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They were reserved for those who, like Menelaus, had the good fortune of being nearly re lated to the gods by marriage or family connections. From this aristocratic heaven therefore even Agamemnon, Achilles, and Ajax were excluded, and wandered forlorn in the doleful meadow of asphodel.
There will be less controversy as to the low sense of truth among Homeric Greeks. At no period did the nation ever attain that high standard which is the great feature in Ger manic civilization. Even the Romans, with all their coarseness, stood higher in this respect. But neither in Iliad nor Odyssey is there, except in phrases, any reprobation of deceit as such. To deceive an enemy is meritorious, to deceive a stranger inno cent, to deceive even a friend perfectly unobjectionable if any object is to be gained. So it is remarked of Menelaus, as it were exceptionally, that he will tell the truth, if you press him, for he is very considerate. This was said to Telemachus, who was expecting melancholy news, and in such a case I have already observed that the Greeks would almost certainly avoid the truth. But the really leading characters (except Achilles) in the Odyssey and Iliad do not hesitate at all manner of lying. Ulysses is perpetually inventing, and so is his patroness, Pallas Athene ; and she actually mentions this quality of wily deceit
104 LIFE IN THE HOMERIC TIME.
as her special ground of love and affection for him. Zeus de ceives both gods and men, the other gods deceive Zeus ; in fact, the whole Homeric society is full of guile and falsehood.
There is indeed as yet a check upon men, which is often ignored in later Greek society. There is still a belief in the gods, and an expectation that if they are called to witness a transaction by means of an oath, that they will punish deceit. This belief, apparently surviving from an earlier and simpler state of society, must have been rudely shaken in Homeric times, when we consider the morality of Olympus in the epic poetry. The poets clearly held that the gods, if they were under no restraint, or fear of punishment from Zeus, were at liberty to deceive as they liked. One safeguard as yet re mained, the oath by the Styx ; the penalties of violating which are enumerated in Hesiod's " Theogony," and consist of nine years' transportation, with solitary confinement and hard labor. As for other oaths, the Hymn to Hermes shows that in succeeding generations their solemnity was openly ridiculed. Among the Homeric gods, as well as among the heroes, there were indeed old-fashioned characters who adhered to probity. The char acter of Apollo is unstained by deceit. So is that of Menelaus. But Apollo fails in defending his favorite against the reckless party politics of Here and Pallas ; he gives way in battle before Poseidon ; he is like Menelaus among men, an eminently re spectable but second-rate personage. The experience of Ho meric men was aged enough to know that probity secured no man from the troubles of life and the reverses of fortune. The gods were often ungrateful and thankless, and so the weight of public opinion inclined decidedly to the belief that honesty was indeed respectable, and of better repute than deceit, but that it was not safe to practice it without the help of superior force. So Achilles was master of the situation, and to him lying was useless to attain ends that might be better attained by force. This subject will naturally recur when we come to compare the Homeric with later Greeks.
We pass to the third element in chivalrous honor, a sense of compassion for the weak, and an obligation to assist the oppressed. Unfortunately this duty appears to have been dele gated to Zeus, whose amours and other amusements often pre vented him from attending to his business. How badly he performed it in this respect is plain from the very pathetic pas sages in which the condition of the decrepit father, the forlorn
LIFE IN THE HOMERIC TIME. 105
widow, and the helpless orphan are described. We must not for a moment imagine that the Homeric age was wanting in sympathy for children. On the contrary, Herodotus alone, of later Greek authors, shows this sympathy as strongly as we find it in the Iliad. The Homeric similes — and no similes are more thoroughly realistic" and drawn from actual experience — con stantly imply it. As a mother drives away the fly from her child when it lies in sweet sleep. " " Why do you weep like an infant girl, who, running along by her mother, begs to be carried, and holding on by her dress delays the hurrying woman, but looks up at her with her eyes full of tears in order that she may be taken up and carried? " Apollo destroys the earth works of the Greeks " very easily, as a child treats the shingle by the seaside, who, when he has heaped it up in his childish sport, in his sport again levels it all with his hands and feet. "
These comparisons are evidently drawn from the same society which suggested the delightful picture of Andromache with her nurse and darling son, coming to bid farewell to Hector as he was hurrying to the battle. The whole picture — the child " fair as a star," his terror at Hector's helmet and nodding crest, the strong love of the parents sorrowing at the very prospect of misfortune for their child : this picture, which I dare not abridge, and which is too long for quotation, shows no ordinary feeling for helpless innocence. But all this sympathy in the poet, and doubtless in the society which he described, did not save little children from cruelty and from neglect. There is no passage in the two poems, if we except that on the dog Argus, which will bring more tears into hard modern eyes than the lament of Andromache over Hector : —
Now thou beneath the depths of earth art gone, Gone to the viewless shades ; and me has left A widow in thy house, in deepest woe,
Our child an infant still, thy child and mine. Ill-fated parents both ! nor thou to him,
Hector, shalt be a guard, nor he to thee ;
For though he 'scape this tearful war with Greece, Yet naught for him remains but ceaseless woe,
And strangers on his heritage shall seize.
No young companions own the orphan boy.
With downcast eyes, and cheeks bedewed with tears, His father's friends approaching, pinched with want,
106
LIFE IN THE HOMERIC TIME.
He hangs upon the skirt of one, of one
He plucks the cloak ; perchance in pity some
May at their tables let him sip the cup,
Moisten his lips, but scarce his palate touch :
While youths with both surviving parents blest
May drive him from their feast with blows and taunts : Begone, thy father sits not at our board !
Then weeping to his widowed mother's arms
He flies, that orphan boy, Astyanax, etc.
It is here the lamentable condition of the orphan that strikes us so forcibly. "Who has seen the misery of men has seen nothing, one must see the misery of women ; who has seen the misery of women has seen nothing, one must see the misery of children. " How different, for example, do we find the Irish peasants, with whom I have already compared the Greeks, where the neighbors divide among them without complaint the children left destitute by the death or emigration of the parents, and extend their scanty fare and their wretched homestead to the orphan as to their own children. The Homeric gentleman, of whose refinement and delicate politeness we hear so much, was far removed from such generosity. We feel almost pain fully the beauty of the simile, by which the poet pictures the joy of Ulysses, when, after two nights and two days in the deep, he sees land from the summit of the great rocking wave (e 394) : —
As when a father on the point to die
Who for long time in sore disease hath lain,
By the strong fates tormented heavily
Till the pulse faileth for exceeding pain,
Feels the life stirring in his bones again,
While glad at heart his children smile around ;
He also smiles — the gods have loosed his chain —
So welcome seemed the land, with forest crowned,
And he rejoicing swam, and yearned to feel the ground.
