There was a row in Silver Street--it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street--begod, I wonder why!
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street--begod, I wonder why!
Kipling - Poems
"
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By! " 2
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some juldee 3 in it
Or I'll marrow 4 you this minute
If you don't fill up my helmet, Gunga Din! "
'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is mussick 5 on 'is back,
'E would skip with our attack,
An' watch us till the bugles made "Retire",
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was "Din! Din! Din! "
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
"Hi! ammunition-mules an' Gunga Din! "
I shan't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din! "
'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died,
"I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone--
Where it's always double drill and no canteen;
'E'll be squattin' on the coals
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
1 Bring water swiftly.
2 Mr Atkins' equivalent for "O Brother. "
3 Hit you.
4 Be quick.
5 Water skin.
OONTS
(Northern India Transport Train)
Wot makes the soldier's 'eart to @penk, wot makes 'im to perspire?
It isn't standin' up to charge nor lyin' down to fire;
But it's everlastin' waitin' on a everlastin' road
For the commissariat camel an' 'is commissariat load.
O the oont, 1 O the oont, O the commissariat oont!
With 'is silly neck a-bobbin' like a basket full o' snakes;
We packs 'im like an idol, an' you ought to 'ear 'im grunt,
An' when we gets 'im loaded up 'is blessed girth-rope breaks.
Wot makes the rear-guard swear so 'ard when night is drorin' in,
An' every native follower is shiverin' for 'is skin?
It ain't the chanst o' being rushed by Paythans from the 'ills,
It's the commissariat camel puttin' on 'is bloomin' frills!
O the oont, O the oont, O the hairy scary oont!
A-trippin' over tent-ropes when we've got the night alarm!
We socks 'im with a stretcher-pole an' 'eads 'im off in front,
An' when we've saved 'is bloomin' life 'e chaws our bloomin' arm.
The 'orse 'e knows above a bit, the bullock's but a fool,
The elephant's a gentleman, the battery-mule's a mule;
But the commissariat cam-u-el, when all is said an' done,
'E's a devil an' a ostrich an' a orphan-child in one.
O the oont, O the oont, O the Gawd-forsaken oont!
The lumpy-'umpy 'ummin'-bird a-singin' where 'e lies,
'E's blocked the whole division from the rear-guard to the front,
An' when we get him up again--the beggar goes an' dies!
'E'll gall an' chafe an' lame an' fight--'e smells most awful vile;
'E'll lose 'isself for ever if you let 'im stray a mile;
'E's game to graze the 'ole day long an' 'owl the 'ole night through,
An' when 'e comes to greasy ground 'e splits 'isself in two.
O the oont, O the oont, O the floppin', droppin' oont!
When 'is long legs give from under an' 'is meltin' eye is dim,
The tribes is up be'ind us, and the tribes is out in front--
It ain't no jam for Tommy, but it's kites an' crows for 'im.
So when the cruel march is done, an' when the roads is blind,
An' when we sees the camp in front an' 'ears the shots be'ind,
Ho! then we strips 'is saddle off, and all 'is woes is past:
'E thinks on us that used 'im so, and gets revenge at last.
O the oont, O the oont, O the floatin', bloatin' oont!
The late lamented camel in the water-cut 'e lies;
We keeps a mile be'ind 'im an' we keeps a mile in front,
But 'e gets into the drinkin'-casks, and then o' course we dies.
1 Camel--oo is pronounced like u in "bull," but by Mr. Atkins to
rhyme with "front. "
LOOT
If you've ever stole a pheasant-egg be'ind the keeper's back,
If you've ever snigged the washin' from the line,
If you've ever crammed a gander in your bloomin' 'aversack,
You will understand this little song o' mine.
But the service rules are 'ard, an' from such we are debarred,
For the same with English morals does not suit.
(Cornet: Toot! toot! )
W'y, they call a man a robber if 'e stuffs 'is marchin' clobber
With the--
(Chorus) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot!
Ow the loot!
Bloomin' loot!
That's the thing to make the boys git up an' shoot!
It's the same with dogs an' men,
If you'd make 'em come again
Clap 'em forward with a Loo! loo! Lulu! Loot!
(ff) Whoopee! Tear 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
If you've knocked a nigger edgeways when 'e's thrustin' for your life,
You must leave 'im very careful where 'e fell;
An' may thank your stars an' gaiters if you didn't feel 'is knife
That you ain't told off to bury 'im as well.
Then the sweatin' Tommies wonder as they spade the beggars under
Why lootin' should be entered as a crime;
So if my song you'll 'ear, I will learn you plain an' clear
'Ow to pay yourself for fightin' overtime.
(Chorus) With the loot,. . .
Now remember when you're 'acking round a gilded Burma god
That 'is eyes is very often precious stones;
An' if you treat a nigger to a dose o' cleanin'-rod
'E's like to show you everything 'e owns.
When 'e won't prodooce no more, pour some water on the floor
Where you 'ear it answer 'ollow to the boot
(Cornet: Toot! toot! )--
When the ground begins to sink, shove your baynick down the chink,
An' you're sure to touch the--
(Chorus) Loo! loo! Lulu! Loot! loot! loot!
Ow the loot! . . .
When from 'ouse to 'ouse you're 'unting, you must always work in pairs--
It 'alves the gain, but safer you will find--
For a single man gets bottled on them twisty-wisty stairs,
An' a woman comes and clobs 'im from be'ind.
When you've turned 'em inside out, an' it seems beyond a doubt
As if there weren't enough to dust a flute
(Cornet: Toot! toot! )--
Before you sling your 'ook, at the 'ousetops take a look,
For it's underneath the tiles they 'ide the loot.
(Chorus) Ow the loot! . . .
You can mostly square a Sergint an' a Quartermaster too,
If you only take the proper way to go;
I could never keep my pickin's, but I've learned you all I knew--
An' don't you never say I told you so.
