in seven ittmo of
clothing
from Ken",'.
McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
<.
This sec.
ion of FW i.
very rich in words 12ken from RUI_ , ian and allied tonguc<J.
Thirdly there i, the revolution of ideas, originatilli in the mystical philosophy of C and A in n.
2.
The
fint point to be emphasized here is Mrs GllIsheen'. c","enOOn that the assailant, Buckley, i. echoically indeb. ed to the philo- . opher Berkeley. '
'The good bishop of aoyne took the veil of the lemple out of hu. hovd hat. ' The immaICrialism, the unveiling, consti. utes in itst:lf ~ kind of a. sault upon the gnmdioK physical wodd and the atahlished ideas ,uotaining it. We must find here nO, only the
Prinapks and the 1"hcJry of Vision, but also Siris with its Keopla- tonic flavour matching the overall trend of 11. 2.
If m i. devOIed 10 the earthly plane he can incorporate the medieval papacy, backed by Aquin. . and Ariuotle, in,iiting that . he hcaven. mOVe rQund the earth . nd COnllCqucntly round the Vatic:o. n. In <>pp<)Oiri,m to ,hi" Rucklcy is a he. . . . ld of Copernico. n heliocemricity, he i. in fact one very particular adV<>Cate of the theory, Giordano Bruno of Nolli.
'JJ,~(].
R_
" /ome'/"1o< ,00 <he R. "ian Go"""'! ". p",. """, ? C""", II, 39.
XVIII (/ulr
' ~5' )?
? 82 1'11<:SigLoofFiNM,f""'W. . u
We 1Ia~ alrudy consida'ed Br\LAO in n>~tioo with the. :o- j? ? ,:;d~",;" OfJ/>OI'-'orIOH. FW is fuJI of Bruno, and bec::f,use of hi, intffelt in n>noran"S, m e l hi. name apart and . pplies the 'Brown' to " and me 'NoLon' '0 I:, thereby Kknowlcdgina; ? Ollblin boobhop. A ~ ""ample . . " . ddrnoing I: at . 87. 14-8: 'Brlwn is my name. . . . Stand forth, Nlyman "fNoLand'. In 111. 3 wll<:re A i. preto:ndinglo be I:, he jUlllllcs with the! terms, for he il himself 'a. pnwoked u Bruno . , being e,ernally oppoRd by Nola', in 488. 04-t2. But the! inlroduclion 10 III<: Buckley drama inlroduttl an '""ttl. f. . ,or:
- This i. lime f. . . . my lubble, reflccted Mr 'Gl&dstone B"""",,'inthetollhUI(ilWIo. d"". . . . oristicfromW I'man
of Odgany'). Dip.
_Thi$ is me vulcanit. ornoking, profuscd Mf 'R0n2pane
NnIan' undo:r . he: . . . . tCCllp (one: f""I, bow one may he:. . . . by 'Migniles the: 'Irollnd old mahonaJlYln'). Dip.
- A od this i. dcfendc:. of defea'e. of defaulte. of dcforme, of me funst man in O. neligh, willingtoned in with this alanu dowon hi. browen and IlllIt born appalled nnodlum the ",ndlile ",i. 's . lInunal delimiullor, odding: Oliver White,he',utiffu . 11<:',tilht. Andthiscn, hi,. peakQ. uite
hoarse. Dip. U34. 06-16)
OIadJtnnc:, Napoleon, Wellinatnn and ParneIl,. 11 prominen, m
50"'I"0Il, all: frag:tm:nted II<:n "'" merely hc:lwcc:n I: and " hut ~w<< n ,Jr," brothcn. AI 331. 15-. 6 czpbi. . . . th('tc is. 'mu~ in the middle, nay brian nay noel, ney bi lly ney boney' . W bo I. this n>mmon denominator? 570. 1~ States that m 'lias hi. mie IOn and hill. . . . . o line mac IOns and a lupernnc mick wanl lhe:y maclt
A
AAAAAAAAAAA
v"
m
AAAAA
? How Buckley Shot the Russian G<:neral 83
metwec:n them. ' Let us ",veIl to the banle of W at<<l"" in 1. 1 and . ><amine Joyce's plan on British M useum MS 4748~ A, 91b and 92b. The occond vcr>. ion i. simpicr, as 1hnwn in Figure S on the oppoSite page.