And again (6 523) : " As when a woman weeps falling upon the body of her dear lord, who has fallen before his city, and com manding his people, in defending the town and his children from the pitiless day [of slavery] . She then, seeing him gasp ing in death, casts her arms about him with shrill cries. But they (the enemy) striking her with spears on the back and
LIFE IN THE HOMERIC TIME. 107
shoulders, bring her into slavery, to have sorrow and misery, and her cheeks waste with piteous woe. "
Little, indeed, need be said about the respect for the rights of women. As is well known, when a town was captured, the noblest and fairest ladies, whether married or not, became the property of the victors as their concubines. But a still more significant fact has not been adequately noted — that such a fate, though felt as a lamentable misfortune, was in no sense a dishonor to the Greek lady, of which she need afterwards be ashamed. In spite of all the courtliness with which ladies are treated in the Homeric poems, in spite of the refinement of their characters and the politeness of their ordinary life, the hard fact remains that they were the property of the stronger, and that they submitted to this fate without being compromised in society. Neither Briseis nor Chryseis seem the least dis graced by their residence in the Greek camp ; and still worse,
Helen, after living for years with Paris, is then handed over to Deiphobus, and finally taken back by Menelaus without scruple or difficulty. If we weigh carefully her appearance in the Odyssey, we shall see that her regrets are chiefly for the tur moil she has caused, and for the tears and blood wasted upon her recovery; her dignity has suffered no great shock, nor does she avoid (except in words) the eyes of men.
These facts show with great clearness how completely the law of force prevailed over the weak, and how the Homeric lady was so constrained by its iron necessity, that all delicate feeling, however ornamental to the surface of society, vanished in stern practice. The case of Penelope corroborates this view: it was hateful to her to marry one of the rude and ungentle- manly suitors, who thrust their attentions upon her in her grief. Yet if Ulysses were surely dead, there was no help, she must pass into their hands, whether she choose it or not.
Stranger and not less characteristic is the treatment of old age. The king or chief, as soon as his bodily vigor passed away, was apparently pushed aside by younger and stronger men. He might either maintain himself by extraordinary use fulness, like Nestor, or be supported by his children, if they chanced to be affectionate and dutiful; but except in these cases his lot was sad indeed. We hear Achilles lamenting that doubtless in his absence the neighboring chiefs are ill- treating the aged Peleus, and he longs to dye his spear in their blood. We see Laertes, the father of Ulysses, exiled, appar
108 LIFE IN THE HOMERIC TIME.
ently by grief and disgust, to a barren farm in the country, and spending the close of his life, not in honor and comfort, but in poverty and hardship. When these princes, who had sons that might return any day to avenge them, were treated in such a way, it is surely no strained inference to say that unprotected old age commanded very little veneration or re spect among the Homeric Greeks. While therefore we find here, too, much courtliness of manner, and respectfulness of address towards the aged from their younger relations, the facts indicate that helpless women and children and worn-out men received scanty justice and little consideration. Among friends and neighbors, at peace and in good humor, they were treated with delicacy and refinement; but with the first clash of con flicting interests such considerations vanished. The age was no longer, as I have said, a believing age; the interference of the gods to protect the weak was no longer the object of a simple faith, and Greek chivalry rested on no firmer basis.
I may add, by anticipation, that at no period of Greek his tory can we find old age commanding that respect and rever ence which has been accorded it in modern Europe. We hear, indeed, that at Sparta the strictest regulations were made as to the conduct of young men towards elders; but this seems an exceptional case, like most things at Sparta. There is a hack neyed story of an old man coming into the crowded theater at Athens, and looking in vain for a seat, till he came near the Spartan embassy, who at once stood up and made room for him. Though the whole theater applauded this act of courtesy, I am sure they did not habitually imitate it. The lyric and tragic poets, as I shall show by ample quotations in future chapters, were perpetually cursing the miseries of old age, and blessing youth, fair in poverty, fairer still in riches. Probably old Athenian gentlemen were for these reasons like old French men, who are very prone to prolong their youth by artificial means, and strive to maintain a place among their fellows which they will lose when they are confessedly of the past generation. And so in Greece, as in France, old age may have come to lack that dignity and that importance which it obtains in the British army, on our Governing Boards, and in Chinese society. The comic features in Euripides' old men, and their ridiculous at tempts to dance and to fight, show the popular feeling about them to have recognized this weakness. But apart from these peculiarities of race, the feverish and agitated condition of
LIFE IN THE HOMERIC TIME. 109
Greek politics, the perpetual wars and civil conflicts must have made prompt action and quick decision all-important; and so the citizens could not brook the slowness and caution of old age, which often mistakes hesitation for deliberation, and brands prompt vigor as rashness.
There yet remains the idea of loyalty — I mean hearty and unflinching allegiance to superior authority, or to the obliga tions taken by oath or promise. The idea is not unknown to Homer's men and women. Achilles and Penelope (more espe cially the latter) are in the highest sense loyal, the one to his friend Patroclus, the other to her husband Ulysses. But in the Greek camp, the chiefs in general are woefully deficient in that chivalrous quality. I will not lay stress on their want of conjugal loyalty, — a point in which Menelaus, according to the scholiasts, formed an honorable but solitary exception. In those days, as in the times of the Mosaic law, absolute fidel ity was expected from women, but not from men. In their own homes, indeed, scandals of this kind were avoided as the
cause of ill will and domestic discomfort. It is specially ob served that Laertes avoided these relations with Euryclea from respect for his wife's feelings, and the misconduct of the suitors in the same direction is specially reprobated; but when the chiefs were away at their wars, or traveling, the bard seems to expect no continence whatever. The model Ulysses may serve as an example, instar omnium.