An' now I'll bid good-bye, for I'm gettin' rather dry,
An' I see another tunin' up to toot
(Cornet: Toot! toot! )--
So 'ere's good-luck to those that wears the Widow's clo'es,
An' the Devil send 'em all they want o' loot!
(Chorus) Yes, the loot,
Bloomin' loot!
In the tunic an' the mess-tin an' the boot!
It's the same with dogs an' men,
If you'd make 'em come again
(fff) Whoop 'em forward with a Loo! loo! Lulu! Loot! loot! loot!
Heeya! Sick 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
'SNARLEYOW'
This 'appened in a battle to a batt'ry of the corps
Which is first among the women an' amazin' first in war;
An' what the bloomin' battle was I don't remember now,
But Two's off-lead 'e answered to the name o' Snarleyow.
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
They was movin' into action, they was needed very sore,
To learn a little schoolin' to a native army corps,
They 'ad nipped against an uphill, they was tuckin' down the brow,
When a tricky, trundlin' roundshot give the knock to Snarleyow.
They cut 'im loose an' left 'im--'e was almost tore in two--
But he tried to follow after as a well-trained 'orse should do;
'E went an' fouled the limber, an' the Driver's Brother squeals:
"Pull up, pull up for Snarleyow--'is head's between 'is 'eels! "
The Driver 'umped 'is shoulder, for the wheels was goin' round,
An' there ain't no "Stop, conductor! " when a batt'ry's changin' ground;
Sez 'e: "I broke the beggar in, an' very sad I feels,
But I couldn't pull up, not for you--your 'ead between your 'eels! "
'E 'adn't 'ardly spoke the word, before a droppin' shell
A little right the batt'ry an' between the sections fell;
An' when the smoke 'ad cleared away, before the limber wheels,
There lay the Driver's Brother with 'is 'ead between 'is 'eels.
Then sez the Driver's Brother, an' 'is words was very plain,
"For Gawd's own sake get over me, an' put me out o' pain. "
They saw 'is wounds was mortial, an' they judged that it was best,
So they took an' drove the limber straight across 'is back an' chest.
The Driver 'e give nothin' 'cept a little coughin' grunt,
But 'e swung 'is 'orses 'andsome when it came to "Action Front! "
An' if one wheel was juicy, you may lay your Monday head
'Twas juicier for the niggers when the case begun to spread.
The moril of this story, it is plainly to be seen:
You 'avn't got no families when servin' of the Queen--
You 'avn't got no brothers, fathers, sisters, wives, or sons--
If you want to win your battles take an' work your bloomin' guns!
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
THE WIDOW AT WINDSOR
'Ave you 'eard o' the Widow at Windsor
With a hairy gold crown on 'er 'ead?
She 'as ships on the foam--she 'as millions at 'ome,
An' she pays us poor beggars in red.
(Ow, poor beggars in red! )
There's 'er nick on the cavalry 'orses,
There's 'er mark on the medical stores--
An' 'er troopers you'll find with a fair wind be'ind
That takes us to various wars.
(Poor beggars! --barbarious wars! )
Then 'ere's to the Widow at Windsor,
An' 'ere's to the stores an' the guns,
The men an' the 'orses what makes up the forces
O' Missis Victorier's sons.
(Poor beggars! Victorier's sons! )
Walk wide o' the Widow at Windsor,
For 'alf o' Creation she owns:
We 'ave bought 'er the same with the sword an' the flame,
An' we've salted it down with our bones.
(Poor beggars! --it's blue with our bones! )
Hands off o' the sons o' the Widow,
Hands off o' the goods in 'er shop,
For the Kings must come down an' the Emperors frown
When the Widow at Windsor says "Stop"!
(Poor beggars! --we're sent to say "Stop"! )
Then 'ere's to the Lodge o' the Widow,
From the Pole to the Tropics it runs--
To the Lodge that we tile with the rank an' the file,
An' open in form with the guns.
(Poor beggars! --it's always they guns! )
We 'ave 'eard o' the Widow at Windsor,
It's safest to let 'er alone:
For 'er sentries we stand by the sea an' the land
Wherever the bugles are blown.
(Poor beggars! --an' don't we get blown! )
Take 'old o' the Wings o' the Mornin',
An' flop round the earth till you're dead;
But you won't get away from the tune that they play
To the bloomin' old rag over'ead.
(Poor beggars! --it's 'ot over'ead! )
Then 'ere's to the sons o' the Widow,
Wherever, 'owever they roam.
'Ere's all they desire, an' if they require
A speedy return to their 'ome.
(Poor beggars! --they'll never see 'ome! )
BELTS
There was a row in Silver Street that's near to Dublin Quay,
Between an Irish regiment an' English cavalree;
It started at Revelly an' it lasted on till dark:
The first man dropped at Harrison's, the last forninst the Park.
For it was:--"Belts, belts, belts, an' that's one for you! "
An' it was "Belts, belts, belts, an' that's done for you! "
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
There was a row in Silver Street--the regiments was out,
They called us "Delhi Rebels", an' we answered "Threes about! "
That drew them like a hornet's nest--we met them good an' large,
The English at the double an' the Irish at the charge.
Then it was:--"Belts. . .
There was a row in Silver Street--an' I was in it too;
We passed the time o' day, an' then the belts went whirraru!
I misremember what occurred, but subsequint the storm
A Freeman's Journal Supplemint was all my uniform.
O it was:--"Belts. . .
There was a row in Silver Street--they sent the Polis there,
The English were too drunk to know, the Irish didn't care;
But when they grew impertinint we simultaneous rose,
Till half o' them was Liffey mud an' half was tatthered clo'es.
For it was:--"Belts. . .
There was a row in Silver Street--it might ha' raged till now,
But some one drew his side-arm clear, an' nobody knew how;
'Twas Hogan took the point an' dropped; we saw the red blood run:
An' so we all was murderers that started out in fun.
While it was:--"Belts. . .
