No More Learning

On this hint Burns
wrote the Elegy: when Tam heard o' this he waited on the poet, caused
him to recite it, and expressed displeasure at being numbered with the
dead: the author, whose wit was as ready as his rhymes, added the Per
Contra in a moment, much to the delight of his friend. At his death
the four lines of Epitaph were cut on his gravestone. "This poem has
always," says Hogg, "been a great country favourite: it abounds with
happy expressions.

'In vain the burns cam' down like waters,
An acre braid. '

What a picture of a flooded burn! any other poet would have given us a
long description: Burns dashes it down at once in a style so graphic
no one can mistake it.

'Perhaps upon his mouldering breast
Some spitefu' moorfowl bigs her nest. '

Match that sentence who can. "]


Has auld Kilmarnock seen the deil?
Or great M'Kinlay[50] thrawn his heel?
Or Robinson[51] again grown weel,
To preach an' read?
"Na, waur than a'! " cries ilka chiel,
Tam Samson's dead!

Kilmarnock lang may grunt an' grane,
An' sigh, an' sob, an' greet her lane,
An' cleed her bairns, man, wife, an wean,
In mourning weed;
To death, she's dearly paid the kane,
Tam Samson's dead!

The brethren o' the mystic level
May hing their head in woefu' bevel,
While by their nose the tears will revel,
Like ony bead;
Death's gien the lodge an unco devel,
Tam Samson's dead!

When Winter muffles up his cloak,
And binds the mire like a rock;
When to the lochs the curlers flock,
Wi' gleesome speed,
Wha will they station at the cock?
Tam Samson's dead!

He was the king o' a' the core,
To guard or draw, or wick a bore,
Or up the rink like Jehu roar
In time o' need;
But now he lags on death's hog-score,
Tam Samson's dead!

Now safe the stately sawmont sail,
And trouts be-dropp'd wi' crimson hail,
And eels weel ken'd for souple tail,
And geds for greed,
Since dark in death's fish-creel we wail
Tam Samson dead.

Rejoice, ye birring patricks a';
Ye cootie moor-cocks, crousely craw;
Ye maukins, cock your fud fu' braw,
Withouten dread;
Your mortal fae is now awa'--
Tam Samson's dead!

That woefu' morn be ever mourn'd
Saw him in shootin' graith adorn'd,
While pointers round impatient burn'd,
Frae couples freed;
But, Och! he gaed and ne'er return'd!
Tam Samson's dead!

In vain auld age his body batters;
In vain the gout his ancles fetters;
In vain the burns cam' down like waters,
An acre braid!
Now ev'ry auld wife, greetin', clatters,
Tam Samson's dead!

Owre many a weary hag he limpit,
An' ay the tither shot he thumpit,
Till coward death behind him jumpit,
Wi' deadly feide;
Now he proclaims, wi' tout o' trumpet,
Tam Samson's dead!

When at his heart he felt the dagger,
He reel'd his wonted bottle swagger,
But yet he drew the mortal trigger
Wi' weel-aim'd heed;
"L--d, five! " he cry'd, an' owre did stagger;
Tam Samson's dead!

Ilk hoary hunter mourn'd a brither;
Ilk sportsman youth bemoan'd a father;
Yon auld grey stane, amang the heather,
Marks out his head,
Whare Burns has wrote in rhyming blether
Tam Samson's dead!

There low he lies, in lasting rest;
Perhaps upon his mould'ring breast
Some spitefu' muirfowl bigs her nest,
To hatch an' breed;
Alas! nae mair he'll them molest!
Tam Samson's dead!

When August winds the heather wave,
And sportsmen wander by yon grave,
Three volleys let his mem'ry crave
O' pouther an' lead,
'Till echo answer frae her cave
Tam Samson's dead!

Heav'n rest his soul, whare'er he be!
Is th' wish o' mony mae than me;
He had twa fauts, or may be three,
Yet what remead?
Ae social, honest man want we:
Tam Samson's dead!

* * * * *

EPITAPH.

Tam Samson's weel-worn clay here lies,
Ye canting zealots spare him!
If honest worth in heaven rise,
Ye'll mend or ye win near him.

* * * * *

PER CONTRA.

Go, Fame, an' canter like a filly
Thro' a' the streets an' neuks o' Killie,
Tell ev'ry social honest billie
To cease his grievin',
For yet, unskaith'd by death's gleg gullie,
Tam Samson's livin'.

FOOTNOTES:

[Footnote 49: When this worthy old sportsman went out last muirfowl
season, he supposed it was to be, in Ossian's phrase, "the last of his
fields. "]

[Footnote 50: A preacher, a great favourite with the million. _Vide_
the Ordination, stanza II]

[Footnote 51: Another preacher, an equal favourite with the few, who
was at that time ailing. For him see also the Ordination, stanza IX. ]

* * * * *




XLI.

LAMENT,

OCCASIONED BY THE UNFORTUNATE ISSUE

OF A

FRIEND'S AMOUR.