But it is in their treatment of Agamemnon that the want of loyalty is specially prominent. Achilles is quite ready to insult him ; and but for the promptings of Athene (that is, of pru dence), who suggests that he may play a more lucrative game by confining himself to sulkiness and bad language, is ready even to kill him. The poet, too, clearly sympathizes with Achilles. He paints Agamemnon as a weak and inferior man, succeeding by fortune to a great kingdom, but quite unfit to govern or lead the turbulent princes whose oath had bound them to fol low him to Troy. It is in fact Ulysses, Diomede, and Nestor who direct him what to do. It may be said that we might ex pect such insubordination in the case of an armament collected for a special purpose, and that even the mediaeval knights did not escape this disgrace in the very parallel case of the Cru sades. I will not, then, press the point, though Agamemnon's title to supremacy is far different from that of Godfrey de Bouillon. Take the case of Peleus, which I have already men
110 LIFE IN THE HOMERIC TIME.
tioned. Take the case of Ithaca in the absence of its king : we are told repeatedly that he treated his people like a father, and yet only a few old servants seem to side with him against the worthless aspirants to the throne.
The ezperimentum cruris, however, is the picture of the gods in Olympus. We have here Zeus, a sort of easy-going but all- powerful Agamemnon, ruling over a number of turbulent self- willed lesser gods, who are perpetually trying to evade and thwart his commands. At intervals he wakes up and terrifies them into submission by threats, but it is evident that he can count on no higher principle. Here, Poseidon, Ares, Aphro dite, Pallas, all are thoroughly insubordinate, and loyal to one thing only, that is, their party. Faction, as among the Greeks of Thucydides, had clearly usurped the place of principle ; and we are actually presented with the strange picture of a city of gods more immoral, more faithless, and more depraved than the world of men.
This curious feature has much exercised critics, and caused many conjectures as to the real moral attitude of the epic poets. I think the most natural explanation is based upon the notorious levity and recklessness of the Ionic character, as developed in Asia Minor. We know from the lyric poets, we know from the course of history, how the pleasure-loving Ionians of Asia Minor seem to have lost all the stronger fiber that marked the Greeks of Hellas. Reveling in plenty, associating with Asiatic splendor and luxury, they very soon lost those sterner fea tures — love of liberty, self-denying heroism, humble submission to the gods — which still survived in Greece ; and thus I con ceive the courts at which the bards sang, enjoyed a very free and even profane handling of the gods as a racy and piquant entertainment, so that presently it was extended even to the so-called Homeric hymns, which of all Greek poetry treat the gods in the most homely and even sensual way. The Hymn to Aphrodite, detailing her amour with Anchises, and that to Hermes, detailing his theft and perjury, are exact counterparts to the lay of Demodocus, which treats both Ares and Aphrodite in the same way.
This bold and familiar attitude was narrowly connected with another leading feature in the Greeks — their realism in art. There is nothing vague, or exaggerated, or incompre hensible, tolerated by their chaste judgment and their correct taste. The figures of dogs or men, cast by Hephsestus, are
LIFE IN THE HOMERIC TIME. Ill
specially remarked for being lifelike throughout the Homeric poems. They actually walk about, and are animated by his peculiar cunning. This, as Overbeck has well observed, is merely the strong expression of the object proposed to himself by the Greek artist, in contrast to the cold repose and mute deadness of Egyptian sculpture. The Egyptians seldom meant to imitate life in action. The Greeks, from their very first rude essays, set before them this higher goal. Like the statu ary, so the poet did not waste his breath in the tiresome and vague adoration of the Egyptian psalmist, but clothed his gods in the fairest and best human form, and endowed them with a human intellect and human will.
Homer's gods are therefore too human to embody an abstract principle ; and so this side of their religion the poets relegated to certain personified abstractions, which seldom appear, and which seem to stand apart from the life of the Olympic gods. Perhaps Zeus himself, in his Dodonean character, has this im personal aspect as the Father of light and of good. But Zeus of Olympus is quite a different conception. So there is a per sonified or semipersonified Ai'Stu? and an "Atj; and Acrai and an 'E/jiVw, which represent stern and lasting moral ideas, and which relieve the Olympic gods from the necessity of doing so, except when the poet finds it suitable to his purpose. But as these moral ideas restrained and checked men, so the special privilege of the gods seems to be the almost total freedom from such control. The society of Olympus, therefore, is only an ideal Greek society in the lowest sense, — the ideal of the schoolboy, who thinks all control irksome, and its absence the summum bonum, —the ideal of a voluptuous man, who has strong passions, and longs for the power to indulge them with out unpleasant consequences.
It appears to me, therefore, that the Homeric picture of Olympus is very valuable as disclosing to us the poet's notion of a society freed from the restraints of religion. For the rhapsodists were dealing a deathblow (perhaps unconsciously) to their religion by these very pictures of sin and crime among their gods. Their idea is a sort of semimonarchical aristoc racy, where a number of persons have the power to help favor ites, and thwart the general progress of affairs ; where love of faction overpowers every other consideration, and justifies violence or deceit. It will quite satisfy our present object to select the one typical character which both the poems place in
112 LIFE IN THE HOMERIC TIME.
the foreground as the Greek ideal of intelligence and power of the highest order.
The leading personage in Homer's world of men and gods is undoubtedly Pallas Athene. She embodies all the qualities which were most highly esteemed in those days. She is evi dently meant to be the greatest and most admirable of the deities that concern themselves with men. Yet, as Mr. Hay- man has truly observed, she is rather infra-human than super human. There is no touch of any kindly feeling, no affection or respect for either God or man. There is not even a trace of sex, except in her occasional touches of spite. " Her character is without tenderness or tie of any sort ; it never owns obliga tion, it never feels pain or privation, it is pitiless ; with no gross appetites, its activity is busy and restless, its partisanship unscrupulous, its policy astute, and its dissimulation profound. It is keenly satirical, crafty, whispering base motives of the good (indeed she comprehends no others), beating down the strong, mocking the weak, and exulting over them ; heart less — yet stanch to a comrade ; touched by a sense of liking and admiration for its like, [she accounts expressly for her love of Ulysses by his roguery and cunning,] of truth to its party ; ready to prompt and back a friend through every hazard. " Such is Mr. Hayman's picture, verified by citations for each and every statement.
This very disagreeable picture is not, as he would have it, an impersonation of what we call the world. Surely the modern world at least professes some high motives, and is touched by some compassion. But it is the impersonation of the Greek world, as conceived by Thucydides in his famous reflections on the Corcyraean massacre. He was mistaken in deed, profoundly mistaken, as we shall often see in the sequel, in considering this hard and selfish type a special outcome of the civil wars. No doubt they stimulated and multiplied it. But here, in the Iliad and Odyssey, in the days of Greek chiv alry and Greek romance, even here we have the poet creating his ideal type — intellect and energy unshackled by restraints ; and we obtain a picture which, but for the total absence of sex, might be aptly described as a female Antiphon. The great
historian, despite of his moral reflections, speaks of Antiphon, the political assassin, the public traitor to his constitution, as " in general merit second to none. " The great epic poet silently expresses the same judgment on his own Pallas Athene.
