He lacks simplicity
of idea, and his style is an opal which takes all lights and hues,
rather than the crystal which lets the daylight colorlessly through.
of idea, and his style is an opal which takes all lights and hues,
rather than the crystal which lets the daylight colorlessly through.
Warner - World's Best Literature - v01 - A to Apu
Jaffrey.
It
will be sufficient to state that Andy glided from extreme
infancy to early youth with astonishing celerity — at the rate
of one year per night, if I remember correctly; and — must I
confess it ? — before the week came to an end, this invisible
hobgoblin of a boy was only little less of a reality to me than
to Mr. Jaffrey.
At first I had lent myself to the old dreamer's whim with a
keen perception of the humor of the thing; but by and by I
found that I was talking and thinking of Miss Mehetabel's son
as though he were a veritable personage. Mr. Jaffrey spoke of
the child with such an air of conviction ! as if Andy were
playing among his toys in the next room, or making mud-
pies down in the yard. In these conversations, it should be
observed, the child was never supposed to be present, except
on that single occasion when Mr. Jaffrey leaned over the
cradle. After one of our séances I would lie awake until the
small hours, thinking of the boy, and then fall asleep only to
have indigestible dreams about him. Through the day, and
sometimes in the midst of complicated calculations, I would
catch myself wondering what Andy was up to now! There was
no shaking him off; he became an inseparable nightmare to me;
and I felt that if I remained much longer at Bayley's Four-
Corners I should turn into just such another bald-headed, mild-
eyed visionary as Silas Jaffrey.
Then the tavern was a grewsome old shell any way, full of
unaccountable noises after dark — rustlings of garments along
unfrequented passages, and stealthy footfalls in unoccupied
chambers overhead. I never knew of an old house without
these mysterious noises. Next to my bedroom was a musty,
dismantled apartment, in one corner of which, leaning against
the wainscot, was a crippled mangle, with its iron crank tilted
in the air like the elbow of the late Mr. Clem Jaffrey. Some.
times,
«In the dead vast and middle of the night,
I used to hear sounds as if some one were turning that rusty
crank on
the sly. This occurred only on particularly cold
## p. 344 (#374) ############################################
344
THOMAS BAILEY ALDRICH
nights, and I conceived the uncomfortable idea that it was the
thin family ghosts, from the neglected graveyard in the corn-
field, keeping themselves warm by running each other through
the mangle. There was a haunted air about the whole place
that made it easy for me to believe in the existence of a phan-
tasm like Miss Mehetabel's son, who, after all, was less un-
earthly than Mr. Jaffrey himself, and seemed more properly an
inhabitant of this globe than the toothless ogre who kept the
inn, not to mention the silent Witch of Endor that cooked our
meals for us over the bar-room fire.
In spite of the scowls and winks bestowed upon me by Mr.
Sewell, who let slip no opportunity to testify his disapprobation
of the intimacy, Mr. Jaffrey and I spent all our evenings to-
gether— those long autumnal evenings, through the length of
which he talked about the boy, laying out his path in life and
hedging the path with roses. He should be sent to the High
School at Portsmouth, and then to college; he should be edu-
cated like a gentleman, Andy.
“When the old man dies,” remarked Mr. Jaffrey one night,
rubbing his hands gleefully, as if it were a great joke, “Andy
will find that the old man has left him a pretty plum. ”
“What do you think of having Andy enter West Point, when
he's old enough? ” said Mr. Jaffrey on another occasion. “He
needn't necessarily go into the army when he graduates; he can
become a civil engineer. ”
This was a stroke of flattery so delicate and indirect that
I could accept it without immodesty.
There had lately sprung up on the corner of Mr. Jaffrey's
bureau a small tin house, Gothic in architecture and pink in
color, with a slit in the roof, and the word BANK painted on
one façade. Several times in the course of an evening Mr.
Jaffrey would rise from his chair without interrupting the con-
versation, and gravely drop a nickel into the scuttle of the
bank. It was pleasant to observe the solemnity of his counte-
nance as he approached the edifice, and the air of triumph with
which he resumed his seat by the fireplace. One night I missed
the tin bank. It had disappeared, deposits and all, like a real
bank. Evidently there had been a defalcation on rather a large
scale. I strongly suspected that Mr. Sewell was at the bottom
of it, but my suspicion was not shared by Mr. Jaffrey, who,
remarking my glance at the bureau, became suddenly depressed.
## p. 345 (#375) ############################################
THOMAS BAILEY ALDRICH
345
"I'm afraid,” he said, “that I have failed to instill into Andrew
those principles of integrity which -- which » and the old gen-
tleman quite broke down.
Andy was now eight or nine years old, and for some time
past, if the truth must be told, had given Mr. Jaffrey no incon-
siderable trouble; what with his impishness and his illnesses, the
boy led the pair of us a lively dance. I shall not soon forget
the anxiety of Mr. Jaffrey the night Andy had the scarlet-fever
- an anxiety which so infected me that I actually returned to
the tavern the following afternoon earlier than usual, dreading
to hear that the little spectre was dead, and greatly relieved on
meeting Mr. Jaffrey at the door-step with his face wreathed in
smiles. When I spoke to him of Andy, I was made aware that
I was inquiring into a case of scarlet-fever that had occurred
the year before!
It was at this time, towards the end of my second week at
Greenton, that I noticed what was probably not a new trait-
Mr. Jaffrey's curious sensitiveness to atmospherical changes.
was as sensitive as a barometer. The approach of a storm
sent his mercury down instantly. When the weather was fair
he was hopeful and sunny, and Andy's prospects were brilliant.
When the weather was overcast and threatening he grew rest-
less and despondent, and was afraid that the boy was not going
to turn out well.
On the Saturday previous to my departure, which had been
fixed for Monday, it rained heavily all the afternoon, and that
night Mr. Jaffrey was in an unusually excitable and unhappy
frame of mind. His mercury was very low indeed.
“That boy is going to the dogs just as fast as he can go,
said Mr. Jaffrey, with a woeful face. "I can't do anything with
him. ”
"He'll come out all right, Mr. Jaffrey. Boys will be boys.
I would not give a snap for a lad without animal spirits. ”
“But animal spirits,” said Mr. Jaffrey sententiously, "shouldn't
saw off the legs of the piano in Tobias's best parlor. I don't
know what Tobias will say when he finds it out. ”
«What! has Andy sawed off the legs of the old spinet? ” I
returned, laughing.
« Worse than that. ”
"Played upon it, then! ”
“No, sir. He has lied to me! ”
## p. 346 (#376) ############################################
346
THOMAS BAILEY ALDRICH
came
me
«I can't believe that of Andy. ”
“Lied to me, sir,” repeated Mr. Jaffrey, severely. «He
pledged me his word of honor that he would give over his
climbing The way that boy climbs sends a chill down my
spine. This morning, notwithstanding his solemn promise, he
shinned up the lightning-rod attached to the extension, and sat
astride the ridge-pole. I saw him, and he denied it!
When a
boy you have caressed and indulged and lavished pocket-money
on lies to you and will climb, then there's nothing more to be
said. He's a lost child. ”
“You take too dark a view of it, Mr. Jaffrey. Training and
education are bound to tell in the end, and he has been well
brought up. ”
“But I didn't bring him up on a lightning-rod, did I? If
he is ever going to know how to behave, he ought to know
now. To-morrow he will be eleven years old. ”
The reflection
to that if Andy had not been
brought up by the rod, he had certainly been brought up by
the lightning. He was eleven years old in two weeks!
I essayed, with that perspicacious wisdom which seems to be
the peculiar property of bachelors and elderly maiden ladies, to
tranquillize Mr. Jaffrey's mind, and to give him some practical
hints on the management of youth.
"Spank him," I suggested at last.
"I will! ” said the old gentleman.
“And you'd better do it at once! I added, as it flashed
upon me that in six months Andy would be a hundred and
forty-three years old ! --an age at which parental discipline
would have to be relaxed.
The next morning, Sunday, the rain came down as if deter-
mined to drive the quicksilver entirely out of my poor friend.
Mr. Jaffrey sat bolt upright at the breakfast-table, looking as
woe-begone as a bust of Dante, and retired to his chamber the
moment the meal was finished. As the day advanced, the wind
veered round to the northeast, and settled itself down to work.
It was not pleasant to think, and I tried not to think, what
Mr. Jaffrey's condition would be if the weather did not mend
its manners by noon; but so far from clearing off at noon, the
storm increased in violence, and as night set in, the wind
whistled in a spiteful falsetto key, and the rain lashed the old
tavern as if it were a balky horse that refused to move on.
## p. 347 (#377) ############################################
THOMAS BAILEY ALDRICH
347
The windows rattled in the worm-eaten frames, and the doors
of remote rooms, where nobody ever went, slammed to in the
maddest way.
Now and then the tornado, sweeping down the
side of Mount Agamenticus, bowled across the open country, and
struck the ancient hostelry point-blank.
Mr. Jaffrey did not appear at supper.
I knew that he was
expecting me to come to his room as usual, and I turned over
in my mind a dozen plans to evade seeing him that night. The
landlord sat at the opposite side of the chimney-place, with his
eye upon me. I fancy he was aware of the effect of this storm
on his other boarder; for at intervals, as the wind hurled itself
against the exposed gable, threatening to burst in the windows,
Mr. Sewell tipped me an atrocious wink, and displayed his
gums in a way he had not done since the morning after my
arrival at Greenton. I wondered if he suspected anything about
Andy. There had been odd times during the past week when
I felt convinced that the existence of Miss Mehetabel's son was
no secret to Mr. Sewell.
In deference to the gale, the landlord sat up half an hour
later than was his custom. At half-past eight he went to
bed, remarking that he thought the old pile would stand till
morning
He had been absent only a few minutes when I heard a
rustling at the door. I looked up, and beheld Mr. Jaffrey
standing on the threshold, with his dress in disorder, his scant
hair flying, and the wildest expression on his face.
“He's gone! ” cried Mr. Jaffrey.
