Mirth, or Freemens Songs and
such delightfull Catches.
such delightfull Catches.
Cambridge History of English Literature - 1908 - v04
4.
and 5.
parts, to be sung and plaied with the Lute and
Viols. 1612.
Dowland, Robert. A Musicall Banquet. Furnished with varietie of delicious
Ayres, Collected out of the best Authors in English, French, Spanish and
Italian. 1610.
Este, Michael. Madrigales To 3. 4. and 5. parts: apt for Viols and voices.
1604. Second set. 1606. Third set. . . Wherein are Pastorals, Anthemes,
Neopolitanes, Fancies, and Madrigales, to 5. and 6. parts. 1610. Fourth
set. 1619. Fift set. . . Wherein are Songs full of Spirit and delight. 1618.
Sixt Set. 1624. Seventh set. 1638.
Farmer, John. The First Set Of English Madrigals: To Foure Voices. 1599.
Farnaby, Giles. Canzonets To Fowre Voyces, With a Song of eight parts.
M. D. XCVIII.
Ferrabosco, Alfonso. Ayres. 1609.
Ford, Thomas. Musicke of Sundrie Kindes, Set forth in two Bookes. 1607.
Gibbons, Orlando. The first set of Madrigals And Mottets of 5. Parts: apt
for Viols and Voyces. 1612. Ed. Smart, G. 1841.
Parthenia or The Maydenhead of the first musicke that ever was
printed for the Virginalls. Composed by three famous Masters: William
Byrd, Dr John Bull, and Orlando Gibbons. [1611. ) Also 1655.
Greaves, Thomas. Songes of sundrie kindes : First, Aires to be sung to the
Lute, and Base Violl. Next, Songes of Sadnesse, for the Viols and Voyces.
Lastly, Madrigalles, for five voyces. 1604.
Hilton, John. Ayres, or Fa las for three voyces. 1627. Rptd by the Musical
Antiquarian Society, 1844.
Catch that Catch can. A Choice Collection of Catches, Rownds, &
Canons. 1652.
Hume, Tobias. The First Part of Ayres, French, Pollish, and others
together, some in Tabliture, and some in Pricke-Song. 1605.
Jones, Robert. The First Booke Of Songes & Ayres Of foure parts with
Tableture for the Lute. 1600. First And Second Booke. 1601.
Ultimum Vale or The Third Book of Ayres. [1608. ] [No title-page.
Unique copy in the library of the Royal College of Music, with MS note
by Edward F. Rimbault. ]
- A Musicall Dreame. Or The Fourth Booke Of Ayres. 1609.
The Muses Gardin for Delights. Or the fift Booke of Ayres, onely for
the Lute, the Base-vyoll, and the Voyce. 1610.
The First Set of Madrigals, of 3. 4. 5. 6. 7. 8. Parts, for Viols and Voices,
or for Voices alone, or as you please. 1607.
Kirbye, George. The first set of English Madrigalls, to 4. 5. & 6. voyces. 1597.
Lichfield, Henry. The First Set Of Madrigals of 5. Parts: apt both for
Viols and Voyces. 1613.
Mason, George, and Easden, John. The Ayres That Were Song and Played,
at Brougham Castle in Westmerland, in the Kings Entertainment. 1618.
Morley, Thomas. Canzonets. Or Little Short Songs To Three Voyces. 1593.
The first booke of Canzonets to two voyces. 1595.
Canzonets. Or Little Short Songs To Foure Voyces: Celected out of the
best and approved Italian Authors. 1597.
Canzonets or Litle Short Aers To Five and Sixe Voices. 1597.
Madrigalls to foure voyces. The first booke. 1594.
Madrigals To five voyces. Celected out of the best approved Italian
Authors. 1598.
Madrigals to Foure Voices . . . with some Songs added. 1600.
The First Booke of Balletts To Five Voyces. 1595. (Also 1600. ]
## p. 465 (#487) ############################################
Chapter VI
465
:
Morley, Thomas. A Plaine And Easie Introduction To Practicall Musicke,
set downe in forme of a dialogue: Devided into three partes, With new
songs of 2. 3. 4. and 5. parts. 1597.
The First Booke of Ayres. Or Little Short Songs, to sing and play to
the Lute, with the Base Viole. 1600.
Madrigales The Triumphes of Oriana, to 5. and 6. voices: composed by
divers severall aucthors. 1601. Ed. Hawes, W. 1815.
The Canzonets And Madrigals For Three and Four Voices. Ed. Holland,
W. W. and Cooke, W. Oxon. and London (1808? ).
Mundy, John. Songs and Psalmes composed into 3. 4. and 5. parts.