m is here depicted botween tit<: twO 'jinni. . ' -u- and tit<: 'three lipoleum boyne' A, A: and ~ The three inverted sigla muM bo his own army, the enemy ",fleeted in the river. 0 Hehir's comment
is iruO"uctive,
If, at the Banle ofWlterloo"" Shaun is the dark 'dooley
boy', then Shem musl bo the 'hinnessy' (olo. C>. jff. ). If so, he must bo fair, in contra${ 10 'dot>ley,' for the first dement in his name is undoubtedly fionn (fin), 'fair'. . . . T he con- trasting dements in tbeir name? ? ", OJnjoined to produce the 'hinndoo' (,fair-dark'), who", norm, Shimar Shin, i, ? compound ofShem and Shaun, U i, revealed particularly in the Fi. . , Draft and Joyce'. diagram of the battle. '
T hi. i, in order uccpt insofar as I: i. Dooley and A Hennessy rath<< thantheotherway, both in r<1pt"<:t ofthe charactersofF. P. Dunne'soriginal. andofthenormalool1IJ(>tli. tiomofdark and light inFW. Joyce'. Waterlooculmina,. . wbenm tende. . hi. matchbox
10 Shimar Shin, who ligbts. fuse and blows m off his horse. This cari(:lltuTCS the sabotage of Kin! ! " Billy's equestrian '''''uc on CoI- leie Green just after midnight on 7 April 1836. '. The rid<<'was blown . everal feet into the air. It W ,," pretty appropriate, becouse William 111'. death in 170Z had been caused by a fall from bi, horse. I think a valid 1'"". 1101 exists between this and Buckley'. shooting of m, and that we can therefore "'" in Buclcley the COn- glome"'te of nr. sons, threalening him.
VI. B. 13. 186 gives 'Crimea A: & m'. Th. original anecdote i. ,et near $eva. ,,,,,,,1 (338. 14) as Bun (Buckley "'turned from the war) 'ells his companion Talf. " Taff wants the G. :neral describcod in military language (338. '7-33). He wa. , Butt repli. . , a diny old man, cursed, and envelop<<!
in seven ittmo of clothing from Ken",'. , 'the men', confes. ioners' (Freruoh, '''''/#<'''''''''''', (>Utfit-
'~r). They boTe the oevcn prismatic colours (339. 28-9). Taff is awed by the otreng,h, glory and deptavhy of m, whose a. pitat;"'n
to marry -l seem. the obscene lewdnes$ of aJltd impottntt. 'GL, _ .
". ~;. John Gilb<rt, A H~""" <fdo< c#y <flNi>Ii. HI, $j .
" "Ill<"""". . . . . . . _ of! h;,""'ionor. . . . . tysedinR. McH"Ih,A E. ,'I'. . 'Fi. . . _ a",W. . . . . S,. . . ,G""'i',inAll;J. I11HrJ1. ,,,,,,,00-1J~Joy<<S. . . . . . . . . . -
('1"_" '9U)'l"-'9?