THE GREEK FUTURE LIFE. 113
THE GREEK FUTURE LIFE.
By PINDAB.
(Translation of John Conington. )
I.
They from whom Persephone
Due atonement shall receive
For the things that made to grieve,
To the upper sunlight she
Sendeth back their souls once more, Soon as winters eight are o'er.
From those blessed spirits spring Many a great and goodly king, Many a man of glowing might, Many a wise and learned wight: And while after days endure,
Men esteem them heroes pure.
Shines for them the sun's warm glow When 'tis darkness here below:
And the ground before their towers, Meadow land with purple flowers, Teems with incense-bearing treen, Teems with fruit of golden sheen. Some in steed and wrestling feat, Some in dice take pleasure sweet, Some in harping: at their side Blooms the spring in all her pride. Fragrance all about is blown
O'er that country of desire. Ever as rich gifts are thrown Freely on the far-seen fire
Blazing from the altar stone.
But the souls of the profane,
Far from heaven removed below,
Flit on earth in murderous pain 'Neath the unyielding yoke of woe; While pious spirits tenanting the sky
Chant praises to the mighty one on high. VOL. II. —8
THE GREEK FUTURE LIFE.
ii.
For them the night all through,
In that broad realm below,
The splendor of the sun spreads endless light;
'Mid rosy meadows bright,
Their city of the tombs with incense trees,
And golden chalices
Of flowers, and fruitage fair, Scenting the breezy air,
Is laden. There with horses and with play,
With games and lyres, they while the hours away.
On every side around
Pure happiness is found,
With all the blooming beauty of the world;
There fragrant smoke, upcurled From altars where the blazing fire is dense
With perfumed frankincense,
Burned unto gods in heaven,
Through all the land is driven,
Making its pleasant place odorous
With scented gales and sweet airs amorous.
m.
(Translation of A. Moore. )
The day comes fast when all men must depart,
And pay for present pride in future woes.
The deeds that frantic mortals do
In this disordered nook of Jove's domain,
All meet their meed; and there's a Judge below Whose hateful doom inflicts th' inevitable pain.
O'er the Good soft suns the while Through the mild day, the night serene,
Alike with cloudless luster smile, Tempering all the tranquil scene. Theirs is leisure ; vex not they Stubborn soil or watery way,
To wring from toil want' s worthless bread : No ills they know, no tears they shed,
But with the glorious Gods below
Ages of peace contented share.
Meanwhile the Bad with bitterest woe
Eye-startling tasks and endless tortures wear.
OPENING OF THE ILIAD'S DRAMA. 115
All, whose steadfast virtue thrice
Each side the grave unchanged hath stood
Still unseduced, unstained with vice, They by Jove's mysterious road
Pass to Saturn's realm of rest,
Happy isle that holds the blest;
Where sea-born breezes gently blow
O'er blooms of gold that round them glow, Which Nature boon from stream or strand
Or goodly tree profusely pours;
Whence pluck they many a fragrant band,
And braid their locks with never-fading flowers.
OPENING OF THE ILIAD'S DRAMA. (From the Iliad of Homer : translated by Alexander Pope. )
[Homer : His date, instead of being somewhat cleared up by recent archae ological discoveries, is rendered more obscure than ever. The reality and remote date of the Trojan war prove nothing, because he certainly lived long enough after it for the exact site to have been forgotten, for the city and plain he de scribes do not correspond at all with those of Hissarlik. Professor Sayce has shown that the dialect of our Iliad is a later one ; yet Homer lived early enough for his personality to be mere guesswork, even in the sixth century.
Alexander Pope : An English poet ; born May 22, 1688. His whole career was one of purely poetic work and the personal relations it brought him into. He published the "Essay on Criticism" in 1710, the "Rape of the Lock" in 1711, the "Messiah" in 1712, his translation of the Iliad in 1718- 1720, and of the Odyssey in 1725. His " Essay on Man," whose thoughts were mainly suggested by Bolingbroke, appeared in 1733. His "Satires," modeled on Horace's manner, but not at all in his spirit, are among his best-known works. He died May 30, 1744. ]
Book I.
Achilles' wrath, to Greece the direful spring
Of woes unnumbered, heavenly goddess, sing !
That wrath which hurled to Pluto's gloomy reign
The souls of mighty chiefs untimely slain ;
Whose limbs unburied on the naked shore,
Devouring dogs and hungry vultures tore :
Since great Achilles and Atrides strove,
Such was the sovereign doom, and such the will of Jovel
Declare, O Muse ! in what ill-fated hour Sprung the fierce strife, from what offended power
OPENING OF THE ILIAD'S DRAMA
Latona's son a dire contagion spread,
And heaped the camp with mountains of the dead. The king of men his reverent priest defied,
And for the king's offense the people died.
For Chryses sought with costly gifts to gain His captive daughter from the victor's chain.
Suppliant the venerable father stands ;
Apollo's awful ensigns grace his hands :
By these he begs ; and lowly bending down, Extends the scepter and the laurel crown.
He sued to all, but chief implored for grace
The brother kings, of Atreus' royal race : —
"Ye kings and warriors ! may your vows be crowned And Troy's proud walls lie level with the ground.
May Jove restore you when your toils are o'er
Safe to the pleasures of your native shore.
But, oh I relieve a wretched parent's pain, And give Chrysels to these arms again ;
If mercy fail, yet let my presents move, And dread avenging Phoebus, son of Jove. "
The Greeks in shouts their joint assent declare, The priest to reverence, and release the fair.
Not so Atrides : he, with kingly pride, — Repulsed the sacred sire, and thus replied :
" Hence on thy life, and fly these hostile plains, Nor ask, presumptuous, what the king detains : Hence, with thy laurel crown, and golden rod ;
Nor trust too far those ensigns of thy god.
Mine is thy daughter, priest, and shall remain ;
And prayers, and tears, and bribes, shall plead in vain Till time shall rifle every youthful grace,
And age dismiss her from my cold embrace.
In daily labors of the loom employed,
Or doomed to deck the bed she once enjoyed.
