No More Learning

At night, however, and in breeding season, it is phosphores
cent. This terror has its passions. It awaits the nuptial hour.
It adorns itself, it lights up, it illuminates itself; and from the
summit of a rock one can see it beneath, in the shadowy depths,
spread out in a pallid irradiation,- a spectre sun.
It has no bones, it has no blood, it has no flesh. It is flabby.
There is nothing in it. It is a skin. One can turn its eight
tentacles wrong side out, like the fingers of a glove.
It has a single orifice in the centre of its radiation. Is this
one hole the vent? Is it the mouth? It is both.
The same aperture fulfills both functions.
The entrance is the
exit.
The whole creature is cold.
The carnarius of the Mediterranean is repulsive. An odious
contact has this animated gelatine, which envelops the swimmer,
into which the hands sink, where the nails scratch, which one
rends without killing and tears off without pulling away, a sort
of flowing and tenacious being which slips between one's fingers;
but no horror equals the sudden appearance of the octopus,-
Medusa served by eight serpents.
No grasp equals the embrace of the cephalopod.
It is the pneumatic machine attacking you. You have to
deal with a vacuum furnished with paws. Neither scratches nor
bites; an indescribable scarification. A bite is formidable, but
less so than a suction. A claw is nothing beside the cupping-
glass. The claw means the beast entering into your flesh; the
cupping-glass means yourself entering into the beast.
Your muscles swell, your fibres writhe, your skin cracks
under the foul weight, your blood spurts forth and mingles
frightfully with the lymph of the mollusk. The creature super-
imposes itself upon you by a thousand mouths; the hydra incor-
porates itself with the man; the man amalgamates himself with
the hydra.
You form but one. This dream is upon you. The


## p. 7765 (#583) ###########################################

VICTOR HUGO
7765
tiger can only devour you; the octopus, oh horror! breathes you
in. It draws you to it, and into it; and bound, ensnared, power-
less, you feel yourself slowly emptied into that frightful pond,
which is the monster itself.
Beyond the terrible, being devoured alive, is the inexpressi-
ble, being drunk alive.
SUCH was the creature in whose power Gilliatt had been for
several moments.
This monster was the inhabitant of that grotto. It was the
frightful genius of the place. A sort of sombre demon of the
water.
All these magnificences had horror for their centre.
A month previously, on the day when for the first time Gill-
iatt had made his way into the grotto, the dark outline, of which
he had caught a glimpse in the ripples of the water, was this
octopus.
This was its home.
When Gilliatt, entering that cave for the second time in pur-
suit of the crab, had perceived the crevices in which he thought
the crab had taken refuge, the octopus was lying in wait in that
hole.
Can the reader picture that lying in wait?
Not a bird would dare to brood, not an egg would dare to
hatch, not a flower would dare to open, not a breast would dare
to give suck, not a heart would dare to love, not a spirit would
dare to take flight, if one meditated on the sinister shapes pa-
tiently lying in ambush in the abyss.
Gilliatt had thrust his arm into the hole; the octopus had
seized it.
It held it.
He was the fly for this spider.
Gilliatt stood in water to his waist, his feet clinging to the
slippery roundness of the stones, his right arm grasped and sub-
dued by the flat coils of the octopus's thongs, and his body
almost hidden by the folds and crossings of that horrible band-
age. Of the eight arms of the octopus, three adhered to the
rock while five adhered to Gilliatt. In this manner, clamped cn
one side to the granite, on the other to the man, it chained
Gilliatt to the rock. Gilliatt had two hundred and fifty suckers


## p. 7766 (#584) ###########################################

7766
VICTOR HUGO
upon him.
A combination of anguish and disgust. To be
crushed in a gigantic fist, whose elastic fingers, nearly a metre
in length, are inwardly full of living pustules which ransack
your flesh.
As we have said, one cannot tear one's self away from the
octopus. If one attempts it, one is but the more surely bound.
It only clings the closer. Its efforts increase in proportion to
yours. A greater struggle produces a greater constriction.
Gilliatt had but one resource,- his knife.
He had only his left hand free; but as the reader knows, he
could make powerful use of it. It might have been said of him
that he had two right hands.
His open knife was in his hand.
The tentacles of an octopus cannot be cut off; it is leathery
and difficult to sever, it slips away from under the blade. More-
over, the superposition is such that a cut into these thongs would
attack your own flesh.
The octopus is formidable; nevertheless there is a way of
getting away from it. The fishermen of Sark are acquainted
with it; any one who has seen them executing abrupt move-
ments at sea knows it. Porpoises also know it: they have a
way of biting the cuttlefish which cuts off its head. Hence all
the headless squids and cuttlefish which are met with on the
open sea.
The octopus is in fact vulnerable only in the head.
Gilliatt was not ignorant of this fact.
He had never seen an octopus of this size. He found himself
seized at the outset by one of the larger species. Any other
man would have been terrified.
In the case of the octopus as in that of the bull, there is
a certain moment at which to seize it: it is the instant when
the bull lowers his neck, it is the instant when the octopus
thrusts forward its head - a sudden movement. He who misses
that juncture is lost.
All that we have related lasted but a few minutes. But
Gilliatt felt the suction of the two hundred and fifty cupping-
glasses increasing.
The octopus is cunning. It tries to stupefy its prey in the
first place. It seizes, then waits as long as it can.
Gilliatt held his knife. The suction increased.
He gazed at the octopus, which stared at him.