? 14 The Sigla 01 Finn. ,,,,,. WoA;. misscyenlrlmndiJCO\'~bo:[Wttft"'1--2ndA . c:I:I. i"! he
Wllerloo map (339. 07'-<); ). 4O. lo-n, lZ-3, l. 5-)O). V1. B. ,8. 107 ddi. nn Ut;. :
TIu: appliance in the pub il now definitely a televi. ion and illu. . ? ra'" Ihe same confi,u",,;"n in I racinj report (342. ' 9-26). Afler . hi. inlerlude Bun . . ,. pl. in. that . he Gemr:iil was dd"~'ina w)M,n llrat observed. Run HSumed he . . . . , 'Iyoking foe I stooleuy rOT 10 nem. . ilplouch . ILafnnb and for to u lubnote h~1f wiUt I n ull. . . d. . . . . . heavenly mass ? ? his base' U43. 2? -9). Bu. in fief m WII 'upousin, his old ~inf,,1 ~Ir laillonom by 1IIIln"",Ynn, in opm ord"", to ",nno",,,. . . . ,,,,,, wi. h the cowru. ad. in 'heir . in$lt
pleau",ry' Ind whe" B"IIIO' ? full view of him he . . . 1 bibbe:ritlg witb fcae and had,,? t the heln ! O shoot (]44. 1 l- HS. O}).
The", are two significant connecti"". between Ute . "bjccl of excrement and Ute role of m here. The firs. brin,. u, back to Walerloo. In the I. . dionma '? Ibis is Wil! ingdone cry. Brum!
I1rum l Cumbrum! ' (009. 26-"7). Whenord. o:. w to retrcln, Genera l Cambtonrle le. . . . . . . d ' M "d,! ' Ind held ou' in isolation umillhe blnlewuiost. 15'. 31-2 ucbiml'Myrrdin aloer l? ? old Mtnellas Cambriann. . . puts his:
1 be. . -cond connection i. more rompla. Bruno', Copeqlic:a. . . . i,m reflCCI:I hi. enlution of Egyp. iln soIar mythoJoay, Q F. . . nas
A. Yat. . has shown:
Bruno wu an OUt_. nd. . ,Ul magician, an ' Hayp,;"n' and Hermetist of . h. d~pce. dye, for whom ,h. CoJxmican [u,li<X>! ntn. :;ty h . . . . ld. d! . he rtlum ofmagia. 1reIi! Pon, who in hi. d;1put. wilh Ut. Oxford doctora l. sociIted Copemi- canism with Ute ma,k of Ficino'. [k o;j", e<<linu <<1M- t><n'DWIlJ, for whom Ute Copcrrucan diagram was ? hiero- a! yph of the divine . . .
fint point to be emphasized here is Mrs GllIsheen'. c","enOOn that the assailant, Buckley, i. echoically indeb. ed to the philo- . opher Berkeley. '
'The good bishop of aoyne took the veil of the lemple out of hu. hovd hat. ' The immaICrialism, the unveiling, consti. utes in itst:lf ~ kind of a. sault upon the gnmdioK physical wodd and the atahlished ideas ,uotaining it. We must find here nO, only the
Prinapks and the 1"hcJry of Vision, but also Siris with its Keopla- tonic flavour matching the overall trend of 11. 2.
If m i. devOIed 10 the earthly plane he can incorporate the medieval papacy, backed by Aquin. . and Ariuotle, in,iiting that . he hcaven. mOVe rQund the earth . nd COnllCqucntly round the Vatic:o. n. In <>pp<)Oiri,m to ,hi" Rucklcy is a he. . . . ld of Copernico. n heliocemricity, he i. in fact one very particular adV<>Cate of the theory, Giordano Bruno of Nolli.
'JJ,~(].
R_
" /ome'/"1o< ,00 <he R. "ian Go"""'! ". p",. """, ? C""", II, 39.
XVIII (/ulr
' ~5' )?
? 82 1'11<:SigLoofFiNM,f""'W. . u
We 1Ia~ alrudy consida'ed Br\LAO in n>~tioo with the. :o- j? ? ,:;d~",;" OfJ/>OI'-'orIOH. FW is fuJI of Bruno, and bec::f,use of hi, intffelt in n>noran"S, m e l hi. name apart and . pplies the 'Brown' to " and me 'NoLon' '0 I:, thereby Kknowlcdgina; ? Ollblin boobhop. A ~ ""ample . . " . ddrnoing I: at . 87. 14-8: 'Brlwn is my name. . . . Stand forth, Nlyman "fNoLand'. In 111. 3 wll<:re A i. preto:ndinglo be I:, he jUlllllcs with the! terms, for he il himself 'a. pnwoked u Bruno . , being e,ernally oppoRd by Nola', in 488. 04-t2. But the! inlroduclion 10 III<: Buckley drama inlroduttl an '""ttl. f. . ,or:
- This i. lime f. . . . my lubble, reflccted Mr 'Gl&dstone B"""",,'inthetollhUI(ilWIo. d"". . . . oristicfromW I'man
of Odgany'). Dip.