«Who? Sewell ? Yes, he just went to bed. ”
“No, not Tobias — the boy! »
« What, run away? ”
“No-- he is dead! He has fallen from a step-ladder in the
red chamber and broken his neck! »
Mr. Jaffrey threw up his hands with a gesture of despair,
and disappeared. I followed him through the hall, saw him go
into his own apartment, and heard the bolt of the door drawn
to.
Then I returned to the bar-room, and sat for an hour or
two in the ruddy glow of the fire, brooding over the strange
experience of the last fortnight.
On my way to bed I paused at Mr. Jaffrey's door, and in
a lull of the storm, the measured respiration within told me
that the old gentleman was sleeping peacefully.
## p. 348 (#378) ############################################
348
THOMAS BAILEY ALDRICH
Slumber was coy with me that night. I lay listening to the
soughing of the wind, and thinking of Mr. Jaffrey's illusion.
It had amused me at first with its grotesqueness; but now the
poor little phantom was dead, I was conscious that there had
been something pathetic in it all along. Shortly after mid-
night the wind sunk down, coming and going fainter and
fainter, floating around the eaves of the tavern with an undulat-
ing, murmurous sound, as if it were turning itself into soft
wings to bear away the spirit of a little child.
Perhaps nothing that happened during my stay at Bayley's
Four-Corners took me so completely by surprise as Mr. Jaffrey's
radiant countenance the next morning. The morning itself was
not fresher or' sunnier. His round face literally shone with
geniality and happiness. His eyes twinkled like diamonds, and
the magnetic light of his hair was turned on full.
He came
into my room while I was packing my valise. He chirped, and
prattled, and caroled, and was sorry I was going away - but
never a word about Andy. However, the boy had probably
been dead several years then!
The open wagon that was to carry me to the station stood at
the door; Mr. Sewell was placing my case of instruments under
the seat, and Mr. Jaffrey had gone up to his room to get me a
certain newspaper containing an account of a remarkable ship-
wreck on the Auckland Islands. I took the opportunity to
thank Mr. Sewell for his courtesies to me, and to express my
regret at leaving him and Mr. Jaffrey.
“I have become very much attached to Mr. Jaffrey,” I said;
"he is a most interesting person; but that hypothetical boy of
his, that son of Miss Mehetabel's - »
“Yes, I know! ” interrupted Mr. Sewell, testily. « Fell off a
step-ladder and broke his dratted neck. Eleven year old, wasn't
he? Always does, jest at that point. Next week Silas will
begin the whole thing over again, if he can get anybody to
listen to him.
Our amiable friend is a little queer on that subject. ”
Mr. Sewell glanced cautiously over his shoulder, and tapping
himself significantly on the forehead, said in a low voice,-
«Room To Let -- Unfurnished ! »
“I see.
The foregoing selections are copyrighted, and are reprinted by permission of
the author, and Houghton, Mifflin & Co. , publishers
## p. 349 (#379) ############################################
349
ALEARDO ALEARDI
(1812-1878)
(
HE Italian patriot and poet, Aleardo Aleardi, was born in the
village of San Giorgio, near Verona, on November 4th, 1812.
He passed his boyhood on his father's farm, amid the
grand scenery of the valley of the Adige, which deeply impressed
itself on his youthful imagination and left its traces in all his verse.
He went to school at Verona, where for his dullness he was nick-
named the mole," and afterwards he passed on to the University of
Padua to study law, apparently to please his father, for in the
charming autobiography prefixed to his collected poems he quotes
his father as saying:—“My son, be not enamored of this coquette,
Poesy; for with all her airs of a great lady, she will play thee some
trick of a faithless grisette. Choose a good companion, as one might
say, for instance the law: and thou wilt found a family; wilt par-
take of God's bounties; wilt be content in life, and die quietly and
happily. ” In addition to satisfying his father, the young poet also
wrote at Padua his first political poems. And this brought him
into slight conflict with the authorities. He practiced law for a
short time at Verona, and wrote his first long poem, Arnaldo, pub-
lished in 1842, which was very favorably received. When six years
later the new Venetian republic came into being, Aleardi was sent
to represent its interests at Paris. The speedy overthrow of the new
State brought the young ambassador home again, and for the next
ten years he worked for Italian unity and freedom. He was twice
imprisoned, at Mantua in 1852, and again in 1859 at Verona, where
he died April 17th, 1878.
Like most of the Italian poets of this century, Aleardi found his
chief inspiration in the exciting events that marked the struggle of
Italy for independence, and his best work antedated the peace of
Villafranca. His first serious effort was 'Le Prime Storie) (The Pri-
mal Histories), written in 1845. In this he traces the story of the
human race from the creation through the Scriptural, classical, and
feudal periods down to the present century, and closes with fore-
shadowings of a peaceful and happy future. It is picturesque, full of
lofty imagery and brilliant descriptive passages.
“Una Ora della mia Giovinezza' (An Hour of My Youth: 1858)
recounts many of his youthful trials and disappointments as a patriot.
Like the Primal Histories, this poem is largely contemplative and
philosophical, and shines by the same splendid diction and luxuri-
ous imagery; but it is less wide-reaching in its interests and more
(
## p. 350 (#380) ############################################
350
ALEARDO ALEARDI
specific in its appeal to his own countrymen. And from this time
onward the patriotic qualities in Aleardi's poetry predominate, and
his themes become more and more exclusively Italian. The Monte
Circello) sings the glories and events of the Italian land and history,
and successfully presents many facts of science in poetic form, while
the singer passionately laments the present condition of Italy. In
Le Citta Italiane Marinore e Commercianti' (The Marine and Com-
mercial Cities of Italy) the story of the rise, flourishing, and fall of
Venice, Florence, Pisa, and Genoa is recounted. His other note-
worthy poems are Rafaello e la Fornarina,' 'Le Tre Fiume) (The
Three Rivers), Le Tre Fanciulle' (The Three Maidens: 1858), I Sette
Soldati' (The Seven Soldiers: 1859), and 'Canto Politico' (Political
Songs: 1862).
A slender volume of five hundred pages contains all that Aleardi
has written. Yet he is one of the chief minor Italian poets of this
century, because of his loftiness of purpose and felicity of expression,
his tenderness of feeling, and his deep sympathies with his struggling
country.
"He has,” observes Howells in his Modern Italian Poets,' «in
greater degree than any other Italian poet of this, or perhaps of any
age, those merits which our English taste of this time demands,
quickness of feeling and brilliancy of expression.
He lacks simplicity
of idea, and his style is an opal which takes all lights and hues,
rather than the crystal which lets the daylight colorlessly through.
He is distinguished no less by the themes he selects than by the
expression he gives them. In his poetry there is passion, but his
subjects are usually those to which love is accessory rather than
essential; and he cares better to sing of universal and national des-
tinies as they concern individuals, than the raptures and anguishes
of youthful individuals as they concern mankind. ” He was original
in his way; his attitude toward both the classic and the romantic
schools is shown in the following passage from his autobiography,
which at the same time brings out his patriotism. He says:-
«It seemed to me strange, on the one hand, that people who, in their
serious moments and in the recesses of their hearts, invoked Christ, should
in the recesses of their minds, in the deep excitement of poetry, persist in
invoking Apollo and Pallas Minerva. It seemed to me strange, on the other
hand, that people born in Italy, with this sun, with these nights, with so
many glories, so many griefs, so many hopes at home, should have the mania
of singing the mists of Scandinavia, and the Sabbaths of witches, and
should go mad for a gloomy and dead feudalism, which had come from the
North, the highway of our misfortunes. It seemed to me, moreover, that
every Art of Poetry was marvelously useless, and that certain rules were
mummies embalmed by the hand of pedants. In fine, it seemed to me that
there were two kinds of Art: the one, serene with an Olympic serenity, the
## p. 351 (#381) ############################################
ALEARDO ALEARDI
351
Art of all ages that belongs to no country; the other, more impassioned, that
has its roots in one's native soil
. . . The first that of Homer, of Phidias,
of Virgil, of Tasso; the other that of the Prophets, of Dante, of Shakespeare,
of Byron. And I have tried to cling to this last, because I was pleased to
see how these great men take the clay of their own land and their own time,
and model from it a living statue, which resembles their contemporaries. ”
In another interesting passage he explains that his old drawing-
master had in vain pleaded with the father to make his son a painter,
and he continues:-
«Not being allowed to use the pencil, I have used the pen. And pre-
cisely on this account my pen resembles too much a pencil; precisely on this
account I am often too much of a naturalist, and am too fond of losing
myself in minute details. I am as one who in walking goes leisurely along,
and stops every minute to observe the dash of light that breaks through the
trees of the woods, the insect that alights on his hand, the leaf that falls on
his head, a cloud, a wave, a streak of smoke; in fine, the thousand accidents
that make creation so rich, so various, so poetical, and beyond which we ever-
more catch glimpses of that grand mysterious something, eternal, immense,
benignant, and never inhuman nor cruel, as some would have us believe,
which is called God. ”
The selections are from Howells's (Modern Italian Poets,' copyright 1887, by
Harper and Brothers
COWARDS
I
'N THE deep circle of Siddim hast thou seen,
Under the shining skies of Palestine,
The sinister glitter of the Lake of Asphalt ?
Those coasts, strewn thick with ashes of damnation,
Forever foe to every living thing,
Where rings the cry of the lost wandering bird
That on the shore of the perfidious sea
Athirsting dies, - that watery sepulchre
Of the five cities of iniquity,
Where even the tempest, when its clouds hang low,
Passes in silence, and the lightning dies,
If thou hast seen them, bitterly hath been
Thy heart wrung with the misery and despair
Of that dread vision!
Yet there is on earth
A woe more desperate and miserable, -
A spectacle wherein the wrath of God
Avenges Him more terribly. It is
A vain, weak people of faint-heart old men,
That, for three hundred years of dull repose,
## p. 352 (#382) ############################################
352
ALEARDO ALEARDI
Has lain perpetual dreamer, folded in
The ragged purple of its ancestors,
Stretching its limbs wide in its country's sun,
To warm them; drinking the soft airs of autumn
Forgetful, on the fields where its forefathers
Like lions fought! From overflowing hands,
Strew we with hellebore and poppies thick
The way.
