Well I can see that shining song
Flowering there, the upward throng
Of porches, pillars and windowed walls,
Spires like piercing panpipe calls,
Up to the roof's snow-cloud flight;
All glancing in the Spanish light
White as water of arctic tides,
Save an amber dazzle on sunny sides.
Flowering there, the upward throng
Of porches, pillars and windowed walls,
Spires like piercing panpipe calls,
Up to the roof's snow-cloud flight;
All glancing in the Spanish light
White as water of arctic tides,
Save an amber dazzle on sunny sides.
Lascelle Abercrombie
O, I hate you not.
You and your crying grief should have blown past
My heart like wind shaking a fasten'd casement.
But I must have you in. Myself I loathe
For opening to you, and thereby opening
To the demon which had set you on to whine
Pitiably in the porches of my spirit.
You are but noise; but he is the lust of the world,
The infinite wrong the spirit, the virgin spirit,
Must fasten against, or be for ever vile.
_A Citizen_.
But is it naught that we, the folk of God,
Are safe by thee?
_Judith_.
God hath his own devices.
But I would be God's helper! I would be
Known as the woman whom his strength had chosen
To ruin the Assyrians! --O my God,
How dreadfully thou punishest small sins!
If it is thou who punishest; but rather
It is that, when we slacken in perceiving
The world's intent towards us, and fatally,
Enticed out of suspicion by fair signs,
Go from ignoring its proposals, down
To parley,--thou our weakness dost permit.
In all my days I from the greed of the world
Virginal have kept my spirit's dwelling,--
Till now; yea, all my being I have maintained
Sacredly my own possession; for love
But made more beautiful and more divine
My spirit's ownership. And yet no warning,
When I infatuate went down to be
Procuress of myself to the world's desire,
Did God blaze on my blindness, no rebuke.
Therefore I am no more my virgin own,
But hatefully, unspeakably, the world's.
To these now I belong; they took me and used me.
I have no pride to live for; and why else
Should one stay living, if not joyfully proud?
For I have yielded now; mercilessly
What is makes foolish nothing of what was.
To know the world, for all its grasping hands,
For all its heat to utter its pent nature
Into the souls that must go faring through it,
Availing nothing against purity,
Made always like rebellion trodden under,--
By this was life a noble labour. Now
I have been persuaded into the world's pleasure:
And now at last I will all certainly
Contrive for myself the death of Holofernes.
[OZIAS _comes behind her and catches the lifted falchion_.
_Judith_.
It was well done, Ozias.
_Ozias_.
I have watcht
Thy anguish growing, and I lookt for this.
_Judith_.
Thou knowest me better than I know myself.
What moves in me is strange and uncontrolled,
That once I thought was ruled: thou knew'st me better. --
Indeed thou must forgive me; what was I
To take so bitterly thy suit? What right
Had I to give thee anger, when thou wouldst
Brighten thy hopeless death with me enjoyed,
I, even from that anger, going to be
Holofernes' pleasure? --Thou knewest me better,
And therefore shalt forgive me. Ay, no doubt
My spirit answered thee so fiercely then
Because it felt thee reading me aright,
How a mere bragging was my purity.
But now to pardon askt, I must add thanks. --
I had forgot Manasses! Even love
Was driven forth of me by these loud mouths!
Whether in death he waits for me, I know not;
But it had been an unforgivable thing
To have made this the end; not to have gone
To death as unto spousals, leaving life
As one sets down a work faithfully done,
And knows oneself by service justified,
Worthy of love, whether love be or not.
But, soiled with detestation, to have thrown
Fiercely aside the garment of this light;
Proved at the last impatient, death desiring
Like a mere doffing of foul drenched clothes;
Release from the wicked hindering mire of sorrow;
A comfortable darkness hiding me
Out of the glowing world myself have made
An insult, domineering me with splendour;--
O such a death had turned, past all forgiving,
My insult to Manasses, and searcht him out,
Even where he is quiet, with the blaze,
Ranging like din, of this contempt, this triumph.
Not crying out such hateful news should I
Flee hunted into death, unto my love.
From this, Ozias, thou hast saved me. Now
I am to learn my shame, that not amazed,
But practised in my burden, I at last,
When my time comes, may all in gladness fare
The road made sacred by Manasses' feet.
[JUDITH _goes into her house_.
_Ozias (addressing the citizens)_.
You do well to be stricken silent here.
Terrible Holofernes slain by a woman
Was something wonderful, to be noised aloud;
But this is a wonder past applauding thought,
This grief darkening Judith, in the midst
Of the new shining glory she herself
Has brought to conquer in our skies the storm.
You do well to be dumb: for you have seen
Virginity. That spirit you have seen,
Seen made wrathfully plain that secret spirit,
Whereby is man's frail scabbard filled with steel.
This, cumbered in the earthen kind of man,
Which ceaseless waters would be wearing down,
Alone giveth him stubborn substance, holds him
Upright and hard against impious fate.
All things within it would the world possess,
And have them in the tide of its desire:
Man hath his nature of the vehement world;
He is a torrent like the stars and beasts
Flowing to answer the fierce world's desire.
But like a giant wading in the sea
Stands in the rapture, and refusing it,
And looking upward out of it to find
Who knows what sign? --spirit, virginity;
A power caught by the power of the world;
The spirit in whose unknown hope doth man
Deny the mastery of his fortune here;
Virginity, whose pride, impassion'd only
To be as she herself would be, nor thence
To loosen for the world's endeavouring,
And, though all give the rash obedience, stand
Her own possession,--this virginity,
This pride of the spirit, asking no reward
But to be pride unthrown, this is the force
Whereby man hath his courage in the strange
Fearful turmoil of being conscious man.
Yea, worshipping this spirit, he will at last
Grow into high divine imagination,
Wherein the envious wildness of the world
Yieldeth its striving up to him, and takes
His mind, building the endless stars like stone
To house his towering joy of self-possessing.
This made you dumb; ignorant knowledge of this,
Blind vision of virginity's mightiness,
Did chide the exclamation in your hearts.
And think not you have seen, in Judith's grief,
Virginity drown'd in the pouring world.
For what is done is naught; what is, is all:
And Judith is virginity's appointed.
Even by her injury she showeth us,
As fire by violence may be revealed,
How sovereign is virginity. --
But let us now consult what way her grief,
Which is not to be understood by us,
May spend itself, with naught to urge its power.
Let us within our walls keep close this tale,
Close as the famine and the thirst were kept
Devouring us by the Assyrians.
Let there be no news going through the land
Out of Bethulia but this: that we
At Judith's hands had our deliverance,
But she from Holofernes and his crew
Unwilling and astonisht reverence,
As they were men with minds opprest by God.
THE ETERNAL WEDDING
_He_.
Even as a wind that hasteth round the world
From out cold hours fill'd with shadow of earth,
To pour alight against the risen sun;
So unto thee adoring, out of its shadow
Floweth my spirit, into the light of thee
Which Beauty is, and Joy. From my own fate,
From out the darkness wherein long I fared
Worshipping stars and morsels of the light,
Through doors of golden morning now I pass
Into the great whole light and perfect day
Of shining Beauty, open to me at last.
Yea, into thee now do I pass, beloved:
Beauty and thou are mine!
_She_.
And I am thine!
I am desirable to my desire:
Thence am I clean as immortality
With Beauty and Joy, the fiery power of Beauty.