## p. 7767 (#585) ###########################################

VICTOR HUGO
7767
All at once the creature detached its sixth tentacle from the
rock, and launching it at him, attempted to seize his left arm.
At the same time it thrust its head forward swiftly. A second
more and its mouth would have been applied to Gilliatt's breast.
Gilliatt, wounded in the flank and with both arms pinioned,
would have been a dead man.
But Gilliatt was on his guard. Being watched, he watched.
He avoided the tentacle, and at the moment when the creat-
ure was about to bite his breast, his armed fist descended on the
monster.
Two convulsions in opposite directions ensued: that of Gilliatt
and that of the octopus.
It was like the conflict of two flashes of lightning.
Gilliatt plunged the point of his knife into the flat, viscous
mass, and with a twisting movement, similar to the flourish of a
whip, describing a circle around the two eyes, he tore out the
head as one wrenches out a tooth.
It was finished.
The whole creature dropped.
It resembled a sheet detaching itself. The air-pump destroyed,
the vacuum no longer existed. The four hundred suckers released
their hold, simultaneously, of the rock and the man.
It sank to the bottom.
Gilliatt, panting with the combat, could perceive on the rocks
at his feet two shapeless, gelatinous masses, the head on one
side, the rest on the other. We say "the rest," because one
could not say the body.
Gilliatt, however, fearing some convulsive return of agony,
retreated beyond the reach of the tentacles.
But the monster was really dead.
Gilliatt closed his knife.
IT WAS time that Gilliatt killed the octopus. He was almost
strangled; his right arm and his body were violet in hue; more
than two hundred swellings were outlined upon them; the blood
spurted from some of them here and there. The remedy for
these wounds is salt water: Gilliatt plunged into it. At the same
time he rubbed himself with the palm of his hand. The swell-
ings subsided under this friction.


## p. 7768 (#586) ###########################################

7768
ALEXANDER VON HUMBOLDT
(1769-1859)
B
ARON Friedrich Heinrich Alexander von Humboldt, better
known as Alexander von Humboldt, the scientist and au-
thor, was one of those rare scholars who, while devoting
themselves to the pursuit of exact knowledge, and leaving works of
moment in the advance of human thought, possess a general culture
and a gift of expression which give their work distinct value to the
student of literature.
Humboldt was born in Berlin, September 14th, 1769. His father
was an officer of high rank in the Seven Years' War, and afterwards
a court chamberlain. The son first received private instruction, with
his elder brother Wilhelm, the celebrated scholar and statesman, and
then studied philology, history, and other branches, at Frankfort
and Göttingen, making occasional trips to the Hartz Mountains or on
the Rhine, a result of these jaunts being a monograph on a geo-
logical subject. In 1790 came travel in Holland, Belgium, England,
and France, an experience which first suggested further travels in
far-lying tropic lands; then came more study at a trades-school in
Hamburg and at the well-known Mining School at Freiburg. His
work won for him in 1792 the position of mining engineer; and tours
in Switzerland and the Tyrol gave him material for several volumes in
geological or chemical fields. The year 1799 marked a turning-point
in his career; for he resigned his post in order to give himself unre-
servedly to the study of science. Some months were spent in Jena,
where he enjoyed the society of Goethe and Schiller; starting in 1797,
in company with Bonpland, the distinguished French botanist, upon
a series of wanderings in Spain, Switzerland, Italy, and France. In
1799, still with his fellow scientist, he set out for South America, and
spent five years in that country and in Mexico, engaged in various
investigations; his adventures including the climbing of Chimborazo
to an altitude higher than had hitherto been attained. Except for
occasional visits to Berlin and other cities, he resided by permission
of the German king in Paris, pursuing his researches, writing and
preparing for the press his many treatises: but finally came back to
Berlin for good and all in 1827, to begin his famous lectures at the
University upon physical geography; holding too the position of court.
chamberlain, like his father before him. His natal city was his home
until his death more than thirty years later.


## p. 7769 (#587) ###########################################

ALEXANDER VON HUMBOLDT
7769
In 1829, at the instigation of the Russian Emperor Nicholas, he
undertook with other scientists a journey to Siberia and the Caspian
Sea. During the next decade he executed several government mis-
sions in Paris; was instrumental in organizing observation stations,
which led to the fine system of meteorological stations now obtain-
ing in Germany; and completed the editing of one of his greatest
works, the 'Critical Examination of the History of Geography of the
New Continent,' written in the French tongue. With the exception
of brief journeys to England and Denmark in 1841 and 1845, Hum-
boldt remained in Germany, and with the zeal and enthusiasm of
a young man carried on his labors as teacher and scholar in Berlin;
the richest fruits of which are seen in his master work 'Cosmos: A
Sketch of a Physical Cosmography (1845-1858). This comprehensive
study of the physical universe exhibits the rare union of qualities
which makes Humboldt truly a genius in science. Of encyclopædic
knowledge, a specialist pursuing technical analyses to their minutest
details, the founder of meteorology and physical geography, a discov-
erer on the subjects of sea and plant life, a thinker who did original
work in geology, astronomy, zoölogy, botany, and mineralogy,― he
yet had the synthetic grasp, the insatiable desire for an all-embracing
conception of the world of matter. He used his wonderful acquire-
ments as a foundation upon which to rear a lofty structure whence
all nature might be viewed and a sense of her as a living whole be
gained. The 'Cosmos,' because of this broad outlook and nobility of
spirit, is a unique work in scientific literature. Its general scheme
embraces a fine introduction,- from which the selections below are
chosen, in which the author's views on Nature as a vast organic
unity are set forth with eloquence; a grand review of natural phe-
nomena, sidereal and terrestrial, and including the study of man as
an inhabitant of the planet; followed by a consideration of the incite-
ments to nature's study found in the literature of many lands; and
concluded by a sweeping survey of the progress among mankind of
natural conceptions with regard to the universe. There is nothing
dry or repellently technical about the treatment, which is broad, pro-
foundly ethical, and aglow with elevated feeling.
Humboldt, moreover, showed himself be a man of wide human
sympathy by presenting his theories and discoveries in lectures and
popular articles, simply and plainly, so that those who ran could
read and understand. It was natural that one who had this catholic
sympathy, this feeling for the ideal significance of the natural world,
this wish to put it before his fellow-men in the way of literature
rather than of science, should have done writing of artistic worth.
A list of Humboldt's works would be very long, and is necessa-
rily omitted. He died May 6th, 1859, at the great age of ninety. He


