No More Learning

The rivals were
school friends. They sat together in class, knelt together in the
chapel, talked together after beads over their lunches. As the fellows
in number one were undistinguished dullards, Stephen and Heron had been
during the year the virtual heads of the school. It was they who went
up to the rector together to ask for a free day or to get a fellow off.

--O by the way, said Heron suddenly, I saw your governor going in.

The smile waned on Stephen's face. Any allusion made to his father by a
fellow or by a master put his calm to rout in a moment. He waited in
timorous silence to hear what Heron might say next. Heron, however,
nudged him expressively with his elbow and said:

--You're a sly dog.

--Why so? said Stephen.

--You'd think butter wouldn't melt in your mouth said Heron. But I'm
afraid you're a sly dog.

--Might I ask you what you are talking about? said Stephen urbanely.

--Indeed you might, answered Heron. We saw her, Wallis, didn't we? And
deucedly pretty she is too. And inquisitive! AND WHAT PART DOES STEPHEN
TAKE, MR DEDALUS? AND WILL STEPHEN NOT SING, MR DEDALUS? Your governor
was staring at her through that eyeglass of his for all he was worth so
that I think the old man has found you out too. I wouldn't care a bit,
by Jove. She's ripping, isn't she, Wallis?

--Not half bad, answered Wallis quietly as he placed his holder once
more in a corner of his mouth.

A shaft of momentary anger flew through Stephen's mind at these
indelicate allusions in the hearing of a stranger. For him there was
nothing amusing in a girl's interest and regard. All day he had thought
of nothing but their leave-taking on the steps of the tram at Harold's
Cross, the stream of moody emotions it had made to course through him
and the poem he had written about it. All day he had imagined a new
meeting with her for he knew that she was to come to the play. The old
restless moodiness had again filled his breast as it had done on the
night of the party, but had not found an outlet in verse. The growth
and knowledge of two years of boyhood stood between then and now,
forbidding such an outlet: and all day the stream of gloomy tenderness
within him had started forth and returned upon itself in dark courses
and eddies, wearying him in the end until the pleasantry of the prefect
and the painted little boy had drawn from him a movement of impatience.

--So you may as well admit, Heron went on, that we've fairly found you
out this time. You can't play the saint on me any more, that's one sure
five.

A soft peal of mirthless laughter escaped from his lips and, bending
down as before, he struck Stephen lightly across the calf of the leg
with his cane, as if in jesting reproof.

Stephen's moment of anger had already passed. He was neither flattered
nor confused, but simply wished the banter to end. He scarcely resented
what had seemed to him a silly indelicateness for he knew that the
adventure in his mind stood in no danger from these words: and his face
mirrored his rival's false smile.

--Admit! repeated Heron, striking him again with his cane across the
calf of the leg.

The stroke was playful but not so lightly given as the first one had
been. Stephen felt the skin tingle and glow slightly and almost
painlessly; and, bowing submissively, as if to meet his companion's
jesting mood, began to recite the CONFITEOR. The episode ended well,
for both Heron and Wallis laughed indulgently at the irreverence.

The confession came only from Stephen's lips and, while they spoke the
words, a sudden memory had carried him to another scene called up, as
if by magic, at the moment when he had noted the faint cruel dimples at
the corners of Heron's smiling lips and had felt the familiar stroke of
the cane against his calf and had heard the familiar word of
admonition:

--Admit.

It was towards the close of his first term in the college when he was
in number six. His sensitive nature was still smarting under the lashes
of an undivined and squalid way of life. His soul was still disquieted
and cast down by the dull phenomenon of Dublin. He had emerged from a
two years' spell of revery to find himself in the midst of a new scene,
every event and figure of which affected him intimately, disheartened
him or allured and, whether alluring or disheartening, filled him
always with unrest and bitter thoughts. All the leisure which his
school life left him was passed in the company of subversive writers
whose jibes and violence of speech set up a ferment in his brain before
they passed out of it into his crude writings.

The essay was for him the chief labour of his week and every Tuesday,
as he marched from home to the school, he read his fate in the
incidents of the way, pitting himself against some figure ahead of him
and quickening his pace to outstrip it before a certain goal was
reached or planting his steps scrupulously in the spaces of the
patchwork of the pathway and telling himself that he would be first and
not first in the weekly essay.