_He_.
And by my spirit made marvellous here by thee,
Poured out all clear into the gold of thee,
Not myself only do I know; I have
Golden within me the whole fate of man:
That every flesh and soul belongs to one
Continual joyward ravishment, whose end
Is here, in this perfection. Now I know--
For all my speculation soareth up,
A bird taking eternity for air,--
Now being mixt with thee, in the burning midst
Of Beauty for my sense and mind and soul,--
That life hath highest gone which hath most joy.
For like great wings forcefully smiting air
And driving it along in rushing rivers,
Desire of joy beats mightily pulsing forward
The world's one nature, and all the loose lives therein,
Carried and greatly streaming on a gale
Of craving, swept fiercely along in beauty;--
Like a great weather of wind and shining sun,
When the airs pick up whole huge waves of sea,
Crumble them in their grasp and high aloft
Sow them glittering, a white watery dust,
To company with light: so we are driven
Onward and upward in a wind of beauty,
Until man's race be wielded by its joy
Into some high incomparable day,
Where perfectly delight may know itself,--
No longer need a strife to know itself,
Only by its prevailing over pain.
_She_.
Beloved, but no pain may strive with us.
_He_.
No, for we are flown far ahead of life:
The feet of our Spirit have wonderfully trod
The dangers of the rushing fate of life,
As summer-searching birds tread with their wings
Mountainous surges in the air. But many,
Not strongly fledge to ride the world's great rapture,
Must break, down fallen into steep confusion,
Where we climb easily and tower with joy.
Nevertheless doth life foretell in us
How it shall all make seizure at the last
Upon this height of ecstasy, this fort
Life like an army storms: Captains we are
In the great assault; and where we stand alone
Within these hours, built like establisht flames
Round us, at long last all man's life shall stand
At peace with joy, wearing delighted sense
As meadows wear their golden pleasure of flowers.
Certain my heart dwells in these builded hours,
That there is no more beauty beyond thee.
Thou art my utter beauty; and--behold
The marvel, God in Heaven! --I am thine.
Therefore we know, in this height-guarded place
Whereto the speed of our desire hath brought us;
Here in this safety crowning, like a fort
Built upon topmost peaks, the height of beauty,--
We know to be glad of life as we were gods
Timelessly glad of deity; yea, to enjoy
Fleshly, spiritual Being till the swift
Torrent of glee (as hurled star-dust can change
Dim earthly weather to a moment like the sun,)
Doth startle life to self-adoring godhead,--
Divine body of Power and divine
Burning soul of Light and self-desire.
And having given ourselves all to amazement,
We are made like a prophesying song
Of life all joy, a bride in the arms of God. --
Yea, God shall marry his people at the last;
And every man and woman who has sworn
That only joy can make this Being sacred,
Weaves at the wedding-garment.
_She_.
Ah, my beloved,
Feelest thou too that out of earth and time
We are transgressing into Heavenly hours?
Or, threading the dark worldly multitude
And making lightning of its path, there comes
A zeal from God posting along our lives.
_He_.
For some eternal pulse hath chosen us,
Some divine anger beats within our hearts.
_She_.
Anger? But how far off is love from anger!
_He_.
Nay, both belong to joy; joy's kind is twain.
And close as in the pouring of sun-flame
Are mingled glory of light and fury of heat,
Joy utters its twin radiance, love and anger;
If joy be not indeed all sacred wrath
With circumstance; indignant memory
Of what hath been, when the new lusts of God
Exulted unimaginably, before
Rigours of law fastened like creeping habit
Upon their measureless wont, and forced them drive
Their ranging music of delighted being
Through the fixt beating tune of a circling world. --
Is not love so? Amazement of an anger
Against created shape and narrowness?
The bound rage of the uncreated Spirit
Whose striving doth impassion us and the world?
A wrath that thou and I are not one being?
_She_.
Yes, and not only words that thou and I
Out of our sexes with a flame's escape
Are fashioned into one. The Spirit in us
Hath, like imagination in a prison,
Kindled itself free of all boundary,
So that it hath no room but its own joy,
Ample as at the first, before it fell
Into this burthenous habit of a world.
What have we now to do with the world? We are
Made one unworldly thing; we are past the world;
Yea, and unmade: we are immortality.
_He_.
And only fools abominably crazed,
Those who will set imagination down
As less in truth than their dim sensual wit,
Dare doubt that, while these dreams of ours, these bodies,
Still quiver in the world each with its own
Delight, the great divine wrath of our love
Hath stricken off from us the place of the world!
Yea, as we walk in spiritual freedom
Upright before the shining face of God,
Behold, as it were the shadow of our stature
Thrown by that light, we draw the world behind us,--
That world wherein, darkly I remember,
We thought we were as twain.
_She_.
Yet, since God means
That love should sunder our fixt separateness
And make our married spirits leap together,
As lightning out of the clouds of sexual flesh,
Into one sexless undivided joy;
Why hath he made us a divided flesh?
We being single ecstasy, now as strange
As if a shadow stained where no one stood
The ground in the noon-glare, seemeth to me
The long blind time wherein our lives and the world
Lay stretcht out dark upon the light of heaven,
Like shadow of some bulk that took the glory;
While yet there stood not over it, to shade
The splendour from it, our heaven-fronting love,
This great new soul that our two souls have kindled.
Yea, and how like, that in the world's chance-medley
This our exulting destiny had been slain,
Though here it lords the world as a man his shadow!
_He_.
But the world is not chance, except to those
Most feeble in desire: who needeth aught
Shall have it, if he fill his soul with the need.
While still our ignorant lives were drowned beneath
The flooding of the earthly fate, and chance
Seemed pouring mightily dark and loud between us,
Unspeakable news oft visited our hearts:
We knew each other by desire; yea, spake
Out of the strength of darkness flowing o'er us,
Across the hindering outcry of the world
One to another sweet desirable things.
Until at last we took such heavenly lust
Of those unheard messages into our lives,
We were made abler than the worldly fate.
We held its random enmity as frost
The storming Northern seas, and fastened it
In likeness of our love's imagining;
Or as a captain with his courage holds
The mutinous blood of an army aghast with fear,
And maketh it unwillingly dare his purpose,
Our lust of love struck its commandment deep
Into the froward turbulence of world
That parted us. Suddenly the dark noise
Cleft and went backward from us, and we stood
Knowing each other in a quiet light;
And like wise music made of many strings
Following and adoring underneath
Prevailing song, fate lived beneath our love,
Under the masterful excellent silence of it,
A multitudinous obedience.
_She_.
Yea, but not this my marvel: not that we
Should master with desire the sundering world,
We who bore in our hearts such destiny,
There was no force knew to be dangerous
Against it, but must turn its malice clean
Into obsequious favour worshipping us.
Rather hath this astonisht me, that we
Have not for ever lived in this high hour.
Only to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?
_He_.
Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,--
This mystery of a world sign of his striving?
Else wherefore this, a thing to break the mind
With labouring in the wonder of it, that here
Being--the world and we--is suffered to be! --
But, lying on thy breast one notable day,
Sudden exceeding agony of love
Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God
As light unfashion'd, unendurable flame,
Interminable, not to be supposed;
And there was no more creature except light,--
The dreadful burning of the lonely God's
Unutter'd joy. And then, past telling, came
Shuddering and division in the light:
Therein, like trembling, was desire to know
Its own perfect beauty; and it became
A cloven fire, a double flaming, each
Adorable to each; against itself
Waging a burning love, which was the world;--
A moment satisfied in that love-strife
I knew the world! --And when I fell from there,
Then knew I also what this life would do
In being twain,--in being man and woman!