## p. 7770 (#588) ###########################################

ALEXANDER VON HUMBOLDT
7770
was, as a German critic remarks, the Nestor of scientific investigators
in his own land, and indeed in Europe. As his statue is one of
the proud ornaments of the stately entrance of Berlin University, so
he himself is one of the proud intellectual adornments of his race,
a race conspicuous in the accomplishments of learning and genius.
THE BEAUTY AND UNITY OF NATURE
From 'Cosmos: A Sketch of a Physical Description of the Universe'
-
IN
N ATTEMPTING, after a long absence from my native country,
to develop the physical phenomena of the globe and the
simultaneous action of the forces that pervade the regions
of space, I experience a twofold cause of anxiety. The subject
before me is so inexhaustible and so varied, that I fear either
to fall into the superficiality of the encyclopædist, or to weary
the mind of my reader by aphorisms consisting of mere gener
alities clothed in dry and dogmatical forms. Undue conciseness
often checks the flow of expression, whilst diffuseness is detri-
mental to a clear and precise exposition of our ideas. Nature is
a free domain; and the profound conceptions and enjoyments
she awakens within us can only be vividly delineated by thought
clothed in exalted forms of speech, worthy of bearing witness to
the majesty and greatness of the creation.
In considering the study of physical phenomena, not merely
in its bearings on the material wants of life, but in its general
influence on the intellectual advancement of mankind, we find its
noblest and most important result to be a knowledge of the chain
of connection by which all natural forces are linked together and
made mutually dependent upon each other; and it is the per-
ception of these relations that exalts our views and ennobles our
enjoyments. Such a result, however, can only be reaped as the
fruit of observation and intellect, combined with the spirit of
the age, in which are reflected all the varied phases of thought.
He who can trace, through bygone times, the stream of our
knowledge to its primitive source, will learn from history how for
thousands of years man has labored, amid the ever recurring
changes of form, to recognize the invariability of natural laws,
and has thus by the force of mind gradually subdued a great
portion of the physical world to his dominion. In interrogating
the history of the past, we trace the mysterious course of ideas


## p. 7771 (#589) ###########################################

ALEXANDER VON HUMBOLDT
7771
yielding the first glimmering perception of the same image of a
Cosmos, or harmoniously ordered whole, which, dimly shadowed
forth to the human mind in the primitive ages of the world, is
now fully revealed to the maturer intellect of mankind as the
result of long and laborious observation.
Each of those epochs of the contemplation of the external
world - the earliest dawn of thought, and the advanced stage of
civilization has its own source of enjoyment. In the former,
this enjoyment, in accordance with the simplicity of the primi-
tive ages, flowed from an intuitive feeling of the order that was
proclaimed by the invariable and successive reappearance of the
heavenly bodies, and by the progressive development of organized
beings; whilst in the latter, this sense of enjoyment springs from
a definite knowledge of the phenomena of nature. When man
began to interrogate nature, and not content with observing,
learnt to evoke phenomena under definite conditions; when once.
he sought to collect and record facts, in order that the fruit of
his labors might aid investigation after his own brief existence.
had passed away,-the philosophy of Nature cast aside the vague
and poetic garb in which she had been enveloped from her ori-
gin; and having assumed a severer aspect, she now weighs the
value of observations, and substitutes induction and reasoning for
conjecture and assumption. The dogmas of former ages survive
now only in the superstitions of the people and the prejudices of
the ignorant, or are perpetuated in a few systems, which, con-
scious of their weakness, shroud themselves in a veil of mystery.
We may also trace the same primitive intuitions in languages
exuberant in figurative expressions; and a few of the best chosen
symbols engendered by the happy inspiration of the earliest ages,
having by degrees lost their vagueness through a better mode of
interpretation, are still preserved amongst our scientific terms.
Nature considered rationally-that is to say, submitted to
the process of thought-is a unity in diversity of phenomena;
a harmony, blending together all created things, however dis-
similar in form and attributes; one great whole (rò a) animated
by the breath of life. The most important result of a rational
inquiry into nature is therefore to establish the unity and har-
mony of this stupendous mass of force and matter, to determine
with impartial justice what is due to the discoveries of the past
and to those of the present, and to analyze the individual parts
of natural phenomena without succumbing beneath the weight of
-


## p. 7772 (#590) ###########################################

7772
ALEXANDER VON HUMBOLDT
the whole. Thus, and thus alone, is it permitted to man, while
mindful of the high destiny of his race, to comprehend nature,
to lift the veil that shrouds her phenomena, and as it were, sub-
mit the results of observation to the test of reason and intellect.
In reflecting upon the different degrees of enjoyment presented
to us in the contemplation of nature, we find that the first place
must be assigned to a sensation which is wholly independent
of an intimate acquaintance with the physical phenomena pre-
sented to our view, or of the peculiar character of the region
surrounding us. In the uniform plain bounded only by a distant
horizon, where the lowly heather, the cistus, or waving grasses
deck the soil; on the ocean shore, where the waves softly rip-
pling over the beach leave a track green with the weeds of the
sea: everywhere the mind is penetrated by the same sense of
the grandeur and vast expanse of nature, revealing to the soul
by a mysterious inspiration the existence of laws that regulate
the forces of the universe. Mere communion with nature, mere
contact with the free air, exercises a soothing yet strengthening
influence on the wearied spirit, calms the storm of passion, and
softens the heart when shaken by sorrow to its inmost depths.
Everywhere, in every region of the globe, in every stage of intel-
lectual culture, the same sources of enjoyment are alike vouch-
safed to man. The earnest and solemn thoughts awakened by
a communion with nature intuitively arise from a presentiment
of the order and harmony pervading the whole universe, and
from the contrast we draw between the narrow limits of our
own existence and the image of infinity revealed on every side;
whether we look upwards to the starry vault of heaven, scan the
far-stretching plain before us, or seek to trace the dim horizon
across the vast expanse of ocean.
The contemplation of the individual characteristics of the
landscape, and of the conformation of the land in any definite
region of the earth, gives rise to a different source of enjoyment,
awakening impressions that are more vivid, better defined, and
more congenial to certain phases of the mind than those of which
we have already spoken. At one time the heart is stirred by a
sense of the grandeur of the face of nature, by the strife of the
elements, or as in Northern Asia, by the aspect of the dreary
barrenness of the far-stretching steppes; at another time softer
emotions are excited by the contemplation of rich harvest wrested
by the hand of man from the wild fertility of nature, or by the


