It is, however, a little
difficult to detect the immediate source from which he drew.
difficult to detect the immediate source from which he drew.
John Donne
.
Now this remains in the land of
Siriad to this day. ' Josephus, _Antiquities of the Jews_ (Whiston's
translation), I. 2, ? 3.
PAGE =296=, l. 21. _holy Ianus. _ 'Janus, whom Annius of Viterbo and
the chorographers of Italy do make to be the same with Noah. ' Browne,
_Vulgar Errors_, vi. 6. The work referred to is the _Antiquitatum
variarum volumina XVII_ (1498, reprinted and re-arranged 1511), by
Annius of Viterbo (1432-1502), a Dominican friar, Fra Giovanni
Nanni. Each of the books, after the first, consists of a digest
with commentary of various works on ancient history, the aim being
apparently to reconcile Biblical and heathen chronology and to
establish the genealogy of Christ. _Liber XIIII_ is a digest, or
'defloratio', of Philo (of whom later); _Liber XV_ of Berosus,
a reputed Chaldaean historian ('patria Babylonicus; et dignitate
Chaldaeus'), cited by Josephus. From him Annius derives this
identification of Janus with Noah: 'Hoc vltimo loco Berosus de tribus
cognominibus rationes tradit: Noa: Cam & Tythea. De Noa dicit quod
fuit illi tributum cognomen Ianus a Iain: quod apud Aramaeos et
Hebraeos sonat vinum: a quo Ianus id est vinifer et vinosus: quia
primus vinum invenit et inebriatus est: vt dicit Berosus: et supra
insinuavit Propertius: et item Moyses Genesis cap ix. vbi etiam Iain
vinum Iani nominat: vbi nos habemus: Cum Noa evigilasset a vino. Cato
etiam in fragmentis originum; et Fabius Pictor in de origine vrbis
Romae dicunt Ianum dictum priscum Oenotrium: quia invenit vinum et
far ad religionem magis quam ad vsum,' &c. , XV, Fo. cxv. Elsewhere
the identity is based not on this common interest in wine but on
their priestly office, they being the first to offer 'sacrificia et
holocausta', VII, Fo. lviii. Again, 'Ex his probatur irrevincibiliter
a tempore demonstrato a Solino et propriis Epithetis Iani: eundem
fuisse Ogygem: Ianum et Noam . . . Sed Noa fuit proprium: Ogyges verum
Ianus et Proteus id est Vertumnus sunt solum praenomina ejus,' XV, Fo.
cv. No mention of the ark as a link occurs, but a ship figured on the
copper coins distributed at Rome on New Year's day, which was sacred
to Janus. The original connexion is probably found in Macrobius'
statement (_Saturn. _ I. 9) that among other titles Janus was invoked
as 'Consivius . . . a conserendo id est a propagine generis humani quae
Iano auctore conseritur'. Noah is the father of the extant human race.
PAGE =299=, ll. 114-17. There can be no doubt, I think, that the 1633
text is here correct, though for clearness a comma must be inserted
after 'reasons'. The emendation of the 1635 editor which modern
editors have followed gives an awkward and, at the close, an absurdly
tautological sentence. It is not the reason, the rational faculty,
of sceptics which is like the bubbles blown by boys, that stretch too
thin, 'break and do themselves spill. ' What Donne says, is that the
reasons or arguments of those who answer sceptics, like bubbles which
break themselves, injure their authors, the apologists. The verse
wants a syllable--not a unique phenomenon in Donne's satires; but if
one is to be supplied 'so' would give the sense better than 'and'.
PAGE =300=, l. 129. _foggie Plot. _ The word 'foggie' has here the in
English obsolete, in Scotch and perhaps other dialects, still known
meaning of 'marshy', 'boggy'. The O. E. D. quotes, 'He that is fallen
into a depe foggy well and sticketh fast in it,' Coverdale, _Bk.
Death_, I. xl. 160; 'The foggy fens in the next county,' Fuller,
_Worthies_.
l. 137. _To see the Prince, and have so fill'd the way. _ The
grammatically and metrically correct reading of _G_ appears to me to
explain the subsequent variation. 'Prince' struck the editor of
the 1633 edition as inconsistent with the subsequent 'she', and he
therefore altered it to 'Princess'. He may have been encouraged to
do so by the fact that the copy from which he printed had dropped the
'have', or he may himself have dropped the 'have' to adjust the verse
to his alteration. The former is, I think, the more likely, because
what would seem to be the earlier printed copies of _1633_ read
'Prince': unless he himself overlooked the 'have' and then amended
by 'Princess'. The 1635 editor restored 'Prince' and then amended the
verse by his usual device of padding, changing 'fill'd' to 'fill up'.
Of course Donne's line may have read as we give it, with 'Princess'
for 'Prince', but the evidence of the MSS. is against this, so far
as it goes. The title of 'Prince' was indeed applicable to a female
sovereign. The O. E. D. gives: 'Yea the Prince . . . as she hath most of
yearely Revenewes . . . so should she have most losse by this dearth,'
W. Stafford, 1581; 'Cleopatra, prince of Nile,' Willobie, _Avisa_,
1594; 'Another most mighty prince, Mary Queene of Scots,' Camden
(Holland), 1610.
PAGE =301=, ll. 159-160. _built by the guest,
This living buried man, &c. _
The comma after guest is dropped in the printed editions, the editor
regarding 'this living buried man' as an expansion of 'the guest'. But
the man buried alive is the 'soul's second inn', the mandrake. 'Many
Molas and false conceptions there are of Mandrakes, the first from
great Antiquity conceiveth the Root thereof resembleth the shape of
Man which is a conceit not to be made out by ordinary inspection,
or any other eyes, than such as regarding the clouds, behold them in
shapes conformable to pre-apprehensions. ' Browne, _Vulgar Errors_.
PAGE =303=, ll. 203-5. The punctuation of this stanza is in the
editions very chaotic, and I have amended it. A full stop should be
placed at the end of l. 203, 'was not', _because_ these lines complete
the thought of the previous stanza. Possibly the semicolon after 'ill'
was intended to follow 'not', but a full stop is preferable. Moreover,
the colon after 'soule' (l. 204) suggests that the printer took ''twas
not' with 'this soule'. The correct reading of l. 204 is obviously:
So jolly, that it can move, this soul is.