1594.
Peerson, Martin. Private Musicke. Or The First Booke of Ayres and
Dialogues: Contayning Songs of 4. 5. and 6. parts. 1620.
Mottects or Grave Chamber Musique. Containing Songs of five parts.
Also, A Mourning Song of sixe parts for the Death of the late Right
Honorable Sir Fulke Grevil. 1630.
Pilkington, Francis. First Booke Of Songs or Ayres of 4. parts. 1605.
The first set of madrigals and pastorals of 3. 4. and 5. Parts.
1613.
The Second Set Of Madrigals, and Pastorals, of 3. 4. 5. and 6. Parts;
Apt for Violls and Voyces. 1624.
Ravenscroft, Thomas. Pammelia, Musicks Miscellanie. 1609. Also 1618.
Deuteromelia: or The second part of Musicks melodie, or melodious
Musicke, Of Pleasant Roundelaies; K. H.
Mirth, or Freemens Songs and
such delightfull Catches. 1609.
Melismata. Musicall phansies. Fitting The Court, Citie, and Countrey
Humours. To 3. 4. and 5. Voyces. 1611.
A briefe discourse of the true (but neglected) use of Charract'ring the
Degrees by their Perfection, Imperfection, and Dimunition in Measurable
Musicke, against the Common Practise and Custome of these Times.
1614.
Robinson, Thomas. New Citharen Lessons. 1609.
Rosseter, Philip. A Booke of Ayres, Set foorth to be song to the Lute,
Orpherian, and Base Violl. 1601.
Tomkins, Thomas. Songs of 3. 4. 5. and 6. parts. 1622.
Vautor, Thomas. The First Set: Beeing Songs of divers Ayres and Natures,
of Five and Sixe parts: Apt for Vyols and Voyces. 1619.
Ward, John. The First Set English Madrigals To 3. 4. 5. and 6. parts apt
both for Viols and Voyces. With a Mourning Song in memory of Prince
Henry. 1613.
Watson, Thomas. The first sett, Of Italian Madrigalls Englished. 1590.
Weelkes, Thomas. Madrigals To 3. 4. 5. & 6. voyces. 1597. Ed. Hopkins, ,
E. J. 1843.
Balletts and Madrigals To five voyces, with one to 6. voyces. 1598.
Another edition, 1608.
Madrigals of 5. and 6. parts, apt for the Viols and voices. 1600.
Madrigals Of 6. parts, apt for the Viols and voices. 1600.
Ayeres or Phantasticke Spirites for three voices. 1608.
Whythorne, Thomas. Songes of three, fower, and five voyces. 1571.
Of Duos, or Songs for two voices. 1590.
Wilbye, John. The First Set Of English Madrigals To 3. 4. 5. and 6. voices.
1598. Ed. Turle, J. 1840-1.
The Second Set Of Madrigales To 3. 4. 5. and 6. parts, apt both for Voyals
and Voyces. 1609. Ed. Budd, G. W. 1846.
Youll, Henry. Canzonets To Three Voyces. 1608.
30
E. L. IV.
## p. 466 (#488) ############################################
466
Bibliography
II. LATER REPRINTS AND COLLECTIONS.
Aikin, J. Vocal Poetry; or, a select collection of English songs. To which
is prefixed an essay on song-writing. 1810.
Arber, E. An English Garner. Ingatherings from our History and Litera
ture. Vols. 11 (1879), III (1880), iv (1882), vi (1883) and VII (1883).
Bullen, A. H. An English Garner, Shorter Elizabethan Poems. 1903.
Lyrics from the Song-Books of the Elizabethan Age. 1887. More
Lyrics from the Song-Books of the Elizabethan Age. 1888. Lyrics
from the Song-Books of the Elizabethan Age. New and Revised Edition.
1889 and 1891. (Selections from the two preceding volumes. ) Lyrics from
the Dramatists of the Elizabethan Age. 1889 and 1890. Poems, Chiefly
Lyrical, from Romances and Prose-Tracts of the Elizabethan Age:
With Chosen Poems of Nicholas Breton. 1890.
Carpenter, F. I. English Lyric Poetry, 1500-1700. 1906.
Chambers, E. K. English Pastorals. 1906.
Collier, J. P. Seven English Poetical Miscellanies, Printed between 1557
and 1602. 1867.
