No More Learning

But luckily
For Topolino, there are many people
Who see no difference between what is best
And what is only good, or not even good;
So that poor artists stand in their esteem
On the same level with the best, or higher.

URBINO.
How Eccellenza laughed!

MICHAEL ANGELO.
Poor Topolino!
All men are not born artists, nor will labor
E'er make them artists.

URBINO.
No, no more
Than Emperors, or Popes, or Cardinals.
One must be chosen for it. I have been
Your color-grinder six and twenty years,
And am not yet an artist.

MICHAEL ANGELO.
Some have eyes
That see not; but in every block of marble
I see a statue,--see it as distinctly
As if it stood before me shaped and perfect
In attitude and action. I have only
To hew away the stone walls that imprison
The lovely apparition, and reveal it
To other eyes as mine already see it.
But I grow old and weak. What wilt thou do
When I am dead, Urbino?

URBINO.
Eccellenza,
I must then serve another master.

MICHAEL ANGELO.
Never!
Bitter is servitude at best. Already
So many years hast thou been serving me;
But rather as a friend than as a servant.
We have grown old together. Dost thou think
So meanly of this Michael Angelo
As to imagine he would let thee serve,
When he is free from service? Take this purse,
Two thousand crowns in gold.

URBINO.
Two thousand crowns!

MICHAEL ANGELO.
Ay, it will make thee rich. Thou shalt not die
A beggar in a hospital.

URBINO.
Oh, Master!

MICHAEL ANGELO.
I cannot have them with me on the journey
That I am undertaking. The last garment
That men will make for me will have no pockets.

URBINO, kissing the hand of MICHAEL ANGELO.
My generous master!

MICHAEL ANGELO.
Hush!

URBINO.
My Providence!

MICHAEL ANGELO.
Not a word more. Go now to bed, old man.
Thou hast served Michael Angelo. Remember,
Henceforward thou shalt serve no other master.



VII

THE OAKS OF MONTE LUCA

MICHAEL ANGELO, alone in the woods.

MICHAEL ANGELO.
How still it is among these ancient oaks!
Surges and undulations of the air
Uplift the leafy boughs, and let them fall
With scarce a sound. Such sylvan quietudes
Become old age. These huge centennial oaks,
That may have heard in infancy the trumpets
Of Barbarossa's cavalry, deride
Man's brief existence, that with all his strength
He cannot stretch beyond the hundredth year.
This little acorn, turbaned like the Turk,
Which with my foot I spurn, may be an oak
Hereafter, feeding with its bitter mast
The fierce wild boar, and tossing in its arms
The cradled nests of birds, when all the men
That now inhabit this vast universe,
They and their children, and their children's children,
Shall be but dust and mould, and nothing more.
Through openings in the trees I see below me
The valley of Clitumnus, with its farms
And snow-white oxen grazing in the shade
Of the tall poplars on the river's brink.
O Nature, gentle mother, tender nurse!
I who have never loved thee as I ought,
But wasted all my years immured in cities,
And breathed the stifling atmosphere of streets,
Now come to thee for refuge. Here is peace.
Yonder I see the little hermitages
Dotting the mountain side with points of light,
And here St. Julian's convent, like a nest
Of curlews, clinging to some windy cliff.
Beyond the broad, illimitable plain
Down sinks the sun, red as Apollo's quoit,
That, by the envious Zephyr blown aside,
Struck Hyacinthus dead, and stained the earth
With his young blood, that blossomed into flowers.
And now, instead of these fair deities
Dread demons haunt the earth; hermits inhabit
The leafy homes of sylvan Hamadryads;
And jovial friars, rotund and rubicund,
Replace the old Silenus with his ass.

Here underneath these venerable oaks,
Wrinkled and brown and gnarled like them with age,
A brother of the monastery sits,
Lost in his meditations. What may be
The questions that perplex, the hopes that cheer him?
Good-evening, holy father.

MONK.
God be with you.

MICHAEL ANGELO.
Pardon a stranger if he interrupt
Your meditations.

MONK.
It was but a dream,--
The old, old dream, that never will come true;
The dream that all my life I have been dreaming,
And yet is still a dream.

MICHAEL ANGELO.
All men have dreams:
I have had mine; but none of them came true;
They were but vanity. Sometimes I think
The happiness of man lies in pursuing,
Not in possessing; for the things possessed
Lose half their value. Tell me of your dream.