Chambers prefers:
So jolly, that it can move this soul, is
The body . . .
but Donne was far too learned an Aristotelian and Scholastic to make
the body move the soul, or feel jolly on its own account:
thy fair goodly soul, which doth
Give this flesh power to taste joy, thou dost loathe.
_Satyre III_, ll. 41-2.
'The soul is so glad to be at last able to move (having been
imprisoned hitherto in plants which have the soul of growth, not of
locomotion or sense), and the body is so free of its kindnesses to the
soul, that it, the sparrow, forgets the duty of self-preservation. '
l. 214. _hid nets. _ In making my first collation of the printed texts
I had queried the possibility of 'hid' being the correct reading for
'his', a conjecture which the Gosse MS. confirms.
PAGE =305=, l. 257. _None scape, but few, and fit for use, to get. _
I have added a comma after 'use' to make the construction a little
clearer; a pause is needed. 'The nets were not wrought, as now, to let
none scape, but were wrought to get few and those fit for use; as, for
example, a ravenous pike, &c. '
PAGE =306=, ll. 267-8. '_To make the water thinne, and airelike faith
cares not. _' What Chambers understands by 'air like faith', I do not
know. What Donne says is that the manner in which fishes breathe is a
matter about which faith is indifferent. Each man may hold what theory
he chooses. There is not much obvious relevance in this remark, but
Donne has already in this poem touched on the difference between faith
and knowledge:
better proofes the law
Of sense then faith requires.
A vein of restless scepticism runs through the whole.
l. 280. _It's rais'd, to be the Raisers instrument and food. _ If with
_1650-69_, Chambers, and the Grolier Club editor, we alter the full
stop which separates this line from the last to a comma, 'It' must
mean the same as 'she', i. e. the fish. This is a harsh construction.
The line is rather to be taken as an aphorism. 'To be exalted is often
to become the instrument and prey of him who has exalted you. '
PAGE =307=, l. 296. _That many leagues at sea, now tir'd hee lyes. _
The reading of _G_ represents probably what Donne wrote. It is quite
clear that _1633_ was printed from a MS. identical with _A18_, _N_,
_TC_, and underwent considerable correction as it passed through the
press. In no poem does the text of one copy vary so much from that
of another as in this. Now in this MS. a word is dropped. The editor
supplied the gap by inserting 'o're-past', which simply repeats 'flown
long and fast'. _G_ shows what the dropped word was. 'Many leagues at
sea' is an adverbial phrase qualifying 'now tir'd he lies'.
ll. 301-10. I owe the right punctuation of this stanza to the Grolier
Club edition and Grosart. The 'as' of l. 303 requires to be followed
by a comma. Missing this, Chambers closes the sentence at l. 307,
'head', leaving 'This fish would seem these' in the air. The words
'when all hopes fail' play with the idea of 'the hopeful Promontory',
or Cape of Good Hope.
PAGE =308=, ll. 321-2. _He hunts not fish, but as an officer,
Stayes in his court, at his owne net. _
Compare: 'A confidence in their owne strengths, a sacrificing to their
own Nets, an attributing of their securitie to their own wisedome or
power, may also retard the cause of God. ' _Sermons_, Judges xv. 20
(1622).
'And though some of the Fathers pared somewhat too neare the quick in
this point, yet it was not as in the Romane Church, to lay snares, and
spread nets for gain. ' _Sermons_ 80. 22. 216.
'The Holy Spirit, the Spirit of comfort comes to him' (the courtier)
'but hee will die in his old religion, which is to sacrifice to his
owne Nets, by which his portion is plenteous. ' _Sermons_ 80. 70. 714.
The image of the net is probably derived from Jeremiah v. 26: 'For
among my people are found wicked men; they lay wait as he that setteth
snares; they set a trap, they catch men. ' Compare also: 'he lieth in
wait to catch the poor: he doth catch the poor when he draweth him
into his net. ' Psalm x. 9.
PAGES =310-11=, ll. 381-400. Compare: 'Amongst _naturall Creatures_,
because howsoever they differ in bignesse, yet they have some
proportion to one another, we consider that some very little
creatures, contemptible in themselves, are yet called enemies to great
creatures, as the Mouse is to the Elephant. ' _Sermons_ 50. 40. 372.
'How great an Elephant, how small a Mouse destroys. ' _Devotions_, p.
284.
ll. 405-6. _Who in that trade, of Church, and kingdomes, there
Was the first type. _
The _1635_ punctuation of this passage is right, though it is better
to drop the comma after 'Kingdoms' and obviate ambiguity. The trade is
the shepherd's; in it Abel is type both of Church and Kingdom, Emperor
and Pope. As a type of Christ Donne refers to Abel in _The Litanie_,
p. 341, l. 86.
PAGE =312=, l. 419. _Nor <make> resist. _ I have substituted 'make' for
the 'much' of the editions, confident that it is the right reading and
explains the vacillation of the MSS. The proper alternative to 'show'
is 'make'. The error arose from the obsolescence of 'resist' used as
a noun. But the O. E. D. cites from Lodge, _Forbonius and Priscilla_
(1585), 'I make no resist in this my loving torment', and other
examples dated 1608 and 1630. Donne is fond of verbal nouns retaining
the form of the verb unchanged.
l. 439. _soft Moaba. _ 'Moaba', 'Siphatecia' (l. 457), 'Tethlemite' (l.
487), and Themech' (l. 509) are not creatures of Donne's invention,
but derived from his multifarious learning.
It is, however, a little
difficult to detect the immediate source from which he drew. The
ultimate source of all these additions to the Biblical narrative and
persons was the activity of the Jewish intellect and imagination in
the interval between the time at which the Old Testament closes and
the dispersion under Titus and Vespasian, the desire of the Jews in
Palestine and Alexandria to 'round off the biblical narrative, fill
up the lacunae, answer all the questions of the inquiring mind of the
ancient reader'. Of the original Hebrew writings of this period none
have survived, but their traditions passed into mediaeval works like
the _Historia Scholastica_ of Petrus Comestor and hence into popular
works, e. g. the Middle English _Cursor Mundi_. Another compendium
of this pseudo-historical lore was the _Philonis Judaei Alexandrini.