On a certain Tuesday the course of his triumphs was rudely broken. Mr
Tate, the English master, pointed his finger at him and said bluntly:

--This fellow has heresy in his essay.

A hush fell on the class. Mr Tate did not break it but dug with his
hand between his thighs while his heavily starched linen creaked about
his neck and wrists. Stephen did not look up. It was a raw spring
morning and his eyes were still smarting and weak. He was conscious of
failure and of detection, of the squalor of his own mind and home, and
felt against his neck the raw edge of his turned and jagged collar.

A short loud laugh from Mr Tate set the class more at ease.

--Perhaps you didn't know that, he said.

--Where? asked Stephen.

Mr Tate withdrew his delving hand and spread out the essay.

--Here. It's about the Creator and the soul. Rrm. . . rrm. . . rrm. . . Ah!
WITHOUT A POSSIBILITY OF EVER APPROACHING NEARER. That's heresy.

Stephen murmured:

--I meant WITHOUT A POSSIBILITY OF EVER REACHING.

It was a submission and Mr Tate, appeased, folded up the essay and
passed it across to him, saying:

--O. . . Ah! EVER REACHING. That's another story.

But the class was not so soon appeased. Though nobody spoke to him of
the affair after class he could feel about him a vague general
malignant joy.

A few nights after this public chiding he was walking with a letter
along the Drumcondra Road when he heard a voice cry:

--Halt!

He turned and saw three boys of his own class coming towards him in the
dusk. It was Heron who had called out and, as he marched forward
between his two attendants, he cleft the air before him with a thin
cane in time to their steps. Boland, his friend, marched beside him, a
large grin on his face, while Nash came on a few steps behind, blowing
from the pace and wagging his great red head.

As soon as the boys had turned into Clonliffe Road together they began
to speak about books and writers, saying what books they were reading
and how many books there were in their fathers' bookcases at home.
Stephen listened to them in some wonderment for Boland was the dunce
and Nash the idler of the class. In fact, after some talk about their
favourite writers, Nash declared for Captain Marryat who, he said, was
the greatest writer.

--Fudge! said Heron. Ask Dedalus. Who is the greatest writer, Dedalus?

Stephen noted the mockery in the question and said:

--Of prose do you mean?

--Yes.

--Newman, I think.

--Is it Cardinal Newman? asked Boland.

--Yes, answered Stephen.

The grin broadened on Nash's freckled face as he turned to Stephen and
said:

--And do you like Cardinal Newman, Dedalus?

--O, many say that Newman has the best prose style, Heron said to the
other two in explanation, of course he's not a poet.

--And who is the best poet, Heron? asked Boland.

--Lord Tennyson, of course, answered Heron.

--O, yes, Lord Tennyson, said Nash. We have all his poetry at home in a
book.

At this Stephen forgot the silent vows he had been making and burst out:

--Tennyson a poet! Why, he's only a rhymester!

--O, get out! said Heron. Everyone knows that Tennyson is the greatest
poet.

--And who do you think is the greatest poet? asked Boland, nudging his
neighbour.

--Byron, of course, answered Stephen.

Heron gave the lead and all three joined in a scornful laugh.

--What are you laughing at? asked Stephen.

--You, said Heron. Byron the greatest poet! He's only a poet for
uneducated people.

--He must be a fine poet! said Boland.

--You may keep your mouth shut, said Stephen, turning on him boldly.
All you know about poetry is what you wrote up on the slates in the
yard and were going to be sent to the loft for.

Boland, in fact, was said to have written on the slates in the yard a
couplet about a classmate of his who often rode home from the college
on a pony:


As Tyson was riding into Jerusalem
He fell and hurt his Alec Kafoozelum.


This thrust put the two lieutenants to silence but Heron went on:

--In any case Byron was a heretic and immoral too.

--I don't care what he was, cried Stephen hotly.

--You don't care whether he was a heretic or not? said Nash.

--What do you know about it? shouted Stephen. You never read a line of
anything in your life except a trans, or Boland either.

--I know that Byron was a bad man, said Boland.

--Here, catch hold of this heretic, Heron called out. In a moment
Stephen was a prisoner.

--Tate made you buck up the other day, Heron went on, about the heresy
in your essay.

--I'll tell him tomorrow, said Boland.

--Will you? said Stephen. You'd be afraid to open your lips.

--Afraid?

--Ay. Afraid of your life.

