I hear it--it talks to me--O it is
wonderful!
Whitman
_[1]
1.
A great year and place;
A harsh, discordant, natal scream out-sounding, to touch the mother's heart
closer than any yet.
2.
I walked the shores of my Eastern Sea,
Heard over the waves the little voice,
Saw the divine infant, where she woke, mournfully wailing, amid the roar of
cannon, curses, shouts, crash of falling buildings;
Was not so sick from the blood in the gutters running--nor from the single
corpses, nor those in heaps, nor those borne away in the tumbrils;
Was not so desperate at the battues of death--was not so shocked at the
repeated fusillades of the guns.
Pale, silent, stern, what could I say to that long-accrued retribution?
Could I wish humanity different?
Could I wish the people made of wood and stone?
Or that there be no justice in destiny or time?
3.
O Liberty! O mate for me!
Here too the blaze, the bullet, and the axe, in reserve to fetch them out
in case of need,
Here too, though long repressed, can never be destroyed;
Here too could rise at last, murdering and ecstatic;
Here too demanding full arrears of vengeance.
Hence I sign this salute over the sea,
And I do not deny that terrible red birth and baptism,
But remember the little voice that I heard wailing--and wait with perfect
trust, no matter how long;
And from to-day, sad and cogent, I maintain the bequeathed cause, as for
all lands,
And I send these words to Paris with my love,
And I guess some _chansonniers_ there will understand them,
For I guess there is latent music yet in France--floods of it.
O I hear already the bustle of instruments--they will soon be drowning all
that would interrupt them;
O I think the east wind brings a triumphal and free march,
It reaches hither--it swells me to joyful madness,
I will run transpose it in words, to justify it,
I will yet sing a song for you, _ma femme! _
[Footnote 1: 1793-4---The great poet of Democracy is "not so shocked" at
the great European year of Democracy. ]
_EUROPE, THE SEVENTY-SECOND AND SEVENTY-THIRD YEARS OF THESE STATES. _[1]
1.
Suddenly, out of its stale and drowsy lair, the lair of slaves,
Like lightning it leaped forth, half startled at itself,
Its feet upon the ashes and the rags--its hands tight to the throats of
kings.
O hope and faith!
O aching close of exiled patriots' lives!
O many a sickened heart!
Turn back unto this day, and make yourselves afresh.
2.
And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity
the poor man's wages,
For many a promise sworn by royal lips, and broken, and laughed at in the
breaking,
Then in their power, not for all these did the blows strike revenge, or the
heads of the nobles fall;
The People scorned the ferocity of kings.
3.
But the sweetness of mercy brewed bitter destruction, and the frightened
rulers come back;
Each comes in state with his train--hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.
4.
Yet behind all, lowering, stealing--lo, a Shape,
Vague as the night, draped interminably, head, front, and form, in scarlet
folds,
Whose face and eyes none may see:
Out of its robes only this--the red robes, lifted by the arm--
One finger crooked, pointed high over the top, like the head of a snake
appears.
5.
Meanwhile, corpses lie in new-made graves--bloody corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying,
the creatures of power laugh aloud,
And all these things bear fruits--and they are good.
Those corpses of young men,
Those martyrs that hang from the gibbets--those hearts pierced by the grey
lead,
Cold and motionless as they seem, live elsewhere with unslaughtered
vitality.
They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death--they were taught and exalted.
Not a grave of the murdered for freedom but grows seed for freedom, in its
turn to bear seed,
Which the winds carry afar and resow, and the rains and the snows nourish.
Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counselling,
cautioning.
6.
Liberty! let others despair of you! I never despair of you.
Is the house shut? Is the master away?
Nevertheless, be ready--be not weary of watching:
He will soon return--his messengers come anon.
[Footnote 1: The years 1848 and 1849. ]
_TO A FOILED REVOLTER OR REVOLTRESS. _
1.
Courage! my brother or my sister!
Keep on! Liberty is to be subserved, whatever occurs;
That is nothing that is quelled by one or two failures, or any number of
failures,
Or by the indifference or ingratitude of the people, or by any
unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.
2.
What we believe in waits latent for ever through all the continents, and
all the islands and archipelagoes of the sea.
What we believe in invites no one, promises nothing, sits in calmness and
light, is positive and composed, knows no discouragement,
Waiting patiently, waiting its time.
3.
The battle rages with many a loud alarm, and frequent advance and retreat,
The infidel triumphs--or supposes he triumphs,
The prison, scaffold, garrote, handcuffs, iron necklace and anklet, lead-
balls, do their work,
The named and unnamed heroes pass to other spheres,
The great speakers and writers are exiled--they lie sick in distant lands,
The cause is asleep--the strongest throats are still, choked
with their own blood,
The young men drop their eyelashes toward the ground when they meet;
But, for all this, Liberty has not gone out of the place, nor the infidel
entered into possession.
When Liberty goes out of a place, it is not the first to go, nor the second
or third to go,
It waits for all the rest to go--it is the last.
When there are no more memories of heroes and martyrs,
And when all life and all the souls of men and women are discharged from
any part of the earth,
Then only shall Liberty be discharged from that part of the earth,
And the infidel and the tyrant come into possession.
4.
Then courage! revolter! revoltress!
For till all ceases neither must you cease.
5.
I do not know what you are for, (I do not know what I am for myself, nor
what anything is for,)
But I will search carefully for it even in being foiled,
In defeat, poverty, imprisonment--for they too are great.
Did we think victory great?
So it is--But now it seems to me, when it cannot be helped, that defeat is
great,
And that death and dismay are great.
_DRUM TAPS. _
_MANHATTAN ARMING. _
1.
First, O songs, for a prelude,
Lightly strike on the stretched tympanum, pride and joy in my city,
How she led the rest to arms--how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!
How you sprang! how you threw off the costumes of peace with indifferent
hand;
How your soft opera-music changed, and the drum and fife were heard in
their stead;
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.
2.
Forty years had I in my city seen soldiers parading;
Forty years as a pageant--till unawares, the Lady of this teeming and
turbulent city,
Sleepless, amid her ships, her houses, her incalculable wealth,
With her million children around her--suddenly,
At dead of night, at news from the South,
Incensed, struck with clenched hand the pavement.
A shock electric--the night sustained it;
Till, with ominous hum, our hive at daybreak poured out its myriads.
From the houses then, and the workshops, and through all the doorways,
Leaped they tumultuous--and lo! Manhattan arming.
3.
To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, the trowel, the jack-plane, the black-smith's hammer,
tossed aside with precipitation;
The lawyer leaving his office, and arming--the judge leaving the court;
The driver deserting his waggon in the street, jumping down, throwing the
reins abruptly down on the horses' backs;
The salesman leaving the store--the boss, book-keeper, porter, all leaving;
Squads gathering everywhere by common consent, and arming;
The new recruits, even boys--the old men show them how to wear their
accoutrements--they buckle the straps carefully;
Outdoors arming--indoors arming--the flash of the musket-barrels;
The white tents cluster in camps--the armed sentries around--the sunrise
cannon, and again at sunset;
Armed regiments arrive every day, pass through the city, and embark from
the wharves;
How good they look, as they tramp down to the river, sweaty, with their
guns on their shoulders!
How I love them! how I could hug them, with their brown faces, and their
clothes and knapsacks covered with dust!
The blood of the city up--armed! armed! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public
buildings and stores;
The tearful parting--the mother kisses her son--the son kisses his mother;
Loth is the mother to part--yet not a word does she speak to detain him;
The tumultuous escort--the ranks of policemen preceding, clearing the way;
The unpent enthusiasm--the wild cheers of the crowd for their favourites;
The artillery--the silent cannons, bright as gold, drawn along, rumble
lightly over the stones;
Silent cannons--soon to cease your silence,
Soon, unlimbered, to begin the red business!
All the mutter of preparation--all the determined arming;
The hospital service--the lint, bandages, and medicines;
The women volunteering for nurses--the work begun for, in earnest--no mere
parade now;
War! an armed race is advancing! --the welcome for battle--no turning away;
War! be it weeks, months, or years--an armed race is advancing to welcome
it.
4.
Mannahatta a-march! --and it's O to sing it well!
It's O for a manly life in the camp!
5.
And the sturdy artillery!
The guns, bright as gold--the work for giants--to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies
merely;
Put in something else now besides powder and wadding.
6.
And you, Lady of Ships! you, Mannahatta!
Old matron of the city! this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frowned amid all
your children;
But now you smile with joy, exulting old Mannahatta!
_1861. _
Armed year! year of the struggle!
No dainty rhymes or sentimental love verses for you, terrible year!
Not you as some pale poetling, seated at a desk, lisping cadenzas piano;
But as a strong man, erect, clothed in blue clothes, advancing, carrying a
rifle on your shoulder,
With well-gristled body and sunburnt face and hands--with a knife in the
belt at your side,
As I heard you shouting loud--your sonorous voice ringing across the
continent;
Your masculine voice, O year, as rising amid the great cities,
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in
Manhattan;
Or with large steps crossing the prairies out of Illinois and Indiana,
Rapidly crossing the West with springy gait, and descending the
Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio
river;
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on
the mountain-top,
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing
weapons, robust year;
Heard your determined voice, launched forth again and again;
Year that suddenly sang by the mouths of the round-lipped cannon,
I repeat you, hurrying, crashing, sad, distracted year.
