And gently
balanced
on the wing
Of the wild whirlwind we will ride,
Rejoicing with the joyous thing.
Of the wild whirlwind we will ride,
Rejoicing with the joyous thing.
Baudelaire - Poems and Prose Poems
Love, from his retreat,
Ambushed and shadowy, bends his fatal bow,
And I too well his ancient arrows know:
Crime, horror, folly. O pale marguerite,
Thou art as I, a bright sun fallen low,
O my so white, my so cold Marguerite.
THE REMORSE OF THE DEAD.
O shadowy Beauty mine, when thou shalt sleep
In the deep heart of a black marble tomb;
When thou for mansion and for bower shalt keep
Only one rainy cave of hollow gloom;
And when the stone upon thy trembling breast,
And on thy straight sweet body's supple grace,
Crushes thy will and keeps thy heart at rest,
And holds those feet from their adventurous race;
Then the deep grave, who shares my reverie,
(For the deep grave is aye the poet's friend)
During long nights when sleep is far from thee,
Shall whisper: "Ah, thou didst not comprehend
The dead wept thus, thou woman frail and weak"--
And like remorse the worm shall gnaw thy cheek.
THE GHOST.
Softly as brown-eyed Angels rove
I will return to thy alcove.
And glide upon the night to thee,
Treading the shadows silently.
And I will give to thee, my own,
Kisses as icy as the moon,
And the caresses of a snake
Cold gliding in the thorny brake.
And when returns the livid morn
Thou shalt find all my place forlorn
And chilly, till the falling night.
Others would rule by tenderness
Over thy life and youthfulness,
But I would conquer thee by fright!
TO A MADONNA.
(_An Ex-Voto in the Spanish taste_. )
Madonna, mistress. I would build for thee
An altar deep in the sad soul of me;
And in the darkest corner of my heart,
From mortal hopes and mocking eyes apart,
Carve of enamelled blue and gold a shrine
For thee to stand erect in, Image divine!
And with a mighty Crown thou shalt be crowned
Wrought of the gold of my smooth Verse, set round
With starry crystal rhymes; and I will make,
O mortal maid, a Mantle for thy sake,
And weave it of my jealousy, a gown
Heavy, barbaric, stiff, and weighted down
With my distrust, and broider round the hem
Not pearls, but all my tears in place of them.
And then thy wavering, trembling robe shall be
All the desires that rise and fall in me
From mountain-peaks to valleys of repose,
Kissing thy lovely body's white and rose.
For thy humiliated feet divine,
Of my Respect I'll make thee Slippers fine
Which, prisoning them within a gentle fold,
Shall keep their imprint like a faithful mould.
And if my art, unwearying and discreet,
Can make no Moon of Silver for thy feet
To have for Footstool, then thy heel shall rest
Upon the snake that gnaws within my breast,
Victorious Queen of whom our hope is born!
And thou shalt trample down and make a scorn
Of the vile reptile swollen up with hate.
And thou shalt see my thoughts, all consecrate,
Like candles set before thy flower-strewn shrine,
O Queen of Virgins, and the taper-shine
Shall glimmer star-like in the vault of blue,
With eyes of flame for ever watching you.
While all the love and worship in my sense
Will be sweet smoke of myrrh and frankincense.
Ceaselessly up to thee, white peak of snow,
My stormy spirit will in vapours go!
And last, to make thy drama all complete,
That love and cruelty may mix and meet,
I, thy remorseful torturer, will take
All the Seven Deadly Sins, and from them make
In darkest joy, Seven Knives, cruel-edged and keen,
And like a juggler choosing, O my Queen,
That spot profound whence love and mercy start,
I'll plunge them all within thy panting heart!
THE SKY.
Where'er he be, on water or on land,
Under pale suns or climes that flames enfold;
One of Christ's own, or of Cythera's band,
Shadowy beggar or Croesus rich with gold;
Citizen, peasant, student, tramp; whate'er
His little brain may be, alive or dead;
Man knows the fear of mystery everywhere,
And peeps, with trembling glances, overhead.
The heaven above? A strangling cavern wall;
The lighted ceiling of a music-hall
Where every actor treads a bloody soil--
The hermit's hope; the terror of the sot;
The sky: the black lid of the mighty pot
Where the vast human generations boil!
SPLEEN.
I'm like some king in whose corrupted veins
Flows aged blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.
THE OWLS.
Under the overhanging yews,
The dark owls sit in solemn state.
Like stranger gods; by twos and twos
Their red eyes gleam. They meditate.
Motionless thus they sit and dream
Until that melancholy hour
When, with the sun's last fading gleam,
The nightly shades assume their power.
From their still attitude the wise
Will learn with terror to despise
All tumult, movement, and unrest;
For he who follows every shade,
Carries the memory in his breast,
Of each unhappy journey made.
BIEN LOIN D'ICI.
Here is the chamber consecrate,
Wherein this maiden delicate,
And enigmatically sedate,
Fans herself while the moments creep,
Upon her cushions half-asleep,
And hears the fountains plash and weep.
Dorothy's chamber undefiled.
The winds and waters sing afar
Their song of sighing strange and wild
To lull to sleep the petted child.
From head to foot with subtle care,
Slaves have perfumed her delicate skin
With odorous oils and benzoin.
And flowers faint in a corner there.
MUSIC.
Music doth oft uplift me like a sea
Towards my planet pale,
Then through dark fogs or heaven's infinity
I lift my wandering sail.
With breast advanced, drinking the winds that flee,
And through the cordage wail,
I mount the hurrying waves night hides from me
Beneath her sombre veil.
I feel the tremblings of all passions known
To ships before the breeze;
Cradled by gentle winds, or tempest-blown
I pass the abysmal seas
That are, when calm, the mirror level and fair
Of my despair!
CONTEMPLATION.
Thou, O my Grief, be wise and tranquil still,
The eve is thine which even now drops down,
To carry peace or care to human will,
And in a misty veil enfolds the town.
While the vile mortals of the multitude,
By pleasure, cruel tormentor, goaded on,
Gather remorseful blossoms in light mood--
Grief, place thy hand in mine, let us be gone
Far from them. Lo, see how the vanished years,
In robes outworn lean over heaven's rim;
And from the water, smiling through her tears,
Remorse arises, and the sun grows dim;
And in the east, her long shroud trailing light,
List, O my grief, the gentle steps of Night.
TO A BROWN BEGGAR-MAID.
White maiden with the russet hair,
Whose garments, through their holes, declare
That poverty is part of you,
And beauty too.
To me, a sorry bard and mean,
Your youthful beauty, frail and lean,
With summer freckles here and there,
Is sweet and fair.
Your sabots tread the roads of chance,
And not one queen of old romance
Carried her velvet shoes and lace
With half your grace.
In place of tatters far too short
Let the proud garments worn at Court
Fall down with rustling fold and pleat
About your feet;
In place of stockings, worn and old,
Let a keen dagger all of gold
Gleam in your garter for the eyes
Of roues wise;
Let ribbons carelessly untied
Reveal to us the radiant pride
Of your white bosom purer far
Than any star;
Let your white arms uncovered shine.
Polished and smooth and half divine;
And let your elfish fingers chase
With riotous grace
The purest pearls that softly glow.
The sweetest sonnets of Belleau,
Offered by gallants ere they fight
For your delight;
And many fawning rhymers who
Inscribe their first thin book to you
Will contemplate upon the stair
Your slipper fair;
And many a page who plays at cards,
And many lords and many bards,
Will watch your going forth, and burn
For your return;
And you will count before your glass
More kisses than the lily has;
And more than one Valois will sigh
When you pass by.
But meanwhile you are on the tramp,
Begging your living in the damp,
Wandering mean streets and alleys o'er,
From door to door;
And shilling bangles in a shop
Cause you with eager eyes to stop,
And I, alas, have not a son
To give to you.
Then go, with no more ornament,
Pearl, diamond, or subtle scent,
Than your own fragile naked grace
And lovely face.
THE SWAN.
Andromache, I think of you! The stream,
The poor, sad mirror where in bygone days
Shone all the majesty of your widowed grief,
The lying Simois flooded by your tears,
Made all my fertile memory blossom forth
As I passed by the new-built Carrousel.
Old Paris is no more (a town, alas,
Changes more quickly than man's heart may change);
Yet in my mind I still can see the booths;
The heaps of brick and rough-hewn capitals;
The grass; the stones all over-green with moss;
The _debris_, and t&e square-set heaps of tiles.
There a menagerie was once outspread;
And there I saw, one morning at the hour
When toil awakes beneath the cold, clear sky,
And the road roars upon the silent air,
A swan who had escaped his cage, and walked
On the dry pavement with his webby feet,
And trailed his spotless plumage on the ground.
And near a waterless stream the piteous swan
Opened his beak, and bathing in the dust
His nervous wings, he cried (his heart the while
Filled with a vision of his own fair lake):
"O water, when then wilt thou come in rain?
Lightning, when wilt thou glitter? "
Sometimes yet
I see the hapless bird--strange, fatal myth--
Like him that Ovid writes of, lifting up
Unto the cruelly blue, ironic heavens,
With stretched, convulsive neck a thirsty face,
As though he sent reproaches up to God!
II.
Paris may change; my melancholy is fixed.
New palaces, and scaffoldings, and blocks,
And suburbs old, are symbols all to me
Whose memories are as heavy as a stone.
And so, before the Louvre, to vex my soul,
The image came of my majestic swan
With his mad gestures, foolish and sublime,
As of an exile whom one great desire
Gnaws with no truce. And then I thought of you,
Andromache! torn from your hero's arms;
Beneath the hand of Pyrrhus in his pride;
Bent o'er an empty tomb in ecstasy;
Widow of Hector--wife of Helenus!
And of the negress, wan and phthisical,
Tramping the mud, and with her haggard eyes
Seeking beyond the mighty walls of fog
The absent palm-trees of proud Africa;
Of all who lose that which they never find;
Of all who drink of tears; all whom grey grief
Gives suck to as the kindly wolf gave suck;
Of meagre orphans who like blossoms fade.
And one old Memory like a crying horn
Sounds through the forest where my soul is lost. . . .
I think of sailors on some isle forgotten;
Of captives; vanquished . . . and of many more.
THE SEVEN OLD MEN.
O swarming city, city full of dreams,
Where in full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space--
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed!
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son! In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
THE LITTLE OLD WOMEN.
Deep in the tortuous folds of ancient towns,
Where all, even horror, to enchantment turns,
I watch, obedient to my fatal mood,
For the decrepit, strange and charming beings,
The dislocated monsters that of old
Were lovely women--Lais or Eponine!
Hunchbacked and broken, crooked though they be,
Let us still love them, for they still have souls.
They creep along wrapped in their chilly rags,
Beneath the whipping of the wicked wind,
They tremble when an omnibus rolls by,
And at their sides, a relic of the past,
A little flower-embroidered satchel hangs.
They trot about, most like to marionettes;
They drag themselves, as does a wounded beast;
Or dance unwillingly as a clapping bell
Where hangs and swings a demon without pity.
Though they be broken they have piercing eyes,
That shine like pools where water sleeps at night;
The astonished and divine eyes of a child
Who laughs at all that glitters in the world.
Have you not seen that most old women's shrouds
Are little like the shroud of a dead child?
Wise Death, in token of his happy whim,
Wraps old and young in one enfolding sheet.
And when I see a phantom, frail and wan,
Traverse the swarming picture that is Paris,
It ever seems as though the delicate thing
Trod with soft steps towards a cradle new.
And then I wonder, seeing the twisted form,
How many times must workmen change the shape
Of boxes where at length such limbs are laid?