Lyrics for old Lutenists in the reigns of Elizabeth and James I, Being
Specimens of the Words of Airs intended for concerted performance,
and social amusement. 1863. (In Illustrations of Early English Popular
Literature, vol. 1, 1863. )
Lyrical Poems, Selected from Musical Publications between the years
1589 and 1600. Percy Society. Vol. XIII. 1844.
Cox, F. A. English Madrigals in the time of Shakespeare. 1899.
Crow, Martha F. Elizabethan Sonnet Cycles. 1896-8.
Grosart, A. B. Miscellanies of the Fuller Worthies’ Library. The Writings
in verse and prose of Sir Edward Dyer, Knt. (1540 ? -1607. ) 1872.
Miscellanies of the Fuller Worthies’ Library. The Poems of Thomas,
Lord Vaux (died 1562), Edward, Earl of Oxford (died 1604), Robert,
Earl of Essex (died 1601); and Walter, Earl of Essex (died 1576). 1872.
Hannah, J. The Courtly Poets from Raleigh to Montrose. 1870.
Poems by Sir Henry Wotton, Sir Walter Raleigh, and others. 1845.
(Hazlitt, W. Carew. ] Inedited Poetical Miscellanies, 1584-1700. Selected
from MSS chiefly in private hands. 1870.
Linton, W. J. Rare Poems of the Sixteenth and Seventeenth Centuries.
A Supplement to the Anthologies. 1882.
Oliphant, T. La Musa Madrigalesca; or A Collection of Madrigals, Ballets,
Roundelays, etc. , chiefly of the Elizabethan Age. 1837.
Park, T. Heliconia. Comprising A Selection of English Poetry of the
Elizabethan Age: Written or Published between 1575 and 1604. Three
vols. 1815.
Nugae Antiquae: being a miscellaneous collection of original papers,
in prose and verse; written during the reigns of Henry VIII. Edward VI.
Queen Mary, Elizabeth, and King James. Vol. 11. 1804.
Rimbault, E. F. The Ancient Vocal Music of England. A Collection of
Specimens Referred to in a series of Lectures, and Adapted to Modern
Use.
Bibliotheca Madrigaliana. A Bibliographical Account of the Musical
and Poetical Works published in England during the Sixteenth and
Seventeenth Centuries, under the Titles of Madrigals, Ballets, Ayres,
Canzonets, etc. , etc. 1847.
Ritson, J. A select collection of English Songs, with their original airs:
and a historical essay on the origin and progress of national song. 3 vols.
Viols. 1612.
Dowland, Robert. A Musicall Banquet. Furnished with varietie of delicious
Ayres, Collected out of the best Authors in English, French, Spanish and
Italian. 1610.
Este, Michael. Madrigales To 3. 4. and 5. parts: apt for Viols and voices.
1604. Second set. 1606. Third set. . . Wherein are Pastorals, Anthemes,
Neopolitanes, Fancies, and Madrigales, to 5. and 6. parts. 1610. Fourth
set. 1619. Fift set. . . Wherein are Songs full of Spirit and delight. 1618.
Sixt Set. 1624. Seventh set. 1638.
Farmer, John. The First Set Of English Madrigals: To Foure Voices. 1599.
Farnaby, Giles. Canzonets To Fowre Voyces, With a Song of eight parts.
M. D. XCVIII.
Ferrabosco, Alfonso. Ayres. 1609.
Ford, Thomas. Musicke of Sundrie Kindes, Set forth in two Bookes. 1607.
Gibbons, Orlando. The first set of Madrigals And Mottets of 5. Parts: apt
for Viols and Voyces. 1612. Ed. Smart, G. 1841.
Parthenia or The Maydenhead of the first musicke that ever was
printed for the Virginalls. Composed by three famous Masters: William
Byrd, Dr John Bull, and Orlando Gibbons. [1611. ) Also 1655.
Greaves, Thomas. Songes of sundrie kindes : First, Aires to be sung to the
Lute, and Base Violl. Next, Songes of Sadnesse, for the Viols and Voyces.
Lastly, Madrigalles, for five voyces. 1604.
Hilton, John. Ayres, or Fa las for three voyces. 1627. Rptd by the Musical
Antiquarian Society, 1844.
Catch that Catch can. A Choice Collection of Catches, Rownds, &
Canons. 1652.
Hume, Tobias. The First Part of Ayres, French, Pollish, and others
together, some in Tabliture, and some in Pricke-Song. 1605.
Jones, Robert. The First Booke Of Songes & Ayres Of foure parts with
Tableture for the Lute. 1600. First And Second Booke. 1601.
Ultimum Vale or The Third Book of Ayres. [1608. ] [No title-page.