MONK.
The yearning of my heart, my sole desire,
That like the sheaf of Joseph stands up right,
While all the others bend and bow to it;
The passion that torments me, and that breathes
New meaning into the dead forms of prayer,
Is that with mortal eyes I may behold
The Eternal City.

MICHAEL ANGELO.
Rome?

MONK.
There is but one;
The rest are merely names. I think of it
As the Celestial City, paved with gold,
And sentinelled with angels.

MICHAEL ANGELO.
Would it were.
I have just fled from it. It is beleaguered
By Spanish troops, led by the Duke of Alva.

MONK.
But still for me 't is the Celestial City,
And I would see it once before I die.

MICHAEL ANGELO.
Each one must bear his cross.

MONK.
Were it a cross
That had been laid upon me, I could bear it,
Or fall with it. It is a crucifix;
I am nailed hand and foot, and I am dying!

MICHAEL ANGELO.
What would you see in Rome?

MONK.
His Holiness.

MICHAEL ANGELO.
Him that was once the Cardinal Caraffa?
You would but see a man of fourscore years,
With sunken eyes, burning like carbuncles,
Who sits at table with his friends for hours,
Cursing the Spaniards as a race of Jews
And miscreant Moors. And with what soldiery
Think you he now defends the Eternal City?

MONK.
With legions of bright angels.

MICHAEL ANGELO.
So he calls them;
And yet in fact these bright angelic legions
Are only German Lutherans.

MONK, crossing himself.
Heaven protect us?

MICHAEL ANGELO.
What further would you see?

MONK.
The Cardinals,
Going in their gilt coaches to High Mass.

MICHAEL ANGELO.
Men do not go to Paradise in coaches.

MONK.
The catacombs, the convents, and the churches;
The ceremonies of the Holy Week
In all their pomp, or, at the Epiphany,
The Feast of the Santissima Bambino
At Ara Coeli. But I shall not see them.

MICHAEL ANGELO.
These pompous ceremonies of the Church
Are but an empty show to him who knows
The actors in them. Stay here in your convent,
For he who goes to Rome may see too much.
What would you further?

MONK.
I would see the painting
of the Last Judgment in the Sistine Chapel.

MICHAEL ANGELO.
The smoke of incense and of altar candles
Has blackened it already.

MONK.
Woe is me!
Then I would hear Allegri's Miserere,
Sung by the Papal choir.

MICHAEL ANGELO.
A dismal dirge!
I am an old, old man, and I have lived
In Rome for thirty years and more, and know
The jarring of the wheels of that great world,
Its jealousies, its discords, and its strife.
Therefore I say to you, remain content
Here in your convent, here among your woods,
Where only there is peace. Go not to Rome.
There was of old a monk of Wittenberg
Who went to Rome; you may have heard of him;
His name was Luther; and you know what followed.

[The convent bell rings.

MONK, rising.
It is the convent bell; it rings for vespers.
Let us go in; we both will pray for peace.



VIII

THE DEAD CHRIST.

MICHAEL ANGELO'S studio. MICHAEL ANGELO, with a light,
working upon the Dead Christ. Midnight.

MICHAEL ANGELO.
O Death, why is it I cannot portray
Thy form and features? Do I stand too near thee?
Or dost thou hold my hand, and draw me back,
As being thy disciple, not thy master?
Let him who knows not what old age is like
Have patience till it comes, and he will know.
I once had skill to fashion Life and Death
And Sleep, which is the counterfeit of Death;
And I remember what Giovanni Strozzi
Wrote underneath my statue of the Night
In San Lorenzo, ah, so long ago!

Grateful to me is sleep! More grateful now
Than it was then; for all my friends are dead;
And she is dead, the noblest of them all.
I saw her face, when the great sculptor Death,
Whom men should call Divine, had at a blow
Stricken her into marble; and I kissed
Her cold white hand. What was it held me back
From kissing her fair forehead, and those lips,
Those dead, dumb lips? Grateful to me is sleep!

Enter GIORGIO VASARI.

GIORGIO.
Good-evening, or good-morning, for I know not
Which of the two it is.

MICHAEL ANGELO.
How came you in?

GIORGIO.
Why, by the door, as all men do.

MICHAEL ANGELO.
Ascanio
Must have forgotten to bolt it.