These eyes are wells brimmed with a million tears;
Crucibles where the cooling metal pales--
Mysterious eyes that are strong charms to him
Whose life-long nurse has been austere Disaster.
II.
The love-sick vestal of the old "Frasciti";
Priestess of Thalia, alas! whose name
Only the prompter knows and he is dead;
Bygone celebrities that in bygone days
The Tivoli o'ershadowed in their bloom;
All charm me; yet among these beings frail
Three, turning pain to honey-sweetness, said
To the Devotion that had lent them wings:
"Lift me, O powerful Hippogriffe, to the skies"--
One by her country to despair was driven;
One by her husband overwhelmed with grief;
One wounded by her child, Madonna-like;
Each could have made a river with her tears.
III.
Oft have I followed one of these old women,
One among others, when the falling sun
Reddened the heavens with a crimson wound--
Pensive, apart, she rested on a bench
To hear the brazen music of the band,
Played by the soldiers in the public park
To pour some courage into citizens' hearts,
On golden eves when all the world revives.
Proud and erect she drank the music in,
The lively and the warlike call to arms;
Her eyes blinked like an ancient eagle's eyes;
Her forehead seemed to await the laurel crown!
IV.
Thus you do wander, uncomplaining Stoics,
Through all the chaos of the living town:
Mothers with bleeding hearts, saints, courtesans,
Whose names of yore were on the lips of all;
Who were all glory and all grace, and now
None know you; and the brutish drunkard stops,
Insulting you with his derisive love;
And cowardly urchins call behind your back.
Ashamed of living, withered shadows all,
With fear-bowed backs you creep beside the walls,
And none salute you, destined to loneliness!
Refuse of Time ripe for Eternity!
But I, who watch you tenderly afar,
With unquiet eyes on your uncertain steps,
As though I were your father, I--O wonder! --
Unknown to you taste secret, hidden joy.
I see your maiden passions bud and bloom,
Sombre or luminous, and your lost days
Unroll before me while my heart enjoys
All your old vices, and my soul expands
To all the virtues that have once been yours.
Ruined! and my sisters! O congenerate hearts,
Octogenarian Eves o'er whom is stretched
God's awful claw, where will you be to-morrow?
A MADRIGAL OF SORROW.
What do I care though you be wise?
Be sad, be beautiful; your tears
But add one more charm to your eyes,
As streams to valleys where they rise;
And fairer every flower appears
After the storm. I love you most
When joy has fled your brow downcast;
When your heart is in horror lost,
And o'er your present like a ghost
Floats the dark shadow of the past.
I love you when the teardrop flows,
Hotter than blood, from your large eye;
When I would hush you to repose
Your heavy pain breaks forth and grows
Into a loud and tortured cry.
And then, voluptuousness divine!
Delicious ritual and profound!
I drink in every sob like wine,
And dream that in your deep heart shine
The pearls wherein your eyes were drowned.
I know your heart, which overflows
With outworn loves long cast aside,
Still like a furnace flames and glows,
And you within your breast enclose
A damned soul's unbending pride;
But till your dreams without release
Reflect the leaping flames of hell;
Till in a nightmare without cease
You dream of poison to bring peace,
And love cold steel and powder well;
And tremble at each opened door,
And feel for every man distrust,
And shudder at the striking hour--
Till then you have not felt the power
Of Irresistible Disgust.
My queen, my slave, whose love is fear,
When you awaken shuddering,
Until that awful hour be here,
You cannot say at midnight drear:
"I am your equal, O my King! "
THE IDEAL.
Not all the beauties in old prints vignetted,
The worthless products of an outworn age,
With slippered feet and fingers castanetted,
The thirst of hearts like this heart can assuage.
To Gavarni, the poet of chloroses,
I leave his troupes of beauties sick and wan;
I cannot find among these pale, pale roses,
The red ideal mine eyes would gaze upon.
Lady Macbeth, the lovely star of crime,
The Greek poet's dream born in a northern clime--
Ah, she could quench my dark heart's deep desiring;
Or Michelangelo's dark daughter Night,
In a strange posture dreamily admiring
Her beauty fashioned for a giant's delight!
MIST AND RAIN.
Autumns and winters, springs of mire and rain,
Seasons of sleep, I sing your praises loud,
For thus I love to wrap my heart and brain
In some dim tomb beneath a vapoury shroud
In the wide plain where revels the cold wind,
Through long nights when the weathercock whirls round,
More free than in warm summer day my mind
Lifts wide her raven pinions from the ground.
Unto a heart filled with funereal things
That since old days hoar frosts have gathered on,
Naught is more sweet, O pallid, queenly springs,
Than the long pageant of your shadows wan,
Unless it be on moonless eves to weep
On some chance bed and rock our griefs to sleep.
SUNSET.
Fair is the sun when first he flames above,
Flinging his joy down in a happy beam;
And happy he who can salute with love
The sunset far more glorious than a dream.
Flower, stream, and furrow! --I have seen them all
In the sun's eye swoon like one trembling heart--
Though it be late let us with speed depart
To catch at least one last ray ere it fall!
But I pursue the fading god in vain,
For conquering Night makes firm her dark domain,
Mist and gloom fall, and terrors glide between,
And graveyard odours in the shadow swim,
And my faint footsteps on the marsh's rim,
Bruise the cold snail and crawling toad unseen.
THE CORPSE.
Remember, my Beloved, what thing we met
By the roadside on that sweet summer day;
There on a grassy couch with pebbles set,
A loathsome body lay.
The wanton limbs stiff-stretched into the air,
Steaming with exhalations vile and dank,
In ruthless cynic fashion had laid bare
The swollen side and flank.
On this decay the sun shone hot from heaven
As though with chemic heat to broil and burn,
And unto Nature all that she had given
A hundredfold return.
The sky smiled down upon the horror there
As on a flower that opens to the day;
So awful an infection smote the air,
Almost you swooned away.
The swarming flies hummed on the putrid side,
Whence poured the maggots in a darkling stream,
That ran along these tatters of life's pride
With a liquescent gleam.
And like a wave the maggots rose and fell,
The murmuring flies swirled round in busy strife:
It seemed as though a vague breath came to swell
And multiply with life
The hideous corpse. From all this living world
A music as of wind and water ran,
Or as of grain in rhythmic motion swirled
By the swift winnower's fan.
And then the vague forms like a dream died out,
Or like some distant scene that slowly falls
Upon the artist's canvas, that with doubt
He only half recalls.
A homeless dog behind the boulders lay
And watched us both with angry eyes forlorn,
Waiting a chance to come and take away
The morsel she had torn.
And you, even you, will be like this drear thing,
A vile infection man may not endure;
Star that I yearn to! Sun that lights my spring!
O passionate and pure!
Yes, such will you be, Queen of every grace!
When the last sacramental words are said;
And beneath grass and flowers that lovely face
Moulders among the dead.
Then, O Beloved, whisper to the worm
That crawls up to devour you with a kiss,
That I still guard in memory the dear form
Of love that comes to this!
AN ALLEGORY.
Here is a woman, richly clad and fair,
Who in her wine dips her long, heavy hair;
Love's claws, and that sharp poison which is sin,
Are dulled against the granite of her skin.
Death she defies, Debauch she smiles upon,
For their sharp scythe-like talons every one
Pass by her in their all-destructive play;
Leaving her beauty till a later day.
Goddess she walks; sultana in her leisure;
She has Mohammed's faith that heaven is pleasure,
And bids all men forget the world's alarms
Upon her breast, between her open arms.
She knows, and she believes, this sterile maid,
Without whom the world's onward dream would fade,
That bodily beauty is the supreme gift
Which may from every sin the terror lift.
Hell she ignores, and Purgatory defies;
And when black Night shall roll before her eyes,
She will look straight in Death's grim face forlorn,
Without remorse or hate--as one new born.
THE ACCURSED.
Like pensive herds at rest upon the sands,
These to the sea-horizons turn their eyes;
Out of their folded feet and clinging hands
Bitter sharp tremblings and soft languors rise.
Some tread the thicket by the babbling stream,
Their hearts with untold secrets ill at ease;
Calling the lover of their childhood's dream,
They wound the green bark of the shooting trees.
Others like sisters wander, grave and slow,
Among the rocks haunted by spectres thin,
Where Antony saw as larvae surge and flow
The veined bare breasts that tempted him to sin.
Some, when the resinous torch of burning wood
Flares in lost pagan caverns dark and deep,
Call thee to quench the fever in their blood,
Bacchus, who singest old remorse to sleep!
Then there are those the scapular bedights,
Whose long white vestments hide the whip's red stain,
Who mix, in sombre woods on lonely nights,
The foam of pleasure with the tears of pain.
O virgins, demons, monsters, martyrs! ye
Who scorn whatever actual appears;
Saints, satyrs, seekers of Infinity,
So full of cries, so full of bitter tears;
Te whom my soul has followed into hell,
I love and pity, O sad sisters mine,
Tour thirsts unquenched, your pains no tongue can tell,
And your great hearts, those urns of love divine!
LA BEATRICE.
In a burnt, ashen land, where no herb grew,
I to the winds my cries of anguish threw;
And in my thoughts, in that sad place apart,
Pricked gently with the poignard o'er my heart.
Then in full noon above my head a cloud
Descended tempest-swollen, and a crowd
Of wild, lascivious spirits huddled there,
The cruel and curious demons of the air,
Who coldly to consider me began;
Then, as a crowd jeers some unhappy man,
Exchanging gestures, winking with their eyes--
I heard a laughing and a whispering rise:
"Let us at leisure contemplate this clown,
This shadow of Hamlet aping Hamlet's frown,
With wandering eyes and hair upon the wind.
Is't not a pity that this empty mind,
This tramp, this actor out of work, this droll,
Because he knows how to assume a role
Should dream that eagles and insects, streams and woods,
Stand still to hear him chaunt his dolorous moods?
Even unto us, who made these ancient things,
The fool his public lamentation sings. "
With pride as lofty as the towering cloud,
I would have stilled these clamouring demons loud,
And turned in scorn my sovereign head away
Had I not seen--O sight to dim the day! --
There in the middle of the troupe obscene
The proud and peerless beauty of my Queen!
She laughed with them at all my dark distress,
And gave to each in turn a vile caress.
THE SOUL OF WINE.
One eve in the bottle sang the soul of wine:
"Man, unto thee, dear disinherited,
I sing a song of love and light divine--
Prisoned in glass beneath my seals of red.
"I know thou labourest on the hill of fire,
In sweat and pain beneath a flaming sun,
To give the life and soul my vines desire,
And I am grateful for thy labours done.
"For I find joys unnumbered when I lave
The throat of man by travail long outworn,
And his hot bosom is a sweeter grave
Of sounder sleep than my cold caves forlorn.
"Hearest thou not the echoing Sabbath sound?
The hope that whispers in my trembling breast?
Thy elbows on the table! gaze around;
Glorify me with joy and be at rest.
"To thy wife's eyes I'll bring their long-lost gleam,
I'll bring back to thy child his strength and light,
To him, life's fragile athlete I will seem
Rare oil that firms his muscles for the fight.
"I flow in man's heart as ambrosia flows;
The grain the eternal Sower casts in the sod--
From our first loves the first fair verse arose,
Flower-like aspiring to the heavens and God! "
THE WINE OF LOVERS.
Space rolls to-day her splendour round!
Unbridled, spurless, without bound,
Mount we upon the wings of wine
For skies fantastic and divine!
Let us, like angels tortured by
Some wild delirious phantasy,
Follow the far-off mirage born
In the blue crystal of the morn.
And gently balanced on the wing
Of the wild whirlwind we will ride,
Rejoicing with the joyous thing.
My sister, floating side by side,
Fly we unceasing whither gleams
The distant heaven of my dreams.