Hence then ; to Argos shall the maid retire,
Far from her native soil or weeping sire. "
The trembling priest along the shore returned, And in the anguish of a father mourned. Disconsolate, not daring to complain,
Silent he wandered by the sounding main ;
Till, safe at distance, to his god he prays, — The god who darts around the world his rays :
" O Smintheus ! sprung from fair Latona's line, Thou guardian power of Cilia the divine,
Thou source of light ! whom Tenedos adores,
OPENING OF THE ILIAD'S DRAMA 117
And whose bright presence gilds thy Chrysa's shores If e'er with wreaths I hung thy sacred fane,
Or fed the flames with fat of oxen slain ;
God of the silver bow ! thy shafts employ,
Avenge thy servant, and the Greeks destroy. "
Thus Chryses prayed: —the favoring power attends,
And from Olympus' lofty tops descends.
Bent was his bow, the Grecian hearts to wound ; Fierce as he moved, his silver shafts resound. Breathing revenge, a sudden night he spread, And gloomy darkness rolled about his head.
The fleet in view, he twanged his deadly bow, And hissing fly the feathered fates below.
On mules and dogs the infection first began ; And last, the vengeful arrows fixed in man.
For nine long nights, through all the dusky air, The pyres, thick-flaming, shot a dismal glare. But ere the tenth revolving day was run, Inspired by Juno, Thetis' godlike son
Convened to council all the Grecian train ;
For much the goddess mourned her heroes slain. The assembly seated, rising o'er the rest, — Achilles thus the king of men addressed :
" Why leave we not the fatal Trojan shore,
And measure back the seas we crossed before ?
The plague destroying whom the sword would spare, 'Tis time to save the few remains of war.
But let some prophet, or some sacred sage,
Explore the cause of great Apollo's rage ;
Or learn the wasteful vengeance to remove
By mystic dreams, for dreams descend from Jove. If broken vows this heavy curse have laid,
Let altars smoke, and hecatombs be paid.
So Heaven, atoned, shall dying Greece restore,
And Phoebus dart his burning shafts no more. "
He said, and sat: when Calchas thus replied; Calchas the wise, the Grecian priest and guide, That sacred seer, whose comprehensive view, The past, the present, and the future knew: Uprising slow, the venerable sage
Thus spoke the prudence and the fears of age : —
" Beloved of Jove, Achilles ! wouldst thou know
Why angry Phoebus bends his fatal bow ?
First give thy faith, and plight a prince's word Of sure protection, by thy power and sword :
OPENING OF THE ILIAD'S DBAMA.
For I must speak what wisdom would conceal, And truths, invidious to the great, reveal.
Bold is the task, when subjects, grown too wise, Instruct a monarch where his error lies ;
To whom Pelides : " From thy inmost soul
Speak what thou know'st, and speak without controL E'en by that god I swear who rules the day,
To whom thy hands the vows of Greece convey,
And whose blessed oracles thy lips declare ;
Long as Achilles breathes this vital air,
No daring Greek, of all the numerous band,
Against his priest shall lift an impious hand ;
Not e'en the chief by whom our hosts are led,
The king of kings, shall touch that sacred head. "
Encouraged thus, the blameless man replies : — "Nor vows unpaid, nor slighted sacrifice,
But he, our chief, provoked the raging pest, Apollo's vengeance for his injured priest.
Nor will the god's awakened fury cease,
But plagues shall spread, and funeral fires increase, Till the great king, without a ransom paid,
To her own Chrysa send the black-eyed maid. Perhaps, with added sacrifice and prayer,
The priest may pardon, and the god may spare. "
The prophet spoke : when with a gloomy frown The monarch started from his shining throne; Black choler filled his breast that boiled with ire, And from his eyeballs flashed the living fire.
" Augur accursed ! denouncing mischief still,
Prophet of plagues, forever boding ill I
Still must that tongue some wounding message bring, And still thy priestly pride provoke thy king ?
For this are Phoebus' oracles explored,
To teach the Greeks to murmur at their lord ?
For this with falsehood is my honor stained,
Is heaven offended, and a priest profaned ;
Because my prize, my beauteous maid, I hold,
And heavenly charms prefer to proffered gold ?
A maid unmatched in manners as in face,
Skilled in each art, and crowned with every grace ; Not half so dear were Clytaemnestra's charms,
When first her blooming beauties blessed my arms. Yet, if the gods demand her, let her sail ;
For though we deem the short-lived fury past, 'Tis sure the mighty will revenge at last. "
OPENING OF THE ILIAD'S DRAMA 119
Our cares are only for the public weal :
Let me be deemed the hateful cause of all, And suffer, rather than my people fall.
The prize, the beauteous prize, I will resign, So dearly valued, and so justly mine.
But since for common good I yield the fair, My private loss let grateful Greece repair ; Nor unrewarded let your prince complain, That he alone has fought and bled in vain. "
" Insatiate king (Achilles thus replies),
Fond of the power, but fonder of the prize !
Wouldst thou the Greeks their lawful prey should yield, The due reward of many a well-fought field ?
The spoils of cities razed and warriors slain,
We share with justice, as with toil we gain ;
But to resume whate'er thy avarice craves
(That trick of tyrants) may be borne by slaves.
Yet if our chief for plunder only fight,
The spoils of Ilion shall thy loss requite,
Whene'er, by Jove's decree, our conquering powers
Shall humble to the dust her lofty towers. "
Then thus the king : " Shall I my prize resign With tame content, and thou possessed of thine ? Great as thou art, and like a god in fight,
Think not to rob me of a soldier's right.
At thy demand shall I restore the maid :
First let the just equivalent be paid ;
Such as a king might ask ; and let it be
A treasure worthy her, and worthy me.
Or grant me this, or with a monarch's claim This hand shall seize some other captive dame. The mighty Ajax shall his prize resign; Ulysses' spoils, or even thy own, be mine.
The man who suffers, loudly may complain ; And rage he may, but he shall rage in vain. But this when time requires. — It now remains We launch a bark to plow the watery plains, And waft the sacrifice to Chrysa's shores, With chosen pilots, and with laboring oars. Soon shall the fair the sable ship ascend,
And some deputed prince the charge attend: This Creta's king, or Ajax shall fulfill,
Or wise Ulysses see performed our will ;
Or, if our royal pleasure shall ordain,
Achilles' self conduct her o'er the main ;
OPENING OF THE ILIAD'S DRAMA
Let fierce Achilles, dreadful in his rage,
The god propitiate, and the pest assuage. " — " At this, Pelides, frowning stern, replied :
O tyrant, armed with insolence and pride ! Inglorious slave to interest, ever joined
With fraud, unworthy of a royal mind !