--Behave yourself! cried Heron, cutting at Stephen's legs with his
cane.

It was the signal for their onset. Nash pinioned his arms behind while
Boland seized a long cabbage stump which was lying in the gutter.
Struggling and kicking under the cuts of the cane and the blows of the
knotty stump Stephen was borne back against a barbed wire fence.

--Admit that Byron was no good.

--No.

--Admit.

--No.

--Admit.

--No. No.

At last after a fury of plunges he wrenched himself free. His
tormentors set off towards Jones's Road, laughing and jeering at him,
while he, half blinded with tears, stumbled on, clenching his fists
madly and sobbing.

While he was still repeating the CONFITEOR amid the indulgent laughter
of his hearers and while the scenes of that malignant episode were
still passing sharply and swiftly before his mind he wondered why he
bore no malice now to those who had tormented him. He had not forgotten
a whit of their cowardice and cruelty but the memory of it called forth
no anger from him. All the descriptions of fierce love and hatred which
he had met in books had seemed to him therefore unreal. Even that night
as he stumbled homewards along Jones's Road he had felt that some power
was divesting him of that sudden-woven anger as easily as a fruit is
divested of its soft ripe peel.

He remained standing with his two companions at the end of the shed
listening idly to their talk or to the bursts of applause in the
theatre. She was sitting there among the others perhaps waiting for him
to appear. He tried to recall her appearance but could not. He could
remember only that she had worn a shawl about her head like a cowl and
that her dark eyes had invited and unnerved him. He wondered had he
been in her thoughts as she had been in his. Then in the dark and
unseen by the other two he rested the tips of the fingers of one hand
upon the palm of the other hand, scarcely touching it lightly. But the
pressure of her fingers had been lighter and steadier: and suddenly the
memory of their touch traversed his brain and body like an invisible
wave.

A boy came towards them, running along under the shed. He was excited
and breathless.

--O, Dedalus, he cried, Doyle is in a great bake about you. You're to
go in at once and get dressed for the play. Hurry up, you better.

--He's coming now, said Heron to the messenger with a haughty drawl,
when he wants to.

The boy turned to Heron and repeated:

--But Doyle is in an awful bake.

--Will you tell Doyle with my best compliments that I damned his eyes?
answered Heron.

--Well, I must go now, said Stephen, who cared little for such points
of honour.

--I wouldn't, said Heron, damn me if I would. That's no way to send
for one of the senior boys. In a bake, indeed! I think it's quite
enough that you're taking a part in his bally old play.

This spirit of quarrelsome comradeship which he had observed lately in
his rival had not seduced Stephen from his habits of quiet obedience.
He mistrusted the turbulence and doubted the sincerity of such
comradeship which seemed to him a sorry anticipation of manhood. The
question of honour here raised was, like all such questions, trivial to
him. While his mind had been pursuing its intangible phantoms and
turning in irresolution from such pursuit he had heard about him the
constant voices of his father and of his masters, urging him to be a
gentleman above all things and urging him to be a good catholic above all
things. These voices had now come to be hollow-sounding in his ears. When
the gymnasium had been opened he had heard another voice urging him to be
strong and manly and healthy and when the movement towards national
revival had begun to be felt in the college yet another voice had bidden
him be true to his country and help to raise up her language and
tradition. In the profane world, as he foresaw, a worldly voice would bid
him raise up his father's fallen state by his labours and, meanwhile, the
voice of his school comrades urged him to be a decent fellow, to shield
others from blame or to beg them off and to do his best to get free days
for the school. And it was the din of all these hollow-sounding voices
that made him halt irresolutely in the pursuit of phantoms. He gave them
ear only for a time but he was happy only when he was far from them,
beyond their call, alone or in the company of phantasmal comrades.

In the vestry a plump fresh-faced jesuit and an elderly man, in shabby
blue clothes, were dabbling in a case of paints and chalks. The boys
who had been painted walked about or stood still awkwardly, touching
their faces in a gingerly fashion with their furtive fingertips. In the
middle of the vestry a young jesuit, who was then on a visit to the
college, stood rocking himself rhythmically from the tips of his toes
to his heels and back again, his hands thrust well forward into his
side-pockets. His small head set off with glossy red curls and his
newly shaven face agreed well with the spotless decency of his soutane
and with his spotless shoes.