Libri Antiquitatum. Quaestionum et Solutionum in Genesin. de Essaeis.
de Nominibus hebraicis. de Mundo. Basle. _ 1527. An abstract of this
work is given by Annius of Viterbo in the book referred to in a
previous note. Dr. Cohn has shown that this Latin work is a third- or
fourth-century translation of a Greek work, itself a translation from
the Hebrew. More recently Rabbi M. Gaster has brought to light the
Hebrew original in portions of a compilation of the fourteenth century
called the _Chronicle of Jerahmeel_, of which he has published
an English translation under the 'Patronage of the Royal Asiatic
Society', _Oriental Translation Fund_. New Series, iv. 1899. In
chapter xxvi of this work we read: 'Adam begat three sons and three
daughters, Cain and his twin wife Qualmana, Abel and his twin wife
Deborah, and Seth and his twin wife N? ba. And Adam, after he had
begotten Seth, lived seven hundred years, and there were eleven sons
and eight daughters born to him. These are the names of his sons: Eli,
Sh? ? l, Surei, 'Almiel, Berokh, Ke'al, Nabath, Zarh-amah, Sisha,
Mahtel, and Anat; and the names of his daughters are: Havah, Gitsh,
Har? , Bikha, Zifath, H? khiah, Shaba, and 'Azin. ' In Philo this
reappears as follows: 'Initio mundi Adam genuit tres filios et unam
filiam, Cain, Noaba, Abel, et Seth: Et vixit Adam, postquam genuit
Seth, annos DCC. , et genuit filios duodecim, et filias octo: Et haec
sunt nomina virorum, Aeliseel, Suris, Aelamiel, Brabal, Naat, Harama,
Zas-am, Maathal, et Anath: Et hae filiae eius, Phua, Iectas, Arebica,
Siphatecia, Sabaasin. ' It is clear there are a good many mistakes in
Philo's account as it has come to us. His numbers and names do not
correspond. Clearly also some of the Latin names are due to the
running together of two Hebrew ones, e. g. Aeliseel, Arebica, and
Siphatecia. Of the names in Donne's poem two occur in the above
lists--Noaba (Heb. Nob? ) and Siphatecia. But Noaba has become
Moaba: Siphatecia is 'Adams fift daughter', which is correct according
to the Hebrew, but not according to Philo's list; and there is no
mention in these lists of Tethlemite (or Thelemite) among Adam's sons,
or of Themech as Cain's wife. In the Hebrew she is called Qualmana.
Doubtless since two of the names are traceable the others are so also.
We have not found Donne's immediate source. I am indebted for such
information as I have brought together to Rabbi Gaster.
PAGE =314=, l. 485. (_loth_). I have adopted this reading from the
insertion in _TCC_, not that much weight can be allowed to this
anonymous reviser (some of whose insertions are certainly wrong),
but because 'loth' or 'looth' is more likely to have been changed to
'tooth' than 'wroth'. The occurrence of 'Tooth' in _G_ as well as in
_1633_ led me to consult Sir James Murray as to the possibility of a
rare adjectival sense of that word, e. g. 'eager, with tooth on edge
for'. I venture to quote his reply: 'We know nothing of _tooth_ as an
adjective in the sense _eager_; or in any sense that would fit here.
Nor does _wroth_ seem to myself and my assistants to suit well. In
thinking of the possible word for which _tooth_ was a misprint, or
rather misreading . . . the word _loth_, _loath_, _looth_, occurred
to myself and an assistant independently before we saw that it is
mentioned in the foot-note. . . . _Loath_ seems to me to be exactly the
word wanted, the true antithesis to willing, and it was a very easy
word to write as _tooth_. ' Sir James Murray suggests, as just
a possibility, that 'wroth' (_1635-69_) may have arisen from a
provincial form 'wloth'. He thinks, however, as I do, that it is more
probably a mere editorial conjecture.
PAGE =315=, ll. 505-9. _these limbes a soule attend;
And now they joyn'd: keeping some quality
Of every past shape, she knew treachery,
Rapine, deceit, and lust, and ills enow
To be a woman. _
Chambers and the Grolier Club editor have erroneously followed
_1635-69_ in their punctuation and attached 'keeping some quality of
every past shape' to the preceding 'they'. The force of Donne's bitter
comment is thus weakened. It is with 'she', i. e. the soul, that the
participial phrase goes. 'She, retaining the evil qualities of all the
forms through which she has passed, has thus "ills enow" (treachery,
rapine, deceit, and lust) to be a woman. '
DIVINE POEMS.
The dating of Donne's _Divine Poems_ raises some questions that have
not received all the consideration they deserve. They fall into two
groups--those written before and those written after he took orders.
Of the former the majority would seem to belong to the years of his
residence at Mitcham. The poem _On the Annunciation and Passion_ was
written on March 25, 1608/9. _The Litanie_ was written, we gather from
a letter to Sir Henry Goodyere, about the same time. _The Crosse_ we
cannot date, but I should be inclined with Mr. Gosse to connect
it rather with the earlier than the later poems. It is in the same
somewhat tormented, intellectual style. On the other hand the _Holy
Sonnets_ were composed, we know now from Sonnet XVII, first published
by Mr. Gosse, after the death of Donne's wife in 1617; and _The
Lamentations of Jeremy_ appear to have been written at the same
juncture. The first sermon which Donne preached after that event was
on the text (Lam. iii. 1): 'I am the man that hath seen affliction,'
and Walton speaks significantly of his having ended the night and
begun the day in _lamentations_.
The more difficult question is the date of the _La Corona_ group of
sonnets. It is usual to attribute them to the later period of Donne's
ministry. This is not, I think, correct. It seems to me most probable
that they too were composed at Mitcham in or before 1609.
Dr. Grosart first pointed out that one of Donne's short verse-letters,
headed in _1663_ and later editions _To E. of D. with six holy
Sonnets_, must have been sent with a copy of six of these sonnets, the
seventh being held back on account of some imperfection. It appears
with the same heading in _O'F_, but in _W_ it is entitled simply _To
L. of D. _, and is placed immediately after the letter _To Mr. T. W. _,
'Haste thee harsh verse' (p. 205), and before the next to the same
person, 'Pregnant again' (p. 206). It thus belongs to this group of
letters written apparently between 1597 and 1609-10.