"Alas! how oft does goodness wound itself!
And sweet affection prove the spring of woe. "

HOME.

[The hero and heroine of this little mournful poem, were Robert Burns
and Jean Armour. "This was a most melancholy affair," says the poet in
his letter to Moore, "which I cannot yet bear to reflect on, and had
very nearly given me one or two of the principal qualifications for a
place among those who have lost the chart and mistaken the reckoning
of rationality. " Hogg and Motherwell, with an ignorance which is
easier to laugh at than account for, say this Poem was "written on the
occasion of Alexander Cunningham's darling sweetheart alighting him
and marrying another:--she acted a wise part. " With what care they had
read the great poet whom they jointly edited in is needless to say:
and how they could read the last two lines of the third verse and
commend the lady's wisdom for slighting her lover, seems a problem
which defies definition. This mistake was pointed out by a friend, and
corrected in a second issue of the volume. ]


I.

O thou pale orb, that silent shines,
While care-untroubled mortals sleep!
Thou seest a wretch who inly pines,
And wanders here to wail and weep!
With woe I nightly vigils keep,
Beneath thy wan, unwarming beam,
And mourn, in lamentation deep,
How life and love are all a dream.

II.

A joyless view thy rays adorn
The faintly marked distant hill:
I joyless view thy trembling horn,
Reflected in the gurgling rill:
My fondly-fluttering heart, be still:
Thou busy pow'r, Remembrance, cease!
Ah! must the agonizing thrill
For ever bar returning peace!

III.

No idly-feign'd poetic pains,
My sad, love-lorn lamentings claim;
No shepherd's pipe--Arcadian strains;
No fabled tortures, quaint and tame:
The plighted faith; the mutual flame;
The oft-attested Pow'rs above;
The promis'd father's tender name;
These were the pledges of my love!

IV.

Encircled in her clasping arms,
How have the raptur'd moments flown!
How have I wish'd for fortune's charms,
For her dear sake, and hers alone!
And must I think it! --is she gone,
My secret heart's exulting boast?
And does she heedless hear my groan?
And is she ever, ever lost?

V.

Oh! can she bear so base a heart,
So lost to honour, lost to truth,
As from the fondest lover part,
The plighted husband of her youth!
Alas! life's path may be unsmooth!
Her way may lie thro' rough distress!
Then, who her pangs and pains will soothe,
Her sorrows share, and make them less?

VI.

Ye winged hours that o'er us past,
Enraptur'd more, the more enjoy'd,
Your dear remembrance in my breast,
My fondly-treasur'd thoughts employ'd,
That breast, how dreary now, and void,
For her too scanty once of room!
Ev'n ev'ry ray of hope destroy'd,
And not a wish to gild the gloom!

VII.

The morn that warns th' approaching day,
Awakes me up to toil and woe:
I see the hours in long array,
That I must suffer, lingering slow.
Full many a pang, and many a throe,
Keen recollection's direful train,
Must wring my soul, ere Phoebus, low,
Shall kiss the distant, western main.

VIII.

And when my nightly couch I try,
Sore-harass'd out with care and grief,
My toil-beat nerves, and tear-worn eye,
Keep watchings with the nightly thief:
Or if I slumber, fancy, chief,
Reigns haggard-wild, in sore affright:
Ev'n day, all-bitter, brings relief,
From such a horror-breathing night.

IX.

O! thou bright queen, who o'er th' expanse
Now highest reign'st, with boundless sway!
Oft has thy silent-marking glance
Observ'd us, fondly-wand'ring, stray!
The time, unheeded, sped away,
While love's luxurious pulse beat high,
Beneath thy silver-gleaming ray,
To mark the mutual kindling eye.

X.

Oh! scenes in strong remembrance set!
Scenes never, never to return!
Scenes, if in stupor I forget,
Again I feel, again I burn!
From ev'ry joy and pleasure torn,
Life's weary vale I'll wander thro';
And hopeless, comfortless, I'll mourn
A faithless woman's broken vow.

* * * * *




XLII.

DESPONDENCY.

AN ODE.

["I think," said Burns, "it is one of the greatest pleasures attending
a poetic genius, that we can give our woes, cares, joys, and loves an
embodied form in verse, which to me is ever immediate ease. " He
elsewhere says, "My passions raged like so many devils till they got
vent in rhyme. " That eminent painter, Fuseli, on seeing his wife in a
passion, said composedly, "Swear my love, swear heartily: you know not
how much it will ease you! " This poem was printed in the Kilmarnock
edition, and gives a true picture of those bitter moments experienced
by the bard, when love and fortune alike deceived him. ]


I.

Oppress'd with grief, oppress'd with care,
A burden more than I can bear,
I set me down and sigh:
O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!
Dim-backward as I cast my view,
What sick'ning scenes appear!
What sorrows yet may pierce me thro'
Too justly I may fear!
Still caring, despairing,
Must be my bitter doom;
My woes here shall close ne'er
But with the closing tomb!

II.