There was a row in Silver Street--but that put down the shine,
Wid each man whisperin' to his next: "'Twas never work o' mine! "
We went away like beaten dogs, an' down the street we bore him,
The poor dumb corpse that couldn't tell the bhoys were sorry for him.
When it was:--"Belts. . .
There was a row in Silver Street--it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street--begod, I wonder why!
But it was:--"Belts, belts, belts, an' that's one for you! "
An' it was "Belts, belts, belts, an' that's done for you! "
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
THE YOUNG BRITISH SOLDIER
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier of the Queen!
Now all you recruities what's drafted today,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier. . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts--
Ay, drink that 'ud eat the live steel from your butts--
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier. . .
When the cholera comes--as it will past a doubt--
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier. . .
But the worst o' your foes is the sun over'ead:
You must wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier. . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier. . .
Now, if you must marry, take care she is old--
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier. . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em--you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier. . .
When first under fire an' you're wishful to duck,
Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier. . .
When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old bitch;
She's human as you are--you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier. . .
When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier. . .
If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier. . .
When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier of the Queen!
MANDALAY
By the old Moulmein Pagoda, lookin' lazy at the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay! "
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat--jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud--
Wot they called the Great Gawd Budd--
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay. . .
When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! "
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay. . .
But that's all shove be'ind me--long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else. "
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay. . .
I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and--
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay. . .
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be--
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
TROOPIN'
(Our Army in the East)
Troopin', troopin', troopin' to the sea:
'Ere's September come again--the six-year men are free.
O leave the dead be'ind us, for they cannot come away
To where the ship's a-coalin' up that takes us 'ome today.
We're goin' 'ome, we're goin' 'ome,
Our ship is at the shore,
An' you must pack your 'aversack,
For we won't come back no more.
Ho, don't you grieve for me,
My lovely Mary-Ann,
For I'll marry you yit on a fourp'ny bit
As a time-expired man.
The Malabar's in 'arbour with the Jumner at 'er tail,
An' the time-expired's waitin' of 'is orders for to sail.
Ho! the weary waitin' when on Khyber 'ills we lay,
But the time-expired's waitin' of 'is orders 'ome today.
They'll turn us out at Portsmouth wharf in cold an' wet an' rain,
All wearin' Injian cotton kit, but we will not complain;
They'll kill us of pneumonia--for that's their little way--
But damn the chills and fever, men, we're goin' 'ome today!
Troopin', troopin', winter's round again!
See the new draf's pourin' in for the old campaign;
Ho, you poor recruities, but you've got to earn your pay--
What's the last from Lunnon, lads? We're goin' there today.
Troopin', troopin', give another cheer--
'Ere's to English women an' a quart of English beer.
The Colonel an' the regiment an' all who've got to stay,
Gawd's mercy strike 'em gentle--Whoop! we're goin' 'ome today.
We're goin' 'ome, we're goin' 'ome,
Our ship is at the shore,
An' you must pack your 'aversack,
For we won't come back no more.
Ho, don't you grieve for me,
My lovely Mary-Ann,
For I'll marry you yit on a fourp'ny bit
As a time-expired man.
FORD O' KABUL RIVER
Kabul town's by Kabul river--
Blow the bugle, draw the sword--
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.
Kabul town's a blasted place--
Blow the bugle, draw the sword--
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Keep the crossing-stakes beside you, an' they will surely guide you
'Cross the ford o' Kabul river in the dark.
Kabul town is sun and dust--
Blow the bugle, draw the sword--
I'd ha' sooner drownded fust
'Stead of 'im beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
You can 'ear the 'orses threshin', you can 'ear the men a-splashin',
'Cross the ford o' Kabul river in the dark.
Kabul town was ours to take--
Blow the bugle, draw the sword--
I'd ha' left it for 'is sake--
'Im that left me by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
It's none so bloomin' dry there; ain't you never comin' nigh there,
'Cross the ford o' Kabul river in the dark?
Kabul town'll go to hell--
Blow the bugle, draw the sword--
'Fore I see him 'live an' well--
'Im the best beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Gawd 'elp 'em if they blunder, for their boots'll pull 'em under,
By the ford o' Kabul river in the dark.
Turn your 'orse from Kabul town--
Blow the bugle, draw the sword--
'Im an' 'arf my troop is down,
Down an' drownded by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river low an' fallin', but it ain't no use o' callin'
'Cross the ford o' Kabul river in the dark.
ROUTE MARCHIN'
We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow! "--
"Kiko kissywarsti don't you hamsher argy jow? " 2
Oh, there's them Injian temples to admire when you see,
There's the peacock round the corner an' the monkey up the tree,
An' there's that rummy silver grass a-wavin' in the wind,
An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.
While it's best foot first,. . .
At half-past five's Revelly, an' our tents they down must come,
Like a lot of button mushrooms when you pick 'em up at 'ome.
But it's over in a minute, an' at six the column starts,
While the women and the kiddies sit an' shiver in the carts.
An' it's best foot first,. . .
Oh, then it's open order, an' we lights our pipes an' sings,
An' we talks about our rations an' a lot of other things,
An' we thinks o' friends in England, an' we wonders what they're at,
An' 'ow they would admire for to hear us sling the bat. 1
An' it's best foot first,. . .
It's none so bad o' Sunday, when you're lyin' at your ease,
To watch the kites a-wheelin' round them feather-'eaded trees,
For although there ain't no women, yet there ain't no barrick-yards,
So the orficers goes shootin' an' the men they plays at cards.
Till it's best foot first,. . .
So 'ark an' 'eed, you rookies, which is always grumblin' sore,
There's worser things than marchin' from Umballa to Cawnpore;
An' if your 'eels are blistered an' they feels to 'urt like 'ell,
You drop some tallow in your socks an' that will make 'em well.
For it's best foot first,. . .