From The Primal Histories. )
THE HARVESTERS
W"
HAT time in summer, sad with so much light,
The sun beats ceaselessly upon the fields ;
The harvesters, as famine urges them,
Draw hitherward in thousands, and they wear
The look of those that dolorously go
In exile, and already their brown eyes
Are heavy with the poison of the air.
Here never note of amorous bird consoles
Their drooping hearts; here never the gay songs
Of their Abruzzi sound to gladden these
Pathetic hands. But taciturn they toil,
Reaping the harvests for their unknown lords;
And when the weary labor is performed,
Taciturn they retire; and not till then
Their bagpipes crown the joys of the return,
Swelling the heart with their familiar strain.
Alas! not all return, for there is one
That dying in the furrow sits, and seeks
With his last look some faithful kinsman out,
To give his life's wage, that he carry it
Unto his trembling mother, with the last
Words of her son that comes no more. And dying,
Deserted and alone, far off he hears
His comrades going, with their pipes in time,
Joyfully measuring their homeward steps.
And when in after years an orphan comes
To reap the harvest here, and feels his blade
Go quivering through the swaths of falling grain,
He weeps and thinks — haply these heavy stalks
Ripened on his unburied father's bones.
From Monte Circello. '
## p. 353 (#383) ############################################
ALEARDO ALEARDI
353
THE DEATH OF THE YEAR
E
RE yet upon the unhappy Arctic lands,
In dying autumn, Erebus descends
With the night's thousand hours, along the verge
Of the horizon, like a fugitive,
Through the long days wanders the weary sun;
And when at last under the wave is quenched
The last gleam of its golden countenance,
Interminable twilight land and sea
Discolors, and the north wind covers deep
All things in snow, as in their sepulchres
The dead are buried. In the distances
The shock of warring Cyclades of ice
Makes music as of wild and strange lament;
And up in heaven now tardily are lit
The solitary polar star and seven
Lamps of the bear. And now the warlike race
Of swans gather their hosts upon the breast
Of some far gulf, and, bidding their farewell
To the white cliffs and slender junipers,
And sea-weed bridal-beds, intone the song
Of parting, and a sad metallic clang
Send through the mists. Upon their southward way
They greet the beryl-tinted icebergs; greet
Flamy volcanoes and the seething founts
Of geysers, and the melancholy yellow
Of the Icelandic fields; and, wearying
Their lily wings amid the boreal lights,
Journey away unto the joyous shores
Of morning.
From (An Hour of My Youth. ”
1-23
## p. 354 (#384) ############################################
354
JEAN LE ROND D'ALEMBERT
(1717-1783)
EAN
as
He was
LE ROND D'ALEMBERT, one of the most noted of the
« Encyclopedists,” a mathematician of the first order, and
an eminent man of letters, was born at Paris in 1717. The
unacknowleged son of the Chevalier Destouches and of Mme. de Ten-
cin, he had been exposed on the steps of the chapel St. Jean-le-Rond,
near Notre-Dame. He was named after the place where he was
found; the surname of D'Alembert being added by himself in later
years. He was given into the care of the wife of a glazier, who
brought him up tenderly and whom he
never ceased to venerate his true
mother. His anonymous father, however,
partly supported him by an annual in-
come of twelve hundred francs.
educated at the college Mazarin, and sur-
prised his Jansenist teachers by his brill-
iance and precocity. They believed him
to be a second Pascal; and, doubtless to
complete the analogy, drew his attention
away from his theological studies to ge-
ometry. But they calculated without their
host; for the young student suddenly
D'ALEMBERT
found out his genius, and mathematics
and the exact sciences henceforth became
his absorbing interests. He studied successively law and medicine,
but finding no satisfaction in either of these professions, with the
true instincts of the scholar he chose poverty with liberty to pur-
sue the studies he loved. He astonished the scientific world by his
first published works, Memoir on the Integral Calculus(1739) and
On the Refraction of Solid Bodies) (1741); and while not yet twenty-
four years old, the brilliant young mathematician was made a member
of the French Academy of Sciences. In 1754 he entered the Acadé-
mie Française, and eighteen years later became its perpetual secretary.
D'Alembert wrote many and important works on physics and
mathematics. One of these, Memoir on the General Cause of
Winds,' carried away a prize from the Academy of Sciences of
Berlin, in 1746, and its dedication to Frederick II. of Prussia won him
the friendship of that monarch. But his claims to a place in French
literature, leaving aside his eulogies on members of the French
(
## p. 355 (#385) ############################################
JEAN LE ROND D'ALEMBERT
355
Academy deceased between 1700 and 1772, are based chiefly on his
writings in connection with the Encyclopédie. ' Associated with
Diderot in this vast enterprise, he was at first, because of his
eminent position in the scientific world, its director and official head.
He contributed a large number of scientific and philosophic articles,
and took entire charge of the revising of the mathematical division.
His most noteworthy contribution, however, is the Preliminary Dis-
course,' prefixed as a general introduction and explanation of the
work. In this he traced with wonderful clearness and logical pre-
cision the successive steps of the human mind in its search after
knowledge, and basing his conclusion on the historical evolution of the
race, he sketched in broad outlines the development of the sciences
and arts. In 1758 he withdrew from the active direction of the
Encyclopédie,' that he might free himself from the annoyance of gov-
ernmental interference, to which the work was constantly subjected
because of the skeptical tendencies it evinced. But he continued to
contribute mathematical articles, with a few on other topics. One of
these, on Geneva,' involved him in his celebrated dispute with Rous-
seau and other radicals in regard to Calvinism and the suppression
of theatrical performances in the stronghold of Swiss orthodoxy.
His fame was spreading over Europe. Frederick the Great of
Prussia repeatedly offered him the presidency of the Academy of
Sciences of Berlin. But he refused, as he also declined the magnifi-
cent offer of Catherine of Russia to become tutor to her son, at a
yearly salary of a hundred thousand francs. Pope Benedict XIV.
honored him by recommending him to the membership of the Insti-
tute of Bologne; and the high esteem in which he was held in Eng-
land is shown by the legacy of £200 left him by David Hume.
All these honors and distinctions did not affect the simplicity of
his life, for during thirty years he continued to reside in the poor
and incommodious quarters of his foster-mother, whom he partly
supported out of his small income. Ili health at last drove him to
seek better accommodations. He had formed a romantic attachment
for Mademoiselle de l'Espinasse, and lived with her in the same
house for years unscandaled. Her death in 1776 plunged him into
profound grief. He died nine years later, on the 9th of October, 1783.
His manner was plain and at times almost rude; he had great
independence of character, but also much simplicity and benevolence.
With the other French deists, D'Alembert has been attacked for his
religious opinions, but with injustice. He was prudent in the public
expression of them, as the time necessitated; but he makes the freest
statement of them in his correspondence with Voltaire. His literary
and philosopic works were edited by Bassange (Paris, 1891). Condor-
cet, in his “Eulogy,' gives the best account of his life and writings.
## p. 356 (#386) ############################################
356
JEAN LE ROND D'ALEMBERT
MONTESQUIEU
From the Eulogy published in the Encyclopédie
T"
He interest which good citizens are pleased to take in the
Encyclopédie,' and the great number of men of letters
who consecrate their labors to it, authorize us to regard
this work as the most proper monument to preserve the grateful
sentiments of our country, and that respect which is due to the
memory of those celebrated men who have done it honor. Per-
suaded, however, that M. de Montesquieu had a title to expect
other panegyrics, and that the public grief deserved to be de-
scribed by more eloquent pens, we should have paid his great
memory the homage of silence, had not gratitude compelled us
to speak. A benefactor to mankind by his writings, he was not
less a benefactor to this work, and at least we may place a few
lines at the base of his statue, as it were.
Charles de Secondat, baron of La Brède and of Montesquieu,
late life-President of the Parliament of Bordeaux, member of the
French Academy of Sciences, of the Royal Academy and Belles-
Lettres of Prussia, and of the Royal Society of London, was
born at the castle of La Brède, near Bordeaux, the 18th of
January, 1689, of a noble family of Guyenne. His great-great-
grandfather, John de Secondat, steward of the household to
Henry the Second, King of Navarre, and afterward to Jane,
daughter of that king, who married Antony of Bourbon, pur-
chased the estate of Montesquieu for the sum of ten thousand
livres, which this princess gave him by an authentic deed, as a
reward for his probity and services.
Henry the Third, King of Navarre, afterward Henry the
Fourth, King of France, erected the lands of Montesquieu into a
barony, in favor of Jacob de Secondat, son of John, first a gen-
tleman in ordinary of the bedchamber to this prince, and after-
ward colonel of the regiment of Chatillon. John Gaston de
Secondat, his second son, having married a daughter of the first
president of the Parliament of Bordeaux, purchased the office of
perpetual president in this society. He had several children, one
of whom entered the service, distinguished himself, and quitted
it very early in life. This was the father of Charles de Secon-
dat, author of the Spirit of Laws. These particulars may seem
superfluous in the eulogy of a philosopher who stands so little in
## p. 357 (#387) ############################################
JEAN LE ROND D'ALEMBERT
357
need of ancestors; but at least we may adorn their memory with
that lustre which his name reflects upon it.
The early promise of his genius was fulfilled in Charles de
Secondat. He discovered very soon what he desired to be, and
his father cultivated this rising genius, the object of his hope
and of his tenderness. At the age of twenty, young Montesquieu
had already prepared materials for the Spirit of Laws, by a
well-digested extract from the immense body of the civil law; as
Newton had laid in early youth the foundation of his immortal
works. The study of jurisprudence, however, though less dry to
M. de Montesquieu than to most who attempt it, because he
studied it as a philosopher, did not content him. He inquired
deeply into the subjects which pertain to religion, and considered
them with that wisdom, decency, and equity, which characterize
his work.
A brother of his father, perpetual president of the Parliament
of Bordeaux, an able judge and virtuous citizen, the oracle of his
own society and of his province, having lost an only son, left his
fortune and his office to M. de Montesquieu.
Some years after, in 1722, during the king's minority, his.
society employed him to present remonstrances upon occasion of
a new impost. Placed between the throne and the people, like a
respectful subject and courageous magistrate he brought the cry
of the wretched to the ears of the sovereign — a cry which, being
heard, obtained justice. Unfortunately, this success was momentary.