THE DEATH OF LOVERS.
There shall be couches whence faint odours rise,
Divans like sepulchres, deep and profound;
Strange flowers that bloomed beneath diviner skies
The death-bed of our love shall breathe around.
And guarding their last embers till the end,
Our hearts shall be the torches of the shrine,
And their two leaping flames shall fade and blend
In the twin mirrors of your soul and mine.
And through the eve of rose and mystic blue
A beam of love shall pass from me to you,
Like a long sigh charged with a last farewell;
And later still an angel, flinging wide
The gates, shall bring to life with joyful spell
The tarnished mirrors and the flames that died.
THE DEATH OF THE POOR.
Death is consoler and Death brings to life;
The end of all, the solitary hope;
We, drunk with Death's elixir, face the strife,
Take heart, and mount till eve the weary slope.
Across the storm, the hoar-frost, and the snow,
Death on our dark horizon pulses clear;
Death is the famous hostel we all know,
Where we may rest and sleep and have good cheer.
Death is an angel whose magnetic palms
Bring dreams of ecstasy and slumberous calms
To smooth the beds of naked men and poor.
Death is the mystic granary of God;
The poor man's purse; his fatherland of yore;
The Gate that opens into heavens un trod!
THE BENEDICTION.
When by the high decree of powers supreme,
The Poet came into this world outworn,
She who had borne him, in a ghastly dream,
Clenched blasphemous hands at God, and cried in scorn:
"O rather had I borne a writhing knot
Of unclean vipers, than my breast should nurse
This vile derision, of my joy begot
To be my expiation and my curse!
"Since of all women thou hast made of me
Unto my husband a disgust and shame;
Since I may not cast this monstrosity,
Like an old love-epistle, to the flame;
"I will pour out thine overwhelming hate
On this the accursed weapon of thy spite;
This stunted tree I will so desecrate
That not one tainted bud shall see the light! "
So foaming with the foam of hate and shame,
Blind unto God's design inexorable,
With her own hands she fed the purging flame
To crimes maternal consecrate in hell.
Meanwhile beneath an Angel's care unseen
The child disowned grows drunken with the sun;
His food and drink, though they be poor and mean,
With streams of nectar and ambrosia run.
Speaking to clouds and playing with the wind,
With joy he sings the sad Way of the Rood;
His shadowing pilgrim spirit weeps behind
To see him gay as birds are in the wood.
Those he would love looked sideways and with fear,
Or, taking courage from his aspect mild,
Sought who should first bring to his eye the tear,
And spent their anger on the dreaming child.
With all the bread and wine the Poet must eat
They mingled earth and ash and excrement,
All things he touched were spurned beneath their feet;
They mourned if they must tread the road he went.
His wife ran crying in the public square:
"Since he has found me worthy to adore,
Shall I not be as antique idols were,
With gold and with bright colours painted o'er?
"I will be drunk with nard and frankincense.
With myrrh, and knees bowed down, and flesh and wine.
Can I not, smiling, in his love-sick sense,
Usurp the homage due to beings divine?
"I will lay on him my fierce, fragile hand
When I am weary of the impious play;
For well these harpy talons understand
To furrow to his heart their crimson way.
"I'll tear the red thing beating from his breast,
To cast it with disdain upon the ground,
Like a young bird torn trembling from the nest--
His heart shall go to gorge my favourite hound. "
To the far heaven, where gleams a splendid throne,
The Poet uplifts his arms in calm delight,
And the vast beams from his pure spirit flown,
Wrap all the furious peoples from his sight:
"Thou, O my God, be blest who givest pain,
The balm divine for each imperfect heart,
The strong pure essence cleansing every stain
Of sin that keeps us from thy joys apart.
"Among the numbers of thy legions blest,
I know a place awaits the poet there;
Him thou hast bid attend the eternal feast
That Thrones and Virtues and Dominions share.
"I know the one thing noble is a grief
Withstanding earth's and hell's destructive tooth,
And I, through all my dolorous life and brief,
To gain the mystic crown, must cry the truth.
"The jewels lost in Palmyra of old,
Metals unknown, pearls of the outer sea,
Are far too dim to set within the gold
Of the bright crown that Time prepares for me.
"For it is wrought of pure unmingled light,
Dipped in the white flame whence all flame is born--
The flame that makes all eyes, though diamond-bright,
Seem obscure mirrors, darkened and forlorn. "
GYPSIES TRAVELLING.
The tribe prophetic with the eyes of fire
Went forth last night; their little ones at rest
Each on his mother's back, with his desire
Set on the ready treasure of her breast.
Laden with shining arms the men-folk tread
By the long wagons where their goods lie hidden;
They watch the heaven with eyes grown wearied
Of hopeless dreams that come to them unbidden.
The grasshopper, from out his sandy screen,
Watching them pass redoubles his shrill song;
Dian, who loves them, makes the grass more green,
And makes the rock run water for this throng
Of ever-wandering ones whose calm eyes see
Familiar realms of darkness yet to be.
FRANCISCAE MEAE LAUDES.
Novis te cantabo chordis,
O novelletum quod ludia
In solitudine cordis.
Esto sertis implicata,
O foemina delicata
Per quam solvuntur peccata
Sicut beneficum Lethe,
Hauriam oscula de te,
Quae imbuta es magnete.
Quum vitiorum tempestas
Turbabat omnes semitas,
Apparuisti, Deitas,
Velut stella salutaris
In naufragiis amaris. . . .
Suspendam cor tuis aris!
Piscina plena virtutis,
Fons aeternae juventutis,
Labris vocem redde mutis!
Quod erat spurcum, cremasti;
Quod rudius, exaequasti;
Quod debile, confirmasti!
In fame mea taberna,
In nocte mea lucerna,
Recte me semper guberna.
Adde nunc vires viribus,
Dulce balneum suavibus,
Unguentatum odoribus!
Meos circa I umbos mica,
O castitatis lorica,
Aqua tincta seraphica;
Patera gemmis corusca,
Panis salsus, mollis esca,
Divinum vinum, Francisca!
ROBED IN A SILKEN ROBE.
Robed in a silken robe that shines and shakes,
She seems to dance whene'er she treads the sod,
Like the long serpent that a fakir makes
Dance to the waving cadence of a rod.
As the sad sand upon the desert's verge,
Insensible to mortal grief and strife;
As the long weeds that float among the surge,
She folds indifference round her budding life.
Her eyes are carved of minerals pure and cold,
And in her strange symbolic nature where
An angel mingles with the sphinx of old,
Where all is gold and steel and light and air,
For ever, like a vain star, unafraid
Shines the cold hauteur of the sterile maid.
A LANDSCAPE.
I would, when I compose my solemn verse,
Sleep near the heaven as do astrologers,
Near the high bells, and with a dreaming mind
Hear their calm hymns blown to me on the wind.
Out of my tower, with chin upon my hands,
I'll watch the singing, babbling human bands;
And see clock-towers like spars against the sky,
And heavens that bring thoughts of eternity;
And softly, through the mist, will watch the birth
Of stars in heaven and lamplight on the earth;
The threads of smoke that rise above the town;
The moon that pours her pale enchantment down.
Seasons will pass till Autumn fades the rose;
And when comes Winter with his weary snows,
I'll shut the doors and window-casements tight,
And build my faery palace in the night.
Then I will dream of blue horizons deep;
Of gardens where the marble fountains weep;
Of kisses, and of ever-singing birds--
A sinless Idyll built of innocent words.
And Trouble, knocking at my window-pane
And at my closet door, shall knock in vain;
I will not heed him with his stealthy tread,
Nor from my reverie uplift my head;
For I will plunge deep in the pleasure still
Of summoning the spring-time with my will,
Drawing the sun out of my heart, and there
With burning thoughts making a summer air.
THE VOYAGE.
The world is equal to the child's desire
Who plays with pictures by his nursery fire--
How vast the world by lamplight seems! How small
When memory's eyes look back, remembering all! --
One morning we set forth with thoughts aflame,
Or heart o'erladen with desire or shame;
And cradle, to the song of surge and breeze,
Our own infinity on the finite seas.
Some flee the memory of their childhood's home;
And others flee their fatherland; and some,
Star-gazers drowned within a woman's eyes,
Flee from the tyrant Circe's witcheries;
And, lest they still be changed to beasts, take flight
For the embrasured heavens, and space, and light,
Till one by one the stains her kisses made
In biting cold and burning sunlight fade.
But the true voyagers are they who part
From all they love because a wandering heart
Drives them to fly the Fate they cannot fly;
Whose call is ever "On! "--they know not why.
Their thoughts are like the clouds that veil a star;
They dream of change as warriors dream of war;
And strange wild wishes never twice the same:
Desires no mortal man can give a name.
II.
We are like whirling tops and rolling balls--
For even when the sleepy night-time falls,
Old Curiosity still thrusts us on,
Like the cruel Angel who goads forth the sun.
The end of fate fades ever through the air,
And, being nowhere, may be anywhere
Where a man runs, hope waking in his breast,
For ever like a madman, seeking rest.
Our souls are wandering ships outwearied;
And one upon the bridge asks: "What's ahead? "
The topman's voice with an exultant sound
Cries: "Love and Glory! "--then we run aground.
Each isle the pilot signals when 'tis late,
Is El Dorado, promised us by fate--
Imagination, spite of her belief,
Finds, in the light of dawn, a barren reef.
Oh the poor seeker after lands that flee!
Shall we not bind and cast into the sea
This drunken sailor whose ecstatic mood
Makes bitterer still the water's weary flood?
Such is an old tramp wandering in the mire,
Dreaming the paradise of his own desire,
Discovering cities of enchanted sleep
Where'er the light shines on a rubbish heap.
III.
Strange voyagers, what tales of noble deeds
Deep in your dim sea-weary eyes one reads!
Open the casket where your memories are,
And show each jewel, fashioned from a star;
For I would travel without sail or wind,
And so, to lift the sorrow from my mind,
Let your long memories of sea-days far fled
Pass o'er my spirit like a sail outspread.
What have you seen?
IV.
"We have seen waves and stars,
And lost sea-beaches, and known many wars,
And notwithstanding war and hope and fear,
We were as weary there as we are here.
"The lights that on the violet sea poured down,
The suns that set behind some far-off town,
Lit in our hearts the unquiet wish to fly
Deep in the glimmering distance of the sky;
"The loveliest countries that rich cities bless,
Never contained the strange wild loveliness
By fate and chance shaped from the floating cloud--
And we were always sorrowful and proud!
"Desire from joy gains strength in weightier measure.
Desire, old tree who draw'st thy sap from pleasure,
Though thy bark thickens as the years pass by,
Thine arduous branches rise towards the sky;
"And wilt thou still grow taller, tree more fair
Than the tall cypress?
--Thus have we, with care,
Gathered some flowers to please your eager mood,
Brothers who dream that distant things are good!
"We have seen many a jewel-glimmering throne;
And bowed to Idols when wild horns were blown
In palaces whose faery pomp and gleam
To your rich men would be a ruinous dream;
"And robes that were a madness to the eyes;
Women whose teeth and nails were stained with dyes;
Wise jugglers round whose neck the serpent winds--"
V.
And then, and then what more?
VI.
"O childish minds!
"Forget not that which we found everywhere,
From top to bottom of the fatal stair,
Above, beneath, around us and within,
The weary pageant of immortal sin.