As he watched this swaying form and tried to read for himself the
legend of the priest's mocking smile there came into Stephen's memory a
saying which he had heard from his father before he had been sent to
Clongowes, that you could always tell a jesuit by the style of his
clothes. At the same moment he thought he saw a likeness between his
father's mind and that of this smiling well-dressed priest: and he was
aware of some desecration of the priest's office or of the vestry
itself whose silence was now routed by loud talk and joking and its air
pungent with the smells of the gas-jets and the grease.

While his forehead was being wrinkled and his jaws painted black and
blue by the elderly man, he listened distractedly to the voice of the
plump young jesuit which bade him speak up and make his points clearly.
He could hear the band playing THE LILY OF KILLARNEY and knew that in a
few moments the curtain would go up. He felt no stage fright but the
thought of the part he had to play humiliated him. A remembrance of
some of his lines made a sudden flush rise to his painted cheeks. He
saw her serious alluring eyes watching him from among the audience and
their image at once swept away his scruples, leaving his will compact.
Another nature seemed to have been lent him: the infection of the
excitement and youth about him entered into and transformed his moody
mistrustfulness. For one rare moment he seemed to be clothed in the
real apparel of boyhood: and, as he stood in the wings among the other
players, he shared the common mirth amid which the drop scene was
hauled upwards by two able-bodied priests with violent jerks and all awry.

A few moments after he found himself on the stage amid the garish gas
and the dim scenery, acting before the innumerable faces of the void.
It surprised him to see that the play which he had known at rehearsals
for a disjointed lifeless thing had suddenly assumed a life of its own.
It seemed now to play itself, he and his fellow actors aiding it with
their parts. When the curtain fell on the last scene he heard the void
filled with applause and, through a rift in a side scene, saw the
simple body before which he had acted magically deformed, the void of
faces breaking at all points and falling asunder into busy groups.

He left the stage quickly and rid himself of his mummery and passed out
through the chapel into the college garden. Now that the play was over
his nerves cried for some further adventure. He hurried onwards as if
to overtake it. The doors of the theatre were all open and the audience
had emptied out. On the lines which he had fancied the moorings of an
ark a few lanterns swung in the night breeze, flickering cheerlessly.
He mounted the steps from the garden in haste, eager that some prey
should not elude him, and forced his way through the crowd in the hall
and past the two jesuits who stood watching the exodus and bowing and
shaking hands with the visitors. He pushed onward nervously, feigning a
still greater haste and faintly conscious of the smiles and stares and
nudges which his powdered head left in its wake.

When he came out on the steps he saw his family waiting for him at the
first lamp. In a glance he noted that every figure of the group was
familiar and ran down the steps angrily.

--I have to leave a message down in George's Street, he said to his
father quickly. I'll be home after you.

Without waiting for his father's questions he ran across the road and
began to walk at breakneck speed down the hill. He hardly knew where he
was walking. Pride and hope and desire like crushed herbs in his heart
sent up vapours of maddening incense before the eyes of his mind. He
strode down the hill amid the tumult of sudden-risen vapours of wounded
pride and fallen hope and baffled desire. They streamed upwards before
his anguished eyes in dense and maddening fumes and passed away above
him till at last the air was clear and cold again.

A film still veiled his eyes but they burned no longer. A power, akin
to that which had often made anger or resentment fall from him, brought
his steps to rest. He stood still and gazed up at the sombre porch of
the morgue and from that to the dark cobbled laneway at its side. He
saw the word LOTTS on the wall of the lane and breathed slowly the rank
heavy air.

That is horse piss and rotted straw, he thought. It is a good odour to
breathe. It will calm my heart. My heart is quite calm now. I will go
back.


* * * * *


Stephen was once again seated beside his father in the corner of a
railway carriage at Kingsbridge. He was travelling with his father by
the night mail to Cork. As the train steamed out of the station he
recalled his childish wonder of years before and every event of his
first day at Clongowes. But he felt no wonder now. He saw the darkening
lands slipping away past him, the silent telegraph-poles passing his
window swiftly every four seconds, the little glimmering stations,
manned by a few silent sentries, flung by the mail behind her and
twinkling for a moment in the darkness like fiery grains flung
backwards by a runner.