_Thi$ is me vulcanit. ornoking, profuscd Mf 'R0n2pane
NnIan' undo:r . he: . . . . tCCllp (one: f""I, bow one may he:. . . . by 'Migniles the: 'Irollnd old mahonaJlYln'). Dip.
- A od this i. dcfendc:. of defea'e. of defaulte. of dcforme, of me funst man in O. neligh, willingtoned in with this alanu dowon hi. browen and IlllIt born appalled nnodlum the ",ndlile ",i. 's . lInunal delimiullor, odding: Oliver White,he',utiffu . 11<:',tilht. Andthiscn, hi,. peakQ. uite
hoarse. Dip. U34. 06-16)
OIadJtnnc:, Napoleon, Wellinatnn and ParneIl,. 11 prominen, m
50"'I"0Il, all: frag:tm:nted II<:n "'" merely hc:lwcc:n I: and " hut ~w<< n ,Jr," brothcn. AI 331. 15-. 6 czpbi. . . . th('tc is. 'mu~ in the middle, nay brian nay noel, ney bi lly ney boney' . W bo I. this n>mmon denominator? 570. 1~ States that m 'lias hi. mie IOn and hill. . . . . o line mac IOns and a lupernnc mick wanl lhe:y maclt
A
AAAAAAAAAAA
v"
m
AAAAA
? How Buckley Shot the Russian G<:neral 83
metwec:n them. ' Let us ",veIl to the banle of W at<<l"" in 1. 1 and . ><amine Joyce's plan on British M useum MS 4748~ A, 91b and 92b. The occond vcr>. ion i. simpicr, as 1hnwn in Figure S on the oppoSite page.
m is here depicted botween tit<: twO 'jinni. . ' -u- and tit<: 'three lipoleum boyne' A, A: and ~ The three inverted sigla muM bo his own army, the enemy ",fleeted in the river. 0 Hehir's comment
is iruO"uctive,
If, at the Banle ofWlterloo"" Shaun is the dark 'dooley
boy', then Shem musl bo the 'hinnessy' (olo. C>. jff. ). If so, he must bo fair, in contra${ 10 'dot>ley,' for the first dement in his name is undoubtedly fionn (fin), 'fair'. . . . T he con- trasting dements in tbeir name? ? ", OJnjoined to produce the 'hinndoo' (,fair-dark'), who", norm, Shimar Shin, i, ? compound ofShem and Shaun, U i, revealed particularly in the Fi. . , Draft and Joyce'. diagram of the battle. '
T hi. i, in order uccpt insofar as I: i. Dooley and A Hennessy rath<< thantheotherway, both in r<1pt"<:t ofthe charactersofF. P. Dunne'soriginal. andofthenormalool1IJ(>tli. tiomofdark and light inFW. Joyce'. Waterlooculmina,. . wbenm tende. . hi. matchbox
10 Shimar Shin, who ligbts. fuse and blows m off his horse. This cari(:lltuTCS the sabotage of Kin! ! " Billy's equestrian '''''uc on CoI- leie Green just after midnight on 7 April 1836. '. The rid<<'was blown . everal feet into the air. It W ,," pretty appropriate, becouse William 111'. death in 170Z had been caused by a fall from bi, horse. I think a valid 1'"". 1101 exists between this and Buckley'. shooting of m, and that we can therefore "'" in Buclcley the COn- glome"'te of nr. sons, threalening him.