## p. 7773 (#591) ###########################################

ALEXANDER VON HUMBOLDT
7773
sight of human habitations raised beside some wild and foaming
torrent. Here I regard less the degree of intensity, than the dif-
ference existing in the various sensations that derive their charm.
and permanence from the peculiar character of the scene.
If I might be allowed to abandon myself to the recollections
of my own distant travels, I would instance among the most
striking scenes of nature the calm sublimity of a tropical night,
when the stars, not sparkling as in our northern skies, shed
their soft and planetary light over the gently heaving ocean; or I
would recall the deep valleys of the Cordilleras, where the tall
and slender palms pierce the leafy veil around them, and waving
on high their feathery and arrow-like branches, form, as it were,
«< a forest above a forest"; or I would describe the summit of the
Peak of Teneriffe, when a horizontal layer of clouds, dazzling
in whiteness, has separated the cone of cinders from the plain
below, and suddenly the ascending current pierces the cloudy
veil, so that the eye of the traveler may range from the brink
of the crater, along the vine-clad slopes of Orotava, to the orange
gardens and banana groves that skirt the shore. In scenes like
these, it is not the peaceful charm uniformly spread over the
face of nature that moves the heart, but rather the peculiar
physiognomy and conformation of the land, the features of the
landscape, the ever-varying outline of the clouds, and their blend-
ing with the horizon of the sea, whether it lies spread before us
like a smooth and shining mirror, or is dimly seen through the
morning mist. All that the senses can but imperfectly compre-
hend, all that is most awful in such romantic scenes of nature,
may become a source of enjoyment to man by opening a wide
field to the creative powers of his imagination. Impressions
change with the varying movements of the mind, and we are led
by a happy illusion to believe that we receive from the external
world that with which we have ourselves invested it.
*
When, far from our native country, after a long voyage, we
tread for the first time the soil of a tropical land, we experi-
ence a certain feeling of surprise and gratification in recognizing
in the rocks that surround us the same inclined schistose strata,
and the same columnar basalt covered with cellular amygdaloids,
that we had left in Europe, and whose identity of character in
latitudes so widely different reminds us that the solidification of
the earth's crust is altogether independent of climatic influences.
But these rocky masses of schist and of basalt are covered with


## p. 7774 (#592) ###########################################

7774
ALEXANDER VON HUMBOLDT
vegetation of a character with which we are unacquainted, and of
a physiognomy wholly unknown to us; and it is then, amid the
colossal and majestic forms of an exotic flora, that we feel how
wonderfully the flexibility of our nature fits us to receive new
impressions, linked together by a certain secret analogy. We
so readily perceive the affinity existing amongst all the forms
of organic life, that although the sight of a vegetation similar
to that of our native country might at first be most welcome to
the eye, as the sweet familiar sounds of our mother tongue are
to the ear, we nevertheless, by degrees and almost imperceptibly,
become familiarized with a new home and a new climate. As a
true citizen of the world, man everywhere habituates himself to
that which surrounds him: yet, fearful as it were of breaking
the links of association that bind him to the home of his child-
hood, the colonist applies to some few plants in a far distant
clime the names he had been familiar with in his native land;
and by the mysterious relations existing amongst all types of
organization, the forms of exotic vegetation present themselves
to his mind as nobler and more perfect developments of those he
had loved in earlier days. Thus do the spontaneous impressions
of the untutored mind lead, like the laborious deductions of cul-
tivated intellect, to the same intimate persuasion that one sole
and indissoluble chain binds together all nature.
THE STUDY OF THE NATURAL SCIENCES
From Cosmos: A Sketch of a Physical Description of the Universe'
N EQUAL appreciation of all branches of the mathematical,
A physical, and natural sciences is a special requirement of
the present age, in which the material wealth and the
growing prosperity of nations are principally based upon a more
enlightened employment of the products and forces of nature.
The most superficial glance at the present condition of Europe
shows that a diminution, or even a total annihilation, of national
prosperity, must be the award of those States which shrink with
slothful indifference from the great struggle of rival nations in
the career of the industrial arts. It is with nations as with
nature, which, in the happy expression of Goethe, "knows no pause
in progress and development, and attaches her curse on all in-
action. " The propagation of an earnest and sound knowledge of