_THE UPRISING. _
1.
Rise, O days, from your fathomless deeps, till you loftier and fiercer
sweep!
Long for my soul, hungering gymnastic, I devoured what the earth gave me;
Long I roamed the woods of the North--long I watched Niagara pouring;
I travelled the prairies over, and slept on their breast--I crossed the
Nevadas,
I crossed the plateaus;
I ascended the towering rocks along the Pacific, I sailed out to sea;
I sailed through the storm, I was refreshed by the storm;
I watched with joy the threatening maws of the waves;
I marked the white combs where they careered so high, curling over;
I heard the wind piping, I saw the black clouds;
Saw from below what arose and mounted, (O superb! O wild as my heart, and
powerful! )
Heard the continuous thunder, as it bellowed after the lightning;
Noted the slender and jagged threads of lightning, as sudden and fast amid
the din they chased each other across the sky;
--These, and such as these, I, elate, saw--saw with wonder, yet pensive and
masterful;
All the menacing might of the globe uprisen around me;
Yet there with my soul I fed--I fed content, supercilious.
2.
'Twas well, O soul! 'twas a good preparation you gave me!
Now we advance our latent and ampler hunger to fill;
Now we go forth to receive what the earth and the sea never gave us;
Not through the mighty woods we go, but through the mightier cities;
Something for us is pouring now, more than Niagara pouring;
Torrents of men, (sources and rills of the North-west, are you indeed
inexhaustible? )
What, to pavements and homesteads here--what were those storms of the
mountains and sea?
What, to passions I witness around me to-day, was the sea risen?
Was the wind piping the pipe of death under the black clouds?
Lo! from deeps more unfathomable, something more deadly and savage;
Manhattan, rising, advancing with menacing front--Cincinnati, Chicago,
unchained;
--What was that swell I saw on the ocean? behold what comes here!
How it climbs with daring feet and hands! how it dashes!
How the true thunder bellows after the lightning! how bright the flashes of
lightning!
How DEMOCRACY with desperate vengeful port strides on, shown through the
dark by those flashes of lightning!
Yet a mournful wail and low sob I fancied I heard through the dark,
In a lull of the deafening confusion.
3.
Thunder on! stride on, Democracy! strike with vengeful stroke!
And do you rise higher than ever yet, O days, O cities!
Crash heavier, heavier yet, O storms! you have done me good;
My soul, prepared in the mountains, absorbs your immortal strong nutriment.
Long had I walked my cities, my country roads, through farms, only half
satisfied;
One doubt, nauseous, undulating like a snake, crawled on the ground before
me,
Continually preceding my steps, turning upon me oft, ironically hissing
low;
--The cities I loved so well I abandoned and left--I sped to the
certainties suitable to me
Hungering, hungering, hungering, for primal energies, and Nature's
dauntlessness,
I refreshed myself with it only, I could relish it only;
I waited the bursting forth of the pent fire--on the water and air I waited
long.
--But now I no longer wait--I am fully satisfied--I am glutted;
I have witnessed the true lightning--I have witnessed my cities electric;
I have lived to behold man burst forth, and warlike America rise;
Hence I will seek no more the food of the northern solitary wilds,
No more on the mountains roam, or sail the stormy sea.
_BEAT! BEAT! DRUMS! _
1.
Beat! beat! drums! --Blow! bugles! blow!
Through the windows--through doors--burst like a force of ruthless men,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying:
Leave not the bridegroom quiet--no happiness must he have now with his
bride;
Nor the peaceful farmer any peace, ploughing his field or gathering his
grain;
So fierce you whirr and pound, you drums--so shrill you bugles blow.
2.
Beat! beat! drums! --Blow! bugles! blow!
Over the traffic of cities--over the rumble of wheels in the streets:
Are beds prepared, for sleepers at night in the houses? No sleepers must
sleep in those beds;
No bargainers' bargains by day--no brokers or speculators--Would they
continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier, drums--you bugles wilder blow.
3.
Beat! beat! drums! --Blow! bugles! blow!
Make no parley--stop for no expostulation;
Mind not the timid--mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child's voice be heard, nor the mother's entreaties;
Make even the trestles to shake the dead, where they lie awaiting the
hearses,
So strong you thump, O terrible drums--so loud you bugles blow.
_SONG OF THE BANNER AT DAYBREAK. _
POET.
O a new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice, and child's voice, and sea's voice, and father's
voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at daybreak is flapping.
Words! book-words! what are you?
Words no more, for hearken and see,
My song is there in the open air--and I must sing,
With the banner and pennant a-flapping.
I'll weave the chord and twine in,
Man's desire and babe's desire--I'll twine them in, I'll put in life;
I'll put the bayonet's flashing point--I'll let bullets and slugs whizz;
I'll pour the verse with streams of blood, full of volition, full of joy;
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping.
BANNER AND PENNANT.
Come up here, bard, bard;
Come up here, soul, soul;
Come up here, dear little child,
To fly in the clouds and winds with us, and play with the measureless
light.
CHILD.
Father, what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?
FATHER.
Nothing, my babe, you see in the sky;
And nothing at all to you it says. But look you, my babe,
Look at these dazzling things in the houses, and see you the money-shops
opening;
And see you the vehicles preparing to crawl along the streets with goods:
These! ah, these! how valued and toiled for, these!
How envied by all the earth!
POET.
Fresh and rosy red, the sun is mounting high;
On floats the sea in distant blue, careering through its channels;
On floats the wind over the breast of the sea, setting in toward land;
The great steady wind from west and west-by-south,
Floating so buoyant, with milk-white foam on the waters.
But I am not the sea, nor the red sun;
I am not the wind, with girlish laughter;
Not the immense wind which strengthens--not the wind which lashes;
Not the spirit that ever lashes its own body to terror and death:
But I am of that which unseen comes and sings, sings, sings,
Which babbles in brooks and scoots in showers on the land;
Which the birds know in the woods, mornings and evenings,
And the shore-sands know, and the hissing wave, and that banner and
pennant,
Aloft there flapping and flapping.
CHILD.
O father, it is alive--it is full of people--it has children!
O now it seems to me it is talking to its children!
I hear it--it talks to me--O it is wonderful!
O it stretches--it spreads and runs so fast! O my father,
It is so broad it covers the whole sky!
FATHER.
Cease, cease, my foolish babe,
What you are saying is sorrowful to me--much it displeases me;
Behold with the rest, again I say--behold not banners and pennants aloft;
But the well-prepared pavements behold--and mark the solid-walled houses.
BANNER AND PENNANT.
Speak to the child, O bard, out of Manhattan;
Speak to our children all, or north or south of Manhattan,
Where our factory-engines hum, where our miners delve the ground,
Where our hoarse Niagara rumbles, where our prairie-ploughs are ploughing;
Speak, O bard! point this day, leaving all the rest, to us over all--and
yet we know not why;
For what are we, mere strips of cloth, profiting nothing,
Only flapping in the wind?
POET.
I hear and see not strips of cloth alone;
I hear the tramp of armies, I hear the challenging sentry;
I hear the jubilant shouts of millions of men--I hear LIBERTY!
I hear the drums beat, and the trumpets blowing;
I myself move abroad, swift-rising, flying then;
I use the wings of the land-bird, and use the wings of the sea-bird, and
look down as from a height.
I do not deny the precious results of peace--I see populous cities, with
wealth incalculable;
I see numberless farms--I see the farmers working in their fields or barns;
I see mechanics working--I see buildings everywhere founded, going up, or
finished;
I see trains of cars swiftly speeding along railroad tracks, drawn by the
locomotives;
I see the stores, depots, of Boston, Baltimore, Charleston, New Orleans;
I see far in the west the immense area of grain--I dwell a while, hovering;
I pass to the lumber forests of the north, and again to the southern
plantation, and again to California;
Sweeping the whole, I see the countless profit, the busy gatherings, earned
wages;
See the identity formed out of thirty-six spacious and haughty States, (and
many more to come;)
See forts on the shores of harbours--see ships sailing in and out;
Then over all, (aye! aye! ) my little and lengthened pennant shaped like a
sword
Runs swiftly up, indicating war and defiance--And now the halyards have
raised it,
Side of my banner broad and blue--side of my starry banner,
Discarding peace over all the sea and land.
BANNER AND PENNANT.
Yet louder, higher, stronger, bard! yet farther, wider cleave!
No longer let our children deem us riches and peace alone;
We can be terror and carnage also, and are so now.
Not now are we one of these spacious and haughty States, (nor any five, nor
ten;)
Nor market nor depot are we, nor money-bank in the city;
But these, and all, and the brown and spreading land, and the mines below,
are ours;
And the shores of the sea are ours, and the rivers great and small;
And the fields they moisten are ours, and the crops, and the fruits are
ours;
Bays and channels, and ships sailing in and out, are ours--and we over all,
Over the area spread below, the three millions of square miles--the
capitals,
The thirty-five millions of people--O bard! in life and death supreme,
We, even we, from this day flaunt out masterful, high up above,
Not for the present alone, for a thousand years, chanting through you
This song to the soul of one poor little child.
CHILD.
O my father, I like not the houses;
They will never to me be anything--nor do I like money!
But to mount up there I would like, O father dear--that banner I like;
That pennant I would be, and must be.
FATHER.
