standards. The physical, pri-
meval sensuality of the barbarian races and the over-
soulful, over-vigilant, over-brilliant eyes of Christian
mystics, the most childish and youthful and the
most over-ripe and world-weary, the savageness of
the beast of prey and the effeminacy and excessive
refinement of the late antique spirit—all these ele-
ments were then not seldom united in one and the
same person. Thus, if a man was seized by a
passion, the rapidity of the torrent must have been
greater, the whirl more confused, the fall deeper
than ever before. —We modern men may be content
to feel that we have suffered a loss here.
223.
Robbing and Saving. —All intellectual move-
ments whereby the great may hope to rob and the


## p. 312 (#360) ############################################

312 HUMAN, ALL-TOO-HUMAN.
small to save are sure to prosper. That is why, for
instance, the German Reformation made progress.
224.
Gladsome Souls. —When even a remote hint
of drink, drunkenness, and an evil-smelling kind of
jocularity was given, the souls of the old Germans
waxed gladsome. Otherwise they were depressed,
but here they found something they really under-
stood.
225.
Debauchery at Athens. —Even when the fish-
market of Athens acquired its thinkers and poets,
Greek debauchery had a more idyllic and refined
appearance than Roman or German debauchery
ever had. The voice of J uvenal would have sounded
there like a hollow trumpet, and would have been
answered by a good-natured and almost childish
outburst of laughter.
226.
Cleverness of the Greek. —As the desire for
victory and pre-eminence is an ineradicable trait of
human nature, older and more primitive than any
respect of or joy in equality, the Greek State sanc-
tioned gymnastic and artistic competitions among
equals. In other words, it marked out an arena
where this impulse to conquer would find a vent
without jeopardising the political order. With the
final decline of gymnastic and artistic contests the
Greek State fell into a condition of profound unrest
and dissolution.


## p. 313 (#361) ############################################

THE WANDERER AND HIS SHADOW. 313
227.
The "Eternal Epicurus. " — Epicurus has
lived in all periods, and lives yet, unbeknown to
those who called and still call themselves Epicureans,
and without repute among philosophers. He has
himself even forgotten his own name—that was the
heaviest luggage that he ever cast off.
228.
The Style of Superiority. — "University
slang," the speech of the German students, has its
origin among the students who do not study. The
latter know how to acquire a preponderance over
their more serious fellows by exposing all the farcical
elements of culture, respectability, erudition, order,
and moderation, and by having words taken from
these realms always on their lips, like the better
and more learned students, but with malice in their
glance and an accompanying grimace. This lan-
guage of superiority—the only one that is original
in Germany—is nowadays unconsciously used by
statesmen and newspaper critics as well. It is a
continual process of ironical quotation, a restless,
cantankerous squinting of the eye right and left, a
language of inverted commas and grimaces.
229.
The Recluse. —We retire into seclusion, but not
from personal misgivings, as if the political and
social conditions of the day did not satisfy us;
rather because by our retirement we try to save and


## p. 314 (#362) ############################################

314 HUMAN, ALL-TOO-HUMAX.
collect forces which will some day be urgently
needed by culture, the more this present is this
present, and, as such, fulfils its task. We form a
capital and try to make it secure, but, as in times
of real danger, our method is to bury our board.
230.
Tyrants of the Intellect. —In our times,
any one who expressed a single moral trait so
thoroughly as the characters of Theophrastus and
Moliere do, would be considered ill, and be spoken
of as possessing " a fixed idea.
" The Athens of the
third century, if we could visit it, would appear
to us populated by fools. Nowadays the democ-
racy of ideas rules in every brain—there the multi-
tude collectively is lord. A single idea that tried
to be lord is now called, as above stated, "a fixed
idea. " This is our method of murdering tyrants—
we hint at the madhouse.
231.
A Most Dangerous Emigration. —In;Russia
there is an emigration of the intelligence. People
cross the frontier in order to read and write good
books. Thus, however, they are working towards
turning their country, abandoned by the intellect,
into a gaping Asiatic maw, which would fain
swallow our little Europe.
232.
Political Fools. —The almost religious love of
the king was transferred by the Greeks, when the