GIORGIO.
Probably.
Am I a spirit, or so like a spirit,
That I could slip through bolted door or window?
As I was passing down the street, I saw
A glimmer of light, and heard the well-known chink
Of chisel upon marble. So I entered,
To see what keeps you from your bed so late.

MICHAEL ANGELO, coming forward with the lamp.
You have been revelling with your boon companions,
Giorgio Vasari, and you come to me
At an untimely hour.

GIORGIO.
The Pope hath sent me.
His Holiness desires to see again
The drawing you once showed him of the dome
Of the Basilica.

MICHAEL ANGELO.
We will look for it.

GIORGIO.
What is the marble group that glimmers there
Behind you?

MICHAEL ANGELO.
Nothing, and yet everything,--
As one may take it. It is my own tomb,
That I am building.

GIORGIO.
Do not hide it from me.
By our long friendship and the love I bear you,
Refuse me not!

MICHAEL ANGELO, letting fall the lamp.
Life hath become to me
An empty theatre,--its lights extinguished,
The music silent, and the actors gone;
And I alone sit musing on the scenes
That once have been. I am so old that Death
Oft plucks me by the cloak, to come with him
And some day, like this lamp, shall I fall down,
And my last spark of life will be extinguished.
Ah me! ah me! what darkness of despair!
So near to death, and yet so far from God!



*****



TRANSLATIONS

PRELUDE

As treasures that men seek,
Deep-buried in sea-sands,
Vanish if they but speak,
And elude their eager hands,

So ye escape and slip,
O songs, and fade away,
When the word is on my lip
To interpret what ye say.

Were it not better, then,
To let the treasures rest
Hid from the eyes of men,
Locked in their iron chest?

I have but marked the place,
But half the secret told,
That, following this slight trace,
Others may find the gold.


FROM THE SPANISH

COPLAS DE MANRIQUE.
O let the soul her slumbers break,
Let thought be quickened, and awake;
Awake to see
How soon this life is past and gone,
And death comes softly stealing on,
How silently!

Swiftly our pleasures glide away,
Our hearts recall the distant day
With many sighs;
The moments that are speeding fast
We heed not, but the past,--the past,
More highly prize.

Onward its course the present keeps,
Onward the constant current sweeps,
Till life is done;
And, did we judge of time aright,
The past and future in their flight
Would be as one.

Let no one fondly dream again,
That Hope and all her shadowy train
Will not decay;
Fleeting as were the dreams of old,
Remembered like a tale that's told,
They pass away.

Our lives are rivers, gliding free
To that unfathomed, boundless sea,
The silent grave!
Thither all earthly pomp and boast
Roll, to be swallowed up and lost
In one dark wave.

Thither the mighty torrents stray,
Thither the brook pursues its way,
And tinkling rill,
There all are equal; side by side
The poor man and the son of pride
Lie calm and still.

I will not here invoke the throng
Of orators and sons of song,
The deathless few;
Fiction entices and deceives,
And, sprinkled o'er her fragrant leaves,
Lies poisonous dew.

To One alone my thoughts arise,
The Eternal Truth, the Good and Wise,
To Him I cry,
Who shared on earth our common lot,
But the world comprehended not
His deity.

This world is but the rugged road
Which leads us to the bright abode
Of peace above;
So let us choose that narrow way,
Which leads no traveller's foot astray
From realms of love,

Our cradle is the starting-place,
Life is the running of the race,
We reach the goal
When, in the mansions of the blest,
Death leaves to its eternal rest
The weary soul.
Did we but use it as we ought,
This world would school each wandering thought
To its high state.
Faith wings the soul beyond the sky,
Up to that better world on high,
For which we wait.

Yes, the glad messenger of love,
To guide us to our home above,
The Saviour came;
Born amid mortal cares and fears.
He suffered in this vale of tears
A death of shame.

Behold of what delusive worth
The bubbles we pursue on earth,
The shapes we chase,
Amid a world of treachery!
They vanish ere death shuts the eye,
And leave no trace.

Time steals them from us, chances strange,
Disastrous accident, and change,
That come to all;
Even in the most exalted state,
Relentless sweeps the stroke of fate;
The strongest fall.

Tell me, the charms that lovers seek
In the clear eye and blushing cheek,
The hues that play
O'er rosy lip and brow of snow,
When hoary age approaches slow,
Ah; where are they?

The cunning skill, the curious arts,
The glorious strength that youth imparts
In life's first stage;
These shall become a heavy weight,
When Time swings wide his outward gate
To weary age.