For it would do even as its endless Master,
Making the world, had done; yea, with itself
Would strive, and for the strife would into sex
Be cloven, double burning, made thereby
Desirable to itself. Contrived joy
Is sex in life; and by no other thing
Than by a perfect sundering, could life
Change the dark stream of unappointed joy
To perfect praise of itself, the glee that loves
And worships its own Being. This is ours!
Yet only for that we have been so long
Sundered desire: thence is our life all praise. --
But we, well knowing by our strength of joy
There is no sundering more, how far we love
From those sad lives that know a half-love only,
Alone thereby knowing themselves for ever
Sealed in division of love, and therefore made
To pour their strength out always into their love's
Fierceness, as green wood bleeds its hissing sap
Into red heat of a fire! Not so do we:
The cloven anger, life, hath left to wage
Its flame against itself, here turned to one
Self-adoration. --Ah, what comes of this?
The joy falters a moment, with closed wings
Wearying in its upward journey, ere
Again it goes on high, bearing its song,
Its delight breathing and its vigour beating
The highest height of the air above the world.
_She_.
What hast thou done to me! --I would have soul,
Before I knew thee, Love, a captive held
By flesh. Now, inly delighted with desire,
My body knows itself to be nought else
But thy heart's worship of me; and my soul
Therein is sunlight held by warm gold air.
Nay, all my body is become a song
Upon the breath of spirit, a love-song.
_He_.
And mine is all like one rapt faculty,
As it were listening to the love in thee,
My whole mortality trembling to take
Thy body like heard singing of thy spirit.
_She_.
Surely by this, Beloved, we must know
Our love is perfect here,--that not as holds
The common dullard thought, we are things lost
In an amazement that is all unware;
But wonderfully knowing what we are!
Lo, now that body is the song whereof
Spirit is mood, knoweth not our delight?
Knoweth not beautifully now our love,
That Life, here to this festival bid come
Clad in his splendour of worldly day and night,
Filled and empower'd by heavenly lust, is all
The glad imagination of the Spirit?
_He_.
Were it not so, Love could not be at all:
Nought could be, but a yearning to fulfil
Desire of beauty, by vain reaching forth
Of sense to hold and understand the vision
Made by impassion'd body,--vision of thee!
But music mixt with music are, in love,
Bodily senses; and as flame hath light,
Spirit this nature hath imagined round it,
No way concealed therein, when love comes near,
Nor in the perfect wedding of desires
Suffering any hindrance.
_She_.
Ah, but now,
Now am I given love's eternal secret!
Yea, thou and I who speak, are but the joy
Of our for ever mated spirits; but now
The wisdom of my gladness even through Spirit
Looks, divinely elate. Who hath for joy
Our Spirits? Who hath imagined them
Round him in fashion'd radiance of desire,
As into light of these exulting bodies
Flaming Spirit is uttered?
_He_.
Yea, here the end
Of love's astonishment! Now know we Spirit,
And Who, for ease of joy, contriveth Spirit.
Now all life's loveliness and power we have
Dissolved in this one moment, and our burning
Carries all shining upward, till in us
Life is not life, but the desire of God,
Himself desiring and himself accepting.
Now what was prophecy in us is made
Fulfilment: we are the hour and we are the joy,
We in our marvellousness of single knowledge,
Of Spirit breaking down the room of fate
And drawing into his light the greeting fire
Of God,--God known in ecstasy of love
Wedding himself to utterance of himself.
MARRIAGE SONG
I
Come up, dear chosen morning, come,
Blessing the air with light,
And bid the sky repent of being dark:
Let all the spaces round the world be white,
And give the earth her green again.
Into new hours of beautiful delight,
Out of the shadow where she has lain,
Bring the earth awake for glee,
Shining with dews as fresh and clear
As my beloved's voice upon the air.
For now, O morning chosen of all days, on thee
A wondrous duty lies:
There was an evening that did loveliness foretell;
Thence upon thee, O chosen morn, it fell
To fashion into perfect destiny
The radiant prophecy.
For in an evening of young moon, that went
Filling the moist air with a rosy fire,
I and my beloved knew our love;
And knew that thou, O morning, wouldst arise
To give us knowledge of achieved desire.
For, standing stricken with astonishment,
Half terrified in the delight,
Even as the moon did into clear air move
And made a golden light,
Lo there, croucht up against it, a dark hill,
A monstrous back of earth, a spine
Of hunched rock, furred with great growth of pine,
Lay like a beast, snout in its paws, asleep;
Yet in its sleeping seemed it miserable,
As though strong fear must always keep
Hold of its heart, and drive its blood in dream.
Yea, for to our new love, did it not seem,
That dark and quiet length of hill,
The sleeping grief of the world? --Out of it we
Had like imaginations stept to be
Beauty and golden wonder; and for the lovely fear
Of coming perfect joy, had changed
The terror that dreamt there!
And now the golden moon had turned
To shining white, white as our souls that burned
With vision of our prophecy assured:
Suddenly white was the moon; but she
At once did on a woven modesty
Of cloud, and soon went in obscured:
And we were dark, and vanisht that strange hill.
But yet it was not long before
There opened in the sky a narrow door,
Made with pearl lintel and pearl sill;
And the earth's night seem'd pressing there,--
All as a beggar on some festival would peer,--
To gaze into a room of light beyond,
The hidden silver splendour of the moon.
Yea, and we also, we
Long gazed wistfully
Towards thee, O morning, come at last,
And towards the light that thou wilt pour upon us soon!
II
O soul who still art strange to sense,
Who often against beauty wouldst complain,
Doubting between joy and pain:
If like the startling touch of something keen
Against thee, it hath been
To follow from an upland height
The swift sun hunting rain
Across the April meadows of a plain,
Until the fields would flash into the air
Their joyous green, like emeralds alight;
Or when in the blue of night's mid-noon
The burning naked moon
Draws to a brink of cloudy weather near,
A breadth of snow, firm and soft as a wing,
Stretcht out over a wind that gently goes,--
Through the white sleep of snowy cloud there grows
An azure-border'd shining ring,
The gleaming dream of the approaching joy of her;--
What now wilt thou do, Soul? What now,
If with such things as these troubled thou wert?
How wilt thou now endure, or how
Not now be strangely hurt? --
When utter beauty must come closer to thee
Than even anger or fear could be;
When thou, like metal in a kiln, must lie
Seized by beauty's mightily able flame;
Enjoyed by beauty as by the ruthless glee
Of an unescapable power;
Obeying beauty as air obeys a cry;
Yea, one thing made of beauty and thee,
As steel and a white heat are made the same!
--Ah, but I know how this infirmity
Will fail and be not, no, not memory,
When I begin the marvellous hour.
This only is my heart's strain'd eagerness,
Long waiting for its bliss. --
But from those other fears, from those
That keep to Love so close,
From fears that are the shadow of delight,
Hide me, O joys; make them unknown to-night!