Child of mine, you fill me with anguish,
To be that pennant would be too fearful;
Little you know what it is this day, and henceforth for ever;
It is to gain nothing, but risk and defy everything;
Forward to stand in front of wars--and O, such wars! --what have you to do
with them?
With passions of demons, slaughter, premature death?
POET.
Demons and death then I sing;
Put in all, aye all, will I--sword-shaped pennant for war, and banner so
broad and blue,
And a pleasure new and ecstatic, and the prattled yearning of children,
Blent with the sounds of the peaceful land, and the liquid wash of the sea;
And the icy cool of the far, far north, with rustling cedars and pines;
And the whirr of drums, and the sound of soldiers marching, and the hot sun
shining south;
And the beach-waves combing over the beach on my eastern shore, and my
western shore the same;
And all between those shores, and my ever-running Mississippi, with bends
and chutes;
And my Illinois fields, and my Kansas fields, and my fields of Missouri;
The CONTINENT--devoting the whole identity, without reserving an atom,
Pour in! whelm that which asks, which sings, with all, and the yield of
all.
BANNER AND PENNANT.
Aye all! for ever, for all!
From sea to sea, north and south, east and west,
Fusing and holding, claiming, devouring the whole;
No more with tender lip, nor musical labial sound,
But out of the night emerging for good, our voice persuasive no more,
Croaking like crows here in the wind.
POET.
My limbs, my veins dilate;
The blood of the world has filled me full--my theme is clear at last.
--Banner so broad, advancing out of the night, I sing you haughty and
resolute;
I burst through where I waited long, too long, deafened and blinded;
My sight, my hearing and tongue, are come to me, (a little child taught
me;)
I hear from above, O pennant of war, your ironical call and demand;
Insensate! insensate! yet I at any rate chant you, O banner!
Not houses of peace are you, nor any nor all their prosperity; if need be,
you shall have every one of those houses to destroy them;
You thought not to destroy those valuable houses, standing fast, full of
comfort, built with money;
May they stand fast, then? Not an hour, unless you, above them and all,
stand fast.
--O banner! not money so precious are you, nor farm produce you, nor the
material good nutriment,
Nor excellent stores, nor landed on wharves from the ships;
Not the superb ships, with sail-power or steam-power, fetching and carrying
cargoes,
Nor machinery, vehicles, trade, nor revenues,--But you, as henceforth I see
you,
Running up out of the night, bringing your cluster of stars, ever-enlarging
stars;
Divider of daybreak you, cutting the air, touched by the sun, measuring the
sky,
Passionately seen and yearned for by one poor little child,
While others remain busy, or smartly talking, for ever teaching thrift,
thrift;
O you up there! O pennant! where you undulate like a snake, hissing so
curious,
Out of reach--an idea only--yet furiously fought for, risking bloody
death--loved by me!
So loved! O you banner, leading the day, with stars brought from the night!
Valueless, object of eyes, over all and demanding all--O banner and
pennant!
I too leave the rest--great as it is, it is nothing--houses, machines are
nothing--I see them not;
I see but you, O warlike pennant! O banner so broad, with stripes, I sing
you only,
Flapping up there in the wind.
_THE BIVOUAC'S FLAME. _
By the bivouac's fitful flame,
A procession winding around me, solemn and sweet and slow;--but first I
note
The tents of the sleeping army, the fields' and woods' dim outline,
The darkness, lit by spots of kindled fire--the silence;
Like a phantom far or near an occasional figure moving;
The shrubs and trees, (as I lift my eyes they seem to be stealthily
watching me;)
While wind in procession thoughts, O tender and wondrous thoughts,
Of life and death--of home and the past and loved, and of those that are
far away;
A solemn and slow procession there as I sit on the ground,
By the bivouac's fitful flame.
_BIVOUAC ON A MOUNTAIN-SIDE. _
I see before me now a travelling army halting;
Below, a fertile valley spread, with barns, and the orchards of summer;
Behind, the terraced sides of a mountain, abrupt in places, rising high;
Broken with rocks, with clinging cedars, with tall shapes, dingily seen;
The numerous camp-fires scattered near and far, some away up on the
mountain;
The shadowy forms of men and horses, looming, large-sized, flickering;
And over all, the sky--the sky! far, far out of reach, studded with the
eternal stars.
_CITY OF SHIPS. _
City of ships!
(O the black ships! O the fierce ships!
O the beautiful, sharp-bowed steam-ships and sail-ships! )
City of the world! (for all races are here;
All the lands of the earth make contributions here;)
City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in and out,
with eddies and foam!
City of wharves and stores! city of tall facades of marble and iron!
Proud and passionate city! mettlesome, mad, extravagant city!
Spring up, O city! not for peace alone, but be indeed yourself, warlike!
Fear not! submit to no models but your own, O city!
Behold me! incarnate me, as I have incarnated you!
I have rejected nothing you offered me--whom you adopted, I have adopted;
Good or bad, I never question you--I love all--I do not condemn anything;
I chant and celebrate all that is yours--yet peace no more;
In peace I chanted peace, but now the drum of war is mine;
War, red war, is my song through your streets, O city!
_VIGIL ON THE FIELD. _
VIGIL strange I kept on the field one night,
When you, my son and my comrade, dropped at my side that day.
One look I but gave, which your dear eyes returned with a look I shall
never forget;
One touch of your hand to mine, O boy, reached up as you lay on the ground.
Then onward I sped in the battle, the even-contested battle;
Till, late in the night relieved, to the place at last again I made my way;
Found you in death so cold, dear comrade--found your body, son of
responding kisses, (never again on earth responding;)
Bared your face in the starlight--curious the scene--cool blew the moderate
night-wind.
Long there and then in vigil I stood, dimly around me the battlefield
spreading;
Vigil wondrous and vigil sweet, there in the fragrant silent night.
But not a tear fell, not even a long-drawn sigh--Long, long I gazed;
Then on the earth partially reclining, sat by your side, leaning my chin in
my hands;
Passing sweet hours, immortal and mystic hours, with you, dearest comrade--
Not a tear, not a word;
Vigil of silence, love, and death--vigil for you, my son and my soldier,
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your
death,
I faithfully loved you and cared for you living--I think we shall surely
meet again;)
Till at latest lingering of the night, indeed just as the dawn appeared,
My comrade I wrapped in his blanket, enveloped well his form,
Folded the blanket well, tucking it carefully over head, and carefully
under feet;
And there and then, and bathed by the rising sun, my son in his grave, in
his rude-dug grave, I deposited;
Ending my vigil strange with that--vigil of night and battlefield dim;
Vigil for boy of responding kisses, never again on earth responding;
Vigil for comrade swiftly slain, vigil I never forget--how as day
brightened
I rose from the chill ground, and folded my soldier well in his blanket,
And buried him where he fell.
_THE FLAG. _
Bathed in war's perfume--delicate flag!
O to hear you call the sailors and the soldiers! flag like a beautiful
woman!
O to hear the tramp, tramp, of a million answering men! O the ships they
arm with joy!
O to see you leap and beckon from the tall masts of ships!
O to see you peering down on the sailors on the decks!
Flag like the eyes of women.
_THE WOUNDED. _
A march in the ranks hard-pressed, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foiled with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us the lights of a dim-lighted building;
We come to an open space in the woods, and halt by the dim-lighted
building.
'Tis a large old church, at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures and
poems ever made:
Shadows of deepest, deepest black, just lit by moving, candles and lamps,
And by one great pitchy torch, stationary, with wild red flame, and clouds
of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some in the
pews laid down;
At my feet more distinctly, a soldier, a mere lad, in danger of bleeding to
death, (he is shot in the abdomen;)
I staunch the blood temporarily, (the youngster's face is white as a lily;)
Then before I depart I sweep my eyes o'er the scene, fain to absorb it all;
Faces, varieties, postures, beyond description, most in obscurity, some of
them dead;
Surgeons operating, attendants holding lights, the smell of ether, the
odour of blood;
The crowd, O the crowd of the bloody forms of soldiers--the yard outside
also filled;
Some on the bare ground, some on planks or stretchers, some in the death-
spasm sweating;
An occasional scream or cry, the doctor's shouted orders or calls;
The glisten of the little steel instruments catching the glint of the
torches;
These I resume as I chant--I see again the forms, I smell the odour;
Then hear outside the orders given, _Fall in, my men, Fall in_.
But first I bend to the dying lad--his eyes open--a half-smile gives he me;
Then the eyes close, calmly close: and I speed forth to the darkness,
Resuming, marching, as ever in darkness marching, on in the ranks,
The unknown road still marching.
_A SIGHT IN CAMP. _
1.
A sight in camp in the daybreak grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air the path near by the hospital tent,
Three forms I see on stretchers lying, brought out there, untended lying;
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.
2.
Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first, just
lift the blanket;
Who are you, elderly man, so gaunt and grim, with well-greyed hair, and
flesh all sunken about the eyes?
Who are you, my dear comrade?
Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?
Then to the third--a face nor child nor old, very calm, as of beautiful
yellow-white ivory:
Young man, I think I know you--I think this face of yours is the face of
the Christ Himself;
Dead and divine and brother of all, and here again He lies.
_A GRAVE. _
1.
As toilsome I wandered Virginia's woods,
To the music of rustling leaves kicked by my feet--for 'twas autumn--
I marked at the foot of a tree the grave of a soldier;
Mortally wounded he, and buried on the retreat--easily all could I
understand;
The halt of a mid-day hour--when, Up! no time to lose! Yet this sign left
On a tablet scrawled and nailed on the tree by the grave,
_Bold, cautious, true, and my loving comrade_.