## p. 7775 (#593) ###########################################

ALEXANDER VON HUMBOLDT
7775
science can therefore alone avert the dangers of which I have
spoken. Man cannot act upon nature, or appropriate her forces
to his own use, without comprehending their full extent and
having an intimate acquaintance with the laws of the physical
world. Bacon has said that in human societies, knowledge is
power. Both must sink and rise together. But the knowledge
that results from the free action of thought is at once the delight
and the indestructible prerogative of man; and in forming part
of the wealth of mankind, it not infrequently serves as a substi-
tute for the natural riches which are but sparingly scattered over
the earth. Those States which take no active part in the general
industrial movement, in the choice and preparation of natural
substances, or in the application of mechanics and chemistry, and
among whom this activity is not appreciated by all classes of
society, will infallibly see their prosperity diminish in proportion
as neighboring countries become strengthened and invigorated
under the genial influence of arts and sciences.
As in nobler spheres of thought and sentiment—in philoso-
phy, poetry, and the fine arts- the object at which we aim ought
to be an inward one, an ennoblement of the intellect, so ought
we likewise, in our pursuit of science, to strive after a knowledge
of the laws and the principles of unity that pervade the vital
forces of the universe; and it is by such a course that physical
studies may be made subservient to the progress of industry,
which is a conquest of mind over matter. By a happy connec-
tion of causes and effects, we often see the useful linked to the
beautiful and the exalted. The improvement of agriculture in the
hands of freemen and on properties of a moderate extent, the
flourishing state of the mechanical arts when freed from the tram-
mels of municipal restrictions, the increased impetus imparted to
commerce by the multiplied means of contact of nations with
each other, are all brilliant results of the intellectual progress of
mankind, and of the amelioration of political institutions in which
this progress is reflected. The picture presented by modern his-
tory ought to convince those who are tardy in awakening to the
truth of the lesson it teaches.
Nor let it be feared that the marked predilection for the study
of nature, and for industrial progress, which is so characteristic
of the present age, should necessarily have a tendency to retard
the noble exertions of the intellect in the domains of philosophy,
classical history, and antiquity; or to deprive the arts by which


## p. 7776 (#594) ###########################################

7776
ALEXANDER VON HUMBOLDT
life is embellished of the vivifying breath of imagination. Where
all the germs of civilization are developed beneath the ægis of
free institutions and wise legislation, there is no cause for appre-
hending that any one branch of knowledge should be cultivated
to the prejudice of others. All afford the State precious fruits,
whether they yield nourishment to man and constitute his physi-
cal wealth, or whether, more permanent in their nature, they
transmit in the works of mind the glory of nations to remotest
posterity. The Spartans, notwithstanding their Doric austerity,
prayed the gods to grant them "the beautiful with the good.
"
I will no longer dwell upon the considerations of the influ-
ence exercised by the mathematical and physical sciences on all
that appertains to the material wants of social life; for the vast
extent of the course on which I am entering forbids me to insist
further upon the utility of these applications. Accustomed to
distant excursions, I may perhaps have erred in describing the
path before us as more smooth and pleasant than it really is, for
such is wont to be the practice of those who delight in guiding
others to the summits of lofty mountains: they praise the view
even when a great part of the distant plains lie hidden by clouds,
knowing that this half-transparent vapory veil imparts to the scene
a certain charm from the power exercised by the imagination over
the domain of the senses. In like manner, from the height occu-
pied by the physical history of the world, all parts of the horizon
will not appear equally clear and well defined. This indistinct-
ness will not, however, be wholly owing to the present imperfect
state of some of the sciences, but in part likewise to the unskill-
fulness of the guide who has imprudently ventured to ascend these
lofty summits.


## p. 7776 (#595) ###########################################



## p. 7776 (#596) ###########################################


DAVID HUME.


## p. 7776 (#597) ###########################################

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## p. 7776 (#598) ###########################################

EX
DAVID HUM-


## p. 7777 (#599) ###########################################

7777
-
XIII-487
DAVID HUME
(1711-1776)
D
SAVID HUME not only founded the literary school of English his-
torical writing, and originated some of the more important
doctrines of modern political economy, but also exercised
a paramount influence on the philosophic thought of the eighteenth
century.
He was the younger son of Joseph Hume, laird of Ninewells in
Berwickshire; and was born at Edinburgh April 26th (O. S. ), 1711.
He appears to have entered the University of Edinburgh at the age
of twelve, and to have left at fourteen or fifteen without taking a
degree. He began the study of law, but abandoned it in order to
devote himself to the "pursuits of philosophy and learning. " His
first work, the Treatise of Human Nature,' was published partly in
1739 and partly in 1740; the books entitled 'Of the Understanding'
and 'Of the Passions' appearing in the former, and that entitled 'Of
Morals in the latter year.
The Treatise of Human Nature' is the final and most complete
exposition of the fundamental principles of the old school of empirical
philosophy, the school to which belonged Bacon, Locke, and Berke-
ley. According to Hume, the contents of the mind are embraced
in the term "perceptions. " Perceptions consist of sensuous impres-
sions and ideas. Ideas are merely images of sensuous impressions.
Knowledge is the cognition of the relation between two perceptions.
There is no necessary connection between cause and effect. The
idea of cause depends on the habit of the mind which expects the
event that usually follows another. Mind is but a series or succession
of isolated impressions and ideas. As knowledge is dependent on
experience derived through the senses, and as the senses frequently
deceive, one can have no absolute knowledge of things, but only of
one's impression of them. Hence, to give the conclusion later arrived
at in the famous 'Essay on Miracles,' a miracle even genuine is
incapable of proof.
The Treatise of Human Nature' is clear, forcible, and untech-
nical. Its most striking characteristics are its spontaneity and indi-
viduality. Hume owed little to academic training, and wrote his
BY M. A. MIKKELSEN