Who is the E. of D. ? Dr. Grosart, Mr. Chambers, and Mr. Gosse assume
that it must be Lord Doncaster, though admitting in the same breath
that the latter was not Earl of, but Viscount Doncaster, and that only
between 1618 and 1622, four short years. The title 'L. of D. ' might
indicate Doncaster because the title 'my Lord of' is apparently given
to a Viscount. In his letters from Germany Donne speaks of 'my Lord of
Doncaster'. It may, therefore, be a mistake of the printer or editor
of _1633_; which turned 'L. of D. ' into 'E. of D. '; but Hay was still
alive in 1633, and the natural thing for the printer to do would have
been to alter the title to 'E. of C. ' or 'Earl of Carlisle'. Before
1618 Donne speaks of the 'Lord Hay' or 'the L. Hay' (see _Letters_,
p. 145),[1] and this or 'the L. H. ' is the title the poem would have
borne if addressed to him in any of the years to which the other
letters in the Westmoreland MS. (_W_) seem to belong.
Moreover, there is another of Donne's noble friends who might
correctly be described as either E. of D. or L. of D. and that is
Richard Sackville, third Earl of Dorset. Donne generally speaks of him
as 'my Lord of Dorset': 'I lack you here', he writes to Goodyere,
'for my L. of Dorset, he might make a cheap bargain with me now, and
disingage his honour, which in good faith, is a little bound, because
he admitted so many witnesses of his large disposition towards me. '
Born in 1589, the grandson of the great poet of Elizabeth's early
reign, Richard Sackville was educated at Christ Church, Oxford. He
succeeded as third Earl of Dorset on February 27, 1608/9, having two
days previously married Anne, Baroness Clifford in her own right, the
daughter of George Clifford, the buccaneering Earl of Cumberland, and
Margaret, daughter of Francis, second Earl of Bedford. The Countess of
Dorset was therefore a first cousin to Edward, third Earl of Bedford,
the husband of Donne's patroness Lucy, Countess of Bedford.
The earliest date at which the letter could have been addressed to
Dorset as L. of D. or E. of D. is 1609, just after his marriage into
the circle of Donne's friends. Now in Harleian MS. 4955 (_H49_) we
find the heading,
Holy Sonnets: written 20 yeares since.
This is followed at once by 'Deign at my hands', and then the title
_La Corona_ is given to the six sonnets which ensue. Thereafter
follow, without any fresh heading, twelve of the sonnets belonging
to the second group, generally entitled _Holy Sonnets_. It will be
noticed that in the editions this last title is used twice, first for
both groups and then, in italics, for the second alone. The question
is, did the copyist of _H49_ intend that the note should apply to all
the sonnets he transcribed or only to the _La Corona_ group? If to
all, he was certainly wrong as to the second lot, which were written
later; but he was quite possibly right as to the first. Now twenty
years before 1629, which is the date given to some of Andrewes' poems
in the MS. , would bring us to 1609, the year of the Earl of Dorset's
accession and marriage, and the period when most of the letters among
which that to L. of D. in _W_ appears were written.
Note, moreover, the content of the letter _To L. of D. _ Most of the
letters in this group, to Thomas and Rowland Woodward, to S. B. , and
B. B. , are poetical replies to poetical epistles. Now that _To L. of
D. _ is in the same strain:
See Sir, how as the Suns hot Masculine flame
Begets strange creatures on Niles durty slime,
In me, your fatherly yet lusty Ryme
(For, these songs are their fruits) have wrought the same.
This is in the vein of the letter _To Mr. R. W. _, 'Muse not that by
thy mind,' and of the epistle _To J. D. _ which I have cited in the
notes (p. 166). We hear nowhere that Lord Hay wrote verses, and it
is very unlikely that he, already when Donne formed his aquaintance a
rising courtier, should have joined with the Woodwards, and Brookes,
and Cornwallis, in the game of exchanging bad verses with Donne. It is
quite likely that the young Lord of Dorset, either in 1609, or earlier
when he was still an Oxford student or had just come up to London, may
have burned his pinch of incense to the honour of the most brilliant
of the wits, now indeed a grave _epistolier_ and moralist, but
still capable of 'kindling squibs about himself and flying into
sportiveness'. We gather from Lord Herbert of Cherbury that the Earl
of Dorset must have been an enthusiastic young man. When Herbert
returned to England after the siege of Julyers (whither Donne had sent
him a verse epistle), 'Richard, Earl of Dorset, to whom otherwise I
was a stranger, one day invited me to Dorset House, where bringing me
into his gallery, and showing me many pictures, he at last brought me
to a frame covered with green taffeta, and asked me who I thought was
there; and therewithal presently drawing the curtain showed me my
own picture; whereupon demanding how his Lordship came to have it, he
answered, that he had heard so many brave things of me, that he got a
copy of a picture which one Larkin a painter drew for me, the original
whereof I intended before my departure to the Low Countries for Sir
Thomas Lucy. ' _Autobiography_, ed. Lee. A man so interested in Herbert
may well have been interested in Donne even before his connexion
by marriage with Lucy, Countess of Bedford. He became later one of
Donne's kindest and most practical patrons. The grandson of a great
poet may well have written verses. [2]
But there is another consideration besides that of the letter _To E.
of D. _ which seems to connect the _La Corona_ sonnets with the years
1607-9. That is the sonnet _To the Lady Magdalen Herbert: of St. Mary
Magdalen_, which I have prefixed, with that _To E. of D. _, to
the group. This was sent with a prose letter which says, 'By this
messenger and on this good day, I commit the inclosed holy hymns and
sonnets (which for the matter not the workmanship, have yet escaped
the fire) to your judgment, and to your protection too, if you think
them worthy of it; and I have appointed this enclosed sonnet to usher
them to your happy hand. ' This letter is dated 'July 11, 1607', which
Mr. Gosse thinks must be a mistake, because another letter bears the
same date; but the date is certainly right, for July 11 is, making
allowance for the difference between the Julian and the Gregorian
Calendars, July 22, i. e. St. Mary Magdalen's day, 'this good day. '
What were the 'holy hymns and sonnets', of which Donne says:
and in some recompence
That they did harbour Christ himself, a Guest,
Harbour these Hymns, to his dear name addrest?
Walton says: 'These hymns are now lost; but doubtless they were
such as they two now sing in heaven. ' But Walton was writing long
afterwards and was probably misled by the name 'hymns'. By 'hymns
and sonnets' Donne possibly means the same things, as he calls his
love-lyrics 'songs and sonets'. The sonnets are hymns, i. e. songs of
praise. Mr. Chambers suggests--it is only a suggestion--that they are
the second set, the _Holy Sonnets_. But these are not addressed to
Christ.