III
Thou bright God that in dream earnest to me last night,
Thou with the flesh made of a golden light,
Knew I not thee, thee and thy heart,
Knew I not well, God, who thou wert?
Yea, and my soul divinely understood
The light that was beneath thee a ground,
The golden light that cover'd thee round,
Turning my sleep to a fiery morn,
Was as a heavenly oath there sworn
Promising me an immortal good:
Well I knew thee, God of Marriages, thee and thy flame!
Ah, but wherefore beside thee came
That fearful sight of another mood?
Why in thy light, to thy hand chained,
Towards me its bondage terribly strained,
Why came with thee that dreadful hound,
The wild hound Fear, black, ravenous and gaunt?
Why him with thee should thy dear light surround?
Why broughtest thou that beast to haunt
The blissful footsteps of my golden dream? --
All shadowy black the body dread,
All frenzied fire the head,--
The hunger of its mouth a hollow crimson flame,
The hatred in its eyes a blaze
Fierce and green, stabbing the ruddy glaze,
And sharp white jetting fire the teeth snarl'd at me,
And white the dribbling rage of froth,--
A throat that gaped to bay and paws working violently,
Yet soundless all as a winging moth;
Tugging towards me, famishing for my heart;--
Even while thou, O golden god, wert still
Looking the beautiful kindness of thy will
Into my soul, even then must I be,
With thy bright promise looking at me,
Then bitterly of that hound afraid? --
Darkness, I know, attendeth bright,
And light comes not but shadow comes:
And heart must know, if it know thy light,
Thy wild hound Fear, the shadow of love's delight.
Yea, is it thus? Are we so made
Of death and darkness, that even thou,
O golden God of the joys of love,
Thy mind to us canst only prove,
The glorious devices of thy mind,
By so revealing how thy journeying here
Through this mortality, doth closely bind
Thy brightness to the shadow of dreadful Fear? --
Ah no, it shall not be! Thy joyous light
Shall hide me from the hunger of fear to-night.
IV
For wonderfully to live I now begin:
So that the darkness which accompanies
Our being here, is fasten'd up within
The power of light that holdeth me;
And from these shining chains, to see
My joy with bold misliking eyes,
The shrouded figure will not dare arise.
For henceforth, from to-night,
I am wholly gone into the bright
Safety of the beauty of love:
Not only all my waking vigours plied
Under the searching glory of love,
But knowing myself with love all satisfied
Even when my life is hidden in sleep;
As high clouds, to themselves that keep
The moon's white company, are all possest
Silverly with the presence of their guest;
Or as a darken'd room
That hath within it roses, whence the air
And quietness are taken everywhere
Deliciously by sweet perfume.
EPILOGUE
EPILOGUE
What shall we do for Love these days?
How shall we make an altar-blaze
To smite the horny eyes of men
With the renown of our Heaven,
And to the unbelievers prove
Our service to our dear god, Love?
What torches shall we lift above
The crowd that pushes through the mire,
To amaze the dark heads with strange fire?
I should think I were much to blame,
If never I held some fragrant flame
Above the noises of the world,
And openly 'mid men's hurrying stares,
Worshipt before the sacred fears
That are like flashing curtains furl'd
Across the presence of our lord Love.
Nay, would that I could fill the gaze
Of the whole earth with some great praise
Made in a marvel for men's eyes,
Some tower of glittering masonries,
Therein such a spirit flourishing
Men should see what my heart can sing:
All that Love hath done to me
Built into stone, a visible glee;
Marble carried to gleaming height
As moved aloft by inward delight;
Not as with toil of chisels hewn,
But seeming poised in a mighty tune.
For of all those who have been known
To lodge with our kind host, the sun,
I envy one for just one thing:
In Cordova of the Moors
There dwelt a passion-minded King,
Who set great bands of marble-hewers
To fashion his heart's thanksgiving
In a tall palace, shapen so
All the wondering world might know
The joy he had of his Moorish lass.
His love, that brighter and larger was
Than the starry places, into firm stone
He sent, as if the stone were glass
Fired and into beauty blown.
Solemn and invented gravely
In its bulk the fabric stood,
Even as Love, that trusteth bravely
In its own exceeding good
To be better than the waste
Of time's devices; grandly spaced,
Seriously the fabric stood.
But over it all a pleasure went
Of carven delicate ornament,
Wreathing up like ravishment,
Mentioning in sculptures twined
The blitheness Love hath in his mind;
And like delighted senses were
The windows, and the columns there
Made the following sight to ache
As the heart that did them make.
Well I can see that shining song
Flowering there, the upward throng
Of porches, pillars and windowed walls,
Spires like piercing panpipe calls,
Up to the roof's snow-cloud flight;
All glancing in the Spanish light
White as water of arctic tides,
Save an amber dazzle on sunny sides.
You had said, the radiant sheen
Of that palace might have been
A young god's fantasy, ere he came
His serious worlds and suns to frame;
Such an immortal passion
Quiver'd among the slim hewn stone.
And in the nights it seemed a jar
Cut in the substance of a star,
Wherein a wine, that will be poured
Some time for feasting Heaven, was stored.
But within this fretted shell,
The wonder of Love made visible,
The King a private gentle mood
There placed, of pleasant quietude.
For right amidst there was a court,
Where always musked silences
Listened to water and to trees;
And herbage of all fragrant sort,--
Lavender, lad's-love, rosemary,
Basil, tansy, centaury,--
Was the grass of that orchard, hid
Love's amazements all amid.
Jarring the air with rumour cool,
Small fountains played into a pool
With sound as soft as the barley's hiss
When its beard just sprouting is;
Whence a young stream, that trod on moss,
Prettily rimpled the court across.
And in the pool's clear idleness,
Moving like dreams through happiness,
Shoals of small bright fishes were;
In and out weed-thickets bent
Perch and carp, and sauntering went
With mounching jaws and eyes a-stare;
Or on a lotus leaf would crawl,
A brinded loach to bask and sprawl,
Tasting the warm sun ere it dipt
Into the water; but quick as fear
Back his shining brown head slipt
To crouch on the gravel of his lair,
Where the cooled sunbeams broke in wrack,
Spilt shatter'd gold about his back.
So within that green-veiled air,
Within that white-walled quiet, where
Innocent water thought aloud,--
Childish prattle that must make
The wise sunlight with laughter shake
On the leafage overbowed,--
Often the King and his love-lass
Let the delicious hours pass.
All the outer world could see
Graved and sawn amazingly
Their love's delighted riotise,
Fixt in marble for all men's eyes;
But only these twain could abide
In the cool peace that withinside
Thrilling desire and passion dwelt;
They only knew the still meaning spelt
By Love's flaming script, which is
God's word written in ecstasies.
And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?
Ah, it was but built in vain
Against the stupid horns of Rome,
That pusht down into the common loam
The loveliness that shone in Spain.
But we have raised it up again!
A loftier palace, fairer far,
Is ours, and one that fears no war.
Safe in marvellous walls we are;
Wondering sense like builded fires,
High amazement of desires,
Delight and certainty of love,
Closing around, roofing above
Our unapproacht and perfect hour
Within the splendours of love's power.
_The "Hymn to Love"
is reprinted by permission from "The Vineyard. "_
End of Project Gutenberg's Emblems Of Love, by Lascelles Abercrombie
*** END OF THIS PROJECT GUTENBERG EBOOK EMBLEMS OF LOVE ***
***** This file should be named 15472-8. txt or 15472-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/5/4/7/15472/
Produced by Charles Aldarondo, Keren Vergon, S. R. Ellison
and the PG Online Distributed Proofreading Team.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.