Happy, ye sons of busy life,
Who, equal to the bustling strife,
No other view regard!
Ev'n when the wished end's deny'd,
Yet while the busy means are ply'd,
They bring their own reward:
Whilst I, a hope-abandon'd wight,
Unfitted with an aim,
Meet ev'ry sad returning night
And joyless morn the same;
You, bustling, and justling,
Forget each grief and pain;
I, listless, yet restless,
Find every prospect vain.

III.

How blest the solitary's lot,
Who, all-forgetting, all forgot,
Within his humble cell,
The cavern wild with tangling roots,
Sits o'er his newly-gather'd fruits,
Beside his crystal well!
Or, haply, to his ev'ning thought,
By unfrequented stream,
The ways of men are distant brought,
A faint collected dream;
While praising, and raising
His thoughts to heav'n on high,
As wand'ring, meand'ring,
He views the solemn sky.

IV.

Than I, no lonely hermit plac'd
Where never human footstep trac'd,
Less fit to play the part;
The lucky moment to improve,
And just to stop, and just to move,
With self-respecting art:
But, ah! those pleasures, loves, and joys,
Which I too keenly taste,
The solitary can despise,
Can want, and yet be blest!
He needs not, he heeds not,
Or human love or hate,
Whilst I here, must cry here
At perfidy ingrate!

V.

Oh! enviable, early days,
When dancing thoughtless pleasure's maze,
To care, to guilt unknown!
How ill exchang'd for riper times,
To feel the follies, or the crimes,
Of others, or my own!
Ye tiny elves that guiltless sport,
Like linnets in the bush,
Ye little know the ills ye court,
When manhood is your wish!
The losses, the crosses,
That active man engage!
The fears all, the tears all,
Of dim declining age!

* * * * *




[Illustration: "THE COTTER'S SATURDAY NIGHT. "]

XLIII.

THE

COTTER'S SATURDAY NIGHT.

INSCRIBED TO ROBERT AIKEN, ESQ.

"Let not ambition mock their useful toil,
Their homely joys, and destiny obscure:
Nor grandeur hear, with a disdainful smile,
The short and simple annals of the poor. "

GRAY

[The house of William Burns was the scene of this fine, devout, and
tranquil drama, and William himself was the saint, the father, and the
husband, who gives life and sentiment to the whole. "Robert had
frequently remarked to me," says Gilbert Burns, "that he thought there
was something peculiarly venerable in the phrase, 'Let us worship
God! ' used by a decent sober head of a family, introducing family
worship. " To this sentiment of the author the world is indebted for
the "Cotter's Saturday Night. " He owed some little, however, of the
inspiration to Fergusson's "Farmer's Ingle," a poem of great merit.
The calm tone and holy composure of the Cotter's Saturday Night have
been mistaken by Hogg for want of nerve and life. "It is a dull,
heavy, lifeless poem," he says, "and the only beauty it possesses, in
my estimation, is, that it is a sort of family picture of the poet's
family. The worst thing of all, it is not original, but is a decided
imitation of Fergusson's beautiful pastoral, 'The Farmer's Ingle:' I
have a perfect contempt for all plagiarisms and imitations. "
Motherwell tries to qualify the censure of his brother editor, by
quoting Lockhart's opinion--at once lofty and just, of this fine
picture of domestic happiness and devotion. ]


I.

My lov'd, my honour'd, much respected friend!
No mercenary bard his homage pays;
With honest pride, I scorn each selfish end:
My dearest meed, a friend's esteem and praise:
To you I sing, in simple Scottish lays,
The lowly train in life's sequester'd scene;
The native feelings strong, the guileless ways;
What Aiken in a cottage would have been;
Ah! tho' his work unknown, far happier there, I ween!

II.

November chill blaws loud wi' angry sugh;
The short'ning winter-day is near a close;
The miry beasts retreating frae the pleugh:
The black'ning trains o' craws to their repose:
The toil-worn Cotter frae his labour goes,
This night his weekly moil is at an end,
Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o'er the moor, his course does homeward bend.

III.

At length his lonely cot appears in view,
Beneath the shelter of an aged tree;
Th' expectant wee-things, toddlin', stacher thro'
To meet their Dad, wi' flichterin' noise an' glee.
His wee bit ingle, blinkin' bonnily.
His clean hearth-stane, his thriftie Wifie's smile,
The lisping infant prattling on his knee,
Does a' his weary kiaugh and care beguile,
An' makes him quite forget his labour and his toil.

IV.

Belyve, the elder bairns come drapping in,
At service out amang the farmers roun':
Some ca' the pleugh, some herd, some tentie rin
A cannie errand to a neebor town:
Their eldest hope, their Jenny, woman grown,
In youthfu' bloom, love sparkling in her e'e,
Comes hame, perhaps to shew a braw new gown,
Or deposite her sair won penny-fee,
To help her parents dear, if they in hardship be.

V.