## p. 7778 (#600) ###########################################

7778
DAVID HUME
earlier works at a distance from centres of learning, without access
to large libraries. The literary beauties of the Treatise,' however,
are marred by its structural defects. It is a series of brilliant frag-
ments rather than a well-rounded whole, and is concerned more with
criticism of metaphysical opinions from the point of view of Hume's
theory of knowledge than with the construction of a complete system
of philosophy.
(
In 1741 appeared the first volume of the Essays, Moral and Polit-
ical,' the second volume coming out in the following year. These
essays, with some additions and omissions, were republished in 1748
under the expanded title, Essays, Moral, Political, and Literary,'
which has been retained in the many subsequent editions. Hume's
essays are models of their kind, full of sparkle, interest, and anima-
tion.
As an essayist he has not been surpassed in purity of diction,
and no English writer except Addison equals him in the sense of
harmony. His essays are characterized by intellectual impartiality,
and by a philosophical breadth of view coupled with critical acute-
ness in matters of detail. His Political Discourses,' which were
written in the same vein as the Essays, appeared in 1752.
The Essays' and the 'Political Discourses' achieved great popu
larity both in England and on the Continent. Since the publication
of Montesquieu's 'Spirit of Laws' no other work on politics had
attracted so much attention as the 'Political Discourses. ' In France
particularly it was read by all classes, and was an important intel-
lectual factor in the political agitation which preceded the French
Revolution. In England Hume's views on money, trade, and govern-
ment were generally accepted; and if the French Revolution had not
occasioned a conservative reaction, free trade and electoral reform
would probably have been adopted by Parliament in the eighteenth
instead of in the nineteenth century.
The 'Political Discourses' has been called "the cradle of political
economy. »
It advanced original views on the subject of commerce,
on money, on interest, and on the balance of trade; views which
were afterwards adopted by Hume's close friend, Adam Smith. Hume
refutes the mercantilist error which confounded money with wealth.
"Men and commodities," he says, "are the real strength of any
community.
In the national stock of labor consists all real
power and riches. " He exposes the error of the theory that the rate
of interest depends on the quantity of money in a country, and
shows that the reduction of it must be the result of "the increase of
industry and frugality, of arts and commerce. " He condemns the
«< numberless bars, obstructions, and imposts which all nations of
Europe, and none more than England, have put upon trade," and
points out the international character of commerce. "Not only as a


## p. 7779 (#601) ###########################################

DAVID HUME
7779
man, but as a British subject," he says, "I pray for the flourishing
commerce of Germany, Spain, Italy, and even of France itself. "
Till the age of forty, Hume's life was spent chiefly in the seclus-
ion of Ninewells, the family estate; interrupted by a sojourn of three
years in France from 1734 to 1737, by a few months' absence as com-
panion to the Marquis of Annandale in 1745 and 1746, and by a short
period of service as secretary to General St. Clair, whom he accom-
panied on the expedition against Port L'Orient in 1746 and on a mili-
tary embassy to Vienna and Turin. In 1751 he removed to Edinburgh,
where in the following year he was appointed keeper of the library
of the Faculty of Advocates, a post which he occupied until 1757.
The library of the Faculty was the largest in Scotland, and afforded
him an opportunity, long desired, of turning his attention to historical
studies. In 1754 he published a volume on the reigns of James I.
and Charles I. ; followed in 1756 by a volume on the period from the
execution of Charles to the Revolution of 1688, in 1759 by two vol-
umes on the house of Tudor, and in 1761 by two more on the period
from Julius Cæsar to Henry VII. Thus in the short space of ten
years he wrote and published his famous 'History of Great Britain,'
covering the entire period from the Roman conquest to the Revolution
of 1688.
ture.
Until the advent of Hume as a historian, history cannot be said
to have been cultivated in Great Britain as a branch of polite litera-
His predecessors were laborious compilers of dates and facts,
having no appreciation of the aesthetic possibilities of historical com-
position. Hume brought to his task consummate literary skill, and a
mind stored with the results of philosophical study and of economic
and political investigations. He was the first Englishman to see that
history is not merely a record of war and court intrigue, but that it
is concerned also with the literature, the manners, and the conditions
of life of the people. His profound psychological analysis of char-
acter, his insight into the complex social forces of history, and the
grace and charm of his style, won the admiration of his contempo-
raries; and the 'History of Great Britain' has furnished a method
to all subsequent English historical writers. In spite of a general air
of impartiality, however, Hume's history is as much a Tory as Mac-
aulay's is a Whig "pamphlet. " Thus, for instance, he draws a very
favorable picture of Charles I. and depreciates Cromwell. The expla-
nation is to be sought in the facts that he had no sympathy with
the religious enthusiasm of the Roundhead sectaries, and that he
conceived all intellectual culture and refinement to have been the
property of the court and the cavaliers. Recent investigations have
shown also that he used his authorities in an extremely careless man-
ner, and that he neglected documentary evidence at his command.


## p. 7780 (#602) ###########################################

7780
DAVID HUME
Since the rise of the modern critical school of history his work has
in fact been largely superseded. Nevertheless, it stood for generations
without a rival, and is even now almost unrivaled as a piece of
literary composition.
In 1763 he accepted the post of secretary to Lord Hertford, then
ambassador to France. In France Hume's reputation stood even
higher than in Britain, and he immediately became a social lion in
the Parisian world of fashion. Great nobles fêted him, and gather-
ings at noted salons were incomplete without his presence. He left
France in 1766, and after a short term as Under-Secretary of State
(1767-69) returned to Edinburgh, where he died August 25th, 1776.
Among his works of importance not hitherto mentioned are
Philosophical Essays concerning Human Understanding'; 'An En-
quiry concerning the Principles of Morals'; and 'Dialogues concern-
ing Natural Religion. '
(
Hume's personal character was thus described by himself in his
Autobiography, written four months before his death:-“I am . .
a man of mild disposition, of command of temper, of an open, social,
and cheerful humor, capable of attachment but little susceptible of
enmity, and of great moderation in all my passions. " The accuracy
of this description is confirmed by the testimony of his contemporaries
and the tone of his private correspondence. It was not until he had
reached middle age that he was able to gratify his taste for intel-
lectual society by removing from the country to the town, "the true
scene for a man of letters. " In his correspondence of 1751, the year
in which he settled in Edinburgh, appeared a characteristic bit of
domestic economy. "I might perhaps pretend as well as others to
complain of fortune," he wrote to Michael Ramsay; "but I do not,
and would condemn myself as unreasonable if I did. While interest
remains as at present, I have £50 a year, £100 worth of books, . . .
and near £100 in my pocket, along with order, frugality, a strong
spirit of independency, good health, a contented humor, and an un-
abated love of study. In these circumstances I must esteem myself
one of the happy and fortunate. " His reason for taking a house in
Edinburgh was that he might enjoy the companionship of his sister,
who like himself was unmarried. "And as my sister can join £30 a
year to my stock, and brings an equal love of order and frugality,
we doubt not to make our revenues answer. " It is pleasant to read
in his Autobiography that later his income rose to £1,000, and that
"the copy-money given me by the booksellers much exceeded any-
thing formerly known in England. " Slender as were his resources
during his first years in the Scottish capital, he turned his salary
as keeper of the Advocates' Library - £40 a year-over to the blind
poet Blacklock. He afterwards befriended Rousseau, when the latter