You and your crying grief should have blown past
My heart like wind shaking a fasten'd casement.
But I must have you in. Myself I loathe
For opening to you, and thereby opening
To the demon which had set you on to whine
Pitiably in the porches of my spirit.
You are but noise; but he is the lust of the world,
The infinite wrong the spirit, the virgin spirit,
Must fasten against, or be for ever vile.
_A Citizen_.
But is it naught that we, the folk of God,
Are safe by thee?
_Judith_.
God hath his own devices.
But I would be God's helper! I would be
Known as the woman whom his strength had chosen
To ruin the Assyrians! --O my God,
How dreadfully thou punishest small sins!
If it is thou who punishest; but rather
It is that, when we slacken in perceiving
The world's intent towards us, and fatally,
Enticed out of suspicion by fair signs,
Go from ignoring its proposals, down
To parley,--thou our weakness dost permit.
In all my days I from the greed of the world
Virginal have kept my spirit's dwelling,--
Till now; yea, all my being I have maintained
Sacredly my own possession; for love
But made more beautiful and more divine
My spirit's ownership. And yet no warning,
When I infatuate went down to be
Procuress of myself to the world's desire,
Did God blaze on my blindness, no rebuke.
Therefore I am no more my virgin own,
But hatefully, unspeakably, the world's.
To these now I belong; they took me and used me.
I have no pride to live for; and why else
Should one stay living, if not joyfully proud?
For I have yielded now; mercilessly
What is makes foolish nothing of what was.
To know the world, for all its grasping hands,
For all its heat to utter its pent nature
Into the souls that must go faring through it,
Availing nothing against purity,
Made always like rebellion trodden under,--
By this was life a noble labour. Now
I have been persuaded into the world's pleasure:
And now at last I will all certainly
Contrive for myself the death of Holofernes.
[OZIAS _comes behind her and catches the lifted falchion_.
_Judith_.
It was well done, Ozias.
_Ozias_.
I have watcht
Thy anguish growing, and I lookt for this.
_Judith_.
Thou knowest me better than I know myself.
What moves in me is strange and uncontrolled,
That once I thought was ruled: thou knew'st me better. --
Indeed thou must forgive me; what was I
To take so bitterly thy suit? What right
Had I to give thee anger, when thou wouldst
Brighten thy hopeless death with me enjoyed,
I, even from that anger, going to be
Holofernes' pleasure? --Thou knewest me better,
And therefore shalt forgive me. Ay, no doubt
My spirit answered thee so fiercely then
Because it felt thee reading me aright,
How a mere bragging was my purity.
But now to pardon askt, I must add thanks. --
I had forgot Manasses! Even love
Was driven forth of me by these loud mouths!
Whether in death he waits for me, I know not;
But it had been an unforgivable thing
To have made this the end; not to have gone
To death as unto spousals, leaving life
As one sets down a work faithfully done,
And knows oneself by service justified,
Worthy of love, whether love be or not.
But, soiled with detestation, to have thrown
Fiercely aside the garment of this light;
Proved at the last impatient, death desiring
Like a mere doffing of foul drenched clothes;
Release from the wicked hindering mire of sorrow;
A comfortable darkness hiding me
Out of the glowing world myself have made
An insult, domineering me with splendour;--
O such a death had turned, past all forgiving,
My insult to Manasses, and searcht him out,
Even where he is quiet, with the blaze,
Ranging like din, of this contempt, this triumph.
Not crying out such hateful news should I
Flee hunted into death, unto my love.
From this, Ozias, thou hast saved me. Now
I am to learn my shame, that not amazed,
But practised in my burden, I at last,
When my time comes, may all in gladness fare
The road made sacred by Manasses' feet.
[JUDITH _goes into her house_.
_Ozias (addressing the citizens)_.
You do well to be stricken silent here.
Terrible Holofernes slain by a woman
Was something wonderful, to be noised aloud;
But this is a wonder past applauding thought,
This grief darkening Judith, in the midst
Of the new shining glory she herself
Has brought to conquer in our skies the storm.
You do well to be dumb: for you have seen
Virginity. That spirit you have seen,
Seen made wrathfully plain that secret spirit,
Whereby is man's frail scabbard filled with steel.
This, cumbered in the earthen kind of man,
Which ceaseless waters would be wearing down,
Alone giveth him stubborn substance, holds him
Upright and hard against impious fate.
All things within it would the world possess,
And have them in the tide of its desire:
Man hath his nature of the vehement world;
He is a torrent like the stars and beasts
Flowing to answer the fierce world's desire.
But like a giant wading in the sea
Stands in the rapture, and refusing it,
And looking upward out of it to find
Who knows what sign? --spirit, virginity;
A power caught by the power of the world;
The spirit in whose unknown hope doth man
Deny the mastery of his fortune here;
Virginity, whose pride, impassion'd only
To be as she herself would be, nor thence
To loosen for the world's endeavouring,
And, though all give the rash obedience, stand
Her own possession,--this virginity,
This pride of the spirit, asking no reward
But to be pride unthrown, this is the force
Whereby man hath his courage in the strange
Fearful turmoil of being conscious man.
Yea, worshipping this spirit, he will at last
Grow into high divine imagination,
Wherein the envious wildness of the world
Yieldeth its striving up to him, and takes
His mind, building the endless stars like stone
To house his towering joy of self-possessing.
This made you dumb; ignorant knowledge of this,
Blind vision of virginity's mightiness,
Did chide the exclamation in your hearts.
And think not you have seen, in Judith's grief,
Virginity drown'd in the pouring world.
For what is done is naught; what is, is all:
And Judith is virginity's appointed.
Even by her injury she showeth us,
As fire by violence may be revealed,
How sovereign is virginity. --
But let us now consult what way her grief,
Which is not to be understood by us,
May spend itself, with naught to urge its power.
Let us within our walls keep close this tale,
Close as the famine and the thirst were kept
Devouring us by the Assyrians.
Let there be no news going through the land
Out of Bethulia but this: that we
At Judith's hands had our deliverance,
But she from Holofernes and his crew
Unwilling and astonisht reverence,
As they were men with minds opprest by God.
THE ETERNAL WEDDING
_He_.
Even as a wind that hasteth round the world
From out cold hours fill'd with shadow of earth,
To pour alight against the risen sun;
So unto thee adoring, out of its shadow
Floweth my spirit, into the light of thee
Which Beauty is, and Joy. From my own fate,
From out the darkness wherein long I fared
Worshipping stars and morsels of the light,
Through doors of golden morning now I pass
Into the great whole light and perfect day
Of shining Beauty, open to me at last.
Yea, into thee now do I pass, beloved:
Beauty and thou are mine!
_She_.
And I am thine!
I am desirable to my desire:
Thence am I clean as immortality
With Beauty and Joy, the fiery power of Beauty.
_He_.
And by my spirit made marvellous here by thee,
Poured out all clear into the gold of thee,
Not myself only do I know; I have
Golden within me the whole fate of man:
That every flesh and soul belongs to one
Continual joyward ravishment, whose end
Is here, in this perfection. Now I know--
For all my speculation soareth up,
A bird taking eternity for air,--
Now being mixt with thee, in the burning midst
Of Beauty for my sense and mind and soul,--
That life hath highest gone which hath most joy.