The noble blood of Gothic name,
Heroes emblazoned high to fame,
In long array;
How, in the onward course of time,
The landmarks of that race sublime
Were swept away!

Some, the degraded slaves of lust,
Prostrate and trampled in the dust,
Shall rise no more;
Others, by guilt and crime, maintain
The scutcheon, that without a stain,
Their fathers bore.

Wealth and the high estate of pride,
With what untimely speed they glide,
How soon depart!
Bid not the shadowy phantoms stay,
The vassals of a mistress they,
Of fickle heart.

These gifts in Fortune's hands are found;
Her swift revolving wheel turns round,
And they are gone!
No rest the inconstant goddess knows,
But changing, and without repose,
Still hurries on.

Even could the hand of avarice save
Its gilded baubles till the grave
Reclaimed its prey,
Let none on such poor hopes rely;
Life, like an empty dream, flits by,
And where are they?

Earthly desires and sensual lust
Are passions springing from the dust,
They fade and die;
But in the life beyond the tomb,
They seal the immortal spirits doom
Eternally!

The pleasures and delights, which mask
In treacherous smiles life's serious task,
What are they, all,
But the fleet coursers of the chase,
And death an ambush in the race,
Wherein we fall?

No foe, no dangerous pass, we heed,
Brook no delay, but onward speed
With loosened rein;
And, when the fatal snare is near,
We strive to check our mad career,
But strive in vain.

Could we new charms to age impart,
And fashion with a cunning art
The human face,
As we can clothe the soul with light,
And make the glorious spirit bright
With heavenly grace,

How busily each passing hour
Should we exert that magic power,
What ardor show,
To deck the sensual slave of sin,
Yet leave the freeborn soul within,
In weeds of woe!

Monarchs, the powerful and the strong,
Famous in history and in song
Of olden time,
Saw, by the stern decrees of fate,
Their kingdoms lost, and desolate
Their race sublime.

Who is the champion? who the strong?
Pontiff and priest, and sceptred throng?
On these shall fall
As heavily the hand of Death,
As when it stays the shepherd's breath
Beside his stall.

I speak not of the Trojan name,
Neither its glory nor its shame
Has met our eyes;
Nor of Rome's great and glorious dead,
Though we have heard so oft, and read,
Their histories.

Little avails it now to know
Of ages passed so long ago,
Nor how they rolled;
Our theme shall be of yesterday,
Which to oblivion sweeps away,
Like day's of old.

Where is the King, Don Juan? Where
Each royal prince and noble heir
Of Aragon?
Where are the courtly gallantries?
The deeds of love and high emprise,
In battle done?

Tourney and joust, that charmed the eye,
And scarf, and gorgeous panoply,
And nodding plume,
What were they but a pageant scene?
What but the garlands, gay and green,
That deck the tomb?

Where are the high-born dames, and where
Their gay attire, and jewelled hair,
And odors sweet?
Where are the gentle knights, that came
To kneel, and breathe love's ardent flame,
Low at their feet?

Where is the song of Troubadour?
Where are the lute and gay tambour
They loved of yore?
Where is the mazy dance of old,
The flowing robes, inwrought with gold,
The dancers wore?

And he who next the sceptre swayed,
Henry, whose royal court displayed
Such power and pride;
O, in what winning smiles arrayed,
The world its various pleasures laid
His throne beside!

But O how false and full of guile
That world, which wore so soft a smile
But to betray!
She, that had been his friend before,
Now from the fated monarch tore
Her charms away.

The countless gifts, the stately walls,
The loyal palaces, and halls
All filled with gold;
Plate with armorial bearings wrought,
Chambers with ample treasures fraught
Of wealth untold;

The noble steeds, and harness bright,
And gallant lord, and stalwart knight,
In rich array,
Where shall we seek them now? Alas!
Like the bright dewdrops on the grass,
They passed away.

His brother, too, whose factious zeal
Usurped the sceptre of Castile,
Unskilled to reign;
What a gay, brilliant court had he,
When all the flower of chivalry
Was in his train!

But he was mortal; and the breath,
That flamed from the hot forge of Death,
Blasted his years;
Judgment of God! that flame by thee,
When raging fierce and fearfully,
Was quenched in tears!

Spain's haughty Constable, the true
And gallant Master, whom we knew
Most loved of all;
Breathe not a whisper of his pride,
He on the gloomy scaffold died,
Ignoble fall!