## p. 315 (#363) ############################################

THE WANDERER AND HIS SHADOW. 315
monarchy was abolished, to the polls. An idea can
be loved more than a person, and does not thwart
the lover so often as a beloved human being (for
the more men know themselves to be loved, the
less considerate they usually become, until they are
no longer worthy of love, and a rift really arises).
Hence the reverence for State and polls was greater
than the reverence for princes had ever been. The
Greeks are the political fools of ancient history—to-
day other nations boast that distinction.
233-
Against Neglect of the Eyes. —Might one
not find among the cultured classes of England,
who read the Times, a decline in their powers of
sight every ten years?
234.
Great Works and Great Faith. —One man
had great works, but his comrade had great faith
in these works. They were inseparable, but ob-
viously the former was entirely dependent upon the
latter.
235.
The Sociable Man. —" I don't get on well with
myself," said some one in explanation of his fondness
for society. "Society has a stronger digestion than
I have, and can put up with me. "
236.
Shutting the Mind's Eyes. —If we are prac-
tised and accustomed to reflect upon our actions,


## p. 316 (#364) ############################################

316 HUMAN, ALL-TOO-HUMAN.
we must nevertheless close the inner eye while per-
forming an action (be this even only writing letters
or eating or drinking). Even in conversation with
average people we must know how to obscure our
own mental vision in order to attain and grasp
average thinking. This shutting of the eyes is a
conscious act and can be achieved by the will.
237-
The Most Terrible Revenge. —If we wish to
take a thorough revenge upon an opponent, we
must wait until we have our hand quite full of truths
and equities,and can calmly use the whole lot against
him. Hence the exercise of revenge may be identi-
fied with the exercise of equity. It is the most
terrible kind of revenge, for there is no higher
court to which an appeal can be made. Thus did
Voltaire revenge himself on Piron, with five lines
that sum up Piron's whole life, work, and character:
every word is a truth. So too he revenged himself
upon Frederick the Great in a letter to him from
Ferney.
238.
Taxes of Luxury. —In shops we buy the most
necessary and urgent things, and have to pay very
dear, because we pay as well for what is also to be
had there cheap, but seldom finds a customer—
articles of luxury that minister to pleasure. Thus
luxury lays a constant tax upon the man of simple
life who does without luxuries.


## p. 317 (#365) ############################################

THE WANDERER AND HIS SHADOW. 317
239-
Why Beggars still Live. —If all alms were
given only out of compassion, the whole tribe of
beggars would long since have died of starvation.
240.
Why Beggars still Live. —The greatest of
almsgivers is cowardice.
241.
How the Thinker Makes Use of a Conver-
sation. —Without being eavesdroppers, we can hear
a good deal if we are able to see well, and at the
same time to let ourselves occasionally get out of
our own sight. But people do not know how to
make use of a conversation. They pay far too much
attention to what they want to say and reply, where-
as the true listener is often contented to make a
provisional answer and to say something merely as
a payment on account of politeness, but on the other
hand, with his memory lurking in ambush, carries
away with him all that the other said, together with
his tones and gestures in speaking. —In ordinary
conversation every one thinks he is the leader, just
as if two ships, sailing side by side and giving each
other a slight push here and there, were each firmly
convinced that the other ship was following or even
being towed.
242.
The Art of Excusing Oneself. —If some one
excuses himself to us, he has to make out a very


## p. 318 (#366) ############################################

318 HUMAN, ALL-TOO-HUMAN.
good case, otherwise we readily come to feel our-
selves the culprits, and experience an unpleasant
emotion.
243-
Impossible Intercourse. —The ship of your
thoughts goes too deep for you to be able to travel
with it in the waters of these friendly, decorous,
obliging people. There are too many shallows and
sandbanks: you would have to tack and turn, and
would find yourself continually at your wits' end,
and they would soon also be in perplexity as to
your perplexity, the reason for which they cannot
divine.
244.
The Fox of Foxes. —A true fox not only calls
sour the grapes he cannot reach, but also those he
has reached and snatched from the grasp of others.
245.
In Intimate Intercourse. —However closely
men are connected, there are still all the four
quarters of the heavens in their common horizon,
and at times they become aware of this fact.
246.
The Silence of Disgust. —Behold! some one
undergoes a thorough and painful transformation
as thinker and human being, and makes a public
avowal of the change. And those who hear him
see nothing, and still believe he is the same as
before! This common experience has already dis-