We're marchin' on relief over Injia's coral strand,
Eight 'undred fightin' Englishmen, the Colonel, and the Band;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow! "--
"Kiko kissywarsti don't you hamsher argy jow? "2
1 Thomas's first and firmest conviction is that he is a profound Orientalist
and a fluent speaker of Hindustani. As a matter of fact, he depends largely
on the sign-language.
2 Why don't you get on
The end
* * * * * *
VOLUME III. THE PHANTOM 'RICKSHAW AND OTHER GHOST STORIES
THE PHANTOM 'RICKSHAW
May no ill dreams disturb my rest,
Nor Powers of Darkness me molest.
--Evening Hymn.
ONE of the few advantages that India has over England is a great
Knowability. After five years' service a man is directly or indirectly
acquainted with the two or three hundred Civilians in his Province, all
the Messes of ten or twelve Regiments and Batteries, and some fifteen
hundred other people of the non-official caste. In ten years his
knowledge should be doubled, and at the end of twenty he knows, or knows
something about, every Englishman in the Empire, and may travel anywhere
and everywhere without paying hotel-bills.
Globe-trotters who expect entertainment as a right, have, even within my
memory, blunted this open-heartedness, but none the less today, if you
belong to the Inner Circle and are neither a Bear nor a Black Sheep,
all houses are open to you, and our small world is very, very kind and
helpful.
Rickett of Kamartha stayed with Polder of Kumaon some fifteen years ago.
He meant to stay two nights, but was knocked down by rheumatic fever,
and for six weeks disorganized Polder's establishment, stopped Polder's
work, and nearly died in Polder's bedroom. Polder behaves as though he
had been placed under eternal obligation by Rickett, and yearly
sends the little Ricketts a box of presents and toys. It is the same
everywhere. The men who do not take the trouble to conceal from you
their opinion that you are an incompetent ass, and the women who blacken
your character and misunderstand your wife's amusements, will work
themselves to the bone in your behalf if you fall sick or into serious
trouble.
Heatherlegh, the Doctor, kept, in addition to his regular practice,
a hospital on his private account--an arrangement of loose boxes for
Incurables, his friend called it--but it was really a sort of fitting-up
shed for craft that had been damaged by stress of weather. The weather
in India is often sultry, and since the tale of bricks is always a fixed
quantity, and the only liberty allowed is permission to work overtime
and get no thanks, men occasionally break down and become as mixed as
the metaphors in this sentence.
Heatherlegh is the dearest doctor that ever was, and his invariable
prescription to all his patients is, "lie low, go slow, and keep cool. "
He says that more men are killed by overwork than the importance of this
world justifies. He maintains that overwork slew Pansay, who died under
his hands about three years ago. He has, of course, the right to speak
authoritatively, and he laughs at my theory that there was a crack
in Pansay's head and a little bit of the Dark World came through and
pressed him to death. "Pansay went off the handle," says Heatherlegh,
"after the stimulus of long leave at Home. He may or he may not have
behaved like a blackguard to Mrs. Keith-Wessington. My notion is that
the work of the Katabundi Settlement ran him off his legs, and that he
took to brooding and making much of an ordinary P. & 0. flirtation. He
certainly was engaged to Miss Mannering, and she certainly broke off the
engagement. Then he took a feverish chill and all that nonsense about
ghosts developed. Overwork started his illness, kept it alight, and
killed him poor devil. Write him off to the System--one man to take the
work of two and a half men. "
I do not believe this. I used to sit up with Pansay sometimes when
Heatherlegh was called out to patients, and I happened to be within
claim. The man would make me most unhappy by describing in a low, even
voice, the procession that was always passing at the bottom of his bed.
He had a sick man's command of language.
When he recovered I suggested that he should write out the whole affair
from beginning to end, knowing that ink might assist him to ease his
mind. When little boys have learned a new bad word they are never happy
till they have chalked it up on a door. And this also is Literature.
He was in a high fever while he was writing, and the blood-and-thunder
Magazine diction he adopted did not calm him. Two months afterward
he was reported fit for duty, but, in spite of the fact that he was
urgently needed to help an undermanned Commission stagger through a
deficit, he preferred to die; vowing at the last that he was hag-ridden.
I got his manuscript before he died, and this is his version of the
affair, dated 1885:
My doctor tells me that I need rest and change of air. It is not
improbable that I shall get both ere long--rest that neither the
red-coated messenger nor the midday gun can break, and change of air
far beyond that which any homeward-bound steamer can give me. In the
meantime I am resolved to stay where I am; and, in flat defiance of my
doctor's orders, to take all the world into my confidence. You shall
learn for yourselves the precise nature of my malady; and shall, too,
judge for yourselves whether any man born of woman on this weary earth
was ever so tormented as I.
Speaking now as a condemned criminal might speak ere the drop-bolts are
drawn, my story, wild and hideously improbable as it may appear,
demands at least attention. That it will ever receive credence I utterly
disbelieve. Two months ago I should have scouted as mad or drunk the man
who had dared tell me the like. Two months ago I was the happiest man in
India. Today, from Peshawur to the sea, there is no one more wretched.
My doctor and I are the only two who know this. His explanation is, that
my brain, digestion, and eyesight are all slightly affected; giving rise
to my frequent and persistent "delusions. " Delusions, indeed! I call him
a fool; but he attends me still with the same unwearied smile, the same
bland professional manner, the same neatly trimmed red whiskers, till I
begin to suspect that I am an ungrateful, evil-tempered invalid. But you
shall judge for yourselves.
Three years ago it was my fortune--my great misfortune--to sail
from Gravesend to Bombay, on return from long leave, with one Agnes
Keith-Wessington, wife of an officer on the Bombay side. It does not in
the least concern you to know what manner of woman she was. Be content
with the knowledge that, ere the voyage had ended, both she and I were
desperately and unreasoningly in love with one another. Heaven knows
that I can make the admission now without one particle of vanity. In
matters of this sort there is always one who gives and another who
accepts. From the first day of our ill-omened attachment, I was
conscious that Agnes's passion was a stronger, a more dominant, and--if
I may use the expression--a purer sentiment than mine. Whether she
recognized the fact then, I do not know.