For like great wings forcefully smiting air
And driving it along in rushing rivers,
Desire of joy beats mightily pulsing forward
The world's one nature, and all the loose lives therein,
Carried and greatly streaming on a gale
Of craving, swept fiercely along in beauty;--
Like a great weather of wind and shining sun,
When the airs pick up whole huge waves of sea,
Crumble them in their grasp and high aloft
Sow them glittering, a white watery dust,
To company with light: so we are driven
Onward and upward in a wind of beauty,
Until man's race be wielded by its joy
Into some high incomparable day,
Where perfectly delight may know itself,--
No longer need a strife to know itself,
Only by its prevailing over pain.
_She_.
Beloved, but no pain may strive with us.
_He_.
No, for we are flown far ahead of life:
The feet of our Spirit have wonderfully trod
The dangers of the rushing fate of life,
As summer-searching birds tread with their wings
Mountainous surges in the air. But many,
Not strongly fledge to ride the world's great rapture,
Must break, down fallen into steep confusion,
Where we climb easily and tower with joy.
Nevertheless doth life foretell in us
How it shall all make seizure at the last
Upon this height of ecstasy, this fort
Life like an army storms: Captains we are
In the great assault; and where we stand alone
Within these hours, built like establisht flames
Round us, at long last all man's life shall stand
At peace with joy, wearing delighted sense
As meadows wear their golden pleasure of flowers.
Certain my heart dwells in these builded hours,
That there is no more beauty beyond thee.
Thou art my utter beauty; and--behold
The marvel, God in Heaven! --I am thine.
Therefore we know, in this height-guarded place
Whereto the speed of our desire hath brought us;
Here in this safety crowning, like a fort
Built upon topmost peaks, the height of beauty,--
We know to be glad of life as we were gods
Timelessly glad of deity; yea, to enjoy
Fleshly, spiritual Being till the swift
Torrent of glee (as hurled star-dust can change
Dim earthly weather to a moment like the sun,)
Doth startle life to self-adoring godhead,--
Divine body of Power and divine
Burning soul of Light and self-desire.
And having given ourselves all to amazement,
We are made like a prophesying song
Of life all joy, a bride in the arms of God. --
Yea, God shall marry his people at the last;
And every man and woman who has sworn
That only joy can make this Being sacred,
Weaves at the wedding-garment.
_She_.
Ah, my beloved,
Feelest thou too that out of earth and time
We are transgressing into Heavenly hours?
Or, threading the dark worldly multitude
And making lightning of its path, there comes
A zeal from God posting along our lives.
_He_.
For some eternal pulse hath chosen us,
Some divine anger beats within our hearts.
_She_.
Anger? But how far off is love from anger!
_He_.
Nay, both belong to joy; joy's kind is twain.
And close as in the pouring of sun-flame
Are mingled glory of light and fury of heat,
Joy utters its twin radiance, love and anger;
If joy be not indeed all sacred wrath
With circumstance; indignant memory
Of what hath been, when the new lusts of God
Exulted unimaginably, before
Rigours of law fastened like creeping habit
Upon their measureless wont, and forced them drive
Their ranging music of delighted being
Through the fixt beating tune of a circling world. --
Is not love so? Amazement of an anger
Against created shape and narrowness?
The bound rage of the uncreated Spirit
Whose striving doth impassion us and the world?
A wrath that thou and I are not one being?
_She_.
Yes, and not only words that thou and I
Out of our sexes with a flame's escape
Are fashioned into one. The Spirit in us
Hath, like imagination in a prison,
Kindled itself free of all boundary,
So that it hath no room but its own joy,
Ample as at the first, before it fell
Into this burthenous habit of a world.
What have we now to do with the world? We are
Made one unworldly thing; we are past the world;
Yea, and unmade: we are immortality.
_He_.
And only fools abominably crazed,
Those who will set imagination down
As less in truth than their dim sensual wit,
Dare doubt that, while these dreams of ours, these bodies,
Still quiver in the world each with its own
Delight, the great divine wrath of our love
Hath stricken off from us the place of the world!
Yea, as we walk in spiritual freedom
Upright before the shining face of God,
Behold, as it were the shadow of our stature
Thrown by that light, we draw the world behind us,--
That world wherein, darkly I remember,
We thought we were as twain.
_She_.
Yet, since God means
That love should sunder our fixt separateness
And make our married spirits leap together,
As lightning out of the clouds of sexual flesh,
Into one sexless undivided joy;
Why hath he made us a divided flesh?
We being single ecstasy, now as strange
As if a shadow stained where no one stood
The ground in the noon-glare, seemeth to me
The long blind time wherein our lives and the world
Lay stretcht out dark upon the light of heaven,
Like shadow of some bulk that took the glory;
While yet there stood not over it, to shade
The splendour from it, our heaven-fronting love,
This great new soul that our two souls have kindled.
Yea, and how like, that in the world's chance-medley
This our exulting destiny had been slain,
Though here it lords the world as a man his shadow!
_He_.
But the world is not chance, except to those
Most feeble in desire: who needeth aught
Shall have it, if he fill his soul with the need.
While still our ignorant lives were drowned beneath
The flooding of the earthly fate, and chance
Seemed pouring mightily dark and loud between us,
Unspeakable news oft visited our hearts:
We knew each other by desire; yea, spake
Out of the strength of darkness flowing o'er us,
Across the hindering outcry of the world
One to another sweet desirable things.
Until at last we took such heavenly lust
Of those unheard messages into our lives,
We were made abler than the worldly fate.
We held its random enmity as frost
The storming Northern seas, and fastened it
In likeness of our love's imagining;
Or as a captain with his courage holds
The mutinous blood of an army aghast with fear,
And maketh it unwillingly dare his purpose,
Our lust of love struck its commandment deep
Into the froward turbulence of world
That parted us. Suddenly the dark noise
Cleft and went backward from us, and we stood
Knowing each other in a quiet light;
And like wise music made of many strings
Following and adoring underneath
Prevailing song, fate lived beneath our love,
Under the masterful excellent silence of it,
A multitudinous obedience.
_She_.
Yea, but not this my marvel: not that we
Should master with desire the sundering world,
We who bore in our hearts such destiny,
There was no force knew to be dangerous
Against it, but must turn its malice clean
Into obsequious favour worshipping us.
Rather hath this astonisht me, that we
Have not for ever lived in this high hour.
Only to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?
_He_.
Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,--
This mystery of a world sign of his striving?
Else wherefore this, a thing to break the mind
With labouring in the wonder of it, that here
Being--the world and we--is suffered to be! --
But, lying on thy breast one notable day,
Sudden exceeding agony of love
Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God
As light unfashion'd, unendurable flame,
Interminable, not to be supposed;
And there was no more creature except light,--
The dreadful burning of the lonely God's
Unutter'd joy. And then, past telling, came
Shuddering and division in the light:
Therein, like trembling, was desire to know
Its own perfect beauty; and it became
A cloven fire, a double flaming, each
Adorable to each; against itself
Waging a burning love, which was the world;--
A moment satisfied in that love-strife
I knew the world! --And when I fell from there,
Then knew I also what this life would do
In being twain,--in being man and woman!