Siriad to this day. ' Josephus, _Antiquities of the Jews_ (Whiston's
translation), I. 2, ? 3.
PAGE =296=, l. 21. _holy Ianus. _ 'Janus, whom Annius of Viterbo and
the chorographers of Italy do make to be the same with Noah. ' Browne,
_Vulgar Errors_, vi. 6. The work referred to is the _Antiquitatum
variarum volumina XVII_ (1498, reprinted and re-arranged 1511), by
Annius of Viterbo (1432-1502), a Dominican friar, Fra Giovanni
Nanni. Each of the books, after the first, consists of a digest
with commentary of various works on ancient history, the aim being
apparently to reconcile Biblical and heathen chronology and to
establish the genealogy of Christ. _Liber XIIII_ is a digest, or
'defloratio', of Philo (of whom later); _Liber XV_ of Berosus,
a reputed Chaldaean historian ('patria Babylonicus; et dignitate
Chaldaeus'), cited by Josephus. From him Annius derives this
identification of Janus with Noah: 'Hoc vltimo loco Berosus de tribus
cognominibus rationes tradit: Noa: Cam & Tythea. De Noa dicit quod
fuit illi tributum cognomen Ianus a Iain: quod apud Aramaeos et
Hebraeos sonat vinum: a quo Ianus id est vinifer et vinosus: quia
primus vinum invenit et inebriatus est: vt dicit Berosus: et supra
insinuavit Propertius: et item Moyses Genesis cap ix. vbi etiam Iain
vinum Iani nominat: vbi nos habemus: Cum Noa evigilasset a vino. Cato
etiam in fragmentis originum; et Fabius Pictor in de origine vrbis
Romae dicunt Ianum dictum priscum Oenotrium: quia invenit vinum et
far ad religionem magis quam ad vsum,' &c. , XV, Fo. cxv. Elsewhere
the identity is based not on this common interest in wine but on
their priestly office, they being the first to offer 'sacrificia et
holocausta', VII, Fo. lviii. Again, 'Ex his probatur irrevincibiliter
a tempore demonstrato a Solino et propriis Epithetis Iani: eundem
fuisse Ogygem: Ianum et Noam . . . Sed Noa fuit proprium: Ogyges verum
Ianus et Proteus id est Vertumnus sunt solum praenomina ejus,' XV, Fo.
cv. No mention of the ark as a link occurs, but a ship figured on the
copper coins distributed at Rome on New Year's day, which was sacred
to Janus. The original connexion is probably found in Macrobius'
statement (_Saturn. _ I. 9) that among other titles Janus was invoked
as 'Consivius . . . a conserendo id est a propagine generis humani quae
Iano auctore conseritur'. Noah is the father of the extant human race.
PAGE =299=, ll. 114-17. There can be no doubt, I think, that the 1633
text is here correct, though for clearness a comma must be inserted
after 'reasons'. The emendation of the 1635 editor which modern
editors have followed gives an awkward and, at the close, an absurdly
tautological sentence. It is not the reason, the rational faculty,
of sceptics which is like the bubbles blown by boys, that stretch too
thin, 'break and do themselves spill. ' What Donne says, is that the
reasons or arguments of those who answer sceptics, like bubbles which
break themselves, injure their authors, the apologists. The verse
wants a syllable--not a unique phenomenon in Donne's satires; but if
one is to be supplied 'so' would give the sense better than 'and'.
PAGE =300=, l. 129. _foggie Plot. _ The word 'foggie' has here the in
English obsolete, in Scotch and perhaps other dialects, still known
meaning of 'marshy', 'boggy'. The O. E. D. quotes, 'He that is fallen
into a depe foggy well and sticketh fast in it,' Coverdale, _Bk.
Death_, I. xl. 160; 'The foggy fens in the next county,' Fuller,
_Worthies_.
l. 137. _To see the Prince, and have so fill'd the way. _ The
grammatically and metrically correct reading of _G_ appears to me to
explain the subsequent variation. 'Prince' struck the editor of
the 1633 edition as inconsistent with the subsequent 'she', and he
therefore altered it to 'Princess'. He may have been encouraged to
do so by the fact that the copy from which he printed had dropped the
'have', or he may himself have dropped the 'have' to adjust the verse
to his alteration. The former is, I think, the more likely, because
what would seem to be the earlier printed copies of _1633_ read
'Prince': unless he himself overlooked the 'have' and then amended
by 'Princess'. The 1635 editor restored 'Prince' and then amended the
verse by his usual device of padding, changing 'fill'd' to 'fill up'.
Of course Donne's line may have read as we give it, with 'Princess'
for 'Prince', but the evidence of the MSS. is against this, so far
as it goes. The title of 'Prince' was indeed applicable to a female
sovereign. The O. E. D. gives: 'Yea the Prince . . . as she hath most of
yearely Revenewes . . . so should she have most losse by this dearth,'
W. Stafford, 1581; 'Cleopatra, prince of Nile,' Willobie, _Avisa_,
1594; 'Another most mighty prince, Mary Queene of Scots,' Camden
(Holland), 1610.
PAGE =301=, ll. 159-160. _built by the guest,
This living buried man, &c. _
The comma after guest is dropped in the printed editions, the editor
regarding 'this living buried man' as an expansion of 'the guest'. But
the man buried alive is the 'soul's second inn', the mandrake. 'Many
Molas and false conceptions there are of Mandrakes, the first from
great Antiquity conceiveth the Root thereof resembleth the shape of
Man which is a conceit not to be made out by ordinary inspection,
or any other eyes, than such as regarding the clouds, behold them in
shapes conformable to pre-apprehensions. ' Browne, _Vulgar Errors_.
PAGE =303=, ll. 203-5. The punctuation of this stanza is in the
editions very chaotic, and I have amended it. A full stop should be
placed at the end of l. 203, 'was not', _because_ these lines complete
the thought of the previous stanza. Possibly the semicolon after 'ill'
was intended to follow 'not', but a full stop is preferable. Moreover,
the colon after 'soule' (l. 204) suggests that the printer took ''twas
not' with 'this soule'. The correct reading of l. 204 is obviously:
So jolly, that it can move, this soul is.