2.
Long, long I muse,--then on my way go wandering,
Many a changeful season to follow, and many a scene of life.
Yet at times through changeful season and scene, abrupt,--alone, or in the
crowded street,--
Comes before me the unknown soldier's grave, comes the inscription rude in
Virginia's woods,
_Bold, cautious, true, and my loving comrade_.
_THE DRESSER. _
1.
An old man bending, I come among new faces,
Years, looking backward, resuming, in answer to children,
"Come tell us, old man," (as from young men and maidens that love me, Years
hence) "of these scenes, of these furious passions, these chances,
Of unsurpassed heroes--(was one side so brave? the other was equally brave)
Now be witness again--paint the mightiest armies of earth;
Of those armies, so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains? "
2.
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking
recalls,
Soldier alert I arrive, after a long march, covered with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush
of successful charge;
Enter the captured works,. . . yet lo! like a swift-running river, they fade,
Pass, and are gone; they fade--I dwell not on soldiers' perils or soldiers'
joys;
(Both I remember well--many the hardships, few the joys, yet I was
content. )
But in silence, in dreams' projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
In nature's reverie sad, with hinged knees returning, I enter the
doors--(while for you up there, Whoever you are, follow me without
noise, and be of strong heart. )
Bearing the bandages, water, and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roofed hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near--not one do I miss;
An attendant follows, holding a tray--he carries a refuse-pail,
Soon to be filled with clotted rags and blood, emptied, and filled again.
I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each--the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes--poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you if that would
save you.
On, on I go--(open, doors of time! open, hospital doors! )
The crushed head I dress (poor crazed hand, tear not the bandage away;)
The neck of the cavalry-man, with the bullet through and through, I
examine;
Hard the breathing rattles, quite glazed already the eye, yet life
struggles hard;
Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curved neck, and side-falling
head;
His eyes are closed, his face is pale, he dares not look on the bloody
stump,
And has not yet looked on it.
I dress a wound in the side, deep, deep;
But a day or two more--for see, the frame all wasted and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so
offensive,
While the attendant stands behind aside me, holding the tray and pail.
I am faithful, I do not give out;
The fractured thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand--yet deep in my breast a fire, a
burning flame.
3.
Thus in silence, in dreams' projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and the wounded I pacify with soothing hand,
I sit by the restless all the dark night--some are so young,
Some suffer so much--I recall the experience sweet and sad.
Many a soldier's loving arms about this neck have crossed and rested,
Many a soldier's kiss dwells on these bearded lips.
_A LETTER FROM CAMP. _
1.
"Come up from the fields, father, here's a letter from our Pete;
And come to the front door, mother--here's a letter from thy dear son. "
2.
Lo, 'tis autumn;
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio's villages, with leaves fluttering in the moderate
wind;
Where apples ripe in the orchards hang, and grapes on the trellised vines;
Smell you the smell of the grapes on the vines?
Smell you the buckwheat, where the bees were lately buzzing?
Above all, lo, the sky, so calm, so transparent after the rain, and with
wondrous clouds;
Below, too, all calm, all vital and beautiful--and the farm prospers well.
3.
Down in the fields all prospers well;
But now from the fields come, father--come at the daughter's call;
And come to the entry, mother--to the front door come, right away.
Fast as she can she hurries--something ominous--her steps trembling;
She does not tarry to smooth her white hair, nor adjust her cap.
4.
Open the envelope quickly;
O this is not our son's writing, yet his name is signed;
O a strange hand writes for our dear son--O stricken mother's soul!
All swims before her eyes--flashes with black--she catches the main words
only;
Sentences broken--"_gun-shot wound in the breast, cavalry skirmish, taken
to hospital,
At present low, but will soon be better_. "
5.
Ah, now the single figure to me,
Amid all teeming and wealthy Ohio, with all its cities and farms,
Sickly white in the face and dull in the head, very faint,
By the jamb of a door leans.
6.
"Grieve not so, dear mother," the just-grown daughter speaks through her
sobs;
The little sisters huddle around, speechless and dismayed;
"See, dearest mother, the letter says Pete will soon be better. "
7.
Alas! poor boy, he will never be better, (nor maybe needs to be better,
that brave and simple soul;)
While they stand at home at the door, he is dead already;
The only son is dead.
But the mother needs to be better;
She, with thin form, presently dressed in black;
By day her meals untouched--then at night fitfully sleeping, often waking,
In the midnight waking, weeping, longing with one deep longing,
O that she might withdraw unnoticed--silent from life escape and withdraw,
To follow, to seek, to be with her dear dead son!
_WAR DREAMS. _
1.
In clouds descending, in midnight sleep, of many a face in battle,
Of the look at first of the mortally wounded, of that indescribable look,
Of the dead on their backs, with arms extended wide--
I dream, I dream, I dream.
2.
Of scenes of nature, the fields and the mountains,
Of the skies so beauteous after the storm, and at night the
moon so unearthly bright,
Shining sweetly, shining down, where we dig the trenches,
and gather the heaps--
I dream, I dream, I dream.
3.
Long have they passed, long lapsed--faces, and trenches, and fields:
Long through the carnage I moved with a callous composure, or away from the
fallen
Onward I sped at the time. But now of their faces and forms, at night,
I dream, I dream, I dream.
_THE VETERAN'S VISION. _
While my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the mystic midnight passes,
And through the stillness, through the dark, I hear, just hear, the breath
of my infant,
There in the room, as I wake from sleep, this vision presses upon me.
The engagement opens there and then, in my busy brain unreal;
The skirmishers begin--they crawl cautiously ahead--I hear the irregular
snap! snap!
I hear the sound of the different missiles--the short _t-h-t! t-h-t! _ of
the rifle-balls;
I see the shells exploding, leaving small white clouds--I hear the great
shells shrieking as they pass;
The grape, like the hum and whirr of wind through the trees, (quick,
tumultuous, now the contest rages! )
All the scenes at the batteries themselves rise in detail before me again;
The crashing and smoking--the pride of the men in their pieces;
The chief gunner ranges and sights his piece, and selects a fuse of the
right time;
After firing, I see him lean aside, and look eagerly off to note the
effect;
--Elsewhere I hear the cry of a regiment charging--the young colonel leads
himself this time, with brandished sword;
I see the gaps cut by the enemy's volleys, quickly filled up--no delay;
I breathe the suffocating smoke--then the flat clouds hover low, concealing
all;
Now a strange lull comes for a few seconds, not a shot fired on either
side;
Then resumed, the chaos louder than ever, with eager calls, and orders of
officers;
While from some distant part of the field the wind wafts to my ears a shout
of applause, (some special success;)
And ever the sound of the cannon, far or near, rousing, even in dreams, a
devilish exultation, and all the old mad joy, in the depths of my
soul;
And ever the hastening of infantry shifting positions--batteries, cavalry,
moving hither and thither;
The falling, dying, I heed not--the wounded, dripping and red, I heed not--
some to the rear are hobbling;
Grime, heat, rush--aides-de-camp galloping by, or on a full run:
With the patter of small arms, the warning _s-s-t_ of the rifles, (these in
my vision I hear or see,)
And bombs bursting in air, and at night the vari-coloured rockets.
_O TAN-FACED PRAIRIE BOY. _
O tan-faced prairie boy!
Before you came to camp came many a welcome gift;
Praises and presents came, and nourishing food--till at last, among the
recruits,
You came, taciturn, with nothing to give--we but looked on each other,
When lo! more than all the gifts of the world you gave me.
_MANHATTAN FACES. _
1.
Give me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmowed grass grows;
Give me an arbour, give me the trellised grape;
Give me fresh corn and wheat--give me serene-moving animals, teaching
content;
Give me nights perfectly quiet, as on high plateaus west of the
Mississippi, and I looking up at the stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
undisturbed;
Give me for marriage a sweet-breathed woman, of whom I should never tire;
Give me a perfect child--give me, away, aside from the noise of the world,
a rural domestic life;
Give me to warble spontaneous songs, relieved, recluse by myself, for my
own ears only;
Give me solitude--give me Nature--give me again, O Nature, your primal
sanities!
--These, demanding to have them, tired with ceaseless excitement, and
racked by the war-strife,
These to procure incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchained a certain time, refusing to give me up,
Yet giving to make me glutted, enriched of soul--you give me for ever
faces;
O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it asked for.
2.
Keep your splendid silent sun;
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your cornfields and orchards;
Keep the blossoming buckwheat fields, where the ninth-month bees hum.
Give me faces and streets! give me these phantoms incessant and endless
along the _trottoirs_!
Give me interminable eyes! give me women! give me comrades and lovers by
the thousand!
Let me see new ones every day! let me hold new ones by the hand every day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching--give me the sound of the
trumpets and drums!
The soldiers in companies or regiments--some starting away, flushed and
reckless;
Some, their time up, returning, with thinned ranks--young, yet very old,
worn, marching, noticing nothing;
--Give me the shores and the wharves heavy-fringed with the black ships!
O such for me! O an intense life! O full to repletion, and varied!
The life of the theatre, bar-room, huge hotel, for me!
1.
A great year and place;
A harsh, discordant, natal scream out-sounding, to touch the mother's heart
closer than any yet.