With joy unfeign'd, brothers and sisters meet,
An' each for other's welfare kindly spiers:
The social hours, swift-wing'd, unnotic'd, fleet;
Each tells the unco's that he sees or hears;
The parents, partial, eye their hopeful years;
Anticipation forward points the view.
The Mother, wi' her needle an' her shears,
Gars auld claes look amaist as weel's the new;
The Father mixes a' wi' admonition due.

VI.

Their master's an' their mistress's command,
The younkers a' are warned to obey;
And mind their labours wi' an eydent hand,
An' ne'er, tho' out of sight, to jauk or play:
"And O! be sure to fear the Lord alway!
And mind your duty, duly, morn and night!
Lest in temptation's path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain, that sought the Lord aright! "

VII.

But, hark! a rap comes gently to the door;
Jenny, wha kens the meaning o' the same,
Tells how a neebor lad cam o'er the moor,
To do some errands, and convoy her hame.
The wily Mother sees the conscious flame
Sparkle in Jenny's e'e, and flush her cheek,
With heart-struck anxious care, inquires his name,
While Jenny hafflins is afraid to speak;
Weel pleas'd the Mother hears it's nae wild, worthless rake.

VIII.

Wi' kindly welcome, Jenny brings him ben;
A strappan youth; he taks the Mother's eye;
Blythe Jenny sees the visit's no ill ta'en;
The Father cracks of horses, pleughs, and kye.
The youngster's artless heart o'erflows wi' joy,
But blate, an laithfu', scarce can weel behave;
The Mother, wi' a woman's wiles, can spy
What makes the youth sae bashfu' and sae grave;
Weel pleas'd to think her bairn's respected like the lave.

IX.

O happy love! Where love like this is found!
O heart-felt raptures! --bliss beyond compare!
I've paced much this weary, mortal round,
And sage experience bids me this declare--
"If heaven a draught of heavenly pleasure spare,
One cordial in this melancholy vale,
'Tis when a youthful, loving, modest pair,
In other's arms, breathe out the tender tale,
Beneath the milk-white thorn that scents the ev'ning gale. "

X.

Is there, in human form, that bears a heart--
A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
Betray sweet Jenny's unsuspecting youth?
Curse on his perjur'd arts! dissembling smooth!
Are honour, virtue, conscience, all exil'd?
Is there no pity, no relenting ruth,
Points to the parents fondling o'er their child?
Then paints the ruin'd maid, and their distraction wild?

XI.

But now the supper crowns their simple board,
The halesome parritch, chief of Scotia's food:
The soupe their only hawkie does afford,
That 'yont the hallan snugly chows her cood:
The dame brings forth in complimental mood,
To grace the lad, her weel-hain'd kebbuck, fell,
An' aft he's prest, an' aft he ca's it guid;
The frugal wifie, garrulous, will tell,
How 'twas a towmond auld, sin' lint was i' the bell.

XII.

The cheerfu' supper done, wi' serious face,
They, round the ingle, form a circle wide;
The Sire turns o'er, with patriarchal grace,
The big ha'-Bible, ance his father's pride;
His bonnet rev'rently is laid aside,
His lyart haffets wearing thin an' bare;
Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And 'Let us worship GOD! ' he says, with solemn air.

XIII.

They chant their artless notes in simple guise;
They tune their hearts, by far the noblest aim:
Perhaps Dundee's wild-warbling measures rise,
Or plaintive Martyrs, worthy of the name;
Or noble Elgin beets the heaven-ward flame,
The sweetest far of Scotia's holy lays:
Compar'd with these, Italian trills are tame;
The tickl'd ear no heart-felt raptures raise;
Nae unison hae they with our Creator's praise.

XIV.

The priest-like Father reads the sacred page,
How Abram was the friend of God on high;
Or, Moses bade eternal warfare wage
With Amalek's ungracious progeny;
Or how the royal bard did groaning lie
Beneath the stroke of Heaven's avenging ire;
Or Job's pathetic plaint, and wailing cry;
Or rapt Isaiah's wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

XV.

Perhaps the Christian volume is the theme,
How guiltless blood for guilty man was shed;
How HE, who bore in Heaven the second name,
Had not on earth whereon to lay his head:
How His first followers and servants sped,
The precepts sage they wrote to many a land:
How he who lone in Patmos banished,
Saw in the sun a mighty angel stand;
And heard great Bab'lon's doom pronounc'd by Heaven's command.

XVI.

Then kneeling down, to HEAVEN'S ETERNAL KING,
The Saint, the Father, and the Husband prays:
Hope 'springs exulting on triumphant wing,'[52]
That thus they all shall meet in future days:
There ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
Together hymning their Creator's praise,
In such society, yet still more dear:
While circling Time moves round in an eternal sphere.

XVII.
Compar'd with this, how poor Religion's pride,
In all the pomp of method and of art,
When men display to congregations wide,
Devotion's ev'ry grace, except the heart!
The Pow'r, incens'd, the pageant will desert,
The pompous strain, the sacerdotal stole;
But haply, in some cottage far apart,
May hear, well pleas'd, the language of the soul;
And in His book of life the inmates poor enrol.

XVIII.