The countless treasures of his care,
His villages and villas fair,
His mighty power,
What were they all but grief and shame,
Tears and a broken heart, when came
The parting hour?

His other brothers, proud and high,
Masters, who, in prosperity,
Might rival kings;
Who made the bravest and the best
The bondsmen of their high behest,
Their underlings;

What was their prosperous estate,
When high exalted and elate
With power and pride?
What, but a transient gleam of light,
A flame, which, glaring at its height,
Grew dim and died?

So many a duke of royal name,
Marquis and count of spotless fame,
And baron brave,
That might the sword of empire wield,
All these, O Death, hast thou concealed
In the dark grave!

Their deeds of mercy and of arms,
In peaceful days, or war's alarms,
When thou dost show.
O Death, thy stern and angry face,
One stroke of thy all-powerful mace
Can overthrow.

Unnumbered hosts, that threaten nigh,
Pennon and standard flaunting high,
And flag displayed;
High battlements intrenched around,
Bastion, and moated wall, and mound,
And palisade,

And covered trench, secure and deep,
All these cannot one victim keep,
O Death, from thee,
When thou dost battle in thy wrath,
And thy strong shafts pursue their path
Unerringly.

O World! so few the years we live,
Would that the life which thou dost give
Were life indeed!
Alas! thy sorrows fall so fast,
Our happiest hour is when at last
The soul is freed.

Our days are covered o'er with grief,
And sorrows neither few nor brief
Veil all in gloom;
Left desolate of real good,
Within this cheerless solitude
No pleasures bloom.

Thy pilgrimage begins in tears,
And ends in bitter doubts and fears,
Or dark despair;
Midway so many toils appear,
That he who lingers longest here
Knows most of care.

Thy goods are bought with many a groan,
By the hot sweat of toil alone,
And weary hearts;
Fleet-footed is the approach of woe,
But with a lingering step and slow
Its form departs.

And he, the good man's shield and shade,
To whom all hearts their homage paid,
As Virtue's son,
Roderic Manrique, he whose name
Is written on the scroll of Fame,
Spain's champion;

His signal deeds and prowess high
Demand no pompous eulogy.
Ye saw his deeds!
Why should their praise in verse be sung?
The name, that dwells on every tongue,
No minstrel needs.

To friends a friend; how kind to all
The vassals of this ancient hall
And feudal fief!
To foes how stern a foe was he!
And to the valiant and the free
How brave a chief!

What prudence with the old and wise:
What grace in youthful gayeties;
In all how sage!
Benignant to the serf and slave,
He showed the base and falsely brave
A lion's rage.

His was Octavian's prosperous star,
The rush of Caesar's conquering car
At battle's call;
His, Scipio's virtue; his, the skill
And the indomitable will
Of Hannibal.

His was a Trajan's goodness, his
A Titus' noble charities
And righteous laws;
The arm of Hector, and the might
Of Tully, to maintain the right
In truth's just cause;

The clemency of Antonine,
Aurelius' countenance divine,
Firm, gentle, still;
The eloquence of Adrian,
And Theodosius' love to man,
And generous will;

In tented field and bloody fray,
An Alexander's vigorous sway
And stern command;
The faith of Constantine; ay, more,
The fervent love Camillus bore
His native land.

He left no well-filled treasury,
He heaped no pile of riches high,
Nor massive plate;
He fought the Moors, and, in their fall,
City and tower and castled wall
Were his estate.

Upon the hard-fought battle-ground,
Brave steeds and gallant riders found
A common grave;
And there the warrior's hand did gain
The rents, and the long vassal train,
That conquest gave.

And if, of old, his halls displayed
The honored and exalted grade
His worth had gained,
So, in the dark, disastrous hour,
Brothers and bondsmen of his power
His hand sustained.

After high deeds, not left untold,
In the stern warfare, which of old
'T was his to share,
Such noble leagues he made, that more
And fairer regions, than before,
His guerdon were.

These are the records, half effaced,
Which, with the hand of youth, he traced
On history's page;
But with fresh victories he drew
Each fading character anew
In his old age.

By his unrivalled skill, by great
And veteran service to the state,
By worth adored,
He stood, in his high dignity,
The proudest knight of chivalry,
Knight of the Sword.

He found his cities and domains
Beneath a tyrant's galling chains
And cruel power;
But by fierce battle and blockade,
Soon his own banner was displayed
From every tower.