2.
I walked the shores of my Eastern Sea,
Heard over the waves the little voice,
Saw the divine infant, where she woke, mournfully wailing, amid the roar of
cannon, curses, shouts, crash of falling buildings;
Was not so sick from the blood in the gutters running--nor from the single
corpses, nor those in heaps, nor those borne away in the tumbrils;
Was not so desperate at the battues of death--was not so shocked at the
repeated fusillades of the guns.
Pale, silent, stern, what could I say to that long-accrued retribution?
Could I wish humanity different?
Could I wish the people made of wood and stone?
Or that there be no justice in destiny or time?
3.
O Liberty! O mate for me!
Here too the blaze, the bullet, and the axe, in reserve to fetch them out
in case of need,
Here too, though long repressed, can never be destroyed;
Here too could rise at last, murdering and ecstatic;
Here too demanding full arrears of vengeance.
Hence I sign this salute over the sea,
And I do not deny that terrible red birth and baptism,
But remember the little voice that I heard wailing--and wait with perfect
trust, no matter how long;
And from to-day, sad and cogent, I maintain the bequeathed cause, as for
all lands,
And I send these words to Paris with my love,
And I guess some _chansonniers_ there will understand them,
For I guess there is latent music yet in France--floods of it.
O I hear already the bustle of instruments--they will soon be drowning all
that would interrupt them;
O I think the east wind brings a triumphal and free march,
It reaches hither--it swells me to joyful madness,
I will run transpose it in words, to justify it,
I will yet sing a song for you, _ma femme! _
[Footnote 1: 1793-4---The great poet of Democracy is "not so shocked" at
the great European year of Democracy. ]
_EUROPE, THE SEVENTY-SECOND AND SEVENTY-THIRD YEARS OF THESE STATES. _[1]
1.
Suddenly, out of its stale and drowsy lair, the lair of slaves,
Like lightning it leaped forth, half startled at itself,
Its feet upon the ashes and the rags--its hands tight to the throats of
kings.
O hope and faith!
O aching close of exiled patriots' lives!
O many a sickened heart!
Turn back unto this day, and make yourselves afresh.
2.
And you, paid to defile the People! you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his simplicity
the poor man's wages,
For many a promise sworn by royal lips, and broken, and laughed at in the
breaking,
Then in their power, not for all these did the blows strike revenge, or the
heads of the nobles fall;
The People scorned the ferocity of kings.
3.
But the sweetness of mercy brewed bitter destruction, and the frightened
rulers come back;
Each comes in state with his train--hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.
4.
Yet behind all, lowering, stealing--lo, a Shape,
Vague as the night, draped interminably, head, front, and form, in scarlet
folds,
Whose face and eyes none may see:
Out of its robes only this--the red robes, lifted by the arm--
One finger crooked, pointed high over the top, like the head of a snake
appears.
5.
Meanwhile, corpses lie in new-made graves--bloody corpses of young men;
The rope of the gibbet hangs heavily, the bullets of princes are flying,
the creatures of power laugh aloud,
And all these things bear fruits--and they are good.
Those corpses of young men,
Those martyrs that hang from the gibbets--those hearts pierced by the grey
lead,
Cold and motionless as they seem, live elsewhere with unslaughtered
vitality.
They live in other young men, O kings!
They live in brothers, again ready to defy you!
They were purified by death--they were taught and exalted.
Not a grave of the murdered for freedom but grows seed for freedom, in its
turn to bear seed,
Which the winds carry afar and resow, and the rains and the snows nourish.
Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counselling,
cautioning.
6.
Liberty! let others despair of you! I never despair of you.
Is the house shut? Is the master away?
Nevertheless, be ready--be not weary of watching:
He will soon return--his messengers come anon.
[Footnote 1: The years 1848 and 1849. ]
_TO A FOILED REVOLTER OR REVOLTRESS. _
1.
Courage! my brother or my sister!
Keep on! Liberty is to be subserved, whatever occurs;
That is nothing that is quelled by one or two failures, or any number of
failures,
Or by the indifference or ingratitude of the people, or by any
unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.
2.
What we believe in waits latent for ever through all the continents, and
all the islands and archipelagoes of the sea.
What we believe in invites no one, promises nothing, sits in calmness and
light, is positive and composed, knows no discouragement,
Waiting patiently, waiting its time.
3.
The battle rages with many a loud alarm, and frequent advance and retreat,
The infidel triumphs--or supposes he triumphs,
The prison, scaffold, garrote, handcuffs, iron necklace and anklet, lead-
balls, do their work,
The named and unnamed heroes pass to other spheres,
The great speakers and writers are exiled--they lie sick in distant lands,
The cause is asleep--the strongest throats are still, choked
with their own blood,
The young men drop their eyelashes toward the ground when they meet;
But, for all this, Liberty has not gone out of the place, nor the infidel
entered into possession.
When Liberty goes out of a place, it is not the first to go, nor the second
or third to go,
It waits for all the rest to go--it is the last.
When there are no more memories of heroes and martyrs,
And when all life and all the souls of men and women are discharged from
any part of the earth,
Then only shall Liberty be discharged from that part of the earth,
And the infidel and the tyrant come into possession.
4.
Then courage! revolter! revoltress!
For till all ceases neither must you cease.
5.
I do not know what you are for, (I do not know what I am for myself, nor
what anything is for,)
But I will search carefully for it even in being foiled,
In defeat, poverty, imprisonment--for they too are great.
Did we think victory great?
So it is--But now it seems to me, when it cannot be helped, that defeat is
great,
And that death and dismay are great.
_DRUM TAPS. _
_MANHATTAN ARMING. _
1.
First, O songs, for a prelude,
Lightly strike on the stretched tympanum, pride and joy in my city,
How she led the rest to arms--how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!
How you sprang! how you threw off the costumes of peace with indifferent
hand;
How your soft opera-music changed, and the drum and fife were heard in
their stead;
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.
2.
Forty years had I in my city seen soldiers parading;
Forty years as a pageant--till unawares, the Lady of this teeming and
turbulent city,
Sleepless, amid her ships, her houses, her incalculable wealth,
With her million children around her--suddenly,
At dead of night, at news from the South,
Incensed, struck with clenched hand the pavement.
A shock electric--the night sustained it;
Till, with ominous hum, our hive at daybreak poured out its myriads.
From the houses then, and the workshops, and through all the doorways,
Leaped they tumultuous--and lo! Manhattan arming.
3.
To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, the trowel, the jack-plane, the black-smith's hammer,
tossed aside with precipitation;
The lawyer leaving his office, and arming--the judge leaving the court;
The driver deserting his waggon in the street, jumping down, throwing the
reins abruptly down on the horses' backs;
The salesman leaving the store--the boss, book-keeper, porter, all leaving;
Squads gathering everywhere by common consent, and arming;
The new recruits, even boys--the old men show them how to wear their
accoutrements--they buckle the straps carefully;
Outdoors arming--indoors arming--the flash of the musket-barrels;
The white tents cluster in camps--the armed sentries around--the sunrise
cannon, and again at sunset;
Armed regiments arrive every day, pass through the city, and embark from
the wharves;
How good they look, as they tramp down to the river, sweaty, with their
guns on their shoulders!
How I love them! how I could hug them, with their brown faces, and their
clothes and knapsacks covered with dust!
The blood of the city up--armed! armed! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public
buildings and stores;
The tearful parting--the mother kisses her son--the son kisses his mother;
Loth is the mother to part--yet not a word does she speak to detain him;
The tumultuous escort--the ranks of policemen preceding, clearing the way;
The unpent enthusiasm--the wild cheers of the crowd for their favourites;
The artillery--the silent cannons, bright as gold, drawn along, rumble
lightly over the stones;
Silent cannons--soon to cease your silence,
Soon, unlimbered, to begin the red business!
All the mutter of preparation--all the determined arming;
The hospital service--the lint, bandages, and medicines;
The women volunteering for nurses--the work begun for, in earnest--no mere
parade now;
War! an armed race is advancing! --the welcome for battle--no turning away;
War! be it weeks, months, or years--an armed race is advancing to welcome
it.
4.
Mannahatta a-march! --and it's O to sing it well!
It's O for a manly life in the camp!
5.
And the sturdy artillery!
The guns, bright as gold--the work for giants--to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies
merely;
Put in something else now besides powder and wadding.
6.
And you, Lady of Ships! you, Mannahatta!
Old matron of the city! this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frowned amid all
your children;
But now you smile with joy, exulting old Mannahatta!
_1861. _
Armed year! year of the struggle!
No dainty rhymes or sentimental love verses for you, terrible year!
Not you as some pale poetling, seated at a desk, lisping cadenzas piano;
But as a strong man, erect, clothed in blue clothes, advancing, carrying a
rifle on your shoulder,
With well-gristled body and sunburnt face and hands--with a knife in the
belt at your side,
As I heard you shouting loud--your sonorous voice ringing across the
continent;
Your masculine voice, O year, as rising amid the great cities,
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in
Manhattan;
Or with large steps crossing the prairies out of Illinois and Indiana,
Rapidly crossing the West with springy gait, and descending the
Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio
river;
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on
the mountain-top,
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing
weapons, robust year;
Heard your determined voice, launched forth again and again;
Year that suddenly sang by the mouths of the round-lipped cannon,
I repeat you, hurrying, crashing, sad, distracted year.