Scarce was the popular voice silenced before the suppressed tax
was replaced by another; but the good citizen had done his duty.
He was received the 3d of April, 1716, into the new academy
of Bordeaux. A taste for music and entertainment had at first
assembled its members. M. de Montesquieu believed that the
talents of his friends might be better employed in physical sub-
jects. He was persuaded that nature, worthy of being beheld
everywhere, could find everywhere eyes worthy to behold her;.
while it was impossible to gather together, at a distance from
the metropolis, distinguished writers on works of taste. He
looked upon our provincial societies for belles-lettres as a shadow
of literature which obscures the reality. The Duke de la Force,
by a prize which he founded at Bordeaux, seconded these rational
views It was decided that a good physical experiment would be
better than a weak discourse or a bad poem; and Bordeaux got
an Academy of Sciences.
## p. 358 (#388) ############################################
358
JEAN LE ROND D'ALEMBERT
M. de Montesquieu, careless of reputation, wrote little. It
was not till 1721, that is to say, at thirty-two years of age, that
he published the Persian Letters. ' The description of Oriental
manners, real or supposed, is the least important thing in these
letters. It serves merely as a pretense for a delicate satire upon
our own customs and for the concealment of a serious intention.
In this moving picture, Usbec chiefly exposes, with as much ease
as energy, whatever among us most struck his penetrating eyes:
our way of treating the silliest things seriously, and of laughing
at the most important; our way of talking which is at once so
blustering and so frivolous; our impatience even in the midst of
pleasure itself; our prejudices and our actions that perpetually
contradict our understandings; our great love of glory and respect
for the idol of court favor, our little real pride; our courtiers so
mean and vain; our exterior politeness to, and our real contempt
of strangers; our fantastical tastes, than which there is nothing
lower but the eagerness of all Europe to adopt them; our bar-
barous disdain for the two most respectable occupations of a
citizen-commerce and magistracy; our literary disputes, so keen
and so useless; our rage for writing before we think, and for
judging before we understand. To this picture he opposes, in
the apologue of the Troglodytes, the description of a virtuous
people, become wise by misfortunes-a piece worthy of the por-
tico. In another place, he represents philosophy, long silenced,
suddenly reappearing, regaining rapidly the time which she had
lost; penetrating even among the Russians at the voice of a
genius hich invites her; while among other people of Europe,
superstition, like a thick atmosphere, prevents the all-surrounding
light from reaching them. Finally, by his review of ancient and
modern government, he presents us with the bud of those bright
ideas since fully developed in his great work.
These different subjects, no longer novel, as when the Persian
Letters' first appeared, will forever remain original - a merit the
more real that it proceeds alone from the genius of the writer;
for Usbec acquired, during his abode in France, so perfect a
knowledge of our morals, and so strong a tincture of our man-
ners, that his style makes us forget his country. This small
solecism was perhaps not unintentional. While exposing our fol-
lies and vices, he meant, no doubt, to do justice to our merits.
Avoiding the insipidity of a direct panegyric, he has more deli-
cately praised us by assuming our own air in professed satire.
## p. 359 (#389) ############################################
JEAN LE ROND D'ALEMBERT
359
Notwithstanding the success of his work, M. de Montesquieu
did not acknowledge it. Perhaps he wished to escape criticism.
Perhaps he wished to avoid a contrast of the frivolity of the
Persian Letters with the gravity of his office; a sort of reproach
which critics never fail to make, because it requires no sort of
effort. But his secret was discovered, and the public suggested
his name for the Academy. The event justified M. de Montes-
quieu's silence. Usbec expresses himself freely, not concerning
the fundamentals of Christianity, but about matters which people
affect to confound with Christianity itself: about the spirit of
persecution which has animated so many Christians; about the
temporal usurpation of ecclesiastical power; about the excessive
multiplication of monasteries, which deprive the State of subjects
without giving worshipers to God; about some opinions which
would fain be established as principles; about our religious dis-
putes, always violent and often fatal. If he appears anywhere to
touch upon questions more vital to Christianity itself, his reflec-
tions are in fact favorable to revelation, because he shows how
little human reason, left to itself, knows.
Among the genuine letters of M. de Montesquieu the foreign
printer had inserted some by another hand. Before the author
was condemned, these should have been thrown out. Regardless
of these considerations, hatred masquerading as zeal, and zeal
without understanding, rose and united themselves against the
Persian Letters. ' Informers, a species of men dangerous and
base, alarmed the piety of the ministry. M. de Montesquieu,
urged by his friends, supported by the public voice, having
offered himself for the vacant place of M. de Sacy in the French
Academy, the minister wrote « The Forty” that his Majesty would
never accept the election of the author of the Persian Letters';
that he had not, indeed, read the book, but that persons in whom
he placed confidence had informed him of its poisonous tendency.
M. de Montesquieu saw what a blow such an accusation might
prove to his person, his family, and his tranquillity. He neither
sought literary honors nor affected to disdain them when they
came in his way, nor did he regard the lack of them as a misfor-
tune: but a perpetual exclusion, and the motives of that exclus.
ion, appeared to him to be an injury. He saw the minister, and
explained that though he did not acknowledge the Persian Let-
ters,' he would not disown a work for which he had no reason to
blush; and that he ought to be judged upon its contents, and not
## p. 360 (#390) ############################################
360
JEAN LE ROND D'ALEMBERT
upon mere hearsay. At last the minister read the book, loved
the author, and learned wisdom as to his advisers. The French
Academy obtained one of its greatest ornaments, and France had
the happiness to keep a subject whom superstition or calumny
had nearly deprived her of; for M. de Montesquieu had declared
to the government that, after the affront they proposed, he would
go among foreigners in quest of that safety, that repose, and per-
haps those rewards which he might reasonably have expected in
his own country. The nation would really have deplored his loss,
while yet the disgrace of it must have fallen upon her.
M. de Montesquieu was received the 24th of January, 1728.
His oration is one of the best ever pronounced here. Among
many admirable passages which shine out in its pages is the deep-
thinking writer's characterization of Cardinal Richelieu, «who
taught France the secret of its strength, and Spain that of its
weakness; who freed Germany from her chains and gave her new
ones. »
The new Academician was the worthier of this title, that he
had renounced all other employments to give himself entirely up
to his genius and his taste. However important was his place, he
perceived that a different work must employ his talents; that the
citizen is accountable to his country and to mankind for all the
good he may do; and that he could be more useful by his writ-
ings than by settling obscure legal disputes. He was no longer
a magistrate, but only a man of letters.
But that his works should serve other nations, it was neces-
sary that he should travel, his aim being to examine the natural
and moral world, to study the laws and constitution of every
country; to visit scholars, writers, artists, and everywhere to seek
for those rare men whose conversation sometimes supplies the
place of years of observation. M. de Montesquieu might have
said, like Democritus, "I have forgot nothing to instruct myself;
I have quitted my country and traveled over the universe, the
better to know truth; I hav seen all the illustrious personages of
my time. ” But there was this difference between the French
Democritus and him of Abdera, that the first traveled to instruct
men, and the second to laugh at them.
He went first to Vienna, where he often saw the celebrated
Prince Eugene. This hero, so
This hero, so fatal to France (to which he
might have been so useful), after having checked the advance of
Louis XIV. and humbled the Ottoman pride, lived without pomp,
## p. 361 (#391) ############################################
JEAN LE ROND D'ALEMBERT
361
loving and cultivating letters in a court where they are little
honored, and showing his masters how to protect them.
Leaving Vienna, the traveler visited Hungary, an opulent and
fertile country, inhabited by a haughty and generous nation, the
scourge of its tyrants and the support of its sovereigns. As few
persons know this country well, he has written with care this
part of his travels.
From Germany he went to Italy. At Venice he met the
famous Mr. Law, of whose former grandeur nothing remained
but projects fortunately destined to die away unorganized, and a
diamond which he pawned to play at games of hazard. One day
the conversation turned on the famous system which Law had
invented; the source of so many calamities, so many colossal for-
tunes, and so remarkable a corruption in our morals. As the Par-
liament of Paris had made some resistance to the Scotch minister
on this occasion, M. de Montesquieu asked him why he had never
tried to overcome this resistance by a method almost always
infallible in England, by the grand mover of human actions-in
a word, by money. «These are not,” answered Law, “geniuses so
ardent and so generous as my countrymen; but they are much
more incorruptible. ” It is certainly true that a society which is
free for a limited time ought to resist corruption more than one
which is always free: the first, when it sells its liberty, loses it;
the second, so to speak, only lends it, and exercises it even when
it is thus parting with it. Thus the circumstances and nature of
government give rise to the vices and virtues of nations.
Another person, no less famous, whom M. de Montesquieu saw
still oftener at Venice, was Count de Bonneval.
so
well known for his adventures, which were not yet at an end,
delighted to converse with so good a judge and so excellent a
hearer, often related to him the military actions in which he had
been engaged, and the remarkable circumstances of his life, and
drew the characters of generals and ministers whom he had
known.
He went from Venice to Rome. In this ancient capital of
the world he studied the works of Raphael, of Titian, and of
Michael Angelo. Accustomed to study nature, he knew her when
she was translated, as a faithful portrait appeals to all who are
familiar with the original.
After having traveled over Italy, M. de Montesquieu came to
Switzerland and studied those vast countries which are watered
This man,
## p. 362 (#392) ############################################
362
JEAN LE ROND D'ALEMBERT
by the Rhine. There was the less for him to see in Germany
that Frederick did not yet reign. In the United Provinces he
beheld an admirable monument of what human industry animated
by a love of liberty can do. In England he stayed three years.
Welcomed by the greatest men, he had nothing to regret save
that he had not made his journey sooner. Newton and Locke
were dead. But he had often the honor of paying his respects to
their patroness, the celebrated Queen of England, who cultivated
philosophy upon a throne, and who properly esteemed and val-
ued M. de Montesquieu. Nor was he less well received by the
nation. At London he formed intimate friendships with the
great thinkers.
With them he studied the nature of the govern-
ment, attaining profound knowledge of it.