What generous Greek, obedient to thy word, Shall form an ambush, or shall lift the sword ? What cause have I to war at thy decree ?
The distant Trojans never injured me;
To Pythia's realms no hostile troops they led :
Safe in her vales my warlike coursers fed ;
Far hence removed, the hoarse-resounding main, And walls of rocks, secure my native reign,
Whose fruitful soil luxuriant harvests grace,
Rich in her fruits, and in her martial race.
Hither we sailed, a voluntary throng,
To avenge a private, not a public wrong :
What else to Troy the assembled nations draws, But thine, ungrateful, and thy brother's cause ?
Is this the pay our blood and toils deserve ; Disgraced and injured by the man we serve ?
And darest thou threat to snatch my prize away, Due to the deeds of many a dreadful day ?
A prize as small, O tyrant ! matched with thine, As thy own actions if compared to mine.
Thine in each conquest is the wealthy prey, Though mine the sweat and danger of the day. Some trivial present to my ships I bear :
Or barren praises pay the wounds of war.
But now, proud monarch, I'm thy slave no more ; My fleet shall waft me to Thessalia's shore :
Left by Achilles on the Trojan plain, " What spoils, what conquests, shall Atrides gain ?
To this the king : " Fly, mighty warrior ! fly ; Thy aid we need not, and thy threats defy.
There want not chiefs in such a cause to fight, And Jove himself shall guard a monarch's right. Of all the kings (the god's distinguished care)
To power superior none such hatred bear;
Strife and debate thy restless soul employ,
And wars and horrors are thy savage joy.
If thou hast strength, 'twas Heaven that strength bestowed For know, vain man ! thy valor is from God.
Haste, launch thy vessels, fly with speed away !
OPENING OF THE ILIAD'S DRAMA 121
Rule thy own realms with arbitrary sway ;
I heed thee not, but prize at equal rate
Thy short-lived friendship, and thy groundless hate. Go, threat thy earth-born Myrmidons : — but here 'Tis mine to threaten, prince, and thine to fear. Know, if the god the beauteous dame demand,
My bark shall waft her to her native land;
But then prepare, imperious prince ! prepare,
Fierce as thou art, to yield thy captive fair :
Even in thy tent I'll seize the blooming prize,
Thy loved Briseis with the radiant eyes.
Hence shalt thou prove my might, and curse the hour Thou stood'st a rival of imperial power ;
And hence, to all our hosts it shall be known,
That kings are subject to the gods alone. "
Achilles heard, with grief and rage oppressed,
His heart swelled high, and labored in his breast ; Distracting thoughts by turns his bosom ruled ;
Now fired by wrath, and now by reason cooled :
That prompts his hand to draw the deadly sword,
Force through the Greeks, and pierce their haughty lord ; This whispers soft his vengeance to control
And calm the rising tempest of his soul.
Just as in anguish of suspense he stayed,
While half unsheathed appeared the glittering blade, Minerva swift descended from above,
Sent by the sister and the wife of Jove
(For both the princes claimed her equal care) ; Behind she stood, and by the golden hair Achilles seized ; to him alone confessed ;
A sable cloud concealed her from the rest.
He sees, and sudden to the goddess cries, — Known by the flames that sparkle from her eyes :
" Descends Minerva, in her guardian care,
A heavenly witness of the wrongs I bear
From Atreus' son ? — Then let those eyes that view The daring crime, behold the vengeance too. "
" Forbear (the progeny of Jove replies), To calm thy fury I forsake the skies :
Let great Achilles, to the gods resigned,
To reason yield the empire o'er his mind.
By awful Juno this command is given :
The king and you are both the care of heaven. The force of keen reproaches let him feel ; But sheathe, obedient, thy revenging steel.
OPENING OF THE ILIAD'S DRAMA.
For I pronounce (and trust a heavenly power) Thy injured honor has its fated hour,
When the proud monarch shall thy arms implore, And bribe thy friendship with a boundless store. Then let revenge no longer bear the sway ; Command thy passions, and the gods obey. "
To her Pelides : " With regardful ear,
I thy dictates hear. Hard as it is, my vengeance I suppress :
'Tis just, O goddess !
Those who revere the gods the gods will bless. " He said, observant of the blue-eyed maid ; Then in the sheath returned the shining blade. The goddess swift to high Olympus flies,
And joins the sacred senate of the skies.
Nor yet the rage his boiling breast forsook,
Which thus redoubling on Atrides broke : —
" O monster ! mixed of insolence and fear,
Thou dog in forehead, but in heart a deer I
When wert thou known in ambushed fights to dare, Or nobly face, the horrid front of war ?
'Tis ours, the chance of fighting fields to try ; Thine to look on, and bid the valiant die :
So much 'tis safer through the camp to go, And rob a subject, than despoil a foe.
Scourge of thy people, violent and base ! Sent in Jove's anger on a slavish race ;
Who, lost to sense of generous freedom past,
Are tamed to wrongs ; — or this had been thy last. Now by this sacred scepter hear me swear,
Which never more shall leaves or blossoms bear, Which severed from the trunk (as I from thee)
On the bare mountains left its parent tree ;
This scepter, formed by tempered steel to prove
An ensign of the delegates of Jove,
From whom the power of laws and justice springs (Tremendous oath ! inviolate to kings) ;
By this I swear : — when bleeding Greece again
Shall call Achilles, she shall call in vain.
When, flushed with slaughter, Hector comes to spread The purpled shore with mountains of the dead,
Then shalt thou mourn the affront thy madness gave, Forced to implore when impotent to save :
Then rage in bitterness of soul to know
This act has made the bravest Greek thy foe. "
He spoke ; and furious hurled against the ground
OPENING OF THE ILIAD'S DRAMA
flis scepter starred with golden studs around : Then sternly silent sat. With like disdain The raging king returned his frowns again.
To calm their passion with the words of age, Slow from his seat arose the Pylian sage, Experienced Nestor, in persuasion skilled : Words, sweet as honey, from his lips distilled: Two generations now had passed away,
Wise by his rules, and happy by his sway ; Two ages o'er his native realm he reigned, And now the example of the third remained. All viewed with awe the venerable man ;— Who thus with mild benevolence began :
" What shame, what woe is this to Greece ! what To Troy's proud monarch, and the friends of Troy ! That adverse gods commit to stern debate
The best, the bravest, of the Grecian state.