_THE UPRISING. _
1.
Rise, O days, from your fathomless deeps, till you loftier and fiercer
sweep!
Long for my soul, hungering gymnastic, I devoured what the earth gave me;
Long I roamed the woods of the North--long I watched Niagara pouring;
I travelled the prairies over, and slept on their breast--I crossed the
Nevadas,
I crossed the plateaus;
I ascended the towering rocks along the Pacific, I sailed out to sea;
I sailed through the storm, I was refreshed by the storm;
I watched with joy the threatening maws of the waves;
I marked the white combs where they careered so high, curling over;
I heard the wind piping, I saw the black clouds;
Saw from below what arose and mounted, (O superb! O wild as my heart, and
powerful! )
Heard the continuous thunder, as it bellowed after the lightning;
Noted the slender and jagged threads of lightning, as sudden and fast amid
the din they chased each other across the sky;
--These, and such as these, I, elate, saw--saw with wonder, yet pensive and
masterful;
All the menacing might of the globe uprisen around me;
Yet there with my soul I fed--I fed content, supercilious.
2.
'Twas well, O soul! 'twas a good preparation you gave me!
Now we advance our latent and ampler hunger to fill;
Now we go forth to receive what the earth and the sea never gave us;
Not through the mighty woods we go, but through the mightier cities;
Something for us is pouring now, more than Niagara pouring;
Torrents of men, (sources and rills of the North-west, are you indeed
inexhaustible? )
What, to pavements and homesteads here--what were those storms of the
mountains and sea?
What, to passions I witness around me to-day, was the sea risen?
Was the wind piping the pipe of death under the black clouds?
Lo! from deeps more unfathomable, something more deadly and savage;
Manhattan, rising, advancing with menacing front--Cincinnati, Chicago,
unchained;
--What was that swell I saw on the ocean? behold what comes here!
How it climbs with daring feet and hands! how it dashes!
How the true thunder bellows after the lightning! how bright the flashes of
lightning!
How DEMOCRACY with desperate vengeful port strides on, shown through the
dark by those flashes of lightning!
Yet a mournful wail and low sob I fancied I heard through the dark,
In a lull of the deafening confusion.
3.
Thunder on! stride on, Democracy! strike with vengeful stroke!
And do you rise higher than ever yet, O days, O cities!
Crash heavier, heavier yet, O storms! you have done me good;
My soul, prepared in the mountains, absorbs your immortal strong nutriment.
Long had I walked my cities, my country roads, through farms, only half
satisfied;
One doubt, nauseous, undulating like a snake, crawled on the ground before
me,
Continually preceding my steps, turning upon me oft, ironically hissing
low;
--The cities I loved so well I abandoned and left--I sped to the
certainties suitable to me
Hungering, hungering, hungering, for primal energies, and Nature's
dauntlessness,
I refreshed myself with it only, I could relish it only;
I waited the bursting forth of the pent fire--on the water and air I waited
long.
--But now I no longer wait--I am fully satisfied--I am glutted;
I have witnessed the true lightning--I have witnessed my cities electric;
I have lived to behold man burst forth, and warlike America rise;
Hence I will seek no more the food of the northern solitary wilds,
No more on the mountains roam, or sail the stormy sea.
_BEAT! BEAT! DRUMS! _
1.
Beat! beat! drums! --Blow! bugles! blow!
Through the windows--through doors--burst like a force of ruthless men,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying:
Leave not the bridegroom quiet--no happiness must he have now with his
bride;
Nor the peaceful farmer any peace, ploughing his field or gathering his
grain;
So fierce you whirr and pound, you drums--so shrill you bugles blow.
2.
Beat! beat! drums! --Blow! bugles! blow!
Over the traffic of cities--over the rumble of wheels in the streets:
Are beds prepared, for sleepers at night in the houses? No sleepers must
sleep in those beds;
No bargainers' bargains by day--no brokers or speculators--Would they
continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier, drums--you bugles wilder blow.
3.
Beat! beat! drums! --Blow! bugles! blow!
Make no parley--stop for no expostulation;
Mind not the timid--mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child's voice be heard, nor the mother's entreaties;
Make even the trestles to shake the dead, where they lie awaiting the
hearses,
So strong you thump, O terrible drums--so loud you bugles blow.
_SONG OF THE BANNER AT DAYBREAK. _
POET.
O a new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice, and child's voice, and sea's voice, and father's
voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at daybreak is flapping.
Words! book-words! what are you?
Words no more, for hearken and see,
My song is there in the open air--and I must sing,
With the banner and pennant a-flapping.
I'll weave the chord and twine in,
Man's desire and babe's desire--I'll twine them in, I'll put in life;
I'll put the bayonet's flashing point--I'll let bullets and slugs whizz;
I'll pour the verse with streams of blood, full of volition, full of joy;
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping.
BANNER AND PENNANT.
Come up here, bard, bard;
Come up here, soul, soul;
Come up here, dear little child,
To fly in the clouds and winds with us, and play with the measureless
light.
CHILD.
Father, what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?
FATHER.
Nothing, my babe, you see in the sky;
And nothing at all to you it says. But look you, my babe,
Look at these dazzling things in the houses, and see you the money-shops
opening;
And see you the vehicles preparing to crawl along the streets with goods:
These! ah, these! how valued and toiled for, these!
How envied by all the earth!
POET.
Fresh and rosy red, the sun is mounting high;
On floats the sea in distant blue, careering through its channels;
On floats the wind over the breast of the sea, setting in toward land;
The great steady wind from west and west-by-south,
Floating so buoyant, with milk-white foam on the waters.
But I am not the sea, nor the red sun;
I am not the wind, with girlish laughter;
Not the immense wind which strengthens--not the wind which lashes;
Not the spirit that ever lashes its own body to terror and death:
But I am of that which unseen comes and sings, sings, sings,
Which babbles in brooks and scoots in showers on the land;
Which the birds know in the woods, mornings and evenings,
And the shore-sands know, and the hissing wave, and that banner and
pennant,
Aloft there flapping and flapping.
CHILD.
O father, it is alive--it is full of people--it has children!
O now it seems to me it is talking to its children!
I hear it--it talks to me--O it is wonderful!
O it stretches--it spreads and runs so fast! O my father,
It is so broad it covers the whole sky!
FATHER.
Cease, cease, my foolish babe,
What you are saying is sorrowful to me--much it displeases me;
Behold with the rest, again I say--behold not banners and pennants aloft;
But the well-prepared pavements behold--and mark the solid-walled houses.
BANNER AND PENNANT.
Speak to the child, O bard, out of Manhattan;
Speak to our children all, or north or south of Manhattan,
Where our factory-engines hum, where our miners delve the ground,
Where our hoarse Niagara rumbles, where our prairie-ploughs are ploughing;
Speak, O bard! point this day, leaving all the rest, to us over all--and
yet we know not why;
For what are we, mere strips of cloth, profiting nothing,
Only flapping in the wind?
POET.
I hear and see not strips of cloth alone;
I hear the tramp of armies, I hear the challenging sentry;
I hear the jubilant shouts of millions of men--I hear LIBERTY!
I hear the drums beat, and the trumpets blowing;
I myself move abroad, swift-rising, flying then;
I use the wings of the land-bird, and use the wings of the sea-bird, and
look down as from a height.
I do not deny the precious results of peace--I see populous cities, with
wealth incalculable;
I see numberless farms--I see the farmers working in their fields or barns;
I see mechanics working--I see buildings everywhere founded, going up, or
finished;
I see trains of cars swiftly speeding along railroad tracks, drawn by the
locomotives;
I see the stores, depots, of Boston, Baltimore, Charleston, New Orleans;
I see far in the west the immense area of grain--I dwell a while, hovering;
I pass to the lumber forests of the north, and again to the southern
plantation, and again to California;
Sweeping the whole, I see the countless profit, the busy gatherings, earned
wages;
See the identity formed out of thirty-six spacious and haughty States, (and
many more to come;)
See forts on the shores of harbours--see ships sailing in and out;
Then over all, (aye! aye! ) my little and lengthened pennant shaped like a
sword
Runs swiftly up, indicating war and defiance--And now the halyards have
raised it,
Side of my banner broad and blue--side of my starry banner,
Discarding peace over all the sea and land.
BANNER AND PENNANT.
Yet louder, higher, stronger, bard! yet farther, wider cleave!
No longer let our children deem us riches and peace alone;
We can be terror and carnage also, and are so now.
Not now are we one of these spacious and haughty States, (nor any five, nor
ten;)
Nor market nor depot are we, nor money-bank in the city;
But these, and all, and the brown and spreading land, and the mines below,
are ours;
And the shores of the sea are ours, and the rivers great and small;
And the fields they moisten are ours, and the crops, and the fruits are
ours;
Bays and channels, and ships sailing in and out, are ours--and we over all,
Over the area spread below, the three millions of square miles--the
capitals,
The thirty-five millions of people--O bard! in life and death supreme,
We, even we, from this day flaunt out masterful, high up above,
Not for the present alone, for a thousand years, chanting through you
This song to the soul of one poor little child.
CHILD.
O my father, I like not the houses;
They will never to me be anything--nor do I like money!
But to mount up there I would like, O father dear--that banner I like;
That pennant I would be, and must be.
FATHER.