As he had set out neither as an enthusiast nor a cynic, he
brought back neither a disdain for foreigners nor a contempt for
his own country. It was the result of his observations that Ger-
many was made to travel in, Italy to sojourn in, England to think
in, and France to live in.
It
will be sufficient to state that Andy glided from extreme
infancy to early youth with astonishing celerity — at the rate
of one year per night, if I remember correctly; and — must I
confess it ? — before the week came to an end, this invisible
hobgoblin of a boy was only little less of a reality to me than
to Mr. Jaffrey.
At first I had lent myself to the old dreamer's whim with a
keen perception of the humor of the thing; but by and by I
found that I was talking and thinking of Miss Mehetabel's son
as though he were a veritable personage. Mr. Jaffrey spoke of
the child with such an air of conviction ! as if Andy were
playing among his toys in the next room, or making mud-
pies down in the yard. In these conversations, it should be
observed, the child was never supposed to be present, except
on that single occasion when Mr. Jaffrey leaned over the
cradle. After one of our séances I would lie awake until the
small hours, thinking of the boy, and then fall asleep only to
have indigestible dreams about him. Through the day, and
sometimes in the midst of complicated calculations, I would
catch myself wondering what Andy was up to now! There was
no shaking him off; he became an inseparable nightmare to me;
and I felt that if I remained much longer at Bayley's Four-
Corners I should turn into just such another bald-headed, mild-
eyed visionary as Silas Jaffrey.
Then the tavern was a grewsome old shell any way, full of
unaccountable noises after dark — rustlings of garments along
unfrequented passages, and stealthy footfalls in unoccupied
chambers overhead. I never knew of an old house without
these mysterious noises. Next to my bedroom was a musty,
dismantled apartment, in one corner of which, leaning against
the wainscot, was a crippled mangle, with its iron crank tilted
in the air like the elbow of the late Mr. Clem Jaffrey. Some.
times,
«In the dead vast and middle of the night,
I used to hear sounds as if some one were turning that rusty
crank on
the sly. This occurred only on particularly cold
## p. 344 (#374) ############################################
344
THOMAS BAILEY ALDRICH
nights, and I conceived the uncomfortable idea that it was the
thin family ghosts, from the neglected graveyard in the corn-
field, keeping themselves warm by running each other through
the mangle. There was a haunted air about the whole place
that made it easy for me to believe in the existence of a phan-
tasm like Miss Mehetabel's son, who, after all, was less un-
earthly than Mr. Jaffrey himself, and seemed more properly an
inhabitant of this globe than the toothless ogre who kept the
inn, not to mention the silent Witch of Endor that cooked our
meals for us over the bar-room fire.
In spite of the scowls and winks bestowed upon me by Mr.
Sewell, who let slip no opportunity to testify his disapprobation
of the intimacy, Mr. Jaffrey and I spent all our evenings to-
gether— those long autumnal evenings, through the length of
which he talked about the boy, laying out his path in life and
hedging the path with roses. He should be sent to the High
School at Portsmouth, and then to college; he should be edu-
cated like a gentleman, Andy.
“When the old man dies,” remarked Mr. Jaffrey one night,
rubbing his hands gleefully, as if it were a great joke, “Andy
will find that the old man has left him a pretty plum. ”
“What do you think of having Andy enter West Point, when
he's old enough? ” said Mr. Jaffrey on another occasion. “He
needn't necessarily go into the army when he graduates; he can
become a civil engineer. ”
This was a stroke of flattery so delicate and indirect that
I could accept it without immodesty.
There had lately sprung up on the corner of Mr. Jaffrey's
bureau a small tin house, Gothic in architecture and pink in
color, with a slit in the roof, and the word BANK painted on
one façade. Several times in the course of an evening Mr.
Jaffrey would rise from his chair without interrupting the con-
versation, and gravely drop a nickel into the scuttle of the
bank. It was pleasant to observe the solemnity of his counte-
nance as he approached the edifice, and the air of triumph with
which he resumed his seat by the fireplace. One night I missed
the tin bank. It had disappeared, deposits and all, like a real
bank. Evidently there had been a defalcation on rather a large
scale. I strongly suspected that Mr. Sewell was at the bottom
of it, but my suspicion was not shared by Mr. Jaffrey, who,
remarking my glance at the bureau, became suddenly depressed.
## p. 345 (#375) ############################################
THOMAS BAILEY ALDRICH
345
"I'm afraid,” he said, “that I have failed to instill into Andrew
those principles of integrity which -- which » and the old gen-
tleman quite broke down.
Andy was now eight or nine years old, and for some time
past, if the truth must be told, had given Mr. Jaffrey no incon-
siderable trouble; what with his impishness and his illnesses, the
boy led the pair of us a lively dance. I shall not soon forget
the anxiety of Mr. Jaffrey the night Andy had the scarlet-fever
- an anxiety which so infected me that I actually returned to
the tavern the following afternoon earlier than usual, dreading
to hear that the little spectre was dead, and greatly relieved on
meeting Mr. Jaffrey at the door-step with his face wreathed in
smiles. When I spoke to him of Andy, I was made aware that
I was inquiring into a case of scarlet-fever that had occurred
the year before!
It was at this time, towards the end of my second week at
Greenton, that I noticed what was probably not a new trait-
Mr. Jaffrey's curious sensitiveness to atmospherical changes.
was as sensitive as a barometer. The approach of a storm
sent his mercury down instantly. When the weather was fair
he was hopeful and sunny, and Andy's prospects were brilliant.
When the weather was overcast and threatening he grew rest-
less and despondent, and was afraid that the boy was not going
to turn out well.
On the Saturday previous to my departure, which had been
fixed for Monday, it rained heavily all the afternoon, and that
night Mr. Jaffrey was in an unusually excitable and unhappy
frame of mind. His mercury was very low indeed.
“That boy is going to the dogs just as fast as he can go,
said Mr. Jaffrey, with a woeful face. "I can't do anything with
him. ”
"He'll come out all right, Mr. Jaffrey. Boys will be boys.
I would not give a snap for a lad without animal spirits. ”
“But animal spirits,” said Mr. Jaffrey sententiously, "shouldn't
saw off the legs of the piano in Tobias's best parlor. I don't
know what Tobias will say when he finds it out. ”
«What! has Andy sawed off the legs of the old spinet? ” I
returned, laughing.
« Worse than that. ”
"Played upon it, then! ”
“No, sir. He has lied to me! ”
## p. 346 (#376) ############################################
346
THOMAS BAILEY ALDRICH
came
me
«I can't believe that of Andy. ”
“Lied to me, sir,” repeated Mr. Jaffrey, severely. «He
pledged me his word of honor that he would give over his
climbing The way that boy climbs sends a chill down my
spine. This morning, notwithstanding his solemn promise, he
shinned up the lightning-rod attached to the extension, and sat
astride the ridge-pole. I saw him, and he denied it!
When a
boy you have caressed and indulged and lavished pocket-money
on lies to you and will climb, then there's nothing more to be
said. He's a lost child. ”
“You take too dark a view of it, Mr. Jaffrey. Training and
education are bound to tell in the end, and he has been well
brought up. ”
“But I didn't bring him up on a lightning-rod, did I? If
he is ever going to know how to behave, he ought to know
now. To-morrow he will be eleven years old. ”
The reflection
to that if Andy had not been
brought up by the rod, he had certainly been brought up by
the lightning. He was eleven years old in two weeks!
I essayed, with that perspicacious wisdom which seems to be
the peculiar property of bachelors and elderly maiden ladies, to
tranquillize Mr. Jaffrey's mind, and to give him some practical
hints on the management of youth.
"Spank him," I suggested at last.
"I will! ” said the old gentleman.
“And you'd better do it at once! I added, as it flashed
upon me that in six months Andy would be a hundred and
forty-three years old ! --an age at which parental discipline
would have to be relaxed.
The next morning, Sunday, the rain came down as if deter-
mined to drive the quicksilver entirely out of my poor friend.
Mr. Jaffrey sat bolt upright at the breakfast-table, looking as
woe-begone as a bust of Dante, and retired to his chamber the
moment the meal was finished. As the day advanced, the wind
veered round to the northeast, and settled itself down to work.
It was not pleasant to think, and I tried not to think, what
Mr. Jaffrey's condition would be if the weather did not mend
its manners by noon; but so far from clearing off at noon, the
storm increased in violence, and as night set in, the wind
whistled in a spiteful falsetto key, and the rain lashed the old
tavern as if it were a balky horse that refused to move on.
## p. 347 (#377) ############################################
THOMAS BAILEY ALDRICH
347
The windows rattled in the worm-eaten frames, and the doors
of remote rooms, where nobody ever went, slammed to in the
maddest way.
Now and then the tornado, sweeping down the
side of Mount Agamenticus, bowled across the open country, and
struck the ancient hostelry point-blank.
Mr. Jaffrey did not appear at supper.
I knew that he was
expecting me to come to his room as usual, and I turned over
in my mind a dozen plans to evade seeing him that night. The
landlord sat at the opposite side of the chimney-place, with his
eye upon me. I fancy he was aware of the effect of this storm
on his other boarder; for at intervals, as the wind hurled itself
against the exposed gable, threatening to burst in the windows,
Mr. Sewell tipped me an atrocious wink, and displayed his
gums in a way he had not done since the morning after my
arrival at Greenton. I wondered if he suspected anything about
Andy. There had been odd times during the past week when
I felt convinced that the existence of Miss Mehetabel's son was
no secret to Mr. Sewell.
In deference to the gale, the landlord sat up half an hour
later than was his custom. At half-past eight he went to
bed, remarking that he thought the old pile would stand till
morning
He had been absent only a few minutes when I heard a
rustling at the door. I looked up, and beheld Mr. Jaffrey
standing on the threshold, with his dress in disorder, his scant
hair flying, and the wildest expression on his face.
“He's gone! ” cried Mr. Jaffrey.
«Who? Sewell ? Yes, he just went to bed. ”
“No, not Tobias — the boy! »
« What, run away? ”
“No-- he is dead! He has fallen from a step-ladder in the
red chamber and broken his neck! »
Mr. Jaffrey threw up his hands with a gesture of despair,
and disappeared. I followed him through the hall, saw him go
into his own apartment, and heard the bolt of the door drawn
to.