Young as ye are, this youthful heat restrain,
Nor think your Nestor's years and wisdom vain.
I knew,
Such as no more these aged eyes shall view I
A godlike race of heroes once
Lives there a chief to match Pirithous' fame, Dryas the bold, or Ceneus' deathless name ; Theseus, endued with more than mortal might, Or Polyphemus, like the gods in fight ?
With these of old, to toils of battle bred,
In early youth my hardy days I led;
Fired with the thirst which virtuous envy breeds, And smit with love of honorable deeds,
Strongest of men, they pierced the mountain boar, Ranged the wild deserts red with monsters' gore, And from their hills the shaggy Centaurs tore : Yet these with soft persuasive arts I swayed ; When Nestor spoke, they listened and obeyed.
If in my youth, even these esteemed me wise,
Do you, young warriors, hear my age advise. Atrides, seize not on the beauteous slave ;
That prize the Greeks by common suffrage gave : Nor thou, Achilles, treat our prince with pride ; Let kings be just, and sovereign power preside. Thee the first honors of the war adorn,
Like gods in strength, and of a goddess born;
Him awful majesty exalts above
The powers of earth, and sceptered sons of Jove Let both unite with well-consenting mind,
OPENING OF THE ILIAD'S DRAMA
So shall authority with strength be joined.
Leave me, O king ! to calm Achilles' rage ;
Rule thou thyself, as more advanced in age.
Forbid gods Achilles should be lost,
The pride of Greece, and bulwark of our host. " — " This said, he ceased. The king of men replies
Thy years are awful, and thy words are wise. But that imperious, that unconquered soul, No laws can limit, no respect control.
Before his pride must his superiors fall,
His word the law, and he the lord of all
Him must our hosts, our chiefs, ourself obey
What king can bear rival in his sway
Grant that the gods his matchless force have"given Has foul reproach a privilege from heaven
Here on the monarch's speech Achilles broke, And furious, thus, and interrupting spoke — "Tyrant, well deserve thy galling chain,
To live thy slave, and still to serve in vain, Should submit to each unjust decree — Command thy vassals, but command not me. Seize on Brise'is, whom the Grecians doomed
My prize of war, yet tamely see resumed
And seize secure no more Achilles draws
His conquering sword in any woman's cause.
The gods command me to forgive the past
But let this first invasion be the last
For know, thy blood, when next thou darest invade, Shall stream in vengeance on my reeking blade. "
At this they ceased the stern debate expired The chiefs in sullen majesty retired.
Achilles with Patroclus took his way
Where near his tents his hollow vessels lay. Meantime Atrides launched with numerous oars A well-rigged ship for Chrysa's sacred shores High on the deck was fair Chryse'is placed, And sage Ulysses with the conduct graced
Safe in her sides the hecatomb they stowed, Then swiftly sailing, cut the liquid road.
The host to expiate next the king prepares, With pure lustrations, and with solemn prayers. Washed by the briny wave, the pious train
Are cleansed and cast the ablutions in the main. Along the shore whole hecatombs were laid,
And bulls and goats to Phoebus' altars paid
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OPENING OF THE ILIAD'S DRAMA
The sable fumes in curling spires arise, And waft their grateful odors to the skies.
The army thus in sacred rites engaged, Atrides still with deep resentment raged.
To wait his will two sacred heralds stood, Talthybius and Eurybates the good.
" Haste to the fierce Achilles' tent (he cries), Thence bear Brise'is as our royal prize ;
Submit he must ; or if they will not part, Ourself in arms shall tear her from his heart. "
The unwilling heralds act their lord's commands, Pensive they walk along the barren sands ;
Arrived, the hero in his tent they find,
With gloomy aspect on his arm reclined.
At awful distance long they silent stand,
Loth to advance, and speak their hard command; Decent confusion ! This the godlike man Perceived and thus with accent mild began : —
" With leave and honor enter our abodes,
Ye sacred ministers of men and gods !
Iknow your message ; by constraint you came ; Not you, but your imperious lord I blame. Patroclus, haste, the fair Brise'is bring ;
Conduct my captive to the haughty king.
But witness, heralds, and proclaim my vow, Witness to gods above, and men below !
But first, and loudest, to your prince declare
(That lawless tyrant whose commands you bear), Unmoved as death Achilles shall remain,
Though prostrate Greece shall bleed at every vein; The raging chief in frantic passion lost,
Blind to himself, and useless to his host, Unskilled to judge the future by the past,
In blood and slaughter shall repent at last. "
Patroclus now the unwilling beauty brought ; She, in soft sorrows, and in pensive thought, Passed silent, as the heralds held her hand,
And oft looked back, slow-moving o'er the strand. Not so his loss the fierce Achilles bore ;
But sad, retiring to the sounding shore.
O'er the wild margin of the deep he hung,
That kindred deep from whence his mother sprung: There bathed in tears of anger and disdain,
Thus loud lamented to the stormy main : —
" O parent goddess ! since in early bloom
OPENING OF THE ILIAD'S DRAMA.
Thy son must fall, by too severe a doom ; Sure to so short a race of glory born,
Great Jove in justice should this span adorn : Honor and fame at least the thunderer owed ; And ill he pays the promise of a god,
If yon proud monarch thus thy son defies, Obscures my glories, and resumes my prize. "
Far from the deep recesses of the main,
Where aged Ocean holds his watery reign,
The goddess mother heard. The waves divide ; And like a mist she rose above the tide ;
Beheld him mourning on the naked shores,
And thus the sorrows of his soul explores.
" Why grieves my son ? Thy anguish let me share Reveal the cause, and trust a parent's care. "
He deeply sighing said: "To tell my woe
Is but to mention what too well you know.
From Thebe', sacred to Apollo's name
(Action's realm), our conquering army came,
With treasure loaded and triumphant spoils,
Whose just division crowned the soldier's toils ; But bright Chryse'is, heavenly prize ! was led,
By vote selected, to the general's bed.
The priest of Phoebus sought by gifts to gain
His beauteous daughter from the victor's chain ; The fleet he reached, and, lowly bending down, Held forth the scepter and the laurel crown, Entreating all ; but chief implored for grace
The brother kings of Atreus' royal race :
The generous Greeks their joint consent declare, The priest to reverence, and release the fair ;
Not so Atrides : he, with wonted pride,
The sire insulted, and his gifts denied :
The insulted sire (his god's peculiar care)
To Phoebus prayed, and Phcebus heard the prayer ; A dreadful plague ensues : the avenging darts Incessant fly, and pierce the Grecian hearts.