## p. 319 (#367) ############################################

THE WANDERER AND HIS SHADOW. 319
gusted many writers. They had rated the intel-
lectuality of mankind too highly, and made a vow
to be silent as soon as they became aware of their
mistake.
247.
Business Seriousness. —The business of many
rich and eminent men is their form of recreation
from too long periods of habitual leisure. They then
become as serious and impassioned as other people
do in their rare moments of leisure and amusement.
248.
The Eye's Double Sense. —Just as a sudden
scaly ripple runs over the waters at your feet, so
there are similar sudden uncertainties and ambigu-
ities in the human eye. They lead to the question:
is it a shudder, or a smile, or both?
249.
Positive and Negative. —This thinker needs
no one to refute him—he is quite capable of doing
that himself.
250.
The Revenge of the Empty Nets. —Above
all we should beware of those who have the bitter
feeling of the fisherman who after a hard day's work
comes home in the evening with nets empty.
251.
Non-Assertion ofour Rights. —The exertion
of power is laborious and demands courage. That


## p. 320 (#368) ############################################

320 HUMAN, ALL-TOO-HUMAN.
«*■
is why so many do not assert their most valid rights,
because their rights are a kind of power, and they
are too lazy or too cowardly to exercise them. In-
dulgence and patience are the names given to the
virtues that cloak these faults.
252.
Bearers OF Light. —In Society there would be
no sunshine if the born flatterers (I mean the so-
called amiable people) did not bring some in with
them.
253-
When most Benevolent. —When a man has
been highly honoured and has eaten a little, he is
most benevolent.
254.
To THE Light. —Men press forward to the light
not in order to see better but to shine better. —The
person before whom we shine we gladly allow to
be called a light.
255.
The Hypochondriac. —The hypochondriac is a
man who has just enough intellect and pleasure in
the intellect to take his sorrows, his losses, and his
mistakes seriously. But the field on which he grazes
is too small: he crops it so close that in the end he
has to look for single stalks. Thus he finally be-
comes envious and avaricious—and only then is he
unbearable.
256.
Giving in Return. —Hesiod advises us to give
the neighbour who has helped us good measure and,


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THE WANDERER AND HIS SHADOW. 321
if possible, fuller measure in return, as soon as we
have the power. For this is where the neighbour's
pleasure comes in, since his former benevolence brings
him interest. Moreover, he who gives in return also
has his pleasure, inasmuch as, by giving a little
more than he got, he redeems the slight humilia-
tion of being compelled to seek aid.
257.
More Subtle than is Necessary. —Our sense
of observation for how far others perceive our weak-
nesses is far more subtle than our sense of obser-
vation for the weaknesses of others. It follows that
the first-named sense is more subtle than is neces-
sary.
258.
A Kind of Bright Shadows. —Close to the
nocturnal type of man we almost regularly find, as
if bound up with him, a bright soul. This is, as it
were, the negative shadow cast by the former.
. 259.
Not to take Revenge. —There are so many
subtle sorts of revenge that one who has occasion
to take revenge can really do or omit to do what he
likes. In any case, the whole world will agree, after
a time, that he has avenged himself. Hence the
avoidance of revenge is hardly within man's power.
He must not even so much as say that he does not
want to do so, since the contempt for revenge is
interpreted and felt as a sublime and exquisite form
of revenge. —It follows that we must do nothing
superfluous.