He listened without sympathy to his father's evocation of Cork and of
scenes of his youth, a tale broken by sighs or draughts from his pocket
flask whenever the image of some dead friend appeared in it or whenever
the evoker remembered suddenly the purpose of his actual visit. Stephen
heard but could feel no pity. The images of the dead were all strangers
to him save that of uncle Charles, an image which had lately been
fading out of memory. He knew, however, that his father's property was
going to be sold by auction, and in the manner of his own dispossession
he felt the world give the lie rudely to his phantasy.

At Maryborough he fell asleep. When he awoke the train had passed out
of Mallow and his father was stretched asleep on the other seat. The
cold light of the dawn lay over the country, over the unpeopled fields
and the closed cottages. The terror of sleep fascinated his mind as he
watched the silent country or heard from time to time his father's deep
breath or sudden sleepy movement. The neighbourhood of unseen sleepers
filled him with strange dread, as though they could harm him, and he
prayed that the day might come quickly. His prayer, addressed neither
to God nor saint, began with a shiver, as the chilly morning breeze
crept through the chink of the carriage door to his feet, and ended in
a trail of foolish words which he made to fit the insistent rhythm of
the train; and silently, at intervals of four seconds, the
telegraph-poles held the galloping notes of the music between punctual
bars. This furious music allayed his dread and, leaning against the
windowledge, he let his eyelids close again.

They drove in a jingle across Cork while it was still early morning and
Stephen finished his sleep in a bedroom of the Victoria Hotel. The
bright warm sunlight was streaming through the window and he could hear
the din of traffic. His father was standing before the dressing-table,
examining his hair and face and moustache with great care, craning his
neck across the water-jug and drawing it back sideways to see the better.
While he did so he sang softly to himself with quaint accent and phrasing:


'Tis youth and folly
Makes young men marry,
So here, my love, I'll
No longer stay.
What can't be cured, sure,
Must be injured, sure,
So I'll go to
Amerikay.

My love she's handsome,
My love she's bony:
She's like good whisky
When it is new;
But when 'tis old
And growing cold
It fades and dies like
The mountain dew.


The consciousness of the warm sunny city outside his window and the
tender tremors with which his father's voice festooned the strange sad
happy air, drove off all the mists of the night's ill humour from
Stephen's brain. He got up quickly to dress and, when the song had
ended, said:

--That's much prettier than any of your other COME-ALL-YOUS.

--Do you think so? asked Mr Dedalus.

--I like it, said Stephen.

--It's a pretty old air, said Mr Dedalus, twirling the points of his
moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick
Lacy! He had little turns for it, grace notes that he used to put in
that I haven't got. That was the boy who could sing a COME-ALL-YOU, if
you like.

Mr Dedalus had ordered drisheens for breakfast and during the meal he
cross-examined the waiter for local news. For the most part they spoke
at cross purposes when a name was mentioned, the waiter having in mind
the present holder and Mr Dedalus his father or perhaps his
grandfather.

--Well, I hope they haven't moved the Queen's College anyhow, said Mr
Dedalus, for I want to show it to this youngster of mine.

Along the Mardyke the trees were in bloom. They entered the grounds of
the college and were led by the garrulous porter across the quadrangle.
But their progress across the gravel was brought to a halt after every
dozen or so paces by some reply of the porter's.

--Ah, do you tell me so? And is poor Pottlebelly dead?

--Yes, sir. Dead, sir.

During these halts Stephen stood awkwardly behind the two men, weary of
the subject and waiting restlessly for the slow march to begin again.
By the time they had crossed the quadrangle his restlessness had risen
to fever. He wondered how his father, whom he knew for a shrewd
suspicious man, could be duped by the servile manners of the porter;
and the lively southern speech which had entertained him all the
morning now irritated his ears.

They passed into the anatomy theatre where Mr Dedalus, the porter
aiding him, searched the desks for his initials. Stephen remained in
the background, depressed more than ever by the darkness and silence of
the theatre and by the air it wore of jaded and formal study. On the
desk he read the word FOETUS cut several times in the dark stained
wood. The sudden legend startled his blood: he seemed to feel the
absent students of the college about him and to shrink from their
company. A vision of their life, which his father's words had been
powerless to evoke, sprang up before him out of the word cut in the
desk. A broad-shouldered student with a moustache was cutting in the
letters with a jack-knife, seriously. Other students stood or sat near
him laughing at his handiwork. One jogged his elbow. The big student
turned on him, frowning. He was dressed in loose grey clothes and had
tan boots.