For it would do even as its endless Master,
Making the world, had done; yea, with itself
Would strive, and for the strife would into sex
Be cloven, double burning, made thereby
Desirable to itself. Contrived joy
Is sex in life; and by no other thing
Than by a perfect sundering, could life
Change the dark stream of unappointed joy
To perfect praise of itself, the glee that loves
And worships its own Being. This is ours!
Yet only for that we have been so long
Sundered desire: thence is our life all praise. --
But we, well knowing by our strength of joy
There is no sundering more, how far we love
From those sad lives that know a half-love only,
Alone thereby knowing themselves for ever
Sealed in division of love, and therefore made
To pour their strength out always into their love's
Fierceness, as green wood bleeds its hissing sap
Into red heat of a fire! Not so do we:
The cloven anger, life, hath left to wage
Its flame against itself, here turned to one
Self-adoration. --Ah, what comes of this?
The joy falters a moment, with closed wings
Wearying in its upward journey, ere
Again it goes on high, bearing its song,
Its delight breathing and its vigour beating
The highest height of the air above the world.
_She_.
What hast thou done to me! --I would have soul,
Before I knew thee, Love, a captive held
By flesh. Now, inly delighted with desire,
My body knows itself to be nought else
But thy heart's worship of me; and my soul
Therein is sunlight held by warm gold air.
Nay, all my body is become a song
Upon the breath of spirit, a love-song.
_He_.
And mine is all like one rapt faculty,
As it were listening to the love in thee,
My whole mortality trembling to take
Thy body like heard singing of thy spirit.
_She_.
Surely by this, Beloved, we must know
Our love is perfect here,--that not as holds
The common dullard thought, we are things lost
In an amazement that is all unware;
But wonderfully knowing what we are!
Lo, now that body is the song whereof
Spirit is mood, knoweth not our delight?
Knoweth not beautifully now our love,
That Life, here to this festival bid come
Clad in his splendour of worldly day and night,
Filled and empower'd by heavenly lust, is all
The glad imagination of the Spirit?
_He_.
Were it not so, Love could not be at all:
Nought could be, but a yearning to fulfil
Desire of beauty, by vain reaching forth
Of sense to hold and understand the vision
Made by impassion'd body,--vision of thee!
But music mixt with music are, in love,
Bodily senses; and as flame hath light,
Spirit this nature hath imagined round it,
No way concealed therein, when love comes near,
Nor in the perfect wedding of desires
Suffering any hindrance.
_She_.
Ah, but now,
Now am I given love's eternal secret!
Yea, thou and I who speak, are but the joy
Of our for ever mated spirits; but now
The wisdom of my gladness even through Spirit
Looks, divinely elate. Who hath for joy
Our Spirits? Who hath imagined them
Round him in fashion'd radiance of desire,
As into light of these exulting bodies
Flaming Spirit is uttered?
_He_.
Yea, here the end
Of love's astonishment! Now know we Spirit,
And Who, for ease of joy, contriveth Spirit.
Now all life's loveliness and power we have
Dissolved in this one moment, and our burning
Carries all shining upward, till in us
Life is not life, but the desire of God,
Himself desiring and himself accepting.
Now what was prophecy in us is made
Fulfilment: we are the hour and we are the joy,
We in our marvellousness of single knowledge,
Of Spirit breaking down the room of fate
And drawing into his light the greeting fire
Of God,--God known in ecstasy of love
Wedding himself to utterance of himself.
MARRIAGE SONG
I
Come up, dear chosen morning, come,
Blessing the air with light,
And bid the sky repent of being dark:
Let all the spaces round the world be white,
And give the earth her green again.
Into new hours of beautiful delight,
Out of the shadow where she has lain,
Bring the earth awake for glee,
Shining with dews as fresh and clear
As my beloved's voice upon the air.
For now, O morning chosen of all days, on thee
A wondrous duty lies:
There was an evening that did loveliness foretell;
Thence upon thee, O chosen morn, it fell
To fashion into perfect destiny
The radiant prophecy.
For in an evening of young moon, that went
Filling the moist air with a rosy fire,
I and my beloved knew our love;
And knew that thou, O morning, wouldst arise
To give us knowledge of achieved desire.
For, standing stricken with astonishment,
Half terrified in the delight,
Even as the moon did into clear air move
And made a golden light,
Lo there, croucht up against it, a dark hill,
A monstrous back of earth, a spine
Of hunched rock, furred with great growth of pine,
Lay like a beast, snout in its paws, asleep;
Yet in its sleeping seemed it miserable,
As though strong fear must always keep
Hold of its heart, and drive its blood in dream.
Yea, for to our new love, did it not seem,
That dark and quiet length of hill,
The sleeping grief of the world? --Out of it we
Had like imaginations stept to be
Beauty and golden wonder; and for the lovely fear
Of coming perfect joy, had changed
The terror that dreamt there!
And now the golden moon had turned
To shining white, white as our souls that burned
With vision of our prophecy assured:
Suddenly white was the moon; but she
At once did on a woven modesty
Of cloud, and soon went in obscured:
And we were dark, and vanisht that strange hill.
But yet it was not long before
There opened in the sky a narrow door,
Made with pearl lintel and pearl sill;
And the earth's night seem'd pressing there,--
All as a beggar on some festival would peer,--
To gaze into a room of light beyond,
The hidden silver splendour of the moon.
Yea, and we also, we
Long gazed wistfully
Towards thee, O morning, come at last,
And towards the light that thou wilt pour upon us soon!
II
O soul who still art strange to sense,
Who often against beauty wouldst complain,
Doubting between joy and pain:
If like the startling touch of something keen
Against thee, it hath been
To follow from an upland height
The swift sun hunting rain
Across the April meadows of a plain,
Until the fields would flash into the air
Their joyous green, like emeralds alight;
Or when in the blue of night's mid-noon
The burning naked moon
Draws to a brink of cloudy weather near,
A breadth of snow, firm and soft as a wing,
Stretcht out over a wind that gently goes,--
Through the white sleep of snowy cloud there grows
An azure-border'd shining ring,
The gleaming dream of the approaching joy of her;--
What now wilt thou do, Soul? What now,
If with such things as these troubled thou wert?
How wilt thou now endure, or how
Not now be strangely hurt? --
When utter beauty must come closer to thee
Than even anger or fear could be;
When thou, like metal in a kiln, must lie
Seized by beauty's mightily able flame;
Enjoyed by beauty as by the ruthless glee
Of an unescapable power;
Obeying beauty as air obeys a cry;
Yea, one thing made of beauty and thee,
As steel and a white heat are made the same!
--Ah, but I know how this infirmity
Will fail and be not, no, not memory,
When I begin the marvellous hour.
This only is my heart's strain'd eagerness,
Long waiting for its bliss. --
But from those other fears, from those
That keep to Love so close,
From fears that are the shadow of delight,
Hide me, O joys; make them unknown to-night!
III
Thou bright God that in dream earnest to me last night,
Thou with the flesh made of a golden light,
Knew I not thee, thee and thy heart,
Knew I not well, God, who thou wert?
Yea, and my soul divinely understood
The light that was beneath thee a ground,
The golden light that cover'd thee round,
Turning my sleep to a fiery morn,
Was as a heavenly oath there sworn
Promising me an immortal good:
Well I knew thee, God of Marriages, thee and thy flame!