By the tried valor of his hand,
His monarch and his native land
Were nobly served;
Let Portugal repeat the story,
And proud Castile, who shared the glory
His arms deserved.

And when so oft, for weal or woe,
His life upon the fatal throw
Had been cast down;
When he had served, with patriot zeal,
Beneath the banner of Castile,
His sovereign's crown;

And done such deeds of valor strong,
That neither history nor song
Can count them all;
Then, on Ocana's castled rock,
Death at his portal came to knock,
With sudden call,

Saying, "Good Cavalier, prepare
To leave this world of toil and care
With joyful mien;
Let thy strong heart of steel this day
Put on its armor for the fray,
The closing scene.

"Since thou hast been, in battle-strife,
So prodigal of health and life,
For earthly fame,
Let virtue nerve thy heart again;
Loud on the last stern battle-plain
They call thy name.

"Think not the struggle that draws near
Too terrible for man, nor fear
To meet the foe;
Nor let thy noble spirit grieve,
Its life of glorious fame to leave
On earth below.

"A life of honor and of worth
Has no eternity on earth,
'T is but a name;
And yet its glory far exceeds
That base and sensual life, which leads
To want and shame.

"The eternal life, beyond the sky,
Wealth cannot purchase, nor the high
And proud estate;
The soul in dalliance laid, the spirit
Corrupt with sin, shall not inherit
A joy so great.

"But the good monk, in cloistered cell,
Shall gain it by his book and bell,
His prayers and tears;
And the brave knight, whose arm endures
Fierce battle, and against the Moors
His standard rears.

"And thou, brave knight, whose hand has poured
The life-blood of the Pagan horde
O'er all the land,
In heaven shalt thou receive, at length,
The guerdon of thine earthly strength
And dauntless hand.

"Cheered onward by this promise sure,
Strong in the faith entire and pure
Thou dost profess,
Depart, thy hope is certainty,
The third, the better life on high
Shalt thou possess. "

"O Death, no more, no more delay;
My spirit longs to flee away,
And be at rest;
The will of Heaven my will shall be,
I bow to the divine decree,
To God's behest.

"My soul is ready to depart,
No thought rebels, the obedient heart
Breathes forth no sigh;
The wish on earth to linger still
Were vain, when 't is God's sovereign will
That we shall die.

"O thou, that for our sins didst take
A human form, and humbly make
Thy home on earth;
Thou, that to thy divinity
A human nature didst ally
By mortal birth,

"And in that form didst suffer here
Torment, and agony, and fear,
So patiently;
By thy redeeming grace alone,
And not for merits of my own,
O, pardon me! "

As thus the dying warrior prayed,
Without one gathering mist or shade
Upon his mind;
Encircled by his family,
Watched by affection's gentle eye
So soft and kind;

His soul to Him, who gave it, rose;
God lead it to its long repose,
Its glorious rest!
And, though the warrior's sun has set,
Its light shall linger round us yet,
Bright, radiant, blest.




SONNETS

I

THE GOOD SHEPHERD

(EL BUEN PASTOR)

BY LOPE DE VEGA

Shepherd! who with thine amorous, sylvan song
Hast broken the slumber that encompassed me,
Who mad'st thy crook from the accursed tree,
On which thy powerful arms were stretched so long!
Lead me to mercy's ever-flowing fountains;
For thou my shepherd, guard, and guide shalt be;
I will obey thy voice, and wait to see
Thy feet all beautiful upon the mountains.
Hear, Shepherd! thou who for thy flock art dying,
O, wash away these scarlet sins, for thou
Rejoicest at the contrite sinner's vow.
O, wait! to thee my weary soul is crying,
Wait for me! Yet why ask it, when I see,
With feet nailed to the cross, thou 'rt waiting still for me!