## p. 7781 (#603) ###########################################

DAVID HUME
7781
sought refuge in England from persecution. On this occasion, how-
ever, his kind offices plunged him into a disagreeable literary quarrel
with the morbid and perhaps mentally irresponsible beneficiary.
Absence of jealousy was a noticeable trait in Hume's character.
He gave assistance and encouragement to several of the younger
generation of Scottish writers; and his magnanimity is further illus-
trated by the helpful letter to his chief adversary, Thomas Reid,
which he wrote on returning the manuscript of the 'Enquiry into the
Human Mind,' submitted by the younger philosopher for the elder's
criticism. Hume was the first Scotsman to devote himself exclus-
ively, and with conspicuous success, to literatúre. During the closing
years of his life he had the satisfaction of seeing himself surrounded
at Edinburgh by a brilliant company of men of letters,- Adam Smith,
Ferguson, Blair, Gilbert Elliot, Lord Kames, Mackenzie, and others,—
who, whether accepting his philosophical opinions or not, derived
inspiration from his genial companionship.
M. A. Mikkelsen.
OF REFINEMENT IN THE ARTS
L
UXURY is a word of an uncertain signification, and may be
taken in a good as well as in a bad sense. In general it
means great refinement in the gratification of the senses;
and any degree of it may be innocent or blamable, according
to the age or country or condition of the person. The bounds
between the virtue and the vice cannot here be exactly fixed,
more than in other moral subjects. To imagine that the grati-
fying of any sense, or the indulging of any delicacy in meat,
drink, or apparel, is of itself a vice, can never enter into a head
that is not disordered by the frenzies of enthusiasm. I have
indeed heard of a monk abroad, who, because the windows of his
cell opened upon a noble prospect, made a covenant with his
eyes never to turn that way, or receive so sensual a gratification.
And such is the crime of drinking champagne or Burgundy,
preferable to small-beer or porter. These indulgences are only
vices when they are pursued at the expense of some virtue, as
liberality or charity; in like manner as they are follies when for
them a man ruins his fortune, and reduces himself to want and
beggary. Where they intrench upon no virtue, but leave ample
subject whence to provide for friends, family, and every proper


## p. 7782 (#604) ###########################################

7782
DAVID HUME
object of generosity or compassion, they are entirely innocent,
and have in every age been acknowledged such by almost all
moralists. To be entirely occupied with the luxury of the table,
for instance, without any relish for the pleasures of ambition,
study, or conversation, is a mark of stupidity, and is incompatible
with any vigor of temper or genius. To confine one's expense
entirely to such a gratification, without regard to friends or fam-
ily, is an indication of a heart destitute of humanity or benevo-
lence. But if a man reserves time sufficient for all laudable
pursuits, and money sufficient for all generous purposes, he is
free from every shadow of blame or reproach.
Since luxury may be considered either as innocent or blam-
able, one may be surprised at those preposterous opinions which
have been entertained concerning it: while men of libertine prin-
ciples bestow praises even on vicious luxury, and represent it as
highly advantageous to society; and on the other hand, men of
severe morals blame even the most innocent luxury, and repre-
sent it as the source of all corruptions, disorders, and factions
incident to civil government. We shall here endeavor to correct
both these extremes, by proving, first, that the ages of refine-
ment are both the happiest and most virtuous; secondly, that
wherever luxury ceases to be innocent it also ceases to be bene-
ficial; and when carried a degree too far, is a quality pernicious,
though perhaps not the most pernicious, to political society.
To prove the first point, we need but consider the effects of
refinement both on private and on public life. Human happiness,
according to the most received notions, seems to consist in three
ingredients, action, pleasure, and indolence; and though these
ingredients ought to be mixed in different proportions, according
to the particular disposition of the person, yet no one ingredient
can be entirely wanting, without destroying in some measure the
relish of the whole composition. Indolence or repose, indeed,
seems not of itself to contribute much to our enjoyment; but like
sleep, is requisite as an indulgence to the weakness of human
nature, which cannot support an uninterrupted course of business
or pleasure. That quick march of the spirits which takes a
man from himself, and chiefly gives satisfaction, does in the end
exhaust the mind, and requires some intervals of repose, which
though agreeable for a moment, yet if prolonged beget a languor
and lethargy that destroy all enjoyment. Education, custom, and
example have a mighty influence in turning the mind to any of
-