Unique copy in the library of the Royal College of Music, with MS note
by Edward F. Rimbault. ]
- A Musicall Dreame. Or The Fourth Booke Of Ayres. 1609.
The Muses Gardin for Delights. Or the fift Booke of Ayres, onely for
the Lute, the Base-vyoll, and the Voyce. 1610.
The First Set of Madrigals, of 3. 4. 5. 6. 7. 8. Parts, for Viols and Voices,
or for Voices alone, or as you please. 1607.
Kirbye, George. The first set of English Madrigalls, to 4. 5. & 6. voyces. 1597.
Lichfield, Henry. The First Set Of Madrigals of 5. Parts: apt both for
Viols and Voyces. 1613.
Mason, George, and Easden, John. The Ayres That Were Song and Played,
at Brougham Castle in Westmerland, in the Kings Entertainment. 1618.
Morley, Thomas. Canzonets. Or Little Short Songs To Three Voyces. 1593.
The first booke of Canzonets to two voyces. 1595.
Canzonets. Or Little Short Songs To Foure Voyces: Celected out of the
best and approved Italian Authors. 1597.
Canzonets or Litle Short Aers To Five and Sixe Voices. 1597.
Madrigalls to foure voyces. The first booke. 1594.
Madrigals To five voyces. Celected out of the best approved Italian
Authors. 1598.
Madrigals to Foure Voices . . . with some Songs added. 1600.
The First Booke of Balletts To Five Voyces. 1595. (Also 1600. ]
## p. 465 (#487) ############################################
Chapter VI
465
:
Morley, Thomas. A Plaine And Easie Introduction To Practicall Musicke,
set downe in forme of a dialogue: Devided into three partes, With new
songs of 2. 3. 4. and 5. parts. 1597.
The First Booke of Ayres. Or Little Short Songs, to sing and play to
the Lute, with the Base Viole. 1600.
Madrigales The Triumphes of Oriana, to 5. and 6. voices: composed by
divers severall aucthors. 1601. Ed. Hawes, W. 1815.
The Canzonets And Madrigals For Three and Four Voices. Ed. Holland,
W. W. and Cooke, W. Oxon. and London (1808? ).
Mundy, John. Songs and Psalmes composed into 3. 4. and 5. parts.
1594.
Peerson, Martin. Private Musicke. Or The First Booke of Ayres and
Dialogues: Contayning Songs of 4. 5. and 6. parts. 1620.
Mottects or Grave Chamber Musique. Containing Songs of five parts.
Also, A Mourning Song of sixe parts for the Death of the late Right
Honorable Sir Fulke Grevil. 1630.
Pilkington, Francis. First Booke Of Songs or Ayres of 4. parts. 1605.
The first set of madrigals and pastorals of 3. 4. and 5. Parts.
1613.
The Second Set Of Madrigals, and Pastorals, of 3. 4. 5. and 6. Parts;
Apt for Violls and Voyces. 1624.
Ravenscroft, Thomas. Pammelia, Musicks Miscellanie. 1609. Also 1618.
Deuteromelia: or The second part of Musicks melodie, or melodious
Musicke, Of Pleasant Roundelaies; K. H.
Mirth, or Freemens Songs and
such delightfull Catches. 1609.
Melismata. Musicall phansies. Fitting The Court, Citie, and Countrey
Humours. To 3. 4. and 5. Voyces. 1611.
A briefe discourse of the true (but neglected) use of Charract'ring the
Degrees by their Perfection, Imperfection, and Dimunition in Measurable
Musicke, against the Common Practise and Custome of these Times.
1614.
Robinson, Thomas. New Citharen Lessons. 1609.
Rosseter, Philip. A Booke of Ayres, Set foorth to be song to the Lute,
Orpherian, and Base Violl. 1601.
Tomkins, Thomas. Songs of 3. 4. 5. and 6. parts. 1622.
Vautor, Thomas. The First Set: Beeing Songs of divers Ayres and Natures,
of Five and Sixe parts: Apt for Vyols and Voyces. 1619.
Ward, John. The First Set English Madrigals To 3. 4. 5. and 6. parts apt
both for Viols and Voyces. With a Mourning Song in memory of Prince
Henry. 1613.
Watson, Thomas. The first sett, Of Italian Madrigalls Englished. 1590.
Weelkes, Thomas. Madrigals To 3. 4. 5. & 6. voyces. 1597. Ed. Hopkins, ,
E. J. 1843.
Balletts and Madrigals To five voyces, with one to 6. voyces. 1598.