Then homeward all take off their sev'ral way;
The youngling cottagers retire to rest:
Their Parent-pair their secret homage pay,
And proffer up to Heaven the warm request,
That HE, who stills the raven's clam'rous nest,
And decks the lily fair in flow'ry pride,
Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But, chiefly, in their hearts with grace divine preside.

XIX.

From scenes like these, old Scotia's grandeur springs,
That makes her lov'd at home, rever'd abroad:
Princes and lords are but the breath of kings,
"An honest man's the noblest work of GOD;"[53]
And certes, in fair virtue's heav'nly road,
The cottage leaves the palace far behind;
What is a lordship's pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of Hell, in wickedness refin'd!

XX.

O Scotia! my dear, my native soil!
For whom my warmest wish to Heaven is sent!
Long may thy hardy sons of rustic toil
Be blest with health, and peace, and sweet content!
And, O! may heaven their simple lives prevent
From luxury's contagion, weak and vile!
Then, howe'er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov'd Isle.

XXI.

O Thou! who pour'd the patriotic tide
That stream'd through Wallace's undaunted heart:
Who dar'd to nobly stem tyrannic pride,
Or nobly die, the second glorious part,
(The patriot's God, peculiarly Thou art,
His friend, inspirer, guardian, and reward! )
O never, never, Scotia's realm desert;
But still the patriot, and the patriot bard,
In bright succession raise, her ornament and guard!

FOOTNOTES:

[Footnote 52: Pope. ]

[Footnote 53: Pope. ]

* * * * *




XLIV.

THE FIRST PSALM.

[This version was first printed in the second edition of the poet's
work. It cannot be regarded as one of his happiest compositions: it is
inferior, not indeed in ease, but in simplicity and antique rigour of
language, to the common version used in the Kirk of Scotland. Burns
had admitted "Death and Dr. Hornbook" into Creech's edition, and
probably desired to balance it with something at which the devout
could not cavil. ]


The man, in life wherever plac'd,
Hath happiness in store,
Who walks not in the wicked's way,
Nor learns their guilty lore!

Nor from the seat of scornful pride
Casts forth his eyes abroad,
But with humility and awe
Still walks before his GOD.

That man shall flourish like the trees
Which by the streamlets grow;
The fruitful top is spread on high,
And firm the root below.

But he whose blossom buds in guilt
Shall to the ground be cast,
And, like the rootless stubble, tost
Before the sweeping blast.

For why? that GOD the good adore
Hath giv'n them peace and rest,
But hath decreed that wicked men
Shall ne'er be truly blest.

* * * * *




XLV.

THE FIRST SIX VERSES

OF THE

NINETIETH PSALM.

[The ninetieth Psalm is said to have been a favourite in the household
of William Burns: the version used by the Kirk, though unequal,
contains beautiful verses, and possesses the same strain of sentiment
and moral reasoning as the poem of "Man was made to Mourn. " These
verses first appeared in the Edinburgh edition; and they might have
been spared; for in the hands of a poet ignorant of the original
language of the Psalmist, how could they be so correct in sense and
expression as in a sacred strain is not only desirable but necessary? ]


O Thou, the first, the greatest friend
Of all the human race!
Whose strong right hand has ever been
Their stay and dwelling place!

Before the mountains heav'd their heads
Beneath Thy forming hand,
Before this ponderous globe itself
Arose at Thy command;

That Pow'r which rais'd and still upholds
This universal frame,
From countless, unbeginning time
Was ever still the same.

Those mighty periods of years
Which seem to us so vast,
Appear no more before Thy sight
Than yesterday that's past.

Thou giv'st the word: Thy creature, man,
Is to existence brought;
Again thou say'st, "Ye sons of men,
Return ye into nought! "

Thou layest them, with all their cares,
In everlasting sleep;
As with a flood Thou tak'st them off
With overwhelming sweep.

They flourish like the morning flow'r,
In beauty's pride array'd;
But long ere night, cut down, it lies
All wither'd and decay'd.

* * * * *




XLVI.

TO A MOUNTAIN DAISY,

ON TURNING ONE DOWN WITH THE PLOUGH IN

APRIL, 1786.

[This was not the original title of this sweet poem: I have a copy in
the handwriting of Burns entitled "The Gowan. " This more natural name
he changed as he did his own, without reasonable cause; and he changed
it about the same time, for he ceased to call himself Burness and his
poem "The Gowan," in the first edition of his works. The field at
Mossgiel where he turned down the Daisy is said to be the same field
where some five months before he turned up the Mouse; but this seems
likely only to those who are little acquainted with tillage--who think
that in time and place reside the chief charms of verse; and who feel
not the beauty of "The Daisy," till they seek and find the spot on
which it grew. Sublime morality and the deepest emotions of the soul
pass for little with those who remember only what the genius loves to
forget. ]


Wee, modest, crimson-tipped flow'r,
Thou's met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:
To spare thee now is past my pow'r,
Thou bonnie gem.