## p. 7783 (#605) ###########################################

DAVID HUME
7783
these pursuits; and it must be owned that where they promote a
relish for action and pleasure, they are so far favorable to human
happiness. In times when industry and the arts flourish, men
are kept in perpetual occupation, and enjoy as their reward the
occupation itself, as well as those pleasures which are the fruit of
their labor. The mind acquires new vigor; enlarges its powers
and faculties; and by an assiduity in honest industry, both satis-
fies its natural appetites and prevents the growth of unnatural
ones, which commonly spring up when nourished by ease and
idleness. Banish those arts from society, you deprive men both
of action and of pleasure; and leaving nothing but indolence in
their place, you even destroy the relish of indolence, which never
is agreeable but when it succeeds to labor, and recruits the spirits
exhausted by too much application and fatigue.
Another advantage of industry and of refinements in the me-
chanical arts is, that they commonly produce some refinements in
the liberal; nor can one be carried to perfection without being
accompanied in some degree with the other. The same age
which produces great philosophers and politicians, renowned gen-
erals and poets, usually abounds with skillful weavers and ship
carpenters. We cannot reasonably expect that a piece of woolen
cloth will be brought to perfection in a nation which is ignorant
of astronomy, or where ethics are neglected. The spirit of the
age affects all the arts; and the minds of men, being once roused
from their lethargy and put into a fermentation, turn themselves
on all sides and carry improvements into every art and science.
Profound ignorance is totally banished, and men enjoy the privi-
lege of rational creatures, to think as well as to act, to cultivate
the pleasures of the mind as well as those of the body.
The more these refined arts advance, the more sociable men
become. Nor is it possible that when enriched with science, and
possessed of a fund of conversation, they should be contented to
remain in solitude, or live with their fellow-citizens in that dis-
tant manner which is peculiar to ignorant and barbarous nations.
They flock into cities; love to receive and communicate knowl-
edge, to show their wit or their breeding, their taste in conversa-
tion or living, in clothes or furniture. Curiosity allures the wise,
vanity the foolish, and pleasure both. Particular clubs and soci
eties are everywhere formed. Both sexes meet in an easy and
sociable manner; and the tempers of men as well as their be-
havior refine apace. So that beside the improvements which they


## p. 7784 (#606) ###########################################

7784
DAVID HUME
receive from knowledge and the liberal arts, it is impossible but
they must feel an increase of humanity from the very habit of
conversing together, and contributing to each other's pleasure and
entertainment. Thus industry, knowledge, and humanity are linked
together by an indissoluble chain; and are found, from experience
as well as reason, to be peculiar to the more polished and what
are commonly denominated the more luxurious ages.
Nor are these advantages attended with disadvantages that
bear any proportion to them. The more men refine upon pleas-
ure, the less will they indulge in excesses of any kind; because
nothing is more destructive to true pleasure than such excesses.
One may safely affirm that the Tartars are oftener guilty of
beastly gluttony, when they feast on their dead horses, than
European courtiers with all their refinements of cookery. And
if [libertinism] be more frequent in polite ages, when it is often
regarded only as a piece of gallantry, drunkenness on the other
hand is much less common.
But industry, knowledge, and humanity are not advantageous
in private life alone: they diffuse their beneficial influence on
the public, and render the government as great and flourishing as
they make individuals happy and prosperous. The increase and
consumption of all the commodities which serve to the ornament
and pleasure of life are advantages to society; because, at the
same time that they multiply those innocent gratifications to
individuals, they are a kind of storehouse of labor, which in the
exigencies of State may be turned to the public service.
nation where there is no demand for such superfluities, men sink
into indolence, lose all enjoyment of life, and are useless to the
public, which cannot maintain or support its fleets and armies
from the industry of such slothful members.
In a
The bounds of all the European kingdoms are at present
nearly the same as they were two hundred years ago. But what
a difference is there in the power and grandeur of those king-
doms! which can be ascribed to nothing but the increase of art
and industry. When Charles VIII. of France invaded Italy,
he carried with him about 20,000 men; yet this armament so
exhausted the nation, as we learn from Guicciardin, that for some
years it was not able to make so great an effort. The late King
of France in time of war kept in pay above 400,000 men; though
from Mazarine's death to his own he was engaged in a course of
wars that lasted near thirty years.


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DAVID HUME
7785
This industry is much promoted by the knowledge insepa-
rable from ages of art and refinement; as on the other hand this
knowledge enables the public to make the best advantage of the
industry of its subjects. Laws, order, police, discipline, - these
can never be carried to any degree of perfection before human
reason has refined itself by exercise, and by an application to the
more vulgar arts, at least, of commerce and manufacture. Can we
expect that a government will be well modeled by a people who
know not how to make a spinning-wheel, or to employ a loom to
advantage? Not to mention that all ignorant ages are infested
with superstition, which throws the government off its bias, and
disturbs men in the pursuit of their interest and happiness.
Knowledge in the arts of government naturally begets mild-
ness and moderation, by instructing men in the advantages of
humane maxims above rigor and severity, which drive subjects
into rebellion, and make the return to submission impracticable
by cutting off all hopes of pardon. When the tempers of men
are softened as well as their knowledge improved, this humanity
appears still more conspicuous, and is the chief characteristic
which distinguishes a civilized age from times of barbarity and
ignorance. Factions are then less inveterate, revolutions less
tragical, authority less severe, and seditions less frequent. Even
foreign wars abate of their cruelty; and after the field of battle,
where honor and interest steel men against compassion as well
as fear, the combatants divest themselves of the brute and re-
sume the man.
Nor need we fear that men, by losing their ferocity, will lose
their martial spirit, or become less undaunted and vigorous in
defense of their country or their liberty. The arts have no such
effect in enervating either the mind or body. On the contrary,
industry, their inseparable attendant, adds new force to both.
And if anger, which is said to be the whetstone of courage, loses
somewhat of its asperity by politeness and refinement,— a sense
of honor, which is a stronger, more constant, and more govern-
able principle, acquires fresh vigor by that elevation of genius
which arises from knowledge and a good education.