VI. B. 13. 186 gives 'Crimea A: & m'. Th. original anecdote i. ,et near $eva. ,,,,,,,1 (338. 14) as Bun (Buckley "'turned from the war) 'ells his companion Talf. " Taff wants the G. :neral describcod in military language (338. '7-33). He wa. , Butt repli. . , a diny old man, cursed, and envelop<<!
in seven ittmo of clothing from Ken",'. , 'the men', confes. ioners' (Freruoh, '''''/#<'''''''''''', (>Utfit-
'~r). They boTe the oevcn prismatic colours (339. 28-9). Taff is awed by the otreng,h, glory and deptavhy of m, whose a. pitat;"'n
to marry -l seem. the obscene lewdnes$ of aJltd impottntt. 'GL, _ .
". ~;. John Gilb<rt, A H~""" <fdo< c#y <flNi>Ii. HI, $j .
" "Ill<"""". . . . . . . _ of! h;,""'ionor. . . . . tysedinR. McH"Ih,A E. ,'I'. . 'Fi. . . _ a",W. . . . . S,. . . ,G""'i',inAll;J. I11HrJ1. ,,,,,,,00-1J~Joy<<S. . . . . . . . . . -
('1"_" '9U)'l"-'9?
? 14 The Sigla 01 Finn. ,,,,,. WoA;. misscyenlrlmndiJCO\'~bo:[Wttft"'1--2ndA . c:I:I. i"! he
Wllerloo map (339. 07'-<); ). 4O. lo-n, lZ-3, l. 5-)O). V1. B. ,8. 107 ddi. nn Ut;. :
TIu: appliance in the pub il now definitely a televi. ion and illu. . ? ra'" Ihe same confi,u",,;"n in I racinj report (342. ' 9-26). Afler . hi. inlerlude Bun . . ,. pl. in. that . he Gemr:iil was dd"~'ina w)M,n llrat observed. Run HSumed he . . . . , 'Iyoking foe I stooleuy rOT 10 nem. . ilplouch . ILafnnb and for to u lubnote h~1f wiUt I n ull. . . d. . . . . . heavenly mass ? ? his base' U43. 2? -9). Bu. in fief m WII 'upousin, his old ~inf,,1 ~Ir laillonom by 1IIIln"",Ynn, in opm ord"", to ",nno",,,. . . . ,,,,,, wi. h the cowru. ad. in 'heir . in$lt
pleau",ry' Ind whe" B"IIIO' ? full view of him he . . . 1 bibbe:ritlg witb fcae and had,,? t the heln ! O shoot (]44. 1 l- HS. O}).
The", are two significant connecti"". between Ute . "bjccl of excrement and Ute role of m here. The firs. brin,. u, back to Walerloo. In the I. . dionma '? Ibis is Wil! ingdone cry. Brum!
I1rum l Cumbrum! ' (009. 26-"7). Whenord. o:. w to retrcln, Genera l Cambtonrle le. . . . . . . d ' M "d,! ' Ind held ou' in isolation umillhe blnlewuiost. 15'. 31-2 ucbiml'Myrrdin aloer l? ? old Mtnellas Cambriann. . . puts his:
1 be. . -cond connection i. more rompla. Bruno', Copeqlic:a. . . . i,m reflCCI:I hi. enlution of Egyp. iln soIar mythoJoay, Q F. . . nas
A. Yat. . has shown:
Bruno wu an OUt_. nd. . ,Ul magician, an ' Hayp,;"n' and Hermetist of . h. d~pce. dye, for whom ,h. CoJxmican [u,li<X>! ntn. :;ty h . . . . ld. d! . he rtlum ofmagia. 1reIi! Pon, who in hi. d;1put. wilh Ut. Oxford doctora l. sociIted Copemi- canism with Ute ma,k of Ficino'. [k o;j", e<<linu <<1M- t><n'DWIlJ, for whom Ute Copcrrucan diagram was ? hiero- a! yph of the divine . . .