"We have seen woman, stupid slave and proud,
Before her own frail, foolish beauty bowed;
And man, a greedy, cruel, lascivious fool,
Slave of the slave, a ripple in a pool;
"The martyrs groan, the headsman's merry mood;
And banquets seasoned and perfumed with blood;
Poison, that gives the tyrant's power the slip;
And nations amorous of the brutal whip;
"Many religions not unlike our own,
All in full flight for heaven's resplendent throne;
And Sanctity, seeking delight in pain,
Like a sick man of his own sickness vain;
"And mad mortality, drunk with its own power,
As foolish now as in a bygone hour,
Shouting, in presence of the tortured Christ:
'I curse thee, mine own Image sacrificed. '
"And silly monks in love with Lunacy,
Fleeing the troops herded by destiny,
Who seek for peace in opiate slumber furled--
Such is the pageant of the rolling world! "
VII.
O bitter knowledge that the wanderers gain!
The world says our own age is little and vain;
For ever, yesterday, to-day, to-morrow,
'Tis horror's oasis in the sands of sorrow.
Must we depart? If you can rest, remain;
Part, if you must. Some fly, some cower in vain,
Hoping that Time, the grim and eager foe,
Will pass them by; and some run to and fro
Like the Apostles or the Wandering Jew;
Go where they will, the Slayer goes there too!
And there are some, and these are of the wise,
Who die as soon as birth has lit their eyes.
But when at length the Slayer treads us low,
We will have hope and cry, "'Tis time to go! "
As when of old we parted for Cathay
With wind-blown hair and eyes upon the bay.
We will embark upon the Shadowy Sea,
Like youthful wanderers for the first time free--
Hear you the lovely and funereal voice
That sings: _O come all ye whose wandering joys_
_Are set upon the scented Lotus flower_,
_For here we sell the fruit's miraculous boon_;
_Come ye and drink the sweet and sleepy power_
_Of the enchanted, endless afternoon_.
VIII.
O Death, old Captain, it is time, put forth!
We have grown weary of the gloomy north;
Though sea and sky are black as ink, lift sail!
Our hearts are full of light and will not fail.
O pour thy sleepy poison in the cup!
The fire within the heart so burns us up
That we would wander Hell and Heaven through,
Deep in the Unknown seeking something _new_!
* * * * *
LITTLE POEMS IN PROSE
THE STRANGER.
Tell me, enigmatic man, whom do you love best? Your father, your mother,
your sister, or your brother?
"I have neither father, nor mother, nor sister, nor brother. "
Your friends, then?
"You use a word that until now has had no meaning for me. "
Your country?
"I am ignorant of the latitude in which it is situated. "
Then Beauty?
"Her I would love willingly, goddess and immortal. "
Gold?
"I hate it as you hate your God. "
What, then, extraordinary stranger, do you love?
"I love the clouds--the clouds that pass--yonder--the marvellous
clouds. "
EVERY MAN HIS CHIMAERA.
Beneath a broad grey sky, upon a vast and dusty plain devoid of grass,
and where not even a nettle or a thistle was to be seen, I met several
men who walked bowed down to the ground.
Each one carried upon his back an enormous Chimaera as heavy as a sack of
flour or coal, or as the equipment of a Roman foot-soldier.
But the monstrous beast was not a dead weight, rather she enveloped and
oppressed the men with her powerful and elastic muscles, and clawed with
her two vast talons at the breast of her mount. Her fabulous head
reposed upon the brow of the man like one of those horrible casques by
which ancient warriors hoped to add to the terrors of the enemy.
I questioned one of the men, asking him why they went so. He replied
that he knew nothing, neither he nor the others, but that evidently they
went somewhere, since they were urged on by an unconquerable desire to
walk.
Very curiously, none of the wayfarers seemed to be irritated by the
ferocious beast hanging at his neck and cleaving to his back: one had
said that he considered it as a part of himself. These grave and weary
faces bore witness to no despair. Beneath the splenetic cupola of the
heavens, their feet trudging through the dust of an earth as desolate as
the sky, they journeyed onwards with the resigned faces of men condemned
to hope for ever. So the train passed me and faded into the atmosphere
of the horizon at the place where the planet unveils herself to the
curiosity of the human eye.
During several moments I obstinately endeavoured to comprehend this
mystery; but irresistible Indifference soon threw herself upon me, nor
was I more heavily dejected thereby than they by their crushing
Chimaeras.
VENUS AND THE FOOL.
How admirable the day! The vast park swoons beneath the burning eye of
the sun, as youth beneath the lordship of love.
There is no rumour of the universal ecstasy of all things. The waters
themselves are as though drifting into sleep. Very different from the
festivals of humanity, here is a silent revel.
It seems as though an ever-waning light makes all objects glimmer more
and more, as though the excited flowers burn with a desire to rival the
blue of the sky by the vividness of their colours; as though the heat,
making perfumes visible, drives them in vapour towards their star.
Yet, in the midst of this universal joy, I have perceived one afflicted
thing.
At the feet of a colossal Venus, one of those motley fools, those
willing clowns whose business it is to bring laughter upon kings when
weariness or remorse possesses them, lies wrapped in his gaudy and
ridiculous garments, coined with his cap and bells, huddled against the
pedestal, and raises towards the goddess his eyes filled with tears.
And his eyes say: "I am the last and most alone of all mortals, inferior
to the meanest of animals in that I am denied either love or friendship.
Yet I am made, even I, for the understanding and enjoyment of immortal
Beauty. O Goddess, have pity upon my sadness and my frenzy. "
The implacable Venus gazed into I know not what distances with her
marble eyes.
INTOXICATION.
One must be for ever drunken: that is the sole question of importance.
If you would not feel the horrible burden of Time that bruises your
shoulders and bends you to the earth, you must be drunken without cease.
But how? With wine, with poetry, with virtue, with what you please. But
be drunken. And if sometimes, on the steps of a palace, on the green
grass by a moat, or in the dull loneliness of your chamber, you should
waken up, your intoxication already lessened or gone, ask of the wind,
of the wave, of the star, of the bird, of the timepiece; ask of all that
flees, all that sighs, all that revolves, all that sings, all that
speaks, ask of these the hour; and wind and wave and star and bird and
timepiece will answer you: "It is the hour to be drunken! Lest you be
the martyred slaves of Time, intoxicate yourselves, be drunken without
cease! With wine, with poetry, with virtue, or with what you will. "
THE GIFTS OF THE MOON.
The Moon, who is caprice itself, looked in at the window as you slept in
your cradle, and said to herself: "I am well pleased with this child. "
And she softly descended her stairway of clouds and passed through the
window-pane without noise. She bent over you with the supple tenderness
of a mother and laid her colours upon your face. Therefrom your eyes
have remained green and your cheeks extraordinarily pale. From
contemplation of your visitor your eyes are so strangely wide; and she
so tenderly wounded you upon the breast that you have ever kept a
certain readiness to tears.
In the amplitude of her joy, the Moon filled all your chamber as with a
phosphorescent air, a luminous poison; and all this living radiance
thought and said: "You shall be for ever under the influence of my kiss.
You shall love all that loves me and that I love: clouds, and silence,
and night; the vast green sea; the unformed and multitudinous waters;
the place where you are not; the lover you will never know; monstrous
flowers, and perfumes that bring madness; cats that stretch themselves
swooning upon the piano and lament with the sweet, hoarse voices of
women.
"And you shall be loved of my lovers, courted of my courtesans. You
shall be the Queen of men with green eyes, whose breasts also I have
wounded in my nocturnal caress: men that love the sea, the immense green
ungovernable sea; the unformed and multitudinous waters; the place where
they are not; the woman they will never know; sinister flowers that seem
to bear the incense of some unknown religion; perfumes that trouble the
will; and all savage and voluptuous animals, images of their own folly. "
And that is why I am couched at your feet, O spoiled child, beloved and
accursed, seeking in all your being the reflection of that august
divinity, that prophetic godmother, that poisonous nurse of all
_lunatics_.
THE INVITATION TO THE VOYAGE.
It is a superb land, a country of Cockaigne, as they say, that I dream
of visiting with an old friend. A strange land, drowned in our northern
fogs, that one might call the East of the West, the China of Europe; a
land patiently and luxuriously decorated with the wise, delicate
vegetations of a warm and capricious phantasy.
A true land of Cockaigne, where all is beautiful, rich, tranquil, and
honest; where luxury is pleased to mirror itself in order; where life is
opulent, and sweet to breathe; from whence disorder, turbulence, and the
unforeseen are excluded; where happiness is married to silence; where
even the food is poetic, rich and exciting at the same time; where all
things, my beloved, are like you.
Do you know that feverish malady that seizes hold of us in our cold
miseries; that nostalgia of a land unknown; that anguish of curiosity?
It is a land which resembles you, where all is beautiful, rich, tranquil
and honest, where phantasy has built and decorated an occidental China,
where life is sweet to breathe, and happiness married to silence. It is
there that one would live; there that one would die.
Yes, it is there that one must go to breathe, to dream, and to lengthen
one's hours by an infinity of sensations. A musician has written the
"Invitation to the Waltz"; where is he who will write the "Invitation to
the Voyage," that one may offer it to his beloved, to the sister of his
election?
Yes, it is in this atmosphere that it would be good to live,--yonder,
where slower hours contain more thoughts, where the clocks strike the
hours of happiness with a more profound and significant solemnity.
Upon the shining panels, or upon skins gilded with a sombre opulence,
beatified paintings have a discreet life, as calm and profound as the
souls of the artists who created them.
The setting suns that colour the rooms and salons with so rich a light,
shine through veils of rich tapestry, or through high leaden-worked
windows of many compartments. The furniture is massive, curious, and
bizarre, armed with locks and secrets, like profound and refined souls.
The mirrors, the metals, the ail ver work and the china, play a mute and
mysterious symphony for the eyes; and from all things, from the corners,
from the chinks in the drawers, from the folds of drapery, a singular
perfume escapes, a Sumatran _revenez-y_, which is like the soul of the
apartment.
A true country of Cockaigne, I have said; where all is rich, correct and
shining, like a beautiful conscience, or a splendid set of silver, or a
medley of jewels. The treasures of the world flow there, as in the house
of a laborious man who has well merited the entire world. A singular
land, as superior to others as Art is superior to Nature; where Nature
is made over again by dream; where she is corrected, embellished,
refashioned.
Let them seek and seek again, let them extend the limits of their
happiness for ever, these alchemists who work with flowers! Let them
offer a prize of sixty or a hundred thousand florins to whosoever can
solve their ambitious problems! As for me, I have found my _black tulip_
and my _blue dahlia_!
Incomparable flower, tulip found at last, symboli-cal dahlia, it is
there, is it not, in this so calm and dreamy land that you live and
blossom? Will you not there be framed in your proper analogy, and will
you not be mirrored, to speak like the mystics, in your own
_correspondence_?
Dreams! --always dreams! and the more ambitious and delicate the soul,
the farther from possibility is the dream. Every man carries within him
his dose of natural opium, incessantly secreted and renewed, and, from
birth to death, how many hours can we count that have been filled with
positive joy, with successful and decided action? Shall we ever live in
and become a part of the picture my spirit has painted, the picture that
resembles you?
These treasures, furnishings, luxury, order, perfumes and miraculous
flowers, are you. You again are the great rivers and calm canals. The
enormous ships drifting beneath their loads of riches, and musical with
the sailors' monotonous song, are my thoughts that sleep and stir upon
your breast. You take them gently to the sea that is Infinity,
reflecting the profundities of the sky in the limpid waters of your
lovely soul;--and when, outworn by the surge and gorged with the
products of the Orient, the ships come back to the ports of home, they
are still my thoughts, grown rich, that have returned to you from
Infinity.
WHAT IS TRUTH?
I once knew a certain Benedicta whose presence ailed the air with the
ideal and whose eyes spread abroad the desire of grandeur, of beauty, of
glory, and of all that makes man believe in immortality.