Ah, but wherefore beside thee came
That fearful sight of another mood?
Why in thy light, to thy hand chained,
Towards me its bondage terribly strained,
Why came with thee that dreadful hound,
The wild hound Fear, black, ravenous and gaunt?
Why him with thee should thy dear light surround?
Why broughtest thou that beast to haunt
The blissful footsteps of my golden dream? --
All shadowy black the body dread,
All frenzied fire the head,--
The hunger of its mouth a hollow crimson flame,
The hatred in its eyes a blaze
Fierce and green, stabbing the ruddy glaze,
And sharp white jetting fire the teeth snarl'd at me,
And white the dribbling rage of froth,--
A throat that gaped to bay and paws working violently,
Yet soundless all as a winging moth;
Tugging towards me, famishing for my heart;--
Even while thou, O golden god, wert still
Looking the beautiful kindness of thy will
Into my soul, even then must I be,
With thy bright promise looking at me,
Then bitterly of that hound afraid? --
Darkness, I know, attendeth bright,
And light comes not but shadow comes:
And heart must know, if it know thy light,
Thy wild hound Fear, the shadow of love's delight.
Yea, is it thus? Are we so made
Of death and darkness, that even thou,
O golden God of the joys of love,
Thy mind to us canst only prove,
The glorious devices of thy mind,
By so revealing how thy journeying here
Through this mortality, doth closely bind
Thy brightness to the shadow of dreadful Fear? --
Ah no, it shall not be! Thy joyous light
Shall hide me from the hunger of fear to-night.
IV
For wonderfully to live I now begin:
So that the darkness which accompanies
Our being here, is fasten'd up within
The power of light that holdeth me;
And from these shining chains, to see
My joy with bold misliking eyes,
The shrouded figure will not dare arise.
For henceforth, from to-night,
I am wholly gone into the bright
Safety of the beauty of love:
Not only all my waking vigours plied
Under the searching glory of love,
But knowing myself with love all satisfied
Even when my life is hidden in sleep;
As high clouds, to themselves that keep
The moon's white company, are all possest
Silverly with the presence of their guest;
Or as a darken'd room
That hath within it roses, whence the air
And quietness are taken everywhere
Deliciously by sweet perfume.
EPILOGUE
EPILOGUE
What shall we do for Love these days?
How shall we make an altar-blaze
To smite the horny eyes of men
With the renown of our Heaven,
And to the unbelievers prove
Our service to our dear god, Love?
What torches shall we lift above
The crowd that pushes through the mire,
To amaze the dark heads with strange fire?
I should think I were much to blame,
If never I held some fragrant flame
Above the noises of the world,
And openly 'mid men's hurrying stares,
Worshipt before the sacred fears
That are like flashing curtains furl'd
Across the presence of our lord Love.
Nay, would that I could fill the gaze
Of the whole earth with some great praise
Made in a marvel for men's eyes,
Some tower of glittering masonries,
Therein such a spirit flourishing
Men should see what my heart can sing:
All that Love hath done to me
Built into stone, a visible glee;
Marble carried to gleaming height
As moved aloft by inward delight;
Not as with toil of chisels hewn,
But seeming poised in a mighty tune.
For of all those who have been known
To lodge with our kind host, the sun,
I envy one for just one thing:
In Cordova of the Moors
There dwelt a passion-minded King,
Who set great bands of marble-hewers
To fashion his heart's thanksgiving
In a tall palace, shapen so
All the wondering world might know
The joy he had of his Moorish lass.
His love, that brighter and larger was
Than the starry places, into firm stone
He sent, as if the stone were glass
Fired and into beauty blown.
Solemn and invented gravely
In its bulk the fabric stood,
Even as Love, that trusteth bravely
In its own exceeding good
To be better than the waste
Of time's devices; grandly spaced,
Seriously the fabric stood.
But over it all a pleasure went
Of carven delicate ornament,
Wreathing up like ravishment,
Mentioning in sculptures twined
The blitheness Love hath in his mind;
And like delighted senses were
The windows, and the columns there
Made the following sight to ache
As the heart that did them make.
Well I can see that shining song
Flowering there, the upward throng
Of porches, pillars and windowed walls,
Spires like piercing panpipe calls,
Up to the roof's snow-cloud flight;
All glancing in the Spanish light
White as water of arctic tides,
Save an amber dazzle on sunny sides.
You had said, the radiant sheen
Of that palace might have been
A young god's fantasy, ere he came
His serious worlds and suns to frame;
Such an immortal passion
Quiver'd among the slim hewn stone.
And in the nights it seemed a jar
Cut in the substance of a star,
Wherein a wine, that will be poured
Some time for feasting Heaven, was stored.
But within this fretted shell,
The wonder of Love made visible,
The King a private gentle mood
There placed, of pleasant quietude.
For right amidst there was a court,
Where always musked silences
Listened to water and to trees;
And herbage of all fragrant sort,--
Lavender, lad's-love, rosemary,
Basil, tansy, centaury,--
Was the grass of that orchard, hid
Love's amazements all amid.
Jarring the air with rumour cool,
Small fountains played into a pool
With sound as soft as the barley's hiss
When its beard just sprouting is;
Whence a young stream, that trod on moss,
Prettily rimpled the court across.
And in the pool's clear idleness,
Moving like dreams through happiness,
Shoals of small bright fishes were;
In and out weed-thickets bent
Perch and carp, and sauntering went
With mounching jaws and eyes a-stare;
Or on a lotus leaf would crawl,
A brinded loach to bask and sprawl,
Tasting the warm sun ere it dipt
Into the water; but quick as fear
Back his shining brown head slipt
To crouch on the gravel of his lair,
Where the cooled sunbeams broke in wrack,
Spilt shatter'd gold about his back.
So within that green-veiled air,
Within that white-walled quiet, where
Innocent water thought aloud,--
Childish prattle that must make
The wise sunlight with laughter shake
On the leafage overbowed,--
Often the King and his love-lass
Let the delicious hours pass.
All the outer world could see
Graved and sawn amazingly
Their love's delighted riotise,
Fixt in marble for all men's eyes;
But only these twain could abide
In the cool peace that withinside
Thrilling desire and passion dwelt;
They only knew the still meaning spelt
By Love's flaming script, which is
God's word written in ecstasies.
And where is now that palace gone,
All the magical skill'd stone,
All the dreaming towers wrought
By Love as if no more than thought
The unresisting marble was?
How could such a wonder pass?
Ah, it was but built in vain
Against the stupid horns of Rome,
That pusht down into the common loam
The loveliness that shone in Spain.
But we have raised it up again!
A loftier palace, fairer far,
Is ours, and one that fears no war.
Safe in marvellous walls we are;
Wondering sense like builded fires,
High amazement of desires,
Delight and certainty of love,
Closing around, roofing above
Our unapproacht and perfect hour
Within the splendours of love's power.
_The "Hymn to Love"
is reprinted by permission from "The Vineyard. "_
End of Project Gutenberg's Emblems Of Love, by Lascelles Abercrombie
*** END OF THIS PROJECT GUTENBERG EBOOK EMBLEMS OF LOVE ***
***** This file should be named 15472-8. txt or 15472-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/5/4/7/15472/
Produced by Charles Aldarondo, Keren Vergon, S. R. Ellison
and the PG Online Distributed Proofreading Team.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.