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By! " 2
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some juldee 3 in it
Or I'll marrow 4 you this minute
If you don't fill up my helmet, Gunga Din! "
'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is mussick 5 on 'is back,
'E would skip with our attack,
An' watch us till the bugles made "Retire",
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was "Din! Din! Din! "
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
"Hi! ammunition-mules an' Gunga Din! "
I shan't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din! "
'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died,
"I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone--
Where it's always double drill and no canteen;
'E'll be squattin' on the coals
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
1 Bring water swiftly.
2 Mr Atkins' equivalent for "O Brother. "
3 Hit you.
4 Be quick.
5 Water skin.
OONTS
(Northern India Transport Train)
Wot makes the soldier's 'eart to @penk, wot makes 'im to perspire?
It isn't standin' up to charge nor lyin' down to fire;
But it's everlastin' waitin' on a everlastin' road
For the commissariat camel an' 'is commissariat load.
O the oont, 1 O the oont, O the commissariat oont!
With 'is silly neck a-bobbin' like a basket full o' snakes;
We packs 'im like an idol, an' you ought to 'ear 'im grunt,
An' when we gets 'im loaded up 'is blessed girth-rope breaks.
Wot makes the rear-guard swear so 'ard when night is drorin' in,
An' every native follower is shiverin' for 'is skin?
It ain't the chanst o' being rushed by Paythans from the 'ills,
It's the commissariat camel puttin' on 'is bloomin' frills!
O the oont, O the oont, O the hairy scary oont!
A-trippin' over tent-ropes when we've got the night alarm!
We socks 'im with a stretcher-pole an' 'eads 'im off in front,
An' when we've saved 'is bloomin' life 'e chaws our bloomin' arm.
The 'orse 'e knows above a bit, the bullock's but a fool,
The elephant's a gentleman, the battery-mule's a mule;
But the commissariat cam-u-el, when all is said an' done,
'E's a devil an' a ostrich an' a orphan-child in one.
O the oont, O the oont, O the Gawd-forsaken oont!
The lumpy-'umpy 'ummin'-bird a-singin' where 'e lies,
'E's blocked the whole division from the rear-guard to the front,
An' when we get him up again--the beggar goes an' dies!
'E'll gall an' chafe an' lame an' fight--'e smells most awful vile;
'E'll lose 'isself for ever if you let 'im stray a mile;
'E's game to graze the 'ole day long an' 'owl the 'ole night through,
An' when 'e comes to greasy ground 'e splits 'isself in two.
O the oont, O the oont, O the floppin', droppin' oont!
When 'is long legs give from under an' 'is meltin' eye is dim,
The tribes is up be'ind us, and the tribes is out in front--
It ain't no jam for Tommy, but it's kites an' crows for 'im.
So when the cruel march is done, an' when the roads is blind,
An' when we sees the camp in front an' 'ears the shots be'ind,
Ho! then we strips 'is saddle off, and all 'is woes is past:
'E thinks on us that used 'im so, and gets revenge at last.
O the oont, O the oont, O the floatin', bloatin' oont!
The late lamented camel in the water-cut 'e lies;
We keeps a mile be'ind 'im an' we keeps a mile in front,
But 'e gets into the drinkin'-casks, and then o' course we dies.
1 Camel--oo is pronounced like u in "bull," but by Mr. Atkins to
rhyme with "front. "
LOOT
If you've ever stole a pheasant-egg be'ind the keeper's back,
If you've ever snigged the washin' from the line,
If you've ever crammed a gander in your bloomin' 'aversack,
You will understand this little song o' mine.
But the service rules are 'ard, an' from such we are debarred,
For the same with English morals does not suit.
(Cornet: Toot! toot! )
W'y, they call a man a robber if 'e stuffs 'is marchin' clobber
With the--
(Chorus) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot!
Ow the loot!
Bloomin' loot!
That's the thing to make the boys git up an' shoot!
It's the same with dogs an' men,
If you'd make 'em come again
Clap 'em forward with a Loo! loo! Lulu! Loot!
(ff) Whoopee! Tear 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
If you've knocked a nigger edgeways when 'e's thrustin' for your life,
You must leave 'im very careful where 'e fell;
An' may thank your stars an' gaiters if you didn't feel 'is knife
That you ain't told off to bury 'im as well.
Then the sweatin' Tommies wonder as they spade the beggars under
Why lootin' should be entered as a crime;
So if my song you'll 'ear, I will learn you plain an' clear
'Ow to pay yourself for fightin' overtime.
(Chorus) With the loot,. . .
Now remember when you're 'acking round a gilded Burma god
That 'is eyes is very often precious stones;
An' if you treat a nigger to a dose o' cleanin'-rod
'E's like to show you everything 'e owns.
When 'e won't prodooce no more, pour some water on the floor
Where you 'ear it answer 'ollow to the boot
(Cornet: Toot! toot! )--
When the ground begins to sink, shove your baynick down the chink,
An' you're sure to touch the--
(Chorus) Loo! loo! Lulu! Loot! loot! loot!
Ow the loot! . . .
When from 'ouse to 'ouse you're 'unting, you must always work in pairs--
It 'alves the gain, but safer you will find--
For a single man gets bottled on them twisty-wisty stairs,
An' a woman comes and clobs 'im from be'ind.
When you've turned 'em inside out, an' it seems beyond a doubt
As if there weren't enough to dust a flute
(Cornet: Toot! toot! )--
Before you sling your 'ook, at the 'ousetops take a look,
For it's underneath the tiles they 'ide the loot.
(Chorus) Ow the loot! . . .
You can mostly square a Sergint an' a Quartermaster too,
If you only take the proper way to go;
I could never keep my pickin's, but I've learned you all I knew--
An' don't you never say I told you so.
An' now I'll bid good-bye, for I'm gettin' rather dry,
An' I see another tunin' up to toot
(Cornet: Toot! toot! )--
So 'ere's good-luck to those that wears the Widow's clo'es,
An' the Devil send 'em all they want o' loot!