But this miraculous maiden was too beautiful for long life, so she died
soon after I knew her first, and it was I myself who entombed her, upon
a day when spring swung her censer even in the burial-ground.
Ambushed and shadowy, bends his fatal bow,
And I too well his ancient arrows know:
Crime, horror, folly. O pale marguerite,
Thou art as I, a bright sun fallen low,
O my so white, my so cold Marguerite.
THE REMORSE OF THE DEAD.
O shadowy Beauty mine, when thou shalt sleep
In the deep heart of a black marble tomb;
When thou for mansion and for bower shalt keep
Only one rainy cave of hollow gloom;
And when the stone upon thy trembling breast,
And on thy straight sweet body's supple grace,
Crushes thy will and keeps thy heart at rest,
And holds those feet from their adventurous race;
Then the deep grave, who shares my reverie,
(For the deep grave is aye the poet's friend)
During long nights when sleep is far from thee,
Shall whisper: "Ah, thou didst not comprehend
The dead wept thus, thou woman frail and weak"--
And like remorse the worm shall gnaw thy cheek.
THE GHOST.
Softly as brown-eyed Angels rove
I will return to thy alcove.
And glide upon the night to thee,
Treading the shadows silently.
And I will give to thee, my own,
Kisses as icy as the moon,
And the caresses of a snake
Cold gliding in the thorny brake.
And when returns the livid morn
Thou shalt find all my place forlorn
And chilly, till the falling night.
Others would rule by tenderness
Over thy life and youthfulness,
But I would conquer thee by fright!
TO A MADONNA.
(_An Ex-Voto in the Spanish taste_. )
Madonna, mistress. I would build for thee
An altar deep in the sad soul of me;
And in the darkest corner of my heart,
From mortal hopes and mocking eyes apart,
Carve of enamelled blue and gold a shrine
For thee to stand erect in, Image divine!
And with a mighty Crown thou shalt be crowned
Wrought of the gold of my smooth Verse, set round
With starry crystal rhymes; and I will make,
O mortal maid, a Mantle for thy sake,
And weave it of my jealousy, a gown
Heavy, barbaric, stiff, and weighted down
With my distrust, and broider round the hem
Not pearls, but all my tears in place of them.
And then thy wavering, trembling robe shall be
All the desires that rise and fall in me
From mountain-peaks to valleys of repose,
Kissing thy lovely body's white and rose.
For thy humiliated feet divine,
Of my Respect I'll make thee Slippers fine
Which, prisoning them within a gentle fold,
Shall keep their imprint like a faithful mould.
And if my art, unwearying and discreet,
Can make no Moon of Silver for thy feet
To have for Footstool, then thy heel shall rest
Upon the snake that gnaws within my breast,
Victorious Queen of whom our hope is born!
And thou shalt trample down and make a scorn
Of the vile reptile swollen up with hate.
And thou shalt see my thoughts, all consecrate,
Like candles set before thy flower-strewn shrine,
O Queen of Virgins, and the taper-shine
Shall glimmer star-like in the vault of blue,
With eyes of flame for ever watching you.
While all the love and worship in my sense
Will be sweet smoke of myrrh and frankincense.
Ceaselessly up to thee, white peak of snow,
My stormy spirit will in vapours go!
And last, to make thy drama all complete,
That love and cruelty may mix and meet,
I, thy remorseful torturer, will take
All the Seven Deadly Sins, and from them make
In darkest joy, Seven Knives, cruel-edged and keen,
And like a juggler choosing, O my Queen,
That spot profound whence love and mercy start,
I'll plunge them all within thy panting heart!
THE SKY.
Where'er he be, on water or on land,
Under pale suns or climes that flames enfold;
One of Christ's own, or of Cythera's band,
Shadowy beggar or Croesus rich with gold;
Citizen, peasant, student, tramp; whate'er
His little brain may be, alive or dead;
Man knows the fear of mystery everywhere,
And peeps, with trembling glances, overhead.
The heaven above? A strangling cavern wall;
The lighted ceiling of a music-hall
Where every actor treads a bloody soil--
The hermit's hope; the terror of the sot;
The sky: the black lid of the mighty pot
Where the vast human generations boil!
SPLEEN.
I'm like some king in whose corrupted veins
Flows aged blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.
THE OWLS.
Under the overhanging yews,
The dark owls sit in solemn state.
Like stranger gods; by twos and twos
Their red eyes gleam. They meditate.
Motionless thus they sit and dream
Until that melancholy hour
When, with the sun's last fading gleam,
The nightly shades assume their power.
From their still attitude the wise
Will learn with terror to despise
All tumult, movement, and unrest;
For he who follows every shade,
Carries the memory in his breast,
Of each unhappy journey made.
BIEN LOIN D'ICI.
Here is the chamber consecrate,
Wherein this maiden delicate,
And enigmatically sedate,
Fans herself while the moments creep,
Upon her cushions half-asleep,
And hears the fountains plash and weep.
Dorothy's chamber undefiled.
The winds and waters sing afar
Their song of sighing strange and wild
To lull to sleep the petted child.
From head to foot with subtle care,
Slaves have perfumed her delicate skin
With odorous oils and benzoin.
And flowers faint in a corner there.
MUSIC.
Music doth oft uplift me like a sea
Towards my planet pale,
Then through dark fogs or heaven's infinity
I lift my wandering sail.
With breast advanced, drinking the winds that flee,
And through the cordage wail,
I mount the hurrying waves night hides from me
Beneath her sombre veil.
I feel the tremblings of all passions known
To ships before the breeze;
Cradled by gentle winds, or tempest-blown
I pass the abysmal seas
That are, when calm, the mirror level and fair
Of my despair!
CONTEMPLATION.
Thou, O my Grief, be wise and tranquil still,
The eve is thine which even now drops down,
To carry peace or care to human will,
And in a misty veil enfolds the town.
While the vile mortals of the multitude,
By pleasure, cruel tormentor, goaded on,
Gather remorseful blossoms in light mood--
Grief, place thy hand in mine, let us be gone
Far from them. Lo, see how the vanished years,
In robes outworn lean over heaven's rim;
And from the water, smiling through her tears,
Remorse arises, and the sun grows dim;
And in the east, her long shroud trailing light,
List, O my grief, the gentle steps of Night.
TO A BROWN BEGGAR-MAID.
White maiden with the russet hair,
Whose garments, through their holes, declare
That poverty is part of you,
And beauty too.
To me, a sorry bard and mean,
Your youthful beauty, frail and lean,
With summer freckles here and there,
Is sweet and fair.
Your sabots tread the roads of chance,
And not one queen of old romance
Carried her velvet shoes and lace
With half your grace.
In place of tatters far too short
Let the proud garments worn at Court
Fall down with rustling fold and pleat
About your feet;
In place of stockings, worn and old,
Let a keen dagger all of gold
Gleam in your garter for the eyes
Of roues wise;
Let ribbons carelessly untied
Reveal to us the radiant pride
Of your white bosom purer far
Than any star;
Let your white arms uncovered shine.
Polished and smooth and half divine;
And let your elfish fingers chase
With riotous grace
The purest pearls that softly glow.
The sweetest sonnets of Belleau,
Offered by gallants ere they fight
For your delight;
And many fawning rhymers who
Inscribe their first thin book to you
Will contemplate upon the stair
Your slipper fair;
And many a page who plays at cards,
And many lords and many bards,
Will watch your going forth, and burn
For your return;
And you will count before your glass
More kisses than the lily has;
And more than one Valois will sigh
When you pass by.
But meanwhile you are on the tramp,
Begging your living in the damp,
Wandering mean streets and alleys o'er,
From door to door;
And shilling bangles in a shop
Cause you with eager eyes to stop,
And I, alas, have not a son
To give to you.
Then go, with no more ornament,
Pearl, diamond, or subtle scent,
Than your own fragile naked grace
And lovely face.
THE SWAN.
Andromache, I think of you! The stream,
The poor, sad mirror where in bygone days
Shone all the majesty of your widowed grief,
The lying Simois flooded by your tears,
Made all my fertile memory blossom forth
As I passed by the new-built Carrousel.
Old Paris is no more (a town, alas,
Changes more quickly than man's heart may change);
Yet in my mind I still can see the booths;
The heaps of brick and rough-hewn capitals;
The grass; the stones all over-green with moss;
The _debris_, and t&e square-set heaps of tiles.
There a menagerie was once outspread;
And there I saw, one morning at the hour
When toil awakes beneath the cold, clear sky,
And the road roars upon the silent air,
A swan who had escaped his cage, and walked
On the dry pavement with his webby feet,
And trailed his spotless plumage on the ground.
And near a waterless stream the piteous swan
Opened his beak, and bathing in the dust
His nervous wings, he cried (his heart the while
Filled with a vision of his own fair lake):
"O water, when then wilt thou come in rain?
Lightning, when wilt thou glitter? "
Sometimes yet
I see the hapless bird--strange, fatal myth--
Like him that Ovid writes of, lifting up
Unto the cruelly blue, ironic heavens,
With stretched, convulsive neck a thirsty face,
As though he sent reproaches up to God!
II.
Paris may change; my melancholy is fixed.
New palaces, and scaffoldings, and blocks,
And suburbs old, are symbols all to me
Whose memories are as heavy as a stone.
And so, before the Louvre, to vex my soul,
The image came of my majestic swan
With his mad gestures, foolish and sublime,
As of an exile whom one great desire
Gnaws with no truce. And then I thought of you,
Andromache! torn from your hero's arms;
Beneath the hand of Pyrrhus in his pride;
Bent o'er an empty tomb in ecstasy;
Widow of Hector--wife of Helenus!
And of the negress, wan and phthisical,
Tramping the mud, and with her haggard eyes
Seeking beyond the mighty walls of fog
The absent palm-trees of proud Africa;
Of all who lose that which they never find;
Of all who drink of tears; all whom grey grief
Gives suck to as the kindly wolf gave suck;
Of meagre orphans who like blossoms fade.
And one old Memory like a crying horn
Sounds through the forest where my soul is lost. . . .
I think of sailors on some isle forgotten;
Of captives; vanquished . . . and of many more.
THE SEVEN OLD MEN.
O swarming city, city full of dreams,
Where in full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space--
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed!
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son! In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
THE LITTLE OLD WOMEN.
Deep in the tortuous folds of ancient towns,
Where all, even horror, to enchantment turns,
I watch, obedient to my fatal mood,
For the decrepit, strange and charming beings,
The dislocated monsters that of old
Were lovely women--Lais or Eponine!
Hunchbacked and broken, crooked though they be,
Let us still love them, for they still have souls.
They creep along wrapped in their chilly rags,
Beneath the whipping of the wicked wind,
They tremble when an omnibus rolls by,
And at their sides, a relic of the past,
A little flower-embroidered satchel hangs.
They trot about, most like to marionettes;
They drag themselves, as does a wounded beast;
Or dance unwillingly as a clapping bell
Where hangs and swings a demon without pity.
Though they be broken they have piercing eyes,
That shine like pools where water sleeps at night;
The astonished and divine eyes of a child
Who laughs at all that glitters in the world.
Have you not seen that most old women's shrouds
Are little like the shroud of a dead child?
Wise Death, in token of his happy whim,
Wraps old and young in one enfolding sheet.
And when I see a phantom, frail and wan,
Traverse the swarming picture that is Paris,
It ever seems as though the delicate thing
Trod with soft steps towards a cradle new.
And then I wonder, seeing the twisted form,
How many times must workmen change the shape
Of boxes where at length such limbs are laid?
These eyes are wells brimmed with a million tears;
Crucibles where the cooling metal pales--
Mysterious eyes that are strong charms to him
Whose life-long nurse has been austere Disaster.
II.