Chambers prefers:
So jolly, that it can move this soul, is
The body . . .
but Donne was far too learned an Aristotelian and Scholastic to make
the body move the soul, or feel jolly on its own account:
thy fair goodly soul, which doth
Give this flesh power to taste joy, thou dost loathe.
_Satyre III_, ll. 41-2.
'The soul is so glad to be at last able to move (having been
imprisoned hitherto in plants which have the soul of growth, not of
locomotion or sense), and the body is so free of its kindnesses to the
soul, that it, the sparrow, forgets the duty of self-preservation. '
l. 214. _hid nets. _ In making my first collation of the printed texts
I had queried the possibility of 'hid' being the correct reading for
'his', a conjecture which the Gosse MS. confirms.
PAGE =305=, l. 257. _None scape, but few, and fit for use, to get. _
I have added a comma after 'use' to make the construction a little
clearer; a pause is needed. 'The nets were not wrought, as now, to let
none scape, but were wrought to get few and those fit for use; as, for
example, a ravenous pike, &c. '
PAGE =306=, ll. 267-8. '_To make the water thinne, and airelike faith
cares not. _' What Chambers understands by 'air like faith', I do not
know. What Donne says is that the manner in which fishes breathe is a
matter about which faith is indifferent. Each man may hold what theory
he chooses. There is not much obvious relevance in this remark, but
Donne has already in this poem touched on the difference between faith
and knowledge:
better proofes the law
Of sense then faith requires.
A vein of restless scepticism runs through the whole.
l. 280. _It's rais'd, to be the Raisers instrument and food. _ If with
_1650-69_, Chambers, and the Grolier Club editor, we alter the full
stop which separates this line from the last to a comma, 'It' must
mean the same as 'she', i. e. the fish. This is a harsh construction.
The line is rather to be taken as an aphorism. 'To be exalted is often
to become the instrument and prey of him who has exalted you. '
PAGE =307=, l. 296. _That many leagues at sea, now tir'd hee lyes. _
The reading of _G_ represents probably what Donne wrote. It is quite
clear that _1633_ was printed from a MS. identical with _A18_, _N_,
_TC_, and underwent considerable correction as it passed through the
press. In no poem does the text of one copy vary so much from that
of another as in this. Now in this MS. a word is dropped. The editor
supplied the gap by inserting 'o're-past', which simply repeats 'flown
long and fast'. _G_ shows what the dropped word was. 'Many leagues at
sea' is an adverbial phrase qualifying 'now tir'd he lies'.
ll. 301-10. I owe the right punctuation of this stanza to the Grolier
Club edition and Grosart. The 'as' of l. 303 requires to be followed
by a comma. Missing this, Chambers closes the sentence at l. 307,
'head', leaving 'This fish would seem these' in the air. The words
'when all hopes fail' play with the idea of 'the hopeful Promontory',
or Cape of Good Hope.
PAGE =308=, ll. 321-2. _He hunts not fish, but as an officer,
Stayes in his court, at his owne net. _
Compare: 'A confidence in their owne strengths, a sacrificing to their
own Nets, an attributing of their securitie to their own wisedome or
power, may also retard the cause of God. ' _Sermons_, Judges xv. 20
(1622).
'And though some of the Fathers pared somewhat too neare the quick in
this point, yet it was not as in the Romane Church, to lay snares, and
spread nets for gain. ' _Sermons_ 80. 22. 216.
'The Holy Spirit, the Spirit of comfort comes to him' (the courtier)
'but hee will die in his old religion, which is to sacrifice to his
owne Nets, by which his portion is plenteous. ' _Sermons_ 80. 70. 714.
The image of the net is probably derived from Jeremiah v. 26: 'For
among my people are found wicked men; they lay wait as he that setteth
snares; they set a trap, they catch men. ' Compare also: 'he lieth in
wait to catch the poor: he doth catch the poor when he draweth him
into his net. ' Psalm x. 9.
PAGES =310-11=, ll. 381-400. Compare: 'Amongst _naturall Creatures_,
because howsoever they differ in bignesse, yet they have some
proportion to one another, we consider that some very little
creatures, contemptible in themselves, are yet called enemies to great
creatures, as the Mouse is to the Elephant. ' _Sermons_ 50. 40. 372.
'How great an Elephant, how small a Mouse destroys. ' _Devotions_, p.
284.
ll. 405-6. _Who in that trade, of Church, and kingdomes, there
Was the first type. _
The _1635_ punctuation of this passage is right, though it is better
to drop the comma after 'Kingdoms' and obviate ambiguity. The trade is
the shepherd's; in it Abel is type both of Church and Kingdom, Emperor
and Pope. As a type of Christ Donne refers to Abel in _The Litanie_,
p. 341, l. 86.
PAGE =312=, l. 419. _Nor <make> resist. _ I have substituted 'make' for
the 'much' of the editions, confident that it is the right reading and
explains the vacillation of the MSS. The proper alternative to 'show'
is 'make'. The error arose from the obsolescence of 'resist' used as
a noun. But the O. E. D. cites from Lodge, _Forbonius and Priscilla_
(1585), 'I make no resist in this my loving torment', and other
examples dated 1608 and 1630. Donne is fond of verbal nouns retaining
the form of the verb unchanged.
l. 439. _soft Moaba. _ 'Moaba', 'Siphatecia' (l. 457), 'Tethlemite' (l.
487), and Themech' (l. 509) are not creatures of Donne's invention,
but derived from his multifarious learning.
It is, however, a little
difficult to detect the immediate source from which he drew. The
ultimate source of all these additions to the Biblical narrative and
persons was the activity of the Jewish intellect and imagination in
the interval between the time at which the Old Testament closes and
the dispersion under Titus and Vespasian, the desire of the Jews in
Palestine and Alexandria to 'round off the biblical narrative, fill
up the lacunae, answer all the questions of the inquiring mind of the
ancient reader'. Of the original Hebrew writings of this period none
have survived, but their traditions passed into mediaeval works like
the _Historia Scholastica_ of Petrus Comestor and hence into popular
works, e. g. the Middle English _Cursor Mundi_. Another compendium
of this pseudo-historical lore was the _Philonis Judaei Alexandrini.