(Chorus) Yes, the loot,
Bloomin' loot!
In the tunic an' the mess-tin an' the boot!
It's the same with dogs an' men,
If you'd make 'em come again
(fff) Whoop 'em forward with a Loo! loo! Lulu! Loot! loot! loot!
Heeya! Sick 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
'SNARLEYOW'
This 'appened in a battle to a batt'ry of the corps
Which is first among the women an' amazin' first in war;
An' what the bloomin' battle was I don't remember now,
But Two's off-lead 'e answered to the name o' Snarleyow.
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
They was movin' into action, they was needed very sore,
To learn a little schoolin' to a native army corps,
They 'ad nipped against an uphill, they was tuckin' down the brow,
When a tricky, trundlin' roundshot give the knock to Snarleyow.
They cut 'im loose an' left 'im--'e was almost tore in two--
But he tried to follow after as a well-trained 'orse should do;
'E went an' fouled the limber, an' the Driver's Brother squeals:
"Pull up, pull up for Snarleyow--'is head's between 'is 'eels! "
The Driver 'umped 'is shoulder, for the wheels was goin' round,
An' there ain't no "Stop, conductor! " when a batt'ry's changin' ground;
Sez 'e: "I broke the beggar in, an' very sad I feels,
But I couldn't pull up, not for you--your 'ead between your 'eels! "
'E 'adn't 'ardly spoke the word, before a droppin' shell
A little right the batt'ry an' between the sections fell;
An' when the smoke 'ad cleared away, before the limber wheels,
There lay the Driver's Brother with 'is 'ead between 'is 'eels.
Then sez the Driver's Brother, an' 'is words was very plain,
"For Gawd's own sake get over me, an' put me out o' pain. "
They saw 'is wounds was mortial, an' they judged that it was best,
So they took an' drove the limber straight across 'is back an' chest.
The Driver 'e give nothin' 'cept a little coughin' grunt,
But 'e swung 'is 'orses 'andsome when it came to "Action Front! "
An' if one wheel was juicy, you may lay your Monday head
'Twas juicier for the niggers when the case begun to spread.
The moril of this story, it is plainly to be seen:
You 'avn't got no families when servin' of the Queen--
You 'avn't got no brothers, fathers, sisters, wives, or sons--
If you want to win your battles take an' work your bloomin' guns!
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
THE WIDOW AT WINDSOR
'Ave you 'eard o' the Widow at Windsor
With a hairy gold crown on 'er 'ead?
She 'as ships on the foam--she 'as millions at 'ome,
An' she pays us poor beggars in red.
(Ow, poor beggars in red! )
There's 'er nick on the cavalry 'orses,
There's 'er mark on the medical stores--
An' 'er troopers you'll find with a fair wind be'ind
That takes us to various wars.
(Poor beggars! --barbarious wars! )
Then 'ere's to the Widow at Windsor,
An' 'ere's to the stores an' the guns,
The men an' the 'orses what makes up the forces
O' Missis Victorier's sons.
(Poor beggars! Victorier's sons! )
Walk wide o' the Widow at Windsor,
For 'alf o' Creation she owns:
We 'ave bought 'er the same with the sword an' the flame,
An' we've salted it down with our bones.
(Poor beggars! --it's blue with our bones! )
Hands off o' the sons o' the Widow,
Hands off o' the goods in 'er shop,
For the Kings must come down an' the Emperors frown
When the Widow at Windsor says "Stop"!
(Poor beggars! --we're sent to say "Stop"! )
Then 'ere's to the Lodge o' the Widow,
From the Pole to the Tropics it runs--
To the Lodge that we tile with the rank an' the file,
An' open in form with the guns.
(Poor beggars! --it's always they guns! )
We 'ave 'eard o' the Widow at Windsor,
It's safest to let 'er alone:
For 'er sentries we stand by the sea an' the land
Wherever the bugles are blown.
(Poor beggars! --an' don't we get blown! )
Take 'old o' the Wings o' the Mornin',
An' flop round the earth till you're dead;
But you won't get away from the tune that they play
To the bloomin' old rag over'ead.
(Poor beggars! --it's 'ot over'ead! )
Then 'ere's to the sons o' the Widow,
Wherever, 'owever they roam.
'Ere's all they desire, an' if they require
A speedy return to their 'ome.
(Poor beggars! --they'll never see 'ome! )
BELTS
There was a row in Silver Street that's near to Dublin Quay,
Between an Irish regiment an' English cavalree;
It started at Revelly an' it lasted on till dark:
The first man dropped at Harrison's, the last forninst the Park.
For it was:--"Belts, belts, belts, an' that's one for you! "
An' it was "Belts, belts, belts, an' that's done for you! "
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
There was a row in Silver Street--the regiments was out,
They called us "Delhi Rebels", an' we answered "Threes about! "
That drew them like a hornet's nest--we met them good an' large,
The English at the double an' the Irish at the charge.
Then it was:--"Belts. . .
There was a row in Silver Street--an' I was in it too;
We passed the time o' day, an' then the belts went whirraru!
I misremember what occurred, but subsequint the storm
A Freeman's Journal Supplemint was all my uniform.
O it was:--"Belts. . .
There was a row in Silver Street--they sent the Polis there,
The English were too drunk to know, the Irish didn't care;
But when they grew impertinint we simultaneous rose,
Till half o' them was Liffey mud an' half was tatthered clo'es.
For it was:--"Belts. . .
There was a row in Silver Street--it might ha' raged till now,
But some one drew his side-arm clear, an' nobody knew how;
'Twas Hogan took the point an' dropped; we saw the red blood run:
An' so we all was murderers that started out in fun.
While it was:--"Belts. . .
There was a row in Silver Street--but that put down the shine,
Wid each man whisperin' to his next: "'Twas never work o' mine! "
We went away like beaten dogs, an' down the street we bore him,
The poor dumb corpse that couldn't tell the bhoys were sorry for him.