The love-sick vestal of the old "Frasciti";
Priestess of Thalia, alas! whose name
Only the prompter knows and he is dead;
Bygone celebrities that in bygone days
The Tivoli o'ershadowed in their bloom;
All charm me; yet among these beings frail
Three, turning pain to honey-sweetness, said
To the Devotion that had lent them wings:
"Lift me, O powerful Hippogriffe, to the skies"--
One by her country to despair was driven;
One by her husband overwhelmed with grief;
One wounded by her child, Madonna-like;
Each could have made a river with her tears.
III.
Oft have I followed one of these old women,
One among others, when the falling sun
Reddened the heavens with a crimson wound--
Pensive, apart, she rested on a bench
To hear the brazen music of the band,
Played by the soldiers in the public park
To pour some courage into citizens' hearts,
On golden eves when all the world revives.
Proud and erect she drank the music in,
The lively and the warlike call to arms;
Her eyes blinked like an ancient eagle's eyes;
Her forehead seemed to await the laurel crown!
IV.
Thus you do wander, uncomplaining Stoics,
Through all the chaos of the living town:
Mothers with bleeding hearts, saints, courtesans,
Whose names of yore were on the lips of all;
Who were all glory and all grace, and now
None know you; and the brutish drunkard stops,
Insulting you with his derisive love;
And cowardly urchins call behind your back.
Ashamed of living, withered shadows all,
With fear-bowed backs you creep beside the walls,
And none salute you, destined to loneliness!
Refuse of Time ripe for Eternity!
But I, who watch you tenderly afar,
With unquiet eyes on your uncertain steps,
As though I were your father, I--O wonder! --
Unknown to you taste secret, hidden joy.
I see your maiden passions bud and bloom,
Sombre or luminous, and your lost days
Unroll before me while my heart enjoys
All your old vices, and my soul expands
To all the virtues that have once been yours.
Ruined! and my sisters! O congenerate hearts,
Octogenarian Eves o'er whom is stretched
God's awful claw, where will you be to-morrow?
A MADRIGAL OF SORROW.
What do I care though you be wise?
Be sad, be beautiful; your tears
But add one more charm to your eyes,
As streams to valleys where they rise;
And fairer every flower appears
After the storm. I love you most
When joy has fled your brow downcast;
When your heart is in horror lost,
And o'er your present like a ghost
Floats the dark shadow of the past.
I love you when the teardrop flows,
Hotter than blood, from your large eye;
When I would hush you to repose
Your heavy pain breaks forth and grows
Into a loud and tortured cry.
And then, voluptuousness divine!
Delicious ritual and profound!
I drink in every sob like wine,
And dream that in your deep heart shine
The pearls wherein your eyes were drowned.
I know your heart, which overflows
With outworn loves long cast aside,
Still like a furnace flames and glows,
And you within your breast enclose
A damned soul's unbending pride;
But till your dreams without release
Reflect the leaping flames of hell;
Till in a nightmare without cease
You dream of poison to bring peace,
And love cold steel and powder well;
And tremble at each opened door,
And feel for every man distrust,
And shudder at the striking hour--
Till then you have not felt the power
Of Irresistible Disgust.
My queen, my slave, whose love is fear,
When you awaken shuddering,
Until that awful hour be here,
You cannot say at midnight drear:
"I am your equal, O my King! "
THE IDEAL.
Not all the beauties in old prints vignetted,
The worthless products of an outworn age,
With slippered feet and fingers castanetted,
The thirst of hearts like this heart can assuage.
To Gavarni, the poet of chloroses,
I leave his troupes of beauties sick and wan;
I cannot find among these pale, pale roses,
The red ideal mine eyes would gaze upon.
Lady Macbeth, the lovely star of crime,
The Greek poet's dream born in a northern clime--
Ah, she could quench my dark heart's deep desiring;
Or Michelangelo's dark daughter Night,
In a strange posture dreamily admiring
Her beauty fashioned for a giant's delight!
MIST AND RAIN.
Autumns and winters, springs of mire and rain,
Seasons of sleep, I sing your praises loud,
For thus I love to wrap my heart and brain
In some dim tomb beneath a vapoury shroud
In the wide plain where revels the cold wind,
Through long nights when the weathercock whirls round,
More free than in warm summer day my mind
Lifts wide her raven pinions from the ground.
Unto a heart filled with funereal things
That since old days hoar frosts have gathered on,
Naught is more sweet, O pallid, queenly springs,
Than the long pageant of your shadows wan,
Unless it be on moonless eves to weep
On some chance bed and rock our griefs to sleep.
SUNSET.
Fair is the sun when first he flames above,
Flinging his joy down in a happy beam;
And happy he who can salute with love
The sunset far more glorious than a dream.
Flower, stream, and furrow! --I have seen them all
In the sun's eye swoon like one trembling heart--
Though it be late let us with speed depart
To catch at least one last ray ere it fall!
But I pursue the fading god in vain,
For conquering Night makes firm her dark domain,
Mist and gloom fall, and terrors glide between,
And graveyard odours in the shadow swim,
And my faint footsteps on the marsh's rim,
Bruise the cold snail and crawling toad unseen.
THE CORPSE.
Remember, my Beloved, what thing we met
By the roadside on that sweet summer day;
There on a grassy couch with pebbles set,
A loathsome body lay.
The wanton limbs stiff-stretched into the air,
Steaming with exhalations vile and dank,
In ruthless cynic fashion had laid bare
The swollen side and flank.
On this decay the sun shone hot from heaven
As though with chemic heat to broil and burn,
And unto Nature all that she had given
A hundredfold return.
The sky smiled down upon the horror there
As on a flower that opens to the day;
So awful an infection smote the air,
Almost you swooned away.
The swarming flies hummed on the putrid side,
Whence poured the maggots in a darkling stream,
That ran along these tatters of life's pride
With a liquescent gleam.
And like a wave the maggots rose and fell,
The murmuring flies swirled round in busy strife:
It seemed as though a vague breath came to swell
And multiply with life
The hideous corpse. From all this living world
A music as of wind and water ran,
Or as of grain in rhythmic motion swirled
By the swift winnower's fan.
And then the vague forms like a dream died out,
Or like some distant scene that slowly falls
Upon the artist's canvas, that with doubt
He only half recalls.
A homeless dog behind the boulders lay
And watched us both with angry eyes forlorn,
Waiting a chance to come and take away
The morsel she had torn.
And you, even you, will be like this drear thing,
A vile infection man may not endure;
Star that I yearn to! Sun that lights my spring!
O passionate and pure!
Yes, such will you be, Queen of every grace!
When the last sacramental words are said;
And beneath grass and flowers that lovely face
Moulders among the dead.
Then, O Beloved, whisper to the worm
That crawls up to devour you with a kiss,
That I still guard in memory the dear form
Of love that comes to this!
AN ALLEGORY.
Here is a woman, richly clad and fair,
Who in her wine dips her long, heavy hair;
Love's claws, and that sharp poison which is sin,
Are dulled against the granite of her skin.
Death she defies, Debauch she smiles upon,
For their sharp scythe-like talons every one
Pass by her in their all-destructive play;
Leaving her beauty till a later day.
Goddess she walks; sultana in her leisure;
She has Mohammed's faith that heaven is pleasure,
And bids all men forget the world's alarms
Upon her breast, between her open arms.
She knows, and she believes, this sterile maid,
Without whom the world's onward dream would fade,
That bodily beauty is the supreme gift
Which may from every sin the terror lift.
Hell she ignores, and Purgatory defies;
And when black Night shall roll before her eyes,
She will look straight in Death's grim face forlorn,
Without remorse or hate--as one new born.
THE ACCURSED.
Like pensive herds at rest upon the sands,
These to the sea-horizons turn their eyes;
Out of their folded feet and clinging hands
Bitter sharp tremblings and soft languors rise.
Some tread the thicket by the babbling stream,
Their hearts with untold secrets ill at ease;
Calling the lover of their childhood's dream,
They wound the green bark of the shooting trees.
Others like sisters wander, grave and slow,
Among the rocks haunted by spectres thin,
Where Antony saw as larvae surge and flow
The veined bare breasts that tempted him to sin.
Some, when the resinous torch of burning wood
Flares in lost pagan caverns dark and deep,
Call thee to quench the fever in their blood,
Bacchus, who singest old remorse to sleep!
Then there are those the scapular bedights,
Whose long white vestments hide the whip's red stain,
Who mix, in sombre woods on lonely nights,
The foam of pleasure with the tears of pain.
O virgins, demons, monsters, martyrs! ye
Who scorn whatever actual appears;
Saints, satyrs, seekers of Infinity,
So full of cries, so full of bitter tears;
Te whom my soul has followed into hell,
I love and pity, O sad sisters mine,
Tour thirsts unquenched, your pains no tongue can tell,
And your great hearts, those urns of love divine!
LA BEATRICE.
In a burnt, ashen land, where no herb grew,
I to the winds my cries of anguish threw;
And in my thoughts, in that sad place apart,
Pricked gently with the poignard o'er my heart.
Then in full noon above my head a cloud
Descended tempest-swollen, and a crowd
Of wild, lascivious spirits huddled there,
The cruel and curious demons of the air,
Who coldly to consider me began;
Then, as a crowd jeers some unhappy man,
Exchanging gestures, winking with their eyes--
I heard a laughing and a whispering rise:
"Let us at leisure contemplate this clown,
This shadow of Hamlet aping Hamlet's frown,
With wandering eyes and hair upon the wind.
Is't not a pity that this empty mind,
This tramp, this actor out of work, this droll,
Because he knows how to assume a role
Should dream that eagles and insects, streams and woods,
Stand still to hear him chaunt his dolorous moods?
Even unto us, who made these ancient things,
The fool his public lamentation sings. "
With pride as lofty as the towering cloud,
I would have stilled these clamouring demons loud,
And turned in scorn my sovereign head away
Had I not seen--O sight to dim the day! --
There in the middle of the troupe obscene
The proud and peerless beauty of my Queen!
She laughed with them at all my dark distress,
And gave to each in turn a vile caress.
THE SOUL OF WINE.
One eve in the bottle sang the soul of wine:
"Man, unto thee, dear disinherited,
I sing a song of love and light divine--
Prisoned in glass beneath my seals of red.
"I know thou labourest on the hill of fire,
In sweat and pain beneath a flaming sun,
To give the life and soul my vines desire,
And I am grateful for thy labours done.
"For I find joys unnumbered when I lave
The throat of man by travail long outworn,
And his hot bosom is a sweeter grave
Of sounder sleep than my cold caves forlorn.
"Hearest thou not the echoing Sabbath sound?
The hope that whispers in my trembling breast?
Thy elbows on the table! gaze around;
Glorify me with joy and be at rest.
"To thy wife's eyes I'll bring their long-lost gleam,
I'll bring back to thy child his strength and light,
To him, life's fragile athlete I will seem
Rare oil that firms his muscles for the fight.
"I flow in man's heart as ambrosia flows;
The grain the eternal Sower casts in the sod--
From our first loves the first fair verse arose,
Flower-like aspiring to the heavens and God! "
THE WINE OF LOVERS.
Space rolls to-day her splendour round!
Unbridled, spurless, without bound,
Mount we upon the wings of wine
For skies fantastic and divine!
Let us, like angels tortured by
Some wild delirious phantasy,
Follow the far-off mirage born
In the blue crystal of the morn.
And gently balanced on the wing
Of the wild whirlwind we will ride,
Rejoicing with the joyous thing.
My sister, floating side by side,
Fly we unceasing whither gleams
The distant heaven of my dreams.
THE DEATH OF LOVERS.