Libri Antiquitatum. Quaestionum et Solutionum in Genesin. de Essaeis.
de Nominibus hebraicis. de Mundo. Basle. _ 1527. An abstract of this
work is given by Annius of Viterbo in the book referred to in a
previous note. Dr. Cohn has shown that this Latin work is a third- or
fourth-century translation of a Greek work, itself a translation from
the Hebrew. More recently Rabbi M. Gaster has brought to light the
Hebrew original in portions of a compilation of the fourteenth century
called the _Chronicle of Jerahmeel_, of which he has published
an English translation under the 'Patronage of the Royal Asiatic
Society', _Oriental Translation Fund_. New Series, iv. 1899. In
chapter xxvi of this work we read: 'Adam begat three sons and three
daughters, Cain and his twin wife Qualmana, Abel and his twin wife
Deborah, and Seth and his twin wife N? ba. And Adam, after he had
begotten Seth, lived seven hundred years, and there were eleven sons
and eight daughters born to him. These are the names of his sons: Eli,
Sh? ? l, Surei, 'Almiel, Berokh, Ke'al, Nabath, Zarh-amah, Sisha,
Mahtel, and Anat; and the names of his daughters are: Havah, Gitsh,
Har? , Bikha, Zifath, H? khiah, Shaba, and 'Azin. ' In Philo this
reappears as follows: 'Initio mundi Adam genuit tres filios et unam
filiam, Cain, Noaba, Abel, et Seth: Et vixit Adam, postquam genuit
Seth, annos DCC. , et genuit filios duodecim, et filias octo: Et haec
sunt nomina virorum, Aeliseel, Suris, Aelamiel, Brabal, Naat, Harama,
Zas-am, Maathal, et Anath: Et hae filiae eius, Phua, Iectas, Arebica,
Siphatecia, Sabaasin. ' It is clear there are a good many mistakes in
Philo's account as it has come to us. His numbers and names do not
correspond. Clearly also some of the Latin names are due to the
running together of two Hebrew ones, e. g. Aeliseel, Arebica, and
Siphatecia. Of the names in Donne's poem two occur in the above
lists--Noaba (Heb. Nob? ) and Siphatecia. But Noaba has become
Moaba: Siphatecia is 'Adams fift daughter', which is correct according
to the Hebrew, but not according to Philo's list; and there is no
mention in these lists of Tethlemite (or Thelemite) among Adam's sons,
or of Themech as Cain's wife. In the Hebrew she is called Qualmana.
Doubtless since two of the names are traceable the others are so also.
We have not found Donne's immediate source. I am indebted for such
information as I have brought together to Rabbi Gaster.
PAGE =314=, l. 485. (_loth_). I have adopted this reading from the
insertion in _TCC_, not that much weight can be allowed to this
anonymous reviser (some of whose insertions are certainly wrong),
but because 'loth' or 'looth' is more likely to have been changed to
'tooth' than 'wroth'. The occurrence of 'Tooth' in _G_ as well as in
_1633_ led me to consult Sir James Murray as to the possibility of a
rare adjectival sense of that word, e. g. 'eager, with tooth on edge
for'. I venture to quote his reply: 'We know nothing of _tooth_ as an
adjective in the sense _eager_; or in any sense that would fit here.
Nor does _wroth_ seem to myself and my assistants to suit well. In
thinking of the possible word for which _tooth_ was a misprint, or
rather misreading . . . the word _loth_, _loath_, _looth_, occurred
to myself and an assistant independently before we saw that it is
mentioned in the foot-note. . . . _Loath_ seems to me to be exactly the
word wanted, the true antithesis to willing, and it was a very easy
word to write as _tooth_. ' Sir James Murray suggests, as just
a possibility, that 'wroth' (_1635-69_) may have arisen from a
provincial form 'wloth'. He thinks, however, as I do, that it is more
probably a mere editorial conjecture.
PAGE =315=, ll. 505-9. _these limbes a soule attend;
And now they joyn'd: keeping some quality
Of every past shape, she knew treachery,
Rapine, deceit, and lust, and ills enow
To be a woman. _
Chambers and the Grolier Club editor have erroneously followed
_1635-69_ in their punctuation and attached 'keeping some quality of
every past shape' to the preceding 'they'. The force of Donne's bitter
comment is thus weakened. It is with 'she', i. e. the soul, that the
participial phrase goes. 'She, retaining the evil qualities of all the
forms through which she has passed, has thus "ills enow" (treachery,
rapine, deceit, and lust) to be a woman. '
DIVINE POEMS.
The dating of Donne's _Divine Poems_ raises some questions that have
not received all the consideration they deserve. They fall into two
groups--those written before and those written after he took orders.
Of the former the majority would seem to belong to the years of his
residence at Mitcham. The poem _On the Annunciation and Passion_ was
written on March 25, 1608/9. _The Litanie_ was written, we gather from
a letter to Sir Henry Goodyere, about the same time. _The Crosse_ we
cannot date, but I should be inclined with Mr. Gosse to connect
it rather with the earlier than the later poems. It is in the same
somewhat tormented, intellectual style. On the other hand the _Holy
Sonnets_ were composed, we know now from Sonnet XVII, first published
by Mr. Gosse, after the death of Donne's wife in 1617; and _The
Lamentations of Jeremy_ appear to have been written at the same
juncture. The first sermon which Donne preached after that event was
on the text (Lam. iii. 1): 'I am the man that hath seen affliction,'
and Walton speaks significantly of his having ended the night and
begun the day in _lamentations_.
The more difficult question is the date of the _La Corona_ group of
sonnets. It is usual to attribute them to the later period of Donne's
ministry. This is not, I think, correct. It seems to me most probable
that they too were composed at Mitcham in or before 1609.
Dr. Grosart first pointed out that one of Donne's short verse-letters,
headed in _1663_ and later editions _To E. of D. with six holy
Sonnets_, must have been sent with a copy of six of these sonnets, the
seventh being held back on account of some imperfection. It appears
with the same heading in _O'F_, but in _W_ it is entitled simply _To
L. of D. _, and is placed immediately after the letter _To Mr. T. W. _,
'Haste thee harsh verse' (p. 205), and before the next to the same
person, 'Pregnant again' (p. 206). It thus belongs to this group of
letters written apparently between 1597 and 1609-10.