Then I returned to the bar-room, and sat for an hour or
two in the ruddy glow of the fire, brooding over the strange
experience of the last fortnight.
On my way to bed I paused at Mr. Jaffrey's door, and in
a lull of the storm, the measured respiration within told me
that the old gentleman was sleeping peacefully.
## p. 348 (#378) ############################################
348
THOMAS BAILEY ALDRICH
Slumber was coy with me that night. I lay listening to the
soughing of the wind, and thinking of Mr. Jaffrey's illusion.
It had amused me at first with its grotesqueness; but now the
poor little phantom was dead, I was conscious that there had
been something pathetic in it all along. Shortly after mid-
night the wind sunk down, coming and going fainter and
fainter, floating around the eaves of the tavern with an undulat-
ing, murmurous sound, as if it were turning itself into soft
wings to bear away the spirit of a little child.
Perhaps nothing that happened during my stay at Bayley's
Four-Corners took me so completely by surprise as Mr. Jaffrey's
radiant countenance the next morning. The morning itself was
not fresher or' sunnier. His round face literally shone with
geniality and happiness. His eyes twinkled like diamonds, and
the magnetic light of his hair was turned on full.
He came
into my room while I was packing my valise. He chirped, and
prattled, and caroled, and was sorry I was going away - but
never a word about Andy. However, the boy had probably
been dead several years then!
The open wagon that was to carry me to the station stood at
the door; Mr. Sewell was placing my case of instruments under
the seat, and Mr. Jaffrey had gone up to his room to get me a
certain newspaper containing an account of a remarkable ship-
wreck on the Auckland Islands. I took the opportunity to
thank Mr. Sewell for his courtesies to me, and to express my
regret at leaving him and Mr. Jaffrey.
“I have become very much attached to Mr. Jaffrey,” I said;
"he is a most interesting person; but that hypothetical boy of
his, that son of Miss Mehetabel's - »
“Yes, I know! ” interrupted Mr. Sewell, testily. « Fell off a
step-ladder and broke his dratted neck. Eleven year old, wasn't
he? Always does, jest at that point. Next week Silas will
begin the whole thing over again, if he can get anybody to
listen to him.
Our amiable friend is a little queer on that subject. ”
Mr. Sewell glanced cautiously over his shoulder, and tapping
himself significantly on the forehead, said in a low voice,-
«Room To Let -- Unfurnished ! »
“I see.
The foregoing selections are copyrighted, and are reprinted by permission of
the author, and Houghton, Mifflin & Co. , publishers
## p. 349 (#379) ############################################
349
ALEARDO ALEARDI
(1812-1878)
(
HE Italian patriot and poet, Aleardo Aleardi, was born in the
village of San Giorgio, near Verona, on November 4th, 1812.
He passed his boyhood on his father's farm, amid the
grand scenery of the valley of the Adige, which deeply impressed
itself on his youthful imagination and left its traces in all his verse.
He went to school at Verona, where for his dullness he was nick-
named the mole," and afterwards he passed on to the University of
Padua to study law, apparently to please his father, for in the
charming autobiography prefixed to his collected poems he quotes
his father as saying:—“My son, be not enamored of this coquette,
Poesy; for with all her airs of a great lady, she will play thee some
trick of a faithless grisette. Choose a good companion, as one might
say, for instance the law: and thou wilt found a family; wilt par-
take of God's bounties; wilt be content in life, and die quietly and
happily. ” In addition to satisfying his father, the young poet also
wrote at Padua his first political poems. And this brought him
into slight conflict with the authorities. He practiced law for a
short time at Verona, and wrote his first long poem, Arnaldo, pub-
lished in 1842, which was very favorably received. When six years
later the new Venetian republic came into being, Aleardi was sent
to represent its interests at Paris. The speedy overthrow of the new
State brought the young ambassador home again, and for the next
ten years he worked for Italian unity and freedom. He was twice
imprisoned, at Mantua in 1852, and again in 1859 at Verona, where
he died April 17th, 1878.
Like most of the Italian poets of this century, Aleardi found his
chief inspiration in the exciting events that marked the struggle of
Italy for independence, and his best work antedated the peace of
Villafranca. His first serious effort was 'Le Prime Storie) (The Pri-
mal Histories), written in 1845. In this he traces the story of the
human race from the creation through the Scriptural, classical, and
feudal periods down to the present century, and closes with fore-
shadowings of a peaceful and happy future. It is picturesque, full of
lofty imagery and brilliant descriptive passages.
“Una Ora della mia Giovinezza' (An Hour of My Youth: 1858)
recounts many of his youthful trials and disappointments as a patriot.
Like the Primal Histories, this poem is largely contemplative and
philosophical, and shines by the same splendid diction and luxuri-
ous imagery; but it is less wide-reaching in its interests and more
(
## p. 350 (#380) ############################################
350
ALEARDO ALEARDI
specific in its appeal to his own countrymen. And from this time
onward the patriotic qualities in Aleardi's poetry predominate, and
his themes become more and more exclusively Italian. The Monte
Circello) sings the glories and events of the Italian land and history,
and successfully presents many facts of science in poetic form, while
the singer passionately laments the present condition of Italy. In
Le Citta Italiane Marinore e Commercianti' (The Marine and Com-
mercial Cities of Italy) the story of the rise, flourishing, and fall of
Venice, Florence, Pisa, and Genoa is recounted. His other note-
worthy poems are Rafaello e la Fornarina,' 'Le Tre Fiume) (The
Three Rivers), Le Tre Fanciulle' (The Three Maidens: 1858), I Sette
Soldati' (The Seven Soldiers: 1859), and 'Canto Politico' (Political
Songs: 1862).
A slender volume of five hundred pages contains all that Aleardi
has written. Yet he is one of the chief minor Italian poets of this
century, because of his loftiness of purpose and felicity of expression,
his tenderness of feeling, and his deep sympathies with his struggling
country.
"He has,” observes Howells in his Modern Italian Poets,' «in
greater degree than any other Italian poet of this, or perhaps of any
age, those merits which our English taste of this time demands,
quickness of feeling and brilliancy of expression.
He lacks simplicity
of idea, and his style is an opal which takes all lights and hues,
rather than the crystal which lets the daylight colorlessly through.
He is distinguished no less by the themes he selects than by the
expression he gives them. In his poetry there is passion, but his
subjects are usually those to which love is accessory rather than
essential; and he cares better to sing of universal and national des-
tinies as they concern individuals, than the raptures and anguishes
of youthful individuals as they concern mankind. ” He was original
in his way; his attitude toward both the classic and the romantic
schools is shown in the following passage from his autobiography,
which at the same time brings out his patriotism. He says:-
«It seemed to me strange, on the one hand, that people who, in their
serious moments and in the recesses of their hearts, invoked Christ, should
in the recesses of their minds, in the deep excitement of poetry, persist in
invoking Apollo and Pallas Minerva. It seemed to me strange, on the other
hand, that people born in Italy, with this sun, with these nights, with so
many glories, so many griefs, so many hopes at home, should have the mania
of singing the mists of Scandinavia, and the Sabbaths of witches, and
should go mad for a gloomy and dead feudalism, which had come from the
North, the highway of our misfortunes. It seemed to me, moreover, that
every Art of Poetry was marvelously useless, and that certain rules were
mummies embalmed by the hand of pedants. In fine, it seemed to me that
there were two kinds of Art: the one, serene with an Olympic serenity, the
## p. 351 (#381) ############################################
ALEARDO ALEARDI
351
Art of all ages that belongs to no country; the other, more impassioned, that
has its roots in one's native soil
. . . The first that of Homer, of Phidias,
of Virgil, of Tasso; the other that of the Prophets, of Dante, of Shakespeare,
of Byron. And I have tried to cling to this last, because I was pleased to
see how these great men take the clay of their own land and their own time,
and model from it a living statue, which resembles their contemporaries. ”
In another interesting passage he explains that his old drawing-
master had in vain pleaded with the father to make his son a painter,
and he continues:-
«Not being allowed to use the pencil, I have used the pen. And pre-
cisely on this account my pen resembles too much a pencil; precisely on this
account I am often too much of a naturalist, and am too fond of losing
myself in minute details. I am as one who in walking goes leisurely along,
and stops every minute to observe the dash of light that breaks through the
trees of the woods, the insect that alights on his hand, the leaf that falls on
his head, a cloud, a wave, a streak of smoke; in fine, the thousand accidents
that make creation so rich, so various, so poetical, and beyond which we ever-
more catch glimpses of that grand mysterious something, eternal, immense,
benignant, and never inhuman nor cruel, as some would have us believe,
which is called God. ”
The selections are from Howells's (Modern Italian Poets,' copyright 1887, by
Harper and Brothers
COWARDS
I
'N THE deep circle of Siddim hast thou seen,
Under the shining skies of Palestine,
The sinister glitter of the Lake of Asphalt ?
Those coasts, strewn thick with ashes of damnation,
Forever foe to every living thing,
Where rings the cry of the lost wandering bird
That on the shore of the perfidious sea
Athirsting dies, - that watery sepulchre
Of the five cities of iniquity,
Where even the tempest, when its clouds hang low,
Passes in silence, and the lightning dies,
If thou hast seen them, bitterly hath been
Thy heart wrung with the misery and despair
Of that dread vision!
Yet there is on earth
A woe more desperate and miserable, -
A spectacle wherein the wrath of God
Avenges Him more terribly. It is
A vain, weak people of faint-heart old men,
That, for three hundred years of dull repose,
## p. 352 (#382) ############################################
352
ALEARDO ALEARDI
Has lain perpetual dreamer, folded in
The ragged purple of its ancestors,
Stretching its limbs wide in its country's sun,
To warm them; drinking the soft airs of autumn
Forgetful, on the fields where its forefathers
Like lions fought! From overflowing hands,
Strew we with hellebore and poppies thick
The way.
From The Primal Histories. )
THE HARVESTERS
W"
HAT time in summer, sad with so much light,
The sun beats ceaselessly upon the fields ;
The harvesters, as famine urges them,
Draw hitherward in thousands, and they wear
The look of those that dolorously go
In exile, and already their brown eyes
Are heavy with the poison of the air.