Alas! it's no thy neebor sweet,
The bonnie lark, companion meet!
Bending thee 'mang the dewy weet,
Wi' spreckl'd breast,
When upward-springing, blythe, to greet
The purpling east.

Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce rear'd above the parent earth
Thy tender form.

The flaunting flowers our gardens yield,
High shelt'ring woods and wa's maun shield
But thou, beneath the random bield
O' clod or stane,
Adorns the histie stibble-field,
Unseen, alane.

There, in thy scanty mantle clad,
Thy snawie bosom sunward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!

Such is the fate of artless maid,
Sweet flow'ret of the rural shade!
By love's simplicity betray'd,
And guileless trust,
'Till she, like thee, all soil'd, is laid
Low i' the dust.

Such is the fate of simple bard,
On life's rough ocean luckless starr'd!
Unskilful he to note the card
Of prudent lore,
'Till billows rage, and gales blow hard,
And whelm him o'er!

Such fate to suffering worth is giv'n,
Who long with wants and woes has striv'n,
By human pride or cunning driv'n
To mis'ry's brink,
'Till wrenched of every stay but Heav'n,
He, ruin'd, sink!

Ev'n thou who mourn'st the Daisy's fate,
That fate is thine--no distant date;
Stern Ruin's ploughshare drives, elate,
Full on thy bloom,
'Till crush'd beneath the furrow's weight,
Shall be thy doom!

* * * * *




XLVII.

EPISTLE TO A YOUNG FRIEND.

MAY, 1786.

[Andrew Aikin, to whom this poem of good counsel is addressed, was one
of the sons of Robert Aiken, writer in Ayr, to whom the Cotter's
Saturday Night is inscribed. He became a merchant in Liverpool, with
what success we are not informed, and died at St. Petersburgh. The
poet has been charged with a desire to teach hypocrisy rather than
truth to his "Andrew dear;" but surely to conceal one's own thoughts
and discover those of others, can scarcely be called hypocritical: it
is, in fact, a version of the celebrated precept of prudence,
"Thoughts close and looks loose. " Whether he profited by all the
counsel showered upon him by the muse we know not: he was much
respected--his name embalmed, like that of his father, in the poetry
of his friend, is not likely soon to perish. ]


I.

I lang hae thought, my youthfu' friend,
A something to have sent you,
Though it should serve nae ither end
Than just a kind memento;
But how the subject-theme may gang,
Let time and chance determine;
Perhaps it may turn out a sang,
Perhaps, turn out a sermon.

II.

Ye'll try the world soon, my lad,
And, Andrew dear, believe me,
Ye'll find mankind an unco squad,
And muckle they may grieve ye:
For care and trouble set your thought,
Ev'n when your end's attain'd;
And a' your views may come to nought,
Where ev'ry nerve is strained.

III.

I'll no say men are villains a';
The real, harden'd wicked,
Wha hae nae check but human law,
Are to a few restricked;
But, och! mankind are unco weak,
An' little to be trusted;
If self the wavering balance shake,
It's rarely right adjusted!

IV.

Yet they wha fa' in Fortune's strife,
Their fate we should na censure,
For still th' important end of life
They equally may answer;
A man may hae an honest heart,
Tho' poortith hourly stare him;
A man may tak a neebor's part,
Yet hae nae cash to spare him.

V.

Ay free, aff han' your story tell,
When wi' a bosom crony;
But still keep something to yoursel'
Ye scarcely tell to ony.
Conceal yoursel' as weel's ye can
Frae critical dissection;
But keek thro' ev'ry other man,
Wi' sharpen'd, sly inspection.

VI.

The sacred lowe o' weel-plac'd love,
Luxuriantly indulge it;
But never tempt th' illicit rove,
Tho' naething should divulge it:
I waive the quantum o' the sin,
The hazard of concealing;
But, och! it hardens a' within,
And petrifies the feeling!

VII.

To catch dame Fortune's golden smile,
Assiduous wait upon her;
And gather gear by ev'ry wile
That's justified by honour;
Not for to hide it in a hedge,
Nor for a train-attendant;
But for the glorious privilege
Of being independent.

VIII.

The fear o' Hell's a hangman's whip,
To haud the wretch in order;
But where ye feel your honour grip,
Let that ay be your border:
Its slightest touches, instant pause--
Debar a' side pretences;
And resolutely keep its laws,
Uncaring consequences.

IX.

The great Creator to revere
Must sure become the creature;
But still the preaching cant forbear,
And ev'n the rigid feature:
Yet ne'er with wits profane to range,
Be complaisance extended;
An Atheist laugh's a poor exchange
For Deity offended!

X.

When ranting round in pleasure's ring,
Religion may be blinded;
Or if she gie a random sting,
It may be little minded;
But when on life we're tempest-driv'n,
A conscience but a canker--
A correspondence fix'd wi' Heav'n
Is sure a noble anchor!

XI.

Adieu, dear, amiable youth!
Your heart can ne'er be wanting!
May prudence, fortitude, and truth
Erect your brow undaunting!
In ploughman phrase, 'God send you speed,'
Still daily to grow wiser:
And may you better reck the rede
Than ever did th' adviser!