Who is the E. of D. ? Dr. Grosart, Mr. Chambers, and Mr. Gosse assume
that it must be Lord Doncaster, though admitting in the same breath
that the latter was not Earl of, but Viscount Doncaster, and that only
between 1618 and 1622, four short years. The title 'L. of D. ' might
indicate Doncaster because the title 'my Lord of' is apparently given
to a Viscount. In his letters from Germany Donne speaks of 'my Lord of
Doncaster'. It may, therefore, be a mistake of the printer or editor
of _1633_; which turned 'L. of D. ' into 'E. of D. '; but Hay was still
alive in 1633, and the natural thing for the printer to do would have
been to alter the title to 'E. of C. ' or 'Earl of Carlisle'. Before
1618 Donne speaks of the 'Lord Hay' or 'the L. Hay' (see _Letters_,
p. 145),[1] and this or 'the L. H. ' is the title the poem would have
borne if addressed to him in any of the years to which the other
letters in the Westmoreland MS. (_W_) seem to belong.
Moreover, there is another of Donne's noble friends who might
correctly be described as either E. of D. or L. of D. and that is
Richard Sackville, third Earl of Dorset. Donne generally speaks of him
as 'my Lord of Dorset': 'I lack you here', he writes to Goodyere,
'for my L. of Dorset, he might make a cheap bargain with me now, and
disingage his honour, which in good faith, is a little bound, because
he admitted so many witnesses of his large disposition towards me. '
Born in 1589, the grandson of the great poet of Elizabeth's early
reign, Richard Sackville was educated at Christ Church, Oxford. He
succeeded as third Earl of Dorset on February 27, 1608/9, having two
days previously married Anne, Baroness Clifford in her own right, the
daughter of George Clifford, the buccaneering Earl of Cumberland, and
Margaret, daughter of Francis, second Earl of Bedford. The Countess of
Dorset was therefore a first cousin to Edward, third Earl of Bedford,
the husband of Donne's patroness Lucy, Countess of Bedford.
The earliest date at which the letter could have been addressed to
Dorset as L. of D. or E. of D. is 1609, just after his marriage into
the circle of Donne's friends. Now in Harleian MS. 4955 (_H49_) we
find the heading,
Holy Sonnets: written 20 yeares since.
This is followed at once by 'Deign at my hands', and then the title
_La Corona_ is given to the six sonnets which ensue. Thereafter
follow, without any fresh heading, twelve of the sonnets belonging
to the second group, generally entitled _Holy Sonnets_. It will be
noticed that in the editions this last title is used twice, first for
both groups and then, in italics, for the second alone. The question
is, did the copyist of _H49_ intend that the note should apply to all
the sonnets he transcribed or only to the _La Corona_ group? If to
all, he was certainly wrong as to the second lot, which were written
later; but he was quite possibly right as to the first. Now twenty
years before 1629, which is the date given to some of Andrewes' poems
in the MS. , would bring us to 1609, the year of the Earl of Dorset's
accession and marriage, and the period when most of the letters among
which that to L. of D. in _W_ appears were written.
Note, moreover, the content of the letter _To L. of D. _ Most of the
letters in this group, to Thomas and Rowland Woodward, to S. B. , and
B. B. , are poetical replies to poetical epistles. Now that _To L. of
D. _ is in the same strain:
See Sir, how as the Suns hot Masculine flame
Begets strange creatures on Niles durty slime,
In me, your fatherly yet lusty Ryme
(For, these songs are their fruits) have wrought the same.
This is in the vein of the letter _To Mr. R. W. _, 'Muse not that by
thy mind,' and of the epistle _To J. D. _ which I have cited in the
notes (p. 166). We hear nowhere that Lord Hay wrote verses, and it
is very unlikely that he, already when Donne formed his aquaintance a
rising courtier, should have joined with the Woodwards, and Brookes,
and Cornwallis, in the game of exchanging bad verses with Donne. It is
quite likely that the young Lord of Dorset, either in 1609, or earlier
when he was still an Oxford student or had just come up to London, may
have burned his pinch of incense to the honour of the most brilliant
of the wits, now indeed a grave _epistolier_ and moralist, but
still capable of 'kindling squibs about himself and flying into
sportiveness'. We gather from Lord Herbert of Cherbury that the Earl
of Dorset must have been an enthusiastic young man. When Herbert
returned to England after the siege of Julyers (whither Donne had sent
him a verse epistle), 'Richard, Earl of Dorset, to whom otherwise I
was a stranger, one day invited me to Dorset House, where bringing me
into his gallery, and showing me many pictures, he at last brought me
to a frame covered with green taffeta, and asked me who I thought was
there; and therewithal presently drawing the curtain showed me my
own picture; whereupon demanding how his Lordship came to have it, he
answered, that he had heard so many brave things of me, that he got a
copy of a picture which one Larkin a painter drew for me, the original
whereof I intended before my departure to the Low Countries for Sir
Thomas Lucy. ' _Autobiography_, ed. Lee. A man so interested in Herbert
may well have been interested in Donne even before his connexion
by marriage with Lucy, Countess of Bedford. He became later one of
Donne's kindest and most practical patrons. The grandson of a great
poet may well have written verses. [2]
But there is another consideration besides that of the letter _To E.
of D. _ which seems to connect the _La Corona_ sonnets with the years
1607-9. That is the sonnet _To the Lady Magdalen Herbert: of St. Mary
Magdalen_, which I have prefixed, with that _To E. of D. _, to
the group. This was sent with a prose letter which says, 'By this
messenger and on this good day, I commit the inclosed holy hymns and
sonnets (which for the matter not the workmanship, have yet escaped
the fire) to your judgment, and to your protection too, if you think
them worthy of it; and I have appointed this enclosed sonnet to usher
them to your happy hand. ' This letter is dated 'July 11, 1607', which
Mr. Gosse thinks must be a mistake, because another letter bears the
same date; but the date is certainly right, for July 11 is, making
allowance for the difference between the Julian and the Gregorian
Calendars, July 22, i. e. St. Mary Magdalen's day, 'this good day. '
What were the 'holy hymns and sonnets', of which Donne says:
and in some recompence
That they did harbour Christ himself, a Guest,
Harbour these Hymns, to his dear name addrest?
Walton says: 'These hymns are now lost; but doubtless they were
such as they two now sing in heaven. ' But Walton was writing long
afterwards and was probably misled by the name 'hymns'. By 'hymns
and sonnets' Donne possibly means the same things, as he calls his
love-lyrics 'songs and sonets'. The sonnets are hymns, i. e. songs of
praise. Mr. Chambers suggests--it is only a suggestion--that they are
the second set, the _Holy Sonnets_. But these are not addressed to
Christ.