Stephen's name was called. He hurried down the steps of the theatre so
as to be as far away from the vision as he could be and, peering
closely at his father's initials, hid his flushed face.

But the word and the vision capered before his eyes as he walked back
across the quadrangle and towards the college gate. It shocked him to
find in the outer world a trace of what he had deemed till then a
brutish and individual malady of his own mind. His monstrous reveries
came thronging into his memory. They too had sprung up before him,
suddenly and furiously, out of mere words. He had soon given in to them
and allowed them to sweep across and abase his intellect, wondering
always where they came from, from what den of monstrous images, and
always weak and humble towards others, restless and sickened of himself
when they had swept over him.

--Ay, bedad! And there's the Groceries sure enough! cried Mr Dedalus.
You often heard me speak of the Groceries, didn't you, Stephen. Many's
the time we went down there when our names had been marked, a crowd of
us, Harry Peard and little Jack Mountain and Bob Dyas and Maurice
Moriarty, the Frenchman, and Tom O'Grady and Mick Lacy that I told you
of this morning and Joey Corbet and poor little good-hearted Johnny
Keevers of the Tantiles.

The leaves of the trees along the Mardyke were astir and whispering in
the sunlight. A team of cricketers passed, agile young men in flannels
and blazers, one of them carrying the long green wicket-bag. In a quiet
bystreet a German band of five players in faded uniforms and with
battered brass instruments was playing to an audience of street arabs
and leisurely messenger boys. A maid in a white cap and apron was
watering a box of plants on a sill which shone like a slab of limestone
in the warm glare. From another window open to the air came the sound
of a piano, scale after scale rising into the treble.

Stephen walked on at his father's side, listening to stories he had
heard before, hearing again the names of the scattered and dead
revellers who had been the companions of his father's youth. And a
faint sickness sighed in his heart.

He recalled his own equivocal position in Belvedere, a free boy, a
leader afraid of his own authority, proud and sensitive and suspicious,
battling against the squalor of his life and against the riot of his
mind. The letters cut in the stained wood of the desk stared upon him,
mocking his bodily weakness and futile enthusiasms and making him
loathe himself for his own mad and filthy orgies. The spittle in his
throat grew bitter and foul to swallow and the faint sickness climbed
to his brain so that for a moment he closed his eyes and walked on in
darkness.

He could still hear his father's voice--

--When you kick out for yourself, Stephen--as I daresay you will one
of these days--remember, whatever you do, to mix with gentlemen. When
I was a young fellow I tell you I enjoyed myself. I mixed with fine
decent fellows. Everyone of us could do something. One fellow had a
good voice, another fellow was a good actor, another could sing a good
comic song, another was a good oarsman or a good racket player, another
could tell a good story and so on. We kept the ball rolling anyhow and
enjoyed ourselves and saw a bit of life and we were none the worse of
it either. But we were all gentlemen, Stephen--at least I hope we were--and
bloody good honest Irishmen too. That's the kind of fellows I want
you to associate with, fellows of the right kidney. I'm talking to
you as a friend, Stephen. I don't believe a son should be afraid of his
father. No, I treat you as your grandfather treated me when I was a
young chap. We were more like brothers than father and son. I'll never
forget the first day he caught me smoking. I was standing at the end of
the South Terrace one day with some maneens like myself and sure we
thought we were grand fellows because we had pipes stuck in the corners
of our mouths. Suddenly the governor passed. He didn't say a word, or
stop even. But the next day, Sunday, we were out for a walk together
and when we were coming home he took out his cigar case and said:--By
the by, Simon, I didn't know you smoked, or something like that. --Of
course I tried to carry it off as best I could. --If you want a good
smoke, he said, try one of these cigars. An American captain made me a
present of them last night in Queenstown.

Stephen heard his father's voice break into a laugh which was almost a
sob.

--He was the handsomest man in Cork at that time, by God he was! The
women used to stand to look after him in the street.