* * * * *




XLVIII.

TO A LOUSE,

ON SEEING ONE IN A LADY'S BONNET, AT CHURCH

[A Mauchline incident of a Mauchline lady is related in this poem,
which to many of the softer friends of the bard was anything but
welcome: it appeared in the Kilmarnock copy of his Poems, and
remonstrance and persuasion were alike tried in vain to keep it out of
the Edinburgh edition. Instead of regarding it as a seasonable rebuke
to pride and vanity, some of his learned commentators called it course
and vulgar--those classic persons might have remembered that Julian,
no vulgar person, but an emperor and a scholar, wore a populous beard,
and was proud of it. ]


Ha! whare ye gaun, ye crowlin ferlie!
Your impudence protects you sairly:
I canna say by ye strunt rarely,
Owre gauze and lace;
Tho' faith, I fear, ye dine but sparely
On sic a place.

Ye ugly, creepin', blastit wonner,
Detested, shunn'd, by saunt an' sinner,
How dare you set your fit upon her,
Sae fine a lady!
Gae somewhere else, and seek your dinner
On some poor body.

Swith, in some beggar's haffet squattle;
There ye may creep, and sprawl, and sprattle
Wi' ither kindred, jumping cattle,
In shoals and nations;
Whare horn nor bane ne'er daur unsettle
Your thick plantations.

Now haud you there, ye're out o' sight,
Below the fatt'rells, snug an' tight;
Na, faith ye yet! ye'll no be right
'Till ye've got on it,
The vera topmost, tow'ring height
O' Miss's bonnet.

My sooth! right bauld ye set your nose out,
As plump an' gray as onie grozet;
O for some rank, mercurial rozet,
Or fell, red smeddum,
I'd gie you sic a hearty doze o't,
Wad dross your droddum!

I wad na been surpris'd to spy
You on an auld wife's flainen toy;
Or aiblins some bit duddie boy,
On's wyliecoat;
But Miss's fine Lunardi! fie!
How daur ye do't?

O, Jenny, dinna toss your head,
An' set your beauties a' abread!
Ye little ken what cursed speed
The blastie's makin'!
Thae winks and finger-ends, I dread,
Are notice takin'!

O wad some Power the giftie gie us
To see oursels as others see us!
It wad frae monie a blunder free us
An' foolish notion;
What airs in dress an' gait wad lea'e us,
And ev'n devotion!

* * * * *




XLIX.

EPISTLE TO J. RANKINE,

ENCLOSING SOME POEMS.

[The person to whom these verses are addressed lived at Adamhill in
Ayrshire, and merited the praise of rough and ready-witted, which the
poem bestows. The humorous dream alluded to, was related by way of
rebuke to a west country earl, who was in the habit of calling all
people of low degree "Brutes! --damned brutes. " "I dreamed that I was
dead," said the rustic satirist to his superior, "and condemned for
the company I kept. When I came to hell-door, where mony of your
lordship's friends gang, I chappit, and 'Wha are ye, and where d'ye
come frae? ' Satan exclaimed. I just said, that my name was Rankine,
and I came frae yere lordship's land. 'Awa wi' you,' cried Satan, ye
canna come here: hell's fou o' his lordship's damned brutes
already. '"]


O rough, rude, ready-witted Rankine,
The wale o' cocks for fun an' drinkin'!
There's monie godly folks are thinkin',
Your dreams[54] an' tricks
Will send you, Korah-like, a-sinkin'
Straught to auld Nick's.

Ye hae sae monie cracks an' cants,
And in your wicked, dru'ken rants,
Ye mak a devil o' the saunts,
An' fill them fou;
And then their failings, flaws, an' wants,
Are a' seen through.

Hypocrisy, in mercy spare it!
That holy robe, O dinna tear it!
Spare't for their sakes wha aften wear it,
The lads in black!
But your curst wit, when it comes near it,
Rives't aff their back.

Think, wicked sinner, wha ye're skaithing,
It's just the blue-gown badge and claithing
O' saunts; tak that, ye lea'e them naething
To ken them by,
Frae ony unregenerate heathen,
Like you or I.

I've sent you here some rhyming ware,
A' that I bargain'd for, an' mair;
Sae, when you hae an hour to spare,
I will expect
Yon sang,[55] ye'll sen't wi cannie care,
And no neglect.

Tho' faith, sma' heart hae I to sing!
My muse dow scarcely spread her wing!
I've play'd mysel' a bonnie spring,
An' danc'd my fill!
I'd better gaen an' sair't the king,
At Bunker's Hill.

'Twas ae night lately, in my fun,
I gaed a roving wi' the gun,
An' brought a paitrick to the grun',
A bonnie hen,
And, as the twilight was begun,
Thought nane wad ken.

The poor wee thing was little hurt;
I straikit it a wee for sport,
Ne'er thinkin' they wad fash me for't;
But, deil-ma-care!
Somebody tells the poacher-court
The hale affair.