Here never note of amorous bird consoles
Their drooping hearts; here never the gay songs
Of their Abruzzi sound to gladden these
Pathetic hands. But taciturn they toil,
Reaping the harvests for their unknown lords;
And when the weary labor is performed,
Taciturn they retire; and not till then
Their bagpipes crown the joys of the return,
Swelling the heart with their familiar strain.
Alas! not all return, for there is one
That dying in the furrow sits, and seeks
With his last look some faithful kinsman out,
To give his life's wage, that he carry it
Unto his trembling mother, with the last
Words of her son that comes no more. And dying,
Deserted and alone, far off he hears
His comrades going, with their pipes in time,
Joyfully measuring their homeward steps.
And when in after years an orphan comes
To reap the harvest here, and feels his blade
Go quivering through the swaths of falling grain,
He weeps and thinks — haply these heavy stalks
Ripened on his unburied father's bones.
From Monte Circello. '
## p. 353 (#383) ############################################
ALEARDO ALEARDI
353
THE DEATH OF THE YEAR
E
RE yet upon the unhappy Arctic lands,
In dying autumn, Erebus descends
With the night's thousand hours, along the verge
Of the horizon, like a fugitive,
Through the long days wanders the weary sun;
And when at last under the wave is quenched
The last gleam of its golden countenance,
Interminable twilight land and sea
Discolors, and the north wind covers deep
All things in snow, as in their sepulchres
The dead are buried. In the distances
The shock of warring Cyclades of ice
Makes music as of wild and strange lament;
And up in heaven now tardily are lit
The solitary polar star and seven
Lamps of the bear. And now the warlike race
Of swans gather their hosts upon the breast
Of some far gulf, and, bidding their farewell
To the white cliffs and slender junipers,
And sea-weed bridal-beds, intone the song
Of parting, and a sad metallic clang
Send through the mists. Upon their southward way
They greet the beryl-tinted icebergs; greet
Flamy volcanoes and the seething founts
Of geysers, and the melancholy yellow
Of the Icelandic fields; and, wearying
Their lily wings amid the boreal lights,
Journey away unto the joyous shores
Of morning.
From (An Hour of My Youth. ”
1-23
## p. 354 (#384) ############################################
354
JEAN LE ROND D'ALEMBERT
(1717-1783)
EAN
as
He was
LE ROND D'ALEMBERT, one of the most noted of the
« Encyclopedists,” a mathematician of the first order, and
an eminent man of letters, was born at Paris in 1717. The
unacknowleged son of the Chevalier Destouches and of Mme. de Ten-
cin, he had been exposed on the steps of the chapel St. Jean-le-Rond,
near Notre-Dame. He was named after the place where he was
found; the surname of D'Alembert being added by himself in later
years. He was given into the care of the wife of a glazier, who
brought him up tenderly and whom he
never ceased to venerate his true
mother. His anonymous father, however,
partly supported him by an annual in-
come of twelve hundred francs.
educated at the college Mazarin, and sur-
prised his Jansenist teachers by his brill-
iance and precocity. They believed him
to be a second Pascal; and, doubtless to
complete the analogy, drew his attention
away from his theological studies to ge-
ometry. But they calculated without their
host; for the young student suddenly
D'ALEMBERT
found out his genius, and mathematics
and the exact sciences henceforth became
his absorbing interests. He studied successively law and medicine,
but finding no satisfaction in either of these professions, with the
true instincts of the scholar he chose poverty with liberty to pur-
sue the studies he loved. He astonished the scientific world by his
first published works, Memoir on the Integral Calculus(1739) and
On the Refraction of Solid Bodies) (1741); and while not yet twenty-
four years old, the brilliant young mathematician was made a member
of the French Academy of Sciences. In 1754 he entered the Acadé-
mie Française, and eighteen years later became its perpetual secretary.
D'Alembert wrote many and important works on physics and
mathematics. One of these, Memoir on the General Cause of
Winds,' carried away a prize from the Academy of Sciences of
Berlin, in 1746, and its dedication to Frederick II. of Prussia won him
the friendship of that monarch. But his claims to a place in French
literature, leaving aside his eulogies on members of the French
(
## p. 355 (#385) ############################################
JEAN LE ROND D'ALEMBERT
355
Academy deceased between 1700 and 1772, are based chiefly on his
writings in connection with the Encyclopédie. ' Associated with
Diderot in this vast enterprise, he was at first, because of his
eminent position in the scientific world, its director and official head.
He contributed a large number of scientific and philosophic articles,
and took entire charge of the revising of the mathematical division.
His most noteworthy contribution, however, is the Preliminary Dis-
course,' prefixed as a general introduction and explanation of the
work. In this he traced with wonderful clearness and logical pre-
cision the successive steps of the human mind in its search after
knowledge, and basing his conclusion on the historical evolution of the
race, he sketched in broad outlines the development of the sciences
and arts. In 1758 he withdrew from the active direction of the
Encyclopédie,' that he might free himself from the annoyance of gov-
ernmental interference, to which the work was constantly subjected
because of the skeptical tendencies it evinced. But he continued to
contribute mathematical articles, with a few on other topics. One of
these, on Geneva,' involved him in his celebrated dispute with Rous-
seau and other radicals in regard to Calvinism and the suppression
of theatrical performances in the stronghold of Swiss orthodoxy.
His fame was spreading over Europe. Frederick the Great of
Prussia repeatedly offered him the presidency of the Academy of
Sciences of Berlin. But he refused, as he also declined the magnifi-
cent offer of Catherine of Russia to become tutor to her son, at a
yearly salary of a hundred thousand francs. Pope Benedict XIV.
honored him by recommending him to the membership of the Insti-
tute of Bologne; and the high esteem in which he was held in Eng-
land is shown by the legacy of £200 left him by David Hume.
All these honors and distinctions did not affect the simplicity of
his life, for during thirty years he continued to reside in the poor
and incommodious quarters of his foster-mother, whom he partly
supported out of his small income. Ili health at last drove him to
seek better accommodations. He had formed a romantic attachment
for Mademoiselle de l'Espinasse, and lived with her in the same
house for years unscandaled. Her death in 1776 plunged him into
profound grief. He died nine years later, on the 9th of October, 1783.
His manner was plain and at times almost rude; he had great
independence of character, but also much simplicity and benevolence.
With the other French deists, D'Alembert has been attacked for his
religious opinions, but with injustice. He was prudent in the public
expression of them, as the time necessitated; but he makes the freest
statement of them in his correspondence with Voltaire. His literary
and philosopic works were edited by Bassange (Paris, 1891). Condor-
cet, in his “Eulogy,' gives the best account of his life and writings.
## p. 356 (#386) ############################################
356
JEAN LE ROND D'ALEMBERT
MONTESQUIEU
From the Eulogy published in the Encyclopédie
T"
He interest which good citizens are pleased to take in the
Encyclopédie,' and the great number of men of letters
who consecrate their labors to it, authorize us to regard
this work as the most proper monument to preserve the grateful
sentiments of our country, and that respect which is due to the
memory of those celebrated men who have done it honor. Per-
suaded, however, that M. de Montesquieu had a title to expect
other panegyrics, and that the public grief deserved to be de-
scribed by more eloquent pens, we should have paid his great
memory the homage of silence, had not gratitude compelled us
to speak. A benefactor to mankind by his writings, he was not
less a benefactor to this work, and at least we may place a few
lines at the base of his statue, as it were.
Charles de Secondat, baron of La Brède and of Montesquieu,
late life-President of the Parliament of Bordeaux, member of the
French Academy of Sciences, of the Royal Academy and Belles-
Lettres of Prussia, and of the Royal Society of London, was
born at the castle of La Brède, near Bordeaux, the 18th of
January, 1689, of a noble family of Guyenne. His great-great-
grandfather, John de Secondat, steward of the household to
Henry the Second, King of Navarre, and afterward to Jane,
daughter of that king, who married Antony of Bourbon, pur-
chased the estate of Montesquieu for the sum of ten thousand
livres, which this princess gave him by an authentic deed, as a
reward for his probity and services.
Henry the Third, King of Navarre, afterward Henry the
Fourth, King of France, erected the lands of Montesquieu into a
barony, in favor of Jacob de Secondat, son of John, first a gen-
tleman in ordinary of the bedchamber to this prince, and after-
ward colonel of the regiment of Chatillon. John Gaston de
Secondat, his second son, having married a daughter of the first
president of the Parliament of Bordeaux, purchased the office of
perpetual president in this society. He had several children, one
of whom entered the service, distinguished himself, and quitted
it very early in life. This was the father of Charles de Secon-
dat, author of the Spirit of Laws. These particulars may seem
superfluous in the eulogy of a philosopher who stands so little in
## p. 357 (#387) ############################################
JEAN LE ROND D'ALEMBERT
357
need of ancestors; but at least we may adorn their memory with
that lustre which his name reflects upon it.
The early promise of his genius was fulfilled in Charles de
Secondat. He discovered very soon what he desired to be, and
his father cultivated this rising genius, the object of his hope
and of his tenderness. At the age of twenty, young Montesquieu
had already prepared materials for the Spirit of Laws, by a
well-digested extract from the immense body of the civil law; as
Newton had laid in early youth the foundation of his immortal
works. The study of jurisprudence, however, though less dry to
M. de Montesquieu than to most who attempt it, because he
studied it as a philosopher, did not content him. He inquired
deeply into the subjects which pertain to religion, and considered
them with that wisdom, decency, and equity, which characterize
his work.
A brother of his father, perpetual president of the Parliament
of Bordeaux, an able judge and virtuous citizen, the oracle of his
own society and of his province, having lost an only son, left his
fortune and his office to M. de Montesquieu.
Some years after, in 1722, during the king's minority, his.
society employed him to present remonstrances upon occasion of
a new impost. Placed between the throne and the people, like a
respectful subject and courageous magistrate he brought the cry
of the wretched to the ears of the sovereign — a cry which, being
heard, obtained justice. Unfortunately, this success was momentary.
Scarce was the popular voice silenced before the suppressed tax
was replaced by another; but the good citizen had done his duty.