Child of mine, you fill me with anguish,
To be that pennant would be too fearful;
Little you know what it is this day, and henceforth for ever;
It is to gain nothing, but risk and defy everything;
Forward to stand in front of wars--and O, such wars! --what have you to do
with them?
With passions of demons, slaughter, premature death?
POET.
Demons and death then I sing;
Put in all, aye all, will I--sword-shaped pennant for war, and banner so
broad and blue,
And a pleasure new and ecstatic, and the prattled yearning of children,
Blent with the sounds of the peaceful land, and the liquid wash of the sea;
And the icy cool of the far, far north, with rustling cedars and pines;
And the whirr of drums, and the sound of soldiers marching, and the hot sun
shining south;
And the beach-waves combing over the beach on my eastern shore, and my
western shore the same;
And all between those shores, and my ever-running Mississippi, with bends
and chutes;
And my Illinois fields, and my Kansas fields, and my fields of Missouri;
The CONTINENT--devoting the whole identity, without reserving an atom,
Pour in! whelm that which asks, which sings, with all, and the yield of
all.
BANNER AND PENNANT.
Aye all! for ever, for all!
From sea to sea, north and south, east and west,
Fusing and holding, claiming, devouring the whole;
No more with tender lip, nor musical labial sound,
But out of the night emerging for good, our voice persuasive no more,
Croaking like crows here in the wind.
POET.
My limbs, my veins dilate;
The blood of the world has filled me full--my theme is clear at last.
--Banner so broad, advancing out of the night, I sing you haughty and
resolute;
I burst through where I waited long, too long, deafened and blinded;
My sight, my hearing and tongue, are come to me, (a little child taught
me;)
I hear from above, O pennant of war, your ironical call and demand;
Insensate! insensate! yet I at any rate chant you, O banner!
Not houses of peace are you, nor any nor all their prosperity; if need be,
you shall have every one of those houses to destroy them;
You thought not to destroy those valuable houses, standing fast, full of
comfort, built with money;
May they stand fast, then? Not an hour, unless you, above them and all,
stand fast.
--O banner! not money so precious are you, nor farm produce you, nor the
material good nutriment,
Nor excellent stores, nor landed on wharves from the ships;
Not the superb ships, with sail-power or steam-power, fetching and carrying
cargoes,
Nor machinery, vehicles, trade, nor revenues,--But you, as henceforth I see
you,
Running up out of the night, bringing your cluster of stars, ever-enlarging
stars;
Divider of daybreak you, cutting the air, touched by the sun, measuring the
sky,
Passionately seen and yearned for by one poor little child,
While others remain busy, or smartly talking, for ever teaching thrift,
thrift;
O you up there! O pennant! where you undulate like a snake, hissing so
curious,
Out of reach--an idea only--yet furiously fought for, risking bloody
death--loved by me!
So loved! O you banner, leading the day, with stars brought from the night!
Valueless, object of eyes, over all and demanding all--O banner and
pennant!
I too leave the rest--great as it is, it is nothing--houses, machines are
nothing--I see them not;
I see but you, O warlike pennant! O banner so broad, with stripes, I sing
you only,
Flapping up there in the wind.
_THE BIVOUAC'S FLAME. _
By the bivouac's fitful flame,
A procession winding around me, solemn and sweet and slow;--but first I
note
The tents of the sleeping army, the fields' and woods' dim outline,
The darkness, lit by spots of kindled fire--the silence;
Like a phantom far or near an occasional figure moving;
The shrubs and trees, (as I lift my eyes they seem to be stealthily
watching me;)
While wind in procession thoughts, O tender and wondrous thoughts,
Of life and death--of home and the past and loved, and of those that are
far away;
A solemn and slow procession there as I sit on the ground,
By the bivouac's fitful flame.
_BIVOUAC ON A MOUNTAIN-SIDE. _
I see before me now a travelling army halting;
Below, a fertile valley spread, with barns, and the orchards of summer;
Behind, the terraced sides of a mountain, abrupt in places, rising high;
Broken with rocks, with clinging cedars, with tall shapes, dingily seen;
The numerous camp-fires scattered near and far, some away up on the
mountain;
The shadowy forms of men and horses, looming, large-sized, flickering;
And over all, the sky--the sky! far, far out of reach, studded with the
eternal stars.
_CITY OF SHIPS. _
City of ships!
(O the black ships! O the fierce ships!
O the beautiful, sharp-bowed steam-ships and sail-ships! )
City of the world! (for all races are here;
All the lands of the earth make contributions here;)
City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in and out,
with eddies and foam!
City of wharves and stores! city of tall facades of marble and iron!
Proud and passionate city! mettlesome, mad, extravagant city!
Spring up, O city! not for peace alone, but be indeed yourself, warlike!
Fear not! submit to no models but your own, O city!
Behold me! incarnate me, as I have incarnated you!
I have rejected nothing you offered me--whom you adopted, I have adopted;
Good or bad, I never question you--I love all--I do not condemn anything;
I chant and celebrate all that is yours--yet peace no more;
In peace I chanted peace, but now the drum of war is mine;
War, red war, is my song through your streets, O city!
_VIGIL ON THE FIELD. _
VIGIL strange I kept on the field one night,
When you, my son and my comrade, dropped at my side that day.
One look I but gave, which your dear eyes returned with a look I shall
never forget;
One touch of your hand to mine, O boy, reached up as you lay on the ground.
Then onward I sped in the battle, the even-contested battle;
Till, late in the night relieved, to the place at last again I made my way;
Found you in death so cold, dear comrade--found your body, son of
responding kisses, (never again on earth responding;)
Bared your face in the starlight--curious the scene--cool blew the moderate
night-wind.
Long there and then in vigil I stood, dimly around me the battlefield
spreading;
Vigil wondrous and vigil sweet, there in the fragrant silent night.
But not a tear fell, not even a long-drawn sigh--Long, long I gazed;
Then on the earth partially reclining, sat by your side, leaning my chin in
my hands;
Passing sweet hours, immortal and mystic hours, with you, dearest comrade--
Not a tear, not a word;
Vigil of silence, love, and death--vigil for you, my son and my soldier,
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your
death,
I faithfully loved you and cared for you living--I think we shall surely
meet again;)
Till at latest lingering of the night, indeed just as the dawn appeared,
My comrade I wrapped in his blanket, enveloped well his form,
Folded the blanket well, tucking it carefully over head, and carefully
under feet;
And there and then, and bathed by the rising sun, my son in his grave, in
his rude-dug grave, I deposited;
Ending my vigil strange with that--vigil of night and battlefield dim;
Vigil for boy of responding kisses, never again on earth responding;
Vigil for comrade swiftly slain, vigil I never forget--how as day
brightened
I rose from the chill ground, and folded my soldier well in his blanket,
And buried him where he fell.
_THE FLAG. _
Bathed in war's perfume--delicate flag!
O to hear you call the sailors and the soldiers! flag like a beautiful
woman!
O to hear the tramp, tramp, of a million answering men! O the ships they
arm with joy!
O to see you leap and beckon from the tall masts of ships!
O to see you peering down on the sailors on the decks!
Flag like the eyes of women.
_THE WOUNDED. _
A march in the ranks hard-pressed, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foiled with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us the lights of a dim-lighted building;
We come to an open space in the woods, and halt by the dim-lighted
building.
'Tis a large old church, at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures and
poems ever made:
Shadows of deepest, deepest black, just lit by moving, candles and lamps,
And by one great pitchy torch, stationary, with wild red flame, and clouds
of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some in the
pews laid down;
At my feet more distinctly, a soldier, a mere lad, in danger of bleeding to
death, (he is shot in the abdomen;)
I staunch the blood temporarily, (the youngster's face is white as a lily;)
Then before I depart I sweep my eyes o'er the scene, fain to absorb it all;
Faces, varieties, postures, beyond description, most in obscurity, some of
them dead;
Surgeons operating, attendants holding lights, the smell of ether, the
odour of blood;
The crowd, O the crowd of the bloody forms of soldiers--the yard outside
also filled;
Some on the bare ground, some on planks or stretchers, some in the death-
spasm sweating;
An occasional scream or cry, the doctor's shouted orders or calls;
The glisten of the little steel instruments catching the glint of the
torches;
These I resume as I chant--I see again the forms, I smell the odour;
Then hear outside the orders given, _Fall in, my men, Fall in_.
But first I bend to the dying lad--his eyes open--a half-smile gives he me;
Then the eyes close, calmly close: and I speed forth to the darkness,
Resuming, marching, as ever in darkness marching, on in the ranks,
The unknown road still marching.
_A SIGHT IN CAMP. _
1.
A sight in camp in the daybreak grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air the path near by the hospital tent,
Three forms I see on stretchers lying, brought out there, untended lying;
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.
2.
Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first, just
lift the blanket;
Who are you, elderly man, so gaunt and grim, with well-greyed hair, and
flesh all sunken about the eyes?
Who are you, my dear comrade?
Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?
Then to the third--a face nor child nor old, very calm, as of beautiful
yellow-white ivory:
Young man, I think I know you--I think this face of yours is the face of
the Christ Himself;
Dead and divine and brother of all, and here again He lies.
_A GRAVE. _
1.
As toilsome I wandered Virginia's woods,
To the music of rustling leaves kicked by my feet--for 'twas autumn--
I marked at the foot of a tree the grave of a soldier;
Mortally wounded he, and buried on the retreat--easily all could I
understand;
The halt of a mid-day hour--when, Up! no time to lose! Yet this sign left
On a tablet scrawled and nailed on the tree by the grave,
_Bold, cautious, true, and my loving comrade_.