Some auld us'd hands had taen a note,
That sic a hen had got a shot;
I was suspected for the plot;
I scorn'd to lie;
So gat the whissle o' my groat,
An' pay't the fee.

But, by my gun, o' guns the wale,
An' by my pouther an' my hail,
An' by my hen, an' by her tail,
I vow an' swear!
The game shall pay o'er moor an' dale,
For this niest year.

As soon's the clockin-time is by,
An' the wee pouts begun to cry,
L--d, I'se hae sportin' by an' by,
For my gowd guinea;
Tho' I should herd the buckskin kye
For't, in Virginia.

Trowth, they had muckle for to blame!
'Twas neither broken wing nor limb,
But twa-three draps about the wame
Scarce thro' the feathers;
An' baith a yellow George to claim,
An' thole their blethers!

It pits me ay as mad's a hare;
So I can rhyme nor write nae mair;
But pennyworths again is fair,
When time's expedient:
Meanwhile I am, respected Sir,
Your most obedient.

FOOTNOTES:

[Footnote 54: A certain humorous dream of his was then making a noise
in the country-side. ]

[Footnote 55: A song he had promised the author. ]

* * * * *




L.

ON A SCOTCH BARD,

GONE TO THE WEST INDIES.

[Burns in this Poem, as well as in others, speaks openly of his tastes
and passions: his own fortunes are dwelt on with painful minuteness,
and his errors are recorded with the accuracy, but not the seriousness
of the confessional. He seems to have been fond of taking himself to
task. It was written when "Hungry ruin had him in the wind," and
emigration to the West Indies was the only refuge which he could think
of, or his friends suggest, from the persecutions of fortune. ]


A' ye wha live by sowps o' drink,
A' ye wha live by crambo-clink,
A' ye wha live and never think,
Come, mourn wi' me!
Our billie's gien us a' a jink,
An' owre the sea.

Lament him a' ye rantin' core,
Wha dearly like a random-splore,
Nae mair he'll join the merry roar
In social key;
For now he's taen anither shore,
An' owre the sea!

The bonnie lasses weel may wiss him,
And in their dear petitions place him;
The widows, wives, an' a' may bless him,
Wi' tearfu' e'e;
For weel I wat they'll sairly miss him
That's owre the sea!

O Fortune, they hae room to grumble!
Hadst thou taen' aff some drowsy bummle
Wha can do nought but fyke and fumble,
'Twad been nae plea,
But he was gleg as onie wumble,
That's owre the sea!

Auld, cantie Kyle may weepers wear,
An' stain them wi' the saut, saut tear;
'Twill mak her poor auld heart, I fear,
In flinders flee;
He was her laureate monie a year,
That's owre the sea!

He saw Misfortune's cauld nor-west
Lang mustering up a bitter blast;
A jillet brak his heart at last,
Ill may she be!
So, took a birth afore the mast,
An' owre the sea.

To tremble under fortune's cummock,
On scarce a bellyfu' o' drummock,
Wi' his proud, independent stomach,
Could ill agree;
So, row't his hurdies in a hammock,
An' owre the sea.

He ne'er was gien to great misguiding,
Yet coin his pouches wad na bide in;
Wi' him it ne'er was under hiding:
He dealt it free;
The muse was a' that he took pride in,
That's owre the sea.

Jamaica bodies, use him weel,
An' hap him in a cozie biel;
Ye'll find him ay a dainty chiel,
And fou o' glee;
He wad na wrang'd the vera deil,
That's owre the sea.

Fareweel, my rhyme-composing billie!
Your native soil was right ill-willie;
But may ye flourish like a lily,
Now bonnilie!
I'll toast ye in my hindmost gillie,
Tho' owre the sea!

* * * * *




LI.

THE FAREWELL.

"The valiant, in himself, what can he suffer?
Or what does he regard his single woes?
But when, alas! he multiplies himself,
To dearer selves, to the lov'd tender fair,
The those whose bliss, whose beings hang upon him,
To helpless children! then, O then! he feels
The point of misery fest'ring in his heart,
And weakly weeps his fortune like a coward.
Such, such am I! undone. "

THOMSON.

[In these serious stanzas, where the comic, as in the lines to the
Scottish bard, are not permitted to mingle, Burns bids farewell to all
on whom his heart had any claim. He seems to have looked on the sea as
only a place of peril, and on the West Indies as a charnel-house. ]


I.

Farewell, old Scotia's bleak domains,
Far dearer than the torrid plains
Where rich ananas blow!
Farewell, a mother's blessing dear!
A brother's sigh! a sister's tear!
My Jean's heart-rending throe!
Farewell, my Bess! tho' thou'rt bereft
Of my parental care,
A faithful brother I have left,
My part in him thou'lt share!
Adieu too, to you too,
My Smith, my bosom frien';
When kindly you mind me,
O then befriend my Jean!

II.

What bursting anguish tears my heart!
From thee, my Jeany, must I part!