When it was:--"Belts. . .
There was a row in Silver Street--it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street--begod, I wonder why!
But it was:--"Belts, belts, belts, an' that's one for you! "
An' it was "Belts, belts, belts, an' that's done for you! "
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
THE YOUNG BRITISH SOLDIER
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier of the Queen!
Now all you recruities what's drafted today,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier. . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts--
Ay, drink that 'ud eat the live steel from your butts--
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier. . .
When the cholera comes--as it will past a doubt--
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier. . .
But the worst o' your foes is the sun over'ead:
You must wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier. . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier. . .
Now, if you must marry, take care she is old--
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier. . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em--you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier. . .
When first under fire an' you're wishful to duck,
Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier. . .
When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old bitch;
She's human as you are--you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier. . .
When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier. . .
If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier. . .
When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier of the Queen!
MANDALAY
By the old Moulmein Pagoda, lookin' lazy at the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay! "
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat--jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud--
Wot they called the Great Gawd Budd--
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay. . .
When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! "
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay. . .
But that's all shove be'ind me--long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else. "
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay. . .
I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and--
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay. . .
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be--
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
TROOPIN'
(Our Army in the East)
Troopin', troopin', troopin' to the sea:
'Ere's September come again--the six-year men are free.
O leave the dead be'ind us, for they cannot come away
To where the ship's a-coalin' up that takes us 'ome today.
We're goin' 'ome, we're goin' 'ome,
Our ship is at the shore,
An' you must pack your 'aversack,
For we won't come back no more.
Ho, don't you grieve for me,
My lovely Mary-Ann,
For I'll marry you yit on a fourp'ny bit
As a time-expired man.
The Malabar's in 'arbour with the Jumner at 'er tail,
An' the time-expired's waitin' of 'is orders for to sail.
Ho! the weary waitin' when on Khyber 'ills we lay,
But the time-expired's waitin' of 'is orders 'ome today.
They'll turn us out at Portsmouth wharf in cold an' wet an' rain,
All wearin' Injian cotton kit, but we will not complain;
They'll kill us of pneumonia--for that's their little way--
But damn the chills and fever, men, we're goin' 'ome today!
Troopin', troopin', winter's round again!
See the new draf's pourin' in for the old campaign;
Ho, you poor recruities, but you've got to earn your pay--
What's the last from Lunnon, lads? We're goin' there today.
Troopin', troopin', give another cheer--
'Ere's to English women an' a quart of English beer.
The Colonel an' the regiment an' all who've got to stay,
Gawd's mercy strike 'em gentle--Whoop! we're goin' 'ome today.
We're goin' 'ome, we're goin' 'ome,
Our ship is at the shore,
An' you must pack your 'aversack,
For we won't come back no more.
Ho, don't you grieve for me,
My lovely Mary-Ann,
For I'll marry you yit on a fourp'ny bit
As a time-expired man.
FORD O' KABUL RIVER
Kabul town's by Kabul river--
Blow the bugle, draw the sword--
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.
Kabul town's a blasted place--
Blow the bugle, draw the sword--
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Keep the crossing-stakes beside you, an' they will surely guide you
'Cross the ford o' Kabul river in the dark.
Kabul town is sun and dust--
Blow the bugle, draw the sword--
I'd ha' sooner drownded fust
'Stead of 'im beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
You can 'ear the 'orses threshin', you can 'ear the men a-splashin',
'Cross the ford o' Kabul river in the dark.
Kabul town was ours to take--
Blow the bugle, draw the sword--
I'd ha' left it for 'is sake--
'Im that left me by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
It's none so bloomin' dry there; ain't you never comin' nigh there,
'Cross the ford o' Kabul river in the dark?
Kabul town'll go to hell--
Blow the bugle, draw the sword--
'Fore I see him 'live an' well--
'Im the best beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Gawd 'elp 'em if they blunder, for their boots'll pull 'em under,
By the ford o' Kabul river in the dark.
Turn your 'orse from Kabul town--
Blow the bugle, draw the sword--
'Im an' 'arf my troop is down,
Down an' drownded by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river low an' fallin', but it ain't no use o' callin'
'Cross the ford o' Kabul river in the dark.
ROUTE MARCHIN'
We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow! "--
"Kiko kissywarsti don't you hamsher argy jow? " 2
Oh, there's them Injian temples to admire when you see,
There's the peacock round the corner an' the monkey up the tree,
An' there's that rummy silver grass a-wavin' in the wind,
An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.
While it's best foot first,. . .
At half-past five's Revelly, an' our tents they down must come,
Like a lot of button mushrooms when you pick 'em up at 'ome.
But it's over in a minute, an' at six the column starts,
While the women and the kiddies sit an' shiver in the carts.
An' it's best foot first,. . .
Oh, then it's open order, an' we lights our pipes an' sings,
An' we talks about our rations an' a lot of other things,
An' we thinks o' friends in England, an' we wonders what they're at,
An' 'ow they would admire for to hear us sling the bat. 1
An' it's best foot first,. . .
It's none so bad o' Sunday, when you're lyin' at your ease,
To watch the kites a-wheelin' round them feather-'eaded trees,
For although there ain't no women, yet there ain't no barrick-yards,
So the orficers goes shootin' an' the men they plays at cards.
Till it's best foot first,. . .
So 'ark an' 'eed, you rookies, which is always grumblin' sore,
There's worser things than marchin' from Umballa to Cawnpore;
An' if your 'eels are blistered an' they feels to 'urt like 'ell,
You drop some tallow in your socks an' that will make 'em well.
For it's best foot first,. . .
We're marchin' on relief over Injia's coral strand,
Eight 'undred fightin' Englishmen, the Colonel, and the Band;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow! "--
"Kiko kissywarsti don't you hamsher argy jow? "2
1 Thomas's first and firmest conviction is that he is a profound Orientalist
and a fluent speaker of Hindustani. As a matter of fact, he depends largely
on the sign-language.