II

TO-MORROW

(MANANA)

BY LOPE DE VEGA

Lord, what am I, that with unceasing care,
Thou didst seek after me, that thou didst wait
Wet with unhealthy dews, before my gate,
And pass the gloomy nights of winter there?
O strange delusion! that I did not greet
Thy blest approach, and O, to Heaven how lost,
If my ingratitude's unkindly frost
Has chilled the bleeding wounds upon thy feet.
How oft my guardian angel gently cried,
"Soul, from thy casement look, and thou shalt see
How he persists to knock and wait for thee! "
And, O! how often to that voice of sorrow,
"To-morrow we will open," I replied,
And when the morrow came I answered still "To-morrow. "


III

THE NATIVE LAND

(EL PATRIO CIELO)

BY FRANCISCO DE ALDANA

Clear fount of light! my native land on high,
Bright with a glory that shall never fade!
Mansion of truth! without a veil or shade,
Thy holy quiet meets the spirit's eye.
There dwells the soul in its ethereal essence,
Gasping no longer for life's feeble breath;
But, sentinelled in heaven, its glorious presence
With pitying eye beholds, yet fears not, death.
Beloved country! banished from thy shore,
A stranger in this prison-house of clay,
The exiled spirit weeps and sighs for thee!
Heavenward the bright perfections I adore
Direct, and the sure promise cheers the way,
That, whither love aspires, there shall my dwelling be.


IV

THE IMAGE OF GOD

(LA IMAGEN DE DIOS)

BY FRANCISCO DE ALDANA

O Lord! who seest, from yon starry height,
Centred in one the future and the past,
Fashioned in thine own image, see how fast
The world obscures in me what once was bright!
Eternal Sun! the warmth which thou hast given,
To cheer life's flowery April, fast decays;
Yet in the hoary winter of my days,
Forever green shall be my trust in Heaven.
Celestial King! O let thy presence pass
Before my spirit, and an image fair
Shall meet that look of mercy from on high,
As the reflected image in a glass
Doth meet the look of him who seeks it there,
And owes its being to the gazer's eye.


V

THE BROOK

(A UN ARROYUELO)

ANONYMOUS

Laugh of the mountain! --lyre of bird and tree!
Pomp of the meadow! mirror of the morn!
The soul of April, unto whom are born
The rose and jessamine, leaps wild in thee!
Although, where'er thy devious current strays,
The lap of earth with gold and silver teems,
To me thy clear proceeding brighter seems
Than golden sands, that charm each shepherd's gaze.
How without guile thy bosom, all transparent
As the pure crystal, lets the curious eye
Thy secrets scan, thy smooth, round pebbles count!
How, without malice murmuring, glides thy current!
O sweet simplicity of days gone by!
Thou shun'st the haunts of man, to dwell in limpid fount!




ANCIENT SPANISH BALLADS.

In the chapter with this title in Outre-Mer, besides Illustrations
from Byron and Lockhart are the three following examples,
contributed by Mr. Longfellow.


I

Rio Verde, Rio Verde!
Many a corpse is bathed in thee,
Both of Moors and eke of Christians,
Slain with swords most cruelly.

And thy pure and crystal waters
Dappled are with crimson gore;
For between the Moors and Christians
Long has been the fight and sore.

Dukes and Counts fell bleeding near thee,
Lords of high renown were slain,
Perished many a brave hidalgo
Of the noblemen of Spain.


II

"King Alfonso the Eighth, having exhausted his treasury in war,
wishes to lay a tax of five farthings upon each of the Castillan
hidalgos, in order to defray the expenses of a journey from
Burgos to Cuenca. This proposition of the king was met with
disdain by the noblemen who had been assembled on the occasion. "


Don Nuno, Count of Lara,
In anger and in pride,
Forgot all reverence for the king,
And thus in wrath replied:

"Our noble ancestors," quoth he,
"Ne'er such a tribute paid;
Nor shall the king receive of us
What they have once gainsaid.

"The base-born soul who deems it just
May here with thee remain;
But follow me, ye cavaliers,
Ye noblemen of Spain. "

Forth followed they the noble Count,
They marched to Glera's plain;
Out of three thousand gallant knights
Did only three remain.

They tied the tribute to their spears,
They raised it in the air,
And they sent to tell their lord the king
That his tax was ready there.

"He may send and take by force," said they,
"This paltry sum of gold;
But the goodly gift of liberty
Cannot be bought and sold. "


III

"One of the finest of the historic ballads is that which describes
Bernardo's march to Roncesvalles. He sallies forth 'with three
thousand Leonese and more,' to protect the glory and freedom of
his native land. From all sides, the peasantry of the land flock
to the hero's standard. "


The peasant leaves his plough afield,
The reaper leaves his hook,
And from his hand the shepherd-boy.
Lets fall the pastoral crook.

The young set up a shout of joy,
The old forget their years,
The feeble man grows stout of heart.
No more the craven fears.

All rush to Bernard's standard,
And on liberty they call;
They cannot brook to wear the yoke,
When threatened by the Gaul.