There shall be couches whence faint odours rise,
Divans like sepulchres, deep and profound;
Strange flowers that bloomed beneath diviner skies
The death-bed of our love shall breathe around.
And guarding their last embers till the end,
Our hearts shall be the torches of the shrine,
And their two leaping flames shall fade and blend
In the twin mirrors of your soul and mine.
And through the eve of rose and mystic blue
A beam of love shall pass from me to you,
Like a long sigh charged with a last farewell;
And later still an angel, flinging wide
The gates, shall bring to life with joyful spell
The tarnished mirrors and the flames that died.
THE DEATH OF THE POOR.
Death is consoler and Death brings to life;
The end of all, the solitary hope;
We, drunk with Death's elixir, face the strife,
Take heart, and mount till eve the weary slope.
Across the storm, the hoar-frost, and the snow,
Death on our dark horizon pulses clear;
Death is the famous hostel we all know,
Where we may rest and sleep and have good cheer.
Death is an angel whose magnetic palms
Bring dreams of ecstasy and slumberous calms
To smooth the beds of naked men and poor.
Death is the mystic granary of God;
The poor man's purse; his fatherland of yore;
The Gate that opens into heavens un trod!
THE BENEDICTION.
When by the high decree of powers supreme,
The Poet came into this world outworn,
She who had borne him, in a ghastly dream,
Clenched blasphemous hands at God, and cried in scorn:
"O rather had I borne a writhing knot
Of unclean vipers, than my breast should nurse
This vile derision, of my joy begot
To be my expiation and my curse!
"Since of all women thou hast made of me
Unto my husband a disgust and shame;
Since I may not cast this monstrosity,
Like an old love-epistle, to the flame;
"I will pour out thine overwhelming hate
On this the accursed weapon of thy spite;
This stunted tree I will so desecrate
That not one tainted bud shall see the light! "
So foaming with the foam of hate and shame,
Blind unto God's design inexorable,
With her own hands she fed the purging flame
To crimes maternal consecrate in hell.
Meanwhile beneath an Angel's care unseen
The child disowned grows drunken with the sun;
His food and drink, though they be poor and mean,
With streams of nectar and ambrosia run.
Speaking to clouds and playing with the wind,
With joy he sings the sad Way of the Rood;
His shadowing pilgrim spirit weeps behind
To see him gay as birds are in the wood.
Those he would love looked sideways and with fear,
Or, taking courage from his aspect mild,
Sought who should first bring to his eye the tear,
And spent their anger on the dreaming child.
With all the bread and wine the Poet must eat
They mingled earth and ash and excrement,
All things he touched were spurned beneath their feet;
They mourned if they must tread the road he went.
His wife ran crying in the public square:
"Since he has found me worthy to adore,
Shall I not be as antique idols were,
With gold and with bright colours painted o'er?
"I will be drunk with nard and frankincense.
With myrrh, and knees bowed down, and flesh and wine.
Can I not, smiling, in his love-sick sense,
Usurp the homage due to beings divine?
"I will lay on him my fierce, fragile hand
When I am weary of the impious play;
For well these harpy talons understand
To furrow to his heart their crimson way.
"I'll tear the red thing beating from his breast,
To cast it with disdain upon the ground,
Like a young bird torn trembling from the nest--
His heart shall go to gorge my favourite hound. "
To the far heaven, where gleams a splendid throne,
The Poet uplifts his arms in calm delight,
And the vast beams from his pure spirit flown,
Wrap all the furious peoples from his sight:
"Thou, O my God, be blest who givest pain,
The balm divine for each imperfect heart,
The strong pure essence cleansing every stain
Of sin that keeps us from thy joys apart.
"Among the numbers of thy legions blest,
I know a place awaits the poet there;
Him thou hast bid attend the eternal feast
That Thrones and Virtues and Dominions share.
"I know the one thing noble is a grief
Withstanding earth's and hell's destructive tooth,
And I, through all my dolorous life and brief,
To gain the mystic crown, must cry the truth.
"The jewels lost in Palmyra of old,
Metals unknown, pearls of the outer sea,
Are far too dim to set within the gold
Of the bright crown that Time prepares for me.
"For it is wrought of pure unmingled light,
Dipped in the white flame whence all flame is born--
The flame that makes all eyes, though diamond-bright,
Seem obscure mirrors, darkened and forlorn. "
GYPSIES TRAVELLING.
The tribe prophetic with the eyes of fire
Went forth last night; their little ones at rest
Each on his mother's back, with his desire
Set on the ready treasure of her breast.
Laden with shining arms the men-folk tread
By the long wagons where their goods lie hidden;
They watch the heaven with eyes grown wearied
Of hopeless dreams that come to them unbidden.
The grasshopper, from out his sandy screen,
Watching them pass redoubles his shrill song;
Dian, who loves them, makes the grass more green,
And makes the rock run water for this throng
Of ever-wandering ones whose calm eyes see
Familiar realms of darkness yet to be.
FRANCISCAE MEAE LAUDES.
Novis te cantabo chordis,
O novelletum quod ludia
In solitudine cordis.
Esto sertis implicata,
O foemina delicata
Per quam solvuntur peccata
Sicut beneficum Lethe,
Hauriam oscula de te,
Quae imbuta es magnete.
Quum vitiorum tempestas
Turbabat omnes semitas,
Apparuisti, Deitas,
Velut stella salutaris
In naufragiis amaris. . . .
Suspendam cor tuis aris!
Piscina plena virtutis,
Fons aeternae juventutis,
Labris vocem redde mutis!
Quod erat spurcum, cremasti;
Quod rudius, exaequasti;
Quod debile, confirmasti!
In fame mea taberna,
In nocte mea lucerna,
Recte me semper guberna.
Adde nunc vires viribus,
Dulce balneum suavibus,
Unguentatum odoribus!
Meos circa I umbos mica,
O castitatis lorica,
Aqua tincta seraphica;
Patera gemmis corusca,
Panis salsus, mollis esca,
Divinum vinum, Francisca!
ROBED IN A SILKEN ROBE.
Robed in a silken robe that shines and shakes,
She seems to dance whene'er she treads the sod,
Like the long serpent that a fakir makes
Dance to the waving cadence of a rod.
As the sad sand upon the desert's verge,
Insensible to mortal grief and strife;
As the long weeds that float among the surge,
She folds indifference round her budding life.
Her eyes are carved of minerals pure and cold,
And in her strange symbolic nature where
An angel mingles with the sphinx of old,
Where all is gold and steel and light and air,
For ever, like a vain star, unafraid
Shines the cold hauteur of the sterile maid.
A LANDSCAPE.
I would, when I compose my solemn verse,
Sleep near the heaven as do astrologers,
Near the high bells, and with a dreaming mind
Hear their calm hymns blown to me on the wind.
Out of my tower, with chin upon my hands,
I'll watch the singing, babbling human bands;
And see clock-towers like spars against the sky,
And heavens that bring thoughts of eternity;
And softly, through the mist, will watch the birth
Of stars in heaven and lamplight on the earth;
The threads of smoke that rise above the town;
The moon that pours her pale enchantment down.
Seasons will pass till Autumn fades the rose;
And when comes Winter with his weary snows,
I'll shut the doors and window-casements tight,
And build my faery palace in the night.
Then I will dream of blue horizons deep;
Of gardens where the marble fountains weep;
Of kisses, and of ever-singing birds--
A sinless Idyll built of innocent words.
And Trouble, knocking at my window-pane
And at my closet door, shall knock in vain;
I will not heed him with his stealthy tread,
Nor from my reverie uplift my head;
For I will plunge deep in the pleasure still
Of summoning the spring-time with my will,
Drawing the sun out of my heart, and there
With burning thoughts making a summer air.
THE VOYAGE.
The world is equal to the child's desire
Who plays with pictures by his nursery fire--
How vast the world by lamplight seems! How small
When memory's eyes look back, remembering all! --
One morning we set forth with thoughts aflame,
Or heart o'erladen with desire or shame;
And cradle, to the song of surge and breeze,
Our own infinity on the finite seas.
Some flee the memory of their childhood's home;
And others flee their fatherland; and some,
Star-gazers drowned within a woman's eyes,
Flee from the tyrant Circe's witcheries;
And, lest they still be changed to beasts, take flight
For the embrasured heavens, and space, and light,
Till one by one the stains her kisses made
In biting cold and burning sunlight fade.
But the true voyagers are they who part
From all they love because a wandering heart
Drives them to fly the Fate they cannot fly;
Whose call is ever "On! "--they know not why.
Their thoughts are like the clouds that veil a star;
They dream of change as warriors dream of war;
And strange wild wishes never twice the same:
Desires no mortal man can give a name.
II.
We are like whirling tops and rolling balls--
For even when the sleepy night-time falls,
Old Curiosity still thrusts us on,
Like the cruel Angel who goads forth the sun.
The end of fate fades ever through the air,
And, being nowhere, may be anywhere
Where a man runs, hope waking in his breast,
For ever like a madman, seeking rest.
Our souls are wandering ships outwearied;
And one upon the bridge asks: "What's ahead? "
The topman's voice with an exultant sound
Cries: "Love and Glory! "--then we run aground.
Each isle the pilot signals when 'tis late,
Is El Dorado, promised us by fate--
Imagination, spite of her belief,
Finds, in the light of dawn, a barren reef.
Oh the poor seeker after lands that flee!
Shall we not bind and cast into the sea
This drunken sailor whose ecstatic mood
Makes bitterer still the water's weary flood?
Such is an old tramp wandering in the mire,
Dreaming the paradise of his own desire,
Discovering cities of enchanted sleep
Where'er the light shines on a rubbish heap.
III.
Strange voyagers, what tales of noble deeds
Deep in your dim sea-weary eyes one reads!
Open the casket where your memories are,
And show each jewel, fashioned from a star;
For I would travel without sail or wind,
And so, to lift the sorrow from my mind,
Let your long memories of sea-days far fled
Pass o'er my spirit like a sail outspread.
What have you seen?
IV.
"We have seen waves and stars,
And lost sea-beaches, and known many wars,
And notwithstanding war and hope and fear,
We were as weary there as we are here.
"The lights that on the violet sea poured down,
The suns that set behind some far-off town,
Lit in our hearts the unquiet wish to fly
Deep in the glimmering distance of the sky;
"The loveliest countries that rich cities bless,
Never contained the strange wild loveliness
By fate and chance shaped from the floating cloud--
And we were always sorrowful and proud!
"Desire from joy gains strength in weightier measure.
Desire, old tree who draw'st thy sap from pleasure,
Though thy bark thickens as the years pass by,
Thine arduous branches rise towards the sky;
"And wilt thou still grow taller, tree more fair
Than the tall cypress?
--Thus have we, with care,
Gathered some flowers to please your eager mood,
Brothers who dream that distant things are good!
"We have seen many a jewel-glimmering throne;
And bowed to Idols when wild horns were blown
In palaces whose faery pomp and gleam
To your rich men would be a ruinous dream;
"And robes that were a madness to the eyes;
Women whose teeth and nails were stained with dyes;
Wise jugglers round whose neck the serpent winds--"
V.
And then, and then what more?
VI.
"O childish minds!
"Forget not that which we found everywhere,
From top to bottom of the fatal stair,
Above, beneath, around us and within,
The weary pageant of immortal sin.
"We have seen woman, stupid slave and proud,
Before her own frail, foolish beauty bowed;
And man, a greedy, cruel, lascivious fool,
Slave of the slave, a ripple in a pool;
"The martyrs groan, the headsman's merry mood;
And banquets seasoned and perfumed with blood;
Poison, that gives the tyrant's power the slip;
And nations amorous of the brutal whip;
"Many religions not unlike our own,
All in full flight for heaven's resplendent throne;
And Sanctity, seeking delight in pain,
Like a sick man of his own sickness vain;
"And mad mortality, drunk with its own power,
As foolish now as in a bygone hour,
Shouting, in presence of the tortured Christ:
'I curse thee, mine own Image sacrificed. '
"And silly monks in love with Lunacy,
Fleeing the troops herded by destiny,
Who seek for peace in opiate slumber furled--
Such is the pageant of the rolling world! "
VII.