A prophet then, inspired by heaven, arose,
And points the crime, and thence derives the woes : Myself the first the assembled chiefs incline
To avert the vengeance of the power divine ;
Then, rising in his wrath, the monarch stormed ; Incensed he threatened, and his threats performed : The fair Chryse'is to her sire was sent,
With offered gifts to make the god relent ;
OPENING OF THE ILIAD'S DRAMA.
But now he seized Brise'is' heavenly charms, And of my valor's prize defrauds my arms, Defrauds the votes of all the Grecian train ; And service, faith, and justice plead in vain. But, goddess ! thou thy suppliant son attend. To high Olympus' shining court ascend,
Urge all the ties to former service owed,
And sue for vengeance to the thundering god.
Oft hast thou triumphed in the glorious boast,
That thou stood'st forth of all the ethereal host, When bold rebellion shook the realms above,
The undaunted guard of cloud-compelling Jove; When the bright partner of his awful reign,
The warlike maid, and monarch of the main,
The traitor gods, by mad ambition driven,
Durst threat with chains the omnipotence of Heaven. Then, called by thee, the monster Titan came
(Whom gods Briareus, men iEgeon name),
Through wondering skies enormous stalked along ; Not he that shakes tJhe solid earth so strong :
The affrighted gods confessed their awful lord, They dropped the fetters, trembled, and adored. This, goddess, this to his remembrance call, Embrace his knees, at his tribunal fall ; Conjure him far to drive the Grecian train,
To hurl them headlong to their fleet and main, To heap the shores with copious death, and bring The Greeks to know the curse of such a king : Let Agamemnon lift his haughty head
O'er all his wide dominion of the dead,
And mourn in blood that e'er he durst disgrace The "boldest warrior of the Grecian race. "
Unhappy son ! (fair Thetis thus replies, While tears celestial trickle from her eyes) Why have I borne thee with a mother's throes To Fates averse, and nursed for future woes ? So short a space the light of heaven to view! So short a space ! and filled with sorrow too !
O might a parent's careful wish prevail,
Far, far from Ilion should thy vessels sail,
And thou, from camps remote, the danger shun Which now, alas ! too nearly threats my son.
With giant pride at
ove's high throne he stands, And brandished round him all his hundred hands :
Yet (what I can) to move thy suit I'll go
OPENING OF THE ILIAD'S DRAMA.
To great Olympus crowned with fleecy snow. Meantime, secure within thy ships, from far Behold the field, nor mingle in the war.
The sire of gods and all the ethereal train,
On the warm limits of the farthest main,
Now mix with mortals, nor disdain to grace
The feasts of ^Ethiopia's blameless race ;
Twelve days the powers indulge the genial rite, Returning with the twelfth revolving light. Then will I mount the brazen dome, and move The high tribunal of immortal Jove. "
The goddess spoke : the rolling waves unclose ; Then down the steep she plunged from whence she rose, And left him sorrowing on the lonely coast,
In wild resentment for the fair he lost.
In Chrysa's port now sage Ulysses rode ; Beneath the deck the destined victims stowed : The sails they furled, they lash the mast aside, And dropped their anchors, and the pinnace tied. Next on the shore their hecatomb they land ; Chrye'is last descending on the strand.
Her, thus returning from the furrowed main, Ulysses led to Phoebus' sacred fane ;
Where at his solemn altar, as the maid —
He gave to Chryses, thus the hero said :
" Hail, reverend priest ! to Phoebus' awful dome A suppliant I from great Atrides come : Unransomed, here receive the spotless fair ;
Accept the hecatomb the Greeks prepare ;
And may thy god who scatters darts around, Atoned by sacrifice, desist to wound. "
At this, the sire embraced the maid again, So sadly lost, so lately sought in vain.
Then near the altar of the darting king, Disposed in rank their hecatomb they bring ; With water purify their hands, and take
The sacred offering of the salted cake ;
While thus with arms devoutly raised in air, — And solemn voice, the priest directs his prayer :
" God of the silver bow, thy ear incline, Whose power encircles Cilia the divine ;
Whose sacred eye thy Tenedos surveys,
And gilds fair Chrysa with distinguished rays I If, fired to vengeance at thy priest's request, Thy direful darts inflict the raging pest :
OPENING OF THE ILIAD'S DRAMA.
Once more attend ! avert the wasteful woe, And smile propitious, and unbend thy bow. "
So Chryses prayed. Apollo heard his prayer : And now the Greeks their hecatomb prepare ; Between their horns the salted barley threw,
And, with their heads to heaven, the victims slew ; The limbs they sever from the inclosing hide
The thighs, selected to the gods, divide :
On these, in double cauls involved with art,
The choicest morsels lay from every part.
The priest himself before his altar stands,
And burns the offering with his holy hands,
Pours the black wine, and sees the flames aspire ; The youth with instruments surround the fire :
The thighs thus sacrificed, and entrails dressed,
The assistants part, transfix, and roast the rest : Then spread the tables, the repast prepare ;
Each takes his seat, and each receives his share. When now the rage of hunger was repressed,
With pure libations they conclude the feast ;
The youths with wine the copious goblets crowned, And, pleased, dispense the flowing bowls around ; With hymns divine the joyous banquet ends,
The paeans lengthened till the sun descends :
The Greeks, restored, the grateful notes prolong ; Apollo listens, and approves the song.
'Twas night ; the chiefs beside their vessel lie, Till rosy morn had purpled o'er the sky :
Then launch, and hoist the mast; indulgent gales, Supplied by Phoebus, fill the swelling sails ;
The milk-white canvas bellying as they blow,
The parted ocean foams and roars below :
Above the bounding billows swift they flew,
Till now the Grecian camp appeared in view.
Far on the beach they haul their bark to land,
(The crooked keel divides the yellow sand,)
Then part, where stretched along the winding bay, The ships and tents in mingled prospect lay.
But raging still, amidst his navy sat
The stern Achilles, steadfast in his hate ;
Nor mixed in combat, nor in council joined;
But wasting cares lay heavy on his mind :
In his black thoughts revenge and slaughter roll, And scenes of blood rise dreadful in his soul.
Twelve days were past, and now the dawning light VOL. II. — 9
OPENING OF THE ILIAD'S DRAMA.
The gods had summoned to the Olympian height : Jove, first ascending from the watery bowers, Leads the long order of ethereal powers.