He was received the 3d of April, 1716, into the new academy
of Bordeaux. A taste for music and entertainment had at first
assembled its members. M. de Montesquieu believed that the
talents of his friends might be better employed in physical sub-
jects. He was persuaded that nature, worthy of being beheld
everywhere, could find everywhere eyes worthy to behold her;.
while it was impossible to gather together, at a distance from
the metropolis, distinguished writers on works of taste. He
looked upon our provincial societies for belles-lettres as a shadow
of literature which obscures the reality. The Duke de la Force,
by a prize which he founded at Bordeaux, seconded these rational
views It was decided that a good physical experiment would be
better than a weak discourse or a bad poem; and Bordeaux got
an Academy of Sciences.
## p. 358 (#388) ############################################
358
JEAN LE ROND D'ALEMBERT
M. de Montesquieu, careless of reputation, wrote little. It
was not till 1721, that is to say, at thirty-two years of age, that
he published the Persian Letters. ' The description of Oriental
manners, real or supposed, is the least important thing in these
letters. It serves merely as a pretense for a delicate satire upon
our own customs and for the concealment of a serious intention.
In this moving picture, Usbec chiefly exposes, with as much ease
as energy, whatever among us most struck his penetrating eyes:
our way of treating the silliest things seriously, and of laughing
at the most important; our way of talking which is at once so
blustering and so frivolous; our impatience even in the midst of
pleasure itself; our prejudices and our actions that perpetually
contradict our understandings; our great love of glory and respect
for the idol of court favor, our little real pride; our courtiers so
mean and vain; our exterior politeness to, and our real contempt
of strangers; our fantastical tastes, than which there is nothing
lower but the eagerness of all Europe to adopt them; our bar-
barous disdain for the two most respectable occupations of a
citizen-commerce and magistracy; our literary disputes, so keen
and so useless; our rage for writing before we think, and for
judging before we understand. To this picture he opposes, in
the apologue of the Troglodytes, the description of a virtuous
people, become wise by misfortunes-a piece worthy of the por-
tico. In another place, he represents philosophy, long silenced,
suddenly reappearing, regaining rapidly the time which she had
lost; penetrating even among the Russians at the voice of a
genius hich invites her; while among other people of Europe,
superstition, like a thick atmosphere, prevents the all-surrounding
light from reaching them. Finally, by his review of ancient and
modern government, he presents us with the bud of those bright
ideas since fully developed in his great work.
These different subjects, no longer novel, as when the Persian
Letters' first appeared, will forever remain original - a merit the
more real that it proceeds alone from the genius of the writer;
for Usbec acquired, during his abode in France, so perfect a
knowledge of our morals, and so strong a tincture of our man-
ners, that his style makes us forget his country. This small
solecism was perhaps not unintentional. While exposing our fol-
lies and vices, he meant, no doubt, to do justice to our merits.
Avoiding the insipidity of a direct panegyric, he has more deli-
cately praised us by assuming our own air in professed satire.
## p. 359 (#389) ############################################
JEAN LE ROND D'ALEMBERT
359
Notwithstanding the success of his work, M. de Montesquieu
did not acknowledge it. Perhaps he wished to escape criticism.
Perhaps he wished to avoid a contrast of the frivolity of the
Persian Letters with the gravity of his office; a sort of reproach
which critics never fail to make, because it requires no sort of
effort. But his secret was discovered, and the public suggested
his name for the Academy. The event justified M. de Montes-
quieu's silence. Usbec expresses himself freely, not concerning
the fundamentals of Christianity, but about matters which people
affect to confound with Christianity itself: about the spirit of
persecution which has animated so many Christians; about the
temporal usurpation of ecclesiastical power; about the excessive
multiplication of monasteries, which deprive the State of subjects
without giving worshipers to God; about some opinions which
would fain be established as principles; about our religious dis-
putes, always violent and often fatal. If he appears anywhere to
touch upon questions more vital to Christianity itself, his reflec-
tions are in fact favorable to revelation, because he shows how
little human reason, left to itself, knows.
Among the genuine letters of M. de Montesquieu the foreign
printer had inserted some by another hand. Before the author
was condemned, these should have been thrown out. Regardless
of these considerations, hatred masquerading as zeal, and zeal
without understanding, rose and united themselves against the
Persian Letters. ' Informers, a species of men dangerous and
base, alarmed the piety of the ministry. M. de Montesquieu,
urged by his friends, supported by the public voice, having
offered himself for the vacant place of M. de Sacy in the French
Academy, the minister wrote « The Forty” that his Majesty would
never accept the election of the author of the Persian Letters';
that he had not, indeed, read the book, but that persons in whom
he placed confidence had informed him of its poisonous tendency.
M. de Montesquieu saw what a blow such an accusation might
prove to his person, his family, and his tranquillity. He neither
sought literary honors nor affected to disdain them when they
came in his way, nor did he regard the lack of them as a misfor-
tune: but a perpetual exclusion, and the motives of that exclus.
ion, appeared to him to be an injury. He saw the minister, and
explained that though he did not acknowledge the Persian Let-
ters,' he would not disown a work for which he had no reason to
blush; and that he ought to be judged upon its contents, and not
## p. 360 (#390) ############################################
360
JEAN LE ROND D'ALEMBERT
upon mere hearsay. At last the minister read the book, loved
the author, and learned wisdom as to his advisers. The French
Academy obtained one of its greatest ornaments, and France had
the happiness to keep a subject whom superstition or calumny
had nearly deprived her of; for M. de Montesquieu had declared
to the government that, after the affront they proposed, he would
go among foreigners in quest of that safety, that repose, and per-
haps those rewards which he might reasonably have expected in
his own country. The nation would really have deplored his loss,
while yet the disgrace of it must have fallen upon her.
M. de Montesquieu was received the 24th of January, 1728.
His oration is one of the best ever pronounced here. Among
many admirable passages which shine out in its pages is the deep-
thinking writer's characterization of Cardinal Richelieu, «who
taught France the secret of its strength, and Spain that of its
weakness; who freed Germany from her chains and gave her new
ones. »
The new Academician was the worthier of this title, that he
had renounced all other employments to give himself entirely up
to his genius and his taste. However important was his place, he
perceived that a different work must employ his talents; that the
citizen is accountable to his country and to mankind for all the
good he may do; and that he could be more useful by his writ-
ings than by settling obscure legal disputes. He was no longer
a magistrate, but only a man of letters.
But that his works should serve other nations, it was neces-
sary that he should travel, his aim being to examine the natural
and moral world, to study the laws and constitution of every
country; to visit scholars, writers, artists, and everywhere to seek
for those rare men whose conversation sometimes supplies the
place of years of observation. M. de Montesquieu might have
said, like Democritus, "I have forgot nothing to instruct myself;
I have quitted my country and traveled over the universe, the
better to know truth; I hav seen all the illustrious personages of
my time. ” But there was this difference between the French
Democritus and him of Abdera, that the first traveled to instruct
men, and the second to laugh at them.
He went first to Vienna, where he often saw the celebrated
Prince Eugene. This hero, so
This hero, so fatal to France (to which he
might have been so useful), after having checked the advance of
Louis XIV. and humbled the Ottoman pride, lived without pomp,
## p. 361 (#391) ############################################
JEAN LE ROND D'ALEMBERT
361
loving and cultivating letters in a court where they are little
honored, and showing his masters how to protect them.
Leaving Vienna, the traveler visited Hungary, an opulent and
fertile country, inhabited by a haughty and generous nation, the
scourge of its tyrants and the support of its sovereigns. As few
persons know this country well, he has written with care this
part of his travels.
From Germany he went to Italy. At Venice he met the
famous Mr. Law, of whose former grandeur nothing remained
but projects fortunately destined to die away unorganized, and a
diamond which he pawned to play at games of hazard. One day
the conversation turned on the famous system which Law had
invented; the source of so many calamities, so many colossal for-
tunes, and so remarkable a corruption in our morals. As the Par-
liament of Paris had made some resistance to the Scotch minister
on this occasion, M. de Montesquieu asked him why he had never
tried to overcome this resistance by a method almost always
infallible in England, by the grand mover of human actions-in
a word, by money. «These are not,” answered Law, “geniuses so
ardent and so generous as my countrymen; but they are much
more incorruptible. ” It is certainly true that a society which is
free for a limited time ought to resist corruption more than one
which is always free: the first, when it sells its liberty, loses it;
the second, so to speak, only lends it, and exercises it even when
it is thus parting with it. Thus the circumstances and nature of
government give rise to the vices and virtues of nations.
Another person, no less famous, whom M. de Montesquieu saw
still oftener at Venice, was Count de Bonneval.
so
well known for his adventures, which were not yet at an end,
delighted to converse with so good a judge and so excellent a
hearer, often related to him the military actions in which he had
been engaged, and the remarkable circumstances of his life, and
drew the characters of generals and ministers whom he had
known.
He went from Venice to Rome. In this ancient capital of
the world he studied the works of Raphael, of Titian, and of
Michael Angelo. Accustomed to study nature, he knew her when
she was translated, as a faithful portrait appeals to all who are
familiar with the original.
After having traveled over Italy, M. de Montesquieu came to
Switzerland and studied those vast countries which are watered
This man,
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362
JEAN LE ROND D'ALEMBERT
by the Rhine. There was the less for him to see in Germany
that Frederick did not yet reign. In the United Provinces he
beheld an admirable monument of what human industry animated
by a love of liberty can do. In England he stayed three years.
Welcomed by the greatest men, he had nothing to regret save
that he had not made his journey sooner. Newton and Locke
were dead. But he had often the honor of paying his respects to
their patroness, the celebrated Queen of England, who cultivated
philosophy upon a throne, and who properly esteemed and val-
ued M. de Montesquieu. Nor was he less well received by the
nation. At London he formed intimate friendships with the
great thinkers.
With them he studied the nature of the govern-
ment, attaining profound knowledge of it.
As he had set out neither as an enthusiast nor a cynic, he
brought back neither a disdain for foreigners nor a contempt for
his own country. It was the result of his observations that Ger-
many was made to travel in, Italy to sojourn in, England to think
in, and France to live in.