2 Why don't you get on
The end
* * * * * *
VOLUME III. THE PHANTOM 'RICKSHAW AND OTHER GHOST STORIES
THE PHANTOM 'RICKSHAW
May no ill dreams disturb my rest,
Nor Powers of Darkness me molest.
--Evening Hymn.
ONE of the few advantages that India has over England is a great
Knowability. After five years' service a man is directly or indirectly
acquainted with the two or three hundred Civilians in his Province, all
the Messes of ten or twelve Regiments and Batteries, and some fifteen
hundred other people of the non-official caste. In ten years his
knowledge should be doubled, and at the end of twenty he knows, or knows
something about, every Englishman in the Empire, and may travel anywhere
and everywhere without paying hotel-bills.
Globe-trotters who expect entertainment as a right, have, even within my
memory, blunted this open-heartedness, but none the less today, if you
belong to the Inner Circle and are neither a Bear nor a Black Sheep,
all houses are open to you, and our small world is very, very kind and
helpful.
Rickett of Kamartha stayed with Polder of Kumaon some fifteen years ago.
He meant to stay two nights, but was knocked down by rheumatic fever,
and for six weeks disorganized Polder's establishment, stopped Polder's
work, and nearly died in Polder's bedroom. Polder behaves as though he
had been placed under eternal obligation by Rickett, and yearly
sends the little Ricketts a box of presents and toys. It is the same
everywhere. The men who do not take the trouble to conceal from you
their opinion that you are an incompetent ass, and the women who blacken
your character and misunderstand your wife's amusements, will work
themselves to the bone in your behalf if you fall sick or into serious
trouble.
Heatherlegh, the Doctor, kept, in addition to his regular practice,
a hospital on his private account--an arrangement of loose boxes for
Incurables, his friend called it--but it was really a sort of fitting-up
shed for craft that had been damaged by stress of weather. The weather
in India is often sultry, and since the tale of bricks is always a fixed
quantity, and the only liberty allowed is permission to work overtime
and get no thanks, men occasionally break down and become as mixed as
the metaphors in this sentence.
Heatherlegh is the dearest doctor that ever was, and his invariable
prescription to all his patients is, "lie low, go slow, and keep cool. "
He says that more men are killed by overwork than the importance of this
world justifies. He maintains that overwork slew Pansay, who died under
his hands about three years ago. He has, of course, the right to speak
authoritatively, and he laughs at my theory that there was a crack
in Pansay's head and a little bit of the Dark World came through and
pressed him to death. "Pansay went off the handle," says Heatherlegh,
"after the stimulus of long leave at Home. He may or he may not have
behaved like a blackguard to Mrs. Keith-Wessington. My notion is that
the work of the Katabundi Settlement ran him off his legs, and that he
took to brooding and making much of an ordinary P. & 0. flirtation. He
certainly was engaged to Miss Mannering, and she certainly broke off the
engagement. Then he took a feverish chill and all that nonsense about
ghosts developed. Overwork started his illness, kept it alight, and
killed him poor devil. Write him off to the System--one man to take the
work of two and a half men. "
I do not believe this. I used to sit up with Pansay sometimes when
Heatherlegh was called out to patients, and I happened to be within
claim. The man would make me most unhappy by describing in a low, even
voice, the procession that was always passing at the bottom of his bed.
He had a sick man's command of language.
When he recovered I suggested that he should write out the whole affair
from beginning to end, knowing that ink might assist him to ease his
mind. When little boys have learned a new bad word they are never happy
till they have chalked it up on a door. And this also is Literature.
He was in a high fever while he was writing, and the blood-and-thunder
Magazine diction he adopted did not calm him. Two months afterward
he was reported fit for duty, but, in spite of the fact that he was
urgently needed to help an undermanned Commission stagger through a
deficit, he preferred to die; vowing at the last that he was hag-ridden.
I got his manuscript before he died, and this is his version of the
affair, dated 1885:
My doctor tells me that I need rest and change of air. It is not
improbable that I shall get both ere long--rest that neither the
red-coated messenger nor the midday gun can break, and change of air
far beyond that which any homeward-bound steamer can give me. In the
meantime I am resolved to stay where I am; and, in flat defiance of my
doctor's orders, to take all the world into my confidence. You shall
learn for yourselves the precise nature of my malady; and shall, too,
judge for yourselves whether any man born of woman on this weary earth
was ever so tormented as I.
Speaking now as a condemned criminal might speak ere the drop-bolts are
drawn, my story, wild and hideously improbable as it may appear,
demands at least attention. That it will ever receive credence I utterly
disbelieve. Two months ago I should have scouted as mad or drunk the man
who had dared tell me the like. Two months ago I was the happiest man in
India. Today, from Peshawur to the sea, there is no one more wretched.
My doctor and I are the only two who know this. His explanation is, that
my brain, digestion, and eyesight are all slightly affected; giving rise
to my frequent and persistent "delusions. " Delusions, indeed! I call him
a fool; but he attends me still with the same unwearied smile, the same
bland professional manner, the same neatly trimmed red whiskers, till I
begin to suspect that I am an ungrateful, evil-tempered invalid. But you
shall judge for yourselves.
Three years ago it was my fortune--my great misfortune--to sail
from Gravesend to Bombay, on return from long leave, with one Agnes
Keith-Wessington, wife of an officer on the Bombay side. It does not in
the least concern you to know what manner of woman she was. Be content
with the knowledge that, ere the voyage had ended, both she and I were
desperately and unreasoningly in love with one another. Heaven knows
that I can make the admission now without one particle of vanity. In
matters of this sort there is always one who gives and another who
accepts. From the first day of our ill-omened attachment, I was
conscious that Agnes's passion was a stronger, a more dominant, and--if
I may use the expression--a purer sentiment than mine. Whether she
recognized the fact then, I do not know.