He heard the sob passing loudly down his father's throat and opened his
eyes with a nervous impulse. The sunlight breaking suddenly on his
sight turned the sky and clouds into a fantastic world of sombre masses
with lakelike spaces of dark rosy light. His very brain was sick and
powerless. He could scarcely interpret the letters of the signboards of
the shops. By his monstrous way of life he seemed to have put himself
beyond the limits of reality. Nothing moved him or spoke to him from
the real world unless he heard in it an echo of the infuriated cries
within him. He could respond to no earthly or human appeal, dumb and
insensible to the call of summer and gladness and companionship,
wearied and dejected by his father's voice. He could scarcely recognize
as his own thoughts, and repeated slowly to himself:

--I am Stephen Dedalus. I am walking beside my father whose name is
Simon Dedalus. We are in Cork, in Ireland. Cork is a city. Our room is
in the Victoria Hotel. Victoria and Stephen and Simon. Simon and
Stephen and Victoria. Names.

The memory of his childhood suddenly grew dim. He tried to call forth
some of its vivid moments but could not. He recalled only names. Dante,
Parnell, Clane, Clongowes. A little boy had been taught geography by an
old woman who kept two brushes in her wardrobe. Then he had been sent
away from home to a college, he had made his first communion and eaten
slim jim out of his cricket cap and watched the firelight leaping and
dancing on the wall of a little bedroom in the infirmary and dreamed of
being dead, of mass being said for him by the rector in a black and
gold cope, of being buried then in the little graveyard of the
community off the main avenue of limes. But he had not died then.
Parnell had died. There had been no mass for the dead in the chapel and
no procession. He had not died but he had faded out like a film in the
sun. He had been lost or had wandered out of existence for he no longer
existed. How strange to think of him passing out of existence in such a
way, not by death but by fading out in the sun or by being lost and
forgotten somewhere in the universe! It was strange to see his small
body appear again for a moment: a little boy in a grey belted suit. His
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.

On the evening of the day on which the property was sold Stephen
followed his father meekly about the city from bar to bar. To the
sellers in the market, to the barmen and barmaids, to the beggars who
importuned him for a lob Mr Dedalus told the same tale--that he was an
old Corkonian, that he had been trying for thirty years to get rid of
his Cork accent up in Dublin and that Peter Pickackafax beside him was
his eldest son but that he was only a Dublin jackeen.

They had set out early in the morning from Newcombe's coffee-house,
where Mr Dedalus's cup had rattled noisily against its saucer, and
Stephen had tried to cover that shameful sign of his father's drinking
bout of the night before by moving his chair and coughing. One
humiliation had succeeded another--the false smiles of the market
sellers, the curvetings and oglings of the barmaids with whom his
father flirted, the compliments and encouraging words of his father's
friends. They had told him that he had a great look of his grandfather
and Mr Dedalus had agreed that he was an ugly likeness. They had
unearthed traces of a Cork accent in his speech and made him admit that
the Lee was a much finer river than the Liffey. One of them, in order
to put his Latin to the proof, had made him translate short passages
from Dilectus and asked him whether it was correct to say: TEMPORA
MUTANTUR NOS ET MUTAMUR IN ILLIS or TEMPORA MUTANTUR ET NOS MUTAMUR IN
ILLIS. Another, a brisk old man, whom Mr Dedalus called Johnny Cashman,
had covered him with confusion by asking him to say which were
prettier, the Dublin girls or the Cork girls.

--He's not that way built, said Mr Dedalus. Leave him alone. He's a
level-headed thinking boy who doesn't bother his head about that kind
of nonsense.

--Then he's not his father's son, said the little old man.

--I don't know, I'm sure, said Mr Dedalus, smiling complacently.

--Your father, said the little old man to Stephen, was the boldest flirt
in the City of Cork in his day. Do you know that?

Stephen looked down and studied the tiled floor of the bar into which
they had drifted.

--Now don't be putting ideas into his head, said Mr Dedalus. Leave him
to his Maker.

--Yerra, sure I wouldn't put any ideas into his head. I'm old enough
to be his grandfather. And I am a grandfather, said the little old man
to Stephen. Do you know that?

--Are you? asked Stephen.

--Bedad I am, said the little old man. I have two bouncing
grandchildren out at Sunday's Well. Now, then! What age do you think I
am? And I remember seeing your grandfather in his red coat riding out
to hounds. That was before you were born.

--Ay, or thought of, said Mr Dedalus.

--Bedad I did, repeated the little old man. And, more than that, I can
remember even your great-grandfather, old John Stephen Dedalus, and a
fierce old fire-eater he was. Now, then! There's a memory for you!

--That's three generations--four generations, said another of the
company. Why, Johnny Cashman, you must be nearing the century.