"Free were we born," 't is thus they cry
"And willingly pay we
The duty that we owe our king
By the divine decree.

"But God forbid that we obey
The laws of foreign knaves,
Tarnish the glory of our sires,
And make our children slaves.

"Our hearts have not so craven grown,
So bloodless all our veins,
So vigorless our brawny arms,
As to submit to chains.

"Has the audacious Frank, forsooth,
Subdued these seas and lands?
Shall he a bloodless victory have?
No, not while we have hands.

"He shall learn that the gallant Leonese
Can bravely fight and fall,
But that they know not how to yield;
They are Castilians all.

"Was it for this the Roman power
Of old was made to yield
Unto Numantia's valiant hosts
On many a bloody field?

"Shall the bold lions that have bathed
Their paws in Libyan gore,
Crouch basely to a feebler foe,
And dare the strife no more?

"Let the false king sell town and tower,
But not his vassals free;
For to subdue the free-born soul
No royal power hath he! "



VIDA DE SAN MILLAN

BY GONZALO DE BERCEO

And when the kings were in the field,--their squadrons in array,--
With lance in rest they onward pressed to mingle in the fray;
But soon upon the Christians fell a terror of their foes,--
These were a numerous army,--a little handful those.

And while the Christian people stood in this uncertainty,
Upward to heaven they turned their eyes, and fixed their thoughts on high;
And there two figures they beheld, all beautiful and bright,
Even than the pure new-fallen snow their garments were more white.

They rode upon two horses more white than crystal sheen,
And arms they bore such as before no mortal man had seen;
The one, he held a crosier,--a pontiff's mitre wore;
The other held a crucifix,--such man ne'er saw before.

Their faces were angelical, celestial forms had they,--
And downward through the fields of air they urged their rapid way;
They looked upon the Moorish host with fierce and angry look,
And in their hands, with dire portent, their naked sabres shook.

The Christian host, beholding this, straightway take heart again;
They fall upon their bended knees, all resting on the plain,
And each one with his clenched fist to smite his breast begins,
And promises to God on high he will forsake his sins.

And when the heavenly knights drew near unto the battle-ground,
They dashed among the Moors and dealt unerring blows around;
Such deadly havoc there they made the foremost ranks along,
A panic terror spread unto the hindmost of the throng.

Together with these two good knights, the champions of the sky,
The Christians rallied and began to smite full sore and high;
The Moors raised up their voices and by the Koran swore
That in their lives such deadly fray they ne'er had seen before.

Down went the misbelievers,--fast sped the bloody fight,--
Some ghastly and dismembered lay, and some half dead with fright:
Full sorely they repented that to the field they came,
For they saw that from the battle they should retreat with shame.

Another thing befell them,--they dreamed not of such woes,--
The very arrows that the Moors shot front their twanging bows
Turned back against them in their flight and wounded them full sore,
And every blow they dealt the foe was paid in drops of gore.

. . . . . . . . .

Now he that bore the crosier, and the papal crown had on,
Was the glorified Apostle, the brother of Saint John;
And he that held the crucifix, and wore the monkish hood,
Was the holy San Millan of Cogolla's neighborhood.



SAN MIGUEL, THE CONVENT

(SAN MIGUEL DE LA TUMBA)

BY GONZALO DE BERCEO


San Miguel de la Tumba is a convent vast and wide;
The sea encircles it around, and groans on every side:
It is a wild and dangerous place, and many woes betide
The monks who in that burial-place in penitence abide.

Within those dark monastic walls, amid the ocean flood,
Of pious, fasting monks there dwelt a holy brotherhood;
To the Madonna's glory there an altar high was placed,
And a rich and costly image the sacred altar graced.

Exalted high upon a throne, the Virgin Mother smiled,
And, as the custom is, she held within her arms the Child;
The kings and wise men of the East were kneeling by her side;
Attended was she like a queen whom God had sanctified.

. . . . . . . . .

Descending low before her face a screen of feathers hung,--
A moscader, or fan for flies, 'tis called in vulgar tongue;
From the feathers of the peacock's wing 't was fashioned bright and fair,
And glistened like the heaven above when all its stars are there.

It chanced that, for the people's sins, fell the lightning's blasting stroke:
Forth from all four the sacred walls the flames consuming broke;
The sacred robes were all consumed, missal and holy book;
And hardly with their lives the monks their crumbling walls forsook.

. . . .