Another edition, 1608.
Madrigals of 5. and 6. parts, apt for the Viols and voices. 1600.
Madrigals Of 6. parts, apt for the Viols and voices. 1600.
Ayeres or Phantasticke Spirites for three voices. 1608.
Whythorne, Thomas. Songes of three, fower, and five voyces. 1571.
Of Duos, or Songs for two voices. 1590.
Wilbye, John. The First Set Of English Madrigals To 3. 4. 5. and 6. voices.
1598. Ed. Turle, J. 1840-1.
The Second Set Of Madrigales To 3. 4. 5. and 6. parts, apt both for Voyals
and Voyces. 1609. Ed. Budd, G. W. 1846.
Youll, Henry. Canzonets To Three Voyces. 1608.
30
E. L. IV.
## p. 466 (#488) ############################################
466
Bibliography
II. LATER REPRINTS AND COLLECTIONS.
Aikin, J. Vocal Poetry; or, a select collection of English songs. To which
is prefixed an essay on song-writing. 1810.
Arber, E. An English Garner. Ingatherings from our History and Litera
ture. Vols. 11 (1879), III (1880), iv (1882), vi (1883) and VII (1883).
Bullen, A. H. An English Garner, Shorter Elizabethan Poems. 1903.
Lyrics from the Song-Books of the Elizabethan Age. 1887. More
Lyrics from the Song-Books of the Elizabethan Age. 1888. Lyrics
from the Song-Books of the Elizabethan Age. New and Revised Edition.
1889 and 1891. (Selections from the two preceding volumes. ) Lyrics from
the Dramatists of the Elizabethan Age. 1889 and 1890. Poems, Chiefly
Lyrical, from Romances and Prose-Tracts of the Elizabethan Age:
With Chosen Poems of Nicholas Breton. 1890.
Carpenter, F. I. English Lyric Poetry, 1500-1700. 1906.
Chambers, E. K. English Pastorals. 1906.
Collier, J. P. Seven English Poetical Miscellanies, Printed between 1557
and 1602. 1867.
Lyrics for old Lutenists in the reigns of Elizabeth and James I, Being
Specimens of the Words of Airs intended for concerted performance,
and social amusement. 1863. (In Illustrations of Early English Popular
Literature, vol. 1, 1863. )
Lyrical Poems, Selected from Musical Publications between the years
1589 and 1600. Percy Society. Vol. XIII. 1844.
Cox, F. A. English Madrigals in the time of Shakespeare. 1899.
Crow, Martha F. Elizabethan Sonnet Cycles. 1896-8.
Grosart, A. B. Miscellanies of the Fuller Worthies’ Library. The Writings
in verse and prose of Sir Edward Dyer, Knt. (1540 ? -1607. ) 1872.
Miscellanies of the Fuller Worthies’ Library. The Poems of Thomas,
Lord Vaux (died 1562), Edward, Earl of Oxford (died 1604), Robert,
Earl of Essex (died 1601); and Walter, Earl of Essex (died 1576). 1872.
Hannah, J. The Courtly Poets from Raleigh to Montrose. 1870.
Poems by Sir Henry Wotton, Sir Walter Raleigh, and others. 1845.
(Hazlitt, W. Carew. ] Inedited Poetical Miscellanies, 1584-1700. Selected
from MSS chiefly in private hands. 1870.
Linton, W. J. Rare Poems of the Sixteenth and Seventeenth Centuries.
A Supplement to the Anthologies. 1882.
Oliphant, T. La Musa Madrigalesca; or A Collection of Madrigals, Ballets,
Roundelays, etc. , chiefly of the Elizabethan Age. 1837.
Park, T. Heliconia. Comprising A Selection of English Poetry of the
Elizabethan Age: Written or Published between 1575 and 1604. Three
vols. 1815.
Nugae Antiquae: being a miscellaneous collection of original papers,
in prose and verse; written during the reigns of Henry VIII. Edward VI.
Queen Mary, Elizabeth, and King James. Vol. 11. 1804.
Rimbault, E. F. The Ancient Vocal Music of England. A Collection of
Specimens Referred to in a series of Lectures, and Adapted to Modern
Use.
Bibliotheca Madrigaliana. A Bibliographical Account of the Musical
and Poetical Works published in England during the Sixteenth and
Seventeenth Centuries, under the Titles of Madrigals, Ballets, Ayres,
Canzonets, etc. , etc. 1847.
Ritson, J. A select collection of English Songs, with their original airs:
and a historical essay on the origin and progress of national song. 3 vols.