2.
Long, long I muse,--then on my way go wandering,
Many a changeful season to follow, and many a scene of life.
Yet at times through changeful season and scene, abrupt,--alone, or in the
crowded street,--
Comes before me the unknown soldier's grave, comes the inscription rude in
Virginia's woods,
_Bold, cautious, true, and my loving comrade_.
_THE DRESSER. _
1.
An old man bending, I come among new faces,
Years, looking backward, resuming, in answer to children,
"Come tell us, old man," (as from young men and maidens that love me, Years
hence) "of these scenes, of these furious passions, these chances,
Of unsurpassed heroes--(was one side so brave? the other was equally brave)
Now be witness again--paint the mightiest armies of earth;
Of those armies, so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains? "
2.
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking
recalls,
Soldier alert I arrive, after a long march, covered with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush
of successful charge;
Enter the captured works,. . . yet lo! like a swift-running river, they fade,
Pass, and are gone; they fade--I dwell not on soldiers' perils or soldiers'
joys;
(Both I remember well--many the hardships, few the joys, yet I was
content. )
But in silence, in dreams' projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
In nature's reverie sad, with hinged knees returning, I enter the
doors--(while for you up there, Whoever you are, follow me without
noise, and be of strong heart. )
Bearing the bandages, water, and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roofed hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near--not one do I miss;
An attendant follows, holding a tray--he carries a refuse-pail,
Soon to be filled with clotted rags and blood, emptied, and filled again.
I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each--the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes--poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you if that would
save you.
On, on I go--(open, doors of time! open, hospital doors! )
The crushed head I dress (poor crazed hand, tear not the bandage away;)
The neck of the cavalry-man, with the bullet through and through, I
examine;
Hard the breathing rattles, quite glazed already the eye, yet life
struggles hard;
Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curved neck, and side-falling
head;
His eyes are closed, his face is pale, he dares not look on the bloody
stump,
And has not yet looked on it.
I dress a wound in the side, deep, deep;
But a day or two more--for see, the frame all wasted and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so
offensive,
While the attendant stands behind aside me, holding the tray and pail.
I am faithful, I do not give out;
The fractured thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand--yet deep in my breast a fire, a
burning flame.
3.
Thus in silence, in dreams' projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and the wounded I pacify with soothing hand,
I sit by the restless all the dark night--some are so young,
Some suffer so much--I recall the experience sweet and sad.
Many a soldier's loving arms about this neck have crossed and rested,
Many a soldier's kiss dwells on these bearded lips.
_A LETTER FROM CAMP. _
1.
"Come up from the fields, father, here's a letter from our Pete;
And come to the front door, mother--here's a letter from thy dear son. "
2.
Lo, 'tis autumn;
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio's villages, with leaves fluttering in the moderate
wind;
Where apples ripe in the orchards hang, and grapes on the trellised vines;
Smell you the smell of the grapes on the vines?
Smell you the buckwheat, where the bees were lately buzzing?
Above all, lo, the sky, so calm, so transparent after the rain, and with
wondrous clouds;
Below, too, all calm, all vital and beautiful--and the farm prospers well.
3.
Down in the fields all prospers well;
But now from the fields come, father--come at the daughter's call;
And come to the entry, mother--to the front door come, right away.
Fast as she can she hurries--something ominous--her steps trembling;
She does not tarry to smooth her white hair, nor adjust her cap.
4.
Open the envelope quickly;
O this is not our son's writing, yet his name is signed;
O a strange hand writes for our dear son--O stricken mother's soul!
All swims before her eyes--flashes with black--she catches the main words
only;
Sentences broken--"_gun-shot wound in the breast, cavalry skirmish, taken
to hospital,
At present low, but will soon be better_. "
5.
Ah, now the single figure to me,
Amid all teeming and wealthy Ohio, with all its cities and farms,
Sickly white in the face and dull in the head, very faint,
By the jamb of a door leans.
6.
"Grieve not so, dear mother," the just-grown daughter speaks through her
sobs;
The little sisters huddle around, speechless and dismayed;
"See, dearest mother, the letter says Pete will soon be better. "
7.
Alas! poor boy, he will never be better, (nor maybe needs to be better,
that brave and simple soul;)
While they stand at home at the door, he is dead already;
The only son is dead.
But the mother needs to be better;
She, with thin form, presently dressed in black;
By day her meals untouched--then at night fitfully sleeping, often waking,
In the midnight waking, weeping, longing with one deep longing,
O that she might withdraw unnoticed--silent from life escape and withdraw,
To follow, to seek, to be with her dear dead son!
_WAR DREAMS. _
1.
In clouds descending, in midnight sleep, of many a face in battle,
Of the look at first of the mortally wounded, of that indescribable look,
Of the dead on their backs, with arms extended wide--
I dream, I dream, I dream.
2.
Of scenes of nature, the fields and the mountains,
Of the skies so beauteous after the storm, and at night the
moon so unearthly bright,
Shining sweetly, shining down, where we dig the trenches,
and gather the heaps--
I dream, I dream, I dream.
3.
Long have they passed, long lapsed--faces, and trenches, and fields:
Long through the carnage I moved with a callous composure, or away from the
fallen
Onward I sped at the time. But now of their faces and forms, at night,
I dream, I dream, I dream.
_THE VETERAN'S VISION. _
While my wife at my side lies slumbering, and the wars are over long,
And my head on the pillow rests at home, and the mystic midnight passes,
And through the stillness, through the dark, I hear, just hear, the breath
of my infant,
There in the room, as I wake from sleep, this vision presses upon me.
The engagement opens there and then, in my busy brain unreal;
The skirmishers begin--they crawl cautiously ahead--I hear the irregular
snap! snap!
I hear the sound of the different missiles--the short _t-h-t! t-h-t! _ of
the rifle-balls;
I see the shells exploding, leaving small white clouds--I hear the great
shells shrieking as they pass;
The grape, like the hum and whirr of wind through the trees, (quick,
tumultuous, now the contest rages! )
All the scenes at the batteries themselves rise in detail before me again;
The crashing and smoking--the pride of the men in their pieces;
The chief gunner ranges and sights his piece, and selects a fuse of the
right time;
After firing, I see him lean aside, and look eagerly off to note the
effect;
--Elsewhere I hear the cry of a regiment charging--the young colonel leads
himself this time, with brandished sword;
I see the gaps cut by the enemy's volleys, quickly filled up--no delay;
I breathe the suffocating smoke--then the flat clouds hover low, concealing
all;
Now a strange lull comes for a few seconds, not a shot fired on either
side;
Then resumed, the chaos louder than ever, with eager calls, and orders of
officers;
While from some distant part of the field the wind wafts to my ears a shout
of applause, (some special success;)
And ever the sound of the cannon, far or near, rousing, even in dreams, a
devilish exultation, and all the old mad joy, in the depths of my
soul;
And ever the hastening of infantry shifting positions--batteries, cavalry,
moving hither and thither;
The falling, dying, I heed not--the wounded, dripping and red, I heed not--
some to the rear are hobbling;
Grime, heat, rush--aides-de-camp galloping by, or on a full run:
With the patter of small arms, the warning _s-s-t_ of the rifles, (these in
my vision I hear or see,)
And bombs bursting in air, and at night the vari-coloured rockets.
_O TAN-FACED PRAIRIE BOY. _
O tan-faced prairie boy!
Before you came to camp came many a welcome gift;
Praises and presents came, and nourishing food--till at last, among the
recruits,
You came, taciturn, with nothing to give--we but looked on each other,
When lo! more than all the gifts of the world you gave me.
_MANHATTAN FACES. _
1.
Give me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmowed grass grows;
Give me an arbour, give me the trellised grape;
Give me fresh corn and wheat--give me serene-moving animals, teaching
content;
Give me nights perfectly quiet, as on high plateaus west of the
Mississippi, and I looking up at the stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
undisturbed;
Give me for marriage a sweet-breathed woman, of whom I should never tire;
Give me a perfect child--give me, away, aside from the noise of the world,
a rural domestic life;
Give me to warble spontaneous songs, relieved, recluse by myself, for my
own ears only;
Give me solitude--give me Nature--give me again, O Nature, your primal
sanities!
--These, demanding to have them, tired with ceaseless excitement, and
racked by the war-strife,
These to procure incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchained a certain time, refusing to give me up,
Yet giving to make me glutted, enriched of soul--you give me for ever
faces;
O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it asked for.
2.
Keep your splendid silent sun;
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your cornfields and orchards;
Keep the blossoming buckwheat fields, where the ninth-month bees hum.
Give me faces and streets! give me these phantoms incessant and endless
along the _trottoirs_!
Give me interminable eyes! give me women! give me comrades and lovers by
the thousand!
Let me see new ones every day! let me hold new ones by the hand every day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching--give me the sound of the
trumpets and drums!
The soldiers in companies or regiments--some starting away, flushed and
reckless;
Some, their time up, returning, with thinned ranks--young, yet very old,
worn, marching, noticing nothing;
--Give me the shores and the wharves heavy-fringed with the black ships!
O such for me! O an intense life! O full to repletion, and varied!
The life of the theatre, bar-room, huge hotel, for me!
