No More Learning

1. Qua^ndo? que, dise? rtos, profundo or profundo.
2. Short. 3. Because it is short in Probus, and
words retain the same quantity when compound-
ed, as they have out of composition. 4. Pe? rfero^
or pe? rfe? ro, de? fe? m or de? fe? ro, deo? scu? lo? r.
7.
1. The first vowel is long because it is followed
by two consonants, the second because it is long
in Felix, the third because it is followed by a
double letter. 2. animal. 3. arena, arista, de? -
ni, di? cax. 4. Dux, ducis, fides, fra? gilis, fragor.
8.
1. Di? ti? o^ or di? ti? o, fo^me? ntum, fome? s. 8. Hu^-
manus, humor, ju? cundus, ju^mentum. 3. Ju? -
gerum, nota, noto or no? to? . 4. Ju? nior.
9.
1. La^terna, lex, le? gis, libella. 2. Lucerna,
mo? bilis, no? nus, o? dium. 3. Pe? nuria, rex, re? gis,
re? gula, sa? gax. 4. Se? cius, se? des, se? dile, sopor.
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? 8 QUANTITY.
10.
J. Suspi? cio, te? gula, va? dum, vi? tiam. S. Short.
3. Di^li? go? or di? li? go. 4. i? mpote? ns> di? spli? ce? o^ or
di? spli? ce? o^, i? nci? pi? o^ or i? nci? pi? o.
11.
1. Long. 2. Short. 3. Bibi, dedi, fidi from
findo, scidi from scindo, steti, stiti, tuli. 4. Ce? -
ei^di? , ce? ci? di^, fe? fe? lli? .
12.
1. Datum, ratum, satum, itum, litum, quitum,
situm, rutum, citum from cieo, futurus from fi>-
tum. 2. Common. 3. Long. 4. When the
preterperfect ends in ivi.
13.
1. Le? gi? , vi? ci? t, pe? pi? gi^sti? . 2. Tri tu, spre? tus,
la^tu^, sua^sus. 3. Short. 4. Mo^vi? , mo^ve? ra^ti? s,
mo^tu^s fue? ri? t.
14.
1. Because preterites, in which the first sylla-
ble is repeated, have the two first syllables short.
2. Because supines in itum, of more than two
syllables, have the penultimate long when the
preterperfect ends in ivi. 3. Tango or tango,
te? ti? ge? ro^ or te? ti? ge? ro^, ta^nge? ba^mi? ni^. 4. Crepa^-
bis, miseri? ti? s, excepe? ri? s.
15.
1. Mu^lce? ba^mus, pro^cu^de? ri? s, mi? scue? ri? nt, lu? x-
e? ri? mus. 2. Pe? pe? ndi? , ple? vi^sti? s, fuso^s. 3.
Be-
cause preterperfects of two syllables have the
former syllable long. 4. Ce? ci? de? rat, ce? ci? di? mus.
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? C/BSUKA. 9
16.
1. Long. 2. The same, when used as Latin
words, as they have in Greek. 3. De? u^m, pu^g-
na^ra? or pu^gna^ro? . 4. Common.
PART III.
VERSIFICATION.
CHAPTER I.
CMSU? RA.
1.
1. A division or separation of a foot, occasion-
ed by the syllables, of which it is composed, be-
longing to different words. 2. Yes. 3. It
connects with each other the different words, of
which a line is composed, and gives to it smooth-
ness and harmony. 4. Three, the syllabic, the
trochaic, and the monosyllabic.
2.
1. The syllabic caesura is that, in which the
first part of the divided foot consists of the last
syllable of a word. 2. That, in which the first part
of the divided foot consists either of a long and
short syllable remaining at the end of a word, or
of an entire word comprised of one long and one
short syllable. 3. That, in which the first syllable
of the divided foot is a monosyllable. 4. Three.
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? 10 CESURA.
3.
1. Syllabic. 2. The syllabic. 3. Its three
first half feet. 4. The five first half feet, con-
cluding with the last syllable in Procul.
4.
1. Nine in the ennehiraeris and seven in the
hephthemimeris. 2. In the second, third, fourth,
and sometimes in the fifth foot. 3. In either of
the first five feet. 4. In the second and third,
and in the third and fourth feet.
5.
1. Because two successive trochaic caesuras
occur in the second and third feet of the first line,
and in the third and fourth feet of the second
verse. 2. It has not a caesura in either of the
first four feet. 3. No. 4. No.
6.
1. Of a word of sufficient length to complete
the foot, and to leave a caesural syllable. 2. In
the first, second, fourth, fifth, and sixth feet.
3. Always in the fourth, and generally in the se-
cond foot. 4. When there is a caesura in the third.
7.
1. The trochaic. 2. It has a syllabic caesura
in the sixth foot. 3. In the third foot. 4. In
the foot preceding the final syllable in the second-
hemistich.
8.
1; A syllabic caesura. 2. When the preceding
word is a monosyllable. 3. By a word of four
or more syllables. 4. The last vowel of the ad-
jective Gravia.
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? CAESURA. 11
9.
Ovid. Met. XV, 192.
Ipse dei clypeus terra cu`m tollitur ima^,
Mane rubet ; terra^que rubet cu`m conditur ima^.
10.
Claudian. In Ruf. I, 52.
En, proles antiqua redit ; concordia, virtus,
Cumque fide pietas alta^ cervice vagantur.
11.
Virgil. JEneid. XI, 137-
Robora nee cuneis, et olentem scindere cedrum,
Nec plaustris cessant vectare gementibus oraos.
12.
Claudian. De Rap. Pros. I, 198.
Sponte tuus florebit ager cessante juvenco ;
Ditior oblatas mirabitur incola messes.
IS.
Juvenal. XII, 50.
Non propter vitam faciunt patrimonia quidam,
Sed, vitio ceeci, propter patrimonia vivunt.
14.
Ovid. Fast. II, 49? .
Sol fugit, et removent subeuntia nubila coelum,
Et gravis, effusis, de? cidit imber, aquis.
15.
Propert. Cynth. I, Eleg. I, 37-
Quad si quis monitis tardas adverterit aures,
Heu, referet quanto verba dolore mea !
16.
Ovid. Heroid. XIX, 183.
Arte laboratae vincuntur ab aequore puppes.
Tu tua plu`s remis brachia posse pu^tes ?
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? 12 CESURA.
17.
Tibull. II, Eleg. 'I, 13.
Casta placent superis ; pura` cum veste venite,
Et manibus puris sumite fantis aquam.
18.
Ovid. Met. XV, 156.
Corpora sive rogus flamma^, seu tabe vetustas
Abstulerit, mala posse pati non ulla putetis.
19.
Virgil. Mne? d. XI, 425.
Multa dies, variusque labor mutabilis aevi,
Rettulit in melius ; multos alterna revisens
Lusit, et in solido rursus fortuna locavit.
20.
Virgil. Georg. I, 71.
Alternis idem tonsas cessare novales,
Et segnem patie^re situ durescere campum;
Aut ibi flava seres, mutato sidere, farra.
21.
latean. Ill, 399.
Lucus erat longo nunquam violatus ab aevo,
Obscurum cingens connexis aera ramis,
Et gelidas, alte summotis solibus, umbras.
22.