O bitter knowledge that the wanderers gain!
The world says our own age is little and vain;
For ever, yesterday, to-day, to-morrow,
'Tis horror's oasis in the sands of sorrow.
Must we depart? If you can rest, remain;
Part, if you must. Some fly, some cower in vain,
Hoping that Time, the grim and eager foe,
Will pass them by; and some run to and fro
Like the Apostles or the Wandering Jew;
Go where they will, the Slayer goes there too!
And there are some, and these are of the wise,
Who die as soon as birth has lit their eyes.
But when at length the Slayer treads us low,
We will have hope and cry, "'Tis time to go! "
As when of old we parted for Cathay
With wind-blown hair and eyes upon the bay.
We will embark upon the Shadowy Sea,
Like youthful wanderers for the first time free--
Hear you the lovely and funereal voice
That sings: _O come all ye whose wandering joys_
_Are set upon the scented Lotus flower_,
_For here we sell the fruit's miraculous boon_;
_Come ye and drink the sweet and sleepy power_
_Of the enchanted, endless afternoon_.
VIII.
O Death, old Captain, it is time, put forth!
We have grown weary of the gloomy north;
Though sea and sky are black as ink, lift sail!
Our hearts are full of light and will not fail.
O pour thy sleepy poison in the cup!
The fire within the heart so burns us up
That we would wander Hell and Heaven through,
Deep in the Unknown seeking something _new_!
* * * * *
LITTLE POEMS IN PROSE
THE STRANGER.
Tell me, enigmatic man, whom do you love best? Your father, your mother,
your sister, or your brother?
"I have neither father, nor mother, nor sister, nor brother. "
Your friends, then?
"You use a word that until now has had no meaning for me. "
Your country?
"I am ignorant of the latitude in which it is situated. "
Then Beauty?
"Her I would love willingly, goddess and immortal. "
Gold?
"I hate it as you hate your God. "
What, then, extraordinary stranger, do you love?
"I love the clouds--the clouds that pass--yonder--the marvellous
clouds. "
EVERY MAN HIS CHIMAERA.
Beneath a broad grey sky, upon a vast and dusty plain devoid of grass,
and where not even a nettle or a thistle was to be seen, I met several
men who walked bowed down to the ground.
Each one carried upon his back an enormous Chimaera as heavy as a sack of
flour or coal, or as the equipment of a Roman foot-soldier.
But the monstrous beast was not a dead weight, rather she enveloped and
oppressed the men with her powerful and elastic muscles, and clawed with
her two vast talons at the breast of her mount. Her fabulous head
reposed upon the brow of the man like one of those horrible casques by
which ancient warriors hoped to add to the terrors of the enemy.
I questioned one of the men, asking him why they went so. He replied
that he knew nothing, neither he nor the others, but that evidently they
went somewhere, since they were urged on by an unconquerable desire to
walk.
Very curiously, none of the wayfarers seemed to be irritated by the
ferocious beast hanging at his neck and cleaving to his back: one had
said that he considered it as a part of himself. These grave and weary
faces bore witness to no despair. Beneath the splenetic cupola of the
heavens, their feet trudging through the dust of an earth as desolate as
the sky, they journeyed onwards with the resigned faces of men condemned
to hope for ever. So the train passed me and faded into the atmosphere
of the horizon at the place where the planet unveils herself to the
curiosity of the human eye.
During several moments I obstinately endeavoured to comprehend this
mystery; but irresistible Indifference soon threw herself upon me, nor
was I more heavily dejected thereby than they by their crushing
Chimaeras.
VENUS AND THE FOOL.
How admirable the day! The vast park swoons beneath the burning eye of
the sun, as youth beneath the lordship of love.
There is no rumour of the universal ecstasy of all things. The waters
themselves are as though drifting into sleep. Very different from the
festivals of humanity, here is a silent revel.
It seems as though an ever-waning light makes all objects glimmer more
and more, as though the excited flowers burn with a desire to rival the
blue of the sky by the vividness of their colours; as though the heat,
making perfumes visible, drives them in vapour towards their star.
Yet, in the midst of this universal joy, I have perceived one afflicted
thing.
At the feet of a colossal Venus, one of those motley fools, those
willing clowns whose business it is to bring laughter upon kings when
weariness or remorse possesses them, lies wrapped in his gaudy and
ridiculous garments, coined with his cap and bells, huddled against the
pedestal, and raises towards the goddess his eyes filled with tears.
And his eyes say: "I am the last and most alone of all mortals, inferior
to the meanest of animals in that I am denied either love or friendship.
Yet I am made, even I, for the understanding and enjoyment of immortal
Beauty. O Goddess, have pity upon my sadness and my frenzy. "
The implacable Venus gazed into I know not what distances with her
marble eyes.
INTOXICATION.
One must be for ever drunken: that is the sole question of importance.
If you would not feel the horrible burden of Time that bruises your
shoulders and bends you to the earth, you must be drunken without cease.
But how? With wine, with poetry, with virtue, with what you please. But
be drunken. And if sometimes, on the steps of a palace, on the green
grass by a moat, or in the dull loneliness of your chamber, you should
waken up, your intoxication already lessened or gone, ask of the wind,
of the wave, of the star, of the bird, of the timepiece; ask of all that
flees, all that sighs, all that revolves, all that sings, all that
speaks, ask of these the hour; and wind and wave and star and bird and
timepiece will answer you: "It is the hour to be drunken! Lest you be
the martyred slaves of Time, intoxicate yourselves, be drunken without
cease! With wine, with poetry, with virtue, or with what you will. "
THE GIFTS OF THE MOON.
The Moon, who is caprice itself, looked in at the window as you slept in
your cradle, and said to herself: "I am well pleased with this child. "
And she softly descended her stairway of clouds and passed through the
window-pane without noise. She bent over you with the supple tenderness
of a mother and laid her colours upon your face. Therefrom your eyes
have remained green and your cheeks extraordinarily pale. From
contemplation of your visitor your eyes are so strangely wide; and she
so tenderly wounded you upon the breast that you have ever kept a
certain readiness to tears.
In the amplitude of her joy, the Moon filled all your chamber as with a
phosphorescent air, a luminous poison; and all this living radiance
thought and said: "You shall be for ever under the influence of my kiss.
You shall love all that loves me and that I love: clouds, and silence,
and night; the vast green sea; the unformed and multitudinous waters;
the place where you are not; the lover you will never know; monstrous
flowers, and perfumes that bring madness; cats that stretch themselves
swooning upon the piano and lament with the sweet, hoarse voices of
women.
"And you shall be loved of my lovers, courted of my courtesans. You
shall be the Queen of men with green eyes, whose breasts also I have
wounded in my nocturnal caress: men that love the sea, the immense green
ungovernable sea; the unformed and multitudinous waters; the place where
they are not; the woman they will never know; sinister flowers that seem
to bear the incense of some unknown religion; perfumes that trouble the
will; and all savage and voluptuous animals, images of their own folly. "
And that is why I am couched at your feet, O spoiled child, beloved and
accursed, seeking in all your being the reflection of that august
divinity, that prophetic godmother, that poisonous nurse of all
_lunatics_.
THE INVITATION TO THE VOYAGE.
It is a superb land, a country of Cockaigne, as they say, that I dream
of visiting with an old friend. A strange land, drowned in our northern
fogs, that one might call the East of the West, the China of Europe; a
land patiently and luxuriously decorated with the wise, delicate
vegetations of a warm and capricious phantasy.
A true land of Cockaigne, where all is beautiful, rich, tranquil, and
honest; where luxury is pleased to mirror itself in order; where life is
opulent, and sweet to breathe; from whence disorder, turbulence, and the
unforeseen are excluded; where happiness is married to silence; where
even the food is poetic, rich and exciting at the same time; where all
things, my beloved, are like you.
Do you know that feverish malady that seizes hold of us in our cold
miseries; that nostalgia of a land unknown; that anguish of curiosity?
It is a land which resembles you, where all is beautiful, rich, tranquil
and honest, where phantasy has built and decorated an occidental China,
where life is sweet to breathe, and happiness married to silence. It is
there that one would live; there that one would die.
Yes, it is there that one must go to breathe, to dream, and to lengthen
one's hours by an infinity of sensations. A musician has written the
"Invitation to the Waltz"; where is he who will write the "Invitation to
the Voyage," that one may offer it to his beloved, to the sister of his
election?
Yes, it is in this atmosphere that it would be good to live,--yonder,
where slower hours contain more thoughts, where the clocks strike the
hours of happiness with a more profound and significant solemnity.
Upon the shining panels, or upon skins gilded with a sombre opulence,
beatified paintings have a discreet life, as calm and profound as the
souls of the artists who created them.
The setting suns that colour the rooms and salons with so rich a light,
shine through veils of rich tapestry, or through high leaden-worked
windows of many compartments. The furniture is massive, curious, and
bizarre, armed with locks and secrets, like profound and refined souls.
The mirrors, the metals, the ail ver work and the china, play a mute and
mysterious symphony for the eyes; and from all things, from the corners,
from the chinks in the drawers, from the folds of drapery, a singular
perfume escapes, a Sumatran _revenez-y_, which is like the soul of the
apartment.
A true country of Cockaigne, I have said; where all is rich, correct and
shining, like a beautiful conscience, or a splendid set of silver, or a
medley of jewels. The treasures of the world flow there, as in the house
of a laborious man who has well merited the entire world. A singular
land, as superior to others as Art is superior to Nature; where Nature
is made over again by dream; where she is corrected, embellished,
refashioned.
Let them seek and seek again, let them extend the limits of their
happiness for ever, these alchemists who work with flowers! Let them
offer a prize of sixty or a hundred thousand florins to whosoever can
solve their ambitious problems! As for me, I have found my _black tulip_
and my _blue dahlia_!
Incomparable flower, tulip found at last, symboli-cal dahlia, it is
there, is it not, in this so calm and dreamy land that you live and
blossom? Will you not there be framed in your proper analogy, and will
you not be mirrored, to speak like the mystics, in your own
_correspondence_?
Dreams! --always dreams! and the more ambitious and delicate the soul,
the farther from possibility is the dream. Every man carries within him
his dose of natural opium, incessantly secreted and renewed, and, from
birth to death, how many hours can we count that have been filled with
positive joy, with successful and decided action? Shall we ever live in
and become a part of the picture my spirit has painted, the picture that
resembles you?
These treasures, furnishings, luxury, order, perfumes and miraculous
flowers, are you. You again are the great rivers and calm canals. The
enormous ships drifting beneath their loads of riches, and musical with
the sailors' monotonous song, are my thoughts that sleep and stir upon
your breast. You take them gently to the sea that is Infinity,
reflecting the profundities of the sky in the limpid waters of your
lovely soul;--and when, outworn by the surge and gorged with the
products of the Orient, the ships come back to the ports of home, they
are still my thoughts, grown rich, that have returned to you from
Infinity.
WHAT IS TRUTH?
I once knew a certain Benedicta whose presence ailed the air with the
ideal and whose eyes spread abroad the desire of grandeur, of beauty, of
glory, and of all that makes man believe in immortality.
But this miraculous maiden was too beautiful for long life, so she died
soon after I knew her first, and it was I myself who entombed her, upon
a day when spring swung her censer even in the burial-ground.