## p. 322 (#370) ############################################

322 HUMAN, ALL-TOO-HUMAN.
260.
The Mistake of Those who Pay Homage. —
Every one thinks he is paying a most agreeable com-
pliment to a thinker when he says that he himself
hit upon exactly the same idea and even upon the
same expression. The thinker, however, is seldom
delighted at hearing such news, nay, rather, he often
becomes distrustful of his own thoughts and ex-
pressions. He silently resolves to revise both some
day. If we wish to pay homage to any one, we
must beware of expressing our agreement, for this
puts us on the same level. —Often it is a matter of
social tact to listen to an opinion as if it were not
ours or even travelled beyond the limits of our own
horizon—as, for example, when an old man once in
a while opens the storehouse of his acquired know-
ledge.
261.
Letters. —A letter is an unannounced visit, and
the postman is the intermediary of impolite surprises.
Every week we ought to have one hour for receiving
letters, and then go and take a bath.
262.
PREJUDICED. —Some one said: I have been pre-
judiced against myself from childhood upwards, and
hence I find some truth in every censure and some
absurdity in every eulogy. Praise I generally value
too low and blame too high.


## p. 323 (#371) ############################################

THE WANDERER AND HIS SHADOW. 323
263.
The Path to Equality. — A few hours of
mountain-climbing make a blackguard and a saint
two rather similar creatures. Weariness is the
shortestt"path to equality and fraternity—and finally
liberty is bestowed by sleep.
264.
CALUMNy. —If we begin to trace to its source a
real scandalous misrepresentation, we shall rarely
look for its origin in our honourable and straight-
forward enemies; for if they invented anything of
the sort about us, they, as being our enemies, would
gain no credence. Those, however, to whom for
a time we have been most useful, but who, from
some reason or other, may be secretly sure that they
will obtain no more from us—such persons are in a
position to start the ball of slander rolling. They
gain credence, firstly, because it is assumed that they
would invent nothing likely to do them damage;
secondly, because they have learnt to know us
intimately. —As a consolation, the much-slandered
man may say to himself: Calumnies are diseases of
others that break out in your body. They prove
that Society is a (moral) organism, so that you can
prescribe to yourself \he cure that will in the end be
useful to others.
265.
The Child's Kingdom of Heaven. — The
happiness of a child is as much of a myth as the
happiness of the Hyperboreans of whom the Greeks


## p. 324 (#372) ############################################

324 HUMAN, ALL-TOO-HUMAN.
fabled. The Greeks supposed that, if indeed happi-
ness dwells anywhere on our earth, it must certainly
dwell as far as possible from us, perhaps over yonder
at the edge of the world. Old people have the same
thought—if man is at all capable of being happy,
he must be happy as far as possible from our age,
at the frontiers and beginnings of life. For many
a man the sight of children, through the veil of this
myth, is the greatest happiness that he can feel. He
enters himself into the forecourt of heaven when
he says, "Suffer the little children to come unto
me, for of them is the kingdom of heaven. " The
myth of the child's kingdom of heaven holds good,
in some way or other, wherever in the modern
world some sentimentality exists.
266.
The Impatient. —It is just the growing man
who does not want things in the growing stage.
He is too impatient for that. The youth will not
wait until, after long study, suffering, and privation,
his picture of men and things is complete. Ac-
cordingly, he confidently accepts another picture
that lies ready to his hand and is recommended to
him, and pins his faith to that, as if it must give
him at once the lines and colours of his own paint-
ing. He presses a philosopher or a poet to his
bosom, and must from that time forth perform long
stretches of forced labour and renounce his own
self. He learns much in the process, but he often
forgets what is most worth learning and know-
ing—his self. He remains all his life a partisan.


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THE WANDERER AND HIS SHADOW. 325
Ah, a vast amount of tedious work has to be done
before you find your own colours, your own brush,
your own canvas! —Even then you are very far
from being a master in the art of life, but at least
you are the boss in your own workshop.
267.
There are no Teachers. —As thinkers we
ought only to speak of self-teaching. The instruc-
tion of the young by others is either an experiment
performed upon something as yet unknown and
unknowable, or else a thorough levelling process,
in order to make the new member of society con-
form to the customs and manners that prevail for
the time being. In both cases the result is accord-
ingly unworthy of a thinker—the handiwork of
parents and teachers, whom some valiantly honest
person* has called "nos ennemis naturels. " One
day, when, as the world thinks, we have long since
finished our education, we discover ourselves. Then
begins the task of the thinker, and then is the time
to summon him to our aid—not as a teacher, but
as a self-taught man who has experience.
268.
Sympathy with Youth. —We are sorry when
we hear that some one who is still young is losing
his teeth or growing blind.